The Rock, July 1967 (Vol

Total Page:16

File Type:pdf, Size:1020Kb

The Rock, July 1967 (Vol Whittier College Poet Commons The Rock Archives and Special Collections 7-1967 The Rock, July 1967 (vol. 23, no. 2) Whittier College Follow this and additional works at: https://poetcommons.whittier.edu/rock Recommended Citation Whittier College, "The Rock, July 1967 (vol. 23, no. 2)" (1967). The Rock. 18. https://poetcommons.whittier.edu/rock/18 This Magazine is brought to you for free and open access by the Archives and Special Collections at Poet Commons. It has been accepted for inclusion in The Rock by an authorized administrator of Poet Commons. For more information, please contact [email protected]. in J L :K The Alumni Magazine of Whittier College / Vol. XXIII, No. 2 JULY, 1967 WHITTIER COLLEGE ALUMNI ASSOCIATION OFFICERS Eugene M. Marrs '50, Whittier, President; Dr. John D. Kegler '38, Palos Verdes Estates, President-elect; Thomas V.Deihl '47, Whittier, Immediate Past President; and Kenneth L. Ball '34, Whittier, Past President. MEMBERS AT LARGE Stanley C. Alexander '48, Santa Ana; Ray S. Dezember '53, Bakersfield; Stephen A. Gardner '40, Los Angeles; Wayne L. Harvey '60, Whittier; and Russell P. Vincent '40, Whittier. CLASS REPRESENTATIVES Judith Ann Shuler '64, Santa Ana; Kenneth Hunt '65, Downey; Gregory Hardy '66, Torrance. COMMISSION CHAIRMEN Wayne Harvey 60, Whittier, Alumni Fund; Mrs. Alan C. Davidson '63, Whittier and Mrs. George Marich '63, La Puente, Activities Co-Chairmen; Stephen A. Gardner '40, Los Angeles,Publications; Donald C. Bishop' 61, Hacienda Heights, Student Alumni Relations; Dean E. Triggs '33, Ventura, Education. ASSOCIATES PRESIDENT Vincent Sinatra '33, Glendale. CLUB PRESIDENTS Dr. Robert Thompson '43, Whittier, 1195 Club; Mrs. Anthony Pierno '54, Whittier,. Cap and Gown Alumnae; Alice C.Lembke'40, South Pasadena, Broadoaks Alumnae. SOCIETY PRESIDENTS Mrs. John Baker '57, Whittier, Athenians; Mrs. Ronald Rogers '57, La Habra, Ionians; Mrs. Hollis Griffen '60, Costa Mesa, Metaphonians; Mrs. Kendall Bowlin '55, Whittier, Palmers; Mrs. Lela Martin '64, Whittier, Thai- President's Message . 3 ians; John W. Brink '56, Whittier, Franklins; Stuart Gothold '56, Whittier, Lancers; Elwyn B. Dyer '50, Los Alamitos, Orthogonians; Robert Davis '62, Los Angeles, William Penns; and Jack W. Baker '59, San Gabriel, Part III 4 Sachsens. Who is Whittier College? . EX-OFFICIO Dr. Paul S. Smith, President, Whittier College; Buck Ferguson '67, President, Associated Students; Dr. Robert Alumni Award Winners 7 W.O'Brien,. and Dr. W. Roy Newsom '34, Faculty Rep- resentatives. ALUMNI REPRESENTATIVE TO THE Alumni Day and Commencement 8 ATHLETIC BOARD OF CONTROL Eugene M. Marrs '50, Whittier. THE ROCK STAFF Sports Round-up 10 Darrell W. Ryan, Editor; Richard Cheatham '68, Sports Editor; and Bob Bates, Graphics Designer. Member: American Alumni Council American College Public Relations Association Poets Promenade 11 THE ROCK is published quarterly during the months of Septem- ber, December, March, and July by Whittier College in the inter- ests of the Whittier College Alumni Association. Second Class Postage paid at Whither, California. Send changes of address to the Whittier College Alumni Association, Whittier, Calif. 90602. Old Acquaintances . 15 WHITTIER COLLEGE ALUMNI ASSOCIATION Whittier College, Whittier, California 90602 / OXbow 3-0771 /Extension 221 July, 1967 Dear Fellow Alumnus: I would like to take a few minutes today to discuss some of the things that the Alumni Association has done this year, as well as what we plan to do in the future. We started last year's administration with a new alumni director, and, I might add, an alumni president who wasn't too familiar with alumni work. However, I am happy to state that the transition has been a smooth one. We have had additional board meetings this year which we used as "brainstorming sessions." Through these extra meetings we have encouraged a master plan of development for our Alumni Association. It gives me a great deal of pleasure to note that alumni giving is well ahead of last