Freezing with My Father at Candlestick Park
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Regional Oral History Office the Bancroft Library Evelyn Danzig
Regional Oral History Office University of California The Bancroft Library Berkeley, California Evelyn Danzig Haas FINE ARTS AND FAMILY: THE SAN FRANCISCO MUSEUM OF MODERN ART, PHILANTHROPY, WRITING, AND HAAS FAMILY MEMORIES With Introductions by Eugene E. Trefethen and Elizabeth Haas Eisenhardt Interviews Conducted by Suzanne B. Riess in 1995 Copyright 1997 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the Nation. Oral history is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well- informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Evelyn Danzig Haas dated March 6, 1995. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. -
Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood Kevin Mercer University of Central Florida Part of the History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Mercer, Kevin, "Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood" (2017). Electronic Theses and Dissertations, 2004-2019. 5540. https://stars.library.ucf.edu/etd/5540 HIPPIELAND: BOHEMIAN SPACE AND COUNTERCULTURAL PLACE IN SAN FRANCISCO’S HAIGHT-ASHBURY NEIGHBORHOOD by KEVIN MITCHELL MERCER B.A. University of Central Florida, 2012 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2017 ABSTRACT This thesis examines the birth of the late 1960s counterculture in San Francisco’s Haight-Ashbury neighborhood. Surveying the area through a lens of geographic place and space, this research will look at the historical factors that led to the rise of a counterculture here. To contextualize this development, it is necessary to examine the development of a cosmopolitan neighborhood after World War II that was multicultural and bohemian into something culturally unique. -
INSTRUCTION BOOKLET Recipe Booklet Reverse Side
INSTRUCTION BOOKLET Recipe Booklet Reverse Side 12-Cup Cuisinart Elite Collection® 2.0 Food Processor FP-12N Series For your safety and continued enjoyment of this product, always read the instruction book carefully before using. RECOMMENDED MAXIMUM WORK BOWL CAPACITIES FOOD CAPACITY CAPACITY 12-CUP WORKBOWL 4-CUP WORKBOWL Sliced or shredded fruit, vegetables or cheese 12 cups N/A Chopped fruit, vegetables or cheese 9 cups 3 cups Puréed fruit, vegetables or cheese 10 cups cooked 3 cups cooked 6 cups puréed 1½ cups puréed Chopped or puréed meat, fish, seafood 2 pounds ½ pound Thin liquid* (e.g. dressing, soups, etc.) 8 cups 3 cups Cake batter One 9-inch cheesecake N/A Two 8-inch homemade layers (1 box 18.5 oz. cake mix) Cookie dough 6 dozen (based on average chocolate N/A chip cookie recipe) White bread dough 5 cups flour N/A Whole wheat bread dough 3 cups flour N/A Nuts for nut butter 5 cups 1½ cups * When processing egg-based liquids, like a custard base for quiche, reduce maximum capacity by 2 cups. 2 counterclockwise to lock it, then remove the IMPORTANT UNPACKING housing base (J) from the bottom of the box. 7. Place the food processor on the countertop INSTRUCTIONS or table. Read the Assembly and Operating This package contains a Cuisinart Elite Instructions (pages 8–10) thoroughly before Collection® 12-Cup Food Processor and the using the machine. accessories for it: 8. Save the shipping cartons and plastic foam 12- and 4-cup work bowls, work bowl cover, blocks. You will find them very useful if you large and small metal chopping/mixing blades, need to repack the processor for moving or dough blade, adjustable slicing disc, reversible other shipment. -
We Are One June 16, 2018
