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Richard Wright Newsletter II
II Richard Wright Newsletter II VoLume 6, Number 1 FalllWilller 1997-1 998 Richard Wright and Black Music In This Issue BY TORU KIVCHI Moreover, the town then reached Cover essay: NIHON UNIVERSITY the climax as the blues center Richard Wright and Black Music as Austin Sonnier, Jr. explain~ by Toru Kiuchi .... .. .................... (This essay is reprinted from the Jour in his A Guide to the BLues as Letter from the Editors ............. ...... 2 nal of the College of Industrial Tech follows: "Beale Street was at its ze nology, Nihon University, Vol 30, June Wright News and Notices ............... 3 1997) nith from around 1900 to around 1930, when, because of the com TEACHING RICHARD WRIGHT Black music has sent insight bined onslaught of economic, ... At Wyoming Correctional Facility ful messages to many African social, and political change, it by Robert Butler .............. ............. 4 American writers when they work began to collapse at a drastically on their novels, poems, essays, rapid tempo" (35). READING WRIGHT and plays. The music is an under Even more, Chicago and .. At Tougaloo College lying aspect of Train WhistLe Gui New York where Wright lived by Howard Rambsy, II .......... .. ..... 6 tar by Albert Murray. We hear from 1927 until 1937 and from echoes from Bessie Smith, Duke 1937 until 1947, respectively, ... At Wyoming Correctional Facility Ellington and Ma Rainey while were the major black music cen by Jonathan Edwards .............. .. ... 7 the novel's protagonist Scooter ters. Bruce Dick says in his es looks back on and narrates his say "Richard Wright and the BOOK REVIEW: Jon Panish's The childhood in the 1920' s. -
Teaching the Short Story: a Guide to Using Stories from Around the World. INSTITUTION National Council of Teachers of English, Urbana
DOCUMENT RESUME ED 397 453 CS 215 435 AUTHOR Neumann, Bonnie H., Ed.; McDonnell, Helen M., Ed. TITLE Teaching the Short Story: A Guide to Using Stories from around the World. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-1947-6 PUB DATE 96 NOTE 311p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 19476: $15.95 members, $21.95 nonmembers). PUB 'TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Collected Works General (020) Books (010) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Authors; Higher Education; High Schools; *Literary Criticism; Literary Devices; *Literature Appreciation; Multicultural Education; *Short Stories; *World Literature IDENTIFIERS *Comparative Literature; *Literature in Translation; Response to Literature ABSTRACT An innovative and practical resource for teachers looking to move beyond English and American works, this book explores 175 highly teachable short stories from nearly 50 countries, highlighting the work of recognized authors from practically every continent, authors such as Chinua Achebe, Anita Desai, Nadine Gordimer, Milan Kundera, Isak Dinesen, Octavio Paz, Jorge Amado, and Yukio Mishima. The stories in the book were selected and annotated by experienced teachers, and include information about the author, a synopsis of the story, and comparisons to frequently anthologized stories and readily available literary and artistic works. Also provided are six practical indexes, including those'that help teachers select short stories by title, country of origin, English-languag- source, comparison by themes, or comparison by literary devices. The final index, the cross-reference index, summarizes all the comparative material cited within the book,with the titles of annotated books appearing in capital letters. -
© Copyrighted by Charles Ernest Davis
SELECTED WORKS OF LITERATURE AND READABILITY Item Type text; Dissertation-Reproduction (electronic) Authors Davis, Charles Ernest, 1933- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 00:54:12 Link to Item http://hdl.handle.net/10150/288393 This dissertation has been microfilmed exactly as received 70-5237 DAVIS, Charles Ernest, 1933- SELECTED WORKS OF LITERATURE AND READABILITY. University of Arizona, Ph.D., 1969 Education, theory and practice University Microfilms, Inc., Ann Arbor, Michigan © COPYRIGHTED BY CHARLES ERNEST DAVIS 1970 iii SELECTED WORKS OF LITERATURE AND READABILITY by Charles Ernest Davis A Dissertation Submitted to the Faculty of the