year and we have had increased community exposure largely through the efforts of Dr. Bob Thompson and the 1195 Club. We have enjoyed receiving your many compliments on the contents and attractive covers of The Rock and we can look forward to a stimulating series entitled "Whittier College Contributes" next year. Our future plans include an orientation retreat by the board of directors and officers of the Association. We plan to become better acquainted with our responsibilities as alumni and formulate future plans. The Association can look forward to a most successful year under the leadership of John Kegler '38 judging from his enthusiasm past and pre sent. I would like to take this opportunity to thank all of the board members, commission chairmen and officers for their invaluable help in making this year productive and enjoyable. Sincerely yours, Eugene M. Marrs 1 50 President Whittier College Alumni Association WHO Is WHITTIER EGLLEGE? PART 3 The opportunity to expound on the nature of the another 40% from other communities in Southern modern undergraduate is a risky invitation to give California; while 20% are from elsewhere in the to a college professor. Although each instructor has state, 20% are from other states, and more that his own ideas, it is a precarious undertaking to five percent are from other countries. Seven stu- identify the real differences between Whittier stu- dents in ten now live in college operated dormi- dents then and now. tories. Statistics reveal that Republicans outnumber Today is a time of authentic revolution in stu- Democrats 2 to 1 (as they did twenty years ago), dent mores and morals - a fact sometimes equally and Moslems outnumber Quakers (as they did not unacceptable to parents, teachers and alumni. twenty years ago). Whether we recognize it or not, the students of the Have these changes made Whittier a cosmopoli- late 1960's are NOT quite the same as those of an tan student body reflecting the changing world and earlier era. To be sure students on the Poet cam- the affluent society? My own perspective, broad- pus seem to exhibit a minimum of the outward ened during the past six years by two European symbols of the revolt - the beards and sandals, university assignments (Exeter and Copenhagen) the marijuana and L.S.D., the sex-without-love, the and summer session stints at two American uni- sit-ins, the teach-ins, the love-ins, and the general versities (New Hampshire and Hawaii), leads me stance of alienation. There are those in the Whit- to the conclusion that our students have not wholly tier family who are able to make themselves be- escaped the revolution of our time. lieve that our little microcosm is unchanging in a Whittier students have always reflected some of changing world. They believe that our students the societal transition occurring elsewhere within somehow have escaped the revolution of our time. their peer group. A careful reading of Charles This new revolution of the younger generation is Cooper's history of the college gives support to this not the indifference of the early 1950's nor the view. When 'existentialism' was the key word to alienation of ten years ago nor even the traditional describe the now students at the beginning of this and stylized deviant behavior characteristic of some decade, the Poet campus was not without its small individuals in all former student generations. The minority of examples. The majority of our under- overt symbols are the outward expression of a new graduates, however, had deep concerns for the and exciting generation of students unwilling and world (Peace Corps, Civil Rights, American Friends unable to accept the values and the standards of an Service Committee) or ambitions to prepare them- older generation. Critics refer to this new ethos selves for full participation in the status-occupa- which perplexes and worries parents, teachers and tional world (The Establishment). administrators alike as the 'Hang Loose Ethic.' Today the in system for explaining the 'happen- 5 It is a response to a credibility gap between the ings' on the college and university campuses is one professed Judeo-Christian democratic pronounce- featured in mass circulation publications. This new ments of our generation and our actual societal ethic is generally considered by social critics and behavior in the family, in the marketplace, in race sociologists to include the following aspects: 1) a relations, and in the Vietnam involvement. The certain quality of irreverence for the established new ethos goes far beyond that of our day which order, 2) humanism, 3) the virtue of spontaneity, logically raised questions about the gulf between 4) the value of the pursuit of new experience for its professed beliefs and real behavior. The Hang own sake (existentialism revised?), 5) the place of Loose Ethic challenges the traditional assumptions tolerance of many points of view, and 6) the impor- and things once taken for granted, and clearly tance of equality. affirmed even by undergraduates in revolt, are no A survey of Poet freshmen conducted in the longer accepted. The new approach is 'hanging a Spring of 1967 by graduate student, John Wathen bit loose' from the American traditions. To not gives some clues as to their reaction to the Hang grasp this difference is to miss the fundamental na- Loose syndrome. Three students out of five agreed ture and challenge of the Hang Loose Ethic. with the irreverent aspect of the new ethos, al- Important changes in the Whittier College stu- though approximately half of these students modi- dent body have occurred since the time two-thirds fied it with distinctly Christian beliefs. The major- of its members were from the local community and ity (77%) of the freshmen agreed with the human- less than one in four lived in college dormitories. ism aspect though it too was qualified by liberal Today 15% are from the local high school district, religious ideas.
Recommended publications
  • Woundsissue1.Pdf Download
    Shit The Editor Says Welcome to the first “issue” of Wounds of the Earth. I started this thing on almost the very same date 6 years ago in 2006. That seems like such an impossibly long time ago now. When Wounds began, it was just a stu- pid website I had thrown together to showcase some local acts that I was friends with at the time, and to give them a platform to talk about the ideas behind their music. I had no master plan for it, I just knew I wanted to do something to help the music that I loved. After going through several phases, numerous contributors, and losing our .com website & a ton of old information, I’m still here trying to do what I can to promote good, pro- gressive music. I decided to try out the “actual magazine” format aftering reading one of my girlfriend’s old Gothic Beauty mags, ironically enough. Something about looking through the pages and seeing all the ads for in- dustrial labels when they were releasing good music, combined with the art and fashion stuff made me yearn for more material like that which brought together all the positive components of the culture and promoted it as one. It seems that everything in society is stuck in this “charge more, provide less” mindset - every business and service expects more from its clients while doing its best to provide whatever in an increasingly cheaper, more basic form. Fuck that. I knew that is what I was doing with the blog, no matter how I tried to rationalize it - giving less because it was easy, cheap, convenient.
    [Show full text]
  • Light-In-Engineering-Architecture-And
    Light in Engineering, Architecture and the Environment WIT Press publishes leading books in Science and Technology. Visit our website for the current list of titles. www.witpress.com WITeLibrary Home of the Transactions of the Wessex Institute. Papers presented at Light 2011 are archived in the WIT elibrary in volume 121 of WIT Transactions on the Built Environment (ISSN: 1743-3509). The WIT electronic-library provides the international scientific community with immediate and permanent access to individual papers presented at WIT conferences. http://library.witpress.com. FIRST INTERNATIONAL CONFERENCE ON LIGHTING IN ENGINEERING, ARCHITECTURE AND THE ENVIRONMENT LIGHT IN ENGINEERING, ARCHITECTURE AND THE ENVIRONMENT CONFERENCE CHAIRMEN K. Domke Poznan University of Technology, Poland C.A. Brebbia Wessex Institute of Technology, UK INTERNATIONAL SCIENTIFIC ADVISORY COMMITTEE W. Bonenberg D. Gasparovsky J. Grzonkowski R. Nawrowski P. Rombauts J. Schanda J. Suchanek W. Zagan Organised by Wessex Institute of Technology, UK Poznan University of Technology, Poland Sponsored by WIT Transactions on the Built Environment WIT Transactions Transactions Editor Carlos Brebbia Wessex Institute of Technology Ashurst Lodge, Ashurst Southampton SO40 7AA, UK Email: [email protected] Editorial Board B Abersek University of Maribor, Slovenia G Belingardi Politecnico di Torino, Italy Y N Abousleiman University of Oklahoma, R Belmans Katholieke Universiteit Leuven, USA Belgium P L Aguilar University of Extremadura, Spain C D Bertram The University of New
    [Show full text]
  • Kenny Burrell Kenny Burrell Mp3, Flac, Wma
    Kenny Burrell Kenny Burrell mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Kenny Burrell Country: Japan Released: 1984 Style: Hard Bop, Bop MP3 version RAR size: 1147 mb FLAC version RAR size: 1619 mb WMA version RAR size: 1362 mb Rating: 4.6 Votes: 924 Other Formats: AIFF MP2 MPC RA VOC RA MIDI Tracklist Hide Credits Get Happy A1 Written-By – Arlen*, Koehler* But Not For Me A2 Written-By – Gershwin* Mexico City A3 Written-By – Kenny Dorham Moten Swing A4 Written-By – Bennie Moten, Buster Moten Cheeta B1 Written-By – Kenny Burrell Now See How You Are B2 Written-By – Pettiford*, Harris* Phinupi B3 Written-By – Kenny Burrell How About You B4 Written-By – Lane*, Freed* Credits Bass – Oscar Pettiford (tracks: A4, B1, B2, B3, B4), Paul Chambers (tracks: A1), Sam Jones (tracks: A3) Design [Cover Artwork] – Andy Warhol Design [Cover] – Reid Miles Drums – Arthur Edgehill (tracks: A3), Kenny Clarke (tracks: A1), Shadow Wilson (tracks: A4, B1, B2, B3, B4) Liner Notes – Leonard Feather Percussion – Candido (tracks: A1) Piano – Bobby Timmons (tracks: A3), Tommy Flanagan Producer – Alfred Lion Recorded By [Recording By], Mastered By [Mastering By] – Rudy Van Gelder Tenor Saxophone – Frank Foster (tracks: B2, B3, B4), J.R. Monterose (tracks: A3) Trumpet – Kenny Dorham (tracks: A3) Notes Recorded on March 12, 1956 (tracks A4 to B4), on May 29, 1956 (track A1) and on May 30, 1956 (tracks A2, A3). Japanese TOSHIBA EMI pressing. Other versions Category Artist Title (Format) Label Category Country Year Kenny Burrell (LP, Album, BLP 1543 Kenny
    [Show full text]
  • Aboriginal Street Youth in Vancouver, Winnipeg, and Montreal
    kapitipis e-pimohteyahk: Aboriginal Street Youth in Vancouver, Winnipeg, and Montreal By Laurette Gilchrist B.S.W., University of Regina, 1980 M.S.W., Carleton University, 1 987 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES DEPARTMENT OF EDUCATIONAL STUDIES We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September 1995 © Laurette Gilchrist, 1995 an advanced In presenting this thesis in partial fulfilment of the requirements for that the Library shall make it degree at the University of British Columbia, I agree that permission for extensive freely available for reference and study. I further agree copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. (Signature) Department of (‘d O I d The University of British Columbia Vancouver, Canadad077, Date /95 DE.6 (2)88) Abstract “kapitipis e-pimohteyahk: Aboriginal Street youth in Vancouver, Winnipeg and Montreal” seeks to gain insight into life on city streets for Aboriginal youth: why they go to the street, how they survive, what kinds of services they are more likely to use, what changes they envision for services provided to them, and finally to recommend corresponding changes in service delivery and preventative measures. The primary interest is their perceptions of their experiences on the Street — as Aboriginal people — as much as possible in their own voice, and in such a way as to contextualize their lives in Canadian structural colonial history and in modern urban terms.
    [Show full text]
  • Università Degli Studi Di Milano Dipartimento Di Lingue E Letterature Straniere
    UNIVERSITÀ DEGLI STUDI DI MILANO DIPARTIMENTO DI LINGUE E LETTERATURE STRANIERE DOTTORATO DI RICERCA IN LINGUE, LETTERATURE E CULTURE STRANIERE XXVIII Ciclo BETWEEN RHETORIC AND PERFORMATIVITY THE VERBAL AND VISUAL ART OF FOUR MODERNIST WOMEN Tesi di dottorato di: Francesca Chiappini R09991 Tutor: Chiar.ma Prof.ssa Caroline Patey Coordinatore del Dottorato: Chiar.ma Prof.ssa Giuliana Garzone Anno Accademico 2014/2015 To my husband Table of contents Acknowledgments v List of figures vii Chronologies xiii PART I Introduction 1 1. The corpus 3 2. Some methodological considerations 4 2.1. Visual modernity and urban aesthetics 5 2.1.1. Views on modernity 9 2.2. Recent feminist insights 13 2.3. Gendered spaces, gender practices 15 2.4. Performers 20 2.5. The relevance of life-writing 23 2.5.1. From subjectivity to collective consciousness 26 2.6. Life-painting 30 PART II Chapter 1. Form, space and colour 33 1.1. Djuna Barnes’s poetic fait divers 34 1.1.2. Patterns of fall 37 1.1.3. Metamorphic spaces: black and white 43 1.1.4. Synecdoche and the poetics of dismemberment 48 1.2. Zelda’s waltz 52 1.2.1. Fairy-tale colours: hyperboles 53 1.2.1.1.Visual prose 61 1.2.2. Nightmarish colours: plethora and horror vacui 62 1.2.2.1.In excess 67 1.2.2.2.“The vertigo of the list” 69 1.3. Mina Loy’s essential lines 71 1.3.1. Geometrical fascinations 72 1.3.2. Access-line to avant-garde 76 1.3.3.
    [Show full text]
  • The Sound of Music Was Replaced by Monster a Go-Go! the FUC Team Was Quite Proud of Their Cinema Curation, but They Saved Their Most Insidious Work for Last
    a tale of mystic actuality John Scott G Electric Goddess John Scott G Electric Goddess Copyright © 2021 by John Scott G johnscottg.com All rights reserved. gnud edition 2021_01_01 No portion of this book may be reproduced in any manner whatsoever without written permission of the author. Oh sure, you’re allowed to use brief excerpts in a review, article, blog post, podcast, and/or social networking commentary, but that’s it, pal. Meanwhile, more legal stuff: The characters and events depicted herein are fictitious and any resemblance to individuals living, dead, undead, android, or spiritual is coincidental. The job of ‘tagging the Internet’ with the work of JSG is being handled by the magnificent men and wonderful women at Golosio Publishing, 5000 Beckley Avenue, Suite #44, Woodland Hills, CA 91364. Contact [email protected] if you want to thank them. Funding for this endeavor comes from the Gruenberger Family Trust as well as contributions from Immedia, the Brian Forest Family, Edward and Pearl Geschke, Pandemonium Productions, the Guyette Family, Creative Communication, and a group of really groovy chicks ‘n’ cats of which you might one day be a part. Okay, get on with the journey now. GOLOSIO NONTRADITIONAL UNIVERSAL DISSEMINATION “Life, man, is like, totally fucking awesome!” — François VI, Duc de La Rochefoucauld (Quotation unverified at press time.) 2 Electric Goddess John Scott G “BANG!” Universe created (in theory). 3 Electric Goddess John Scott G 1 It begins lowly, majestically, the earth floated up toward the low-hanging branch of an elm tree. The orb moved obediently each time the little girl batted at it with her left hand.
    [Show full text]
  • 20140828 1000 HF Publichea
    To: Nevada's Governor, Nevada Bureau of Land Management, and Nevada Division of Minerals Pass Legislation in the state of Nevada banning the practice of hydraulic fracturing in the extraction of natural gas and oil, and/or convince the administrators within The Nevada Bureau of Land Management and Nevada Division of Minerals with the power to stop the gas and oil companies from fracking Nevada and deny further permits to Noble Energy and others whom seek permits for similar purposes. But don't just wait for the petition, give the powers that be a piece of your mind. Call Governor Brian Sandoval at (702) 486-2500 and Phone: (775) 684-5670 Call The Nevada Division of Minerals Mr. Lowell Price or Richard Perry (775) 684-7040 The Desert Research Institute (775) 673-7300 The Nevada Department Of Environmental Protection Mr. Alan Tinney (775) 687-9433 Signed by 2,093 people: Name Postcode Address Christian Gerlach 89032 3414 Fort Niagara Ave Nadia Essaqi 11233 1920 union st Susan Rambo 89117 2000 Quarry Ridge Street, 207, Las Vegas NV Rob Mrowka 89032 4261 Lily Glen Ct Philip Roberts 89107 6225 rassler ave Alberto Nungaray 89108 1175 shadow mountain pl Brandon 89130 6510 El Campo Grande McClenahan Aragorn Berner 89108 5233 Glen Eagles lane Mazyar Momeni 89117 8772 rainbow ridge dr Joshua Bryant 89128 8068 Cetus Circle mark szymanski 89103 4743 Elk Springs ave. apt D Ioulia Rodionova 89103 Terrace Hill Rd Joseph Quinn 89102 4750 Obannon Dr. Oscar Cornejo 89145 975 paisley st. Kyle Bowen 94109 737 Hyde St Apt 403 Verna Howard 89166 9745 Grand Teton dr.
    [Show full text]
  • Remembering Lee Poole Gallatin County Sheriff Talks Crime in Big Sky
    Life and land from the heart of the Yellowstone Region May 1 -14, 2015 Volume 6 // Issue #9 Ousel Falls seeing record visitors, signs of misuse Remembering Lee Poole Gallatin County sheriff talks crime in Big Sky Big Sky Resort season in review Back 40: Long Drive, golf’s distant relative explorebigsky explorebigsky #explorebigsky ON THE COVER: Photographer Jen McFarlane, on a road trip from Cedar Falls, Iowa, captures the morning light at Ousel Falls in Big Sky on April 28, en route to Yellowstone National Park. PHOTO BY WES OVERVOLD May 1 – May 14, 2015 Volume 6, Issue No. 9 Owned and published in Big Sky, Montana TABLE OF CONTENTS PUBLISHER Eric Ladd Section 1: News EDITORIAL Loved to death: MANAGING EDITOR Outlaw News...................................................................4 Joseph T. O’Connor Ousel Falls Trail Local..................................................................................5 SENIOR EDITOR/ DISTRIBUTION DIRECTOR Regional.........................................................................15 Tyler Allen ASSOCIATE EDITOR Section 2: Environment, Business, Maria Wyllie Sports, and Health CREATIVE CREATIVE DIRECTOR Environment..................................................................17 Kelsey Dzintars Business........................................................................20 GRAPHIC DESIGNER Taylor-Ann Smith Sports.............................................................................24 VIDEO DIRECTOR Health.............................................................................30
    [Show full text]
  • The Chorus Girl and Other Stories
    CORNELL UNIVERSITY LIBRARY CORNELL UNIVERSITY LIBRARY Cornell University Library The original of tliis bool< is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924077101149 THE TALES OF CHEKHOV VOL. VIII THE CHORUS GIRL AND OTHER STORIES THE MACMILLAN COMPANY mw YORK • BOSTON • CHICAGO • VALLAS ATLANTA • SAN FRANCISCO MACMILLAN & CO., Lihitbd LONDON • BOMBAY • CALCUTTA MBLBOURNB THE MACMILLAN CO. OF CANADA, Im. TOXONTO THE CHORUS GIRL AND OTHER STORIES BY ANTON CHEKHOV ^ PROM THE RUSSUN BY CONSTANCE GARNETT J13eto gorfe THE MACMILLAN COMPANY 1920 All rights reserved COPYBiaET, 1920, bt the macmillan company Get up and electrotyped. Published, March, 1920 CONTENTS PAGE The Chorus Girl . 3 Verotchka 15 My Life 37 At a Country House • • i73 A Father 187 On the Road 201 Rothschild's Fiddle 227 Ivan Matveyitch 245 Zinotchka 257 Bad Weather 269 A Gentleman Friend 279 A Trivial Incident . .. 287 THE CHORUS GIRL THE TALES OF CHEKHOV THE CHORUS GIRL One day when she was younger and better-looking, and when her voice was stronger, Nikolay Petro- vitch Kolpakov, her adorer, was sitting in the outer room in her summer villa. It was intolerably hot and stifling. Kolpakov, who had just dined and drunk a whole bottle of inferior port, felt ill- humoured and out of sorts. Both were bored and waiting for the heat of the day to be over in order to go for a walk. All at once there was a sudden ring at the door. Kolpakov, who was sitting with hisj coat off, in his slippers, jumped up and looked inquiringly at Pasha.
    [Show full text]
  • Lisa Mcshane “Fluid Reflection” October 1-31, 2021
    TM Lisa McShane • “Ocean,” oil on linen on wood panel, 48 x 40 inches Smith & Vallee Gallery • Edison, Washington Lisa McShane “Fluid Reflection” October 1-31, 2021 Volume 30 September • October 2021 Number 5 www.ArtAccess.com ART ACCESS THE NORTHWEST GUIDE TO ART Volume 30 Number 5 CONTENTS Features FEATURES Fulgencio Lazo | ArtXchange Gallery …Susan Noye Platt 6 Dan Friday, Preston Singletary, & Raven Skyriver Stonington Gallery …Chloé Dye Sherpe 8 “2 Gather” | studio e …Edie Everette 10 Kurt Solmssen | Bainbridge Island Museum of Art …Tom McDonald 12 VISUAL ART Lisa McShane • “Samish: Therese’s Beach” Listings oil on canvas, 30 x 24 inches Anacortes • Bainbridge Island, WA 15 Smith & Vallee Gallery • Edison, WA Bellingham • Camano Island, WA 18 Edison, WA 19 “Artists see what others only catch a glimpse of.” Edmonds • Everett • Friday Harbor, WA 20 Gig Harbor, WA 21 – Leonardo da Vinci Kingston • Kirkland, WA 22 Italian painter, sculptor, architect (1452-1519) La Conner • Lake Forest, WA 23 Langley, WA 24 Front Cover: Lynden • Mercer Island, WA 25 Mount Vernon, WA 26 Lisa McShane • “Ocean” oil on linen on wood panel, 48 x 40 inches Ocean Shores • Olympia, WA 27 Smith & Vallee Gallery • Edison, WA Port Orchard • Port Townsend, WA 28 Poulsbo, WA 29 Melissa Broersma | Pieter VanZanden Seattle, WA • Ballard • Columbia City • Downtown 30 September 3-26, 2021 • First Hill • Georgetown 32 Meet & Greet: • International District • Pioneer Square 33 Saturday, September 4, 3-5 P.M. • Shoreline • University District 38 • • • Sequim • Stanwood • Tacoma 39 Lisa McShane MAPS Maps “Fluid Reflection” Bainbridge Island, WA 15 October 1-31, 2021 Mercer Island, WA 26 Poulsbo, WA 29 Meet & Greet: Downtown Seattle, WA 30 Saturday, October 2, 3-5 P.M.
    [Show full text]
  • Leon Edel the Visitable Past.Pdf
    THE VISITABLE PAST: A WARTIME MEMOIR Leon Edel, Honolulu, 1978, standing beside a portrait drawn by Canadian artist Louis Muhlstock in Paris in 1931 (photo by Barbara Hall). THE VISITABLE PAST A WARTIME MEMOIR LEON EDEL A BIOGRAPHY MONOGRAPH PUBLISHED FOR THE BIOGRAPHICAL RESEARCH CENTER BY THE UNIVERSITY OF HAWAI‘I PRESS 2001 CONTENTS vii © 2001 Biographical Research Center FOREWORD ix All rights reserved ACKNOWLEDGMENTS Printed in the United States of America INTRODUCTION xi ONE: TRANSFORMATIONS 01 02 03 04 05 5 4 3 2 PART 3 I Am Drafted Fort Eustis: Soldiering 11 Camp Ritchie: Military Intelligence 14 Camp Sharpe: Psychological Warfare 22 Library of Congress Cataloging-in-Publication Data PART TWO: NORMANDY Convoy and Landfall 29 Edel, Leon, 1907—1997 Omaha Beach and an Orchard 34 a wartime memoir / Leon Edel. 38 The visitable past : A Month in the Country — monograph) 50 p. cm. (A Biography Liberating Brittany — (pbk. : alk. paper) ISBN 0—8248—2430—X (cloth : alk. paper) ISBN 0—8248—2431—8 PART THREE: ENTERING PARIS 1. Edel, Leon, 1907— 2. World War, 1939—1945—Personal narratives, American. 3. A Hermitage at Montigny 61 States. Army—Biography. 4. WorLd War, 1939—1945—Psychological aspects. 5. United A Pause at Rambouillet 70 945—Campaigns—france. I. University of Hawaii at Manoa. World War, 1939—1 A Night in the Prefecture 75 Biographical Research Center. II. Title. III. Series. The Hotel Scribe 81 Gaulle Triumphant 86 D811.E29A3 2000 Dc Musings and Memories 94 940.54’2 14’092—dc2 1 Carnival Without Masks 98 [B] Miller and the Place de la Bourse 101 00-069068 Captain Liane and Her Companions 108 PART FOUR: BOULEVARD WINTER 123 p In the rue d’Aguesseau Behind the Lines 126 Searching for Sylvia Beach 129 Edith’s Lover in Old Age: 138 University of Hawai’i Press books are printed on acid-free paper Encounters with W.
    [Show full text]
  • RCA Victor 12 Inch Popular Series LPM/LSP 1900-2199
    RCA Discography Part 7 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Victor 12 Inch Popular Series LPM/LSP 1900-2199 LPM/LSP 1900 – The Keys and I – Eddie Heywood [1959] St. Louis Blues/Hurricane/Witchcraft/Virgin Isle Vamp/All The Way/Caravan In The Night/Rendezvous/The Piccolino/Madeira/Cappuccino/Pom- Pom/Land Of Dreams LPM/LSP 1901 – Kathryn Kuhlman Concert Choir – Kathryn Kuhlman Concert Choir [1959] The Battle Hymn Of The Republic/Holy, Holy, Holy/Do Lord/The Seven Last Words Of Christ: The Third Word, The Fifth Word/Praise Ye The Lord/Inflammatus/Set Down Servant/Seek The Lord, O My Soul/Messiah: Hallelujah Chorus LPM 1902 LPM/LSP 1903 – Princeton Seminary Choir – Princeton Seminary Choir, Directed by David Hugh Jones [1959] O Holy Father/The Spacious Firmament On High/He That Dwelleth In The Secret Place/Confitemini Domino/My Shepherd Will Supply My Need/Hear My Prayer, O God/Jesus, Gentle Babe/Were You There?/Rise Up, O Men Of God/Subdue Us Through Thy Kindness/A Mighty Fortress Is Our God/How Beautiful Upon The Mountains/O God Of Earth And Altar/With Heart Uplifted/O Come, O Come, Emmanuel/I Wonder As I Wander/Go Tell It On The Mountain/O Sons And Daughters, Let Us Sing! LPM/LSP 1904 – Wish You Were Here – Hugo Winterhalter [1959] On A Slow Boat To China/Paris In The Spring/Summertime In Venice/Love Letters In The Sand/Moonlight In Vermont/Around The World/Sleigh Ride/Autumn In New York/You're So Far Away Blues/Romance In Majorca/Sentimental Journey/Wish You Were Here LPM/LSP 1905 – Two Sides
    [Show full text]