Carmen Mcrae Collection of Musical Arrangements and Other Materials
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Londonjazz: LP REVIEW: Hubert Laws – Afro Classic
0 Mehr Nächster Blog» Blog erstellen Anmelden Diese Website verwendet Cookies von Google, um ihre Dienste bereitzustellen, Anzeigen zu personalisieren und Zugriffe zu analysieren. Informationen darüber, wie Sie die Website verwenden, werden an Google weitergegeben. Durch die Nutzung dieser Website erklären Sie sich damit einverstanden, dass sie Cookies verwendet. WEITERE INFORMATIONEN OK Home Venues Can We Help? Team London Latin Jazz Fest LP REVIEW: Hubert Laws – LondonJazz - Facebook Afro Classic Tweets Follow LondonJazz 48m Jeff Herr News @LondonJazz CD REVIEW: Lizz Wright - Freedom and Surrender londonjazznews.com/2015/09/cd-rev Expand LondonJazz 1h News @LondonJazz Does anyone know if this report on Wilton Felder passing away is true or false? Hubert Laws – Afro Classic houstonpress.com/music/legendar (Speakers Corner/CTI 6006. LP review by Andrew Cartmel) Show Summary LondonJazz Another classic from the CTI (Creed Taylor Incorporated) catalogue, revived on state 2h Broadbent Mancio Songbook News of the art vinyl by Speakers Corner. These are beautiful, lucid recordings engineered @LondonJazz by the great Rudy Van Gelder in December 1970, featuring flautist Hubert Laws as Newsweek feature about leader. Laws had begun recording his own albums at Atlantic (also the home of @gregoryporter Herbie Mann, the other leading exponent of jazz flute) before being lured away by newsweek.com/2015/10/09/rb- Creed Taylor. Laws’s jazz credentials are flawless, but he also had a considerable Show Summary presence in the world of classical music — having studied at Juilliard before playing orphy 9h with the New York Philharmonic and Metropolitan Opera orchestras. The ‘Classic’ in @Orphyvibes the title alludes to Laws’s interest in classical music, and in this pursuit he’s aided Magic Science Quartet - signifcantly by Don Sebesky, one of CTI’s cornerstone arrangers. -
Annual Picnic at Ron Bingaman's Home PAUL-WESLEY BOWEN
************************************************************************************************************** ************************************************************************************************************** Newsletter of the NORCAL THEATRE ORGAN SOCIETY www.theatreorgans.com/norcal PO Box 625, Berkeley, CA 94701-0625 510/644-2707 June 2009 PAUL-WESLEY BOWEN Annual Picnic at San Jose Grace Baptist Church Ron Bingaman’s Home Sunday, June 14, 2009 – 1 PM NorCal’s annual picnic (with Sierra Followed by Open Console Chapter members our guests) will be held Sunday, August 23rd at Ron and orCal’s own P. W. Bowen will be at the Gay Bingaman’s beautiful home in Grass Nconsole of Grace Baptist Church’s Valley. Situated on 10 acres, the house has 3/13 Robert Morton. Originally installed a water powered Allen GW-4 with speakers in San Jose’s Liberty Theater this organ that are way above in an angled ceiling so retains its original theatre organ features. the sound comes down from above. Although a native Californian, ‘PW’ spent The festivities will start around 11 AM 30 years in Minnesota with the Dutch organ and we will eat around noon or thereafter. manufacturer, Eminent Organ Co. Known A grill will be provided for those who wish for his active hand registrations ‘PW’ is at to ‘cook out’ and coffee, tea and soft drinks home with both Theatre and Church organs. will be provided on-site. Please bring your Following the concert, members will have own dishes, silverware and food, and if 10 to 15 minute turns at open console, with desired, beer or wine. repeat turns as time permits. In addition to the organ and the on-site Grace Baptist Church is in downtown hydro-electric power house, Ron and Gay ‘P.W.’ Bowen San Jose at 484 E. -
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
