Animation Auction 60

December 20, 2013 Animation Auction 60

Auction Friday December 20, 2013

11:00 am PST LIVE • MAIL • PHONE • FAX • INTERNET

Place your bid over the Internet! Profiles in History will be providing Internet-based bidding to qualified bidders in real-time on the day of the auction. For more information, please visit us @ www.profilesinhistory.com

Catalog price President/Chief Executive Officer $35.00 Joseph M. Maddalena

Auction location Acquisitions/Consignment Relations Profiles in History Brian R. Chanes 26901 Agoura Road, Suite 150 Calabasas, CA 91301 Creative Director Lou Bustamante Auction Preview at Van Eaton Galleries Office Manager appointment only Suzanne Sues Van Eaton Galleries 13613 Ventura Boulevard Editor Sherman Oaks, CA 91423 Joe Moe

Telephone Auction Associate 1-310-859-7701 Rick Grande

Fax Archive Specialist 1-310-859-3842 Raymond Janis

E-mail address Auction Associate info@profilesinhistory.com Kayla Sues

Website Photography Associate www.profilesinhistory.com Charlie Nunn

Social Media Specialist Julie Gauvin

Layout Editor Edward Urrutia

Find us on @ www.facebook.com/ProfilesInHistory

Find us on @ twitter.com/pihauctions Dear Collector:

Welcome to our Winter 2013 Animation Auction! We are pleased to present this offering of over 500 unique lots of amazing art. Working in partnership with Van Eaton Galleries, we have assembled some of the most impor- tant animation artwork ever created by Walt Disney, Walter Lantz, Hanna-Barbera, Warner Bros., Charles Schulz, and many others. You will undoubtedly find your favorite characters among this collection.

Here are a few of the highlights:

• Original production cels and matching background from Famous Studios’ Boo Moon. • Rare original production cels and backgrounds from Osama Tezuka’s Astroboy. • Original production cels and backgrounds from Jay Ward’s The Rocky And Bullwinkle Show. • Original production cels from A Charlie Brown Christmas. • Original production drawings from Plane Crazy and Steamboat Willie. • The original opening title cel and background for Snow White and the Seven Dwarfs. • Original production background from “The Sorcerer’s Apprentice” sequence of Fantasia. • Original production backgrounds from Bambi. • Amazing pre-production artwork from Song of the South. • Production cels and production backgrounds from classic Disney features including Cinderella, Sleeping Beauty, Lady and the Tramp, Jungle Book, and more...

There is something for everyone here and we know you will be as delighted as we are with this catalog. Also keep in mind that we are happy to assist those who are interested in consigning. Please contact us with any questions.

Thank you for participating, and best of luck to you!