DEPARTMENT OF SECONDARY EDUCATION In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY .In the Graduate College THE UNIVERSITY OF ARIZONA 19 6 9 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE I hereby recommend that this dissertation prepared under my direction by Charles Ernest Davis entitled Selected Works of Literature and Readability be accepted as fulfilling the dissertation requirement of the degree of Doctor of Philosophy PqulA 1- So- 6G Dissertation Director Date After inspection of the final copy of the dissertation, the following members of the Final Examination Committee concur in its approval and recommend its acceptance:" *7-Mtf - 6 7-So IdL 7/3a This approval and acceptance is contingent on the candidate's adequate performance and defense of this dissertation at the final oral examination; The inclusion of this sheet bound into the library copy of the dissertation is evidence of satisfactory performance at the final examination. -
1 Missing in Action: Repression, Return, and the Post-War Uncanny 1
Notes 1 Missing in Action: Repression, Return, and the Post-War Uncanny 1. The First World War is commonly pointed to as a pivotal event that prompted writers to search for new literary forms and modes of expres- sion. Hazel McNair Hutchinson suggests that wartime themes of “anxiety, futility, fragmentation and introspection would extend into post-war writing and would become hallmarks of American Modernist literature.” The first world conflict produced novels such as John Dos Passos’ One Man’s Initiation: 1917 (1920) based on his experi- ences as a volunteer ambulance driver and Three Solders (1921), which investigates the war’s psychological impact. Ernest Hemingway’s A Farewell to Arms (1929) includes sparse yet graphic depictions of bat- tle, and his first novel Fiesta: The Sun Also Rises (1927) chronicles the aftermath of the war for those who were physically or emotion- ally wounded. Many major American authors of the 1920s and 1930s were personally impacted by the war, and it continually surfaces in the works of writers such as Ezra Pound, Gertrude Stein, e. e. cum- mings, and F. Scott Fitzgerald. For a brief discussion of American literature influenced by the First World War, see Hazel McNair Hutchison, “American Literature of World War One,” The Literary Encyclopedia (July 2, 2007), http:// www.litencyc.com/ php/ stop- ics.php?rec=true&UID=1735. 2. Maxwell Geismar, “The Shifting Illusion,” in American Dreams, American Nightmares, ed. David Madden (Carbondale: Southern Illinois University Press, 1970), 53. 3. Richard Bessel and Dirk Schuman, eds., Life After Death: Approaches to a Cultural and Social History of Europe during the 1940s and 1950s (Cambridge, MA: Cambridge University Press, 2003), 7. -
ENG 351 Lecture 27 1 Let's Look at Malamud First — and It's Malamud
ENG 351 Lecture 27 1 Let’s look at Malamud first — and it’s Malamud, Bernard Malamud. Everybody’s probably seen the film — the Robert Redford movie, The Natural, which is based on Malamud’s first novel, loosely. The novel and the movie are very different. The novel certainly does not end the way the movie does, with the balls bouncing off the lights and all that. It’s not that way at all. Malamud was born in Brooklyn and took a Master’s degree at Columbia. Was another one of our university teachers. He taught at Bennington from 1961 until he died in 1986 — or until he retired. His second novel was The Assistant in 1957. The Fixer, 1966, is a very strange book. It’s a historical novel set in Russia during the Czar’s times. About a Jewish handyman who’s accused of murdering a Christian child in some kind of ritual murder. It’s part of this anti-Semitic background of Russia at the time. Toward the end of his life he began to experiment with form — postmodern forms, Dubin’s Lies and things like that, that I find very difficult reading. But the stories in “The Magic Barrel,” a first collection, 1958, are absolutely wonderful and I recommend that collection to you. Well, I’m making that big statement here. Malamud is one of several -- probably the lesser light of several important Jewish writers who showed up, kind of starting with Norman Mailer after World War II in the ‘40s and were writing in the ‘50s and ‘60s. -
Multi-Ethnic Literature: an Annotated Bibliography on European Ethnic Group Life in America