Jazzletter P-Q Ocrober 1986 P 5Jno;..1O
Jazzletter P-Q ocrober 1986 P 5jNo;..1o . u-1'!-an J.R. Davis,.Bill Davis, Rusty Dedrick, Buddy DeFranco, Blair The Readers . Deiermann, Rene de Knight,‘ Ron Della Chiesa (WGBH), As of August 25, I986, the JazzIetrer’s readers were: Louise Dennys, Joe Derise, Vince Dellosa, Roger DeShon, Michael Abene, John Abbott, Mariano F. Accardi, Harlan John Dever, Harvey Diamond, Samuel H. Dibert’, Richard Adamcik, Keith Albano, Howard Alden, Eleanore Aldrich, DiCarlo, Gene DiNovi, Victor DiNovi, Chuck Domanico, Jeff Alexander, Steve Allen, Vernon Alley, Alternate and Arthur Domaschenz, Mr. and Mrs. Steve Donahue, William E. Independent Study Program, Bill Angel, Alfred Appel J r, Ted Donoghue, Bob Dorough, Ed Dougherty, Hermie Dressel, Len Arenson, Bruce R. Armstrong, Jim Armstrong, Tex Arnold, Dresslar, Kenny Drew, Ray Drummond, R.H. Duffield, Lloyd Kenny Ascher, George Avakian, Heman B. Averill, L. Dulbecco, Larry Dunlap, Marilyn Dunlap, Brian Duran, Jean Bach, Bob Bain, Charles Baker (Kent State University Eddie Duran, Mike Dutton (KCBX), ' School of Music), Bill Ballentine, Whitney Balliett, Julius Wendell Echols, Harry (Sweets) Edison,Jim_Eigo, Rachel Banas, Jim Barker, Robert H. Barnes, Charlie Barnet, Shira Elkind-Tourre, Jack Elliott, Herb Ellis, Jim Ellison, Jack r Barnett, Jeff Barr, E.M. Barto Jr, Randolph Bean, Jack Ellsworth (WLIM), Matt Elmore (KCBX FM), Gene Elzy Beckerman, Bruce B. Bee, Lori Bell, Malcolm Bell Jr, Carroll J . (WJR), Ralph Enriquez, Dewey Emey, Ricardo Estaban, Ray Bellis MD, Mr and Mrs Mike Benedict, Myron Bennett, Dick Eubanks (Capital University Conservatory of Music), Gil Bentley, Stephen C. Berens MD, Alan Bergman, James L. Evans, Prof Tom Everett (Harvard University), Berkowitz, Sheldon L. -
Library Hour Cuts Cause Concern
Sept. 3,1981 UNIVERSITY OF MISSOURI-SAINT LOUIS Issue 400 UMSL feels crunch Library hour cuts cause concern Lacey Burnette the evening college students the hardest. " Budget cuts have forced Li This year's library budget is Library Budget Comparison brary Director Ronald Krash to 12.8 percent below last year's reduce library hours by 18.9 expenditures. The largest reduc percent. Last year the Thomas tion came in staffing where 1 980-81 1981-82 Difference Jefferson Library was open 87Yl S118,896.80 less was budgeted Expenditures hours a week. Under present for this year than was spent last Budget scheduling the library will be year. -$118,897 open 71 hours a week. The "We couldn't cut personnel Staff $758,628 $639,731 Education Library will also be and we did our best to retain the open only 71 hours a week. services we could," Krash said. "In order to continue to give full Materials $684,924 $ 640,000 - $44,924 "We are at the stage where services -while we are open we . we either have to cut hours or had to cut back on the hours." cut whole services out," Krash Operations $138,734 $99,237 -$39,497 Krash said that the money said. saved by reducing the hours Hardest hit by the reduction went toward adding staff to the w.ere the evening hours. Last Total $1,582,286 $1,378,968 -$203,318 day operations. "When you have year the library was open until dwindling resources, you need to 11pm, Monday-Thursday. This have full staffing," he said. -
We Are One June 16, 2018
