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“On Translating Thomas Mann. Edited with an Introduction and Commentary by Henry I. Mac Adam
SCRIPTA JUDAICA CRACOVIENSIA * Vol. 7 Kraków 2009 Edith Simon “ON TRANSLATING THOMAS MANN” Edited with an Introduction and Commentary by Henry I. MacAdam After all, every translator knows that translating is a sort of trick, a device like the sleight-of-hand operator’s to attract attention to something in order to distract it from something else. Lowe-Porter 1966, 196. Without her [Lowe-Porter’s] translations, the name of Tho- mas Mann might well be as little known to the English- speaking world as that of his brother Heinrich. Thirlwall 1966, vi. Introduction Among the literary papers of the late Edith Simon (1917–2003) is a typescript essay entitled “On Translating Thomas Mann.” Internal evidence suggests that it was written in the late 1960s, approximately 40 years after Mann’s monumental Der Zauberberg (1924) was translated into English as The Magic Mountain (1928) by Helen Tracy Lowe-Porter. Simon’s essay is critical of the quality of Lowe-Porter’s translation of The Magic Mountain and is full of suggested re-translations as well as a closer look at several images embedded in German culture, e.g. language; literature, mytho- logy/folklore – that Mann drew upon for “special effects” in the epic novel that ensured his nomination for and acceptance of the Nobel Prize for Literature in 1929 (the politicized head of the Nobel Committee cited Buddenbrooks as the reason for the award). Simon wrote her essay at a time when Lowe-Porter’s rendition of Mann’s major works was still garnering plaudits from reviewers. That essay by Simon, published here for the first time, and another shorter essay on writing historical fiction, are part of her creative legacy now archived within her art studio in Edinburgh, Scotland. -
Ed Carpenter, Artist [email protected] Commissions
ED CARPENT ER 1 Ed Carpenter, Artist [email protected] Revision 2/1/21 Born: Los Angeles, California. 1946 Education: University of California, Santa Barbara 1965-6, Berkeley 1968-71 Ed Carpenter is an artist specializing in large-scale public installations ranging from architectural sculpture to infrastructure design. Since 1973 he has completed scores of projects for public, corporate, and ecclesiastical clients. Working internationally from his studio in Portland, Oregon, USA, Carpenter collaborates with a variety of expert consultants, sub-contractors, and studio assistants. He personally oversees every step of each commission, and installs them himself with a crew of long-time helpers, except in the case of the largest objects, such as bridges. While an interest in light has been fundamental to virtually all of Carpenter’s work, he also embraces commissions that require new approaches and skills. This openness has led to increasing variety in his commissions and a wide range of sites and materials. Recent projects include interior and exterior sculptures, bridges, towers, and gateways. His use of glass in new configurations, programmed artificial lighting, and unusual tension structures have broken new ground in architectural art. He is known as an eager and open-minded collaborator as well as technical innovator. Carpenter is grandson of a painter/sculptor, and step-son of an architect, in whose office he worked summers as a teenager. He studied architectural glass art under artists in England and Germany during the early 1970’s. Information on his projects and a video about his methods can be found at: http://www.edcarpenter.net/ Commissions Bridge And Exterior Public Commissions 2019: Barbara Walker Pedestrian Bridge, Wildwood Trail, Portland, OR, 180’ x 12’ x 8’. -
Detlef Thiel
So hat diese unbedingte Reinheit & Richtigkeit, Pünktlichkeit des Innens, des ICH, am Außen, am Bruch, an der Differenz, dem Abgrund: an Teilung, Trennung, Wechsel, Zufall denn ihr Übungsmaterial, ihr Nessushemd, ihre Feuerprobe, ihre Folterung. Salomo Friedlaender/Mynona Detlef Thiel Maßnahmen des Erscheinens Friedlaender/Mynona im Gespräch mit Schelling, Husserl, Thiel - Maßnahmen des Erscheinens Benjamin und Derrida libri nigri 23 ISBN 978-3-88309-782-4 23 Verlag Traugott Bautz GmbH Detlef Thiel Maßnahmen des Erscheinens LIBRI NIGRI 23 Herausgegeben von Hans Rainer Sepp Wissenschaftlicher Beirat Suzi Adams · Adelaide │ Babette Babich · New York │ Kimberly Baltzer-Jaray · Waterloo, Ontario │ Damir Barbarić · Zagreb │ Marcus Brainard · London │ Martin Cajthaml · Olomouc │ Mauro Carbone · Lyon │ Chan Fai Cheung · Hong Kong │ Cristian Ciocan · Bucure şti │ Ion Copoeru · Cluj-Napoca │ Renato Cristin · Trieste │ Riccardo Dottori · Roma │ Eddo Evink · Groningen │ Matthias Flatscher · Wien │ Dimitri Ginev · Sofia │ Jean-Christophe Goddard · Toulouse │ Andrzej Gniazdowski · Warszawa │ Ludger Hagedorn · Wien │ Terri J. Hennings · Freiburg │ Seongha Hong · Jeollabukdo │ Edmundo Johnson · Santiago de Chile │ René Kaufmann · Dresden │ Vakhtang Kebuladze · Kyjiw │ Dean Komel · Ljubljana │ Pavlos Kontos · Patras │ Kwok-ying Lau · Hong Kong │ Mette Lebech · Maynooth │ Nam-In Lee · Seoul │ Monika Małek · Wrocław │ Balázs Mezei · Budapest │ Viktor Molchanov · Moskwa │ Liangkang Ni · Guanghzou │ Cathrin Nielsen · Frankfurt am Main │ Ashraf Noor · Jerusalem -
Rewriting Universes: Post-Brexit Futures in Dave Hutchinson’S Fractured Europe Quartet
humanities Article Rewriting Universes: Post-Brexit Futures in Dave Hutchinson’s Fractured Europe Quartet Hadas Elber-Aviram Department of English, The University of Notre Dame (USA) in England, London SW1Y 4HG, UK; [email protected] Abstract: Recent years have witnessed the emergence of a new strand of British fiction that grapples with the causes and consequences of the United Kingdom’s vote to leave the European Union. Building on Kristian Shaw’s pioneering work in this new literary field, this article shifts the focus from literary fiction to science fiction. It analyzes Dave Hutchinson’s Fractured Europe quartet— comprised of Europe in Autumn (pub. 2014), Europe at Midnight (pub. 2015), Europe in Winter (pub. 2016) and Europe at Dawn (pub. 2018)—as a case study in British science fiction’s response to the recent nationalistic turn in the UK. This article draws on a bespoke interview with Hutchinson and frames its discussion within a range of theories and studies, especially the European hermeneutics of Hans-Georg Gadamer. It argues that the Fractured Europe quartet deploys science fiction topoi to interrogate and criticize the recent rise of English nationalism. It further contends that the Fractured Europe books respond to this nationalistic turn by setting forth an estranged vision of Europe and offering alternative modalities of European identity through the mediation of photography and the redemptive possibilities of cooking. Keywords: speculative fiction; science fiction; utopia; post-utopia; dystopia; Brexit; England; Europe; Dave Hutchinson; Fractured Europe quartet Citation: Elber-Aviram, Hadas. 2021. Rewriting Universes: Post-Brexit 1. Introduction Futures in Dave Hutchinson’s Fractured Europe Quartet. -
A Selective Study of the Writings of Kafka, Kubin, Meyrink, Musil and Schnitzler
_________________________________________________________________________Swansea University E-Theses The literary dream in German Central Europe, 1900-1925: A selective study of the writings of Kafka, Kubin, Meyrink, Musil and Schnitzler. Vrba, Marya How to cite: _________________________________________________________________________ Vrba, Marya (2011) The literary dream in German Central Europe, 1900-1925: A selective study of the writings of Kafka, Kubin, Meyrink, Musil and Schnitzler.. thesis, Swansea University. http://cronfa.swan.ac.uk/Record/cronfa42396 Use policy: _________________________________________________________________________ This item is brought to you by Swansea University. Any person downloading material is agreeing to abide by the terms of the repository licence: copies of full text items may be used or reproduced in any format or medium, without prior permission for personal research or study, educational or non-commercial purposes only. The copyright for any work remains with the original author unless otherwise specified. The full-text must not be sold in any format or medium without the formal permission of the copyright holder. Permission for multiple reproductions should be obtained from the original author. Authors are personally responsible for adhering to copyright and publisher restrictions when uploading content to the repository. Please link to the metadata record in the Swansea University repository, Cronfa (link given in the citation reference above.) http://www.swansea.ac.uk/library/researchsupport/ris-support/ The Literary Dream in German Central Europe, 1900-1925 A Selective Study of the Writings of Kafka, Kubin, Meyrink, Musil and Schnitzler Mary a Vrba Thesis submitted to Swansea University in fulfilment of the requirements for the Degree of Doctor of Philosophy Department of Modern Languages Swansea University 2011 ProQuest Number: 10798104 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
Lorella Belli Literary Agency Ltd Lbf 2019
LORELLA BELLI LITERARY AGENCY LTD Translation Rights List LBF 2019 lbla lorella belli literary agency ltd 54 Hartford House 35 Tavistock Crescent Notting Hill London W11 1AY, UK Tel. 0044 20 7727 8547 [email protected] Lorella Belli Literary Agency Ltd. Registered in England and Wales. Company No. 11143767. Registered Office: 54 Hartford House, 35 Tavistock Crescent, Notting Hill, London W11 1AY, United Kingdom. 1 Fiction: New Titles/Authors Nisha Minhas Selected Backlist includes: Rick Mofina Taylor Adams Kirsty Moseley Renita D’Silva Ingrid Alexandra Owen Mullen Helen Durrant J A Baker Steve Parker Joy Ellis TJ Brearton Katie Stephens Charlie Gallagher Ruth Dugdall Mark Tilbury Sibel Hodge Ker Dukey Victoria Van Tiem Ana Johns Hannah Fielding Anita Waller Carol Mason Janice Frost Alex Walters Nicola May Sophie Jackson PP Wong Dreda Say Mitchell Maggie James Dylan H Jones Betsy Reavley Sharon Maas Alison J Waines Selected Bookouture authors (no new submissions, but handling existing deals/publishers only): Mandy Baggot Anna Mansell Rebecca Stonehill Robert Bryndza Angela Marsons Fiona Valpy Colleen, Coleman Helen Phifer Sue Watson Jenny Hale Helen Pollard Carol Wyer Arlene Hunt Kelly Rimmer Louise Jensen Claire Seeber Non-Fiction: New Titles Sally Corner Gerald Posner Marcus Ferrar Patricia Posner Hira Ali Tamsen Garrie Robert J Ray Nick Baldock/Bob Hayward Girl on the Net Tam Rodwell Christopher Lascelles Jonathan Sacks Selected Backlist Jeremy Leggett Grace Saunders -
View List (.Pdf)
Symphony Society of New York Stadium Concert United States Premieres New York Philharmonic Commission as of November 30, 2020 NY PHIL Biennial Members of / musicians from the New York Philharmonic Click to jump to decade 1842-49 | 1850-59 | 1860-69 | 1870-79 | 1880-89 | 1890-99 | 1900-09 | 1910-19 | 1920-29 | 1930-39 1940-49 | 1950-59 | 1960-69 | 1970-79 | 1980-89 | 1990-99 | 2000-09 | 2010-19 | 2020 Composer Work Date Conductor 1842 – 1849 Beethoven Symphony No. 3, Sinfonia Eroica 18-Feb 1843 Hill Beethoven Symphony No. 7 18-Nov 1843 Hill Vieuxtemps Fantasia pour le Violon sur la quatrième corde 18-May 1844 Alpers Lindpaintner War Jubilee Overture 16-Nov 1844 Loder Mendelssohn The Hebrides Overture (Fingal's Cave) 16-Nov 1844 Loder Beethoven Symphony No. 8 16-Nov 1844 Loder Bennett Die Najaden (The Naiades) 1-Mar 1845 Wiegers Mendelssohn Symphony No. 3, Scottish 22-Nov 1845 Loder Mendelssohn Piano Concerto No. 1 17-Jan 1846 Hill Kalliwoda Symphony No. 1 7-Mar 1846 Boucher Furstenau Flute Concerto No. 5 7-Mar 1846 Boucher Donizetti "Tutto or Morte" from Faliero 20-May 1846 Hill Beethoven Symphony No. 9, Choral 20-May 1846 Loder Gade Grand Symphony 2-Dec 1848 Loder Mendelssohn Violin Concerto in E minor 24-Nov 1849 Eisfeld Beethoven Symphony No. 4 24-Nov 1849 Eisfeld 1850 – 1859 Schubert Symphony in C major, Great 11-Jan 1851 Eisfeld R. Schumann Introduction and Allegro appassionato for Piano and 25-Apr 1857 Eisfeld Orchestra Litolff Chant des belges 25-Apr 1857 Eisfeld R. Schumann Overture to the Incidental Music to Byron's Dramatic 21-Nov 1857 Eisfeld Poem, Manfred 1860 - 1869 Brahms Serenade No. -
QNF V5 Proef 4.1 2
no. 5 spring 2001 QUALITY NON-FICTION FROM HOLLAND FOUNDATION FOR THE PRODUCTION Special Issue: AND TRANSLATION OF DUTCH th LITERATURE 20 Century Classics Singel 464 nl6-61017 aw2Amsterdam contained brief biographical sketches of more than 150 tel+631 206620662661 fifteenth and sixteenth-century Dutch and Flemish painters. Three quarters of a century later there fol- fax 6 6 6 6 + 31 20 620 71 79 lowed a most original book by Rembrandt’s pupil [email protected] Samuel van Hoogstraeten, the Inleyding tot de Hooge website www.nlpvf.nl Schoole der Schilderkonst (Introduction to the High School of Painting; 1678). Arnold Houbraken’s De groote schouwburgh der Nederlantsche konstschilders en schilderessen (The Great Theatre of Dutch Painters; 1718- 1721) was a sequel to Mander’s book, as entertaining as Which tradition can be said to lie at the root of the it was informative. With his account of nearly a thou- books we have been presenting as the best Netherlands sand Dutch painters of both sexes he set the tone for non-fiction over the past four years? Everyone knows generations of art collectors. A modern classic in the the historian Johan Huizinga who achieved world history of Dutch art, finally, is Bob Haak’s Hollandse renown with his The Waning of the Middle Ages (1919), schilders in de Gouden Eeuw (Dutch Painters in the but even Huizinga had important predecessors. Golden Age; 1984), a lavishly illustrated book by a lead- From the end of the sixteenth century, Dutchmen could ing connoisseur. be found crossing the oceans. Their travel books con- Erasmus and Spinoza, the most important philosophers veyed a vivid picture of the life of seafarers, but above the Netherlands has produced, admittedly wrote in all they had a lasting influence on the European view of Latin, but left an indelible impression on Dutch litera- the outside world. -
Communication & Media Studies
COMMUNICATION & MEDIA STUDIES BOOKS FOR COURSES 2011 PENGUIN GROUP (USA) Here is a great selection of Penguin Group (usa)’s Communications & Media Studies titles. Click on the 13-digit ISBN to get more information on each title. n Examination and personal copy forms are available at the back of the catalog. n For personal service, adoption assistance, and complimentary exam copies, sign up for our College Faculty Information Service at www.penguin.com/facinfo 2 COMMUNICaTION & MEDIa STUDIES 2011 CONTENTS Jane McGonigal Mass Communication ................... 3 f REality IS Broken Why Games Make Us Better and Media and Culture .............................4 How They Can Change the World Environment ......................................9 Drawing on positive psychology, cognitive sci- ence, and sociology, Reality Is Broken uncov- Decision-Making ............................... 11 ers how game designers have hit on core truths about what makes us happy and uti- lized these discoveries to astonishing effect in Technology & virtual environments. social media ...................................13 See page 4 Children & Technology ....................15 Journalism ..................................... 16 Food Studies ....................................18 Clay Shirky Government & f CognitivE Surplus Public affairs Reporting ................. 19 Creativity and Generosity Writing for the Media .....................22 in a Connected age Reveals how new technology is changing us from consumers to collaborators, unleashing Radio, TElEvision, a torrent -
'Detecting the Past' Crime Writing Project
‘Detecting the Past’ Crime Fiction Project Database of Nazi-themed primary literature Dr. Katharina Hall Swansea University German-, English- and foreign-language crime novels (or novels using elements of the crime genre), which explore the history, memory and legacy of National Socialism. For further information see: http://www.swan.ac.uk/staff/academic/artshumanities/ltm/hallk/ Novels reviewed or discussed on Dr. Hall's 'Mrs. Peabody Investigates' international crime fiction blog are indicated in red, with an asterisk. Click the hyperlinks to see the posts concerned. ENGLISH-LANGUAGE Banks, Carla The Forest of Souls HarperCollins 2005 (UK) Bateman, Colin The Mystery Man* Headline 2009 (N.IRE) Binding, Tim Lying with the Enemy Picador 1998 (UK) (also pub. as Island Madness) Black, Cara Murder in the Marais Soho Press 1999 (USA) Murder in Montmatre Soho Press 2006 Aimee Leduc series Broderick, William The Sixth Lamentation* (see Time Warner 2004 [2003] (UK) discussion in comments section) Father Anselm series Brophy, Grace A Deadly Paradise Soho Press 2008 (US) Le Carré, John Call for the Dead* Penguin 2012 [1961] (UK) Penguin 2010 [1963] The Spy who Came in from the Cold* George Smiley #1 and #3 Sceptre 1999 [1968] A Small Town in Germany* Chabon, Michael The Final Solution Harper Perennial 2008 (USA) [2005] The Yiddish Policemen’s Union* Harper Perennial 2008 [2007] Cook, Thomas H. Instruments of Night Bantam 1999 (USA) Crispin, Edmund Holy Disorders Vintage 2007 [1946] (UK) Crombie, Deborah Where Memories Lie Macmillan 2009 [2008] -
The Development of Free Indirect Constructions in Dutch Novels
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2014 The development of free indirect constructions in Dutch novels Clement, Marja Abstract: Why is the free indirect style such a useful narrative means to portray characters’ minds in fictional texts? This article gives more insight into this phenomenon by analyzing texts fromearlier times. Previous studies state that the free indirect style for the representation of thoughts emerged in Dutch literary prose in the 19th century. However, this article shows that the roots of this technique were already present in 17th century Dutch popular literature novels. The analysis of these novels provides us with more insight into this phenomenon. Before the emergence of free indirect style, the most common form for the representation of a character’s consciousness was direct discourse. The suggestion that the character is ‘thinking out loud’ makes this thought representation unnatural, as emotions and feelings are often pre-verbal and wordless. Free indirect style gives the narrator the possibility to formulate that which the character cannot put into words. The free indirect style allows the author to merge descriptions of events and actions with the character’s inner life, feelings, questions and wishes without a change in the narrative style when it comes to personal pronouns and tense. DOI: https://doi.org/10.1515/jls-2014-0009 Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-105884 Journal Article Published Version Originally published at: Clement, Marja (2014). -
Ladybird: a Cover Story: 500 Iconic Covers from the Ladybird Archives Pdf
FREE LADYBIRD: A COVER STORY: 500 ICONIC COVERS FROM THE LADYBIRD ARCHIVES PDF none | 528 pages | 02 Oct 2014 | Penguin Books Ltd | 9780718193911 | English | United Kingdom + Best England Love: Ladybird Books images | ladybird books, ladybird, books Title: Run, run, Train! The Book of Face shop specializes in discontinued books or remainders. Over the years it has established itself as one of eBay's most important realities in the field of book sales. In the book card you will find the conditions of the same that we have categorized in New and Used The Used category is in turn divided into the following sub-categories: Very good condition: fine books. Good condition: used books, without tears or underlines, Ladybird: A Cover Story: 500 Iconic Covers from the Ladybird Archives quality of paper and cover. Fair condition: used books that bear the signs of aging, but which are complete with all pages. Bad condition: books with evident traces of humidity, tears and damaged cover. To be bound: very damaged used books Ladybird: A Cover Story: 500 Iconic Covers from the Ladybird Archives need a binding operation. Always indicate a manned address for delivery and your telephone number, bringing you the book will be simple and immediate. The books are shipped within 24 working hours from receipt of payment. The feed back is released automatically upon receipt of the customer's feed back. Our store benefits from the Top Reliability program that only the best eBay sellers can access. Customer satisfaction is a fundamental element for us so in case of problems do not hesitate to contact us on Some of our books are available in single quantities, once purchased the product will no longer be available Other books appear in multiple quantities instead.