Airwaves (1986-12 and 1987-01)
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AIRWAVES A Service of Continuing Education & Extension University of Minnesota-Duluth December - January 1987 Volume 7, Number 6 St.an Kenton and his band Special - N PR Pays Tribute to Stan Kenton Plus Fall Membership Drive a Success • Horizon's Features "Zydeco" Music * Report to the Listener by Paul Schmitz, Station Manager FLASH!! KUMD CELEBRATES 30TH WITH BEST MARATHON SINCE '81!! Yes, it's true, thanks to you KUM D's fall 1986 Membership Drive raised over $ l fi,000-the highest dollar total since 198 I. Much of this success was due to th0 large number of renewals that came in before the on-air drive began, and to thf' many area businesses that supported th0 station with Organizational Memberships and chall0nge matches. To every li stener- mem ber, our sinrerest thanks for supporting KUMD. We will all try to be worthy of your support by continuing to bring you the best "Sound Alternative" during the coming year. I'm writing this I Music __________....;._ __~-------- • Stan Kenton: A First-Hand View by Dave Dexter, Jr.============================ He was a dynamic man, blessed from But being a keyboard sideman was Stan and his half-starved men at the many accomplishments. I think of the birth with ambition and an unswerving not enough for Kenton. He craved his Rendezvous, I had no dissenting day in early 1942 when he borrowed desire to succeed in popular music. o~ band, one which would play his opinion. The two-month-old aggregation $800 from my own meager bank Stanley Kenton came out of the kind of music, free of restrictions ... a was indeed (l.estined for renown. account of $900 to meet his payroll. He fertile wheatfields of Kansas, then daring, innovative group ... an Stan, Carlos, and Dexter were to repaid the debt a few weeks later. I developed .his skill as a pianist, arranger, aggregation shaped and polished to remain a closely-knit triumvirate until think of his humor and his loud, and compo:;er in southern California perfection in the Kenton manner. Kenton and Gastel died in the 1970s. explosive laughter. And when I during.the 1920s. More than most Big Stan (he was 6'4" tall) launched The band's first records for Decca did criticized several of his solo boppish musi€ians; he endured years of his own orchestra in June 1941 at the not attract profitable sales, but in 1943, trumpeters, he would slap his long legs, frustration. His story is recounted Rendezvous Ballroom in Balboa Beach, having moved on from DOWN BEAT to laugh, and ask me if hiring Red Nichols, during National Public Radio's special a short drive from Los Angeles. He had Capitol Records in Hollywood, I or Muggsy Spanier would improve his . program - STAN KENTON: A LIFE IN little money, but his musicians stayed persuaded Johnny Mercer and Glenn E. biting, ever-screaming brass section. SOUND airing on many NPR member with him, working at times for less than Wallichs to sign the powerful Kenton Kenton had more than his share of stations in December. union scale. group. critics. Yet he refused to deviate from His was the last of the "big bands" to Kenton exuded enthusiasm, On the first Kenton session for the path he had chosen to traverse. He win national and international confidence, and a compelling, smiling Capitol, I sat in the producer's booth admitted he was a poor husband and popularity. By the mid-1950s, rock 'n' personality. But equally impressive was overseeing the four titles Stan and I had father, but insisted that his music was roll had pushed virtually all of those his physical energy. In those early days chosen to record. We lucked out far more important to him than his family. groups into obscurity, yet Kenton and at the Rendezvous he worked most of beyond our expectations. "Eager Stanley N. Kenton: A most his sometimes controversial music the night after the job on the Beaver" quickly became a national hit. unforgettable man. His music lives on. flourished well into the late '70s, almost bandstand, writing new arrangements. It was, as I recall, backed by the Kenton until his death on August 25, 1979, at Early on, he had acquired Carlos Gastel theme tune, "Artistry in Rhythm," Author Dave Dexter, Jr. is a former [ his residence in Los Angeles. as his personal manager. Gastel, who which also was a winner. editor of DOWN BEAT magazine, and Most of us first became aware of also managed Sonny Dunham's band, By mid-1944, Stan had become an for 25 years was a Capitol Records , Stan's talents in the 1937-38 "swing" worked nearly as many hours as immensely popular maestro. He toiled producer and archivist (he was the first era when he was holding down the Kenton to elevate the Kenton "krew" to around the block to maintain his high employee of the company). He was a piano chair with Gus Arnheim's a parity with Glenn Mill er and other ranking. There were a couple of periods life-long friend and confidant of Stan orchestra. Virtually forgotten today, topflight dance bands of the period. when he temporarily disbanded his Kenton. Arnheim led a dance band which was In August of 1941, Gastel persuaded group because of mental and physical Stan Kenton: A Life in Sound will immensely popular on the west coast - me to drive with him from the New difficulties, but he doggedly persisted air during Sidran on Record at 6:00 a band that recorded for the old York office of DOW_N BEAT magazine to through the years, and was sti ll p.m. on Wednesdays beginning January Brunswick label and broadcast California. "Dexter, the Kenton Band is planning to resume the arduous work 7th. It will air for three consecutive consistently on late-night radio the number one attraction," he had of a bandleader when he died in 1979. Wednesdays and will replace the programs coast to coast. repeatedly told me. And when I watched I look back in wonder at Stan and his regularly scheduled programs. - A Celebration Of Cajun Music========= E.NTE.R "Tti l<j WORL Zydeco is an exciting Cajun music as The band features the traditional FOR :,ti Of P\ NCJ spicy and irresistable as Louisiana's Cajun instrumentation: accordion and famous cuisine. On January 9th, fiddl e combinations, vocals, bass, guitar 7'DVE. NTURE. Horizons - National Public Radio's and drums. But Zydeco, says one series of half-hour documentaries - master of the art, "takes regular old 01fT~ fROM 7\ROUri introduces the Adroin family, whose Cajun music and puts hinges on it so OUR WORLD considerable talent has shaped Cajun she can swing." Beginning with the music and helped to generate the Adroin patriach, Amede Adroin, who international enthusiasm for Zydeco. was born in 1900, Adroins have set the Horizons is heard on KUMD every standards for the sound of Cajun music Friday at 5:30 p.m. and for the quality of accordion and David Rector met the current fiddle playing. generation of Adroins, who tour as the Says Rector, "These men explain how Adroin Brothers Band, in Washington Black Creole music became Cajun when they played at the Smithsonian's music. And now all these Afro- Am erican Folklife Festival. Rector Caribbean, Afro-American and Creole recorded their performances and sounds have come together in Zydeco. intervi ewed Morris Adroin - a son of The performances they gave at the VERYONE__ the legendary Alphonse "Bois Sec" Folklife Festival were unforgettable; the PE.7\Cf..fU Adroin - and Russell Adroin, along audience could not help with violinist Canray Fontenot, who NEW YL,\R comes from a similarly important musical family. ~..,,. ER: lOR -:JT Traditional Music Special by Tim Jenkins======== In November of 1985, while visiting art of several older fiddl ers who grew friends in West Virginia, my spouse, up living in the mountains. Eighty-six- Kerry Grant, our daughter Kelsey, and year-old fiddler Ernie Carpenter's myself responded to an appeal for flood. grandfather, Sol Carpenter, was the first • reli ef workers to aid in the cleanup of person of European descent born in the devastation brought to the area on Central West Virginia. Sol was a fiddler the tail of hurricane Kate. One evening, as was Ernie's father. Thus Ernie's _in the dining room of the Parson repertoire and style represents an oral School, which is on high ground and tradition spanning 200 years. Ernie served as the disaster reli ef center, prides himself on playing the tunes "as flood victims and cleanup workers were they were". treated to a concert of traditional music I have produced four one-half hour by Mi chael Kline. Mi chael, besides being shows featuring the stories and tunes of a fine guitarist and singer, is the several old time musicians I met at director of the Augusta Heritage Arts Augusta. The four programs will be · Workshop. aired at 3:00 p.m. on consecutive Folk The Augusta program is a five week 'n' Blues shows starting Friday, January long celebration of folk tradition that 9th. happens each summer at Davis-Elkins For more information concerning the College in the town of Elkins, West Augusta Heritage Arts Workshop, write Virginia. Elkins is a picturesque Augusta Heritage Center, Davis and community nestled in the hills on the Elkins College, Elkins, West Virginia edge of the Monogahella National 26241. Forest and the Appalachian Mountains. The program is a series of one week workshops that concentrate on Appalachian music, dance, and craft; but which also include the blues, bluegrass, and music and dance of the British Isles and Canada.