We Are One June 16, 2018 Julie Desbordes, Artistic Director Molly Pope, Host and Special Guest Ian Shafer, Assistant Conductor La Gazza Ladra Overture Gioacchino Rossini Blood Moon Elizabeth Lain WORLD PREMIERE Sixth Fanfare for the Uncommon Woman Joan Tower Intermission Blue Danube Waltz Johann Strausse Selections from Man of La Mancha Mitch Leigh Conducted by Ian Shafer Ballad of the Sad Young Men Fran Landesman and Tommy Wolf The Best of Times Jerry Herman Special Guest Molly Pope The Carousel Waltz (Concert Version) Richard Rodgers Orchestrations by Don Walker Queer Urban Orchestra Violin I Bass Trumpet Brian Harrington Roger Herr Gilbert Galindo Andrew Holland Adrienne Lloyd •§ Erin Kulick § Nick Johnson George Nicholson Ron Nahass • Jennifer Rich Bryan Wang Farzaneh Sarafraz Harp Navida Stein Stephanie Babirak Trombone Phong Ta †§ Kevin Schmitt • Liann Wadewitz Flute/Piccolo Simon Morales Craig Devereaux •§ Violin II Scott Oaks Bass Trombone Alva Bostick § Ashley Williams Alex Arellano Jonathan Chang • Laura Flanagan Oboe Tuba Andre Gillard Alan Hyde Andrew Madej Suzanne Lipkin Rishi Magia Cory Pitts Percussion Seyed Safavynia Clarinet Andrew Berman •§ Ligia Sakurai Travis Fraser § Paul Robertson Vasanth Subramaniam Fran Novak • Álvaro Rodas James Teal Timothy Soldani Viola Bassoon Darcy Leon • Emily Bayer Nick Pulito James Di Meglio •§ William Jones Matthew Overberg Contrabassoon Nicholas Singletary Norma Kerlin Horn Cello Lynn Caron Bjorn Berkhout •§ Noah Dopkins Alex Humesky Steven Petrucelli § Todd Porter Marshall Sealy Brittany Taylor † concertmaster § section leader • principal Julie Desbordes, Artistic Director Originally from Limoges, France, Julie Desbordes is a fast-rising conductor known for her engaging style, energetic interpretations and emotional communication with her musicians and audiences. -
Bay Area Reporter, Volume 11, Number 17, 13 August 1981
I 528 15TH STREET, SAN FRANCISCO, CA 94103 TELEPHONE: 415/861-5019 VOL. XI NO. 17 AUGUST 13, 1981 SFPD Raid Hotel In the last several months close to two hundred people Guests and Staff in Uproar have paid $150 for the right to get, keep or look at the by Paul Lorch kicking down doors, physical¬ bodies which have become ly and verbally roughing up such a tourist attraction in the Residents of the Zee Hotel both staff and guests and Castro. This financial exercise were stilt reeling in shock this arresting over a dozen males was done at a gym formerly week over what they uniform¬ (although even at this point called “The Pump Room” on ly feel was a horror-filled vio¬ the Zee people still aren’t sure upper Market Street. lation of their lives. On Thurs¬ of exactly how many were day, August 6, shortly after booked, how many were sub¬ It seems the man who own¬ 5pm the Tenderloin hotel sequently released, or how ed the Pump Room decided to let the air out of the Pump “You have a building full of queers and crimi¬ Room and head South. This has left the owner of the nals and we 're going to get rid of them for you. ” building, through various legal procedures, with a really San Francisco Police Officer jazzy and well-equipped gym. at the Zee Hotel Thus, under the auspices of one Loran Lee there is now found itself awash in a sea of many are still in custody). The Bodyworks Gym where undercover police. -
The Sixties Counterculture and Public Space, 1964--1967
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2003 "Everybody get together": The sixties counterculture and public space, 1964--1967 Jill Katherine Silos University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Silos, Jill Katherine, ""Everybody get together": The sixties counterculture and public space, 1964--1967" (2003). Doctoral Dissertations. 170. https://scholars.unh.edu/dissertation/170 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty. -
The Best Places to Eat, Sleep and Play in San Francisco This Fall and Winter
