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Elvis Costello and Blondie
FOR IMMEDIATE RELEASE Media Contact: Bridget Smith v.845.583.2179 Photos & Interviews may be available upon request [email protected] ELVIS COSTELLO & THE IMPOSTERS AND BLONDIE EMBARK ON CO-HEADLINING SUMMER TOUR, BEGINNING AT BETHEL WOODS ON SATURDAY, JULY 20TH Tickets on-sale Saturday, April 6th at 10 AM April 2, 2019 (BETHEL, NY) – Bethel Woods Center for the Arts, the nonprofit cultural center located at the site of the 1969 Woodstock festival, today announced that Elvis Costello & The Imposters and Blondie will perform at the center on July 20th as the first stop on their coast-to-coast co-headlining tour. Tickets go on-sale Saturday, April 6th at 10:00 AM at www.BethelWoodsCenter.org, www.Ticketmaster.com, Ticketmaster outlets, or by phone at 1.800.745.3000. Elvis Costello and Blondie shared spots near the top of the UK Singles Chart 40 years ago when Blondie's "Heart Of Glass” sat neck-and-neck alongside Elvis Costello & The Attraction’s "Oliver's Army” in the company of The Bee Gees, Gloria Gaynor and ABBA. The same week, Blondie's seminal album Parallel Lines reached #1 on the Album Chart while Costello's Armed Forces landed at #3. Elvis Costello & The Imposters’ last tour in late 2018 found the combo reaching new live performance peaks. The band "came out swinging” (Star Tribune) in Minneapolis, were “unstoppable” in Anaheim (OC Register) and played an “epic and euphoric” (Variety) show in LA that even at nearly three hours “[left] ‘em wanting more.” The Imposters are: Steve Nieve (keyboards), Davey Faragher (bass) and Pete Thomas (drums). -
Kauffman Center for the Performing Arts Announces Rock Show Double-Header to Kick Off Kauffman Center Presents 2017-2018 Season
NEWS RELEASE Contact: FOR IMMEDIATE RELEASE Bess Wallerstein Huff, Director of Marketing Monday, February, 13, 2017 Kauffman Center for the Performing Arts (816) 994-7229 | [email protected] KAUFFMAN CENTER FOR THE PERFORMING ARTS ANNOUNCES ROCK SHOW DOUBLE-HEADER TO KICK OFF KAUFFMAN CENTER PRESENTS 2017-2018 SEASON Blondie & Garbage: The Rage and Rapture Tour to stop at Muriel Kauffman Theatre on July 18 Kansas City, MO – The first announced show of its 2017-18 Kauffman Center Presents season will feature two quintessential rock ‘n’ roll acts. Blondie & Garbage: The Rage and Rapture Tour will perform for one night in Muriel Kauffman Theatre on Tuesday, July 18. Tickets for the show range from $79 to $149, and go on sale to the public at 10 a.m. Friday, February 24. Tickets will be available through the Kauffman Center Box Office at (816) 994-7222, via the Kauffman Center mobile app, or online at www.kauffmancenter.org. ABOUT BLONDIE Singer-songwriter Debbie Harry, guitarist and co-writer Chris Stein, powerhouse drummer Clem Burke and their band- mates in the punk/new wave band Blondie are undeniable pop icons, their sound and sensibility as fresh as when they first topped the charts in the late 1970s. Since their groundbreaking 1978 album Parallel Lines, the members of Blondie have always been a forward-thinking – and forward-moving – group. Their brand of cross-genre rock has spawned hits including “Call Me,” “Rapture,” and “Heart of Glass,” bringing underground sounds into the mainstream. Blondie’s 11th studio album, Po11inator, is out in May. ABOUT GARBAGE Hailing from Madison, WI, Garbage is guitarist Duke Erikson, drummer Butch Vig, guitarist Steve Marker and lead singer Shirley Manson. -
An Exclusive up Close and Personal Film with One
