Erage Clearance Rate for Prime Time Was .98 and for Non-Prime-Time It Was .90
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Cablelabs Studio Code List 05/01/2006
CableLabs Studio Code List 05/01/2006 Studio Name Code Last Update 05/05/2006 1 120 Degree Films 120D 2 1st National FSN 3 2 Silks Releasing 2SR 4 20th Century Fox FOX 5 21st Century 21ST 6 2nd Generation 2GN 7 4th & Broadway 4TH 8 50th Street 50TH 9 7th Planet Prods 7PP 10 8X Entertainment 8X 11 A.D.G. ADG 12 A.I.P. Studios AIPS 13 Abramorama Entertainment ABR 14 Academy ACD 15 Access Motion Picture Group ACM 16 ADV Films ADV 17 AFD Theatrical AFDT 18 Alive ALV 19 Alliance Atlantis Communications AA 20 Alliance International Pictures AIP 21 Almi ALM 22 American International Pictures AINT 23 American Vacation Production AVP 24 American World Pictures AWP 25 American Zoetrope AZO 26 Amoon AMO 27 Andora Pictures AND 28 Angelika ANG 29 A-Pix APIX 30 Apollo APO 31 Apple and Honey Film Corp. AHFC 32 Arab Films ARAB 33 Arcangelo Entertainment ARC 34 Arenaplex ARN 35 Arenas Entertainment ARNS 36 Aries ARI 37 Ariztical Entertainment ARIZ 38 Arrival Pictures ARR 39 Arrow Releasing ARW 40 Arthouse Films AHF 41 Artificial Eye ARTI 42 Artisan ARTS 43 Artist View Ent. ARV 44 Artistic License ARTL 45 Artists Releasing Corp ARP 46 ArtMattan Productions AMP 47 Artrution Productions ART 48 ASA Communications ASA 49 Ascot ASC 50 Associated Film Distribution AFD 51 Astor Pictures AST 1 CableLabs Studio Code List 05/01/2006 Studio Name Code Last Update 05/05/2006 52 Astral Films ASRL 53 At An Angle ANGL 54 Atlantic ATL 55 Atopia ATP 56 Attitude Films ATT 57 Avalanche Films AVF 58 Avatar Films AVA 59 Avco Embassy AEM 60 Avenue AVE 61 B&W Prods. -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020
InMedia The French Journal of Media Studies 3 | 2013 Cinema and Marketing Electronic version URL: http://journals.openedition.org/inmedia/524 DOI: 10.4000/inmedia.524 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference InMedia, 3 | 2013, « Cinema and Marketing » [Online], Online since 22 April 2013, connection on 22 September 2020. URL : http://journals.openedition.org/inmedia/524 ; DOI : https://doi.org/10.4000/ inmedia.524 This text was automatically generated on 22 September 2020. © InMedia 1 TABLE OF CONTENTS Cinema and Marketing When Cultural Demands Meet Industrial Practices Cinema and Marketing: When Cultural Demands Meet Industrial Practices Nathalie Dupont and Joël Augros Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist Sheldon Hall “To prevent the present heat from dissipating”: Stanley Kubrick and the Marketing of Dr. Strangelove (1964) Peter Krämer Targeting American Women: Movie Marketing, Genre History, and the Hollywood Women- in-Danger Film Richard Nowell Marketing Films to the American Conservative Christians: The Case of The Chronicles of Narnia Nathalie Dupont “Paris . As You’ve Never Seen It Before!!!”: The Promotion of Hollywood Foreign Productions in the Postwar Era Daniel Steinhart The Multiple Facets of Enter the Dragon (Robert Clouse, 1973) Pierre-François Peirano Woody Allen’s French Marketing: Everyone Says Je l’aime, Or Do They? Frédérique Brisset Varia Images of the Protestants in Northern Ireland: A Cinematic Deficit or an Exclusive -
Ida Documentary Awards
IDA DOCUMENTARY international documentary AWARDS12 association 28th DEC 7.2012 DEC ANNUAL Guild Directors America of CONGRATULATIONS TO ALL THE NOMINEES OF THE 2012 IDA DOCUMENTARY AWARDS A&E INDIEFILMS IS PROUD TO SUPPORT THE INTERNATIONAL DOCUMENTARY ASSOCIATION. IDA DOCUMENTARY AWARDS12 sponsors LUMINARY SPONSORS GOLD SPONSORS SILVER SPONSORS 3 IDA DOCUMENTARY AWARDS12 28th Annual IDA Documentary Awards December 7, 2012 6:30 PM PRIVATE RECEPTION HONORING ARNOLD SHAPIRO Sponsored by A&E LOCATION: DGA Atrium Awards Ceremony HOST: Penn Jillette 8:00 PM AWARDS CEREMONY • Year In Review LOCATION: DGA Theater 1 • ABCNEWS VideoSource Award 9:30 PM • Best Limited Series Award AFTER PARTY • Pare Lorentz Award Sponsored by Canon LOCATION: DGA Grand Lobby • David L. Wolper Student Documentary Award • Creative Recognition Awards: Best Cinematography Best Editing Best Music Best Writing • Jacqueline Donnet Emerging Documentary Filmmaker Award • Pioneer Award • Best Continuing Series Award • HUMANITAS Documentary Award • Career Achievement Award • Best Short Award • Best Feature Award 5 CONGRATULATIONS! ABCNEWS VIDEOSOURCE FINALISTS AND THE NOMINEES & HONOREES OF THE 28TH ANNUAL IDA DOCUMENTARY AWARDS IN RECOGNITION OF YOUR EXTRAORDINARY WORK www.abcnewssource.com IDA DOCUMENTARY AWARDS12 nominees & honorees ABCNEWS VIDEOSOURCE BEST LIMITED SERIES AWARD NOMINEES AWARD NOMINEES BOOKER’S PLACE: A MISSISSIPPI STORY BOMB PATROL: AFGHANISTAN DIRECTOR: Raymond De Felitta EXECUTIVE PRODUCERS: Dan Cesareo, Doug DePriest, PRODUCER: David Zellerford Vince DiPersio, Laura Civiello, Tim Rummel EXECUTIVE PRODUCERS: Lynn Roer, Steven Beer SERIES PRODUCERS: Kathryn Gilbert, Joe Venafro, Keith Saunders Eyepatch Productions/Ogilvy, PRODUCERS/SHOOTERS: Joe Venafro, Christopher Whiteneck, Hangover Lounge, Tribeca Film David D’Angelo, Scott Stoneback Big Fish Entertainment for NBC/G4 Media, Inc. -
Grizzly Si Plifies Complex Obstacles Gets More Time to Gather Facts
_ II~ range: TA 250 instructors help them- Volume 9 Number 10 Published in the interest of the personnel at Fort Leonard Wood, Missouri Thursday, March 7, 1996 Home on the - ------------------ selves to a new shelter. See page 3A ----------------- -- BRAC on track Luncheon features Ann Crossley Q Maneuver Support struction facilities, NCO academy The Officers and Civilians Center transformation accommodations, range modifica- Women's Club luncheon fea- tions and housing conversions. turing Ann Crossley, author of proceeding smoothly "We're adequately funded for the 'Army Wives Handbook," the design of all projects and have is on March 21, 11:30 a.m., By Jacqueline Guthrie been approved for construction," not March 12 as previously pub- ESSAYONS Staff he added. Contractors will start lished. See complete story on breaking ground early next year. page lB. Fort Leonard Wood is well on "We also have a very solid start- its way to becoming the Maneuver up on the environmental impact Joint Endeavor troops Support Center as the Base Re- statement," Johnson said. This get tax extension alignment and Closure statement is part of the legal re- The Internal Revenue Ser- Commission transition office here quirements of the National vice has granted an automatic celebrate its one-year anniversary. Environmental Policy Act of 1969 extension to Dec. 15 to file The BRAC team has the job of that requires all federal agencies 1995 Federal Income Tax Re- moving of the Military Police and to complete one for activities that turns to soldiers serving in Chemical Schools from Fort could affect the environment. Operation Joint Endeavor on McClellan, Ala., to Fort Leonard Officials began preparing the in- or after March 15. -
Confessions of a Dangerous Mind
CONFESSIONS OF A DANGEROUS MIND a screenplay by Charlie Kaufman based on CONFESSIONS OF A DANGEROUS MIND an unauthorized biography by Chuck Barris third draft (revised) May 5, 1998 MUSIC IN: OMINOUS ORCHESTRAL TEXT, WHITE ON BLACK: This film is a reenactment of actual events. It is based on Mr. Barris's private journals, public records, and hundreds of hours of taped interviews. FADE IN: EXT. NYC STREET - NIGHT SUBTITLE: NEW YORK CITY, FALL 1981 It's raining. A cab speeds down a dark, bumpy side-street. INT. CAB - CONTINUOUS Looking in his rearview mirror, the cab driver checks out his passenger: a sweaty young man in a gold blazer with a "P" insignia over his breast pocket. Several paper bags on the back seat hedge him in. The young man is immersed in the scrawled list he clutches in his hand. A passing street light momentarily illuminates the list and we glimpse a few of the entries: double-coated waterproof fuse (500 feet); .38 ammo (hollowpoint configuration); potato chips (Lays). GONG SHOW An excerpt from The Gong Show (reenacted). The video image fills the screen. We watch a fat man recite Hamlet, punctuating his soliloquy with loud belching noises. The audience is booing. Eventually the man gets gonged. Chuck Barris, age 50, hat pulled over his eyes, dances out from the wings to comfort the agitated performer. PERFORMER Why'd they do that? I wasn't done. BARRIS (AGE 50) I don't understand. Juice, why'd you gong this nice man? JAYE P. MORGAN Not to be. That is the answer. -
NATIONAL ARBITRATION FORUM DECISION Directv, Inc. V. Future Movie Name Claim Number: FA0911001296482 PARTIES Complainant Is Dire
NATIONAL ARBITRATION FORUM DECISION DirecTV, Inc. v. Future Movie Name Claim Number: FA0911001296482 PARTIES Complainant is DirecTV, Inc. (“Complainant”), represented by Steven M. Levy, Pennsylvania, USA. Respondent is Future Movie Name (“Respondent”), California, USA. REGISTRAR AND DISPUTED DOMAIN NAME The domain name at issue is <diretv.com>, registered with Directnic, Ltd. PANEL The undersigned certifies that he or she has acted independently and impartially and to the best of his or her knowledge has no known conflict in serving as Panelist in this proceeding. Houston Putnam Lowry, Chartered Arbitrator, as Panelist. PROCEDURAL HISTORY Complainant submitted a Complaint to the National Arbitration Forum electronically on November 30, 2009; the National Arbitration Forum received a hard copy of the Complaint on December 2, 2009. On November 30, 2009, Directnic, Ltd confirmed by e-mail to the National Arbitration Forum that the <diretv.com> domain name is registered with Directnic, Ltd and that Respondent is the current registrant of the name. Directnic, Ltd has verified that Respondent is bound by the Directnic, Ltd registration agreement and has thereby agreed to resolve domain-name disputes brought by third parties in accordance with ICANN's Uniform Domain Name Dispute Resolution Policy (the "Policy"). On December 4, 2009, a Notification of Complaint and Commencement of Administrative Proceeding (the "Commencement Notification"), setting a deadline of December 24, 2009 by which Respondent could file a response to the Complaint, was transmitted to Respondent via e-mail, post and fax, to all entities and persons listed on Respondent's registration as technical, administrative and billing contacts, and to [email protected] by e-mail. -
I. Tv Stations
Before the FEDERAL COMMUNICATIONS COMMISSION Washington, DC 20554 In the Matter of ) ) MB Docket No. 17- WSBS Licensing, Inc. ) ) ) CSR No. For Modification of the Television Market ) For WSBS-TV, Key West, Florida ) Facility ID No. 72053 To: Office of the Secretary Attn.: Chief, Policy Division, Media Bureau PETITION FOR SPECIAL RELIEF WSBS LICENSING, INC. SPANISH BROADCASTING SYSTEM, INC. Nancy A. Ory Paul A. Cicelski Laura M. Berman Lerman Senter PLLC 2001 L Street NW, Suite 400 Washington, DC 20036 Tel. (202) 429-8970 April 19, 2017 Their Attorneys -ii- SUMMARY In this Petition, WSBS Licensing, Inc. and its parent company Spanish Broadcasting System, Inc. (“SBS”) seek modification of the television market of WSBS-TV, Key West, Florida (the “Station”), to reinstate 41 communities (the “Communities”) located in the Miami- Ft. Lauderdale Designated Market Area (the “Miami-Ft. Lauderdale DMA” or the “DMA”) that were previously deleted from the Station’s television market by virtue of a series of market modification decisions released in 1996 and 1997. SBS seeks recognition that the Communities located in Miami-Dade and Broward Counties form an integral part of WSBS-TV’s natural market. The elimination of the Communities prior to SBS’s ownership of the Station cannot diminish WSBS-TV’s longstanding service to the Communities, to which WSBS-TV provides significant locally-produced news and public affairs programming targeted to residents of the Communities, and where the Station has developed many substantial advertising relationships with local businesses throughout the Communities within the Miami-Ft. Lauderdale DMA. Cable operators have obviously long recognized that a clear nexus exists between the Communities and WSBS-TV’s programming because they have been voluntarily carrying WSBS-TV continuously for at least a decade and continue to carry the Station today. -
Michael Landon-Murray, Ph.D
Michael Landon-Murray, Ph.D. University of Colorado, Colorado Springs – School of Public Affairs 1420 Austin Bluffs Pkwy Colorado Springs, CO 80918 (719) 255-4185 – [email protected] Academic Positions Assistant Professor, University of Colorado, Colorado Springs, School of Public Affairs, 2015 - present Visiting Assistant Professor, University of Texas at El Paso, National Security Studies Institute, 2014 - 2015 Adjunct Instructor, University at Albany, Rockefeller College of Public Affairs and Policy, 2014 Education PhD, Public Administration and Policy, University at Albany, SUNY 2013 Honors: Doctoral Research Assistantship, 2007 - 2009 Dissertation: Essays on Academic Intelligence and Security Education Master of Public and International Affairs, University of Pittsburgh 2005 Honors: Graduate Tuition Fellowship, 2004 - 2005 Field: Security and Intelligence Studies BA, Political Science, University at Buffalo, SUNY 2003 Publications Books Coulthart, Stephen, Michael Landon-Murray and Damien Van Puyvelde (eds.). 2019. Researching National Security Intelligence: Multidisciplinary Approaches. Georgetown University Press. Refereed Journals Landon-Murray, Michael and Stephen Coulthart. 2020. Intelligence Studies Programs as US Public Policy: A Survey of IC CAE Grant Recipients. Intelligence and National Security, 35(2), 269-282. Landon-Murray, Michael, Edin Mujkic and Brian Nussbaum. 2019. Disinformation in Contemporary US Foreign Policy: Impacts and Ethics in an Era of Fake News, Social Media, and Artificial Intelligence. Public Integrity, 21(5), 512-522. Landon-Murray, Michael. 2017. US Intelligence Studies Programs and Educators in the “Post-Truth” Era. International Journal of Intelligence, Security, and Public Affairs, 19(3), 197-213. Landon-Murray, Michael. 2017. Putting a Little More “Time” Into Strategic Intelligence Analysis. International Journal of Intelligence and Counterintelligence, 30(4), 785-809. -
“Baywatch” and “Letters from Baghdad”
The Current Cinema June 5 & 12, 2017 Issue “Baywatch” and “Letters from Baghdad” An adaptation of the iconic television series, starring Dwayne Johnson, Zac Efron, and Kelly Rohrbach, and a documentary about Gertrude Bell. By Anthony Lane Dwayne Johnson, Zac Efron, and Kelly Rohrbach star in Seth Gordon’s movie. Illustration by Bendik Kaltenborn here are so many things you can do with a beach in the movies. You can clear it by shouting, “Shark!” You can storm it in the T face of German guns. If you’re Steve McQueen, you can race around it in an orange dune buggy. If you’re Elvis, you can stand on the sand, in little white shorts, and pluck at your ukulele. And, if you’re Gérard Philipe, in “Une Si Jolie Petite Plage” (1949), the saddest of all beach lms, you can mooch along the strand, in the rain, with a face like rolling thunder. Then there is “Baywatch,” where no rain falls. The television series started in 1989 and, after a hiccup, ran for most of the following decade, earning “a wider audience on the planet Earth than any other entertainment show in history,” according to a Times report, in 1995. “Baywatch” aired in more than a hundred and forty countries and was dubbed into many tongues: a triumph of metamorphosis, since the dialogue was only just recognizable as English in the rst place. There were three attempts to promote the show from the small screen to the big, including “Baywatch: Hawaiian Wedding” (2003), whose plot is anyone’s guess, but, https://www.newyorker.com/magazine/2017/06/05/baywatch-and-letters-from-baghdad 1/3 tragically, all three swam straight to video. -
Rick Ludwin Collection Finding
Rick Ludwin Collection Page 1 Rick Ludwin Collection OVERVIEW OF THE COLLECTION Creator: Rick Ludwin, Executive Vice President for Late-night and Primetime Series, NBC Entertainment and Miami University alumnus Media: Magnetic media, magazines, news articles, program scripts, camera-ready advertising artwork, promotional materials, photographs, books, newsletters, correspondence and realia Date Range: 1937-2017 Quantity: 12.0 linear feet Location: Manuscript shelving COLLECTION SUMMARY The majority of the Rick Ludwin Collection focuses primarily on NBC TV primetime and late- night programming beginning in the 1980s through the 1990s, with several items from more recent years, as well as a subseries devoted to The Mike Douglas Show, from the late 1970s. Items in the collection include: • magnetic and vinyl media, containing NBC broadcast programs and “FOR YOUR CONSIDERATION” awards compilations, etc. • program scripts, treatments, and rehearsal schedules • industry publications • national news clippings • awards program catalogs • network communications, and • camera-ready advertising copy • television production photographs Included in the collection are historical narratives of broadcast radio and television and the history of NBC, including various mergers and acquisitions over the years. 10/22/2019 Rick Ludwin Collection Page 2 Other special interests highlighted by this collection include: • Bob Hope • Johnny Carson • Jay Leno • Conan O’Brien • Jimmy Fallon • Disney • Motown • The Emmy Awards • Seinfeld • Saturday Night Live (SNL) • Carson Daly • The Mike Douglas Show • Kennedy & Co. • AM America • Miami University Studio 14 Nineteen original Seinfeld scripts are included; most of which were working copies, reflecting the use of multi-colored pages to call out draft revisions. Notably, the original pilot scripts are included, which indicate that the original title ideas for the show were Stand Up, and later The Seinfeld Chronicles. -
The Little House on the Prairie Free
FREE THE LITTLE HOUSE ON THE PRAIRIE PDF Laura Ingalls Wilder,Garth Williams | 272 pages | 01 Dec 2014 | Egmont UK Ltd | 9781405272155 | English | London, United Kingdom Little House on the Prairie (TV Series –) - IMDb The regular series was preceded by a two-hour pilot moviewhich first aired on March 30, During the —83 television season, with the departure of Landon and Grassle, the series was broadcast with the new title Little House: A New Beginning. Based on the autobiographical Little House series, episodes of Little House on the Prairie usually concern members of the Ingalls family, who live on a small farm near the village of Walnut Grove, Minnesota. Many episodes concern the maturation of the family's second daughter, Laura. Episodes also focus on other family and community members, though, providing a depiction of life in a small agrarian community The Little House on the Prairie late 19th-century America. The show's central characters are Charles Ingalls farmer and mill workerhis wife Caroline, and their three daughters, Mary, Laura, and Carrie, though the family expands with the birth of daughter Grace and adoption of son Albert in season five, as well as the adoption of birth siblings Cassandra and James at the end of season seven a son, Charles "Freddy" Jr. Other essential characters include the Oleson family: Nels, proprietor of the town's general store, Oleson's Mercantile, as well as Nellie's Restaurant and Hotel; his malicious, gossiping wife, Harriet, who runs the Mercantile and Restaurant with him and serves as the show's principal antagonist; and their three children, biologically Nellie and Willie, and adopted Nancy; Isaiah EdwardsGrace Snider Edwards and their three adopted children; the Garvey family, Jonathan, Alice, and Andy; Rev.