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Carrie Undérwo. D's Crossover Dreams >P.35
Carrie Undérwo. d's Crossover Dreams >P.35 #BXNCTCC 1111111111111111111111111111111111111111111 11/11111 #ßL2408043# APR06 A04 B01 )7 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 9080 -3402 NOV FOR'1ORE THAN 110 YEARS 19 R &B SinerjSongwriter SONY I3 IVI G Turns Jail Time Into Under Fire Over CD Copy- Protection >P.7 Hit Debut Album >P.30 11 N1 Illegal P212 (X) R\' Networks INVADES Face The NEW YORK IVIt,iSic; >P.? The CMAs Take Their Act On The Road >P.32 1 I1_IVI MUSIC', Can `Rent' & `Producers' Revive Soundtrack Biz? $6 99US S8.S9.A >P.27 US $6.99, CAN $8.99 UK £5.50, EURCPE 8.95, JAPAN V2,500 www.billboard.com www.billboard.biz www.americanradiohistory.com KEYSHIA COLE CERTIFIED GOLD DEBUT ALBUM "THE WAY _' IS' TOP SELLIN MALE R &B ARTIST 3 Vibe Award Nomt #1 Video at f - "I Should Have Cheated" Top 5 ringtone sales - "I Should Have Cheated" Top 5 (and gaining) at Urban radio - "I Should Have Cheated" Top 10 arum on Billboard R &B/Hip -Hop Chart TUNE INTO VIBE AWARDS TO SEE KEYSHIA PERFORM "I SHOULD HAVE CHEATED" TUESDAY, NOVEMBER 15TH ON UPN Executive Producers: Ron Fair, Manny Halley, and Keyshia Cole "I Should Have Cheated" AM Produced by: Daron_ Jones and Ron Fair / Written by: Daron Jones and Q. Parker REC Mixed by: Ron Fair and Tal Herzberg Management: Arthur Spivak for The Firm / ".2,U!: AY.1A Fnviili www.americanradiohistory.com YOU CAN'T AFFORD TO MISS THIS BILLBOARD EVENT DIGITAL ENTERTAINMENT 8 MEDIA DEM PO CONLEAENCE m z 2005 Billbearel NOVEMBER 19, 2005 TIE.is a 1.111111111115.1 VOLUME 117, NO. -
Defeated Union School Board President Vows to Ask for Recount Of
Defeated Union school board president vows to ask for recount of mail-in ballots By Rebecca Panico Staff Writer Union Board of Education President Ronnie McDowell said he wants an official review of the mail-in ballots after he came up 29 votes short in his bid for re-election, losing to Sharon Higgins. “I will be asking for a recount/recheck of the absentee ballots because I have my suspicions that those voters may have been unduly influenced by people ‘helping’ voters fill out their absentee ballots,” McDowell said in a Nov. 13 statement. The tension was palpable on Nov. 9, as Union County Board of Elections officials counted the provisional ballots at their Elizabeth office for the tight school hoard race. McDowell's seat hung in the balance as he looked on during the count. Higgins had a slight lead of 24 votes for the last of three contested seats from ballots cast on Elec tion Day, unofficial results showed Nov. 8. McDowell said he was feeling “not too good,” as he walked downstairs in the county building to watch the count for eligible provisional ballots. His deficit grew once the eligible provisional ballots were tallied by a machine. Jeff Monge, a school board member whose seat was not up for election this year, hugged McDowell after the provi sional results were printed and read aloud. The Union BOE race was contentious, with two factions Photo by Rebecca Panico running candidates for three seats this year. Incumbents From left, Jeff Monge and Vito Nufrio look on as the provisional ballots are about to be counted at the Union Vito Nufrio, Nancy Zuena and McDowell ran together and County Board of Elections in Elizabeth on Nov. -
2011 STFR Program.Pub
Welcome to the OBMA Information 32nd Annual Ocean Beach Mainstreet OCEAN BEACH Association - Mission Statement STREET FAIR & To find a unique balance of economic develop- CHILI COOK-OFF ment, within a neighborhood setting and through special events, to contribute to the health, welfare, FESTIVAL! and pride of our coastal community! For info please contact Welcome to our celebrated and us at: 619.224.4906 or stop by the office anytime: 1868-A Ba- eagerly anticipated yearly community tradition. con St., Ocean Beach, 92107. N Five stages of continuous music provide a tune Award-Winning for every ear! Non-stop music by fabulous musicians on all the stages. Ocean Beach Farmers Market N Artists