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Elvis Costello and Blondie
FOR IMMEDIATE RELEASE Media Contact: Bridget Smith v.845.583.2179 Photos & Interviews may be available upon request [email protected] ELVIS COSTELLO & THE IMPOSTERS AND BLONDIE EMBARK ON CO-HEADLINING SUMMER TOUR, BEGINNING AT BETHEL WOODS ON SATURDAY, JULY 20TH Tickets on-sale Saturday, April 6th at 10 AM April 2, 2019 (BETHEL, NY) – Bethel Woods Center for the Arts, the nonprofit cultural center located at the site of the 1969 Woodstock festival, today announced that Elvis Costello & The Imposters and Blondie will perform at the center on July 20th as the first stop on their coast-to-coast co-headlining tour. Tickets go on-sale Saturday, April 6th at 10:00 AM at www.BethelWoodsCenter.org, www.Ticketmaster.com, Ticketmaster outlets, or by phone at 1.800.745.3000. Elvis Costello and Blondie shared spots near the top of the UK Singles Chart 40 years ago when Blondie's "Heart Of Glass” sat neck-and-neck alongside Elvis Costello & The Attraction’s "Oliver's Army” in the company of The Bee Gees, Gloria Gaynor and ABBA. The same week, Blondie's seminal album Parallel Lines reached #1 on the Album Chart while Costello's Armed Forces landed at #3. Elvis Costello & The Imposters’ last tour in late 2018 found the combo reaching new live performance peaks. The band "came out swinging” (Star Tribune) in Minneapolis, were “unstoppable” in Anaheim (OC Register) and played an “epic and euphoric” (Variety) show in LA that even at nearly three hours “[left] ‘em wanting more.” The Imposters are: Steve Nieve (keyboards), Davey Faragher (bass) and Pete Thomas (drums). -
Kauffman Center for the Performing Arts Announces Rock Show Double-Header to Kick Off Kauffman Center Presents 2017-2018 Season
NEWS RELEASE Contact: FOR IMMEDIATE RELEASE Bess Wallerstein Huff, Director of Marketing Monday, February, 13, 2017 Kauffman Center for the Performing Arts (816) 994-7229 | [email protected] KAUFFMAN CENTER FOR THE PERFORMING ARTS ANNOUNCES ROCK SHOW DOUBLE-HEADER TO KICK OFF KAUFFMAN CENTER PRESENTS 2017-2018 SEASON Blondie & Garbage: The Rage and Rapture Tour to stop at Muriel Kauffman Theatre on July 18 Kansas City, MO – The first announced show of its 2017-18 Kauffman Center Presents season will feature two quintessential rock ‘n’ roll acts. Blondie & Garbage: The Rage and Rapture Tour will perform for one night in Muriel Kauffman Theatre on Tuesday, July 18. Tickets for the show range from $79 to $149, and go on sale to the public at 10 a.m. Friday, February 24. Tickets will be available through the Kauffman Center Box Office at (816) 994-7222, via the Kauffman Center mobile app, or online at www.kauffmancenter.org. ABOUT BLONDIE Singer-songwriter Debbie Harry, guitarist and co-writer Chris Stein, powerhouse drummer Clem Burke and their band- mates in the punk/new wave band Blondie are undeniable pop icons, their sound and sensibility as fresh as when they first topped the charts in the late 1970s. Since their groundbreaking 1978 album Parallel Lines, the members of Blondie have always been a forward-thinking – and forward-moving – group. Their brand of cross-genre rock has spawned hits including “Call Me,” “Rapture,” and “Heart of Glass,” bringing underground sounds into the mainstream. Blondie’s 11th studio album, Po11inator, is out in May. ABOUT GARBAGE Hailing from Madison, WI, Garbage is guitarist Duke Erikson, drummer Butch Vig, guitarist Steve Marker and lead singer Shirley Manson. -
An Exclusive up Close and Personal Film with One