Joe Maddalena and the PIH Team Animation Auction AGREEMENT BETWEEN ment under any circumstances. Profiles reserves the right to refuse deemed to have granted Profiles a security interest in, and Profiles PROFILES IN HISTORY & BIDDER to accept bids from anyone. may retain as collateral such security for such buyer’s obligations to Profiles, any property in Profiles’ possession owned by such buyer. 4. Auctioneer’s Discretion: Profiles shall determine opening bids The following terms and conditions constitute the sole terms and Profiles shall have the benefit of all rights of a secured party under and bidding increments. The auctioneer has the right in its absolute conditions under which Profiles in History (“Profiles”) will offer the Uniform Commercial Code (U.C.C.) as adopted by the state discretion to reject any bid in the event of dispute between bidders for sale and sell the property described in the Catalog. These Condi- of California. tions of Sale constitute a binding agreement between the Bidder and or if the auctioneer has doubt as to the validity of any bid, to advance Profiles with respect to the auction. By bidding at auction, whether the bidding at its absolute discretion and to determine the successful 10. Warranties: Profiles does not provide any warranties to Bidders in person, through an agent or representative, by telephone, fac- bidder in the event of a dispute between bidders, to continue the or Buyers, whether express or implied, beyond those expressly pro- simile, on-line, absentee bid, or by any other form of bid or by any bidding or to reoffer and resell the lot in question. In the event of a vided for in these Conditions of Sale. All property and lots are sold other means, the Bidder acknowledges the thorough reading and dispute after the sale, Profiles’ record of final sale shall be conclusive. “as is” and “where is”. By way of illustration rather than limita- understanding of all of these Conditions of Sale, all descriptions of The auctioneer also may reject any bid and withdraw the lot from tion, neither Profiles nor the consignor makes any representation or items in the Catalog, and all matters incorporated herein by refer- sale if the auctioneer decides either that any opening bid is below warranty, expressed or implied, as to merchantability or fitness for ence, and agrees to be fully bound thereby. the reserve (see paragraph 5 below) of the lot or article or that an ad- intended use, condition of the property (including any condition vance is insufficient. Unless otherwise announced by the auctioneer report), correctness of description, origin, measurement, quality, Bidder and Profiles agree that any agreements between the Bidder at the time of sale, no lots may be divided for the purpose of sale. rarity, importance, exhibition, relevance, attribution, source, prov- and Profiles including but not limited to these Conditions of Sale enance, date, authorship, condition, culture, genuineness, value, or 5. Reserves: Lots may be subject to a reserve, which is the confiden- are entered into in Los Angeles County, California, which is where period of the property. the agreements are to be performed and the auction to take place, tial minimum price below which the lot will not be sold. Although no matter where Bidder is situated and no matter by what means or the auctioneer may open the bidding on any lot below the reserve Additionally, neither Profiles nor the consigner makes any repre- where Bidder was informed of the auction and regardless of whether by placing a bid on behalf of the seller, Profiles reserves the right to sentation or warranty, express or implied, as to whether the Buyer catalogs, materials, or other communications were received by Bid- protect the reserve by bidding through the auctioneer and continu- acquires rights in copyright or other intellectual property (including der in another location. Both Profiles and the Bidder agree that any ing to bid on behalf of the seller up to the reserve amount either exhibition or reproduction rights) or whether the property is subject disputes under these Conditions of Sale, the subject matter hereof, through consecutive bids or by placing bids in response to other to any limitations such as ‘droit morale’ (moral rights) or other rights the entering into, or any aspect of the auction, shall be exclusively bidders. Consignors may not bid on their own lots or property. If the affecting works of art. Bidder/Buyer acknowledges and agrees that governed by California law, and that any and all claims or actions consignor is indebted to or has a monetary guarantee from Profiles if the property embodies any copyright, trademark, or other intel- shall be brought and maintained only in Los Angeles County, Cal- in certain circumstances, Profiles may have an interest in an offered lectual property, by the purchase of such property, Buyer/Bidder is ifornia in a State or Federal Court to the exclusion of any other lot and the proceeds therefrom apart from Profiles’ commissions, not acquiring any interest in any copyright, trademark or other in- venue, locale or jurisdiction. All parties submit to such jurisdiction. and Profiles may bid thereon to protect such interest. In such in- tellectual property that may be embodied or reflected in such prop- Both Bidder and Profiles agree that these provisions are intended to stance, Profiles is entitled to its standard commission rate when a lot erty, but is acquiring only such physical embodiment and/or reflec- be binding on all parties and that they shall solely control choice-of- is “bought-in” to protect its interest. tion. Profiles does not make any representation or warranty as to title. All descriptions, photographs, illustrations, and terminology law, venue and jurisdiction in the event of any dispute specifically 6. Risk and Responsibility, Agency: The buyer shall, once deemed including but not limited to words describing condition (includ- including third party claims and cross-actions brought by either the highest bidder on the fall of the auctioneer’s hammer, bear all ing any condition reports requested by Bidder), authorship, period, Profiles or Bidder, and that absent such