Alley will host unique handmade crea- Every Wednesday! tions by talented artisans. We have expanded Art- Summer Hours:4pm - 8pm ists Alley every year with more talented artists than Winter Hours:4pm - 7pm ever before! Lots of them will be demonstrating their art. Known as one of the “Best Farmer’s Markets in California”, N Community Mural Project - join in the fun and our weekly market has become the main thread in the weave paint a square of this mural. Children and adults of of Ocean Beach Wednesday culture. Incredible variety of all ages are welcome to help create this master- foods, outstanding fresh produce, shopping of all kinds, peo- piece! ple-watching, live music, art, crafts, restaurants, night clubs, llama rides and stuff for kids, friendly locals, the beach, and N Wonderland Children’s Area - named after the more. 1st amusement park in Ocean Beach! Tons of fun For further information, you can: for the little ones! Pony Rides (ages 6 months to un- • Visit our booth in the middle of the 4900 block of der 100 Ibs.) Located in the Rite Aid parking lot Newport Avenue (on the north side of the Street, along Newport Ave. -
Capitol Records Began Using a Different Filing System to Indicate Its Mono and Stereo Albums
Capitol Albums, 2101 to 2200 and the Split Dot By Request Capitol (S)T-2101 Ferlin Husky First advertised June 20, 1964 Merle Travis & Joe Maphis Capitol (S)T-2102 Merle Travis & Joe Maphis First advertised June 20, 1964 The Great Roy Acuff Capitol (D)T-2103 Roy Acuff First advertised June 20, 1964 The Best of George Shearing Capitol Star Line (S)T-2104 George Shearing Quintet First advertised June 1964 The Best of Buck Owens Capitol Star Line (S)T-2105 Buck Owens First advertised June 20, 1964 The Fabulous Favorites Capitol Star Line (S)T-2106 Kay Starr First advertised June 1964 I Love You More and More Every Day/Tears and Roses Capitol (S)T-2107 Al Martino First advertised June 1964 Something New Capitol (S)T-2108 The Beatles First advertised August 8, 1964 Jazz Story Capitol WEO-2109 Various Artists First advertised October 17, 1964 Contains albums 2137 to 2141 (see below), packaged in an outer slipcase. All Summer Long Capitol (S)T-2110 Beach Boys First advertised July 11, 1964 First cover misspells “Don’t Break Down.” Later covers correct to “Don’t Back Down.” Summer Surf Capitol (S)T-2111 Dick Dale First advertised July 11, 1964 Packaged with a 7” single, “Racing Waves”/ “Moving Surf” (Capitol PRO-2648/9), from album T-2112. Surf Age Capitol (S)T-2112 Jerry Cole First advertised July 18, 1964 Packaged with a 7” single, “Spanish Kiss”/ “Thunder Wave” (Capitol PRO-2646/7), from album T-2111. Surf Route 101 Capitol (S)T-2113 Super Stocks First advertised July 18, 1964 Packaged with a 7” single, “Doin’ the Surfink”/ “Finksville USA” (Capitol PRO-2644/5), from the album T-2114. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
JUKEBOX JAZZ by Ian Muldoon* ______
JUKEBOX JAZZ by Ian Muldoon* ____________________________________________________ n 1955 Bill Haley’s Rock Around the Clock was the first rock and roll record to become number one on the hit parade. It had made a stunning introduction in I the opening moments to a film called Blackboard Jungle. But at that time my favourite record was one by Lionel Hampton. I was not alone. Me and my three jazz loving friends couldn’t be bothered spending hard-earned cash on rock and roll records. Our quartet consisted of clarinet, drums, bass and vocal. Robert (nickname Orgy) was learning clarinet; Malcolm (Slim) was going to learn drums (which in due course he did under the guidance of Gordon LeCornu, a percussionist and drummer in the days when Sydney still had a thriving show scene); Dave (Bebop) loved the bass; and I was the vocalist a la Joe (Bebop) Lane. We were four of 120 RAAF apprentices undergoing three years boarding school training at Wagga Wagga RAAF Base from 1955-1957. Of course, we never performed together but we dreamt of doing so and luckily, dreaming was not contrary to RAAF regulations. Wearing an official RAAF beret in the style of Thelonious Monk or Dizzy Gillespie, however, was. Thelonious Monk wearing his beret the way Dave (Bebop) wore his… PHOTO CREDIT WILLIAM P GOTTLIEB _________________________________________________________ *Ian Muldoon has been a jazz enthusiast since, as a child, he heard his aunt play Fats Waller and Duke Ellington on the household piano. At around ten years of age he was given a windup record player and a modest supply of steel needles, on which he played his record collection, consisting of two 78s, one featuring Dizzy Gillespie and the other Fats Waller. -