SAN FRANCISCO FALL & WINTER GUIDE 2008/2009 The best places to eat, sleep and play in San Francisco this fall and winter With more than 20 million reviews and opinions, TripAdvisor makes travel planning a snap for the 25 million travelers visiting our site each month. INTRODUCTION TripAdvisor, the most trusted source for where to eat, sleep and play in thousands of destinations around the world, has collected the best insider tips from its 25 million monthly visitors to produce a unique series of travel guides. In addition to the best hotels, restaurants and attractions for every type of traveler, you’ll get great advice about what to pack, how to get around and where to find the best views. Be sure to check out the guides at www.tripadvisor.com. You’ll find reviews for more than 230,000 hotels, 76,000 attractions and 435,000 Inside restaurants on TripAdvisor.com. Learn from other travelers what to expect before you make your plans. SAN FRANCISCO Diversity is the name of the game in San Francisco. Diverse citizens: one of the most liberal centers in the U.S. today, the PACKING TIPS city is the second most densely populated in the country and is home 1. A backpack—“Backpacks abound among to significant Chinese, Japanese, Vietnamese, Filipino, Italian, Irish and locals. They are handy for carrying the Russian populations. Diverse architecture: almost destroyed in an layers of clothing that you will need, due to earthquake in 1906, the city was rapidly rebuilt and remains one of the the changing temperatures of the day.” —TripAdvisor Member, San Francisco most architecturally interesting cities in the United States with building styles that range from British Victorians to modern skyscrapers. -
CHAN 10411 Booklet.Indd
CHAN 10411 Words and Music Katie Vandyck 1 It might as well be spring 3:12 Words: Oscar Hammerstein II Music: Richard Rodgers 2 Don’t sleep in the subway 3:18 Words: Tony Hatch Music: Jackie Trent 3 Get rid of Monday 2:37 Words: Johnny Burke Music: Jimmy van Heusen 4 Someone to watch over me 4:16 Words: Ira Gershwin Music: George Gershwin 5 Angel eyes 4:10 Words: Tom Adair Music: Matt Dennis Richard Rodney Bennett 3 6 Spring can really hang you up the most 5:01 11 On second thought 3:56 Words: Fran Landesman Words: Carolyn Leigh Music: Tommy Wolf Music: Cy Coleman 7 Let me down easy 4:02 12 Early to bed 3:07 Words: Carolyn Leigh Words: Franklin Underwood Music: Cy Coleman Music: Richard Rodney Bennett 8 I won’t dance 2:57 13 Wake up, chill’un, wake up 3:45 Words: Dorothy Fields Words: Jo Trent Music: Jerome Kern Music: Willard Robison 9 Killing time 3:00 14 Goodbye for now 3:27 Words: Carolyn Leigh Words: Charles Hart Music: Jule Styne Music: Richard Rodney Bennett 10 How long has this been going on? 4:23 15 Words and Music 2:32 Words: Ira Gershwin Words: Richard Rodney Bennett Music: George Gershwin Music: Richard Rodney Bennett TT 53:52 Richard Rodney Bennett vocals and piano 4 5 and Jackie Trent), to which Richard was Orchestra at the Queen Elizabeth Hall and the Richard Rodney Bennett: Words and Music introduced by the late great British jazz BBC Symphony Orchestra and Chorus at the pianist Pat Smythe. -
Carmen Mcrae Collection of Musical Arrangements and Other Materials
Carmen McRae Collection of Musical Arrangements and Other Materials Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2013 Revised 2017 February Contact information: http://hdl.loc.gov/loc.music/perform.contact Additional search options available at: http://hdl.loc.gov/loc.music/eadmus.mu013004 LC Online Catalog record: http://lccn.loc.gov/2012563814 Processed by the Music Division of the Library of Congress Collection Summary Title: Carmen McRae Collection of Musical Arrangements and Other Materials Span Dates: 1931-1993 Bulk Dates: (bulk 1950s-1970s) Call No.: ML31.M32 Creator: McRae, Carmen Extent: approximately 1,000 items ; 47 containers ; 20 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. Summary: Carmen Mercedes McRae (1920-1994) was an American jazz vocalist, pianist, composer, and recording artist. The papers chiefly contain musical arrangements and lead sheets for approximately 800 songs. While many of the arrangements include both full scores and parts, the majority are lead sheets or parts used for her small group performances. The papers also include a small amount of correspondence, photographs, song lists, program notes, and promotional materials. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Boland, Francy. Burns, Ralph. Carter, Benny. Clayton, John, 1952- Di Novi, Gene. Holman, Bill. Jones, Jimmy, 1918-1982. Jones, Thad. -
An Ecologist's Years with Bush Bums, Anarchists, and Other Arctic Wildlife
WILD with Latitude celebrates close encounters with Arctic beasts, human and otherwise. The author mingled with wild apes - bush bums, trappers, goldminers, mushers, and even townsfolk. And, when he wasn't face to face with apes, he was having close encounters with other charismatic creatures including bears, muskoxen, wolves, moose, and "Earth's Best Bird." His stories describe the adventure of being a semi- feral ecologist in the Brooks Range and the lives of extreme yet ordinary Alaskans. WILD with Latitude: An Ecologist's Years with Bush Bums, Anarchists, and Other Arctic Wildlife Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/5462.html?s=pdf YOUR FREE EXCERPT APPEARS BELOW. ENJOY! WILD with Latitude celebrates close encounters with Arctic beasts, human and otherwise. During 11 years of ecological field work in northern Alaska, the author mingled WILD with Latitude with wild apes — bush bums, redneck renegades, sourdoughs, societal dropouts, homesteaders, end-of-the-roaders, crusaders, nudists, Arctic explorers, adventure racers, trappers, goldminers, baseball aficionados, mushers, bohemians, and even fellow ecologists. These diverse humans share a sense of bold adventure, a healthy disrespect for mainstream values, and an esthetic appreciation for the vast wild lands. Their grit, unconventional lifestyle, and worldview make them ideal characters. These Arctic apes are not just wacky and colorful. They’re wild. When the author wasn’t face to face with apes, he was having close encounters with other charismatic creatures, including bears, muskoxen, wolves, moose, and “Earth’s Best Bird.” Some of these encounters were of the adrenaline-spiking variety. -
San Francisco Architecture Guide 2020
WHAT Architect WHERE Notes Zone 1: Fisherman’s Warf and the Piers + North Beach Pier 39 is a shopping center and popular tourist attraction built in 1978. The marina is also home to the floating Forbes Island restaurant. The sea lions at Pier 39 have become a tourist attraction in their own right. Although the reason for their migration to the pier *** Pier 39 Warren Simmons Pier 39 is unclear, the refurbishing of the docks in September 1989 required the removal of all boats from that area, leaving large open spaces for the sea lions to move into. Once the project was completed, boat owners returned, but did their best to navigate around the sea lions; no efforts were made to encourage the new guests to leave. Aquarium of the Bay was built in 1996 as an aquarium. It added additional attractions to the original building and has 273 species and more than 60,000 fish. Sharks circle overhead, manta rays sweep by and seaweed sways all around at the Aquarium of the Bay, where you * Aquarium of the Bay ? Pier 39 wander through glass tubes surrounded by sea life from San Francisco Bay. It's not for the claustrophobic, perhaps, but the thrilling fish- eye view, leaves kids and parents enthralled. General admission $27.95. Mon-Sun (10am-6pm) A few California sea lions began “hauling out” on PIER 39’s K-Dock shortly after the Loma Prieta earthquake hit San Francisco in October 1989. By January 1990, the boisterous barking pinnipeds started to *** Sea Lion Colony - Pier 39 arrive in droves and completely took over K-Dock, much to the exasperation of PIER 39’s Marina tenants.