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Lightning in a Bottle
LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved. -
Identification and Analysis of Wes Montgomery's Solo Phrases Used in 'West Coast Blues'
Identification and analysis of Wes Montgomery's solo phrases used in ‘West Coast Blues ’ Joshua Hindmarsh A Thesis submitted in fulfillment of requirements for the degree of Masters of Music (Performance) Sydney Conservatorium of Music The University of Sydney 2016 Declaration I, Joshua Hindmarsh hereby declare that this submission is my own work and that it contains no material previously published or written by another person except for the co-authored publication submitted and where acknowledged in the text. This thesis contains no material that has been accepted for the award of a higher degree. Signed: Date: 4/4/2016 Acknowledgments I wish to extend my sincere gratitude to the following people for their support and guidance: Mr Phillip Slater, Mr Craig Scott, Prof. Anna Reid, Mr Steve Brien, and Dr Helen Mitchell. Special acknowledgement and thanks must go to Dr Lyle Croyle and Dr Clare Mariskind for their guidance and help with editing this research. I am humbled by the knowledge of such great minds and the grand ideas that have been shared with me, without which this thesis would never be possible. Abstract The thesis investigates Wes Montgomery's improvisational style, with the aim of uncovering the inner workings of Montgomery's improvisational process, specifically his sequencing and placement of musical elements on a phrase by phrase basis. The material chosen for this project is Montgomery's composition 'West Coast Blues' , a tune that employs 3/4 meter and a variety of chordal backgrounds and moving key centers, and which is historically regarded as a breakthrough recording for modern jazz guitar. -
Fender Players Club Blues Bass
FENDER PLAYERS CLUB BLUES BASS TAGS & TURNAROUNDS A couple of features that have come into widespread use in playing the blues are "tags" and "turnarounds." TAGS A tag is simply a section, generally four bars, that’s repeated in order to prolong the blues, often to build excitement prior to the ending. In a live situation, tags can sometimes go on practically forever. Singers and instrumentalists alike use tags all the time. A typical performance (live or recorded) will adhere to the following sequence of events: 1. Introduction 2. Melody (played or sung) 3. Solos (generally the longest section, especially if it’s a large band) 4. Repetition of melody 5. Ending As a bass player, you need to be on your toes, watching (and listening!), especially after the reprise of the melody. If there is a tag, it’s going to be just before the ending. Sometimes there’s just no telling how long it will last. You need to be alert here, too, because you never know when the leader or singer will be ready to end the song. (Sometimes you may even wonder if they’ll ever be ready!) Here are a few tags to give you an idea of how they are used. The first four bars in each of the following selections represent the last four bars of a twelve-bar blues, in other words, measures 9-12. The tag section is played an indefinite number of times. See if you can get a friend to play the chords on guitar or keyboard so you can jam along. -
A Sampler of Blues Musicians and Styles, 1903 - 1964
Teacher’s Guide: THE BLUES - A SAMPLER OF BLUES MUSICIANS AND STYLES, 1903 - 1964 WITH ROBERT JONES B-5; 21:17 MIN At the end of the video, “The Blues - A Sampler of Significant Blues Musicians, 1903-1964” the students will be able to: Identify who is considered the Father of the Blues and explain why. Name two female blues artist important in the 1920s and explain why. Identify the world-known blues/ jazz musician from Davenport, Iowa who recorded the song “Davenport Blues. Explain what kind of blues music was considered City Blues. Identify great musicians who played City Blues and explain what they were known for. 2 THE BLUES – A SAMPLER OF BLUES MUSICIANS AND STYLES, 1903 – 1964 Video: Video: W.C. Handy because he discovered blues music being played Mamie Smith was the first female to record blues music in in the South, rather than inventing it. 1920. Bessie Smith dominated the blues music scene in the 1920s. 3 THE BLUES – A SAMPLER OF BLUES MUSICIANS AND STYLES, 1903 – 1964 Video: Blues music commonly played by a band that included an electric guitar. Video: Bix Beiderbecke who had a band that recorded under the name “Bix & His Rhythm Jugglers.” Video: T-Bone Walker was known as one of the greatest blues gui- tarists and singers. Muddy Waters was known equally well for Answers to Multiple Choice Quiz: his singing and playing and for his expertise at playing slide 1. C 2. D 3. A 4. B 5. D guitar. Big Mama Thornton, known for, among other things, an early recording of “Hound Dog.” 4 THE BLUES – A SAMPLER OF BLUES MUSICIANS AND STYLES, 1903 – 1964 Additional Learning, from Robert Jones Women in the Blues: Gertrude “Ma” Rainey (1886-1939) was the first blues singer to tour, which is why she is called the “Mother of the Blues.” Mamie Smith, by being the first blues artist to record, opened the door for the many artists that W.C. -
