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Archbishop to Consecrate New Altar
wE'RE DREAMING OF A NAVY BLUE WE'RE DREAMING CHRISTMAS OF A NAVY BLUE CHRISTMAS * Vol. 23 NEW YORK, N. Y., DECEMBER 18,1942 No. 9 Archbishop to Consecrate New Altar Plan Proposed for Church's Traditional Ceremony Fordham Gives $1,550 Training of Army To Jesuit Missions To Be Held Tomorrow Morning Fordham students have con- In a ceremony, rich in liturgy and tradition, His Excellency the Most Meteorologists tinued their financial support of Reverend Francis J. Spellman, Archbishop of New York, will consecrate the missions this year to the the new altar in the University Church tomorrow morning at nine o'clock. College Training Under extent of $1,550. The monthly The new altar which was the high altar at St. Patrick's Cathedral collections in the classrooms, for sixty-three years, is a gift of the Archbishop to his alma mater. Army Rewarded With supplemented by the donation <8>In order to give the altar a suitable Air Corps Commission of the Harvester Club account setting, the Inisfad Foundation made for this total. a contribution to Fordham for the The Rev. Thomas B. Cannon, Maroon Debaters Faced with a very probable lack improving and redecoration of the S.J., Director of the Jesuit mis- sanctuary. The work is to be dedi- of qualified meteorologists in the sionary fund, earlier in the year near future, the Army Air Corps re- Reach Half-Time cated as a memorial to Mrs. William sought the aid of the Fordham Babington Macaulay, late Papal cently announced the institution of sodalists. His appeal was cen- Duchess who endowed the Inisfad a new plan enabling high school tered about the tragic effects of graduates and college students to be- With Five Wins Foundation. -
Alvin Theater
Landmarks Preservation Commission August 6 , 1985; Designaticn List 182 LP-1306 ALVIN THEATER (na.v Neil Simon Theater), first floor interior consisting of the ticket lobby, the entrance lobby, the auditorium, the stage, the staircases leading from the first floor to the balcony floor and all connecting entrance areas; the balcony floor interior consisting of the ba.lcony, the upper part of the auditorium and ceiling; and the fixtures and interior crnponents of these spaces, including but not limited to, wall and ceiling surfaces, doors, stair railings, and attached decorative elements; 244-254 West 52nd Street, Manhattan. Built 1927; architect, Herbert J. Krapp. Landmark Site: Borough of Manhattan Tax Map Block 1023, Lot 54. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing en the proposed designation as an Interior Landmark of the Alvin Theater, first floor interior consisting of the ticket lobby, the entrance lobby, the auditorium, the stage, the staircases leading from the first floor to the balcony floor and all connecting entrance areas; the balcony floor interior consisting of the balcony, the upper part of the auditorium and ceiling; and the fixtures and interior components of these spaces, including but not limited to, wall and ceiling surfaces, doors, stair railings, and attached decorative elements; 244-254 West 52rrl Street, Manhattan, and the proposed designation of the related Landmark Site (Item No.2). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
Jack Benny to Howard Stern
An A-1 Guide to Radio from Jack Benny to Howard Stern RON LACKIUN THE ENCYCLOPEDIA Of AMERICAN RADIO llizdated Edition NELLIE McCLUNG OCT - 4 2001 GRESTE":.. PLI3LIC LIBRARY L 1 tc5914-833 Updated Edition TAE EN(Y(LOPEDIA Of AKER! RAD' An A-1 Guide to Radio from Jack Benny to Howard Stern RON LACKMANN NEL UF- McCLUNG C T- 4 2001 CREATE? PJ3LIL LARK'. Checkmark Books An imprint of Facts On File, Inc. The Encyclopedia of American Radio, Updated Edition Copyright © 1996, 2000 by Ron Lackmann All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Checkmark Books An imprint of Facts On File, Inc. 11 Penn Plaza New York, NY 10001 Library of Congress Cataloging -in -Publication Data Lackmann, Ronald W. The encyclopedia of American radio : an a -z guide to radio from Jack Benny to Howard Stem / Ron Lackmann-Updated ed. p.cm. Rev. ed. of: Same time, same station. c1996. Includes bibliographical references and index. ISBN 0-8160-4137-7.-ISBN 0-8160-4077-X (pbk. : alk. paper) 1. Radio prograins-United States Encyclopedias.2. Radio programs-Canada Encyclopedias.3. Radio broadcasters-United States Encyclopedias.4. Radio broadcasters-Canada-Encyclopedias. I. Lackmann, Ronald W. Same time, same station.II. Title. PN1991.3.U6L321999 791.44'75'0973-dc21 99-35263 Checkmark Books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. -
The Old Mill Times
The Old Mill Times Patron: Garry Lawrence All the news and views from the Old Mill Online bookings: oldmilltheatre.com.au/tickets Theatre for SEPTEMBER-OCTOBER 2013 World premiere, Pinter classic and journey to hell... all in one night! A TRIO of short plays comes to the Old Mill Theatre this spring – Harold Pinter’s The Dumb Waiter, Jean-Paul Sartre’s No Exit and the world premiere of Noel O’Neill’s Snow and Ash. Directed by Maree Grayden and adapted by Chris Thomas, No Exit is a depiction of the afterlife where three dead characters are punished by being locked into a room together for eternity – it’s the play that coined the phrase “hell is other people”. “It’s a play that gets you thinking and stays with you in the sense that you keep coming back to consider the play’s thematic concerns,” Maree said. “The famous quote about hell being other people begs the question: who would be in the room Snow and Ash clowns around with theatre of the absurd. with me and why? some and Nick Kadmos. “That question inspired Snow and Ash, directed by Valerie Dragojevic, follows me to direct the play – I two clowns left behind by a travelling circus who suddenly find it a disturbing yet find themselves in a country with no liberty or freedom of intriguing thought that my speech. hell would involve torture “The play primarily deals with the theme of people being by self-examination and persecuted simply for being who they are and how far you cross-examination by might have to go to survive,” Valerie said. -
The Century Book
THE CENTURY BOOK 1863 ESCANABA 1963 as years pass by..... Escanaba, its first 100 years! When Escanaba was young our pioneers lived with visions of a brighter future. Now we take for granted miracles of which they did not dream. How did our people work and live? What were their achievements? These and other questions are answered in The Century Book, which is not a "history" in the usual meaning but rather a commentary to the fact and an interpretation of the statistic. You'll read about the adventuresome era of the big trees, the plight of a little girl lost, Eli P. Royce wrote of city aldermen in his diary, and how the "fever girl" fooled the doctors. You may for the first time learn that there would have been no Escanaba at Sand Point if there had not been a dispute over land at Old Masonville; and you'll read about an airplane flight that took four days to hop from the ground to the top of a pine tree. Most of all you'll be impressed anew by the many good deeds of the people from many lands who, in the exercise of freedom, created in Escanaba their contribution to the American heritage. Foreword Escanaba was born in a period that throbbed with the excitement of the fast developing North Country. Nearby there could still be heard the occasional beat of an Indian drum. From the South came the disturbing echo of the Civil War. One hundred years ago, in January of 1863, President Lincoln issued a proclamation freeing the slaves. -