We Are One June 16, 2018 Julie Desbordes, Artistic Director Molly Pope, Host and Special Guest Ian Shafer, Assistant Conductor La Gazza Ladra Overture Gioacchino Rossini Blood Moon Elizabeth Lain WORLD PREMIERE Sixth Fanfare for the Uncommon Woman Joan Tower Intermission Blue Danube Waltz Johann Strausse Selections from Man of La Mancha Mitch Leigh Conducted by Ian Shafer Ballad of the Sad Young Men Fran Landesman and Tommy Wolf The Best of Times Jerry Herman Special Guest Molly Pope The Carousel Waltz (Concert Version) Richard Rodgers Orchestrations by Don Walker Queer Urban Orchestra Violin I Bass Trumpet Brian Harrington Roger Herr Gilbert Galindo Andrew Holland Adrienne Lloyd •§ Erin Kulick § Nick Johnson George Nicholson Ron Nahass • Jennifer Rich Bryan Wang Farzaneh Sarafraz Harp Navida Stein Stephanie Babirak Trombone Phong Ta †§ Kevin Schmitt • Liann Wadewitz Flute/Piccolo Simon Morales Craig Devereaux •§ Violin II Scott Oaks Bass Trombone Alva Bostick § Ashley Williams Alex Arellano Jonathan Chang • Laura Flanagan Oboe Tuba Andre Gillard Alan Hyde Andrew Madej Suzanne Lipkin Rishi Magia Cory Pitts Percussion Seyed Safavynia Clarinet Andrew Berman •§ Ligia Sakurai Travis Fraser § Paul Robertson Vasanth Subramaniam Fran Novak • Álvaro Rodas James Teal Timothy Soldani Viola Bassoon Darcy Leon • Emily Bayer Nick Pulito James Di Meglio •§ William Jones Matthew Overberg Contrabassoon Nicholas Singletary Norma Kerlin Horn Cello Lynn Caron Bjorn Berkhout •§ Noah Dopkins Alex Humesky Steven Petrucelli § Todd Porter Marshall Sealy Brittany Taylor † concertmaster § section leader • principal Julie Desbordes, Artistic Director Originally from Limoges, France, Julie Desbordes is a fast-rising conductor known for her engaging style, energetic interpretations and emotional communication with her musicians and audiences. -
Music Copying
Philip Mantione 505-204-6027(cell) [email protected] www.philipmantione.com Music Preparation and Copying Experience MUSIC PREPARATION SERVICE EMPLOYERS NYC (1997 - 2010) • Emily Grishman Music Preparation • Katharine Edmonds Music • Chelsea Music Los Angeles (1996-97) • Suzie Katayama at Sony Music • Eric Stonerook Music SKILL SET • Highly proficient Finale user (16 years of experience). • Experience using Sibelius • Experience copying for musical theatre, film, TV, recording sessions, industrials and concerts. • Experience creating Piano Conductor parts from full score. • Experience copying Piano Vocals and Full Scores. • Experience with Proofreading and Music Librarian work. EDUCATION 1996 - M.M. - Composition - CSULA 1988 - Muscians' Institute - GIT - Honors Graduate 1982 - B.S. - State University of New York at Buffalo (SUNYAB) AFM DUAL-MEMBERSHIP • Local 802 - NYC (1997 - present) • Local 47 - Los Angeles (1996-97, 2010 - present) CREDITS SELECTED MUSICAL THEATRE PRODUCTIONS: BROADWAY AND OFF-BROADWAY Allegro A Tree Grows in Brooklyn Bounce Death Takes a Holiday Dessa Rose Dirty Rotten Scoundrels Side Show Spamalot Witches of Eastwick Never Gonnna Dance A Little Night Music Annie Get Your Gun Wild Party Frog and Toad Marie Christine Everything's Ducky Fiddler on the Roof The Full Monty It Ain't Nothin' But The Blues Tony Awards Parade Seussical Follies Bat Boy Thoroughly Modern Millie The Rocky Horror Show Best Little Whorehouse in Texas Nine to Five Urinetown Swing Radio City Music Hall Christmas Little Fish Brooklyn Into -
Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot. -
The Art of Lyric Improvisation
THE ART OF LYRIC IMPROVISATION A Comparative Study of Two Renowned Jazz Singers ______________________________________________ A thesis in partial fulfilment of the Requirements for the Degree of Masters of Music in the University of Canterbury by S. J. de Jong University of Canterbury 2008 _________________________________________ de Jong i Table of Contents THE ART OF LYRIC IMPROVISATION ........................................................................................................ i Table of Contents ........................................................................................................................................... i Abstract .................................................................................................................................................... iii Introduction ................................................................................................................................................... 1 Chapter 1: Historical and Biographical Overviews ....................................................................................... 5 1.1: Jazz Historical Background ................................................................................................................ 5 1.2: “Sometimes I’m Happy” .................................................................................................................... 6 1.3: Sarah Vaughan .................................................................................................................................. -
Yes, Virginia, Rock and Roll Is Dead, and Flesht<>
Yes, Virginia, Rock and Roll is dead, and Flesht<>nes is its potent spirit. The brain-child of Playhouse of the Ridic:ulous alumni ./ Sterling Blak, (Mario Montez, Taylor Mead, and Charles Ludlahm were his classmates), and fellow avant-gardist Larry Lean, (son of famed L.A. session-man Mel Moore), Fleshtones is Rock and Roll in the boldest of colors; the rightful l:eirs to Professor Longhair and The Velvet Underground ••• the fulfillment of rock's promise of long ago, and a triumph for hard rockers everywhere. Egged on by their bone-crunching bant L, vocalists Blak and Lean bend and twist the musical express:'.on of ecstacy and despair to their most tormented limits. Those to be held personally responsible are fat-1.:at drummer Walt 'twhammy" Douglas (who parlayed a ho-hum bat·:;ing average into one of the most impressive slugging records in ·rock history), power-bassist Marko Roxx (his name tells the tale), ' guitarists Chance Fleeting (who's searing leads ,Uld .relentless rhythms on such instant classics as "Rock and Ro:Ll Hell" and "Bitch Boy" assure his niche in rock's Hall of F:Lame), and Mario David (his solo at the end of the catharti·! masterpiece, "No More", makes it clear once and for all that Jimi and Robin are nice names for girls). But mostly credit is due composer-vocalist Lean ( a high-yellow baby Jean Genet with the voice of Carmen McRae gone mad), and lyricist-vocalist Blak (a tantalizing flash of pure terror guaranteed to drive psycho-drama out of the clos~t with a single blood-freezing scream). -
Current, September 03, 1981 University of Missouri-St
University of Missouri, St. Louis IRL @ UMSL Current (1980s) Student Newspapers 9-3-1981 Current, September 03, 1981 University of Missouri-St. Louis Follow this and additional works at: http://irl.umsl.edu/current1980s Recommended Citation University of Missouri-St. Louis, "Current, September 03, 1981" (1981). Current (1980s). 43. http://irl.umsl.edu/current1980s/43 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (1980s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. Sept. 3,1981 UNIVERSITY OF MISSOURI-SAINT LOUIS Issue 400 UMSL feels crunch Library hour cuts cause concern Lacey Burnette the evening college students the hardest. " Budget cuts have forced Li This year's library budget is Library Budget Comparison brary Director Ronald Krash to 12.8 percent below last year's reduce library hours by 18.9 expenditures. The largest reduc percent. Last year the Thomas tion came in staffing where 1 980-81 1981-82 Difference Jefferson Library was open 87Yl S118,896.80 less was budgeted Expenditures hours a week. Under present for this year than was spent last Budget scheduling the library will be year. -$118,897 open 71 hours a week. The "We couldn't cut personnel Staff $758,628 $639,731 Education Library will also be and we did our best to retain the open only 71 hours a week. services we could," Krash said. "In order to continue to give full Materials $684,924 $ 640,000 - $44,924 "We are at the stage where services -while we are open we .