African Music: a Sound of Dissent
Quest Journals Journal of Research in Humanities and Social Science Volume 7 ~ Issue 2 (2019)pp.:35-37 ISSN(Online):2321-9467 www.questjournals.org Research Paper African Music: A Sound of Dissent Dr. Susan Mathew Dept. of English Cms College , Kottayam ABSTRACT:In the postcolonial world, the musical outpourings of the Africans amidst precarity is a note of dissent to the political and social upheaval. This paper attempts to argue that the African music starting all the way from negro spirituals that resulted from their folk tradition and their slavery, is indeed a sound of resistance against the hardships that they faced during colonisation. Though the tone is of dissent, this musical movement bridges powerful divides across cultural and racial borders. As a result, people across the globe enjoys the rhythm without any barriers or boundaries. The music of the slaves has enslaved the minds of many. The power of music steers a middle course between the slaves and the political/social upheavals. Thus, the African music has travelled quite long in the musical world giving rise to many bands and artists. This paper argues the ‘work songs’ a type of negro spirituals as a social protest to the precarity of their times. Songs become a rhythmic resistance to ease their heavy burden as slaves. “Follow the drinking gourd….for your way to freedom.’ Received 25 February, 2019; Accepted 18 March, 2019 © the Author(S) 2019. Published With Open Access At www.Questjournals.Org I. INTRODUCTION „Music speaks louder than words‟ African proverb Music is indeed a vital part of every single soul in Africa. -
Essential Blues Discography
ESSENTIAL BLUES DISCOGRAPHY ESSENTIAL BLUES DISCOGRAPHY Edited by Francesco Piccolo First Edition July2015 Second Edition May 2016 Third Edition October 2016 Reference Book Francesco Piccolo - STORIA DEL BLUES - Gli Eventi, gli Stili, i Protagonisti Web Site www.thesixstrings.com This Book is available for free download at www.thesixstrings.com Contents 1 PREFACE .......................................................................................... 3 2 WORK SONGS, BALLADS, SPIRITUALS, MINSTREL SONGS ..... 5 3 COUNTRY BLUES ............................................................................ 7 4 CLASSIC BLUES ERA .................................................................... 13 5 URBAN BLUES ............................................................................... 15 6 RHYTHM AND BLUES, ROCK 'N' ROLL ,SOUL, FUNK ................ 25 7 ROCK BLUES ................................................................................. 33 1 PREFACE The following discography has no pretensions of completeness but just wants to be a guide providing suggestions to understand the various styles of Blues. For a more complete discography please refer to the discographies of individual artists, sites and specialized publications. 3 4 2 WORK SONGS, BALLADS, SPIRITUALS, MINSTREL SONGS BALLADS Ol'Riley Frankie and Albert "Ballad of John Henry Midnight Special SPIRITUALS Go down Moses Steal Away to Jeasus Nobody knows the trouble I've seen Deep River Swing Low, Sweet Chariot Shout for Joy Joshua Fit the Battle of Jerico The Great Camp -
A Brief History of the Blues
A Brief History Of The Blues By ED KOPP August 16, 2005 Sign in to view read count View All 1 2 Next » When you think of the blues, you think about misfortune, betrayal and regret. You lose your job, you get the blues. Your mate falls out of love with you, you get the blues. Your dog dies, you get the blues. While blues lyrics often deal with personal adversity, the music itself goes far beyond self-pity. The blues is also about overcoming hard luck, saying what you feel, ridding yourself of frustration, letting your hair down, and simply having fun. The best blues is visceral, cathartic, and starkly emotional. From unbridled joy to deep sadness, no form of music communicates more genuine emotion. The blues has deep roots in American history, particularly African- American history. The blues