Read Book the Magic Barrel

Total Page:16

File Type:pdf, Size:1020Kb

Read Book the Magic Barrel THE MAGIC BARREL PDF, EPUB, EBOOK Bernard Malamud | 192 pages | 06 Jun 2002 | Vintage Publishing | 9780099436980 | English | London, United Kingdom The Magic Barrel PDF Book Manischevitz gasped as it turned white, but it was only snowing. He is an immigrant from Poland who has become a moderately successful shoemaker. But he has taken the key with him and Carl has to wait in Mrs. We also use third-party cookies that help us analyze and understand how you use this website. What's I picked up a copy of this book a few years ago, on a whim, at Goodwill. Yet in his heart he knew there was no other way, and the first weary day back in the shop thoroughly convinced him, so thatnight after supper he dragged himself to Sobel's rooming house. Major Characters : Leo Finkle : A twenty-seven-year-old "rabbinical student in the Yeshivah University" who, "after six years of study, was to be ordained in June and had been advised by an acquaintance that he might find it easier to win himself a congregation if he were married. One symbol in the story is the final scene where Finkle finally meets Stella face-to-face as she stands under a street lamp, waiting for him. It broke, the iron strikingthe floor and jumping with a thump against the wall, but before the enraged shoemaker could cry out, the assistant had torn his hat and coat from the hook and rushed out into the snow. Leo brewed some tea in a small pot and sat sipping it without sugar, to calm himself. The Editors of Encyclopaedia Britannica Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree Aug 21, David rated it it was amazing. These are not grand dreams, which is precisely what makes these stories so heartbreaking and poignant to read, even 60 years later. Ignace : A "small, bent-back janitor" of the tenement, who "had several times played two-handed pinochle" with Kessler. Finkle seems to follow this doctrine, as he abandons social custom in favor of passion and love. Sometimes My Big Fat Reading Project feels like a college syllabus; in fact it is a self-created one, making it a reading college with one student where the professors are all authors so I don't mind. The landlord decides to terminate Kessler's lease as an undesirable tenant although he knows his janitor is exaggerating. Return to Book Page. She knows who I am and what is in my heart. We might have theorized about the strange mix of empathy and cruelty with which Malamud treats his characters and has them treat each other. The strange "Angel Levine," about a black Jewish angel, has long been one of my favorite short stories. I was fully engaged from the first page and finished the collection feeling satisfied by each story. After all Stella, who is earlier in the story described as a shameless sinner and appears to be a prostitute, now has a possible future with Finkle. It is already too late. He wants to get married in order to find a bigger congregation. Eva is before the window, staring at Rosen "with haunted, beseching eyes. What kind of choices fatally shape a life? To ask other readers questions about The Magic Barrel , please sign up. Retrieved December 31, from Encyclopedia. I stayed in a YMCA building and shared a bunk with a petite, taciturn Spanish girl whose cropped pale hair and brown skin put a spell on me that mixed itself into the city's spell of joy and sorrow, the spell that made me want to sing and burst into tears because the soul I had never believed in knew it had come home. While this is occasionally called upon to invoke solidarity, its spectre only brings pain. Despite the effect, a little of sculpture, her ovid face, tapering to a small chin, was soft, suffused with the loveliness of youth. Feb 24, Judy rated it really liked it Recommends it for: Short story readers. Some readers call these stories bleak for their unsentimental rendering of poverty and spiritual hunger, but Malamud works in these elements as does a painter in oils. The protagonist—a grad student named Schneider—has left Columbia University behind and find himself in one of the oldest, most historical and most romantic cities in the world: Rome. The Magic Barrel Writer I highly recommend this book if you have never read this brilliant author. His heavy face is seamed dark from the coal and ashes. His face was thin and pale, as if he had been shut in this room since the day he had bolted from the store. I mean, as Jhumpa Lahiri writes in her introduction this I read online, found on the Internet , "Now that I have read them, I cannot believe there was ever a time I had not. An old wish returned to haunt the shoemaker: that he had had a son instead of a daughter, but this blew away in the snow for Feld, if anything, was a practical man. Commentary , 11 April, , pp. Audio Malamud Reads! Finkle has a hard time deciding whether or not to trust in Salzman's suggestions, and this story follows his up and down opinions about not only Salzman, but also about the choices Salzman offers him. I picked up a copy of this book a few years ago, on a whim, at Goodwill. What kind of choices fatally shape a life? Dec 30, Susan Fetterer rated it it was amazing. I picked up a copy of this book a few years ago, on a whim, at Goodwill. She married Lieb, a poor baker, and "with my [her] both hands, working day and night, I fixed up for him his piece of business and we make now, after tweleve years, a little living. Trying to clear her misunderstanding that he is "a talented religious person," he confesses unexpectedly, " Yet for myself I find it necessary to establish the level of my need and fulfill it. She tells Willy to buy from the delicatessen when they forget to buy something "at the self-service. We'll assume you're ok with this, but you can opt-out if you wish. Pinye Salzman : A marriage broker, who smells "frankly of fish" and has "mournful eyes. Leo, of a younger generation may be ignorant, snide, unsympathetic. In high school and college I got fairly good at this game of find-the-subtext literary whack-a-mole, but in recent years my skills have atrophied, I can't swing that mallet quickly or accurately enough. Sobel never explained, which proved he read much because he was queer. As for the second stage, Leo decided to seek a lover in a different way — to seek the woman he truly loves. Chesnutt: Stories, Novels, and Essays. But she said,"I had enough with sick men. For a better shopping experience, please upgrade now. Mostly set a decade or so after the war among Jewish immigrants in the US, with several forays into Italy and sometimes involving other ethnic communi Stories told in such a clear, masterful style that it almost hurts about people whose self-image is disturbed and expectations deceived by an intervention of a sometimes mystical factor, a spiritual contingency, as it were, following a long ruinous chain of mundane contingencies that brought them to where they stand in the beginning of their story. Later, as he entered the store, he was startled by a violent clanging and looked up to see Sobel pounding with all his might upon the naked last. Unsourced material may be challenged and removed. In 'The Loan' a baker is begged by her husband to let him help a friend 'or what is money for? Gruber then suffered unbearable remose for the way he had treated the old man. View all 3 comments. At last he cleared his throat and croaked, "So what has my daughter got to do with a shoemaker thirty-five years old who works for me? Bernard Malamud's first book of short stories, The Magic Barrel , has been recognized as a classic from the time it was published in Unexpectedly, he finds people still friendly to him. He reads the New York Times "from the first page to the last"; in short, he is the "intellectual" of the neighborhood. The Magic Barrel Reviews This site is still under construction, please come back to try again later. Give Feedback External Websites. Rating details. Panessa looking unhappy around the corner. His life now is "a screaming bore. He finds Bella's changed into "a synagougue in a store. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website. Apparently Malamud did not have a specific analogue in mind, but the concept is quite clear; it is a barrel which produces surprises, usually inexhaustible quantities or unique qualities, or both. These stories just have this quiet subtlety which lets the emotion ring through in such a natural seeming way. He realizes in a moment of self-revelation that if he does not truly love another person, then he cannot truly love God. Salzman to help him out… and ends up falling hard for his matchmaker's daughter. Get A Copy. And so it was. He visits the Contessa immediately but she has not got a duplicate key either.