An exclusive up close and personal film with one of the hardest working drummers in rock, Grammy award-winner, member of the Rock & Roll Hall of Fame and ‘Doctor of Rock’ - Clem Burke. www.espressomedia.co.uk | +44 (0) 1273 730929 A RARE OPPORTUNITY TO EXPERIENCE AN INFLUENTIAL ARTIST LIKE NEVER BEFORE. Feel the energy behind the drums as Clem plays to 40,000 people. Watch as one of the fittest men in rock plays 5 gigs in 24 hours at the Cavern Club for ‘Beatles Week’. Step onstage at London’s iconic music setting Hyde Park and experience Clem’s unique drumming style and raw energy at what could be the last ever Blondie tour. Clem is a music super-fan, and his drive and commitment to his craft has seen him made an Honorary Doctorate of Music by the University of Glouestershire for his groundbreaking involvement in the Clem Burke Drum- ming Project. Features interviews with Dave Stewart (Eurythmics), Chris Stein (Blondie), Hugh Cornwell (The Stranglers), Glen Matlock (The International Swingers) and Bob Gruen (rock & roll photographer) - this is the story of an icon. SIGNATURE BEATS: Clem’s signature beats have brought millions to the dance floor. His unique approach to playing has seen him drum with major artists including: - Bob Dylan - Pete Townshend - Iggy Pop - The Ramones - The Eurythmics ... and of course his most famous role as the backbone and groove of the iconic and multi-platinum selling Blondie. THEIR VIEW: He has a presence and charisma way beyond your typical sticksman. “HE WAS INTO JUMPING OVER HIS DRUM KIT FAIRLY REGULARLY. -
Smash Hits Volume 60
35p USA $1 75 March I9-April 1 1981 W I including MIND OFATOY RESPECTABLE STREE CAR TROUBLE TOYAH _ TALKING HEADS in colour FREEEZ/LINX BEGGAR &CO , <0$& Of A Toy Mar 19-Apr 1 1981 Vol. 3 No. 6 By Visage on Polydor Records My painted face is chipped and cracked My mind seems to fade too fast ^Pg?TF^U=iS Clutching straws, sinking slow Nothing less, nothing less A puppet's motion 's controlled by a string By a stranger I've never met A nod ofthe head and a pull of the thread on. Play it I Go again. Don't mind me. just work here. I don't know. Soon as a free I can't say no, can't say no flexi-disc comes along, does anyone want to know the poor old intro column? Oh, no. Know what they call me round here? Do you know? The flannel panel! The When a child throws down a toy (when child) humiliation, my dears, would be the finish of a more sensitive column. When I was new you wanted me (down me) Well, I can see you're busy so I won't waste your time. I don't suppose I can drag Now I'm old you no longer see you away from that blessed record long enough to interest you in the Ritchie (now see) me Blackmore Story or part one of our close up on the individual members of The Jam When a child throws down a toy (when toy) (and Mark Ellen worked so hard), never mind our survey of the British funk scene. -
August 2002 Readers’ Platform
• APEX THEORY • YAMAHA OAK CUSTOM KIT • GGOOOO GGOOOO DDOLLSOLLS’’ MIKEMIKE MALININ MALININ MMAXIMUMAXIMUM PPOPOP JJEFFEFF PPORCAROORCARO TTRIBUTERIBUTE TTOO AA SSTUDIOTUDIO GGIANTIANT MMATTATT WWILSONILSON’’SS IIMPROVMPROV PPLAYHOUSELAYHOUSE HHOTOT LLATINATIN JJAZZAZZ:: MMETHENYETHENY’’SS AANTONIONTONIO SSANCHEZANCHEZ TTHREADGILLHREADGILL’’SS DDAFNISAFNIS PPRIETORIETO BBRAZILRAZIL’’SS VVERAERA FFIGUEIREDOIGUEIREDO $4.99US $6.99CAN 08 SSHOPHOP TTALKALK:: BBUILDINGUILDING YYOUROUR OOWNWN DDRUMSETRUMSET!! 0 74808 01203 9 Redefining “Drum Machine” Ever wonder why Evans heads are so consistent and easy to tune? Designed and built in-house by our staff of engineers, this robotic “Drum Machine,” called the Gluing Gantry, ensures that every Evans head has a true collar. A series of vacuum fixtures holds the film in place for each head while the robotic gluing arm circles above the hoop and dispenses epoxy. The result is a drumhead that tunes both easily and consistently. At Evans, we do it right the first time. And every time. Check out what Peter Erskine has to say about Evans drumheads at www.evansdrumheads.com PO Box 290 • Farmingdale, NY 11735 We’ve been making the world’s finest sticks for years. And experience tells us that there are no shortcuts when it comes to making a stick. There is, however a very good short- cut when choosing one. The journey from wooden dowel to finished drumstick is a tough one. Each stick makes its way through the hands of several craftsmen before it leaves us. And at every test, there’s always the chance of getting turned into firewood. But it does get easier when our sticks reach the store. Because once you feel a pair in your hands, you’ll appreciate the time it spent in ours. -
October 26, 1987
Frosh Freshman SAT scores Nude Students and residents Still Dukes improve record Survey improve, p. 3 Models pose for classes, p. 14 Rolling to 6-1, p. 17 MONDAY, OCTOBER 26,1987 JAMES MADISON UNIVERSITY VOL 65 NO. 16 Rumors False stories abound as murder remains unsolved By Heather Dawson "Every year we have rumors about different things. "In dealing with most rumors, people are not staff writer One starts and it goes like crazy for a day or two," said rational." The murder of a city woman last Sunday less than a Dr. William Bolding, JMU's director of residence life. The Office of Residence Life was not aware of mile from campus led to several rumors that similar The worst part about these rumors is, we tried to announcements made in most residence halls Thursday murders had occurred this week on or near campus. tell people it was only rumors and then we got the night until Friday morning, Bolding said. Announcements made in residence halls late feedback They're trying to cover it up!'" he said. "The only place where we have told them [RAs] to Thursday night warning students to observe safety "How do you cover up a mass murder?" Bolding take some extra precautions is in McGraw-Long, precautions fueled the rumors. Students were warned to added. where we've had some reports of a prowler," Bolding lock room doors that night and not to prop open Students need to be more aware of the power of said. "That was due primarily to women propping outside doors after visitation hours. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Lita Ford and Doro Interviewed Inside Explores the Brightest Void and the Shadow Self
COMES WITH 78 FREE SONGS AND BONUS INTERVIEWS! Issue 75 £5.99 SUMMER Jul-Sep 2016 9 771754 958015 75> EXPLORES THE BRIGHTEST VOID AND THE SHADOW SELF LITA FORD AND DORO INTERVIEWED INSIDE Plus: Blues Pills, Scorpion Child, Witness PAUL GILBERT F DARE F FROST* F JOE LYNN TURNER THE MUSIC IS OUT THERE... FIREWORKS MAGAZINE PRESENTS 78 FREE SONGS WITH ISSUE #75! GROUP ONE: MELODIC HARD 22. Maessorr Structorr - Lonely Mariner 42. Axon-Neuron - Erasure 61. Zark - Lord Rat ROCK/AOR From the album: Rise At Fall From the album: Metamorphosis From the album: Tales of the Expected www.maessorrstructorr.com www.axonneuron.com www.facebook.com/zarkbanduk 1. Lotta Lené - Souls From the single: Souls 23. 21st Century Fugitives - Losing Time 43. Dimh Project - Wolves In The 62. Dejanira - Birth of the www.lottalene.com From the album: Losing Time Streets Unconquerable Sun www.facebook. From the album: Victim & Maker From the album: Behind The Scenes 2. Tarja - No Bitter End com/21stCenturyFugitives www.facebook.com/dimhproject www.dejanira.org From the album: The Brightest Void www.tarjaturunen.com 24. Darkness Light - Long Ago 44. Mercutio - Shed Your Skin 63. Sfyrokalymnon - Son of Sin From the album: Living With The Danger From the album: Back To Nowhere From the album: The Sign Of Concrete 3. Grandhour - All In Or Nothing http://darknesslight.de Mercutio.me Creation From the album: Bombs & Bullets www.sfyrokalymnon.com www.grandhourband.com GROUP TWO: 70s RETRO ROCK/ 45. Medusa - Queima PSYCHEDELIC/BLUES/SOUTHERN From the album: Monstrologia (Lado A) 64. Chaosmic - Forever Feast 4. -
PTL Founder May Face Dismissal from Church Associated Press “We Do Not Believe There Is Any Evidence of Blackmail,” the Rev
in Generations - page 11 VOL. XXI, NO. 114 FRIDAY, MARCH 27, 1987 the independent student newspaper serving Notre Dame and Saint M an ’s PTL founder may face dismissal from church Associated Press “We do not believe there is any evidence of blackmail,” the Rev. G. FORT MILL, S.C. - The PTL’s new Raymond Carlson, general superin leaders said Thursday that Jim Bakker tendent of the Assemblies of God, said and his wife would stay on the payroll in a statement at a news conference at but must not be active in the ministry, church headquarters in Springfield, while Bakker’s church said he might Mo. face dismissal for “moral failure’’ in a “To the contrary, the evidence seems sexual liaison seven years ago. to indicate that effort and money have “The body of Christ is too valuable been expended to cover moral failure. to be a party to bickering and conflict,” We are deeply sorry to have to say this. the Rev. Jerry Falwell said after the We grieve for the impact all this has new PTL board held its first meeting had upon the entire Christian commu in an attempt to restore harmony after nity.” the tumultuous disclosures of recent Carlson said evidence gathered by days. “We are determined that Satan the presbyters will be sent to the North will not have a field day.” Carolina Presbytery, which has juris Falwell said the board had agreed to diction over the South Carolina-based an independent audit of PTL’s finances PTL. and also would consider taking out a “The complete procedure must and $50 million loan from an unidentified will be followed to determine whether source in Great Britain to consolidate resignation or dismissal is in order,” its debts. -
ASJ Song List Update.Pages
All Star Jukebox Song List 50's & 60's Rock & Soul 1. Ain't Too Proud To Beg (The Temptations) 2. Ain’t No Mountain High Enough (Marvin Gaye & Tammi Terrell) 3. Ain’t Nothin’ Like The Real Thing (Marvin Gaye & Tammi Terrell) 4. All Along the Watchtower (Bob Dylan) 5. All My Loving (The Beatles) 6. All You Need Is Love (The Beatles) 7. Bad Moon Rising (Creedence Clearwater Revival) 8. Blue Suede Shoes (Elvis Presley) 9. Burning Love (Elvis Presley) 10. Can’t Take My Eyes off of You (Frankie Valli & the Four Seasons) 11. Chain of Fools (Aretha Franklin) 12. Come Together (The Beatles) 13. Dancin' in the Streets (Martha & the Vandellas) 14. Dock of the Bay (Otis Redding) 15. Don’t Be Cruel (Elvis Presley) 16. Drive My Car (The Beatles) 17. Fire (Jimi Hendrix) 18. Get Back (The Beatles) 19. Get Ready Cause Here I Come 20. Gimme Some Lovin’ (Spencer Davis Band) 21. Good Lovin' (The Young Rascals) 22. Great Balls of Fire (Jerry Lee Lewis) 23. Hallelujah, I Love Her So (Ray Charles) 24. Happy Together (The Turtles) 25. Heard it Through the Grapevine (Marvin Gaye) 26. Here Comes the Sun (The Beatles) 27. Higher and Higher (Jackie Wilson) 28. Hound Dog (Elvis Presley) 29. I Can’t Help Falling in Love With You (Elvis Presley) 30. I Got You (James Brown) 31. Iko Iko (Dr. John) 32. I’m A Believer (The Monkees) 33. Imagine (John Lennon) 34. In My Life (The Beatles) 35. In the Midnight Hour (Wilson Picket) 36. I Saw Her Standing There (The Beatles) 37. -
AM/FM Song List
AM/FM Song List www.amfmband.com A Little Less talk (Toby Keith) House Of The Rising Sun (The Animals) Achy Breaky Heart (Billy Rae Cyrus) Hurts So Good (John Cougar Melencamp) Amazed (Lone Star) I Can Help (Billy Swan) Amour (Barry Longfellow) I Got You / I Feel Good (James Brown) At The Hop (Danny And The Juniors) I Just Called (Steve Wonder) Baby Likes To Rock It (The Tractors) I Knew The Bride When She Used to Rock & Bad, Bad, Leroy Brown (Jim Croce) Roll Betty Lou’s Gettin’ Out Tonight (Bob Seger) I Love A Rainy Night (Eddy Rabbit) Blue Bayou (Roy Orbison) I Saw Her Standing There (The Beatles) Blueberry Hill (Fats Domino) I Should Have Known Better (The Beatles) Born To Be Wild (Steppenwolf) I Walk the Line (Johnny Cash) Brown Eyed Girl (The Doors) If I Said You Had A Beautiful Body () Calendar Girl (Neil Sedaka) It’s So Nice To Be With You (Gallery) Chantily Lace (Big Bopper) Johnny B Goode (Chuck Berry) Charlena (Richie Vallens) Kansas City (Wilbert Harrison ) Could I Have This Dance (Ann Murray) Keeper of the Stars (Tracy Byrd) Country Road (John Denver) Knock Three Times (Tony Orlando and Dawn) Crying (Roy Orbison) Kokomo (Beach Boys) Danny Boy (John McDermit) La Bamba (Los Lobos) Dianna (Paul Anka) Lady In Red (Chris Deburg) Do I Love You (Paul Anka) Land of 1000 Dances (Wilson Picket) Do You Want To Dance (Beachboys) Let Your Love Flow (Bellamy Brothers) Doctor Doctor (Robert Palmer) Limbo Rock (Chubby Checker) Don’t Let the Sun Catch You Crying Locomotion (Little Eva) Don’t Rock The Jukebox (Alan Jackson) Lodi (CCR) Do-Wah-Diddy -
1 Ervin Jarek 2017 PHD.Pdf
ii © Copyright by Jarek Paul Ervin All Rights Reserved May 2017 iii ABSTRACT My dissertation takes a speculative cue from the reception of 1970s New York punk, which is typically treated as both rule – the symbolic site of origin – and exception – a protean moment before the crystallization of punk proper. For this reason, artists such as Velvet Underground, Patti Smith, the Ramones, and Blondie are today afforded the simultaneous status of originators, interlopers, innovators, and successors. This has led both to the genre’s canonicity in the music world and its general neglect within scholarship. I argue that punk ought to be understood less as a set of stylistic precepts (ones that could be originated and then developed), than as a set of philosophical claims about the character of rock music in the 1970s. Punk artists such as Patti Smith, Jayne County, and the Ramones developed an aesthetic theory through sound. This was an act of accounting, which foregrounded the role of historical memory and recast a mode of reflexive imagination as musical practice. At times mournful, at times optimistic about the possibility of reconciliation, punk was a restorative aesthetics, an attempt to forge a new path on memories of rock’s past. My first chapter looks at the relationship between early punk and rock music, its ostensible music parent. Through close readings of writing by important punk critics including Greil Marcus, Lester Bangs, and Ellen Willis – as well as analyses of songs by the Velvet Underground and Suicide – I argue that a historical materialist approach offers a new in-road to old debates about punk’s progressive/regressive musical character.