Bob Denson Master Song List 2020
Bob Denson Master Song List Alphabetical by Artist/Band Name A Amos Lee - Arms of a Woman - Keep it Loose, Keep it Tight - Night Train - Sweet Pea Amy Winehouse - Valerie Al Green - Let's Stay Together - Take Me To The River Alicia Keys - If I Ain't Got You - Girl on Fire - No One Allman Brothers Band, The - Ain’t Wastin’ Time No More - Melissa - Ramblin’ Man - Statesboro Blues Arlen & Harburg (Isai K….and Eva Cassidy and…) - Somewhere Over the Rainbow Avett Brothers - The Ballad of Love and Hate - Head Full of DoubtRoad Full of Promise - I and Love and You B Bachman Turner Overdrive - Taking Care Of Business Band, The - Acadian Driftwood - It Makes No Difference - King Harvest (Has Surely Come) - Night They Drove Old Dixie Down, The - Ophelia - Up On Cripple Creek - Weight, The Barenaked Ladies - Alcohol - If I Had A Million Dollars - I’ll Be That Girl - In The Car - Life in a Nutshell - Never is Enough - Old Apartment, The - Pinch Me Beatles, The - A Hard Day’s Night - Across The Universe - All My Loving - Birthday - Blackbird - Can’t Buy Me Love - Dear Prudence - Eight Days A Week - Eleanor Rigby - For No One - Get Back - Girl Got To Get You Into My Life - Help! - Her Majesty - Here, There, and Everywhere - I Saw Her Standing There - I Will - If I Fell - In My Life - Julia - Let it Be - Love Me Do - Mean Mr. Mustard - Norwegian Wood - Ob-La-Di Ob-La-Da - Polythene Pam - Rocky Raccoon - She Came In Through The Bathroom Window - She Loves You - Something - Things We Said Today - Twist and Shout - With A Little Help From My Friends - You’ve -
JULY 3, 2006 ARTIST RED FOLEY TITLE Old Shep the Red Foley
SHIPPING DATE: MAY 22, 2006 STREET DATE: JULY 3, 2006 ARTIST RED FOLEY TITLE Old Shep The Red Foley Recordings 1933 – 1950 LABEL Bear Family Records CATALOG # BCD 16759 PRICE-CODE FL EAN-CODE 4000127 167590 ISBN-CODE 3-89916-179-3 FORMAT 6-CD Boxed Set (LP-size) with 96-page hardcover book GENRE Country TRACKS 164 PLAYING TIME 469:50 • The set contains the complete Country Recordings (1933 – 1950). • 18 previously unissued performances. • The hardcover book contains many rare and previously unpublished pictures. • The set contains the ARC, Decca and the commercially never available World Transcriptions. SALES NOTES During his long career, which spanned more than three decades, few artists have blazed as many trails as Red Foley. He became country music's first 'crossover' artist. He was also the first country singer to be featured on network radio and television programs. Foley was hugely popular wherever he went, beginning with his years as 'Rambling Red' on WLS Chicago's 'National Barn Dance,' and continuing with the 'Renfro Valley Barn Dance,' and finally as the genial host of the famed 'Grand Ole Opry' and the landmark television show, 'Ozark Jubilee.' Foley's life was a tragic one. In retrospect, his personal problems seem insurmountable, yet Foley's charisma and talent saw him through these troubled times; his many recordings are his finest legacy. Nearly every Nashville-based star of his stature has had his or her story told by now, everyone except Red Foley. This box set and hardcover book document Foley's remarkable recording career. Included is every commercial recording made by Foley up to 1950, with the exception of his sacred and children's recordings. -
2021 AKC Master National Qualified Dogs