The Quint : an Interdisciplinary Quarterly from the North 1
the quint : an interdisciplinary quarterly from the north 1 Editorial Advisory Board the quint volume thirteen issue one Moshen Ashtiany, Columbia University an interdisciplinary quarterly from Brenda Austin-Smith, University of Manitoba Keith Batterbe. University of Turku the north Donald Beecher, Carleton University Melanie Belmore, University College of the North ISSN 1920-1028 Gerald Bowler, Independent Scholar Robert Budde, University Northern British Columbia John Butler, Independent Scholar David Carpenter, Professor Emeritus, University of Saskatchewan Terrence Craig, Mount Allison University the quint welcomes submissions. See our guidelines Lynn Echevarria, Yukon College or contact us at: Erwin Erdhardt, III, University of Cincinnati the quint Peter Falconer, University of Bristol University College of the North P.O. Box 3000 Peter Geller, University of the Fraser Valley The Pas, Manitoba Susan Gold, University of Windsor Canada R9A 1K7 Peter Gordon, Independent Scholar editor We cannot be held responsible for unsolicited Jim Gough, Athabasca University Sue Matheson material John George Hansen, University of Saskatchewan Richard Harris, University of Saskatchewan film review editor Stella Hockenhull, University of Wolverhampton Antonio Sanna Didi Hutchins, University of Alaska (Anchorage) Deborah Lynn Kitchen Døderlein, University of Oslo production Ying Kong, University College of the North Sue Matheson cover image Rebecca Matheson Martin Kuester, University of Marburg A quarterly journal, the quint is housed by the Faculty of Arts, Business and Science at the University Ronald Marken, Professor Emeritus, University of Saskatchewan of the North. The encouragement and support of this project by the Vice President Academic of the Camille McCutcheon, University of South Carolina Upstate University College of the North is deeply appreciated. -
Good Luck Getting There
August 2009 VOL. 20 #8 $1.50 Boston’s hometown journal of Irish culture. Worldwide at bostonirish.com All contents copyright © 2009 Boston Neighborhood News, Inc. Good Luck Getting There All roads lead to somewhere as these signs in Ballyvaughan, Co. Clare, make perfectly clear. Related story by Judy Enright, Page 18. Tourism Ireland photo. PASSAGES Frank Brennan: Square Shooter Dead at 78: Frank McCourt, left, a teacher by profession At 92, Francis Patrick Bren- who proved he could write nan, dean of Boston’s bank- with the best with his widely acclaimed Angela’s Ashes. ing community, a first-gen- Page 4 eration Irish American who Dead at 54: Jerry Holland, elbowed his way into the right, Cape Breton fiddling core of the once Yankee- legend whose music has been dominated financial arena, described as offering “pure has hardly lost a step. radiance.” Page 14 Photo by Jack Rowell Profile, Page 6 Page August 009 BOSTON IRISH REPORTER Worldwide at www.bostonirish.com is pleased to sponsor the 6th Annual 8h_Wd>edWd+aRun/Walk IkdZWo"I[fj[cX[h(&"(&&/WjDeed >eij_d]hWY[#ZWoh[]_ijhWj_ed0 161 Brighton Ave., Allston, MA For more information, or to register, visit: www.BrianHonan.org The Brian J. Honan Charitable Fund was established to carry Brian J. Honan 5K the Charitable Fund has been able to support on Brian’s commitment to the causes that he championed and foster local and national programs that support education, throughout the course of his life. With funds raised from the recreation, housing and healthcare. FH;I;DJ;:8O0 IFEDIEH;:8O0 Worldwide at www.bostonirish.com August 009 BOSTON IRISH REPORTER Page Around Town: The Irish Beat / Carol Beggy Actor and standup comic Kevin Flynn was work- ing in New York during the winter months a couple of years ago, when he read about a spike in suicides among young residents of Nantucket. -
Dan Caddy. Height 180 Cm
Actor Biography Dan Caddy. Height 180 cm Awards. 2005 Museum Hotel Scholarship - Acting - Winner - Toi Whakaari 2002 Best Supporting Male Actor Winner - Wellington District Theatre Federation Full Length Play Festival Short Film. 2005 Bad Dates Mackenzie Dir. Grant Lahood 2004 In Limbo Chris Dir. Matthew Mawkes (Lead) Television. 2010 Reservoir Hill Series 2 James Jay TVNZ On Demand for KHF Media (Core Cast) Dir. David Stubbs&Thomas Robins 2009 Reservoir Hill James Jay TVNZ On Demand for KHF Media (Core cast) Dir. David Stubbs&Thomas Robins 2002 Revelations Series 1 (1 epsiode) John Reid Cloud 9 Screen Entertainment/UK (Peacemaker) 2001 The Strip Series 1 & 2 Josh The Gibson Group (Recurring role) Dir. Various Theatre. 2005 Jack Manning Dir. K.C. Kelly 2005 Farmageddon Solo Dir. Dan Caddy PO Box 78340, Grey Lynn, www.johnsonlaird.com Tel +64 9 376 0882 Auckland 1245, NewZealand. www.johnsonlaird.co.nz Fax +64 9 378 0881 Dan Caddy. Page 2 Theatre continued... 2004 Great Expectations Pip Downstage Theatre Dir. Miranda Harcourt&Tom McCrory 2004 Pericles Lysimicus/Knight/Pirate Dir. Peter Hambleton 2004 Dead Friend Patrick Dir. Andrew Foster 2002 Much Ado About Nothing Claudio Dir. John Marwick & Jerry Duckor 2002 An Inspector Calls Gerald Croft Dir. Trevor Rose 2001 HMS Pinafore Sailor & Understudy to Ralph Wellington Gilbert &Sullivan Society Dir. John Goddard&Alison Scott 2001 Hamlet Claudius Dir. Jan Mclean 2000 Henry IV Part 1 Worchester Dir. Jan Mclean Training. Audition /Film Acting Workshop - 2010, Andrea Kelland and Vicky Yiannoutsos -
ALVIN THEATER (Now Neil Simon Theater), 244-254 West 52Nd Street, Manhattan
Landmarks Preservation Commission August 6 , 1985; Designation List 182 LP-1305 ALVIN THEATER (now Neil Simon Theater), 244-254 West 52nd Street, Manhattan. Built 1927; architect, Herbert J. Krapp. Landmark Site: Borough of Manhattan Tax Map Block 1023, Lot 54. On June 14 and 15, 1982, the Landmarks Preservation Carnnission held a public hearing on the proposed designation as a Landmark of the Alvin Theater and the proposed designation of the related Landmark Site (Item No. 1). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Alvin Theater survives tooay as one of the historic theaters that syml::x)lize American theater for roth New York and the nation. Built in 1926- 27, the Alvin was one of the relatively small number of post-World War I theaters built mt by the Shubert or Chanin organizations, but rather for a special client. The Alvin was designed by prolific theater architect Herbert J. Krapp to house the productions and the offices of producers Alex Aarons and Vinton Freedley, fran whose abbreviated first names the acronym "Alvin" was created. Herbert J. Krapp was the most prolific architect of the Broadway theater district. Having worked in the offices of Herts & Tallant, premier theater designers of the pre-war period, Krapp went on to design theaters for the two major builders of the post-war era, the Shubert and Chanin organizations. -
Odd Man out 19 January – 18 March 2017
DAVID WILLIAMSON’S ODD MAN OUT 19 JANUARY – 18 MARCH 2017 Odd Man Out - A5 Program v7.indd 1 20/12/16 2:22 pm DAVID WILLIAMSON’S ODD MAN OUT The action of the play takes place over a period of approximately 12 months. DIRECTOR ASSISTANT DIRECTOR MARK KILMURRY SAMANTHA YOUNG CAST CREW EMILY/POLLY ALICE DESIGNER GAEL BALLANTYNE LISA GORMLEY ANNA GARDINER RYAN EVAN/NEVILLE LIGHTING DESIGNER JUSTIN MATT MINTO CHRISTOPHER PAGE STEWART COTTA GARY/POLICE SOUND DESIGNER CARLA OFFICER ALISTAIR WALLACE RACHEL GORDON BILL YOUNG STAGE MANAGER DANI IRONSIDE WARDROBE COORDINATOR RENATA BESLIK SPECIAL THANKS: THOMAS KUZMA, TOM TUTTON AND JOSHUA DODD RUNNING TIME APPROX 2 HOURS INCLUDING INTERVAL THANK YOU FOR YOUR $2 DONATION, IT HELPS COVER THE PRODUCTION OF OUR PROGRAMS 02 9929 0644 • ensemble.com.au Odd Man Out - A5 Program v7.indd 2 20/12/16 2:22 pm DAVID WILLIAMSON – PLAYWRIGHT David Williamson is Australia’s best known and most widely performed playwright. Some of his more than forty-five produced plays include THE REMOVALISTS, DON’S PARTY, THE CLUB, TRAVELLING NORTH, THE PERFECTIONIST, SONS OF CAIN, EMERALD CITY, MONEY AND FRIENDS, BRILLIANT LIES, DEAD WHITE MALES, AFTER THE BALL, THE JACK MANNING TRILOGY, THE GREAT MAN, UP FOR GRABS, SOULMATES, SCARLETT O’HARA AT THE CRIMSON PARROTT, NOTHING PERSONAL, WHEN DAD MARRIED FURY, MANAGING CARMEN, CRUISE CONTROL, RUPERT, DREAM HOME and JACK OF HEARTS. His plays have been translated into many languages and performed internationally, including major productions in London, Los Angeles, New York and Washington (THE CLUB in 1979 and RUPERT in 2014 at the Kennedy Centre as well as a season at the Theatre Royal, Sydney). -
Animation 60 Bidder Number:______Please Print All Information Business Phone:______Mr./Mrs./Ms.______Fax: ______
Animation Auction 60 December 20, 2013 Animation Auction 60 AUCTION FRIDAY DECEMBER 20, 2013 11:00 AM PST LIVE • MAIL • PHONE • FAX • INTERNET PLACE YOUR BID OVER THE INTERNET! PROFILES IN HISTORY WILL BE PROVIDING INTERNET-BASED BIDDING TO QUALIFIED BIDDERS IN REAL-TIME ON THE DAY OF THE AUCTION. FOR MORE INFORMATION, PLEASE VISIT US @ WWW.PROFILESINHISTORY.COM CATALOG PRICE PRESIDENT/CHIEF EXECUTIVE OFFICER $35.00 Joseph M. Maddalena AUCTION LOCATION ACQUISITIONS/CONSIGNMENT RELATIONS PROFILES IN HISTORY Brian R. Chanes 26901 AGOURA ROAD, SUITE 150 CALABASAS, CA 91301 CREATIVE DIRECTOR Lou Bustamante AUCTION PREVIEW AT VAN EATON GALLERIES OFFICE MANagER AppOINTMENT ONLY Suzanne Sues VAN EATON GALLERIES 13613 VENTURA BOULEVARD EDITOR SHERMAN OAKS, CA 91423 Joe Moe TELEphONE AUCTION ASSOCIATE 1-310-859-7701 Rick Grande FAX ARCHIVE SPECIALIST 1-310-859-3842 Raymond Janis E-MAIL ADDRESS AUCTION ASSOCIATE [email protected] Kayla Sues WEBSITE PHOTOGRAPHY ASSOCIATE WWW.PROFILESINHISTORY.COM Charlie Nunn SOCIAL MEDIA SPECIALIST Julie Gauvin LAYOUT EDITOR Edward Urrutia Find us on @ www.facebook.com/ProfilesInHistory Find us on @ twitter.com/pihauctions Dear Collector: Welcome to our Winter 2013 Animation Auction! We are pleased to present this offering of over 500 unique lots of amazing art. Working in partnership with Van Eaton Galleries, we have assembled some of the most impor- tant animation artwork ever created by Walt Disney, Walter Lantz, Hanna-Barbera, Warner Bros., Charles Schulz, and many others. You will undoubtedly find your favorite characters among this collection. Here are a few of the highlights: • Original production cels and matching background from Famous Studios’ Boo Moon.