originated on Southern plantations in the 19th Century. Its inventors were slaves, ex-slaves and the descendants of slaves—African-American sharecroppers who sang as they toiled in the cotton and vegetable fields. It's generally accepted that the music evolved from African spirituals, African chants, work songs, field hollers, rural fife and drum music, revivalist hymns, and country dance music. The blues grew up in the Mississippi Delta just upriver from New Orleans, the birthplace of jazz. Blues and jazz have always influenced each other, and they still interact in countless ways today. Unlike jazz, the blues didn't spread out significantly from the South to the Midwest until the 1930s and '40s. Once the Delta blues made their way up the Mississippi to urban areas, the music evolved into electrified Chicago blues, other regional blues styles, and various jazz-blues hybrids. -
Al King & Arthur K Adams
AL KING & ARTHUR K ADAMS: Together – The Complete Kent and Modern Recordings Ace CDCHD 1292 (58:58) AL KING: My Name Is Misery/ Ain't Givin' Up Nothin'/ Better To Be By Yourself/ It's Getting Late/ The Thrill Is Gone/ Bad Understanding*/ The World Needs Love/ Lovin' You*/ I Still Care For You*/ Get Lost/ Without A Warning/ Maybe My Last Song*: ARTHUR K ADAMS: She Drives Me Out Of My Mind/ Gimme Some Of Your Lovin'/ I Need You/ I'm Lonely For You/ Let Your Hair Down/ You Make Me Cry*/ I Need You (alt)/ (& EDNA WRIGHT) Let's Get Together**/ (& MARY) Is That You** (* = previously unissued; ** = alternate take) This is a tale of two talented blues artists who arrived on the scene just a little too late. Well... in the case of Arthur K Adams it is, although in the case of Al King, getting to an influential label just a little too late is perhaps a more accurate description. Vocalist and Louisianan, Al Smith, born in 1926, located to the West Coast after WWII, first to Los Angeles and then to Oakland, where from 1951 through to the early sixties he had a number of single releases on small label enterprises. It wasn't until the mid sixties however before he had anything like a hit, and after he'd changed his nom de disque to Al King, this was with 'Think Twice Before You Speak', first issued on his own Flag imprint and then leased to the New York Sahara label (initially Sahara's owner, a record distributor, wanted copies of the Flag release, but when Al couldn't afford to have them pressed, he leased the tracks). -
The New World Blues Five New Album Reviews Order Today Click Here! Four Print Issues Per Year
ALASTAIR GREENE The New World Blues Five New Album Reviews Order Today Click Here! Four Print Issues Per Year Every January, April, July, and October get the Best In Blues delivered right t0 you door! Artist Features, CD, DVD Reviews & Columns. Award-winning Journalism and Photography! Order Today ALASTAIR GREENE Click THE NEW WORLD BLUES Here! H NEW ALBUM H Produced by Tab Benoit for WHISKEY BAYOU RECORDS Available October 23, 2020 “Fronting a power blues-rock trio, guitarist Alastair Greene breathes in sulfuric fumes and exhales blazing fire.” - Frank John Hadley, Downbeat Magazine “Greene is a no frills rock vocalist. His fiery solos prove him a premier shredder who will appeal to fans of Walter Trout, Joe Bonamassa, and Albert Castiglia.” - Thomas J Cullen III, Blues Music Magazine “On THE NEW WORLD BLUES, Alastair makes it clear why he is a ‘guitar player’s guitar player,’ and this recording will surely leave the Alastair Greene stamp on the Blues Rock World.” - Rueben Williams, Thunderbird Management, Whiskey Bayou Records alastairgreene.com whiskeybayourecords.com BLUES MUSIC ONLINE November 11, 2020 - Issue 21 Table Of Contents 06 - ALASTAIR GREENE The New World Blues By Art Tipaldi & Jack Sullivan 18 - FIVE NEW CD REVIEWS By Various Writers 28 - FIVE BOOK REVIEWS 39 - BLUES MUSIC SAMPLER DOWNLOAD CD Sampler 26 - July 2020 PHOTOGRAPHY © LAURA CARBONE COVER PHOTOGRAPHY © COURTESY ALASTAIR GREENE Read The News Click Here! All Blues, All The Time, AND It's FREE! Get Your Paper Here! Read the REAL NEWS you care about: Blues Music News! -
Acts Include
www.swanage-blues.org 2008 2009 Past Home October March Swanage ACCOMMODATION Contact Festivals Festival Festival The Eighth Swanage Blues Festival 7, 8, 9 March 2008 ADMISSION POLICY Admission is free to customers at all venues, except restaurants where conditions apply. OFFICIAL COLLECTIONS The festival is organised by Steve Darrington, a disabled musician who gave up touring due to an accident. He organises the festival at his own expense. So please give as much as possible when the Official Collectors come round, so he can afford to do it again! Friends of the Festival write: This festival is organised by Steve z ARTISTS and Advertisers Darrington, a touring z Schedule of Events musician all his life until ill health took him z Programme (download) off the road. z Poster (download) He organises the z festival at his own expense. Get on the Mailing List for latest info! click here Please help him to keep it going with donations and advertising, see here. Acts include The Guv'nors Debbie Giles Band Will Killeen BEAT THOSE Jon Walsh Blues Band Ernie's Rhythm Section Sonny Black WASHDAY Angelina & JC Storm Warning Hightown Crows BLUES! Grimshaw with Harris, Budden & Motel 6 John Crampton PURBECK VALET Osborne 73 High St, Swanage Robert Hokum Blues The Mustangs Robin Bibi DRY CLEANING Band SERVICE WASH The Ragtime Jug Coalhouse Walker Chris Collins & Blues Etc free collection and delivery Orchestra 01929 424900 Coast Steve Darrington C Sharp Blues plus some Sorbet for the Blues Palate! Fabulous Fezheads and Kellys Tattoo not forgetting OPEN MIC with Andrew Bazeley and Martin Froud plus Blues Steam Train ride and more! SCHEDULE OF EVENTS here THE GUV'NORS Saturday evening 10pm - White Horse The Guv'nors 20th Year Tour continues! Led by Bluesmaster Robert Hokum on guitar and vocals, this seven piece outfit plays the blues with psychedelic funk, acid jazz and Latin grooves. -
May 2018 BLUESLETTER Washington Blues Society in This Issue
LETTER FROM THE PRESIDENT Hi Blues Fans, As I write this Letter from the President, I am awash in the WASHINGTON BLUES SOCIETY final preparations for the Best of Proud Recipient of a 2009 the Blues Awards show, and by Keeping the Blues Alive Award the time you read this we will all know the results! OFFICERS President, Tony Frederickson [email protected] I’m looking forward to attending Vice President, Rick Bowen [email protected] as I don’t know the results ahead Secretary, Carolyn Palmer-Burch [email protected] of time and it keeps it exciting Treasurer (Acting), Chad Creamer [email protected] for me. Editor, Eric Steiner [email protected] Hopefully we will have a full room and all will have had a DIRECTORS good time and enjoyed the Music Director, Amy Sassenberg [email protected] show. I do want to emphasize Membership, Michelle Burge [email protected] that it is a great honor to be Education, Open [email protected] nominated as our members are Volunteers, Rhea Rolfe [email protected] given a blank page with the 32 Merchandise, Tony Frederickson [email protected] different categories and have to remember your name and write it in. Advertising, Open [email protected] That means there is a lot of thought given and makes everyone a winner! IT, Sheri Roberts Greimes [email protected] The entry period for the 2019 International Blues Challenge has opened and the statewide semi-finals have been all set! Keep an eye on our THANKS TO THE WASHINGTON BLUES SOCIETY 2017 STREET TEAM Facebook page and our website as we start to post the line-ups for all of Downtown Seattle, Tim & Michelle Burge [email protected] these events. -
Everett Rock's Bands
Everett Rock Band/Musician List "D" Last Update: 6/28/2020 "D" List for Bands/Musicians Genre* From & Genre "D" CR Bellingham Classic Rock D Campbell Al R Denver Alternative Rock D. DWELLER Fk Rp Seattle Funk / R&B / Rap D. HU$TAL P H RB Seattle Pop / Hip Hop / R & B D.evolution.Aires R Seattle Rock D.O.A. Pk Burnaby, British Columbia, CA Punk D.O.G.S. R Gn Al Tokyo, JP Rock / Grunge / Alternative Rock D.Y.A. G Pk Ra Bellingham Garage / Punk / Reggae Da Beckoning Band Al Mountlake Terrace Alternative DA27 M T Hc Seattle Metal / Thrash Metal / Post Hardcore Daana String Quartet Cl A Seattle Classical Acoustic Dabouge E Seattle Electronica / Down-tempo / Drum & Bass DaCoda R Everett Rock DaCoda Dacoda CR Seattle Classic Rock Dada Fructose R? From? Rock? Daddy Treetops C B Edison Blues / Folk / Country DaddyLok Tha Boss HADEZ CLICK 6GUNZMUZIK Tacoma DaddyLok H Hip Hop Daddy's Gotta Girlfriend R Lynnwood Rock DAGOBAH M Pk UK Metal / Punk / Rock Daikaiju R Ps Sf Huntsville, Alabama Rock / Psychedelic / Surf Dain Norman R Kennesaw, Ga/Gainesville, FL Rock Dain Norman and The Chrysalis Effect R B Pk Tacoma Rock / Blues / Proto-Punk Daisy Chain B S R Seattle Blues / Neo-soul / Rock Daisy O'Connor I F Bellingham, Austin, TX Indie Folk DAKOTA M Santa Rosa, CA Metal / Metalcore Dakota Neuman C P R Monroe Country / Pop / Rock Dakota Poorman Band C R Am Seattle Country / Southern Rock / Americana Dakota Reese Ex P Seattle Experimental Pop Dale Ann Bradley BG Kentucky Blue Grass Dale James Pratt R A Seattle Rock / Acoustic Damanshen Rp Hc H St.