An exclusive up close and personal film with one of the hardest working drummers in rock, Grammy award-winner, member of the Rock & Roll Hall of Fame and ‘Doctor of Rock’ - Clem Burke. www.espressomedia.co.uk | +44 (0) 1273 730929 A RARE OPPORTUNITY TO EXPERIENCE AN INFLUENTIAL ARTIST LIKE NEVER BEFORE. Feel the energy behind the drums as Clem plays to 40,000 people. Watch as one of the fittest men in rock plays 5 gigs in 24 hours at the Cavern Club for ‘Beatles Week’. Step onstage at London’s iconic music setting Hyde Park and experience Clem’s unique drumming style and raw energy at what could be the last ever Blondie tour. Clem is a music super-fan, and his drive and commitment to his craft has seen him made an Honorary Doctorate of Music by the University of Glouestershire for his groundbreaking involvement in the Clem Burke Drum- ming Project. Features interviews with Dave Stewart (Eurythmics), Chris Stein (Blondie), Hugh Cornwell (The Stranglers), Glen Matlock (The International Swingers) and Bob Gruen (rock & roll photographer) - this is the story of an icon. SIGNATURE BEATS: Clem’s signature beats have brought millions to the dance floor. His unique approach to playing has seen him drum with major artists including: - Bob Dylan - Pete Townshend - Iggy Pop - The Ramones - The Eurythmics ... and of course his most famous role as the backbone and groove of the iconic and multi-platinum selling Blondie. THEIR VIEW: He has a presence and charisma way beyond your typical sticksman. “HE WAS INTO JUMPING OVER HIS DRUM KIT FAIRLY REGULARLY. -
Smash Hits Volume 60
35p USA $1 75 March I9-April 1 1981 W I including MIND OFATOY RESPECTABLE STREE CAR TROUBLE TOYAH _ TALKING HEADS in colour FREEEZ/LINX BEGGAR &CO , <0$& Of A Toy Mar 19-Apr 1 1981 Vol. 3 No. 6 By Visage on Polydor Records My painted face is chipped and cracked My mind seems to fade too fast ^Pg?TF^U=iS Clutching straws, sinking slow Nothing less, nothing less A puppet's motion 's controlled by a string By a stranger I've never met A nod ofthe head and a pull of the thread on. Play it I Go again. Don't mind me. just work here. I don't know. Soon as a free I can't say no, can't say no flexi-disc comes along, does anyone want to know the poor old intro column? Oh, no. Know what they call me round here? Do you know? The flannel panel! The When a child throws down a toy (when child) humiliation, my dears, would be the finish of a more sensitive column. When I was new you wanted me (down me) Well, I can see you're busy so I won't waste your time. I don't suppose I can drag Now I'm old you no longer see you away from that blessed record long enough to interest you in the Ritchie (now see) me Blackmore Story or part one of our close up on the individual members of The Jam When a child throws down a toy (when toy) (and Mark Ellen worked so hard), never mind our survey of the British funk scene. -
August 2002 Readers’ Platform
• APEX THEORY • YAMAHA OAK CUSTOM KIT • GGOOOO GGOOOO DDOLLSOLLS’’ MIKEMIKE MALININ MALININ MMAXIMUMAXIMUM PPOPOP JJEFFEFF PPORCAROORCARO TTRIBUTERIBUTE TTOO AA SSTUDIOTUDIO GGIANTIANT MMATTATT WWILSONILSON’’SS IIMPROVMPROV PPLAYHOUSELAYHOUSE HHOTOT LLATINATIN JJAZZAZZ:: MMETHENYETHENY’’SS AANTONIONTONIO SSANCHEZANCHEZ TTHREADGILLHREADGILL’’SS DDAFNISAFNIS PPRIETORIETO BBRAZILRAZIL’’SS VVERAERA FFIGUEIREDOIGUEIREDO $4.99US $6.99CAN 08 SSHOPHOP TTALKALK:: BBUILDINGUILDING YYOUROUR OOWNWN DDRUMSETRUMSET!! 0 74808 01203 9 Redefining “Drum Machine” Ever wonder why Evans heads are so consistent and easy to tune? Designed and built in-house by our staff of engineers, this robotic “Drum Machine,” called the Gluing Gantry, ensures that every Evans head has a true collar. A series of vacuum fixtures holds the film in place for each head while the robotic gluing arm circles above the hoop and dispenses epoxy. The result is a drumhead that tunes both easily and consistently. At Evans, we do it right the first time. And every time. Check out what Peter Erskine has to say about Evans drumheads at www.evansdrumheads.com PO Box 290 • Farmingdale, NY 11735 We’ve been making the world’s finest sticks for years. And experience tells us that there are no shortcuts when it comes to making a stick. There is, however a very good short- cut when choosing one. The journey from wooden dowel to finished drumstick is a tough one. Each stick makes its way through the hands of several craftsmen before it leaves us. And at every test, there’s always the chance of getting turned into firewood. But it does get easier when our sticks reach the store. Because once you feel a pair in your hands, you’ll appreciate the time it spent in ours. -
