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Roy Campbell, John Davidson, and "The Tlaming Terrapin"
Roy Campbell, John Davidson, and "The Tlaming Terrapin" D. S. J. PARSONS IN MANY WAYS, John Davidson (1857-igog), a contributor to The Yellow Book and a member of the Rhymers' Club, was a typical late Victorian minor poet. Tennysonian and Pre-Raphaelite echoes abound in his collections of ballads, songs, and "Fleet Street" eclogues; continually his work is shot through with strains of Thomas Carlyle, Lord Byron, Walter Pater, and Oscar Wilde. Occasionally, however, he exhibited modernity in his use of language and choice of subject matter. Both T. S. Eliot and Hugh McDiarmid acknowledged the influence upon them of this as• pect of Davidson's poetry.1 In his comments, McDiarmid also indicated approvingly how a forceful individualism and a pas• sionately exacting temperament led Davidson in the last phase of his career to produce a poetry that treated science within a framework of Nietzschean and materialist philosophy. Another admirer of Davidson was the South African poet Roy Campbell.2 He too was especially struck by these last works of Davidson's, with results that are demonstrable in The Flaming Terrapin. As a youth at Oxford in ìgig, Roy Campbell had read Nietzsche eagerly and from then on was greatly affected by his ideas.3 One of the major results of Campbell's desire to convey Nietzsche's spirit and views in his own writing was his search for possible models expressive of Nietzsche in the work of other writers, principally Bernard Shaw and John Davidson. Shaw drew from Nietzsche in combining the doctrine of the superman with creative evolution and Davidson did so in linking heroic vitalism with materialism. -
The Moral Aporia of Race in International Relations by Drawing Attention to the Imperialism Embedded in Much Liberal Thought
IRE0010.1177/0047117819842275International RelationsLynch 842275research-article2019 Article International Relations 2019, Vol. 33(2) 267 –285 The moral aporia of race in © The Author(s) 2019 Article reuse guidelines: international relations sagepub.com/journals-permissions https://doi.org/10.1177/0047117819842275DOI: 10.1177/0047117819842275 journals.sagepub.com/home/ire Cecelia Lynch University of California, Irvine Abstract Drawing on recent scholarship on race, post-colonialism, and ethics in the field of international relations, I return to the ‘first debate’ in the field regarding realism versus liberalism to highlight how racialized international political practices a century ago shaped theoretical assumptions, deferrals, and absences in ways that continued to resonate throughout the century. In reviewing several prominent periods of the past 100 years, I argue that (a) a powerful, ongoing moral aporia regarding race has marked the practice of international politics and the study of international relations over the century, despite important challenges and (b) it is critically important for the field as a whole to confront both the aporia and these challenges to understand its own moral precarity and to dent ongoing racialized injustices. Keywords aporia, colonialism, international politics, international relations, morality, race, racism Introduction: the aporia of (hidden) conviction1 My simple task in this contribution is to address and analyze morality in international relations (IR) over the past 100 years. I say ‘simple’, because the review process has poked a number of conceptual bears that each comprise layers and layers of assumptions about theories of international relations and practices of international politics (IP). Thoroughly investigating processes of socialization and resocialization in the field or discipline, and also providing openings to potentially new ontologies cannot be tackled in a single article, especially one that, according to the editors’ instructions, should make ‘big statements about critical themes’. -
Spring 2014 Issn 1476-6760
