Names in Multi-Lingual
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Lapp 1 the Victorian Pseudonym and Female Agency Research Thesis
Lapp 1 The Victorian Pseudonym and Female Agency Research Thesis Presented in partial fulfillment of the requirements for graduation with research distinction in English in the undergraduate colleges of The Ohio State University by Anna Lapp The Ohio State University April 2015 Project Advisor: Professor Robyn Warhol, Department of English Lapp 2 Chapter One: The History of the Pseudonym Anonymity disguises information. For authors, disguised or changed names shrouds their circumstance and background. Pseudonyms, or pen names, have been famously used to disguise one’s identity. The word’s origin—pseudṓnymon—means “false name”. The nom de plume allows authors to conduct themselves without judgment attached to their name. Due to an author’s sex, personal livelihood, privacy, or a combination of the three, the pen name achieves agency through its protection. To consider the overall protection of the pseudonym, I will break down the components of a novel’s voice. A text is written by a flesh-and-blood, or actual, author. Second, an implied author or omnipresent figure of agency is present throughout the text. Finally, the narrator relates the story to the readers. The pseudonym offers freedom for the actual author because the author becomes two-fold—the pseudonym and the real person, the implied author and the actual author. The pseudonym can take the place of the implied author by acting as the dominant force of the text without revealing the personal information of the flesh-and-blood author. Carmela Ciuraru, author of Nom de Plume: A (Secret) History of Pseudonyms, claims, “If the authorial persona is a construct, never wholly authentic (now matter how autobiographical the material), then the pseudonymous writer takes this notion to yet another level, inventing a construct of a construct” (xiii-xiv). -
Issues in the Linguistics of Onomastics
Journal of Lexicography and Terminology, Volume 1, Issue 2 Issues in the Linguistics of Onomastics By Vincent M. Chanda School of Humanities and Social Science University of Zambia Email: mchanda@@gmail.com Abstract Names, also called proper names or proper nouns, are very important to mankind that there is no human language without names and, for some types of names, there are written or unwritten naming conventions. The social importance of names is also the reason why onomastics, the study of names, is a multidisciplinary field. After briefly discussing the multidisciplinary nature of onomastics, the article proves the following view stated and proved by many a scholar: proper names have a grammar that includes some grammatical features of common nouns. In so doing, the article shows that, like common nouns, proper names show cross linguistic differences. To prove that names do have a grammar which in some aspects differs from the grammar of common nouns, the article often compares proper names and common nouns. Furthermore, the article uses data from several languages in addition to English. After a bief discussion of orthographic differences between proper names and common nouns, the article focuses on the morphology, both inflectional and lexical, and the syntax of proper names. Key words: Name, common noun, onomastics, multidisciplinary, naming convention, typology of names, anthroponym, inflectional morphology, lexical morphology, derivation, compounding, syntac. 67 Journal of Lexicography and Terminology, Volume 1, Issue 2 1. Introduction Onomastics or onomatology, is the study of proper names. Proper names are terms used as a means of identification of particular unique beings. -
Literary Terms-Key
Malcolm Literary Terms ________________________ English 11 Name 1. Allegory – A story with 2 levels of meaning: literal and symbolic 2. Alliteration – Repetition of a consonant sound at beginning of words. 3. Allusion – Reference to well-known people, places, events, work of literature, etc. 4. Ambiguity – When a statement contains 2 or more possible meanings. (“I promise I’ll give you a ring tomorrow.”) 5. Ambivalence – The state of having 2 opposing feelings toward a person or thing at the same time. (“Can’t live with you, can’t live without you.”) 6. Analogy – The comparison of a new idea to a well-known idea to aid in comprehension 7. Anecdote – A brief story about an interesting, unusual, or humorous event 8. Antagonist – Character or force in conflict with the main character. (The Joker, The Green Goblin) 9. Antanaclasis – Stylistic repetition of a word utilizing different definitions of the word each time (“We must all hang together, or assuredly we will all hang together.”) 10.Antithesis – The use of phrases with opposite meanings in close conjunction. (“One small step for man; one giant leap for mankind.”) 11.Aphorism – A general truth or observation about life, often witty. (An apple a day keeps the doctor away.) 12.Apostrophe – figure of speech in which the writer directly addresses the reader or an absent/abstract idea. (Build thee more stately mansions, oh my soul.) 13.Aside – In drama, a short passage that an actor speaks to the audience and the other characters pretend they cannot hear. 14.Assonance – repetition of vowel sounds. (Ashley asked for applesauce after her anchovies.) 15.Autobiography – Work of nonfiction in which the author writes about his/her own life. -
COPYRIGHT in PSEUDONYMOUS and ANONYMOUS WORKS Ronan Deazley and Kerry Patterson
COPYRIGHT IN PSEUDONYMOUS AND ANONYMOUS WORKS Ronan Deazley and Kerry Patterson 1. Introduction The use of pseudonyms has a long-standing tradition in newspaper and magazine publishing. The Economist, for example, operates a well-established practice of editorial anonymity in that all of their columnists publish under pseudonyms such as Bagehot, Lexington and Schumpeter.1 This Guidance explains what is stated in the law about the authorship of works made under a pseudonym, and about the ownership of copyright in works created both anonymously and under a pseudonym, and considers the implications these presumptions have for rights clearance projects. 2. In Practice If the name of the publisher appears How is the work credited? on the work, the publisher is It is anonymous presumed to be the owner of the copyright until there is evidence to the contrary. A pseudonym is used No The author is presumed to be the owner of the copyright – ownership Is the author commonly of copyright depends on relationship Yes known by this pseudonym? between author and publisher Ask the publisher for information on Don’t Know the author, but if they cannot provide this information, the publisher is presumed to be the copyright owner. Within the pages of the Edwin Morgan Scrapbooks examined as part of this research project, there is one letter, cut from a newspaper letters page, which has been published under a pseudonym: Navigator. In it, the writer relates the experience of seeing a mysterious ‘aircraft’/UFO over Glasgow. So, what do the legal presumptions -
Root Definition Examples Origin Sed Sit Sedentary, Sediment, Sedan
Word Within the Word List #8 Root Definition Examples Origin sed sit sedentary, sediment, sedan, sedative, sedate, Latin supersede, assiduous, insidious leg read legible, legend, illegible, legendary, legibility, Latin alleged anim mind equanimity, animal, animated, magnanimous Latin tort twist contorted, torture, retort, distort, tortilla Latin nym name homonym, acronym, pseudonym, Greek anonymous sanct holy sanctity, sanctimonious, sanctuary, Latin unsanctioned, sanctify meta change metamorphosis, metaphor, metaphysics, Greek metabolism petr rock petrify, petroleum, petroglyph, petrochemical Latin mir wonder miracle, mirage, mirror, admire Latin man hand manual, manicure, manipulate, manacles Latin rect right correct, rectify, direct, rectangle, erect Latin volv roll revolve, involved, convoluted, revolution Latin demi half demigod, demitasse, demimonde, demirep Latin retro backward retroactive, retrogress, retrospection, retrofit Latin sens feel sense, sensitive, sensation, sensory, Latin extrasensory, insensate fy make fortify, rectify, horrify, solidify, transmogrify, Latin sanctify, pacify ocul eye binocular, monocular, ocular, oculist, Latin oculomotor nerve, oculometer cur care for cure, curator, curative, cure-all, sinecure, Latin secure, curate ultra beyond ultramarine, ultraconservative, ultraviolet Latin oid appearance android, asteroid, adenoid Greek gest carry gestation, digest, ingest, congestion, gesture Latin apt fit adapt, aptitude, maladapted, adaptation Latin tact touch tactile, contact, tactful, intact Latin voc voice vocal, sotto voce, invocation, vocabulary Latin rid laugh ridicule, deride, ridiculous, derision Latin Word Within the Word List #8 Using the context clues from the sentence and your understanding of the root, define the underlined words in the following sentences. 1. His sedentary job left him weak and out of shape. 2. The college student’s handwriting was illegible. 3. The bitter animosity made him lose his equanimity. -
Stakeholder Expectations of Islamic Education
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 6-8-2018 Stakeholder Expectations of Islamic Education Julia Marie Ahmed Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Educational Leadership Commons, and the Islamic Studies Commons Let us know how access to this document benefits ou.y Recommended Citation Ahmed, Julia Marie, "Stakeholder Expectations of Islamic Education" (2018). Dissertations and Theses. Paper 4395. https://doi.org/10.15760/etd.6279 This Dissertation is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Stakeholder Expectations of Islamic Education by Julia Marie Ahmed A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Education in Educational Leadership: Curriculum and Instruction Dissertation Committee: Susan Lenski, Chair Swapna Mukhopadhyay Dannelle Stevens Sharon Carstens Portland State University 2018 © 2018 Julia Marie Ahmed STAKEHOLDER EXPECTATIONS OF ISLAMIC EDUCATION i Abstract Teachers and parents make considerable sacrifices to affiliate themselves with Islamic schools. As they commit to Islamic education, they acquire certain expectations that they want their school to fulfill. The purpose of this study was to explore the academic, social, and cultural expectations -