DOCUMENT RESUME ED 091 701 CS 201 294 AUTHOR Inglehart, Babette F.; Mangione, Anthony R. TITLE Multi-Ethnic Literature: An Annotated Bibliography on European Ethnic Group Life in America. INSTITUTION American Jewish Committee, New York, N.Y. Inst. of Human Relations. PUB DATE May 74 NOTE 62p.; Prepared for the Conference on Muir-Ethnic Literature (Chicago State University, Ch cago, Illinois, May 1974) EDRS PRICE MF-$0.75 HC-$3.15 PLUS POSTAGE DESCRIPTORS *Annotated Bibliographies; *Caucasian Race; Cultural Factors; *English Instruction; Ethnic Groups; *Ethnic Studies; Higher Education; Secondary Grades IDENTIFIERS *National Project on Ethnic America ABSTRACT This annotated bibliography relating to white ethnic studies is intended to assist teachers of English and social sciences in high schools and colleges in improving the self-image of students who have immigrant parents and grandparents. Most references are concerned primarily with America and the American scene, writers whose primary language is not English have been included only if their works have been translated. The bibliography has been divided firat to list anthologies dealing with the white ethnic experience, then to list fiction, drama, poetry, biography, history, and criticism dealing with European ethnic groups in America (Dutch, German, Greek, Hungarian, Armenian, Irish, Italian, Jewish, Scandinavian, and Slavic). Whether or not a book is in print or available in paper is indicated. In many cases, titles of books no longer in print have been included because of their importance in presenting some aspect of the immigrant experience and their value to researchers and scholars. A key is also included to identify some important subject or subjects with which each work concerns itself. -
Invisible Man's Literary Heritage: Benito Cereno and Moby Dick
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target” for pages apparently lacking from the document photographed is "Missing Pa^(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the p a ^ in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Patterns of Movement Inellison's Invisible Man 5
patterns of movement inellison's invisible man robert j. butler All I wanted was to go somewheres, all I wanted was a change, I warn't particular. — Huck Finn When a woman gets the blues she runs to her room and cries; When a man gets the blues he takes a train and rides. — traditional blues song One of the central and most distinctive values in American culture is a desire for pure motion, movement either for its own sake or as a means of freeing oneself from a prior mode of existence. A relatively new and chronically rootless society, America has always placed an unusually high premium on mobility rather than security and stabil ity. It is not surprising, therefore, that American literature is densely populated with heroes and heroines who try "to find in motion what was lost in space"1 —restless people in quest of settings which are fluid enough to accommodate their passion for a radical independence and completely open possibilities. As Henry Nash Smith and others have cogently argued, Cooper's West, Melville's ocean, Twain's river and Whitman's open road are the mythic places Americans yearn for. John Steinbeck observed in his own travels at the end of his career that the quintessential American impulse is a reflexive wish simply to keep moving: I saw in their eyes something I was to see over and over again in every part of the nation—a burning desire to go, to move, to get under way, anyplace, away from any Here. They spoke quietly of how they wanted to go somewhere, to move about, free and unanchored, not toward something but away from 0026-3079/80/1300-0005$01.50/0 5 something. -
Intertextuality, Authenticity, and Gonzo Selves in Anya Ulinich's