Issue 74 Spring 2014 Issn 1476-6760 Sutapa Dutta on Identifying Mother India in Bankimchandra Chatterjee’s Novels Rene Kollar on Convents, the Bible, and English Anti- Catholicism in the Nineteenth Century Alyssa Velazquez on Tupperware: An Open Container During a Decade of Containment Plus Twenty-one book reviews Getting to know each other Committee News www.womenshistorynetwork.org First Call for Papers HOME FRONTS: GENDER, WAR AND CONFLICT Women’s History Network Annual Conference 5-7 September 2014 at the University of Worcester Offers of papers are invited which draw upon the perspectives of women’s and gender history to discuss practical and emotional survival on the Home Front during war and conflict. Contributions of papers on a range of topics are welcome and may, for example, explore one of the following areas: • Food, domesticity, marriage and the ordinariness of everyday life on the Home Front • The arts, leisure and entertainment during military conflict • Women’s working lives on the Home Front • Shifting relations of power around gender, class, ethnicity, religion or politics • Women’s individual or collective strategies and tactics for survival in wartime • Case studies illuminating the particularity of the Home Front in cities, small towns or rural areas • Outsiders on the Home Front including Image provided by - The Worcestershire Archive and Archaeology Service attitudes to prisoners of war, refugees, immigrants and travellers • Comparative Studies of the Home Front across time and geographical location • Representation, writing and remembering the Home Front Although the term Home Front was initially used during the First World War, and the conference coincides with the commemorations marking the centenary of the beginning of this conflict, we welcome papers which explore a range of Home Fronts and conflicts, across diverse historical periods and geographical areas. -
Aspects Festival Bangor 20 September – 6 October 2019 a Celebration of Irish Writing P TOURIST BANGOR MARINA INFORMATION PICKIE FUN PARK HELLO and WELCOME HIGH STREET
Aspects Festival Bangor 20 September – 6 October 2019 A celebration of Irish writing P TOURIST BANGOR MARINA INFORMATION PICKIE FUN PARK HELLO AND WELCOME HIGH STREET P Welcome to Aspects 2019 QUEENS PARADE We use the cliché all too often but there really is something for everyone in 1 this year's programme! There are events celebrating historical writing, poetry, crime fiction, writing workshops, children’s events, politics, memoir, journalism, 6 GRAYS HILL P STREET MAIN scriptwriting, the short story and exhibitions. HAMILTON ROAD Back by popular demand, we welcome some of our Aspects friends in Michael Longley, Fergal Keane and Malachi O’Doherty – as well as local talents Moyra Donaldson, Ian Sansom and Colin Bateman. 2 MAIN STREET We are delighted to host the launch of Darina Allen’s new cookbook and Gerald Dawe’s new poetry collection. BUS & TRAIN STATION Don’t miss out on our female crime event and Women Aloud NI shares its poetic TENNIS COURTS thoughts on food. We hope you enjoy exploring our programme and look forward to seeing you at the festival. 5 Aspects Festival Team ABBEY STREET SERC P BELFAST ROAD P BELFAST ROAD 3 BANGOR AURORA TO CLANDEBOYE AQUATIC & LEISURE ESTATE COMPLEX 1 THE BLACKBERRY 4 PATH ART STUDIOS 2 BANGOR CARNEGIE LIBRARY 3 BANGOR CASTLE P & NORTH DOWN MUSEUM 4 WALLED GARDEN We have sent you this guide as we believe you have a legitimate interest in our product as you have 5 SERC THEATRE requested to receive it before, however you can unsubscribe at any time and we will no longer send A21 FESTIVAL MAP 6 BOOM! STUDIOS you a copy. -
Black Consciousness and the Politics of Writing the Nation in South Africa
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository Black Consciousness and the Politics of Writing the Nation in South Africa by Thomas William Penfold A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of African Studies and Anthropology School of History and Cultures College of Arts and Law University of Birmingham May 2013 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract Since the transition from apartheid, there has been much discussion of the possibilities for the emergence of a truly ‘national’ literature in South Africa. This thesis joins the debate by arguing that Black Consciousness, a movement that began in the late 1960s, provided the intellectual framework both for understanding how a national culture would develop and for recognising it when it emerged. Black Consciousness posited a South Africa where formerly competing cultures sat comfortably together. This thesis explores whether such cultural equality has been achieved. Does contemporary literature harmoniously deploy different cultural idioms simultaneously? By analysing Black writing, mainly poetry, from the 1970s through to the present, the study traces the stages of development preceding the emergence of a possible ‘national’ literature and argues that the dominant art versus politics binary needs to be reconsidered. -
Roy Campbell - Almost a Liberal
ROY CAMPBELL - ALMOST A LIBERAL by David Robbins Natal's wild and unpredictable poet has been described at White South Africa to be more important than South Africa various times as a fascist, an instinctive right-wing itself. It is all the fault of that dear old colour-fetish. It is the reactionary, a fierce individualist who ran easily to extremes. incarnation of all that is superstitious, uneasy, grudging and In his foreword to Light on a Dark Horse, Laurie Lee dishonest in our natures.'' comments: "His (Campbell's) romantic paternalism, imbibed "The colour-bar is the first official recognition of the mental from his South African background, was out of date even equality of the races: the second can only be the removal of before he was born. He was burdened with more than his the colour-bar. ." share of right-wing mumbo-jumbo . ." And in 1954 when the University of Natal conferred a doctorate on him "he spoke The contrast is startling. How could this proud and (Laurens van der Post tells us) almost like a disciple of hardheaded young man, so full of "old colonial attitudes ", Dr Verwoerd". It is certainly true that in the thirties Campbell change so fundamentally and in so short a space of time? was an open admirer of both Hitler and Mussolini, although The answer, simply, is that he met William Plomer. he ultimately fought against them in the war; and that he felt Born in the Northern Transvaal two years later than nothing but contempt for the leftist forces in the Spanish Campbell, Plomer was living in Zululand when he heard of civil war. -
THE MOMENTS of `VOORSLAG' and `SESTIGER' in OUR LITERARY HISTORY by Ntongela Masilela Always Historicize! . . . But, As the Trad
Untitled Document THE MOMENTS OF `VOORSLAG' AND `SESTIGER' IN OUR LITERARY HISTORY by Ntongela Masilela Always historicize! . But, as the traditional dialectic teaches us, the historicizing operation can follow two distinct paths, which only ultimately meet in the same place: the path of the object and the path of the subject, the historical origins of the things themselves and that more intangible historicity of the concepts and categories by which we attempt to understand those things. -Fredric Jameson, THE POLITICAL UNCONSCIOUS, p. 9. Since this presentation has been requested by the Conference Organizers, especially Robert Kriger, as a statement to facilitate a discussion, rather than as an exposition defining a particular literary problematic and in relation to which develop a thorough thesis or definitive statement, it will be short and elliptical and throwing out ideas for consideration. In many ways, to consider the literary moments of `Voorslag' and `Sestigers' from the perspective of today, that is, from the perspective informed of the political certainty that the victory of the democratic forces in South Africa is just around the corner, though complicated and complex, is to consider the theoretical constructs and cultural forms in the writing of a particular era of our literary history. How can one possibly theorize the cultural processes and cultural formation of South African literary history! The structure of South African literary history in the twentieth century is characterised by disconnections, discontinuities, abrupt breaks and seemingly irreconcilable ruptures. It is not difficult to see that the political determinants of this tragic process in our cultural history are largely and wholly determined, in their form and effect, by the political philosophy and ideology of Apartheid. -
CLASSIC HIGHLIGHTS Contents
Frankfurt Book Fair 2016 CLASSIC HIGHLIGHTS Contents For more information please go to our website to browse our shelves and find out more about what we do and who we represent. Women Writers of the 20th Century p. 4 Centenary Celebrations 2016 p. 5 Original Thinkers pp. 6-10 British and Irish Writers in Europe pp.11-16 Further Afield pp.17-21 Classic Crime Revived pp. 22-25 Visions of a Lost Era pp. 26-31 Agents US Rights: Georgia Glover; Toby Eady Film & TV Rights: Nicky Lund; Georgina Ruffhead Translation Rights: Alice Howe: [email protected] Direct: Brazil; France; Germany; Netherlands Subagented: Italy Emma Jamison: [email protected] Direct: Arabic; Croatia; Estonia; Greece; Israel; Latvia; Lithuania; Scandinavia; Slovenia; Spain and Spanish in Latin America; Sub-agented: Czech Republic; Poland; Romania; Russia;Slovakia; Turkey; Ukraine Emily Randle: [email protected] Direct: Afrikaans; Albanian; all Indian languages; Macedonia; Portugual; Vietnam; Wales; plus miscellaneous requests Subagented: China; Bulgaria; Hungary; Indonesia; Japan; Korea; Serbia; Taiwan; Thailand Camilla Dubini: camilladubini@davidhigham Audio Rights Contact t: +44 (0)20 7434 5900 f: +44 (0)20 7437 1072 www.davidhigham.co.uk Women Writers of the 20th Century M.M. Kaye Molly Keane Marghanita Laski Olivia Manning Kate O’ Brien Muriel Spark Josephine Tey Dorothy Whipple Mary Wesley 4 Centenary Celebrations 2017 2017 is the 100 year anniversary of the birth of world-renowned author and journalist, Anthony Burgess and the award-winning science fiction author, Arthur C Clarke Few writers have been more versatile, or more prolific, than Anthony Burgess (1917-1993): one of the leading novelists of his day, he was also a poet, playwright, composer, linguist, translator and critic. -
Prison and Garden
PRISON AND GARDEN CAPE TOWN, NATURAL HISTORY AND THE LITERARY IMAGINATION HEDLEY TWIDLE PHD THE UNIVERSITY OF YORK DEPARTMENT OF ENGLISH AND RELATED LITERATURE JANUARY 2010 ii …their talk, their excessive talk about how they love South Africa has consistently been directed towards the land, that is, towards what is least likely to respond to love: mountains and deserts, birds and animals and flowers. J. M. Coetzee, Jerusalem Prize Acceptance Speech, (1987). iii iv v vi Contents Abstract ix Prologue xi Introduction 1 „This remarkable promontory…‟ Chapter 1 First Lives, First Words 21 Camões, Magical Realism and the Limits of Invention Chapter 2 Writing the Company 51 From Van Riebeeck‟s Daghregister to Sleigh‟s Eilande Chapter 3 Doubling the Cape 79 J. M. Coetzee and the Fictions of Place Chapter 4 „All like and yet unlike the old country’ 113 Kipling in Cape Town, 1891-1908 Chapter 5 Pine Dark Mountain Star 137 Natural Histories and the Loneliness of the Landscape Poet Chapter 6 „The Bushmen’s Letters’ 163 The Afterlives of the Bleek and Lloyd Collection Coda 195 Not yet, not there… Images 207 Acknowledgements 239 Bibliography 241 vii viii Abstract This work considers literary treatments of the colonial encounter at the Cape of Good Hope, adopting a local focus on the Peninsula itself to explore the relationship between specific archives – the records of the Dutch East India Company, travel and natural history writing, the Bleek and Lloyd Collection – and the contemporary fictions and poetries of writers like André Brink, Breyten Breytenbach, Jeremy Cronin, Antjie Krog, Dan Sleigh, Stephen Watson, Zoë Wicomb and, in particular, J. -
Olivia Manning's Gulliver in the Balkans
AIC nr. 18 2/2016 British Travellers Stick ©2016 AIC Together – Olivia Manning’s Gulliver in the Balkans ILEANA OANA MACARI Universitatea „Alexandru Ioan Cuza”, Iaşi This paper involves discovering how Olivia Manning’s Balkan Trilogy has mapped the image of Romania and mostly draws upon the sections of the trilogy in which pre-war Bucharest was memorialized as a blend of Orient and Occident, where the native population coexists with an amalgam of various other nations. Upon the exa mination of Harriet Pringle, the central figure of the sequence, it becomes clear that there is a connection to Swift’s Gulliver in that both characters embark on a process of “literary colonisation”. This focus establishes Manning’s place among the British travel writers by reviewing the main ideas that stem from the substantial body of work concerned with her trilogy. The article makes frequent reference back to Olivia Manning’s biography, since her narrative is admittedly based on the writer’s personal odyssey in Bucharest. Through identifying the crossover character of Manning’s prose, this research highlights its relevance for the fictional construct. Keywords: centre; margin; alterity; literary colonization; Gulliver syndrome. Introduction Olivia Manning’s most notorious works, The Balkan Trilogy1 and The Levant Trilogy2, known collectively as Fortunes of War, are, paradoxically, at the same time much discussed and quasi-un- read. Although the collection was made famous by the 1987 BBC television adaptation Fortunes of War, a series that followed the original works relatively faithfully, Manning’s novels themselves (the trilogies included) have never enjoyed from the readership the enthusiastic reception their author felt they deserved3. -
Classics HIGHLIGHTS
Classics HIGHLIGHTS For more information please go to our website to browse our shelves and find out more about what we do and who we represent. Contents Anniversaries 4 Women Writers of the 20th Century 5 Original Thinkers 6 -11 Sci-Fi 12-15 Travels 16-23 Animals & Nature 24-28 Mistery & Crime 29-33 Agents US Rights: Georgia Glover Film & TV Rights: Nicky Lund; Georgina Ruffhead Translation Rights: Alice Howe: [email protected] Direct: Brazil; France; Germany; Netherlands Subagented: Italy Emma Jamison: [email protected] Direct: Arabic; Croatia; Estonia; Greece; Israel; Latvia; Lithuania; Portugal; Slovenia; Spain and Spanish in Latin America; Ukraine Sub-agented: Czech Republic; Hungary; Poland; Romania; Russia; Scandinavia; Slovakia; Turkey Emily Randle: [email protected] Direct: Afrikaans; Albanian; all Indian languages; Macedonia; Vietnam; Wales; plus miscellaneous requests Subagented: China; Bulgaria; Indonesia; Japan; Korea; Serbia; Taiwan; Thailand Contact t: +44 (0)20 7434 5900 f: +44 (0)20 7437 1072 www.davidhigham.co.uk ANNIVERSARIES 2016 Roald Dahl (100) James Herriot (100) 2017 A. Burgess (100) E. Hobsbawm A. C. Clarke 2018 Muriel Spark (100) 4 WOMEN WRITERS OF THE 20th CENTURY M. M. Kaye Molly Keane Marghanita Laski Olivia Manning Kate O’ Brien Dorothy L Sayers Muriel Spark Josephine Tey Dorothy Whipple 5 ORIGINAL THINKERS ERIC HOBSBAWM Eric Hobsbawm was remarkable among historians in being proud to call himself a Marxist long after Marxism had been discredited in the West. To his admirers he was one of the greatest historians of the 20th Century. To his critics he was an apologist for Soviet tyranny who never fully changed his views. -
Curlew River: a Parable for Church Performance
Friday, November 14, 2014, 8pm Saturday, November 15, 2014, 2pm Zellerbach Hall Curlew River: A Parable for Church Performance Music by Benjamin Britten Libretto by william Plomer, after Jūrō Motomasa Britten Sinfonia & Britten Sinfonia Voices Soloists from the Pacific Boychoir Academy Curlew River is a co-production of the Barbican Centre, London; Cal Performances; Lincoln Center for the Performing Arts, New York; and Carolina Performing Arts. These performances are made possible, in part, by Patron Sponsors Annette Campbell-White and Ruediger Naumann-Etienne. Cal Performances’ 8679–867: season is sponsored by Wells Fargo. CAL PERFORMANCES PROGRAM CuRLEw RIVER: A PARABLE FOR CHuRCH PERFORMAnCE ( 1964 ) Music Benjamin Britten (1913–1976) Libretto Willi am Plomer (1903–1973), after Jūrō Motomasa (1395–1431) Direction, Design, Costume, Video Netia Jones Lighting Design Ian Scott CAST Madwoman Ian Bostridge, tenor Abbot Jeremy White, baritone Traveller Neal Davies, bass Ferryman Mark Stone, bass-baritone Spirit of the Boy David Schneidinger Altar Servants Jeroen Breneman, Sivan Faruqui, Louis Pecceu Music Director Martin Fitzpatrick PROduCTIOn TEAM Video and Production Lightmap Production Manager Rachel Shipp Tour Manager Eoin Quirke Video Technician Dori Deng Costume Supervisior Jemima Penny Hair and Makeup Designer Susanna Peretz Production Manager Steve Wald Stage Manager Beth Hoare-Barnes Deputy Stage Manager Jane Andrews Britten Sinfonia Management Nikola White Curlew River U.S Tour Management Askonas Holt Please note that there is