Virginia Woolf Interviews and Recollections MACMILLAN INTERVIEWS and RECOLLECTIONS
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Roy Campbell, John Davidson, and "The Tlaming Terrapin"
Roy Campbell, John Davidson, and "The Tlaming Terrapin" D. S. J. PARSONS IN MANY WAYS, John Davidson (1857-igog), a contributor to The Yellow Book and a member of the Rhymers' Club, was a typical late Victorian minor poet. Tennysonian and Pre-Raphaelite echoes abound in his collections of ballads, songs, and "Fleet Street" eclogues; continually his work is shot through with strains of Thomas Carlyle, Lord Byron, Walter Pater, and Oscar Wilde. Occasionally, however, he exhibited modernity in his use of language and choice of subject matter. Both T. S. Eliot and Hugh McDiarmid acknowledged the influence upon them of this as• pect of Davidson's poetry.1 In his comments, McDiarmid also indicated approvingly how a forceful individualism and a pas• sionately exacting temperament led Davidson in the last phase of his career to produce a poetry that treated science within a framework of Nietzschean and materialist philosophy. Another admirer of Davidson was the South African poet Roy Campbell.2 He too was especially struck by these last works of Davidson's, with results that are demonstrable in The Flaming Terrapin. As a youth at Oxford in ìgig, Roy Campbell had read Nietzsche eagerly and from then on was greatly affected by his ideas.3 One of the major results of Campbell's desire to convey Nietzsche's spirit and views in his own writing was his search for possible models expressive of Nietzsche in the work of other writers, principally Bernard Shaw and John Davidson. Shaw drew from Nietzsche in combining the doctrine of the superman with creative evolution and Davidson did so in linking heroic vitalism with materialism. -
AWAR of INDIVIDUALS: Bloomsbury Attitudes to the Great
2 Bloomsbury What were the anti-war feelings chiefly expressed outside ‘organised’ protest and not under political or religious banners – those attitudes which form the raison d’être for this study? As the Great War becomes more distant in time, certain actions and individuals become greyer and more obscure whilst others seem to become clearer and imbued with a dash of colour amid the sepia. One thinks particularly of the so-called Bloomsbury Group.1 Any overview of ‘alter- native’ attitudes to the war must consider the responses of Bloomsbury to the shadows of doubt and uncertainty thrown across page and canvas by the con- flict. Despite their notoriety, the reactions of the Bloomsbury individuals are important both in their own right and as a mirror to the similar reactions of obscurer individuals from differing circumstances and backgrounds. In the origins of Bloomsbury – well known as one of the foremost cultural groups of the late Victorian and Edwardian periods – is to be found the moral and aesthetic core for some of the most significant humanistic reactions to the war. The small circle of Cambridge undergraduates whose mutual appreciation of the thoughts and teachings of the academic and philosopher G.E. Moore led them to form lasting friendships, became the kernel of what would become labelled ‘the Bloomsbury Group’. It was, as one academic described, ‘a nucleus from which civilisation has spread outwards’.2 This rippling effect, though tem- porarily dammed by the keenly-felt constrictions of the war, would continue to flow outwards through the twentieth century, inspiring, as is well known, much analysis and interpretation along the way. -
Dear Colleagues, It Is with Great Pleasure