USA V. Ishmael Jones: Govt Motion to Name Defendant by Pseudonym
IN THE UNITED STATES DISTRICT COURT FILED FOR THE EASTERN DISTRICT OF VIRGINIA ALEXANDRIA DIVISION 2010 JUL -^ P 3s U"l UNITED STATES OF AMERICA, ) ) Civil Action No. Plaintiff, ) ) v. ) ) ISHMAEL JONES, a pen name, ) ) Defendant. ) PLAINTIFF UNITED STATES1 MOTION FOR IMMEDIATE RELIEF TO NAME DEFENDANT BY PSEUDONYM Plaintiff the United States, acting through undersigned counsel, moves the Court for an Order granting it permission to sue defendant by the pseudonym under which he published a book. Defendant is a former covert officer for the Central Intelligence Agency ("CIA") whose affiliation with the CIA remains classified. The United States requests permission to sue him in pseudonym to protect from public disclosure defendant's affiliation with the CIA. Consistent with this request, the United States also requests that the Court order that the parties and any third party who makes a filing in this case shall redact defendant's true name and any identifying information from all documents filed on the public record, and that service of the complaint be made by a Deputy United States Marshal. In support of this Motion, the attention of the Court is respectfully invited to the Memorandum filed herewith and Declaration of Ralph S. DiMaio, Information Review Officer, National Clandestine Service, Central Intelligence Agency, filed herewith. Dated: Respectfully Submitted, TONY WEST NEIL H. MACBRIDE Assistant Attorney General United States Attorney VINCENT M. GARVEY Deputy Branch Director Federal Programs Branch By: MARCIA BERMAN KEVIN J.MlKOLASHEK Senior Counsel Assistant United States Attorney Federal Programs Branch 2100 Jamieson Avenue U.S. Department of Justice Alexandria, VA 22314 20 Massachusetts Ave., N.W. -
Names of Chinese People in Singapore
101 Lodz Papers in Pragmatics 7.1 (2011): 101-133 DOI: 10.2478/v10016-011-0005-6 Lee Cher Leng Department of Chinese Studies, National University of Singapore ETHNOGRAPHY OF SINGAPORE CHINESE NAMES: RACE, RELIGION, AND REPRESENTATION Abstract Singapore Chinese is part of the Chinese Diaspora.This research shows how Singapore Chinese names reflect the Chinese naming tradition of surnames and generation names, as well as Straits Chinese influence. The names also reflect the beliefs and religion of Singapore Chinese. More significantly, a change of identity and representation is reflected in the names of earlier settlers and Singapore Chinese today. This paper aims to show the general naming traditions of Chinese in Singapore as well as a change in ideology and trends due to globalization. Keywords Singapore, Chinese, names, identity, beliefs, globalization. 1. Introduction When parents choose a name for a child, the name necessarily reflects their thoughts and aspirations with regards to the child. These thoughts and aspirations are shaped by the historical, social, cultural or spiritual setting of the time and place they are living in whether or not they are aware of them. Thus, the study of names is an important window through which one could view how these parents prefer their children to be perceived by society at large, according to the identities, roles, values, hierarchies or expectations constructed within a social space. Goodenough explains this culturally driven context of names and naming practices: Department of Chinese Studies, National University of Singapore The Shaw Foundation Building, Block AS7, Level 5 5 Arts Link, Singapore 117570 e-mail: [email protected] 102 Lee Cher Leng Ethnography of Singapore Chinese Names: Race, Religion, and Representation Different naming and address customs necessarily select different things about the self for communication and consequent emphasis. -
Authors Pseudonyms in the Seventeenth Century: the Case of Gaspar Scioppio
AUTHORS PSEUDONYMS IN THE SEVENTEENTH CENTURY: THE CASE OF GASPAR SCIOPPIO Eustaquio Sánchez Salor The use of pseudonyms has a long history, but the seventeenth century is its quintessential century. This article will not go into the history of the literary pseudonym through this century, but I must, however, point out that among the reasons that have been given to explain the general use of the pseudonym, the fundamental one during the seventeenth century is to hide the real name, which may be considered praiseworthy, unlike the work headed by the pseudonym. That is, the pseudonym is used when the author writes something that either the author or his readers consider unworthy of his abilities. The author writes what his conscience encour- ages him to write, but that in his opinion does not enhance the fame of the real name. Such is the case with many clergymen and other good people of the seventeenth century who write reviews and satires that are unworthy of their social position and name. To avoid the clash between the work and the name of the author, they resort to the use of a pseudonym. A sig- nificant case is that of Jean-Baptiste Poquelin; as the son of a Parisian furniture merchant and the king’s upholsterer (“valet de chambre”), he was part of the Parisian bourgeoisie. In 1642 he graduated from the Uni- versity of Orleans as a lawyer, a profession that he never practised but which was useful for him to draw upon the plots of some of his works. In 1643, when he was twenty-one years old, he abandoned his middle-class past and decided to devote his life to the theater. -
Nameauth — Name Authority Mechanism for Consistency in Text and Index∗
nameauth — Name authority mechanism for consistency in text and index∗ Charles P. Schaum† Released 2021/02/27 Abstract The nameauth package automates the correct formatting and indexing of names for professional writing. This aids the use of a name authority and the editing process without needing to retype name references. Contents 1 Quick Start2 2.7.2 Advanced Features.. 54 1.1 Introduction..........2 2.8 Name Decisions........ 57 1.2 How to Use the Manual...3 2.8.1 Making Decisions... 58 1.3 Task Dashboard.......4 2.8.2 Testing Decisions... 61 1.4 Basic Name Concepts....5 2.9 Alternate Name Macros... 64 1.5 Basic Interface........6 2.10 Longer Examples....... 67 1.6 Quick Interface........9 2.10.1 Hooks: Intro..... 67 1.7 Macro Overview....... 12 2.10.2 Hooks: Life Dates.. 68 1.8 Various Hints......... 13 2.10.3 Hooks: Advanced... 69 2.10.4 Customization.... 77 2 Detailed Usage 17 2.11 Technical Notes........ 79 2.1 Package Options....... 17 2.11.1 General........ 79 2.2 Naming Macros........ 21 2.11.2 Package Warnings.. 80 2.2.1 \Name and \Name* .. 21 2.11.3 Debugging/Errors.. 81 2.2.2 Forenames: \FName .. 22 2.11.4 Obsolete Syntax... 84 2.2.3 Variant Names.... 23 2.11.5 Name Patterns.... 85 2.3 Language Topics....... 25 2.11.6 Active Unicode.... 86 2.3.1 Affixes......... 25 2.11.7 LATEX Engines.... 88 2.3.2 Listing by Surname. 26 2.3.3 Eastern Names.... 26 3 Implementation 91 2.3.4 Particles....... -
Dalia Abdelwahab Audio Feature Final Script 1 SCRIPT
Dalia Abdelwahab Audio Feature Final Script SCRIPT: “Nice Name! Where’d You Get That From?” Dalia Abdelwahab April 2020 You can’t choose your name… Or can you? This is a collection of stories behind various individuals’ names, whether they are their preferred names or birth names. MUSIC: Sad royalty-free music (0-2 seconds) Music gets interrupted by a voice blurting out: “We interrupt our program to bring you this special report.” The sound of lyrics from Eminem‟s “My Name Is” is heard. “Hi! My name is (what?) My name is (who?)” Nat sound: People introducing themselves. “Hey; I‟m Sara.” “Hi; my name is Mohamed Lotfy.” “Hey! It‟s Aya.” You can’t choose your name… Or can you? Some of us simply go by their given names, and others have aliases. As for me, it’s a complicated story, my real name... Hala El-Said (HE): “In Lithuania, it means “the goddess of fate or luck”.” (length of the SB) That’s my mom, Hala El-Said, whom I’d rather have call me “Lia.” It’s a long story I’m willing to tell you, but first: A quick linguistics class. Mom, why is my real name spelled D-A-L-I-A, not D-A-H-L-I- A? HE: “Well, in the Egyptian passport, they write the name of its bearer both in English and Arabic, and they have official translations for every name. The official translation in Egypt for Dalia is D-A-L-I-A. And, the, also this spelling is in French, Spanish, German, and Italian, only English that has an H with it. -
A Study of How Myanmar Authors Take a Pen-Name
A Study of How Myanmar Authors Take a Pen-name Khin Thida Latt Abstract It is found what foreign authors write under a pseudonym is rare and they become famous for their real names. And, some also use a pen-name so that they may want to be secret themselves and with another name, they may want to create literature different from one they get used to writing. Nevertheless almost all Myanmar authors take a pen-name. It is very interesting for researchers even how began the practice Myanmar authors write under the pseudonym. The objective of this paper is to make researchers and librarians know how the Myanmar authors in the history of Myanmar literature used their interesting pen-name. This research covers (45) selected Myanmar authors take a pen-name. The method used in this paper is literature survey method. Key words: pseudonym; rare; real name; pen-name. Introduction Tetkatho Htin Gyi is the foremost author who wrote about pen-names in Myanmar literature. Saya Tetkatho Htin Gyi was the last chairman for Burma Research Society (1980), Director of Sarpay Beikman, National Literature Laureate for 1992, life time Achievement in Myanmar Literature by the Pakkoku U Ohn Pe literary prize laureate (Arts) (2003). He wrote pseudonym of Tetkatho Htin Gyi in the journal of Burma Writers Association, Vol.3. According to his friend‟s question how to get his pen-name, he explained about it and he was interested in pen-names. It is presented in this paper how the (45) writers took their pen-names differently. In the paper, the pen-names of (45) writers