Lisa Berliner Your Home
VOL. 1 NO. 31 Visit TapIntoKLT.net for the latest news. THURSDAY, OCTOBER 11, 2018 GOLDENS BRIDGE FIRE DEPARTMENT WESTCHESTER COUNTY Quarter-million-dollar grant BOARD OF LEGISLATORS awarded to fi x fi rehouse Paid sick leave E orts to rebuild the Goldens could prove costly Bridge Firehouse, damaged by a re in 2014, received a quarter- million-dollar boost from state ‘Mom-and-pop’ shops worried Sen. Terrence Murphy, who pre- sented re ghters with a New about nancial impact York State grant late last month. Murphy’s o ce said the money BY TOM BARTLEY ready enacted the groundbreak- CONTRIBUTING WRITER will fund a re suppression sprin- ing measure. kler system, a concrete driveway e law, the rst by any coun- pad, and a septic system, among Katonah’s small-business ty in the state outside of New other related construction work. community is bracing for the York City, allows workers to ac- Murphy, in a press release, economic consequences of a crue an hour of paid sick time heaped praise on all-volunteer re county mandate to pay their em- for every 30 hours they work, to departments such as the one in ployees when they’re out sick. a maximum of 40 hours earned Goldens Bridge, saying they need A new law, requiring all but annually. nancial support to maintain a PHOTO COURTESY OF SEN. MURPHY’S OFFICE the smallest establishments to For any business with ve or certain level of service. State Sen. Terrence Murphy, third from right, presents a check to the provide paid sick leave, has the more full- or part-time employ- “ e Goldens Bridge Firehouse Goldens Bridge Fire Department. -
No Deadline Set for Faculty Strike Housin: Needs Attended to Over
Serving the college, community for over 50 years Vol. 56 No. 7 William Paterson College September 25, 1989 No deadline set for faculty strike BY BRAD WEISBERGER ner said. The union is ready to president of the local 1796. er 70 percent are limited to a also gives the college presi- NEWS EDITOR strike if neccessary; however The state has offered the ceiling of $44,000 per year, dents sole responsibility for no strike date has been set be- faculty a three-year contract with annual increments, he authorizing the increments, ELIZABETH GUIDE cause the union is hopeful which will freeze all salaries said. The proposed contract SEE STRIKE, PAGE 9 NEWS CONTRIBUTOR that a settlement can be for 18 months. After that, worked out during negotia- there will be a three percent The faculty and staff of tions, she added. However, the increase followed by another WPC may strike in no less faculty will be less likely to three percent increase mid- than two weeks, said Irwiri accept offers because in 1986, way through tfyp third year, Nack, President of the Ameri- the increment system was Radner said. "That would be can Federation of Teachers again an issue and the faculty the equivalent to a one and a (AFT) local 1796. settled on the state's offer. Be- half percent deferred increase In the event no agreements cause of that experience the per year over a two year peri- are made and a strike dead- faculty is not likely to compro- od," Radner said. "They also mise on this issue, Nack said. -
Die Ramones Als Helden Der Pop-Kultur
Nutzungshinweis: Es ist erlaubt, dieses Dokument zu drucken und aus diesem Dokument zu zitieren. Wenn Sie aus diesem Dokument zitieren, machen Sie bitte vollständige Angaben zur Quelle (Name des Autors, Titel des Beitrags und Internet-Adresse). Jede weitere Verwendung dieses Dokuments bedarf der vorherigen schriftlichen Genehmigung des Autors. Quelle: http://www.mythos-magazin.de CHRISTIAN BÖHM Die Ramones als Helden der Pop-Kultur Inhalt 1. Einleitung 2. Punk und Pop 2.1 Punk und Punk Rock: Begriffsklärung und Geschichte 2.1.1 Musik und Themen 2.1.2 Kleidung 2.1.3 Selbstverständnis und Motivation 2.1.4 Regionale Besonderheiten 2.1.5 Punk heute 2.2 Exkurs: Pop-Musik und Pop-Kultur 2.3 Rekurs: Punk als Pop 3. Mythen, Helden und das Star-System 3.1 Der traditionelle Mythos- und Helden-Begriff 3.2 Der moderne Helden- bzw. Star-Begriff innerhalb des Star-Systems 4. Die Ramones 4.1 Einführung in das ‚ Wesen ’ Ramones 4.1.1 Kurze Biographie der Ramones 4.1.2 Musikalische Charakteristika 4.2 Analysen und Interpretationen 4.2.1 Analyse von Presseartikeln und Literatur 4.2.1.1 Zur Ästhetik der Ramones 4.2.1.1.1 Die Ramones als ‚ Familie ’ 4.2.1.1.2 Das Band-Logo 4.2.1.1.3 Minimalismus 4.2.1.2 Amerikanischer vs. britischer Punk: Vergleich von Ramones und Sex Pistols 4.2.1.3 Die Ramones als Helden 4.2.1.4 Eine typisch amerikanische Band? 4.2.2 Analyse von Ramones-Songtexten 4.2.2.1 Blitzkrieg Bop 4.2.2.2 Sheena Is A Punk Rocker 4.2.2.3 Häufig vorkommende Motive und Thematiken in Texten der Ramones 4.2.2.3.1 Individualismus 4.2.2.3.2 Motive aus dem Psychiatrie- Comic- und Horror-Kontext 4.2.2.3.3 Das Deutsche als Klischee 4.2.2.3.4 Spaß / Humor 4.3 Der Film Rock’n’Roll High School 4.3.1 Kurze Inhaltsangabe des Films 4.3.2 Analyse und Interpretation des Films 4.3.2.1 Die Protagonistin: Riff Randell [...] Is A Punk Rocker 4.3.2.2 Die Antagonistin: Ms. -
Origins of Rock the Seventies
from the definitive, illustrated encyclopedia of rock the definitive, illustrated encyclopedia of rock Richard Buskin, Alan Clayson, Joe Cushley, Rusty Cutchin, Jason Draper, Hugh Fielder, Mike Gent, Drew Heatley, Michael Heatley, Jake Kennedy, Colin Salter, Ian Shirley, John Tobler General Editor: Michael Heatley • Foreword by Scotty Moore FLAME TREE PUBLISHING from the definitive, illustrated encyclopedia of rock FlameTreeRock.com offers a very wide This is a FLAME TREE digital book range of other resources for your interest and entertainment: Publisher and Creative Director: Nick Wells Project Editor: Sara Robson Commissioning Editor: Polly Prior 1. Extensive lists and links of artists , Designer: Mike Spender and Jake The sunshine 1960s were followed by the comparatively grey 1970s. organised by decade: Sixties, Picture Research: Gemma Walters Yet a number of stars of that drab decade started their Contents Seventies etc. Production: Kelly Fenlon, Chris Herbert and Claire Walker life in the 1960s. 2. Free ebooks with the story of other Special thanks to: Joe Cushley, Jason Draper, Jake Jackson, Karen Fitzpatrick, Rosanna Singler and Catherine Taylor In Britain, the chameleon-like David Bowie suffered several musical genres, such as David Bowie ........................................4–5 years of obscurity, Status Quo were psychedelic popsters yet to soul, R&B, disco, rap & Hip Hop. Based on the original publication in 2006 discover 12-bar blues, while Humble Pie was formed by The Eagles ..........................................6–7 -
Lita Ford and Doro Interviewed Inside Explores the Brightest Void and the Shadow Self
COMES WITH 78 FREE SONGS AND BONUS INTERVIEWS! Issue 75 £5.99 SUMMER Jul-Sep 2016 9 771754 958015 75> EXPLORES THE BRIGHTEST VOID AND THE SHADOW SELF LITA FORD AND DORO INTERVIEWED INSIDE Plus: Blues Pills, Scorpion Child, Witness PAUL GILBERT F DARE F FROST* F JOE LYNN TURNER THE MUSIC IS OUT THERE... FIREWORKS MAGAZINE PRESENTS 78 FREE SONGS WITH ISSUE #75! GROUP ONE: MELODIC HARD 22. Maessorr Structorr - Lonely Mariner 42. Axon-Neuron - Erasure 61. Zark - Lord Rat ROCK/AOR From the album: Rise At Fall From the album: Metamorphosis From the album: Tales of the Expected www.maessorrstructorr.com www.axonneuron.com www.facebook.com/zarkbanduk 1. Lotta Lené - Souls From the single: Souls 23. 21st Century Fugitives - Losing Time 43. Dimh Project - Wolves In The 62. Dejanira - Birth of the www.lottalene.com From the album: Losing Time Streets Unconquerable Sun www.facebook. From the album: Victim & Maker From the album: Behind The Scenes 2. Tarja - No Bitter End com/21stCenturyFugitives www.facebook.com/dimhproject www.dejanira.org From the album: The Brightest Void www.tarjaturunen.com 24. Darkness Light - Long Ago 44. Mercutio - Shed Your Skin 63. Sfyrokalymnon - Son of Sin From the album: Living With The Danger From the album: Back To Nowhere From the album: The Sign Of Concrete 3. Grandhour - All In Or Nothing http://darknesslight.de Mercutio.me Creation From the album: Bombs & Bullets www.sfyrokalymnon.com www.grandhourband.com GROUP TWO: 70s RETRO ROCK/ 45. Medusa - Queima PSYCHEDELIC/BLUES/SOUTHERN From the album: Monstrologia (Lado A) 64. Chaosmic - Forever Feast 4. -
1 Ervin Jarek 2017 PHD.Pdf
ii © Copyright by Jarek Paul Ervin All Rights Reserved May 2017 iii ABSTRACT My dissertation takes a speculative cue from the reception of 1970s New York punk, which is typically treated as both rule – the symbolic site of origin – and exception – a protean moment before the crystallization of punk proper. For this reason, artists such as Velvet Underground, Patti Smith, the Ramones, and Blondie are today afforded the simultaneous status of originators, interlopers, innovators, and successors. This has led both to the genre’s canonicity in the music world and its general neglect within scholarship. I argue that punk ought to be understood less as a set of stylistic precepts (ones that could be originated and then developed), than as a set of philosophical claims about the character of rock music in the 1970s. Punk artists such as Patti Smith, Jayne County, and the Ramones developed an aesthetic theory through sound. This was an act of accounting, which foregrounded the role of historical memory and recast a mode of reflexive imagination as musical practice. At times mournful, at times optimistic about the possibility of reconciliation, punk was a restorative aesthetics, an attempt to forge a new path on memories of rock’s past. My first chapter looks at the relationship between early punk and rock music, its ostensible music parent. Through close readings of writing by important punk critics including Greil Marcus, Lester Bangs, and Ellen Willis – as well as analyses of songs by the Velvet Underground and Suicide – I argue that a historical materialist approach offers a new in-road to old debates about punk’s progressive/regressive musical character. -
Internationell Artist Till Sommarkonsert I Södertälje Centrum
Richie Ramone 2018-07-03 06:30 CEST Internationell artist till Sommarkonsert i Södertälje Centrum -"Vi kan med glädje presentera två nya inslag under första sommarkonserten i år. Richie Ramone, Ramoneslegenden och Julia & The Basement Tapes", säger Lena Raattamaa, event och marknadskoordinator på Södertälje Centrumförening och fortsätter. -"Ambitionen har varit att inkludera lokala förmågor i programmet och utöver allsångsledaren Gustav Asplund så har vi nu även Johan Borgh med i programmet" -"Jag tycker sommarkonserterna är ett grymt initiativ och det känns jättekul att äntligen få medverka på en av dem!" säger Johan Borgh. Julia & The Basement Tapes är ett ungt band med rötterna i blues och americana som släppt två EP:s och nu jobbar på debutalbumet. Låtarna skrivs av Julia Tinglöf som även sjunger lead, och Södertäljebördiga Johan Borgh som spelar gitarr och sjunger backup. År 2017 vann de Sveriges största tävling för bluesband, Swedish Blues Challenge, vilket har lett till att de i år är bokade på alla stora bluesfestivaler och även spelar en del runt om i Europa. Bandet har bland annat spelat i Norge, Tyskland och Polen och har även spelningar i Storbritannien bokade i höst. När de kommer till Södertälje är det i en avskalad duo-sättning och det utlovas det bästa från tidigare släpp samt ett par nya osläppta låtar! Den avskalade duon består av sångerska Julia Tinglöf och Johan Borgh. -"Vi tycker det är jättekul att få hit en internationell artist och hoppas Södertäljebor och besökare ser tillfället att skapa ett härligt sommarminne", menar Lena Raattamaa. Riche Ramone är mest känd som medlem i punkbandet Ramones.