Chuck Barris
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Confessions of a Dangerous Mind
CONFESSIONS OF A DANGEROUS MIND a screenplay by Charlie Kaufman based on CONFESSIONS OF A DANGEROUS MIND an unauthorized biography by Chuck Barris third draft (revised) May 5, 1998 MUSIC IN: OMINOUS ORCHESTRAL TEXT, WHITE ON BLACK: This film is a reenactment of actual events. It is based on Mr. Barris's private journals, public records, and hundreds of hours of taped interviews. FADE IN: EXT. NYC STREET - NIGHT SUBTITLE: NEW YORK CITY, FALL 1981 It's raining. A cab speeds down a dark, bumpy side-street. INT. CAB - CONTINUOUS Looking in his rearview mirror, the cab driver checks out his passenger: a sweaty young man in a gold blazer with a "P" insignia over his breast pocket. Several paper bags on the back seat hedge him in. The young man is immersed in the scrawled list he clutches in his hand. A passing street light momentarily illuminates the list and we glimpse a few of the entries: double-coated waterproof fuse (500 feet); .38 ammo (hollowpoint configuration); potato chips (Lays). GONG SHOW An excerpt from The Gong Show (reenacted). The video image fills the screen. We watch a fat man recite Hamlet, punctuating his soliloquy with loud belching noises. The audience is booing. Eventually the man gets gonged. Chuck Barris, age 50, hat pulled over his eyes, dances out from the wings to comfort the agitated performer. PERFORMER Why'd they do that? I wasn't done. BARRIS (AGE 50) I don't understand. Juice, why'd you gong this nice man? JAYE P. MORGAN Not to be. That is the answer. -
A Sony Pictures Classics Release
MOON A Sony Pictures Classics Release Directed By Duncan Jones Produced by Stuart Fenegan, Trudie Styler Written By Nathan Parker Starring Sam Rockwell Also Featuring Kevin Spacey as the voice of “Gerty” East Coast Publicity West Coast Publicity Distributor Donna Daniels PR. Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone 20 West 22nd St., #1410 Judy Chang Leila Guenancia New York, NY 10010 110 S. Fairfax Ave, #310 550 Madison Ave 347-254-7054, ext 101 Los Angeles, CA 90036 New York, NY 10022 323-634-7001 tel 212-833-8833 tel 323-634-7030 fax 212-833-8844 fax DIRECTOR’S STATEMENT I have always been a fan of science fiction films. In my mind, the golden age of SF cinema was the ‘70s, early ‘80s, when films like Silent Running, Alien, Blade Runner and Outland told human stories in future environments. I’ve always wanted to make a film that felt like it could fit into that canon. There are unquestionably less of those kind of sci-fi films these days. I don’t know why. I have a theory though: I think over the last couple of decades filmmakers have allowed themselves to become a bit embarrassed by SF’s philosophical side. It’s OK to “geek out” at the cool effects and “oooh” and “ahh” at amazing vistas, but we’re never supposed to take it too seriously. We’ve allowed ourselves to be convinced that SF should be frivolous, for teenage boys. We’re told that the old films, the Outlands and Silent Runnings, were too plaintive, too whiney. -
Open Cho YS Thesis.Pdf
The Pennsylvania State University The Graduate School College of Communications COMPETITION AND PROGRAM TYPE DIVERSITY IN THE OVER-THE-AIR TELEVISION INDUSTRY, 1943-2005 A Thesis in Mass Communications by Young Shin Cho © 2007 Young Shin Cho Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2007 The thesis of Young-Shin Cho was reviewed and approved* by the following: Richard Taylor Palmer Chair of Telecommunications Studies and Law Thesis Advisor Chair of Committee Matt Jackson Associate Professor of Communications Krishna Jayakar Associate Professor of Communications Lynette Kvasny Assistant Professor of Information Sciences and Technology John S. Nichols Professor of Communications Associate Dean for Graduates Studies and Research *Signatures are on file in the Graduate School ABSTRACT Competition and diversity are touchstones in media policy, but the relationship between them is not clear despite a great number of studies because even studies dealing with their relationship, did not measure the intensity of competition. This paper investigates the relationship between market competition and program type diversity in the over-the-air television industry. Specifically, market competition is divided into intra-network competition and intra-media competition, i.e. terrestrial television vs. cable TV. Also this paper uses a comprehensive model of program types, with 281 program type categories, which have never been used in previous studies. The results show that program type diversity keeps decreasing over time and intra-network competition has a negative effect on program type diversity. Also, intra- network competition is a more important factor on program type diversity than inter- media competition. -
An Economic Analysis of the Prime Time Access Rule
BEFORE THE FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 In re: Review of the Prime Time Access Rule, Section 73.658 (k) of the Commission’s } MM Docket No. 94-123 Rules AN ECONOMIC ANALYSIS OF THE PRIME TIME ACCESS RULE March 7, 1995 ECONOMISTS INCORPORATED WASHINGTON, D.C. CONTENTS I. Introduction……………………………...……………………………………………1 II. Is ABC, CBS or NBC Dominant Today? A. No single network dominates any market...........................................................5 B. Factors facilitating the growth of competing video distributors ................................................................................................7 1. Cable penetration ....................................................................................7 2. Number and strength of independent stations.........................................9 3. Other video outlets................................................................................12 C. Competing video distributors............................................................................13 1. New broadcast networks .......................................................................13 2. New cable networks..............................................................................16 3. First-run syndication .............................................................................17 D. Impact on networks of increased competition ..................................................18 1. Audience shares ....................................................................................18 -
Erage Clearance Rate for Prime Time Was .98 and for Non-Prime-Time It Was .90
~_.- rates are higher for prime-time than for non-prime-time programs. The av erage clearance rate for prime time was .98 and for non-prime-time it was .90. While there is a relatively narrow range of clearance rates among sta tions despite differences in the sizes and structures of the various television markets, the variation in clearance rates among stations is somewhat higher in non-prime time than in prime time. Table D-l Average clearance rates by daypart, 1994 Prime time .977 (.060) Non-prime time .897 (.084) All dayparts .918 (.067) Figures in parentheses are standard deviations. ABC, CBS and NBC have been able to maintain relatively high clearance rates during non-prime-time only by ceasing to offer programming that would obtain low clearances. Table D-2 shows the decrease in the number of non-prime-time hours of programming offered by each network from 1977 to 1994.130 In the aggregate, total programming offered by ABC, CBS and NBC has declined by 25 hours per week since 1977, from a total of 278.5 hours to 253.5 in 1994. The decline in network programming offered reflects the affiliates' decision to choose programs from the variety of al ternative programming available instead of choosing to clear the program ming offered by the networks. For certain dayparts, the networks have lost the competition and have conceded these low clearance portions of the day to other programming. 130 1977 is the most recent year studied by NISS for which data on the number of hours of network programs offered are available. -
CONFESSIONS of a DANGEROUS MIND -- ILLUSTRATED SCREENPLAY Directed by George Clooney, Screenplay by Charlie Kaufman © Buena Vista Home Entertainment, Inc
CONFESSIONS OF A DANGEROUS MIND -- ILLUSTRATED SCREENPLAY Directed by George Clooney, Screenplay by Charlie Kaufman © Buena Vista Home Entertainment, Inc. YOU ARE REQUIRED TO READ THE COPYRIGHT NOTICE AT THIS LINK BEFORE YOU READ THE FOLLOWING WORK, THAT IS AVAILABLE SOLELY FOR PRIVATE STUDY, SCHOLARSHIP OR RESEARCH PURSUANT TO 17 U.S.C. SECTION 107 AND 108. IN THE EVENT THAT THE LIBRARY DETERMINES THAT UNLAWFUL COPYING OF THIS WORK HAS OCCURRED, THE LIBRARY HAS THE RIGHT TO BLOCK THE I.P. ADDRESS AT WHICH THE UNLAWFUL COPYING APPEARED TO HAVE OCCURRED. THANK YOU FOR RESPECTING THE RIGHTS OF COPYRIGHT OWNERS. I got a new show called Which I believe is really, Kill for me, baby. “Operation: Entertainment” … really gonna kill. - Hey, Chuck. I – Who are you? Yeah … that’s the way it goes - Take it off. What’s your name? on TV. CHUCK: Get off the stage. Go The Unknown Comic! Hey, Chuckie, baby! back to Scotland! What’s the difference between - Get off the stage. Get the fuck out of here. toilet paper … - No, it’s my turn, Chuckie PATRICIA: Neitzsche says Still respects oneself as one CHUCK: Shit, I never thought whoever despises oneself … who despises. of that. Cast: Dick Clark .... Himself Sam Rockwell .... Chuck Barris Michelle Sweeney .... J. Sweeney Drew Barrymore .... Penny Chelsea Ceci .... Tuvia, Age 8 Michael Cera .... Chuck, Age 8 and 11 (as Michael Céra) Aimee Rose Ambroziak .... Chuck's Date #1 Isabelle Blais .... Chuck's Date #2 Melissa Carter .... Chuck's Date #3 Jennifer Hall .... Georgia Ilona Elkin .... Georgia's Girlfriend Sean Tucker ... -
University Times Ju@80~ D D® ~ 00 Jeff O'neill, Editor
Southland being pelted with acid rain, smog CSLA professor, Co-researcher say potentially harmful nitric, sulfuric acids are falling earthward By HENRY FUHRMANN high-sulfur coals, the acid pollution problem can only Staff Writer get worse. The seemingly pure rains that cleanse the air we Liljestrand and Morgan undertook tt,eir study in breathe are actually contaminated by potentially har 1976 while Liljestrand w~s working on his doctorate mful nitric and sulfuric acids, according to research at Caltech under Morgan, his adviser. Their work was done by a Cal State L.A. professor and his co partly funded by the California Air Resources Board. investigator. Their work was to define the extent, degree and Howard M. Liljestrand, assistant professor of pertinent chemical characteristics of acid engineering, and James J. Morgan of Caltech said in precipitation in this region. a report published this spring that without a doubt Liljestrand said acid rain forms when nitrogen the Los Angeles basin is awash in acid rain and snow, oxide and sulfur oxide gases are emitted into the at previously known to exist in the Northeast and mosphere, the former mostly by automobiles, the lat Europe. ter by power plants, smelters, steel mi~ls and other· The spread of acid pollutants, caused mainly by burners of coal and oil. the burning of fossil fuels, has been bl~med for These gases combine with moisture in the air to widespread damage to soil, plants, forests and fish form dilute concentrations of nitric and sulfuric and to man-made structures of metal, painted wood acid's; which eventually wash down to earth in the and stone as well. -
George Clooney Directs Dec 15–20 George
George Clooney Directs Dec 15–20 George Clooney, MoMA’s 2020 film benefit honoree, has crafted an enviable career: his effortless charm both onscreen and off, and serious dedication to his craft, both in front of and behind the camera has been encapsulated in TV and film for audiences around the world. On the eve of the release of his seventh directorial effort, The Midnight Sky, we are pleased to offer our members a look back at three of his earlier films. Confessions of a Dangerous Man. 2002. USA. Directed by George Clooney. Screenplay by Charlie Kaufman. With Sam Rockwell, Julia Roberts, Drew Barrymore. 114 min. Roughly 20 years after inimitable game show innovator and host Chuck Barris published his unauthorized autobiography—and multiple attempts at a film adaptation fell through—the project came to life when George Clooney signed on to direct. Clooney’s filmmaking debut is a cavorting, stranger-than-fiction account of Barris’s double life as intrepid television producer and CIA agent. Clooney’s nimble direction of Charlie Kaufman’s screenplay balances absurdist, dark humor with existential quandaries—and creates a perfect platform for Sam Rockwell’s freewheeling portrayal of the completely uncategorizable Barris. Image caption: Confessions of a Dangerous Man. 2002. USA. Directed by George Clooney. Courtesy Photofest Good Night, and Good Luck. 2005. USA. Directed by George Clooney. Screenplay by Clooney, Grant Heslov. With David Strathairn, Clooney, Patricia Clarkson. 93 min. In his second directorial outing, George Clooney orchestrates an incisive portrayal of the real-life media sparring match between Senator Joseph McCarthy and CBS primetime anchor Edward R. -
Columbia Pictures: Portrait of a Studio
University of Kentucky UKnowledge Film and Media Studies Arts and Humanities 1992 Columbia Pictures: Portrait of a Studio Bernard F. Dick Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Dick, Bernard F., "Columbia Pictures: Portrait of a Studio" (1992). Film and Media Studies. 8. https://uknowledge.uky.edu/upk_film_and_media_studies/8 COLUMBIA PICTURES This page intentionally left blank COLUMBIA PICTURES Portrait of a Studio BERNARD F. DICK Editor THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1992 by The University Press of Kentucky Paperback edition 2010 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data for the hardcover edition is available from the Library of Congress ISBN 978-0-8131-3019-4 (pbk: alk. paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. -
Adam C. Nedeff¶S Game Show Collection 5,358 Episodes Strong As of 3/23/2010
Adam C. Nedeff¶s Game Show Collection 5,358 Episodes Strong as of 3/23/2010 I: Game Shows II: Game Show Specials III: Unsold Game Show Pilots IV: My Game Show Box Games I: Game Shows ABOUT FACES {1 episode} Tom Kennedy¶s big break as announcer/substitute host. -Episode with Tom Kennedy filling in for Ben Alexander (End segment missing) [AF-1.1/KIN] ALL-STAR BLITZ {2 episodes} You might as well call it ³Hollywood Square of Fortune.´ -Sherlyn Walters, Ted Shackleford, Betty White, Robert Woods (Dark picture but watchable) [ASB- 1.1/OB] -Madge Sinclair, Christopher Hewitt, Abby Dalton, Peter Scolari [ASB-1.2/OB] ALL-STAR SECRETS {3 episodes} Overly-chatty celebrity guessing game. -Conrad Bain, Robert Gulliame, Robert Pine, Dodie Goodman, Ann Lockhart [AlStS-1.1/OC] -David Landsberg, Eva Gabor, Arnold Schwarzenegger(!), Barbara Feldon, David Huddleston (First two minutes missing) [AlStS-1.2/OC] -Bill Cullen, Nanette Fabray, John Schuck, Della Reese, Arte Johnson [AlStS-1.3/OC] BABY GAME {1 episode} Question: On Match Game, you had to make a match to win. On Dating Game, you had to make a date to win. How did you win on a show called Baby Game? -George & Carolyn vs. Gloria & Lloyd [BG-1.1/KIN] BANK ON THE STARS {2 episodes} A pretty nifty memory test with the master emcee. -Johnny Dark, Mr. Hulot¶s Holiday, The Caine Mutiny; Roger Price appears to plug ³Droodles´ [BOTS- 1.1/KIN] -The Long Wait, Knock on Wood, Johnny Dark [BOTS-1.2/KIN] BATTLESTARS {6 episodes} Alex Trebek just isn¶t right for a ³Hollywood Squares´-type show. -
Drexel Opens Doors to Visitors
FAMILY PAKTY TO.\IGHT srvponr drexel institute CAM PUN < OF t e c h n o l o g y PHILADELPHIA, PA. VOLUME XXVIII FEBRUARY 8, 1952 NUMBER 19 Ugly Man Ball Closes Drexel Opens Doors to Visitors; Campus Chest Week Students^ Speakers in Spotlight ---------------------------------------------------------------------------------------- -------------- - -___ I was to support the American Heart Association, Cancer Crusade, Sal vation Army, Infantile Paralysis, Rod Feather, and March of Dimes. Col. Bacliarach, € u r r 4 » n t E m'v k I h All Departments I P.M. Mechanical Readers Participate In appear in the jars. Creese, Bowman Micro-card Reader— Read book Kent Lanahan and his orchestra, card who will provide the entertain Recordak— The machine fhaf reads micro Day’s Activities ment from 8 to 12 p.m., are being NOTES to NOTE Speak Tonight film More than :?0 special events will introduced to Drexel students for Recenily released U. S. Army films, A “Family Party” consisting of l>e pre.sented to (iepict the areas the first time. Tickets will be Auditorium—Atomic Tests, Commun of study and activities at Drexel’s $1.75 per couple. Eric Johnson, headmaster of the well known student talent and not ism, Trends in Ordnance, Diary of a able speakers is scheduled this “Open House.” The doors will i)e The contestants are as follows: Friends’ Central School, will give Sergeant, and Army R.O.T.C. evening in the auditorium in con open continuously from 1:00 to Dick Graham. Alpha Pi Lambda; a lecture on “The United Nations Modern and Folk Dancing junction with “Open House.” The 10: :U) with six'ciiii events repeat Dave Serotta. -
"Who's Ne W Senior Who' Selects M Embers
a t d r e x e l — NEARLY EVERYONE STUDENT BVILDINQ READS THE TRIANQLE drexei institute O P E N H O U S E OF TECHNOLOGY PHILADELPHIA. PA. TONIQHT VOLUME XXIX NOVEMBER 14. 1952 NUMBER 13 Greeks Portray Injuns In Pi Kappa Phi Presentation O f ^X^ithout Reservation^ A rollicking modern-day Indian Reservation is the theme of the 18th Annual Pi Kap show to he held in the Drexei Audi' torium next Friday and Saturday evenings. Tickets for Friday night s show are $1.00 and for Saturday night $1.25. This year Pi Kappa Phi fraternity is presenting an original play with original niu^_and_lyrics fitted to the “wiles" of a O ■ n I crooked politician who hccomcs r I bigs Plan involved with a jjroup of wealthy T Indians. The title of the play is “Without Reservation.” Central Park A s 'I'he (wo-act musical comedy, under the co-direction of Don Setting For Dance Advena and Ed Chase, will fea ture sixteen Drexei co-eds in addi A itlONDEZVOlIK in the parit tion to the fraternity members. lias i)een advanced as tlie ideal The original dance numbers that Standing: Joanne Casey, Miriam Geyer, Jean Steele, Alice Miller, Joan McElwee, Jan McAbee Marlene way to spend a Noveml)er Satur these girls and boys take part in day night. The Sigma Sigma Sig Compton, ^Sgy Sessinger, Nora Trumbower. Seated: Aennchen, Mary Ann Sciuli, Pat Capone Barbara are choreographed by Aennchen Kaestner, Barbara Edwards, Midge Eoye, Cathy Black. v^apone, jsaroara ma sorority lias spent the past of New York.