agreement, Profiles would risk and responsibility for the lot, and neither Profiles, its agents nor culture, source, origin, measurement, quality, rarity, provenance, not permit Bidder to bid hereunder. Any violation of the terms of employees, shall thereafter be liable for any loss or damage to the importance, exhibition, and relevance, used in the catalog, bill of this Paragraph shall entitle the affected party to reasonable attorney property. The buyer will also be required to sign a confirmation sale, invoice, or anywhere else, represent a good faith effort made fees and litigation costs in addition to all other available remedies, of purchase at such time if requested by the auctioneer. All bidders by Profiles to fairly represent the lots and property offered for sale as all of which remain reserved. The parties agree that Profiles shall be are deemed to be acting as principals unless Profiles acknowledges to origin, date, condition, and other information contained therein; entitled to present these Conditions of Sale to a court in any juris- in writing prior to the auction that the bidder is acting as agent for they are statements of opinion only. They are not representations or diction other than set forth in this paragraph as conclusive evidence another party. In the absence of such written acknowledgment, the warranties and Bidder agrees and acknowledges that he or she shall of the parties’ agreement, and the parties further agree that the court bidder guarantees payment of the Purchase Price of a successful bid. shall immediately dismiss any action filed in such jurisdiction. Not- not rely on them in determining whether or not to bid or for what withstanding any other provision herein, the prevailing party in any 7. Possession and Removal, Charges: No portion of any lot may be price. Price estimates (which are determined well in advance of the claim, dispute or litigation between the parties shall be entitled to an removed from the premises or possession transferred to Buyer un- auction and are therefore subject to revision) and condition reports award of reasonable attorney fees and costs of litigation. less Buyer has fully complied with these Conditions of Sale and the are provided solely as a convenience to Bidders and are not intended terms of the Registration Form, and unless and until Profiles has re- nor shall they be relied on by Bidders as statements, representations Unless otherwise set forth in the Catalog, all property will be of- ceived the Purchase Price funds in full. Notwithstanding the above, or warranties of actual value or predictions of final bid prices. Bid- fered by Profiles solely as agent for the seller or consignor of the all property must be removed from the premises by Buyer at his ders are accorded the opportunity to inspect the lots and to oth- property (“Consignor”) and not on its own behalf. or her sole expense not later than seven (7) calendar days from the erwise satisfy themselves as to the nature and sufficiency of each Profiles is in compliance, to the fullest extent possible, with Califor- invoice date. If all or any property has not been so removed within lot prior to bidding, and Profiles urges Bidders to avail themselves nia procedures regarding the bonding of auctioneers. that time, in addition to any other remedies available to Profiles all accordingly. Lots and property are not returnable to Profiles for any of which are reserved, a handling charge of one percent (1%) of the reason except under Buyer’s limited Remedies set forth in Section 1. Final Bid Price, Purchase Price and Payment: The term, “Final Purchase Price per month will be assessed and payable to Profiles by 13 below and under the express terms and conditions of Section 13. Bid Price” means the amount of the highest bid acknowledged and Buyer, with a minimum of five percent (5%) assessed and payable to 11. Limitation of Damages: In the event that Profiles is prevented for acceptable to Profiles. The term, “Purchase Price” means the sum Profiles by Buyer for any property not removed within sixty (60) any reason from delivering any property to Buyer or Buyer is oth- of (1) the Final Bid Price; (2) a premium payable by the success- days. Profiles shall additionally have the option, in its sole discre- erwise dissatisfied with the performance of Profiles, the liability, if ful Bidder (also referred to throughout these Conditions of Sale as tion, of transferring any of such property to a public warehouse at any, of Profiles, shall be limited to, and shall not exceed, the amount “Buyer”) equal to twenty-three percent (23%) of the Final Bid Price the full risk and expense of Buyer. Profiles, in addition, reserves the actually paid for the property by Buyer. In no event shall Profiles be [discounted to twenty percent (20%) of the Final Bid Price if paid right to impose a late charge of fifteen percent (15%) per year on the liable for incidental, special, indirect, exemplary or consequential in full in cash or by valid check]; or twenty-three percent (23%) if Purchase Price if Buyer does not make full payment in accordance damages of any kind, including but not limited to loss of profits, bid on and won through internet bidding; (3) applicable taxes (in- herewith. Profiles and Buyer acknowledge and agree that these value of investment or opportunity cost. cluding California and local sales tax and/or compensating use tax charges are reasonably imposed to partially compensate Profiles for based upon the purchase price unless exempted by law and/or where losses and expenses associated with any such delays. 12. Unauthorized Statements: Under no circumstances is any em- Buyer presents an original, valid resale certificate with a copy for ployee, agent or representative of Profiles authorized by Profiles to 8. Off-Site Bidding: Bidding by telephone, facsimile-transmission Profiles’ records from the California State Board of Equalization); modify, amend, waive or contradict any of these Terms and Condi- (fax-in), on-line, or absentee bidding (advance written bids sub- (4) shipping, handling and insurance coverage if requested by Buyer tions, any term or condition set forth on the Registration Form, any mitted by mail) are offered solely as a convenience and permitted and agreed upon by Profiles. Profiles may accept current and valid warranty or limitation or exclusion of warranty, any term or condi- subject to advance arrangements, availability, and Profiles’ approval VISA, MasterCard, Discover and American Express credit or debit tion in either the Registration Form or these Terms and Conditions which shall be exercised at Profiles’ sole discretion. Neither Profiles cards for payment but under the express condition that any property regarding payment requirements, including but not limited to due nor its agents or employees shall be held liable for the failure to purchased by credit or debit card shall not be refundable, returnable, date, manner of payment, and what constitutes payment in full, or execute bids or for errors relating to any transmission or execution or exchangeable, and that no credit to Buyer’s credit or debit card any other term or condition contained in any documents issued by thereof. In order to be considered for off-site bidding in any manner, account will be issued under any circumstances. The last sentence Profiles unless such modification, amendment, waiver or contra- Bidders must comply with all of these Conditions of Sale and the constitutes Profiles’ “official policy” regarding returns, refunds, and diction is contained in a writing signed by all parties. Any state- terms contained on the Registration Form. exchanges where credit or debit cards are used. For payment other ments, oral or written, made by employees, agents or representatives than by cash, delivery will not be made unless and until full payment 9. Profiles’ Remedies: Failure of the Bidder/Buyer to comply with of Profiles to Bidder, including statements regarding specific lots, has been actually received by Profiles, i.e., check has fully cleared or any of these Conditions of Sale or the terms of the Registration even if such employee, agent or representative represents that such credit or debit card funds fully obtained. Form, is an event of default. In such event, Profiles may, in addition statement is authorized, unless reduced to a writing signed by all Profiles has been authorized by the seller or consignor to retain, as to any other available remedies specifically including the right to parties, are statements of personal opinion only and are not binding partial remuneration, the premium set forth as number (2) in this hold the defaulting Bidder/Buyer liable for the Purchase Price or on Profiles, and under no circumstances shall be relied on by Bidder paragraph. Unless otherwise agreed in a writing signed by Profiles, to charge and collect from the defaulting Bidder/Buyer’s credit or as a statement, representation or warranty of Profiles. debit accounts as provided for elsewhere herein: (a) cancel the sale, payment in full is due within seven calendar days of the auction or 13. Buyer’s Remedies: This section sets forth the sole and exclusive retaining any payment made by the Buyer as damages (the Bidder/ within five calendar days of the invoice date, whichever is later. remedies of Buyer in conformity with Sections 10 (“Warranties”) Buyer understands and acknowledges that Profiles will be substan- PROFILES SHALL HAVE THE RIGHT, AND THE SUCCESS- and 11 (“Limitation of Damages”) herein, and is expressly in lieu of tially damaged should such default occur, and that damages under FUL BIDDER HEREBY UNCONDITIONALLY AND IRRE- any other rights or remedies which might be available to Buyer by sub-part (a) are necessary to compensate Profiles for such damages; VOCABLY PRE-AUTHORIZES PROFILES, TO CHARGE law. The Buyer hereby accepts the benefit of the consignor’s war- (b) resell the property without reserve at public auction or privately; FROM AND COLLECT ALL AMOUNTS OWED FROM ALL ranty of title and any other representations and warranties made by (c) charge the Bidder/Buyer interest on the Purchase Price at the CREDIT AND/OR DEBIT ACCOUNTS IDENTIFIED TO the consignor for the Buyer’s benefit. In the event that Buyer proves rate of one and one-half per cent (1.5%) per month or the high- PROFILES BY THE SUCCESSFUL BIDDER PRIOR TO BID- in writing to Profiles’ satisfaction that there was a breach of the est allowable interest rate; (d) take any other action that Profiles, DING IN THE EVENT THAT THE SUCCESSFUL BIDDER consignor’s warranty of title concerning a lot purchased by Buyer, in its sole discretion, deems necessary or appropriate to preserve DOES NOT MAKE TIMELY PAYMENT UNDER THESE Profiles shall make demand upon the consignor to pay to Buyer the and protect Profiles’ rights and remedies. Should Profiles resell CONDITIONS OF SALE. IN SUCH EVENT, THE SUCCESS- Purchase Price (including any premiums, taxes, or other amounts the property, the original defaulting buyer shall be liable for the FUL BIDDER AUTHORIZES PROFILES TO COLLECT ALL paid or due to Profiles). Should the consignor not pay the Purchase payment of any deficiency in the purchase price and all costs and AMOUNTS OWED FROM ANY OF SAID ACCOUNTS, AND Price to Buyer within thirty days after such demand, Profiles shall expenses associated therewith, including but not limited to ware- THE SUCCESSFUL BIDDER SHALL NOT CONTEST ANY disclose the identity of the consignor to Buyer and assign to Buyer housing, sales-related expenses, reasonable attorney fees and court SUCH CREDIT OR DEBIT ACCOUNT CHARGE ON THE all of Profiles’ rights against the consignor with respect to such lot costs, commissions, incidental damages and any other charges due GROUND THAT PROFILES WAS NOT SO AUTHORIZED. or property. Upon such disclosure and assignment, all responsibility hereunder which were not collected or collectable. 2. Title: On the fall of the auctioneer’s hammer, title to the offered and liability, if any, of Profiles with respect to said lot or property lot will pass to the highest bidder acknowledged by the auctioneer In the event that such buyer is the successful bidder on more than shall automatically terminate. Profiles shall be entitled to retain the but fully subject to Buyer’s compliance with all of the terms of the one lot and pays less than the purchase price for the total lots pur- premiums and other amounts paid to Profiles - this remedy is as to Conditions of Sale and the Registration Form. chased, Profiles shall apply the payment received to such lot or lots the consignor only. The rights and remedies provided herein are for that Profiles, in its sole discretion, deems appropriate. If Profiles the original Buyer only and they may not be assigned or relied upon 3. Rights Reserved: Profiles reserves the right to withdraw any lot does not exercise such discretion, the lots to which the payment by any transferee or assignee under any circumstances. Lots contain- before or at the time of the auction, and/or to postpone the auction shall be applied will be in descending order from the highest pur- ing ten or more items are not returnable under any circumstances. of all or any lots or parts thereof, for any reason. Profiles shall not chase price to the lowest. The exercise of rights under this Section 13 must be made, if at all, be liable to any Bidder in the event of such withdrawal or postpone- within thirty (30) days of the date of sale. Any buyer failing to comply with these Conditions of Sale shall be 2 1-310-859-7701 14. Profiles’ Additional Services: For Buyers who do not remove no circumstances will the auctioneer place any bid on behalf of the charges a minimum commission of $100 for each lot sold. Profiles purchased property from Profiles’ premises, Profiles, in its sole dis- consignor at or above the reserve. The auctioneer will not specifi- in History will discuss with you a suggested reserve price and our cretion and solely as a service and accommodation to Buyers, may cally identify bids placed on behalf of the consignor to protect the recommendations for pre-sale estimates for each piece of property arrange to have purchased lots packed, insured and forwarded at reserve. you consign for sale. The terms and conditions contained in the ac- the sole request, expense, and risk of Buyer. Profiles assumes no tual Consignment Agreement will govern our respective rights and Bidding Increments: See registration page. and disclaims all responsibility and liability for acts or omissions in obligations; those terms and conditions are controlling over these such packing or shipping by Profiles or other packers and carriers, Absentee Bids: If you cannot attend an auction, it is possible to bid general guidelines. whether or not recommended by Profiles. Profiles assumes no and by other means. The most common is the absentee bid, sometimes Delivery of Property to Profiles in History: After you have con- disclaims all responsibility and liability for damage to frames, glass called an “order bid.” Absentee bids are written instructions from signed property to us for sale, you can either bring your property or other breakable items. Where Profiles arranges and bills for such you directing Profiles in History to bid for you on one or more lots to Profiles in History yourself, arrange with your own shipper to services via invoice or credit card, Profiles will include an admin- up to a maximum amount you specify for each lot. Profiles in His- deliver it to us or Profiles in History can arrange for it to be shipped istration charge. tory staff will execute your absentee bid as reasonably as possible, through their shipping department. We are always happy to assist taking into account the reserve price and other bids. There is no 15. Headings: Headings are for convenience only and shall not be you. For more information please contact us at (310) 859-7701. charge for this service. If identical bids are submitted by two or more used to interpret the substantive sections to which they refer. Property usually arrives at Profiles in History at least three months parties, the first bid received by Profiles in History will take prefer- before the sale in order to allow time to research, catalog and pho- 16. Entire Agreement: These Conditions of Sale constitute the ence. The auctioneer may execute bids for absentee bidders directly tograph the items. Prior to the auction your property is generally entire agreement between the parties together with the terms and from the podium, clearly identifying these as order bids. Absentee stored at Profiles in History’s facilities. conditions contained in the Registration Form. They may not be Bid Forms are available in the back of every auction catalog and also amended, modified or superseded except in a signed writing ex- may be obtained at any Profiles in History location. See Conditions Pre-Auction Notification: Several weeks before the scheduled sale, ecuted by all parties. No oral or written statement by anyone em- of Sale and Registration Form for absentee bid details. along with thousands of Profiles in History’s worldwide subscribers, ployed by Profiles or acting as agent or representative of Profiles may you should be receiving a copy of the sale catalog in which your Telephone Bids: It is also possible to bid by telephone if you cannot amend, modify, waive or supersede the terms herein unless such property is offered. attend an auction. Arrangements should be confirmed at least one amendment, waiver or modification is contained in a writing signed day in advance of the sale with Profiles in History at (310) 859-7701. After approximately 30 business days following completion of the by all parties. If any part of these Conditions of Sale are for any Profiles in History staff will execute telephone bids from designated sale, pending payment by the purchaser, you will be sent payment reason deemed invalid or enforceable, the remaining portions shall areas in the salesroom. See Conditions of Sale and Registration for your sold property and a settlement statement itemizing the sell- remain fully enforceable without regard to the invalid or unenforce- Form for telephone bid details. ing commission and other damages. able provisions. Internet Bids: Profiles in History is pleased to offer live Internet Photographs, Illustrations and Screen Shots: Unless otherwise ex- AUCTION GENERAL GUIDELINES bidding at www. profilesinhistory.com. To ensure proper registra- plicitly set forth in the catalog description for an individual item, Conditions of Sale: Before you bid, you must read the Conditions tion, those Bidders intending to bid via the Internet must visit this all photographs, illustrations, and screen shots are furnished solely of Sale, immediately preceding these pages. They represent a con- site and register accordingly at least one full day prior to the actual for reference purposes and not as a statement, representation or war- tract between Profiles and you, and they contain important terms auction. Please be aware that there is a minimum 3-second delay ranty that the image depicted is the exact item offered. Due to the and conditions such as jurisdiction, payment terms, warranties and in the audio and visual feeds, which may confuse some bidders. If fact that multiple props, costumes, and other items are customarily remedies. The Conditions of Sale are controlling over these gen- you have questions about this feature, please call Profiles in History made for and used on or off screen in a motion picture or other eral guidelines in the event of any conflicts between their respec- well in advance of the auction. Winning bidders will be notified by program, Pro­files cannot and does not represent or warrant that the tive terms. Profiles. Profiles is not and cannot be responsible or liable for any specific item depicted in the photograph, illustration or screen shot problems, delays, or any other issues or problems resulting out of use is the very same item offered at auction. Estimate Prices: In addition to descriptive information, each entry of the Internet generally or specifically, including but not limited to in the catalog includes a price range, which reflects opinion as to Trademarks: In the catalog descriptions, Profiles takes steps to iden- transmission, execution or processing of bids. the price expected at auction. These are based upon various factors tify and provide provenance for an item offered at auction. In many including prices recently paid at auction for comparable property, PLEASE NOTE: On some occasions beyond the control of Profiles, cases, the items offered were used in or in conjunction with motion condition, rarity, quality, history, and provenance. Estimates are the online bidding software or the Internet itself may not physi- pictures or other programs and is furnished in order to fully identify prepared well in advance of the sale and subject to revision. Esti- cally keep up with the pace of the auction. In order to help avoid and describe the item offered at auction, including photographs, il­ mates do not include the buyer’s premium or sales tax (see under disappointment, Profiles recommends placing a realistic absentee lustrations, and screen shots. Profiles in no way claims any connec- separate heading). See Paragraph 10 of the Conditions of Sale for bid now. Occasionally the auctioneer may eliminate or reject an tion to or relationship with the producers of the motion picture or important restrictions as to reliance on estimated prices. internet live bid, and the auctioneer may also reopen a lot after the other program. In all cases, the use of the titles or other elements of a close of the internet live bidding (typically but not always because motion picture or other program is for informational purposes only. Reserves The reserve is the minimum price the seller is willing to a floor bid or a telephone bid was missed), and your bid may be re- accept and below which a lot will not be sold. This amount is confi- Copyrights: Unless otherwise set forth with respect to an item of- jected even if you were shown to be the winning bidder. By bidding dential and will not exceed the low pre-sale estimate. fered, the item offered at auction is a one-of-a-kind original piece, online, you acknowledge and agree that Profiles in History may and Profiles makes no statement, repre­sentation or warranty con- Owned or Guaranteed Property: Profiles in History generally offers award the lot to another bidder at its sole and final discretion under cerning the copyright of such item. Depiction of the item in the property consigned by others for sale at public auction; occasionally, the circumstances described above or under any other reasonable catalog and other auction promotions is purely for informational lots are offered that are the property of Profiles in History. circumstances. Since internet bids are not shown to Profiles until and reference purposes regarding the offering of the item at auction. Profiles opens the lot on the floor, Profiles treats those bids the same Buyer’s Premium and Sales Tax: The actual purchase price will be Unless otherwise set forth with respect to an item offered, Profiles as floor or telephone bids. In most cases, however, the floor and/ the sum of the final bid price plus the buyer’s premium of 23% of makes no statement, represen­tation or warranty concerning the suc- or telephone responds before the internet bid is presented, due to the hammer price (discounted to 20% when full payment is made in cessful bidder’s right to copy, reproduce or adapt for any purpose live internet bid software or internet lag time, so for consistency it cash or by valid check); or twenty-three percent (23%) if bid on and any item offered at auction. is Profiles in History’s policy that floor bids and telephone bids are won through internet bidding. California sales tax shall automati- always considered first over online bids with floor bids being con- cally be added to the purchase price unless exempted. sidered before telephone bids. Also please note that all Profiles lots Important note to prospective bidders and Before the Auction: You may attend pre-sale viewing for all of our purchased online carry a 23% Buyer’s Premium. Profiles in History auctions at no charge. All property to be auctioned is usually on strongly urges the bidder to resolve any questions about these poli- Disclaimer: Please note that all items in this view for several days prior to the sale. You are encouraged to ex- cies or their implementation PRIOR TO BIDDING. catalog are sold in “as is” condition. We do amine lots thoroughly. You may also request condition reports (see our best to properly describe all materials Successful Bids: The fall of the auctioneer’s hammer indicates the below). Profiles in History’s staff are available at viewings and by final bid. Profiles in History will record the paddle number of the herein, but normal wear and tear is common appointment. buyer. If your salesroom or absentee bid is successful, you will be due to the fragile nature of the items includ- Hours of Business: Profiles in History is open from 8 a.m. to 5 p.m. notified after the sale by mailed or emailed invoice. ing their age and use in film and TV produc- on weekdays. The viewing schedule for the auction is published in tions. We are not responsible for a zipper not Unsold Lots: If a lot does not reach the reserve, it is bought-in. In the front of the auction catalog. other words, it remains unsold and is returned to the consignor. working, a piece missing from a prop, etc. Condition Reports: If you wish to obtain additional information on Tears or alterations to the fabric or original AFTER THE AUCTION a particular lot, or cannot appear at the viewing, Profiles in History design of a costume, or broken/missing piec- may provide, upon request, a condition report. We remind prospec- Payment: You are expected to pay for your purchases in full within es to a prop are to be expected. While many tive buyers that descriptions of property are not warranted and that seven calendar days of the sale or five calendar days from the in- of the props, costumes and other memorabilia each lot is sold “as is” in accordance with the terms of the limited voice date, whichever is later, and to remove the property you have are currently displayable in their screen-used warranty. Condition reports, as other descriptions of property, are bought by that date. condition, these items may require some res- not warranted; they are only provided as a service to interested cli- Shipping: After payment has been made in full, Profiles in History ents. Neither Profiles in History nor the consignor make any express toration to be returned to their pre-produc- may, as a service to buyers, arrange to have property packed, insured or implied representation or warranty concerning the condition of tion state. Many of the items featured have and shipped at your request and expense. For shipping information, any lot offered for sale; any information furnished does not modify been modified and altered for subsequent please contact Profiles in History at (310) 859-7701. In circumstanc- or negate the limited warranty contained in the Conditions of Sale. es in which Profiles in History arranges and bills for such services productions and may differ from the original See Paragraph 10 of the Conditions of Sale for important restrictions via invoice or credit card, we will also include an administration production usage. as to reliance on condition reports. charge. Packages shipped internationally will have full value de- The term “working prop” denotes that the Registration: If you are planning to bid at auction, you will need clared on shipping form. prop was originally made to do something to register with us. Please arrive 30 or 45 minutes before the sale to Sales Results: Interested clients may obtain sale results for specific unlike a static prop. This does not mean that complete bidder registration and to receive a numbered paddle to lots at least three business days after the auction by calling Profiles the prop works today, although in many cir- identify you if you are the successful bidder. If you are a new client, in History at (310) 859-7701. cumstances it may be possible to have the or if you have not made a recent purchase at Profiles in History, you may be asked to supply bank and/or other credit references when THE SELLER prop restored to its original configuration. you register. To avoid any delay in the release of your purchases, we We strongly encourage you to either preview Auction Estimate: If you are considering selling your property, suggest that you pre-arrange check or credit approval. If so, please the items before bidding, or call for a more you can bring items to our Calabasas Hills salesroom by appoint- contact Profiles in History at (310) 859-7701 or by fax at (310) 859- specific condition report on items of interest. ment only. If a visit is not practical, you may instead send a clear 3842. You must acknowledge having read your agreement with all photograph together with dimensions and any other pertinent in- of the Conditions of Sale prior to your registration and prior to your formation you may have. Profiles in History cannot be responsible bidding on any lot. or liable in any case for damage or loss to photographs or other Please remember that the buyer is respon- The Auction: All auctions are open to registered bidders only. You information sent. sible for all shipping charges from Profiles must register to bid or otherwise participate. Consignment Agreement: If you decide to sell your property at auc- in History’s offices in Calabasas Hills, CA to Bidding: Property is auctioned in consecutive numerical order, as it tion, the procedures are simple and you should find Profiles in His- the buyer’s door. Items that are of unusual appears in the catalog. The auctioneer will accept bids from those tory staff helpful to you throughout the process. After discussions size and/or weight will require special han- present in the salesroom or absentee bidders participating by tele- with our staff you will receive a contract (Consignment Agreement) phone, internet or by written bid left with Profiles in History in to sign, setting forth terms and fees for services we can provide, such dling and will incur an additional shipping advance of the auction. The auctioneer may also execute bids on as insurance, shipping and catalog illustrations. For all categories, premium as charged by the carrier. Please see behalf of the consignor to protect the reserve, either by entering Profiles in History’s standard consignor commission rates are fifteen Terms & Conditions of Sale. bids in response to salesroom, telephone or absentee bids. Under percent (15%) of the final bid price. Profiles in History generally www.profilesinhistory.com 3 Animation Auction