Intertextuality, authenticity, and gonzo selves in Anya Ulinich’s 'Lena Finkle’s Magic Barrel' Article Accepted Version Brauner, D. (2015) Intertextuality, authenticity, and gonzo selves in Anya Ulinich’s 'Lena Finkle’s Magic Barrel'. Studies in Comics, 6 (2). pp. 253-269. ISSN 2040-3232 doi: https://doi.org/10.1386/stic.6.2.253_1 Available at http://centaur.reading.ac.uk/46069/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1386/stic.6.2.253_1 Publisher: Intellect All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online 1 Intertextuality, Authenticity, and Gonzo Selves in Anya Ulinich’s Lena Finkle’s Magic Barrel David Brauner, The University of Reading We judge the author of a novel by how well he tells the story. But we judge morally the author of an autobiography, whose governing motive is primarily ethical as against aesthetic. (Roth 1989: 165) In her graphic novel Lena Finkle’s Magic Barrel (2014), Anya Ulinich compellingly explores the tensions between life and art, fact and fiction and autobiography and the novel. This essay traces two of her strategies for achieving this: Ulinich’s intertextual dialogue with a number of works by Philip Roth and with Bernard Malamud’s short story ‘The Magic Barrel’; and her creation of what Miriam Libicki has called a ‘gonzo self’. -
Singer's the Joke7' and Malamud's the German Refugee"
American Studies in Scandinavia, Vol. 11, 1979: 49-60 Two Immigrations : Singer's the Joke7' and Malamud's the German Refugee" BY Pirjo Ahokas University of Turku Isaac Bashevis Singer and Bernard Malamud are widely regarded as two of the main representatives of contemporary Jewish-Ameri- can letters. Their rise to prominence coincided with the rise of inter- est and popularity that Jewish fiction began to gain in the United States after the end of World War 11. The European-born Singer has lived in America since 1935 and he is currently considered as the foremost living Yiddish writer in the world today. His later works have appeared simultaneously in Yiddish and in English. The Yiddish qualities in the fiction of Bernard Malamud - Singer's junior by ten years - have also been frequently commented on, even though he was born to Russian immigrant parents in New York and he only writes in English. In spite of the similarities and obvious parallels that occur on different narrative levels, the Jewish qualities in each of the two writers show themselves in divergent ways. Several critics have pointed out that Singer's and Malamud's works, particularly their short stories, strike similar chords, but so far the common features have not been given more than fleeting attention in the critical books and articles on the two writers. Singer and Malamud are accomplished storytellers who have won more praise for their short fiction than for their long works. They both use Jewish materials and their special achievement is in large part based on their treatment of Jewish characters and settings. -
Different Attitudes to American Jew's Life in the Early Works of Bernard Malamud and Philip Roth a Thesis Presented to the Gradu
Different Attitudes to American Jew's Life in the Early Works of Bernard Malamud and Philip Roth A Thesis Presented to the Graduate School of Language and Culture, Hiroshima Jogakuin University In Partial Fulfillment of the Requirements for the Degree Master of Arts by Yumi Hirata January 1997 Contents Introduction . 1 Chapter I The Essence of Jewishness . 6 Chapter II The Closed Setting and the Emancipated Setting . .24 Chapter III The World of Humor and Satire . m Conclusion . 54 Works Consulted . .59 Introduction What kind of meaning does the concept of Jewishness have for the modern Jewish Americans? The Jews have wandered all over the world for about four thousands years from the time of Abraham. Suffering under such wandering condition, Jews desperately tried to seek a place for peaceful living, and they finally reached the new safe world called the Unite States. However, according to the commonly accepted idea that man has to sacrifice something to make his dreams come true, the Jews also had to sacrifice their identity as Jews to acculturate themselves to the American soci- ety. In addition, as time goes by, the number of intermarriage between different races have increased, and Jewishness have been becoming a concept of little significance for the contemporary American Jews. However, when the Jews consider their identity he cannot escape from recognizing both their Jewishness and Amerト canism. Thus Jews cannot eliminate their racial trace existing in their blood as Jews no matter how many years pass by. At the beginning of immigration to the United States, the Jews were directly and deeply distressed by the necessity of keeping their Jewish identity and becoming American citizens. -
University Microfilms
INFORMATION TO USERS This dissertation was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation.