Marcella Special Edition: “New Wave” 7 Divjanuary

Total Page:16

File Type:pdf, Size:1020Kb

Marcella Special Edition: “New Wave” 7 Divjanuary Cover DIV For . more . diversity Blondie & The Cure Special collage Exclusive interview with Marcella Special edition: “new wave” 7 DIVJanuary Contents 11 4 Exlusive interview with Marcella 7 More about Blondie; Debbie Harry 8 Collage of all popular New Wave bands The Cure will be headlining new 4 11 festivals in the summer of 2019 Interview with Marcella This is Marcella. She was 15 years old when she gotminvolved in the “New Wave” scene. “My grandfather couldn’t appreciate it. He thought my style was not appro- priate. He just couldn’t understand it.” But she didn’t care at all. She saw her New Wave period as temporary: “I wanted to be different, not a standard person”. When she was a kid, She was always Her outfit was also different from her an outsider. She was shy and found it peergroup. Always in black and hairs hard to be in the spotlighgts.She found up (with the help of lots of soap).Her everybody around her standard and make-up was also heavy and black and wanted to divertShe came attached to she wore big earrings.She got a lot of New Wave music by listening to the ra- comments on her looks: “ Everybody dio at night - at times where the played was always complaining on the way I less known music. At those years she looked. Too dark and a misfit.” could get to the library and serach for this music herself. She got home with “I remember how much effort it took albums from The Cure, U2, Simple to get my hairs straight up. We used Minds en Siouxsie and the Banshees. a block of handsoap to get it the right way”, she told us. In her eighteens she got a job at the school paper. Because she wasn’t allo- wed to publish everything she wanted, she also got involved with an alterna- Interview mam tive, illegal schoolpaper, the “Archibald”. Those who made this were anarchistic and were looking for the limits. Gra- dually she made contact with more alternative people. They set of against their parents and the more common people. This schoolpaper wasn’t appre- ciated but she never regretted being in- volved. “Our parents only were decent and neat, we didn’t want to become like 4 t h a t ”. 5 New New New New New New new new new new n Blondie Debbie Harry The new wave band Blon- In 1982, after several hits, walkmanwalkman die was formed in 1974 in the band split up due to the The band go together again New York. The band’s name fact that Debbie and her in 1998 with their album should be “Angel and the husband, Chris Stein wrote “No Exit”. This album got Snakes” at first, but wan- the songs and were therefor them in 14 countries on dering thrue the streets, the main factors behind the number1 with tthe song Debbie was called after. band and the other members “Maria”. After that they Andy Warhol was responsi- felt financialy mistreated. went on a world tour. ble for the looks of Debbie: Late 1982 Chris got a life In 2003 and 2004 they went blond hair, a white shirt and threathening disease and he on another world tour, with trousers. The members are quit as a musician. Debbie 3 all sold out concerts in Debbie Harry, Chris Stein put her solo carreer on hold the Netherlands. This tour on guitart, Clem Burke on to take care of her husband. was due to their album “The drums, Leigh Foxx bassand Chris eventually got better Curse Of Blondie”. Matt Katz-Bohen playing and Debbie could continue Blondie and Debbie Harry the piano. her musical carreer. are still active in the music scene. There is no new tour In Februari 1978 they had planned yet. their break through in Euro- pe with their album “Plastic Letters”. 6 7 DIVJanuary 9 s new wave ‘80 €2,99 The Cure The band around the excentric singer In 2012 the band played a gig on Pink- Robert Smith was formed in 1976 and got pop and Robert noticed a whole new and the name “The Easy Cure”. A few years younger public.After this they promised to latter, they changed it into The Cure . keep on playing. In June 1979 they brought out the number “Boys Don’t Cry” , which opened up the In 2018 they gave a concert in London, way to a modest cult status. In 1980 they because of the band’s 40th anniversery. delivered the long play record “Seventeen Last summer, Robert Smith anounced on Seconds” which included the internatio- Twitter they are planning a new tour. This nalhit song “A Forest”. After their song tour will mainly be played in Europe. The “Pornography” Robert put the band on will start on the 16th of March non-active. He made another few solo in Johannesburg, South records under the name The Cure. During Africa and the 80’s the band got together again and will end on they became the best known New Wave the 23rd band. of August in Paris, During the 90’s they were less prominent, France . but in 2004 they came with a new album simply called “The Cure”. In May 2008 another album was brought to the public - Rubik’s cube followed by a tour in June: “ Freakshow.” 10 11 DIV.
Recommended publications
  • V&A Acquires the Glastonbury Festival Archive
    V&A acquires the Glastonbury Festival Archive The V&A is delighted to announce a collaboration with Glastonbury Festival to create an archive reflecting more than 40 years of diverse and creative performance. Glastonbury Festival is the longest-running popular music and performing arts festival in the world. Set up in 1970 by Michael Eavis on Worthy Farm in Pilton, Somerset – the Eavis’s family farm for four generations - the Festival is now attended by around 175,000 people annually. It has a long and unique history of hosting music, dance, comedy, theatre, circus, cabaret and other arts and collaborating with artists, set designers and craftspeople. Many distinguished names have performed at the summer festival over the last four decades including Beyoncé, Bjork, Blondie, Marc Bolan, Coldplay, The Cure, Jay-Z, Paul McCartney, Van Morrison, New Order, Oasis, Radiohead, The Rolling Stones, Toots and the Maytals, Velvet Underground and Amy Winehouse. This eclectic archive includes a range of material, from programmes and posters from every festival since 1970, designs for the Festival identity, interviews, unseen film and photographs, correspondence, t-shirts, tickets and other memorabilia. Personal accounts and documents trace the origins of the Festival and festival maps reveal how it has grown and developed within the landscape. Press cuttings document the relationship of the Festival with the local community and stories that captured the nation. The working processes of the Festival will be captured in the archive with original backstage passes, photographs and performers’ set-lists. The archive also includes photographs that reveal the evolution of the legendary Pyramid stage since its creation in 1971 to a permanent stage – also briefly used as a cattle shed in 1981.
    [Show full text]
  • Logging Songs of the Pacific Northwest: a Study of Three Contemporary Artists Leslie A
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Logging Songs of the Pacific Northwest: A Study of Three Contemporary Artists Leslie A. Johnson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC LOGGING SONGS OF THE PACIFIC NORTHWEST: A STUDY OF THREE CONTEMPORARY ARTISTS By LESLIE A. JOHNSON A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2007 The members of the Committee approve the Thesis of Leslie A. Johnson defended on March 28, 2007. _____________________________ Charles E. Brewer Professor Directing Thesis _____________________________ Denise Von Glahn Committee Member ` _____________________________ Karyl Louwenaar-Lueck Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS I would like to thank those who have helped me with this manuscript and my academic career: my parents, grandparents, other family members and friends for their support; a handful of really good teachers from every educational and professional venture thus far, including my committee members at The Florida State University; a variety of resources for the project, including Dr. Jens Lund from Olympia, Washington; and the subjects themselves and their associates. iii TABLE OF CONTENTS ABSTRACT .................................................................................................................
    [Show full text]
  • 1. Mapplethorpe, Robert, “Patti Smith 1 Fifth Avenue,” 1978
    Olivia Swinford April 16, 2015 Mood Board 1 Citations 1. Mapplethorpe, Robert, “Patti Smith 1 Fifth Avenue,” 1978. Smith, Patti. Just Kids. New York: Ecco, 2010. 2. "Publicity Shots 1978 - Blondie." Blondie. Accessed April 16, 2015. http://www.blondie.net/photos/publicity-shots/#gallery/1277/1/0. 3. "See Who Was Playing at CBGB This Week in 1975." - The Strut. June 16, 2011. Accessed April 16, 2015. http://www.thestrut.com/2011/06/16/see-who-was-playing-at-cbgb- this-week-in-1975/. 4. Galindo, Brian. "17 Awesome Photos That Captured CBGB's Iconic 1970s Punk Scene." BuzzFeed. September 9, 2014. Accessed April 16, 2015. http://www.buzzfeed.com/briangalindo/17-awesome- photos-that-captured-cbgbs-iconic-1970s-punk- scen?utm_term=1dpwbpa&sub=3440532_3765090#.fd4LQj1Am. 5. Galindo, Brian. "17 Awesome Photos That Captured CBGB's Iconic 1970s Punk Scene." BuzzFeed. September 9, 2014. Accessed April 16, 2015. http://www.buzzfeed.com/briangalindo/17-awesome- photos-that-captured-cbgbs-iconic-1970s-punk- scen?utm_term=1dpwbpa&sub=3440532_3765090#.fd4LQj1Am. 6. Bokuniewicz, Carol "Album Cover, Talking Heads: Remain in Light, 1980." Cooper Hewitt, Smithsonian Design Museum. Accessed April 16, 2015. https://collection.cooperhewitt.org/objects/18644717/. 7. "Patti Smith Group -- Because The Night." Patti Smith Group -- Because The Night. Accessed April 16, 2015. http://www.springsteenlyrics.com/collection/moreinfo.php?item=6096 &height=500&width=700. 8. "Photos | Sex Pistols | The Official Website." Sex Pistols The Official Website. January 1, 2012. Accessed April 16, 2015. http://www.sexpistolsofficial.com/photos/?wppa-album=4&wppa- photo=302&wppa-occur=1. 9. "Punk Art Catalogue - Section II: Punk Magazine & School of Visual Arts - 98 Bowery: 1969-1989." Punk Art Catalogue - Section II: Punk Magazine & School of Visual Arts - 98 Bowery: 1969-1989.
    [Show full text]
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Elvis Costello and Blondie
    FOR IMMEDIATE RELEASE Media Contact: Bridget Smith v.845.583.2179 Photos & Interviews may be available upon request [email protected] ELVIS COSTELLO & THE IMPOSTERS AND BLONDIE EMBARK ON CO-HEADLINING SUMMER TOUR, BEGINNING AT BETHEL WOODS ON SATURDAY, JULY 20TH Tickets on-sale Saturday, April 6th at 10 AM April 2, 2019 (BETHEL, NY) – Bethel Woods Center for the Arts, the nonprofit cultural center located at the site of the 1969 Woodstock festival, today announced that Elvis Costello & The Imposters and Blondie will perform at the center on July 20th as the first stop on their coast-to-coast co-headlining tour. Tickets go on-sale Saturday, April 6th at 10:00 AM at www.BethelWoodsCenter.org, www.Ticketmaster.com, Ticketmaster outlets, or by phone at 1.800.745.3000. Elvis Costello and Blondie shared spots near the top of the UK Singles Chart 40 years ago when Blondie's "Heart Of Glass” sat neck-and-neck alongside Elvis Costello & The Attraction’s "Oliver's Army” in the company of The Bee Gees, Gloria Gaynor and ABBA. The same week, Blondie's seminal album Parallel Lines reached #1 on the Album Chart while Costello's Armed Forces landed at #3. Elvis Costello & The Imposters’ last tour in late 2018 found the combo reaching new live performance peaks. The band "came out swinging” (Star Tribune) in Minneapolis, were “unstoppable” in Anaheim (OC Register) and played an “epic and euphoric” (Variety) show in LA that even at nearly three hours “[left] ‘em wanting more.” The Imposters are: Steve Nieve (keyboards), Davey Faragher (bass) and Pete Thomas (drums).
    [Show full text]
  • Kauffman Center for the Performing Arts Announces Rock Show Double-Header to Kick Off Kauffman Center Presents 2017-2018 Season
    NEWS RELEASE Contact: FOR IMMEDIATE RELEASE Bess Wallerstein Huff, Director of Marketing Monday, February, 13, 2017 Kauffman Center for the Performing Arts (816) 994-7229 | [email protected] KAUFFMAN CENTER FOR THE PERFORMING ARTS ANNOUNCES ROCK SHOW DOUBLE-HEADER TO KICK OFF KAUFFMAN CENTER PRESENTS 2017-2018 SEASON Blondie & Garbage: The Rage and Rapture Tour to stop at Muriel Kauffman Theatre on July 18 Kansas City, MO – The first announced show of its 2017-18 Kauffman Center Presents season will feature two quintessential rock ‘n’ roll acts. Blondie & Garbage: The Rage and Rapture Tour will perform for one night in Muriel Kauffman Theatre on Tuesday, July 18. Tickets for the show range from $79 to $149, and go on sale to the public at 10 a.m. Friday, February 24. Tickets will be available through the Kauffman Center Box Office at (816) 994-7222, via the Kauffman Center mobile app, or online at www.kauffmancenter.org. ABOUT BLONDIE Singer-songwriter Debbie Harry, guitarist and co-writer Chris Stein, powerhouse drummer Clem Burke and their band- mates in the punk/new wave band Blondie are undeniable pop icons, their sound and sensibility as fresh as when they first topped the charts in the late 1970s. Since their groundbreaking 1978 album Parallel Lines, the members of Blondie have always been a forward-thinking – and forward-moving – group. Their brand of cross-genre rock has spawned hits including “Call Me,” “Rapture,” and “Heart of Glass,” bringing underground sounds into the mainstream. Blondie’s 11th studio album, Po11inator, is out in May. ABOUT GARBAGE Hailing from Madison, WI, Garbage is guitarist Duke Erikson, drummer Butch Vig, guitarist Steve Marker and lead singer Shirley Manson.
    [Show full text]
  • What Is a Dance? in 3 Dances, Gene Friedman Attempts to Answer Just That, by Presenting Various Forms of Movement. the Film Is D
    GENE FRIEDMAN 3 Dances What is a dance? In 3 Dances, Gene Friedman attempts to answer just that, by presenting various forms of movement. The film is divided into three sections: “Public” opens with a wide aerial shot of The Museum of Modern Art’s Sculpture Garden and visitors walking about; “Party,” filmed in the basement of Judson Memorial Church, features the artists Alex Hay, Deborah Hay, Robert Rauschenberg, and Steve Paxton dancing the twist and other social dances; and “Private” shows the dancer Judith Dunn warming up and rehearsing in her loft studio, accompanied by an atonal vocal score. The three “dances” encompass the range of movement employed by the artists, musicians, and choreographers associated with Judson Dance Theater. With its overlaid exposures, calibrated framing, and pairing of distinct actions, Friedman’s film captures the group’s feverish spirit. WORKSHOPS In the late 1950s and early 1960s, three educational sites were formative for the group of artists who would go on to establish Judson Dance Theater. Through inexpensive workshops and composition classes, these artists explored and developed new approaches to art making that emphasized mutual aid and art’s relationship to its surroundings. The choreographer Anna Halprin used improvisation and simple tasks to encourage her students “to deal with ourselves as people, not dancers.” Her classes took place at her home outside San Francisco, on her Dance Deck, an open-air wood platform surrounded by redwood trees that she prompted her students to use as inspiration. In New York, near Judson Memorial Church, the ballet dancer James Waring taught a class in composition that brought together different elements of a theatrical performance, much like a collage.
    [Show full text]
  • An Exclusive up Close and Personal Film with One
    An exclusive up close and personal film with one of the hardest working drummers in rock, Grammy award-winner, member of the Rock & Roll Hall of Fame and ‘Doctor of Rock’ - Clem Burke. www.espressomedia.co.uk | +44 (0) 1273 730929 A RARE OPPORTUNITY TO EXPERIENCE AN INFLUENTIAL ARTIST LIKE NEVER BEFORE. Feel the energy behind the drums as Clem plays to 40,000 people. Watch as one of the fittest men in rock plays 5 gigs in 24 hours at the Cavern Club for ‘Beatles Week’. Step onstage at London’s iconic music setting Hyde Park and experience Clem’s unique drumming style and raw energy at what could be the last ever Blondie tour. Clem is a music super-fan, and his drive and commitment to his craft has seen him made an Honorary Doctorate of Music by the University of Glouestershire for his groundbreaking involvement in the Clem Burke Drum- ming Project. Features interviews with Dave Stewart (Eurythmics), Chris Stein (Blondie), Hugh Cornwell (The Stranglers), Glen Matlock (The International Swingers) and Bob Gruen (rock & roll photographer) - this is the story of an icon. SIGNATURE BEATS: Clem’s signature beats have brought millions to the dance floor. His unique approach to playing has seen him drum with major artists including: - Bob Dylan - Pete Townshend - Iggy Pop - The Ramones - The Eurythmics ... and of course his most famous role as the backbone and groove of the iconic and multi-platinum selling Blondie. THEIR VIEW: He has a presence and charisma way beyond your typical sticksman. “HE WAS INTO JUMPING OVER HIS DRUM KIT FAIRLY REGULARLY.
    [Show full text]
  • Smash Hits Volume 60
    35p USA $1 75 March I9-April 1 1981 W I including MIND OFATOY RESPECTABLE STREE CAR TROUBLE TOYAH _ TALKING HEADS in colour FREEEZ/LINX BEGGAR &CO , <0$& Of A Toy Mar 19-Apr 1 1981 Vol. 3 No. 6 By Visage on Polydor Records My painted face is chipped and cracked My mind seems to fade too fast ^Pg?TF^U=iS Clutching straws, sinking slow Nothing less, nothing less A puppet's motion 's controlled by a string By a stranger I've never met A nod ofthe head and a pull of the thread on. Play it I Go again. Don't mind me. just work here. I don't know. Soon as a free I can't say no, can't say no flexi-disc comes along, does anyone want to know the poor old intro column? Oh, no. Know what they call me round here? Do you know? The flannel panel! The When a child throws down a toy (when child) humiliation, my dears, would be the finish of a more sensitive column. When I was new you wanted me (down me) Well, I can see you're busy so I won't waste your time. I don't suppose I can drag Now I'm old you no longer see you away from that blessed record long enough to interest you in the Ritchie (now see) me Blackmore Story or part one of our close up on the individual members of The Jam When a child throws down a toy (when toy) (and Mark Ellen worked so hard), never mind our survey of the British funk scene.
    [Show full text]
  • MSU Dominates State Track
    Dayton denies appeal By KEVIN DOLAN she said yesterday that she is not News Editor sure whether or not she will take the Commissioner of Higher Educa­ final step in the university system's tion Irving Dayton has denied MSU grievance procedure. Attirmative Action Otticer Zaida Giraldo has also filed a formal Giraldo's appeal of a decision not to complaint of discrimination with the renew her contract. Montana Human Rights Commis­ Giraldo said she would not com­ sion. She said the commission plans ment on any specific reasons cited to send a fact-finder to the campus by Dayton as to why he denied her later this month. appeal. Giraldo originally appealed Tietz's Her appeal of MSU President Wil­ Nov. 21 decision to Dayton last fall, liam Tietz's decision to not renew her but Dayton sent it back to MSU so it contract was the third step in her could be dealt with internally before fight to keep her job. he acted on it. Giraldo appealed the decision on On Feb. 10, a grievance hearing the basis that Tietz's decision was was held before the MSU Personnel made in retaliation for performance Board. of her duties as attirmative action The board recommended to Act­ otticer. ing President Stuart Knapp that Giraldo could appeal her case Tietz's decision be upheld, who further to the Board of Regents, but approved the board's recommendation. Knight resigned over relations with Dayton By KEVIN DOLAN News Editor In his official letter of resignation, former Regent Bob Knight said he resigned from the Board of Regents because of his "deteriorated" relation­ ship with Commissioner of Higher Education Irving Dayton.
    [Show full text]
  • "Rip Her to Shreds": Women's Musk According to a Butch-Femme Aesthetic
    "Rip Her to Shreds": Women's Musk According to a Butch-Femme Aesthetic Judith A, Peraino "Rip Her to Shreds" is the tide of a song recorded in 1977 by the rock group Blondie; a song in which the female singer cat­ tily criticizes another woman. It begins with the female "speak­ er" addressing other members of her clique by calling attention to a woman who obviously stands outside the group. The lis­ tener likewise becomes a member of the clique, forced to par­ ticipate tacitly in the act of criticism. Every stanza of merciless defamation is articulated by a group of voices who shout a cho­ rus of agreement, enticing the listener to join the fray. (spoken! Hey, psf pst, here she comes !lOW. Ah, you know her, would YOIl look ollhlll hair, Yah, YOIl know her, check out Ihose shoes, A version of this paper was read at the conference "Feminist Theory and Music: Toward a Common Language," Minneapolis, MN, June 1991. If) 20 Peraino Rip Her to Shreds She looked like she stepped out in the middle of somebody's cruise. She looks like the Su nday comics, She thinks she's Brenda Starr, Her nose·job is real atomic, All she needs is an old knife scar. CHORUS: (group) 00, she's so dull, (solo) come on rip her to shreds, (group) She's so dull, (solo) come on rip her to shreds.! In contrast to the backstabbing female which the Blondie song presents, so-called "women's music" emphasizes solidarity and affection between women, and reserves its critical barbs for men and patriarchal society.
    [Show full text]
  • Blondie the Platinum Collection Mp3, Flac, Wma
    Blondie The Platinum Collection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: The Platinum Collection Country: Netherlands Released: 1994 Style: New Wave, Pop Rock MP3 version RAR size: 1987 mb FLAC version RAR size: 1233 mb WMA version RAR size: 1660 mb Rating: 4.7 Votes: 725 Other Formats: DMF MP2 VOX AAC WAV ADX AUD Tracklist Hide Credits X Offender 1-1 3:12 Producer – Richard GottehrerWritten-By – Deborah Harry, Gary Valentine In The Flesh 1-2 2:31 Producer – Richard GottehrerWritten-By – Chris Stein, Deborah Harry Man Overboard 1-3 3:21 Producer – Richard GottehrerWritten-By – Deborah Harry Rip Her To Shreds 1-4 3:21 Producer – Richard GottehrerWritten-By – Chris Stein, Deborah Harry Denis 1-5 2:18 Producer – Richard GottehrerWritten-By – Neil Levenson Contact In Red Square 1-6 2:00 Producer – Richard GottehrerWritten-By – Jimmy Destri Kung Fu Girls 1-7 2:31 Producer – Richard GottehrerWritten-By – Deborah Harry, Gary Valentine, Jimmy Destri I'm On E 1-8 2:13 Producer – Richard GottehrerWritten-By – Chris Stein, Deborah Harry (I'm Always Touched By Your) Presence, Dear 1-9 2:43 Producer – Richard GottehrerWritten-By – Gary Valentine Poets Problem 1-10 2:20 Producer – Richard GottehrerWritten-By – Jimmy Destri Detroit 442 1-11 2:28 Producer – Richard GottehrerWritten-By – Chris Stein, Jimmy Destri Picture This 1-12 2:56 Producer – Mike ChapmanWritten-By – Chris Stein, Deborah Harry, Jimmy Destri Fade Away And Radiate 1-13 4:01 Producer – Mike ChapmanWritten-By – Chris Stein I'm Gonna Love You Too 1-14 2:08 Producer
    [Show full text]