Dear Colleagues, It is with great pleasure that the University of Chicago Press presents its Fall 2009 seasonal catalog of Distributed Books for your review. Here you will find upcoming titles from such distributed client presses as Reaktion, Seagull, British Library, The Bodleian Library, Center for American Places, KWS, The National Journal Group, and many more all conveniently searchable by subject. You can also access additional information for each book by clicking on its title. Please do not hesitate to contact us if you are interested in having a closer look at any of these books. And many thanks for your consideration! Mark Heineke Carrie Adams Promotions Director Publicity Manager University of Chicago Press University of Chicago Press 1427 E. 60th Street 1427 E. 60th Street Chicago IL 60637 Chicago IL 60637 [email protected] [email protected] DISTRIBUTED BOOKS Reaktion Books 105 Seagull Books 119 Architects Research Foundation 134 British Library 135 Planners Press, American Planning Association 141 National Journal Group 142 Bodleian Library, University of Oxford 144 Dana Press 147 American Meteorological Society 148 Center for American Places at Columbia College Chicago 149 Prickly Paradigm Press 153 Mildred Lane Kemper Art Museum, Washington University 154 Verlag Scheidegger and Spiess 155 Swan Isle Press 158 The Karolinum Press, Charles University Prague 159 Smart Museum of Art 160 KWS Publishers 161 Chicago Department of Cultural Affairs 165 Intellect Books 166 Brigham Young University 170 University of Alaska Press 170 University of Chicago Center in Paris 175 Amsterdam University Press 176 University of Exeter Press 184 Campus Verlag 188 Liverpool University Press 191 University of Wales Press 198 University of Scranton Press 206 Eburon Publishers, Delft 209 Fondazione Rossini 210 MELS VAN DRIEL Manhood The Rise and Fall of the Penis Translated by Paul Vincent The ancient Greeks paraded enormous sculptural replicas in annual celebration. -
Carrington, Dora (1893-1932) by Ray Anne Lockard
Carrington, Dora (1893-1932) by Ray Anne Lockard Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Dora Carrington with Reprinted from http://www.glbtq.com Lytton Strachey. Dora de Houghton Carrington was an English painter, designer and decorative artist whose life and relationships were complex. She is best known for her deep attachment to the homosexual writer Lytton Strachey, but she had affairs with both men and women. Carrington painted only for her own pleasure, did not sign her works, and rarely exhibited them, hence she was not well known as a painter during her lifetime. Even though she was a founding member of the Omega Workshop with Roger Fry, her decorative art also remained unknown to the public until the late 1960s. Born in Hereford, England on March 29, 1893, Dora Carrington was the fourth child of Samuel Carrington and Charlotte Houghton. When Dora was ten years old the family moved to Bedford where she attended a girls' high school and took extra art classes. Seven years later, in 1910, Dora won a scholarship to the Slade School of Art in London where she studied with Henry Tonks and Fred Brown until 1914. During her years at Slade, the artist dropped her first name, becoming known simply as Carrington, and cut her hair into a bowl cut. She was a successful student at the Slade School and was awarded several prizes during her years there. When Carrington was eighteen she met Mark Gertler (1897-1939), a fellow artist who had the most influence on her early years. -
Lytton Strachey
Lytton Strachey: An Inventory of His Collection at the Harry Ransom Humanities Research Center Descriptive Summary Creator Strachey, Lytton, 1880-1932 Title Lytton Strachey Collection Dates: 1885-1957 Extent 5 boxes (2.08 linear feet) Abstract This collection documents the life and works of the English Bloomsbury group writer. The collection consists of manuscripts of Strachey's major biographical works Portraits in Miniature (1931) and Queen Victoria (1921), and drafts of essays, notes, and correspondence. RLIN record # TCRC98-A26 Language English. Access Open for research Administrative Information Acquisition Purchases, 1960-1970 (R919, R1452, R2848, R3849, R3948, R4152, R5174) Processed by Chelsea S. Jones, 1998 Repository: Harry Ransom Humanities Research Center, University of Texas at Austin Strachey, Lytton, 1880-1932 Biographical Sketch Giles Lytton Strachey was born in 1880, the eleventh of thirteen children, to General Sir Richard Strachey and his wife Jane Grant. Though he spent some years at boarding schools, including Abbotsholme and Leamington College, he received much of his education at home. His mother enjoyed strong interests in literature and politics and Strachey met many of the leading writers and thinkers of the day when they came to visit Lady Strachey. Strachey's secondary education was completed at University College in Liverpool where he studied Latin, Greek, mathematics, and English literature and history. It was at University College that he met and was influenced by Walter Raleigh, a professor of English literature and well known biographer. After failing to receive a scholarship to Oxford in 1899, Strachey decided to attend Cambridge where he developed many friendships which lasted the rest of his life. -
Angelica Garnett, Ou Le Difficile Héritage De Bloomsbury, Florence Noiville, Le Monde, 8 Juin 2001 a Forcalquier, on L'appelle « L'anglaise »
Angelica Garnett, ou le difficile héritage de Bloomsbury, Florence Noiville, Le Monde, 8 juin 2001 A Forcalquier, on l'appelle « l'Anglaise ». Pour la trouver, il faut gravir des rues aux noms fanés – rue Mercière, rue Violette –, continuer vers la citadelle, marcher en direction d'une chapelle romane à demi enfouie sous les coquelicots et les orties, jusqu'à ce que surgisse enfin une maison basse contemplant tranquillement la chaîne du Lubéron. Une maison qui sent la peinture et l'essence de térébenthine. Il y a des couleurs, des craies partout, des huiles fines de chez Sennelier, des fusains épars, des pots de vernis « bistrot » et de fixatif, des pinceaux en bataille sur un exemplaire du TLS... « Excusez-moi, je dois emballer ce dessin. C'est pour une exposition que je fais à Londres. » Elle lève les yeux vers vous, deux grands yeux bleus très pâles : c'est alors qu'on la reconnaît... « l'Anglaise ». Ce que l'on voit à cet instant, c'est cette fameuse photo de Virginia Woolf par Gisèle Freund : la transparence, la mélancolie du regard, l'ovale si bien dessiné du visage. Fille de l'artiste Vanessa Bell, l'aînée de la famille Stephen, et du peintre Duncan Grant, Angelica Garnett est la nièce de Virginia Woolf. A 82 ans, elle vit en Provence depuis 1984 : « Je connaissais bien la France, j'avais déjà eu une maison dans le Lot et j'avais toujours voulu y vivre. Je voulais aussi me séparer de Charleston qui me prenait trop et m'empêchait de peindre. Je voulais échapper à ça, échapper à tout, aux Anglais aussi. -
1 NUMBER 96 FALL 2019-FALL 2020 in Memoriam
Virginia Woolf Miscellany NUMBER 96 FALL 2019-FALL 2020 Centennial Contemplations on Early Work (16) while Rosie Reynolds examines the numerous by Virginia Woolf and Leonard Woolf o o o o references to aunts in The Voyage Out and examines You can access issues of the the narrative function of Rachel’s aunt, Helen To observe the centennial of Virginia Woolf’s Virginia Woolf Miscellany Ambrose, exploring Helen’s perspective as well as early works, The Voyage Out, and Night and online on WordPress at the identity and self-revelation associated with the Day, and also Leonard Woolf’s The Village in the https://virginiawoolfmiscellany. emerging relationship between Rachel and fellow Jungle. I invited readers to adopt Nobel Laureate wordpress.com/ tourist Terence. Daniel Kahneman’s approach to problem-solving and decision making. In Thinking Fast and Slow, Virginia Woolf Miscellany: In her essay, Mine Özyurt Kılıç responds directly Kahneman distinguishes between fast thinking— Editorial Board and the Editors to the call with a “slow” reading of the production typically intuitive, impressionistic and reliant on See page 2 process that characterizes the work of Hogarth Press, associative memory—and the more deliberate, Editorial Policies particularly in contrast to the mechanized systems precise, detailed, and logical process he calls slow See page 6 from which it was distinguished. She draws upon “A thinking. Fast thinking is intuitive, impressionistic, y Mark on the Wall,” “Kew Gardens,” and “Modern and dependent upon associative memory. Slow – TABLE OF CONTENTS – Fiction,” to develop the notion and explore the thinking is deliberate, precise, detailed, and logical. -
Reason and Values in Bloomsbury Fiction
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. REASON AND VALUES m BLOOMS BJRY FICTION A thesis presented in partial fulfilment of the requirements for t he degree of Master of Arts in English at Massey University. Diane Wendy Wills 1970 "From these primary qualities, Reasonabl eness and a Sense of' Values, may spring a host of secondaries: a tast e for truth and beauty, tol erance, intellectual honesty, fastidiousness, a sense of humour, good manners, curiosity, a dislike of vulgarity, brutality, and over-emphasis, freedom f'rom superstition and prudery, a fearless acceptance of the good things of life, a desire for complete sel.1' expression and for a liberal education, a contempt for utilitarian ism and philistinism, in two ords • sweetness and light. " { Clive Bell. ) iii, PREPACE When I f'irat began looking at the fiction of the Bloomsbury Group I had 11ttle idea of hat my final argum :t would be. Ne, .,, I find my• aelt measuring the values implicit 1n the novel against t h·· l. ,Jl' sfe of Bloom.sbury a.a erated by outside co tators am. by me;i1)Jl·--= •)f Bloan bury itaelf, and ree.ttirm1ng not on13 th indep dence of mind which indiv- idual m ber retained but th ftwlty jU.UJ?J111C11ts ct oh m outsider he.v b guilty• Thi the 1a to be emaustiv cover- age ot Bloomsbul7 ideas in fiction. -
The Posthumanistic Theater of the Bloomsbury Group
Maine State Library Digital Maine Academic Research and Dissertations Maine State Library Special Collections 2019 In the Mouth of the Woolf: The Posthumanistic Theater of the Bloomsbury Group Christina A. Barber IDSVA Follow this and additional works at: https://digitalmaine.com/academic Recommended Citation Barber, Christina A., "In the Mouth of the Woolf: The Posthumanistic Theater of the Bloomsbury Group" (2019). Academic Research and Dissertations. 29. https://digitalmaine.com/academic/29 This Text is brought to you for free and open access by the Maine State Library Special Collections at Digital Maine. It has been accepted for inclusion in Academic Research and Dissertations by an authorized administrator of Digital Maine. For more information, please contact [email protected]. IN THE MOUTH OF THE WOOLF: THE POSTHUMANISTIC THEATER OF THE BLOOMSBURY GROUP Christina Anne Barber Submitted to the faculty of The Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the requirements for the degree Doctor of Philosophy August, 2019 ii Accepted by the faculty at the Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the degree of Doctor of Philosophy. COMMITTEE MEMBERS Committee Chair: Simonetta Moro, PhD Director of School & Vice President for Academic Affairs Institute for Doctoral Studies in the Visual Arts Committee Member: George Smith, PhD Founder & President Institute for Doctoral Studies in the Visual Arts Committee Member: Conny Bogaard, PhD Executive Director Western Kansas Community Foundation iii © 2019 Christina Anne Barber ALL RIGHTS RESERVED iv Mother of Romans, joy of gods and men, Venus, life-giver, who under planet and star visits the ship-clad sea, the grain-clothed land always, for through you all that’s born and breathes is gotten, created, brought forth to see the sun, Lady, the storms and clouds of heaven shun you, You and your advent; Earth, sweet magic-maker, sends up her flowers for you, broad Ocean smiles, and peace glows in the light that fills the sky. -
La Dama Que Se Transformó En Zorro
PERIFÉRICA HOJA DE PROMOCIÓN PARA LIBREROS LA OBRA ESTARÁ EN LIBRERÍAS EL 14 DE ABRIL Una mujer que se convierte en un zorro: se trata de un terrible revés de la fortuna, pero de una extraña belleza. Pero el verdadero tema de esta fascinante novela es qué sucederá luego. Y no deberíamos dejarnos engañar por el título, pues hay más de una transformación en ella. David Garnett LA DAMA QUE SE TRANSFORMÓ EN ZORRO COLECCIÓN «LA RGO RECORRIDO » TRADUCCIÓN DE LAURA SALAS Nº DE PÁGINAS: 128 PVP INCLUIDO IVA : 15,75 € ISBN: 978-84-92865-91-8 Silvia, la protagonista de esta novela tan singular como sabiamente alejada de la cursilería, se casa con el terrateniente Richard Tebrick, tras un breve noviazgo, y después de la luna de miel se instalan en la hermosa finca de Rylands, en el condado de Oxfordshire; la casa de los Tebrick es la única mansión en kilómetros a la redonda. Pocos meses después, una tarde, salen a pasear por el bosquecillo de la colina cercana. Aún se comportan como enamorados: van a todas partes juntos y pasean de la mano. Ese día se oye a lo lejos una jauría de perros y, a continuación, la trompa de los cazadores; así que Richard acelera el paso hasta llegar a la linde del bosque, para no perderse el espectáculo. Desde allí dispondrán de una buena panorámica si los zorros aparecen. Su esposa se queda atrás, y él, tomándola de la mano, casi la arrastra. Antes de que alcancen la linde, ella da un violento tirón acompañado de un alarido y, de inmediato, él vuelve la cabeza… Las historias de transformaciones son una manera de dotar de sentido al mundo, de ver las conexiones que el materialismo de nuestra era pasa por alto, y que pertenecen a un universo ordenado no sólo por la razón, sino también por la imaginación, un universo en el que el cambio es la única constante. -
Rose Macaulay: Satirist Suzanne F
Butler University Digital Commons @ Butler University Graduate Thesis Collection Graduate Scholarship 1-1-1964 Rose Macaulay: Satirist Suzanne F. Carey Butler University Follow this and additional works at: http://digitalcommons.butler.edu/grtheses Part of the English Language and Literature Commons Recommended Citation Carey, Suzanne F., "Rose Macaulay: Satirist" (1964). Graduate Thesis Collection. Paper 12. This Thesis is brought to you for free and open access by the Graduate Scholarship at Digital Commons @ Butler University. It has been accepted for inclusion in Graduate Thesis Collection by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. Name of candidate: Oral examination: Date /9 6 Committee: , Chairman Thesis title: czy Thesis approved in final form: Date Major Professor ROSE MACAULAY: SATIRIST by SUZANNE FULTON CAREY A Thesis Submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of English Division of Graduate Instruction Butler University 1964 TABLE OF CONTENTS Introduction Chapter I. The Shaping Factors 3 Early Environment 3 Temperament 7 Literary Influences 15 Chapter II. Satiric Techniques 22 Reverse Utopia 22 Parody 23 Invective 25 Mimicked Conversation 26 Verbal Irony 34 Dramatic Irony 41 Symbolism • . • • 0 • o OOOOOOO o • • • 43 Satiric Characterization 46 Chapter III. Multiple Stances OOOOOO 0 •••. OOOOOO 58 Chapter IV. The Summing Up 89 Bibliography of Rose Macaulay t s Works 97 A Selected Bibliography 99 Introduction Dame Rose Macaulay possessed two qualities, a comic spirit and an intellectual pessimism, which made her one of England's finest modern satirists. Her satire has limitations. First, because of rapid and rather prolific productivity, some of the satire is repetitious. -
Gerald Brenan
GERALD BRENAN Y ALHAURÍN EL GRANDE Edward Fitzgerald Brenan (Sliema, Malta, SOLDADO BRENAN 1894 – Alhaurín el Grande, 1987), escritor En 1914 se alistó a filas al estallar laI británico y célebre hispanista, fue un Guerra Mundial, resultando herido tras joven rebelde, soñador y aventurero, ser alcanzado por un obús. Ascendió que conoció a otros grandes escritores e a capitán y recibió la Cruz Militar intelectuales y se enamoró varias veces. y la Cruz de Guerra por su heroico Le encantaban las flores y la montaña. comportamiento. La carne de membrillo, los salmonetes y el vino fueron algunos otros de los En 1940 volvió a combatir por su país, muchos placeres que supo encontrar en en la II Guerra Mundial como vigilante Andalucía, tierra a la que amó, sin dejar en Londres, con la valiente misión de por ello de sentirse británico. patrullar las calles a oscuras al saltar las alarmas para ayudar y avisar a quien tuviese alguna luz encendida que debía apagarla, ya que los aviones alemanes dirigían sus bombas hacia cualquier zona iluminada. INFANCIA Y JUVENTUD Gerald viajó sin parar desde niño, ya que su padre era militar y cambiaba continuamente de destino por las colonias inglesas. Finalmente, se estableció en YEGEN (1919-1934) Inglaterra cuando tenía 8 años. Con 25 años, tras la I Guerra Mundial, decidió viajar a España para hacer No le gustaba el modo de vida de su lo que siempre había querido: leer y país y nunca llegó a llevarse bien con escribir. Eligió nuestro país por su clima su severo padre. Tras pasar por un y porque era barato, ya que no contaba internado, a los 18 años se escapó con mucho dinero, y porque amigos y con un amigo para ir a China en familiares, como su madre y su abuela, le burro.