Classics HIGHLIGHTS
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Plants!) the Press, and Rarely Granted Interviews
Reader Input for your Holiday Planning ! Josephine Tey Holiday Gift and Reading Recommendations from your Friends of Manchester Library. Josephine Tey, the nom de plume used by Elizabeth Falling In Love by Donna Leon Macintosh, was born and raised in Inverness, Scotland. Not only was she a first-rate novelist (known Blind Faith by C. J. Lyons principally for her superb detective stories), but At Home: A Short History of Private Life by Bill Bryson (writing under the name Gordon Daviot) Tey was a successful playwright as well. Her plays, however, The Christmas Train by David Baldacci though salted with three-dimensional people, lack the Big Magic: Creative Living Beyond Fear pace and tension that characterize her novels. by Elizabeth Gilbert Cutting for Stone by Abraham Verghese Tey wrote near the end of the Golden Age of British The Girl In the Spider’s Web by David Lagercrantz crime writing (1920 - 1950). Her stories are known for their deft construction and meticulous prose style. The Secret Pilgrim by John LeCarre They have an enduring quality, never follow a set Loving Jesus by Mark Allen Powell pattern, and reveal Tey's impatience with the established rules and conventions of the standard King Hereafter by Dorothy Dunnett whodunit. Hawke by Ted Bell The Daughter of Time by Josephine Tey And, on occasion, they revised British opinion. In The Daughter of Time, for example, Tey constructs an * * * * * historical mystery investigated by modern-day Wine Tasting, Raffle & Book Sale Results enquirers. She aroused nation-wide interest in a period of England's background once considered quite sordid ̶ Wine Tasting & Raffle $1,500 the reign of King Richard III and the murder of his two Holiday Book Sale $ 685 nephews in the Tower of London. -
Masquerade, Crime and Fiction
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more popular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and over- worked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discern- ing readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true- crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Published titles include: Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Ed Christian (editor) THE POST-COLONIAL DETECTIVE Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Lee Horsley THE NOIR THRILLER Fran Mason AMERICAN GANGSTER CINEMA From Little Caesar to Pulp Fiction Linden Peach MASQUERADE, CRIME AND FICTION Criminal Deceptions Susan Rowland FROM AGATHA CHRISTIE TO RUTH RENDELL British Women Writers in Detective and Crime Fiction Adrian Schober POSSESSED CHILD NARRATIVES IN LITERATURE AND FILM Contrary States Heather Worthington THE RISE OF THE DETECTIVE IN EARLY NINETEENTH-CENTURY POPULAR FICTION Crime Files Series Standing Order ISBN 978-0–333–71471–3 (Hardback) 978-0–333–93064–9 (Paperback) (outside North America only) You can receive future titles in this series as they are published by placing a standing order. -
Durham E-Theses
Durham E-Theses Paul Scott: 'a writing purpose' Armstrong, Simon H. How to cite: Armstrong, Simon H. (1984) Paul Scott: 'a writing purpose', Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/7497/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. PAUL SCOTT: ' A WRITING PURPOSE' Simon H. Armstrong University of Durham 1984 Contents Abstract 3 Acknowledgements 6 Chapter 1. Reality and Illusion - an Aspect of the Truth. 7 Chapter 2. Narrative Technique 35 Chapter 3. The Use of Symbolism in the Raj Quartet 80 Chapter 4. The Presentation of Character in the Raj Quartet 105 Chapter 5. The Indian Metaphor. 161 Chapter 6. -
The Moral Aporia of Race in International Relations by Drawing Attention to the Imperialism Embedded in Much Liberal Thought
IRE0010.1177/0047117819842275International RelationsLynch 842275research-article2019 Article International Relations 2019, Vol. 33(2) 267 –285 The moral aporia of race in © The Author(s) 2019 Article reuse guidelines: international relations sagepub.com/journals-permissions https://doi.org/10.1177/0047117819842275DOI: 10.1177/0047117819842275 journals.sagepub.com/home/ire Cecelia Lynch University of California, Irvine Abstract Drawing on recent scholarship on race, post-colonialism, and ethics in the field of international relations, I return to the ‘first debate’ in the field regarding realism versus liberalism to highlight how racialized international political practices a century ago shaped theoretical assumptions, deferrals, and absences in ways that continued to resonate throughout the century. In reviewing several prominent periods of the past 100 years, I argue that (a) a powerful, ongoing moral aporia regarding race has marked the practice of international politics and the study of international relations over the century, despite important challenges and (b) it is critically important for the field as a whole to confront both the aporia and these challenges to understand its own moral precarity and to dent ongoing racialized injustices. Keywords aporia, colonialism, international politics, international relations, morality, race, racism Introduction: the aporia of (hidden) conviction1 My simple task in this contribution is to address and analyze morality in international relations (IR) over the past 100 years. I say ‘simple’, because the review process has poked a number of conceptual bears that each comprise layers and layers of assumptions about theories of international relations and practices of international politics (IP). Thoroughly investigating processes of socialization and resocialization in the field or discipline, and also providing openings to potentially new ontologies cannot be tackled in a single article, especially one that, according to the editors’ instructions, should make ‘big statements about critical themes’. -
Spring 2014 Issn 1476-6760
Issue 74 Spring 2014 Issn 1476-6760 Sutapa Dutta on Identifying Mother India in Bankimchandra Chatterjee’s Novels Rene Kollar on Convents, the Bible, and English Anti- Catholicism in the Nineteenth Century Alyssa Velazquez on Tupperware: An Open Container During a Decade of Containment Plus Twenty-one book reviews Getting to know each other Committee News www.womenshistorynetwork.org First Call for Papers HOME FRONTS: GENDER, WAR AND CONFLICT Women’s History Network Annual Conference 5-7 September 2014 at the University of Worcester Offers of papers are invited which draw upon the perspectives of women’s and gender history to discuss practical and emotional survival on the Home Front during war and conflict. Contributions of papers on a range of topics are welcome and may, for example, explore one of the following areas: • Food, domesticity, marriage and the ordinariness of everyday life on the Home Front • The arts, leisure and entertainment during military conflict • Women’s working lives on the Home Front • Shifting relations of power around gender, class, ethnicity, religion or politics • Women’s individual or collective strategies and tactics for survival in wartime • Case studies illuminating the particularity of the Home Front in cities, small towns or rural areas • Outsiders on the Home Front including Image provided by - The Worcestershire Archive and Archaeology Service attitudes to prisoners of war, refugees, immigrants and travellers • Comparative Studies of the Home Front across time and geographical location • Representation, writing and remembering the Home Front Although the term Home Front was initially used during the First World War, and the conference coincides with the commemorations marking the centenary of the beginning of this conflict, we welcome papers which explore a range of Home Fronts and conflicts, across diverse historical periods and geographical areas. -
The Enduring Appeal of Richard III
The Enduring Appeal of Richard III Harriet Jordan, 2002 Written as part of the M.Litt. program at the University of Sydney, in the subject Medieval Crime Fiction. It has indeed been confidently asserted that [Richard the 3d] killed his two Nephews & his Wife, but it has also been declared that he did not kill his two Nephews.1 Richard III has been a presence in the popular imagination for centuries. There are, however, two radically different Richard IIIs appearing in the works of novelists, historians and playwrights/filmmakers. On the one hand, we have the traditional Evil Richard, who may have first appeared in writing in the histories of Polydore Vergil (1534) and Sir Thomas More (1543 and 1557), but who undoubtedly gained his ongoing fame – or infamy – as a result of William Shakespeare’s The Tragedy of Richard III, and the earlier Henry VI plays. Opposing him is Defamed Richard, who first saw light of day in 1619 with Sir George Buck’s five-part The History of the Life and Reigne of Richard the Third, but whose main impact on the public consciousness came as recently as 1951 with the publication of Josephine Tey’s The Daughter of Time. Unlike virtually any other historical figure, Richard III manages to be both “an enduring symbol of evil and conversely a white knight whose honour has been besmirched by his enemies.”2 Thus, his ongoing appeal arises from a number of very different sources. When Shakespeare wrote his Richard III, England was still under the rule of the Tudors, and so it would hardly have been politic to present Richard in a sympathetic light. -
Aspects Festival Bangor 20 September – 6 October 2019 a Celebration of Irish Writing P TOURIST BANGOR MARINA INFORMATION PICKIE FUN PARK HELLO and WELCOME HIGH STREET
Aspects Festival Bangor 20 September – 6 October 2019 A celebration of Irish writing P TOURIST BANGOR MARINA INFORMATION PICKIE FUN PARK HELLO AND WELCOME HIGH STREET P Welcome to Aspects 2019 QUEENS PARADE We use the cliché all too often but there really is something for everyone in 1 this year's programme! There are events celebrating historical writing, poetry, crime fiction, writing workshops, children’s events, politics, memoir, journalism, 6 GRAYS HILL P STREET MAIN scriptwriting, the short story and exhibitions. HAMILTON ROAD Back by popular demand, we welcome some of our Aspects friends in Michael Longley, Fergal Keane and Malachi O’Doherty – as well as local talents Moyra Donaldson, Ian Sansom and Colin Bateman. 2 MAIN STREET We are delighted to host the launch of Darina Allen’s new cookbook and Gerald Dawe’s new poetry collection. BUS & TRAIN STATION Don’t miss out on our female crime event and Women Aloud NI shares its poetic TENNIS COURTS thoughts on food. We hope you enjoy exploring our programme and look forward to seeing you at the festival. 5 Aspects Festival Team ABBEY STREET SERC P BELFAST ROAD P BELFAST ROAD 3 BANGOR AURORA TO CLANDEBOYE AQUATIC & LEISURE ESTATE COMPLEX 1 THE BLACKBERRY 4 PATH ART STUDIOS 2 BANGOR CARNEGIE LIBRARY 3 BANGOR CASTLE P & NORTH DOWN MUSEUM 4 WALLED GARDEN We have sent you this guide as we believe you have a legitimate interest in our product as you have 5 SERC THEATRE requested to receive it before, however you can unsubscribe at any time and we will no longer send A21 FESTIVAL MAP 6 BOOM! STUDIOS you a copy. -
Highlights Frankfurt Book Fair 2018 Highlights
Highlights Frankfurt Book Fair 2018 Highlights Welcome to our 2018 International Book Rights Highlights For more information please go to our website to browse our shelves and find out more about what we do and who we represent. Contents Fiction Literary/Upmarket Fiction 1 - 10 Crime, Suspense, Thriller 11 - 24 Historical Fiction 25 - 26 Women’s Fiction 27 - 32 Non-Fiction Philosophy 33 - 36 Memoir 37 - 38 History 39 - 44 Science and Nature 45 - 47 Upcoming Publications 48 - 49 Reissues 50 Prize News 51 Film & TV news 52 Sub-agents 53 Primary Agents US Rights: Veronique Baxter; Jemima Forrester; Georgia Glover; Anthony Goff (AG); Andrew Gordon (AMG); Jane Gregory; Lizzy Kremer; Harriet Moore; Caroline Walsh Film & TV Rights: Clare Israel; Nicky Lund; Penelope Killick; Georgina Ruffhead Translation Rights Alice Howe: [email protected] Direct: France; Germany Claire Morris: [email protected] Direct: Denmark; Finland; Iceland; Italy; the Netherlands; Norway; Sweden Emma Jamison: [email protected] Direct: Brazil; Portugal; Spain and Latin America Sub-agented: Poland Emily Randle: [email protected] Direct: Croatia; Estonia; Latvia; Lithuania; Slovenia Subagented: China; Hungary, Japan; Korea; Russia; Taiwan; Turkey; Ukraine Margaux Vialleron: [email protected] Direct: Arabic; Albania; Greece; Israel; Macedonia, Vietnam plus miscellaneous requests. Audio in France and Germany Sub-agented: Bulgaria; Czech Republic; Indonesia; Romania; Serbia; Slovakia; Thailand Contact t: +44 (0)20 7434 5900 f: +44 (0)20 7437 1072 www.davidhigham.co.uk The Black Prince Anthony Burgess & Adam Roberts A novel by Adam Roberts, adapted from an original script by Anthony Burgess ‘I’m working on a novel intended to express the feel of England in Edward II’s time .. -
Anglo-Indian Visions of Empire, the Raj Revival, and the Literary Crafting of National Character
Shadows of the Raj: Anglo-Indian Visions of Empire, the Raj Revival, and the Literary Crafting of National Character by GENEVIEVE GAGNE-HAWES B.A. Whitman College, 2003 M.A. New York University, 2007 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (English) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) November 2012 © Genevieve Gagne-Hawes, 2012 i ABSTRACT In my dissertation, I argue for a relationship of influence between the authors of what I define as the Raj novel genre, or works by British writers who lived in India between 1858 and 1947 and produced novels set in that country, and authors of the so-called “Raj Revival” in 1970s and 1980s Great Britain. The latter encompasses bestselling, award-winning novels (M.M. Kaye’s The Far Pavilions, Paul Scott’s Raj Quartet; J.G. Farrell’s The Siege of Krishnapur, Ruth Prawer Jhabvala’s Heat and Dust) and films (David Lean’s A Passage to India) that nostalgically revisit the Raj experience. Both movements claim ideal British character is manifested by Anglo- Indians, British persons living and working in India, who develop a series of exemplary character traits through the rigors of daily service in the subcontinent. In the Raj novel genre, this model of Anglo-Indian character—and the concurrent denigration of Indian character—is used as a strategy by which to elevate the nascent Anglo-Indian community. In the Raj Revival, the Raj novel genre’s ideals are deployed in support of the conservative shift that occurred during Prime Minister Margaret Thatcher’s tenure (1979-1990). -
Remember Caesar by Gordon Daviot
Drama LiteratureReader INTRODUCTION TO DRAMA A Play ·is a story to be acted ·is told in action ·combines two arts-writing and acting Plays are divided into two main types, tragedy and comedy. ·tragedy – unhappy ending which results from the main character's fatal flaw. Eg – in Hamlet, the hero's fatal flaw is that his brilliant mind thinks too precisely on 'the event'. In the Monkey's paw, Mr. White disregards a warning and chooses to bank on a sinister promise linked to a dead monkey's paw. comedy – is a play that ends happily. If it elicits laughter through improbable situations, it is called a farce. – it focuses on characters who come under attack for flouting the positive values of society. – human follies are sought to be corrected by making us laugh at them. Eg. A Comedy of Errors. Structure ·A good beginning which informs the audience about the situation or circumstance from which the action of the play starts. It could be someone speaking into a telephone or reading a letter aloud or starting with an absurd guess. It should be natural. ·The middle of a play is the most absorbing, gripping and turning point in the development of the story/play. ·The end of a play should come, especially in a one-act play, as soon as possible after the crisis or 'middle'. ·Some plays have little or no structure. They aim at being realistic. There's hardly and plot; their stress in on characterization. Eg. Chekov's 'A Marriage Proposal'. Conventions ·All accepted substitutes for reality in drama are called conventions. -
BOOKNEWS from ISSN 1056–5655, © the Poisoned Pen, Ltd
BOOKNEWS from ISSN 1056–5655, © The Poisoned Pen, Ltd. 4014 N. Goldwater Blvd. Volume 31, Number 11 Scottsdale, AZ 85251 September Booknews 2019 480-947-2974 [email protected] tel (888)560-9919 http://poisonedpen.com Our Podcasts are now downloadable on Google Music and iTunes FILL YOUR FALL WITH WONDERFUL BOOKS AUTHORS ARE SIGNING… Some Events will be webcast on Facebook Live Check out our new YouTube Channel TUESDAY SEPTEMBER 3 7:00 PM TUESDAY SEPTEMBER 24 7:00 PM Stephen Coonts signs The Russia Account (Regnery $27.99) SJ Rozan signs Paper Son (Pegasus $25.95) Coonts will be joined by 3 former CIA agents turned authors Lydia Chin & Bill Smith Dave Austin signs Tehran’s Vengeance (iBook $12.99) James Sallis signs Sarah Jane (Soho $23.95) Thomas Pecora signs Guardian: Life in the Crosshairs of the THURSDAY SEPTEMBER 26 7:00 PM CIA’s War on Terror (Post Hill Press $27.99) T. Greenwood signs Keeping Lucy (St Martins $27.99) Mike Trott signs The Protected (Archway $29.95) Suspense based on a true story of a Down Syndrome child THURSDAY SEPTEMBER 5 7:00 PM FRIDAY SEPTEMBER 27 7:00 PM William Kent Krueger signs This Tender Land (Atria $27) Kyle Mills signs Vince Flynn Lethal Agent (Atria $28.99) A coming of age story; think Huck Finn Mitch Rapp SATURDAY SEPTEMBER 7 2:00 PM SATURDAY SEPTEMBER 28 2:00 PM Mystery Tea Jenn McKinlay signs Word to the Wise (Berkley $26) Mary Anna Evans signs Catacombs (Sourcebooks $26.95/$15.95) A Library Lovers Mystery Archaeologist Faye Longchamp MONDAY SEPTEMBER 9 7:00 PM SUNDAY SEPTEMBER 29 2:00 PM Poisoned Pen Press Party with giveaways and treats Enjoy Poisoned Pen Press giveaways Sara Johnson signs her debut Molten Mud Murder (Sourcebooks Mark Coggins signs The Dead Beat Scroll (Down & Out Books $15.95) $17.95). -
CLASSIC HIGHLIGHTS Contents
Frankfurt Book Fair 2016 CLASSIC HIGHLIGHTS Contents For more information please go to our website to browse our shelves and find out more about what we do and who we represent. Women Writers of the 20th Century p. 4 Centenary Celebrations 2016 p. 5 Original Thinkers pp. 6-10 British and Irish Writers in Europe pp.11-16 Further Afield pp.17-21 Classic Crime Revived pp. 22-25 Visions of a Lost Era pp. 26-31 Agents US Rights: Georgia Glover; Toby Eady Film & TV Rights: Nicky Lund; Georgina Ruffhead Translation Rights: Alice Howe: [email protected] Direct: Brazil; France; Germany; Netherlands Subagented: Italy Emma Jamison: [email protected] Direct: Arabic; Croatia; Estonia; Greece; Israel; Latvia; Lithuania; Scandinavia; Slovenia; Spain and Spanish in Latin America; Sub-agented: Czech Republic; Poland; Romania; Russia;Slovakia; Turkey; Ukraine Emily Randle: [email protected] Direct: Afrikaans; Albanian; all Indian languages; Macedonia; Portugual; Vietnam; Wales; plus miscellaneous requests Subagented: China; Bulgaria; Hungary; Indonesia; Japan; Korea; Serbia; Taiwan; Thailand Camilla Dubini: camilladubini@davidhigham Audio Rights Contact t: +44 (0)20 7434 5900 f: +44 (0)20 7437 1072 www.davidhigham.co.uk Women Writers of the 20th Century M.M. Kaye Molly Keane Marghanita Laski Olivia Manning Kate O’ Brien Muriel Spark Josephine Tey Dorothy Whipple Mary Wesley 4 Centenary Celebrations 2017 2017 is the 100 year anniversary of the birth of world-renowned author and journalist, Anthony Burgess and the award-winning science fiction author, Arthur C Clarke Few writers have been more versatile, or more prolific, than Anthony Burgess (1917-1993): one of the leading novelists of his day, he was also a poet, playwright, composer, linguist, translator and critic.