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The Moral Aporia of Race in International Relations by Drawing Attention to the Imperialism Embedded in Much Liberal Thought
IRE0010.1177/0047117819842275International RelationsLynch 842275research-article2019 Article International Relations 2019, Vol. 33(2) 267 –285 The moral aporia of race in © The Author(s) 2019 Article reuse guidelines: international relations sagepub.com/journals-permissions https://doi.org/10.1177/0047117819842275DOI: 10.1177/0047117819842275 journals.sagepub.com/home/ire Cecelia Lynch University of California, Irvine Abstract Drawing on recent scholarship on race, post-colonialism, and ethics in the field of international relations, I return to the ‘first debate’ in the field regarding realism versus liberalism to highlight how racialized international political practices a century ago shaped theoretical assumptions, deferrals, and absences in ways that continued to resonate throughout the century. In reviewing several prominent periods of the past 100 years, I argue that (a) a powerful, ongoing moral aporia regarding race has marked the practice of international politics and the study of international relations over the century, despite important challenges and (b) it is critically important for the field as a whole to confront both the aporia and these challenges to understand its own moral precarity and to dent ongoing racialized injustices. Keywords aporia, colonialism, international politics, international relations, morality, race, racism Introduction: the aporia of (hidden) conviction1 My simple task in this contribution is to address and analyze morality in international relations (IR) over the past 100 years. I say ‘simple’, because the review process has poked a number of conceptual bears that each comprise layers and layers of assumptions about theories of international relations and practices of international politics (IP). Thoroughly investigating processes of socialization and resocialization in the field or discipline, and also providing openings to potentially new ontologies cannot be tackled in a single article, especially one that, according to the editors’ instructions, should make ‘big statements about critical themes’. -
Spring 2014 Issn 1476-6760
Issue 74 Spring 2014 Issn 1476-6760 Sutapa Dutta on Identifying Mother India in Bankimchandra Chatterjee’s Novels Rene Kollar on Convents, the Bible, and English Anti- Catholicism in the Nineteenth Century Alyssa Velazquez on Tupperware: An Open Container During a Decade of Containment Plus Twenty-one book reviews Getting to know each other Committee News www.womenshistorynetwork.org First Call for Papers HOME FRONTS: GENDER, WAR AND CONFLICT Women’s History Network Annual Conference 5-7 September 2014 at the University of Worcester Offers of papers are invited which draw upon the perspectives of women’s and gender history to discuss practical and emotional survival on the Home Front during war and conflict. Contributions of papers on a range of topics are welcome and may, for example, explore one of the following areas: • Food, domesticity, marriage and the ordinariness of everyday life on the Home Front • The arts, leisure and entertainment during military conflict • Women’s working lives on the Home Front • Shifting relations of power around gender, class, ethnicity, religion or politics • Women’s individual or collective strategies and tactics for survival in wartime • Case studies illuminating the particularity of the Home Front in cities, small towns or rural areas • Outsiders on the Home Front including Image provided by - The Worcestershire Archive and Archaeology Service attitudes to prisoners of war, refugees, immigrants and travellers • Comparative Studies of the Home Front across time and geographical location • Representation, writing and remembering the Home Front Although the term Home Front was initially used during the First World War, and the conference coincides with the commemorations marking the centenary of the beginning of this conflict, we welcome papers which explore a range of Home Fronts and conflicts, across diverse historical periods and geographical areas. -
Aspects Festival Bangor 20 September – 6 October 2019 a Celebration of Irish Writing P TOURIST BANGOR MARINA INFORMATION PICKIE FUN PARK HELLO and WELCOME HIGH STREET
Aspects Festival Bangor 20 September – 6 October 2019 A celebration of Irish writing P TOURIST BANGOR MARINA INFORMATION PICKIE FUN PARK HELLO AND WELCOME HIGH STREET P Welcome to Aspects 2019 QUEENS PARADE We use the cliché all too often but there really is something for everyone in 1 this year's programme! There are events celebrating historical writing, poetry, crime fiction, writing workshops, children’s events, politics, memoir, journalism, 6 GRAYS HILL P STREET MAIN scriptwriting, the short story and exhibitions. HAMILTON ROAD Back by popular demand, we welcome some of our Aspects friends in Michael Longley, Fergal Keane and Malachi O’Doherty – as well as local talents Moyra Donaldson, Ian Sansom and Colin Bateman. 2 MAIN STREET We are delighted to host the launch of Darina Allen’s new cookbook and Gerald Dawe’s new poetry collection. BUS & TRAIN STATION Don’t miss out on our female crime event and Women Aloud NI shares its poetic TENNIS COURTS thoughts on food. We hope you enjoy exploring our programme and look forward to seeing you at the festival. 5 Aspects Festival Team ABBEY STREET SERC P BELFAST ROAD P BELFAST ROAD 3 BANGOR AURORA TO CLANDEBOYE AQUATIC & LEISURE ESTATE COMPLEX 1 THE BLACKBERRY 4 PATH ART STUDIOS 2 BANGOR CARNEGIE LIBRARY 3 BANGOR CASTLE P & NORTH DOWN MUSEUM 4 WALLED GARDEN We have sent you this guide as we believe you have a legitimate interest in our product as you have 5 SERC THEATRE requested to receive it before, however you can unsubscribe at any time and we will no longer send A21 FESTIVAL MAP 6 BOOM! STUDIOS you a copy. -
Olivia Manning's Gulliver in the Balkans
AIC nr. 18 2/2016 British Travellers Stick ©2016 AIC Together – Olivia Manning’s Gulliver in the Balkans ILEANA OANA MACARI Universitatea „Alexandru Ioan Cuza”, Iaşi This paper involves discovering how Olivia Manning’s Balkan Trilogy has mapped the image of Romania and mostly draws upon the sections of the trilogy in which pre-war Bucharest was memorialized as a blend of Orient and Occident, where the native population coexists with an amalgam of various other nations. Upon the exa mination of Harriet Pringle, the central figure of the sequence, it becomes clear that there is a connection to Swift’s Gulliver in that both characters embark on a process of “literary colonisation”. This focus establishes Manning’s place among the British travel writers by reviewing the main ideas that stem from the substantial body of work concerned with her trilogy. The article makes frequent reference back to Olivia Manning’s biography, since her narrative is admittedly based on the writer’s personal odyssey in Bucharest. Through identifying the crossover character of Manning’s prose, this research highlights its relevance for the fictional construct. Keywords: centre; margin; alterity; literary colonization; Gulliver syndrome. Introduction Olivia Manning’s most notorious works, The Balkan Trilogy1 and The Levant Trilogy2, known collectively as Fortunes of War, are, paradoxically, at the same time much discussed and quasi-un- read. Although the collection was made famous by the 1987 BBC television adaptation Fortunes of War, a series that followed the original works relatively faithfully, Manning’s novels themselves (the trilogies included) have never enjoyed from the readership the enthusiastic reception their author felt they deserved3. -
Classics HIGHLIGHTS
Classics HIGHLIGHTS For more information please go to our website to browse our shelves and find out more about what we do and who we represent. Contents Anniversaries 4 Women Writers of the 20th Century 5 Original Thinkers 6 -11 Sci-Fi 12-15 Travels 16-23 Animals & Nature 24-28 Mistery & Crime 29-33 Agents US Rights: Georgia Glover Film & TV Rights: Nicky Lund; Georgina Ruffhead Translation Rights: Alice Howe: [email protected] Direct: Brazil; France; Germany; Netherlands Subagented: Italy Emma Jamison: [email protected] Direct: Arabic; Croatia; Estonia; Greece; Israel; Latvia; Lithuania; Portugal; Slovenia; Spain and Spanish in Latin America; Ukraine Sub-agented: Czech Republic; Hungary; Poland; Romania; Russia; Scandinavia; Slovakia; Turkey Emily Randle: [email protected] Direct: Afrikaans; Albanian; all Indian languages; Macedonia; Vietnam; Wales; plus miscellaneous requests Subagented: China; Bulgaria; Indonesia; Japan; Korea; Serbia; Taiwan; Thailand Contact t: +44 (0)20 7434 5900 f: +44 (0)20 7437 1072 www.davidhigham.co.uk ANNIVERSARIES 2016 Roald Dahl (100) James Herriot (100) 2017 A. Burgess (100) E. Hobsbawm A. C. Clarke 2018 Muriel Spark (100) 4 WOMEN WRITERS OF THE 20th CENTURY M. M. Kaye Molly Keane Marghanita Laski Olivia Manning Kate O’ Brien Dorothy L Sayers Muriel Spark Josephine Tey Dorothy Whipple 5 ORIGINAL THINKERS ERIC HOBSBAWM Eric Hobsbawm was remarkable among historians in being proud to call himself a Marxist long after Marxism had been discredited in the West. To his admirers he was one of the greatest historians of the 20th Century. To his critics he was an apologist for Soviet tyranny who never fully changed his views. -
Aftermath: Foreign Relations and the Postwar British Novel Caroline Zoe
Aftermath: Foreign Relations and the Postwar British Novel Caroline Zoe Krzakowski Department of English McGill University, Montreal August, 2011 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Caroline Zoe Krzakowski August, 2011 Table of Contents Abstract ................................................................................................................................ii Résumé................................................................................................................................iv Acknowledgments...............................................................................................................vi Introduction: Aftermath: Diplomacy and the Postwar British Novel..................................1 Chapter 1: Arbitrating the Aftermath: Rebecca West’s Journalism and The Saga of the Century........................................................................35 Chapter 2: Diplomatic Revisions: Lawrence Durrell and the Postwar Novel...............89 Chapter 3: "A Sort of Victory": Nationalism and the British Council in Olivia Manning’s Balkan Trilogy..........................................................132 Chapter 4: Secret Soldiers: John Le Carré’s Spies and the Politics of Stability .........172 Conclusion: Foreign Relations and British National Identity........................................203 Works Cited .....................................................................................................................209 -
Olivia Manning's Balkan and Levant Trilogies
In Victory, Defeat Olivia Manning’s Balkan and Levant trilogies and Evelyn Waugh’s Sword of Honour By Frank Hawcroft A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in English Literature Victoria University of Wellington 2011 1 Abstract Olivia Manning’s Balkan and Levant trilogies (1960-65, 1977-80) and Evelyn Waugh’s Sword of Honour trilogy (1952-61) are sequences of historical novels set during the Second World War. This thesis compares and contrasts these sequences as conservative fictional voices from a period of social and literary transition. My first chapter discusses how ideas of heroism and sacrifice prove outmoded and unsupported by institutions during the war. Particularly in Waugh’s trilogy, but to a lesser extent also in Manning’s sequence, models of heroism taken from past texts—such as colonial adventure stories—are shown to be inadequate. Heroism is only possible on a small scale and involves moral compromises. The second chapter considers the treatment of being English outside England. Depictions of foreign countries are considered in the context of the fading of the British Empire and British global power. Colonial life is attractive in a nostalgic sense but is problematic in the present. Episodes about Jewish refugees in both sequences are discussed as symbolising defiance of the entropy of imperial decay as well as attempts to find post-imperial models for intervention. The third and final chapter examines the uses of literature and culture in the novels and how they hint at ways out of the historical binds discussed in the first two chapters. -
'Not All Sisters Under the Same (Bomber's) Moon'?
REVIEWS . 301 .................................................................................................................................................. C L A I R E M . T Y L E E &.................................................................................................................................................. `Not All Sisters under the Same (Bomber’s) Moon’?1 Gill Plain, Women’s All four of these works continue the feminist enterprise of reconstructing Fiction of the Second (British) literary and cultural history. Of course, having now reached the World War: Gender, Second World War, just as with the Great War, the tracing of women’s Power and literary traditions entails a revisioning of what is even meant by `war’ or `war Resistance, Edin- literature’. Unlike earlier work by Robert Hewison, Sebastian Knowles or burgh: Edinburgh 2 University Press, Adam Piette, these four books are not studies primarily concerned with 1996, £12.95 pbk. men, men’s alienation or the forbidden zone of male combat but rather with Jenny Hartley, the first total war’s extension of the war zone to include the home front. Nor Millions like Us: do the three that are analyses of fiction begin and end with the conventional British Women’s dates of 1939±45. They look back to the popular fiction of the 1930s and Fiction of the Second Woolf ’s polemic Three Guineas, and forward to Olivia Manning’s trilogies of World War, London: the 1960s. With many of the writers discussed having had careers that also Virago, 1997, embrace the First World War, it is tempting to collapse women’s responses to £9.95 pbk. both wars together. Lassner argues convincingly against such contemporary Margaretta Jolly, revisionism, which conflates turn-of-the-century feminist analysis of imperial Dear Laughing Motorbyke: Letters conquest, militarism and patriarchy with women’s nuanced debates over the from Women particularities of Nazism in the 1930s and 1940s. -
A Literary Reading of Olivia Manning's World War II Trilogies
ADVERTIMENT. Lʼaccés als continguts dʼaquesta tesi queda condicionat a lʼacceptació de les condicions dʼús establertes per la següent llicència Creative Commons: http://cat.creativecommons.org/?page_id=184 ADVERTENCIA. El acceso a los contenidos de esta tesis queda condicionado a la aceptación de las condiciones de uso establecidas por la siguiente licencia Creative Commons: http://es.creativecommons.org/blog/licencias/ WARNING. The access to the contents of this doctoral thesis it is limited to the acceptance of the use conditions set by the following Creative Commons license: https://creativecommons.org/licenses/?lang=en A Literary Reading of Olivia Manning’s World War II Trilogies: War Narration, Place and End of Empire, and Gender Roles in The Balkan Trilogy and The Levant Trilogy. Carmen Andrés Oliver Ph.D. thesis supervised by Professor Andrew Monnickendam Ph.D. programme in English Studies Departament de Filologia Anglesa i Germanística Facultat de Filosofia i Lletres Universitat Autònoma de Barcelona September 2018 ACKNOWLEDGEMENTS First and foremost, I would like to thank Professor Andrew Monnickendam for being a constant source of knowledge and advice, and for the detailed guidance he has provided me from the beginning of this thesis. I am particularly grateful for his support, patience, and for his dedication to this project throughout the years. I would also like to thank the English Department at the Universitat Autònoma de Barcelona for giving me a pre-doctoral grant that allowed me to expand on my research while acquiring teaching experience at an undergraduate level. My thanks, too, go to the members of the department, who have always been encouraging and helpful. -
Abbreviations
Abbreviations Abbreviations for Libraries and Collections1 BNA British National Archives, Kew, London. BOD Oxford University, Bodleian Library, Oxford, England. DUR Durham University Library, Durham, England, William Plomer Collection. HHC Humphry House Collection. With permission of the Literary Estate of Humphry House, London. HL Huntington Library, Pasadena, CA. Papers of Elizabeth Bowen. HRC Harry Ransom Center, University of Texas at Austin, Elizabeth Bowen Collection: Correspondence (Incoming, Outgoing), Vertical File. JRUL John Rylands University Library, University of Manchester, Manchester, England, L.P. Hartley Collection. KC King’s College Library, Cambridge University, Cambridge, England, Rosamond Nina Lehmann Collection. LSU Louisiana State University Archives, at the Mississippi Department of Archives and History, Jackson, Mississippi, Eudora Welty Papers. NSA National Sound Archives, BBC recordings, British Library, London. NYPL New York Public Library, Berg Collection, New York. PRONI Public Record Ofce of Northern Ireland, Belfast, Ireland, Derek Hill Collection. SC Smith College, Northampton, MA, Sophia Smith Collection, Mortimer Rare Book Room, Neilson Library. SU Sussex University Library, Sussex, England, Monk’s House Papers of Virginia Woolf. TC Trinity College Library, Dublin, Ireland, Manuscript Division. UCC University College Cork Library, Cork, Ireland, Special Collections. © Te Author(s), under exclusive license to Springer Nature Switzerland AG 2021 321 P. Laurence, Elizabeth Bowen, Literary Lives, https://doi.org/10.1007/978-3-030-71360-7 322 Abbreviations Abbreviations for Names CR Charles Ritchie DH Derek Hill EB Elizabeth Bowen EW Eudora Welty GR Goronwy Rees HH Humphrey House IB Isaiah Berlin MS Manuscript OM Ottoline Morrell PL Patricia Laurence RL Rosamond Lehmann SOF Sean O’Faolain SS Stephen Spender VW Virginia Woolf WP William Plomer Note 1. -
Through a Reader Looking Glass. Olivia Manning's the Balkan Trilogy
ROMANIAN JOURNAL OF ENGLISH STUDIES RJES 16 /2019 DOI: 10.1515/RJES-2019-0007 THROUGH A READER LOOKING GLASS. OLIVIA MANNING’S THE BALKAN TRILOGY CODRUȚA GOȘA West University of Timișoara Abstract: The paper explores the way in which Romanian readers, experts in literary studies, react to how Romania, Romanians are perceived by British foreigners travelling to Romania for the first time as instantiated in Olivia Manning’s The Balkan Trilogy. The trilogy is based on the author’s experience of living in Bucharest during WW II as wife of a British Council officer. The theoretical frame underpinning the study draws on reader-oriented theory and the role of stereotypes which are viewed as culturally and historically rooted. Keywords: reader-orientdness, stereotypes, qualitative research 1. Foreword The novelist and critic Anthony Burgess (quoted in the 1981 preface of The Balkan Trilogy) considers The Balkan Trilogy to be one of the most significant fictional treatments of World War II in Europe, the only one to be written by a woman. It is not, nevertheless, this belief that sparkled my interest in it, but a comment which popped up in an informal discussion I had with a British Council rather high official in the region. What he said was that the trilogy is “a must read” for those like him who came to work in this part of the world. I had already read the trilogy well before the conversation took place, but I was so intrigued by this remark that I decided not only to revisit it but also try to explore the way in which present day Romanians react to it. -
DHA Classics 2020
Spring 2020 CLASSIC HIGHLIGHTS Contents For more information please go to our website to browse our shelves and find out more about what we do and who we represent. Writing from the Continent pp 4-7 History pp 9-12 Classic Crime pp14-19 Speculative and Science-Fiction pp 21-24 Horror and Adventure pp 26-28 Re-issues and new editions pp 29-31 Film and TV news pp 32-34 Agents UK & US Rights: Veronique Baxter, Georgia Glover, Anthony Goff, Andrew Gordon, Jane Gregory, Lizzy Kremer, Caroline Walsh Film & TV Rights: Clare Israel, Penelope Killick, Nicky Lund, Georgina Ruffhead Translation Rights: Emma Jamison: [email protected] Adult estates titles in all languages Allison Cole: [email protected] Children’s titles in all languages Contact t: +44 (0)20 7434 5900 f: +44 (0)20 7437 1072 www.davidhigham.co.uk Writing from the Continent Michael Arlen Born Dikran Kouyoumdjian, the son of an Armenian merchant, Michael Arlen (1895-1956) was an essayist, short-story writer, novelist, playwright and scriptwriter who enjoyed his greatest success in the 1920s while living and writing in England. He is most famous for his satirical romances which epitomised the brittle gaiety and underlying cynicism and disillusionment of the fashionable London society of the time, but he also wrote gothic horror and psychological thrillers. His best-known work, The Green Hat, was published in 1924 and was subsequently adapted for both stage and screen (as A Woman of Affairs, starring Greta Garbo). The book brought him almost overnight fame on both sides of the Atlantic.