Recommended publications
  • Teaching the Short Story: a Guide to Using Stories from Around the World. INSTITUTION National Council of Teachers of English, Urbana
    DOCUMENT RESUME ED 397 453 CS 215 435 AUTHOR Neumann, Bonnie H., Ed.; McDonnell, Helen M., Ed. TITLE Teaching the Short Story: A Guide to Using Stories from around the World. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-1947-6 PUB DATE 96 NOTE 311p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 19476: $15.95 members, $21.95 nonmembers). PUB 'TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Collected Works General (020) Books (010) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Authors; Higher Education; High Schools; *Literary Criticism; Literary Devices; *Literature Appreciation; Multicultural Education; *Short Stories; *World Literature IDENTIFIERS *Comparative Literature; *Literature in Translation; Response to Literature ABSTRACT An innovative and practical resource for teachers looking to move beyond English and American works, this book explores 175 highly teachable short stories from nearly 50 countries, highlighting the work of recognized authors from practically every continent, authors such as Chinua Achebe, Anita Desai, Nadine Gordimer, Milan Kundera, Isak Dinesen, Octavio Paz, Jorge Amado, and Yukio Mishima. The stories in the book were selected and annotated by experienced teachers, and include information about the author, a synopsis of the story, and comparisons to frequently anthologized stories and readily available literary and artistic works. Also provided are six practical indexes, including those'that help teachers select short stories by title, country of origin, English-languag- source, comparison by themes, or comparison by literary devices. The final index, the cross-reference index, summarizes all the comparative material cited within the book,with the titles of annotated books appearing in capital letters.
    [Show full text]
  • © Copyrighted by Charles Ernest Davis
    SELECTED WORKS OF LITERATURE AND READABILITY Item Type text; Dissertation-Reproduction (electronic) Authors Davis, Charles Ernest, 1933- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 00:54:12 Link to Item http://hdl.handle.net/10150/288393 This dissertation has been microfilmed exactly as received 70-5237 DAVIS, Charles Ernest, 1933- SELECTED WORKS OF LITERATURE AND READABILITY. University of Arizona, Ph.D., 1969 Education, theory and practice University Microfilms, Inc., Ann Arbor, Michigan © COPYRIGHTED BY CHARLES ERNEST DAVIS 1970 iii SELECTED WORKS OF LITERATURE AND READABILITY by Charles Ernest Davis A Dissertation Submitted to the Faculty of the DEPARTMENT OF SECONDARY EDUCATION In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY .In the Graduate College THE UNIVERSITY OF ARIZONA 19 6 9 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE I hereby recommend that this dissertation prepared under my direction by Charles Ernest Davis entitled Selected Works of Literature and Readability be accepted as fulfilling the dissertation requirement of the degree of Doctor of Philosophy PqulA 1- So- 6G Dissertation Director Date After inspection of the final copy of the dissertation, the following members of the Final Examination Committee concur in its approval and recommend its acceptance:" *7-Mtf - 6 7-So IdL 7/3a This approval and acceptance is contingent on the candidate's adequate performance and defense of this dissertation at the final oral examination; The inclusion of this sheet bound into the library copy of the dissertation is evidence of satisfactory performance at the final examination.
    [Show full text]
  • ENG 351 Lecture 27 1 Let's Look at Malamud First — and It's Malamud
    ENG 351 Lecture 27 1 Let’s look at Malamud first — and it’s Malamud, Bernard Malamud. Everybody’s probably seen the film — the Robert Redford movie, The Natural, which is based on Malamud’s first novel, loosely. The novel and the movie are very different. The novel certainly does not end the way the movie does, with the balls bouncing off the lights and all that. It’s not that way at all. Malamud was born in Brooklyn and took a Master’s degree at Columbia. Was another one of our university teachers. He taught at Bennington from 1961 until he died in 1986 — or until he retired. His second novel was The Assistant in 1957. The Fixer, 1966, is a very strange book. It’s a historical novel set in Russia during the Czar’s times. About a Jewish handyman who’s accused of murdering a Christian child in some kind of ritual murder. It’s part of this anti-Semitic background of Russia at the time. Toward the end of his life he began to experiment with form — postmodern forms, Dubin’s Lies and things like that, that I find very difficult reading. But the stories in “The Magic Barrel,” a first collection, 1958, are absolutely wonderful and I recommend that collection to you. Well, I’m making that big statement here. Malamud is one of several -- probably the lesser light of several important Jewish writers who showed up, kind of starting with Norman Mailer after World War II in the ‘40s and were writing in the ‘50s and ‘60s.
    [Show full text]
  • Multi-Ethnic Literature: an Annotated Bibliography on European Ethnic Group Life in America
    DOCUMENT RESUME ED 091 701 CS 201 294 AUTHOR Inglehart, Babette F.; Mangione, Anthony R. TITLE Multi-Ethnic Literature: An Annotated Bibliography on European Ethnic Group Life in America. INSTITUTION American Jewish Committee, New York, N.Y. Inst. of Human Relations. PUB DATE May 74 NOTE 62p.; Prepared for the Conference on Muir-Ethnic Literature (Chicago State University, Ch cago, Illinois, May 1974) EDRS PRICE MF-$0.75 HC-$3.15 PLUS POSTAGE DESCRIPTORS *Annotated Bibliographies; *Caucasian Race; Cultural Factors; *English Instruction; Ethnic Groups; *Ethnic Studies; Higher Education; Secondary Grades IDENTIFIERS *National Project on Ethnic America ABSTRACT This annotated bibliography relating to white ethnic studies is intended to assist teachers of English and social sciences in high schools and colleges in improving the self-image of students who have immigrant parents and grandparents. Most references are concerned primarily with America and the American scene, writers whose primary language is not English have been included only if their works have been translated. The bibliography has been divided firat to list anthologies dealing with the white ethnic experience, then to list fiction, drama, poetry, biography, history, and criticism dealing with European ethnic groups in America (Dutch, German, Greek, Hungarian, Armenian, Irish, Italian, Jewish, Scandinavian, and Slavic). Whether or not a book is in print or available in paper is indicated. In many cases, titles of books no longer in print have been included because of their importance in presenting some aspect of the immigrant experience and their value to researchers and scholars. A key is also included to identify some important subject or subjects with which each work concerns itself.
    [Show full text]
  • Intertextuality, Authenticity, and Gonzo Selves in Anya Ulinich's
    Intertextuality, authenticity, and gonzo selves in Anya Ulinich’s 'Lena Finkle’s Magic Barrel' Article Accepted Version Brauner, D. (2015) Intertextuality, authenticity, and gonzo selves in Anya Ulinich’s 'Lena Finkle’s Magic Barrel'. Studies in Comics, 6 (2). pp. 253-269. ISSN 2040-3232 doi: https://doi.org/10.1386/stic.6.2.253_1 Available at http://centaur.reading.ac.uk/46069/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1386/stic.6.2.253_1 Publisher: Intellect All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online 1 Intertextuality, Authenticity, and Gonzo Selves in Anya Ulinich’s Lena Finkle’s Magic Barrel David Brauner, The University of Reading We judge the author of a novel by how well he tells the story. But we judge morally the author of an autobiography, whose governing motive is primarily ethical as against aesthetic. (Roth 1989: 165) In her graphic novel Lena Finkle’s Magic Barrel (2014), Anya Ulinich compellingly explores the tensions between life and art, fact and fiction and autobiography and the novel. This essay traces two of her strategies for achieving this: Ulinich’s intertextual dialogue with a number of works by Philip Roth and with Bernard Malamud’s short story ‘The Magic Barrel’; and her creation of what Miriam Libicki has called a ‘gonzo self’.
    [Show full text]
  • Singer's the Joke7' and Malamud's the German Refugee"
    American Studies in Scandinavia, Vol. 11, 1979: 49-60 Two Immigrations : Singer's the Joke7' and Malamud's the German Refugee" BY Pirjo Ahokas University of Turku Isaac Bashevis Singer and Bernard Malamud are widely regarded as two of the main representatives of contemporary Jewish-Ameri- can letters. Their rise to prominence coincided with the rise of inter- est and popularity that Jewish fiction began to gain in the United States after the end of World War 11. The European-born Singer has lived in America since 1935 and he is currently considered as the foremost living Yiddish writer in the world today. His later works have appeared simultaneously in Yiddish and in English. The Yiddish qualities in the fiction of Bernard Malamud - Singer's junior by ten years - have also been frequently commented on, even though he was born to Russian immigrant parents in New York and he only writes in English. In spite of the similarities and obvious parallels that occur on different narrative levels, the Jewish qualities in each of the two writers show themselves in divergent ways. Several critics have pointed out that Singer's and Malamud's works, particularly their short stories, strike similar chords, but so far the common features have not been given more than fleeting attention in the critical books and articles on the two writers. Singer and Malamud are accomplished storytellers who have won more praise for their short fiction than for their long works. They both use Jewish materials and their special achievement is in large part based on their treatment of Jewish characters and settings.
    [Show full text]
  • Different Attitudes to American Jew's Life in the Early Works of Bernard Malamud and Philip Roth a Thesis Presented to the Gradu
    Different Attitudes to American Jew's Life in the Early Works of Bernard Malamud and Philip Roth A Thesis Presented to the Graduate School of Language and Culture, Hiroshima Jogakuin University In Partial Fulfillment of the Requirements for the Degree Master of Arts by Yumi Hirata January 1997 Contents Introduction . 1 Chapter I The Essence of Jewishness . 6 Chapter II The Closed Setting and the Emancipated Setting . .24 Chapter III The World of Humor and Satire . m Conclusion . 54 Works Consulted . .59 Introduction What kind of meaning does the concept of Jewishness have for the modern Jewish Americans? The Jews have wandered all over the world for about four thousands years from the time of Abraham. Suffering under such wandering condition, Jews desperately tried to seek a place for peaceful living, and they finally reached the new safe world called the Unite States. However, according to the commonly accepted idea that man has to sacrifice something to make his dreams come true, the Jews also had to sacrifice their identity as Jews to acculturate themselves to the American soci- ety. In addition, as time goes by, the number of intermarriage between different races have increased, and Jewishness have been becoming a concept of little significance for the contemporary American Jews. However, when the Jews consider their identity he cannot escape from recognizing both their Jewishness and Amerト canism. Thus Jews cannot eliminate their racial trace existing in their blood as Jews no matter how many years pass by. At the beginning of immigration to the United States, the Jews were directly and deeply distressed by the necessity of keeping their Jewish identity and becoming American citizens.
    [Show full text]
  • The Norton Anthology Or American Literature
    The Norton Anthology or American Literature SIXTH EDITION Nina Baym, General.(Editor •a SWANLUND CHAIRVAND.CENTER FOR ADVANCED STUDY PROFESSOR ]OF ENGLISH^ JUBILEE PROFESSOR OF LIBERAt'ARTSMiNb SCIENCES UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN VOLUME E American Literature since 1945 W • W • NORTON & COMPANY • New York • London Contents PREFACE TO THE SIXTH EDITION xix ACKNOWLEDGMENTS xxiii American Prose since 1945 Introduction , 1953 Timeline 1964 EUDORAWELTY (1909-2001) 1966 Petrified Man 1967 TENNESSEE WILLIAMS (1911-1983) 1976 A Streetcar Named Desire 1979 JOHN CHEEVER (1912-1982) 2041 The Swimmer 2043 BERNARD MALAMUD (1914-1986) 2051 The Magic Barrel 2052 RALPH ELLISON (1914-1994) 2064 Cadillac Flambe 2065 Invisible Man 2077 Prologue 2077 Chapter I [Battle Royal] 2083 SAUL BELLOW (b. 1915) 2093 Looking for Mr. Green 2095 ARTHUR MILLER (b. 1915) 2109 Death of a Salesman 2111 GRACE PALEY (b. 1922) 2176 A Conversation with My Father 2177 KURT VONNEGUT(b. 1922) 2181 Fates Worse Than Death 2183 JAMES BALDWIN (1924-1987) 2190 Going to Meet the Man 2191 viii / CONTENTS FLANNERY O'CONNOR (1925-1964) 2203 The Life You Save May Be Your Own '2204 Good Country People 2211 URSULA K. LE GUIN (b. 1929) 2225 Schrodinger's Cat 2226 She Unnames Them 2232 PAULE MARSHALL (b. 1929) 2234 Reena 2235 DONALD BARTHELME (1931-1989) 2247 The Balloon 2248 TONI MORRISON (b. 1931) 2252 Recitatif 2253 JOHN UPDIKE (b. 1932) 2267 Separating 2268 PHILIP ROTH (b. 1933) 2276 Defender of the Faith 2278 AMIRI BARAKA (LEROI JONES) (b. 1934) 2299 Dutchman 2301 An Agony. As Now. 2314 A Poem for Willie Best 2315 Will They Cry When You're Gone, You Bet 2320 N.
    [Show full text]
  • The Strange Play of Traumatic Reality: Enchantment in Jewish American Literature
    THE STRANGE PLAY OF TRAUMATIC REALITY: ENCHANTMENT IN JEWISH AMERICAN LITERATURE Sarah R. Workman A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2016 Approved by: Erin Carlston Tyler Curtain María DeGuzmán Dean Franco Heidi Kim © 2016 Sarah R. Workman ALL RIGHTS RESERVED ii ABSTRACT Sarah R. Workman: THE STRANGE PLAY OF TRAUMATIC REALITY: ENCHANTMENT IN JEWISH AMERICAN LITERATURE (Under the Direction of Erin G. Carlston and Heidi Kim) This project analyzes the play of narrative worlds in the work of Bernard Malamud (The Magic Barrel), Michael Chabon (The Yiddish Policemen’s Union), Nicole Krauss (Great House), Jonathan Safran Foer (Everything Is Illuminated), Nathan Englander (“The Tumblers”), and the Coen brothers (A Serious Man). These texts self-consciously dramatize the question: How do we know what we think we know about Holocaust history? The serious play of fantasy registers a historical shift in Jewish American literature towards metafictional approaches to mediating Holocaust history, exposing the unconsidered intersections between speculative fiction and historiography. This work flouts interpretive conventions of narrative ontologies to problematize meaning-making in Holocaust studies, subverting assumptions that this history is either knowable or not knowable. In addition to showing the limited ability of historical realism to incorporate Holocaust representation in an American literary context, the project highlights the ways in which fantasy genres—long discarded to the bottom of the critical dustbin—mediate history, absence, and loss. To conceptualize this contemporary turn to genre-mixing, I develop a critical schemata entitled enchantment.
    [Show full text]
  • Tokoh-Tokoh Wanita Yahudi Amerika Dalam Karya Bernard Malamud ("The Magic Barrel" Dan the Assistant) Dan Philip Roth (
    Universitas Indonesia Library >> UI - Tesis (Membership) Tokoh-tokoh wanita Yahudi Amerika dalam karya Bernard Malamud ("The Magic Barrel" dan The Assistant) dan Philip Roth ("Epstein" dan Goodbye, Columbus) Yosep Bambang Margono S., author Deskripsi Lengkap: http://lib.ui.ac.id/detail?id=78566&lokasi=lokal ------------------------------------------------------------------------------------------ Abstrak <b>ABSTRAK</b> Kaum wanita Yahudi Amerika memiliki peran dan posisi yang berbeda dari kaum wanita Yahudi Eropa. Di Fropa, kaum wanita Yahudi sepenuhnya berada di bawah kekuasaan kaum laki-laki. Tetapi di Amerika mereka memiliki posisi yang lebih baik. Benar bahwa mereka belum sepenuhnya terbebas dari kekuasaan laki-laki, namun mereka telah mengalami perubahan-perubahan besar berkaitan dengan peran dan posisi mereka Perubahan-perubahan tersebut tidak otomatis terjadi, melainkan karena mereka perjuangkan. Proses Amerikanisasi dan gerakan feminisme kaum wanita kulit putih Amerika memiliki pengaruh yang besar terhadap perjuangan kaum wanita Yahudi Amerika untuk bisa memiliki peran dan posisi yang sejajar dengan kaum prianya. Perubahan-perubahan yang terjadi di kalangan kaum wanita Yahudi Amerika bisa dilihat dalam sikap mereka terhadap hubungan percintaan, terhadap orang tua, maupun terhadap agama. Perubahan-perubahan ini bisa kita lihat proyeksinya di dalam karya satra, yakni dalam karya Bernard Malamud ("The Magic Barrel" dan The Assistant) den Philip Roth ("Epstein" dan Goodbye, CoIumbus). Oleh karena itu tujuan penulisan tesis ini adalah untuk menunjukkan adanya perubahan sikap tokoh-tokoh wanita Yahudi Amerika terhadap hubungan percintaan, terhadap orangtua, dan terhadap agama di dalam karya-karya Bernard Malamud dan Philip Roth yang sudah di sebut di atas. Di dalam menganalisis keempat karya dari dua pengarang tersebut, penulis menggunakan tiga teori., yakni (1) teori hubungan antara pengarang, karya sastra dan realitas, (2) teori asimilasi, dan (3) teori gender.
    [Show full text]
  • Minority Literature: South Eugene High School
    DOCUMENT RESUME ED 055 076 TE 002 592 AUTHOR McWilliam, Jacqueline TITLE Minority Literature: South EugeneHigh School. INSTITUTION South Eugene High School, Eugene,Oreq, PUB DATE [70] NOTE 21p.; An unpublished paper EDRS PRICE MF-$0.65 LIC-$3.29 DESCRIPTORS *English Instruction; *Literature;*Minority Groups; *Secondary Education ABSTRACT The objectives of a proposed highschool course entitled Minority Literature II are toenable students to (1) become familiar with minority literature,(2) compare and contril_st the works of the various minority groupwriters, and (3) determine which minority group writers are activelycontributing to the American literary heritage. Students uill beintroduced to the principal minority groups of America throughtheir reading of quality short storic,s by and about seven minority groups.Emphasis will be placed on Jewish and Blackliterature. (CK) U.S. DEKRTMENT Of FIEALTH. EDUCATION .1 WELFARE OFFICE OF EDUCATION 028 Minority Literature THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE South Eugene High School PERSON OR OKANIZATION ORIGINATING IT.POINTS OF VIEW OR OPINIONS July 2, 1969 STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION POSITION OR POLICY. I. Rationals:^ (1) to acquaint the 41) A study of minority literaturehas a two-fold purpose: reader with the struggles, successes,and contributions of the various minority opportunity to be heard. CD groups, (2) to give theminority writers, themselves, an Since many students have shown agreat interest in Black Literature,this introductory, and experimental MinorityLiterature course will contain a greater percentage of readings by Afro-Americansthan by other minority writer groups. why thousands of their fellows areterribly c:) All Americans have a right to know the Black iievolution.
    [Show full text]
  • Anthologies of Shorter Workspoems, Essays, Short Stories, Short Plays, and Speeches; and (5) Book Selection Guides
    DOCUMENT RESUME ED 294 190 CS 211 174 TITLE English/Languaga Arts Model Curriculum Standards, Grades Nine through Twelve. First Edition. INSTITUTION C:difornia State Dept. of Education, Sacramento. PUB DATE 85 NOTE 97p, AVAILABLE FROMPublications Sales , P.O. Box 271, Sacramento, CA 95802-0271 (complete model curriculum standards--$5.50 each). PUB TYPE Guides - Non-Classroom Use (055) -- Guides Classroom Use - Guides (For Teachers) (052) EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS Bibliographies; *Course Content; *Course Objectives; Curriculum Enrichment; *Curriculum Guides; *English Curriculum; Language Arts; Reading Materials; *Reading Material Selection; Secondary Education; Skill Development; Supplementary Reading Materials IDENTIFIERS California State Department of Education; *Curriculum Emphases; *Curriculum Standards ABSTRACT Directed toward the continued refinement of English/Language Arts classroom programs in California schools, this guidebook of curriculum standards for grades 9-12 focuses on an integrated approach to reading in which students share a common classroom experience. The guide presents 10 major concepts essential for the English/Language Arts curriculum: major human values and issues; systematic reading program; reading in depth; reading in breadth; integration of Language Arts; writing instruction; effective training in speaking and listening; direct teaching of vocabulary; specialized courses in writing and speaking; and assessment methods consistent with the new emphasis. For each concept,
    [Show full text]