2021 AKC Master National Qualified Dogs 1,506 as of July 31, 2021 (See below if your dog is not listed.) DOG NAME OWNER BREED 3m Foxy Kona MH J Lane Lab 6bears Chasing The Perfect Storm MH B Berrecloth/S Berrecloth Lab 6bears Gatorpoint Rhea MH B Berrecloth/S Berrecloth Lab 6bears Just Sippin On Sweet Tea MH B Berrecloth/S Berrecloth Lab A Double Shot Of Miss Ellie May MH B Hadley Lab A Legend In Her Own Mind MH K Forehead Lab Abandoned Road's Caffeine Explosion MH MNH4 C Pugh Lab A-Bear For Freedom MH C Kinslow Lab Academy's Buy A Lady A Drink MH T Mitchell NSDTR Academy's Deacon Howl'N Amen MH MNH M Bullen/S Bullen Lab Academy's Pick'Em All Up MH P Dennis Lab Ace Basin’s Last King’s Grant MH R Garmany Lab Ace On The River IV MH MNH M Zamudio Lab Addys Sweet Baby Rae MH D McGraw Lab Adirondac Explorer MH C Lantiegne Golden Adirondac Kuma Yoko MH G Neurohr/N Neurohr Golden Adirondac Tupper Too MH C Lantiegne Golden Agent Natasha Romanova MH G Nichols Lab AHOY Dark Beauty MH R Randleman Lab Aimpowers Captain's Creole Cash MH L Hoover Lab Ajs Labs Once Upon A Time MH A Walters/J Walters Lab Ajs Labs Song Of The South MH J Walters/A Walters Lab AJS Labs Song of the South MH Joel and Anja Walters Lab Ajs Sailor Katy's I Shot The Sheriff MH a walters/j walters Lab Ajs Sailor Katy's Whips And Things MH MNR j walters/a walters Lab Ajtop Chiefs Blessed Beau MH K Jenkins Lab Ajtop Cody's Kajun Pride MH C Billings Lab AJTOP Gold Pearl MH R Loewenstein/J Loewenstein Lab Alabama Moon Bear MH J Gammon CBR Alabama's Rebel Girl MH G Goodman Lab Alabamas -
The Rolling Stones and Performance of Authenticity
University of Kentucky UKnowledge Theses and Dissertations--Art & Visual Studies Art & Visual Studies 2017 FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY Mariia Spirina University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.135 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Spirina, Mariia, "FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY" (2017). Theses and Dissertations--Art & Visual Studies. 13. https://uknowledge.uky.edu/art_etds/13 This Master's Thesis is brought to you for free and open access by the Art & Visual Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Art & Visual Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
HOUSE JOINT RESOLUTION 1221 by Maggart a RESOLUTION To
HOUSE JOINT RESOLUTION 1221 By Maggart A RESOLUTION to honor and commend Harold Ray Bradley upon being inducted into the Country Music Hall of Fame. WHEREAS, the members of this General Assembly are proud to formally recognize those talented musicians whose influence on and participation in a genre of music is of great import and whose talent has set them apart as the finest of American artists; and WHEREAS, veteran guitarist Harold Ray Bradley is one such musician who is widely renowned for his prolific recordings, studio achievements, and industry leadership; and WHEREAS, in recognition of the impact he has had on the genre of country music, Harold Bradley was formally inducted into the prestigious Country Music Hall of Fame by the Country Music Association in 2006; and WHEREAS, born on January 2, 1926, in Nashville, Harold Bradley first took an interest in the banjo, but his brother, the late Owen Bradley, steered him toward guitar; by 1943, Harold Bradley was playing amplified jazz guitar and acquired his first job playing lead guitar with Ernest Tubb’s Texas Troubadours; and WHEREAS, from 1944 to 1946, he proudly served his country as a member of the United States Navy during World War II; he then headed home to Nashville to study music; and WHEREAS, Mr. Bradley’s first country recording session came in 1946, when he recorded with Pee Wee King’s Golden West Cowboys in Chicago; his acoustic rhythm guitar opened Red Foley’s 1950 smash hit “Chattanoogie Shoe Shine Boy,” which jumped to number one on both the country and pop charts; and WHEREAS, though a capable lead guitarist, Harold Bradley’s studio specialty has been rhythm work; on many sessions he lent his musical talents to a studio-triumvirate with lead specialists Hank Garland and Grady Martin; and HJR1221 01147350 -1- WHEREAS, Mr. -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams.