Thus Far, 77 Want to Meet Lawrence Welk
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Our Right to Pursue Happiness
UFCW Official Publication of Local 1167, United Food and Commercial Workers Union July 2010 Boron miners ratify contract ending bitter labor dispute President ’s r ePort iners in Boron, Calif., who “I think we got a really, really good Our right to had been locked out of contract,” Local 30 member Kevin their jobs for three and a Martz told the Bakersfield Californian M half months returned to after the ratification vote. pursue happiness work on May 24 after voting to rati - The bitter labor dispute pitted 560 fy a six-year labor contract. union workers at the world’s second- year ago, while writing The agreement, approved on May largest borax mine against the Rio about the freedoms we 15 by 75 percent of the voting mem - Tinto Group, a British-Australian celebrate on Independence bers of International Longshore and conglomerate that had demanded Day, I referred to the tur - Warehouse Union Local 30, includes drastic concessions in benefits and A moil in Iran, where thousands of a $5,000 signing bonus and wage working conditions. people took to the streets to increases of 2.5 percent a year, in On Jan. 31, immediately after the protest a rigged election. addition to seniority protections and mine workers rejected Rio Tinto’s As if we needed a reminder, other workplace guarantees. Please see page 3 those protests dramatized how millions around the globe sorely wish they had the freedoms we Our next Quarterly Membership Meeting take for granted. Wednesday, Sept. 22, 2010 The streets of Teheran, Iran’s the meeting will start at 7 p.m. -
Confessions of a Dangerous Mind
CONFESSIONS OF A DANGEROUS MIND a screenplay by Charlie Kaufman based on CONFESSIONS OF A DANGEROUS MIND an unauthorized biography by Chuck Barris third draft (revised) May 5, 1998 MUSIC IN: OMINOUS ORCHESTRAL TEXT, WHITE ON BLACK: This film is a reenactment of actual events. It is based on Mr. Barris's private journals, public records, and hundreds of hours of taped interviews. FADE IN: EXT. NYC STREET - NIGHT SUBTITLE: NEW YORK CITY, FALL 1981 It's raining. A cab speeds down a dark, bumpy side-street. INT. CAB - CONTINUOUS Looking in his rearview mirror, the cab driver checks out his passenger: a sweaty young man in a gold blazer with a "P" insignia over his breast pocket. Several paper bags on the back seat hedge him in. The young man is immersed in the scrawled list he clutches in his hand. A passing street light momentarily illuminates the list and we glimpse a few of the entries: double-coated waterproof fuse (500 feet); .38 ammo (hollowpoint configuration); potato chips (Lays). GONG SHOW An excerpt from The Gong Show (reenacted). The video image fills the screen. We watch a fat man recite Hamlet, punctuating his soliloquy with loud belching noises. The audience is booing. Eventually the man gets gonged. Chuck Barris, age 50, hat pulled over his eyes, dances out from the wings to comfort the agitated performer. PERFORMER Why'd they do that? I wasn't done. BARRIS (AGE 50) I don't understand. Juice, why'd you gong this nice man? JAYE P. MORGAN Not to be. That is the answer. -
Texas Polka News - May 2020 Volume 32 | Isssue 15 INSIDE THIS ISSUE
Texas Polka News - May 2020 Volume 32 | Isssue 15 INSIDE THIS ISSUE Texas Covering Polka Dance Hall Music Since 1987News 2 Bohemian Princess Diary eresa Cernoch Parker e New Polka Normal ALL QUIET ON THE SOCIAL 3 Editor’s Log Gary E. McKee DANCING FRONT Lawrence Welk Was Cool! By Gary E. McKee Story on Page 4 3 From our readers 4-6 Featured Story Social Dancing Hostyn Picnic 2019 6 PoLK of A Report 8 Music Review & DJ Profi le Darrel Appelt 9 Wunnerful Welk Cont'd. 10-13 Dances, Festivals, Live Music 13 Boerne Village Band 14 Village Band & Welk Cont'd. 15 Band ads 16 Polka Smiles Sponsored by Slovacek's 2 Texas Polka News - May 2020 Bohemian Princess canceled and rescheduled. When Texas Polka News Staff in doubt please call the venue or eresa Cernoch Parker, Publisher Diary organization to make sure events Gary E. McKee, Editor/Photo Journalist are still taking place. Je Brosch, Artist/Graphic Designer As for TPN, which relies heavily Contributors: Louise Barcak Mark Hiebert John Roberts on ad revenue from events and Justin Everett Karen Williams Kurtz Will Seegers dance venues, I have made the Lauren Haase Julie Matus Rose Vrazel dicult decision to change the Walt Harfmann Earline Berger Okruhlik George Weber Joe Cool Pavlicek Harvey Wise publishing schedule from monthly to every other month. I don't know Contact how long this will last, possibly By Theresa Cernoch Parker until the end of the year. eresa Parker, Texas Polka News [email protected] 118 Vintage Park Blvd, Suite 443 • Houston, TX 77070 281-836-5362 PRINT SCHEDULE & AD [email protected] | Gary: [email protected] With the onset of the COVID-19 DEADLINES pandemic in our country, I thought No June issue Ads/Media last month's column was hard to July issue, deadline for ads, June 1 Articles, ads, letters to the editor deadline: 1st of the month for the next month write, until I sat down to pen this No August issue Ad Rates 1/3 page: $185 1/8: $65 one. -
With Recent Appearances in Jackass, the Bonnie Hunt Show and Next in Rob Reiner's New Movie Alex and Emma, the Legendary King Of
With recent appearances in JackAss, The Bonnie Hunt Show and next in Rob Reiner's new movie Alex and Emma, the legendary King of Confetti, Rip Taylor, has been introduced to a new generation of fans, which is another reason he has a star on Hollywood Boulevard for movies, film and television. Although most of his new admirers don't realize it, Rip Taylor has dazzled audiences worldwide in a career that has spanned over forty years. A master of comedic timing and consummate showman, Rip has headlined in Las Vegas, appeared on hundreds of television shows, played the lead in various plays and musicals, and frequently taken a dramatic turn in feature films. It is no exaggeration to say that Rip Taylor has succeeded in every facet of the entertainment industry. The phenomenon that is Rip Taylor began when Ed Sullivan could not remember the young comedian's name; he introduced Rip as "The Crying Comedian." Ed Sullivan accidentally stumbled upon Rip's niche, and after that appearance Rip found himself booked solid for months. This taught the young performer the importance of having a memorable hook. Bright costumes, outrageous props, wacky wigs and colorful confetti soon followed - and Rip Taylor became a pop culture sensation. Rip is one of television's most recognizable celebrities. A guest star with over 2 ,000 television appearances under his belt, Rip brought his wild energy to The G ong Show, Password, The Merv Griffin Show, The Mike Douglas Show, T he Tonight Show, Late Night with David Letterman and to the coveted c enter square on Hollywood Squares. -
Great Instrumental
I grew up during the heyday of pop instrumental music in the 1950s and the 1960s (there were 30 instrumental hits in the Top 40 in 1961), and I would listen to the radio faithfully for the 30 seconds before the hourly news when they would play instrumentals (however the first 45’s I bought were vocals: Bimbo by Jim Reeves in 1954, The Ballad of Davy Crockett with the flip side Farewell by Fess Parker in 1955, and Sixteen Tons by Tennessee Ernie Ford in 1956). I also listened to my Dad’s 78s, and my favorite song of those was Raymond Scott’s Powerhouse from 1937 (which was often heard in Warner Bros. cartoons). and to records that my friends had, and that their parents had - artists such as: (This is not meant to be a complete or definitive list of the music of these artists, or a definitive list of instrumental artists – rather it is just a list of many of the instrumental songs I heard and loved when I was growing up - therefore this list just goes up to the early 1970s): Floyd Cramer (Last Date and On the Rebound and Let’s Go and Hot Pepper and Flip Flop & Bob and The First Hurt and Fancy Pants and Shrum and All Keyed Up and San Antonio Rose and [These Are] The Young Years and What’d I Say and Java and How High the Moon), The Ventures (Walk Don't Run and Walk Don’t Run ‘64 and Perfidia and Ram-Bunk-Shush and Diamond Head and The Cruel Sea and Hawaii Five-O and Oh Pretty Woman and Go and Pedal Pusher and Tall Cool One and Slaughter on Tenth Avenue), Booker T. -
Kent Garvey Photographs, Circa 1970-2000 Coll2012-043
http://oac.cdlib.org/findaid/ark:/13030/c8jq0zdp No online items Finding aid to the Kent Garvey photographs, circa 1970-2000 Coll2012-043 John Thompson, Kyle Morgan, and Loni Shibuyama ONE Archives at the USC Libraries, University of Southern California © 2012, revised 2021 909 West Adams Boulevard Los Angeles, California 90007 [email protected] URL: http://one.usc.edu Finding aid to the Kent Garvey Coll2012-043371 1 photographs, circa 1970-2000 Coll2012-043 Contributing Institution: ONE Archives at the USC Libraries, University of Southern California Title: Kent Garvey photographs Creator: Garvey, Kent Identifier/Call Number: Coll2012-043 Identifier/Call Number: 371 Physical Description: 5.9 Linear Feet7 boxes. Date (inclusive): 1970-2000 Abstract: Slides, contact sheets, negatives, photographic prints, and papers, circa 1970-2000, from photojournalist Kent Garvey, whose photographs appeared in gay and lesbian newspapers such as the Advocate and Update. Materials in the collection mostly document gay and lesbian events in California such as pride parades, chorus concerts, marching band performances, AIDS benefits, protest marches, gay athletic competitions, men's beauty pageants, drag, and fundraisers for LGBT organizations. Language of Material: English . Biographical / Historical Oren Kent Garvey was born in 1941. He was an independent photojournalist whose photographs in appeared in gay and lesbian newspapers such as Advocate and Update. He was also a member of the Great American Yankee (GAY) Freedom Band in the early 1980s. Garvey died in 2010. Access The collection is open to researchers. There are no access restrictions. Publication Rights All requests for permission to publish or quote from manuscripts must be submitted in writing to the ONE Archivist. -
Jun 10, 1977, Vol. 05 No. E-11
June KJ7T977 KAUNDAR Rajje 3 June B . 1977 KALENDAR Page 2 Gay Victories At NIMH Confer. by Gary C ollins 3. Laws on rape should not discrimi For the first time ever at a national of the female victim. Most significantly, the group of nate against victims because of sexual One member of my group a therapist conference, the gay male as a victim Of affectional preference." Latina women, some twenty plus of sexual assault or rape was a part of from Salt Lake City, revealed that in strong, carried through a resolution the agenda. I believe that this is the first time Utah all a gay amel has to admit in supporting gay rights and condemning From Jime 5 through S, in Oakland, ever, also, that a Federally funded court is that he has engaged in con the results in MiamL Lilia Medina, the prestigious National Institute of conference has ever adopted such sensual- oral copulation or sodomy and .the facilitator of this group, announced Mental Health conducted a confer stands which bear so directly on the be is considered as much a criminal to the -entire conference that this ence titled " Sexual Assault in Specia 1 rights and protections due to gay males. as the man who taped him. In Utal; resolution- also unanimously approved- Populations." The Institute-generally I intend to present this resolution to two males doing in bed what they would oe conveyed in writing to c know as NIMH- asked me t o o e a gay organizations for endorsement. I want to do are both considered guilty State 4.egislators, the Governor, Facilitator a 11 hat conference and to will go before the Human Rights Com each of " enticing" the other into a Congressmen in Washington and es condjct a "focus group" on gay males mission and otiier government agencies criminal act! pecially to officials in the state of ICALENDAR PUBLICATIONS, INC. -
The Las Vegas Strip...The Early Years
The Las Vegas Strip the early years by Pam Goertler assisted by Brian Cashman El Rancho Vegas The first hotel on the Strip In the 1930’s there was no Las Vegas “Strip”. Las Vegas was a railroad town, built to house the railroad workers and their families. The clubs, casinos, stores, schools, hotels, professional offices, and railroad station were all downtown. Highway 91 (now the Strip) went from Los Angeles to Salt Lake City, passing through Las Vegas. Scattered along the highway, leading into Las Vegas, were some small clubs, but they were few and far between. his new hotel. Mrs. Jessie Hunt owned the proper- As the legend goes…in 1938 Tommy Hull and ty, and Tommy began negotiations with her. Mrs. a friend were driving along highway 91. They were Hunt felt that the property was worthless. She offered a few miles outside of Las Vegas when to give it to Tommy, just to get rid of it! She finally they got a flat tire. Tommy waited with accepted payment of $150 per acre, for about 33 acres. the car while his friend hitchhiked into Las Vegas to get help. While waiting, After months of planning and construction, El Rancho Tommy counted the cars that passed Vegas opened on April 3, 1941. Having seen the beautiful him on the highway, and began to get resort while it was being built, Las Vegans dressed in their an idea. Highway 91 was a long stretch of finest attire to attend the gala opening. Wanting a com- road through a hot, dusty desert. -
A Sony Pictures Classics Release
MOON A Sony Pictures Classics Release Directed By Duncan Jones Produced by Stuart Fenegan, Trudie Styler Written By Nathan Parker Starring Sam Rockwell Also Featuring Kevin Spacey as the voice of “Gerty” East Coast Publicity West Coast Publicity Distributor Donna Daniels PR. Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone 20 West 22nd St., #1410 Judy Chang Leila Guenancia New York, NY 10010 110 S. Fairfax Ave, #310 550 Madison Ave 347-254-7054, ext 101 Los Angeles, CA 90036 New York, NY 10022 323-634-7001 tel 212-833-8833 tel 323-634-7030 fax 212-833-8844 fax DIRECTOR’S STATEMENT I have always been a fan of science fiction films. In my mind, the golden age of SF cinema was the ‘70s, early ‘80s, when films like Silent Running, Alien, Blade Runner and Outland told human stories in future environments. I’ve always wanted to make a film that felt like it could fit into that canon. There are unquestionably less of those kind of sci-fi films these days. I don’t know why. I have a theory though: I think over the last couple of decades filmmakers have allowed themselves to become a bit embarrassed by SF’s philosophical side. It’s OK to “geek out” at the cool effects and “oooh” and “ahh” at amazing vistas, but we’re never supposed to take it too seriously. We’ve allowed ourselves to be convinced that SF should be frivolous, for teenage boys. We’re told that the old films, the Outlands and Silent Runnings, were too plaintive, too whiney. -
Open Cho YS Thesis.Pdf
The Pennsylvania State University The Graduate School College of Communications COMPETITION AND PROGRAM TYPE DIVERSITY IN THE OVER-THE-AIR TELEVISION INDUSTRY, 1943-2005 A Thesis in Mass Communications by Young Shin Cho © 2007 Young Shin Cho Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2007 The thesis of Young-Shin Cho was reviewed and approved* by the following: Richard Taylor Palmer Chair of Telecommunications Studies and Law Thesis Advisor Chair of Committee Matt Jackson Associate Professor of Communications Krishna Jayakar Associate Professor of Communications Lynette Kvasny Assistant Professor of Information Sciences and Technology John S. Nichols Professor of Communications Associate Dean for Graduates Studies and Research *Signatures are on file in the Graduate School ABSTRACT Competition and diversity are touchstones in media policy, but the relationship between them is not clear despite a great number of studies because even studies dealing with their relationship, did not measure the intensity of competition. This paper investigates the relationship between market competition and program type diversity in the over-the-air television industry. Specifically, market competition is divided into intra-network competition and intra-media competition, i.e. terrestrial television vs. cable TV. Also this paper uses a comprehensive model of program types, with 281 program type categories, which have never been used in previous studies. The results show that program type diversity keeps decreasing over time and intra-network competition has a negative effect on program type diversity. Also, intra- network competition is a more important factor on program type diversity than inter- media competition. -
The Animated Movie Guide
THE ANIMATED MOVIE GUIDE Jerry Beck Contributing Writers Martin Goodman Andrew Leal W. R. Miller Fred Patten An A Cappella Book Library of Congress Cataloging-in-Publication Data Beck, Jerry. The animated movie guide / Jerry Beck.— 1st ed. p. cm. “An A Cappella book.” Includes index. ISBN 1-55652-591-5 1. Animated films—Catalogs. I. Title. NC1765.B367 2005 016.79143’75—dc22 2005008629 Front cover design: Leslie Cabarga Interior design: Rattray Design All images courtesy of Cartoon Research Inc. Front cover images (clockwise from top left): Photograph from the motion picture Shrek ™ & © 2001 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Photograph from the motion picture Ghost in the Shell 2 ™ & © 2004 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Mutant Aliens © Bill Plympton; Gulliver’s Travels. Back cover images (left to right): Johnny the Giant Killer, Gulliver’s Travels, The Snow Queen © 2005 by Jerry Beck All rights reserved First edition Published by A Cappella Books An Imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 1-55652-591-5 Printed in the United States of America 5 4 3 2 1 For Marea Contents Acknowledgments vii Introduction ix About the Author and Contributors’ Biographies xiii Chronological List of Animated Features xv Alphabetical Entries 1 Appendix 1: Limited Release Animated Features 325 Appendix 2: Top 60 Animated Features Never Theatrically Released in the United States 327 Appendix 3: Top 20 Live-Action Films Featuring Great Animation 333 Index 335 Acknowledgments his book would not be as complete, as accurate, or as fun without the help of my ded- icated friends and enthusiastic colleagues. -
An Economic Analysis of the Prime Time Access Rule
BEFORE THE FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 In re: Review of the Prime Time Access Rule, Section 73.658 (k) of the Commission’s } MM Docket No. 94-123 Rules AN ECONOMIC ANALYSIS OF THE PRIME TIME ACCESS RULE March 7, 1995 ECONOMISTS INCORPORATED WASHINGTON, D.C. CONTENTS I. Introduction……………………………...……………………………………………1 II. Is ABC, CBS or NBC Dominant Today? A. No single network dominates any market...........................................................5 B. Factors facilitating the growth of competing video distributors ................................................................................................7 1. Cable penetration ....................................................................................7 2. Number and strength of independent stations.........................................9 3. Other video outlets................................................................................12 C. Competing video distributors............................................................................13 1. New broadcast networks .......................................................................13 2. New cable networks..............................................................................16 3. First-run syndication .............................................................................17 D. Impact on networks of increased competition ..................................................18 1. Audience shares ....................................................................................18