1. (2) Original Winsor McCay production drawings from Gertie the Dinosaur. (Winsor McCay, 1914) (2) Rare and historical produc- tion drawings from Winsor McCay’s groundbreaking film Gertie the Dinosaur. McCay, an accomplished illustrator and Vaudeville performer, made 2 animated films previously. The first, Little Nemo (using characters from his popular newspaper strip), debuted in 1911 and used 4,000 animation draw- ings. McCay hand-colored the 35mm frames to achieve a striking effect and used the film in his vaudeville act. An experiment in movement with no real storyline, it was well received and McCay began work on his second film, The Story of a Mosquito, which took one year to complete. The Story of a Mosquito tells a comic tale of a mosquito’s encounter with a drunk. While also a big hit, theatre patrons suspected McCay was performing some sort of trick with wires. Motion pictures were quite new and movie audiences were naive and still getting accustomed to the medium. The idea of a drawing coming to life was unheard of. McCay decided to animate a Dinosaur to prove that his drawings moved. Thus, in 1913 McCay began to animate Gertie the Dinosaur. He enlisted the help of a young neighbor, John A. Fitzsimmons who traced backgrounds onto rice paper while McCay did all the principle drawings. 10,000 drawings were inked on rice paper and mounted on cardboard for registration. In this way, McCay was able to flip drawings through a primitive machine to check his work. With nothing but his own experience to rely on, McCay produced an astonishing piece of animation that holds up even to today’s standards. McCay painstakingly animated details such as particles of dirt falling, and water dripping. He gave Gertie personality and emotions. We see her eating, drinking, playing, and even crying. In February of 1914, Gertie the Dinosaur debuted in Chicago as part of McCay’s vaudeville act. McCay would appear onstage next to a movie screen and brandishing a whip. He would speak to the audience and explain how animated films were made, photographed, and projected. He would then introduce Gertie as, “the only Dinosaur in captivity”. At the crack of his whip, the film would begin. The act was an instant sensation and Gertie became one of the first cartoon “stars”. No film exists of McCay’s act, but in September of 1914, a film with a live-action prologue and epilogue was produced in which McCay makes a bet with friends that he can bring a Dinosaur to life. McCay’s stage dialogue with Gertie was replaced with inter-titles. The film retained much of its charm. A film with a “star” and a storyline, Gertie the Dinosaur became a landmark in the history of animation. Of the 10,000 drawings used to make the film, only around 400 are known to have survived. McCay went on to create several more animated films, and was one of the first to use cels rather than paper. Gertie still stands as his masterpiece and the most influential animated film of all time. Accomplished in ink on rice paper tipped to board, Gertie measures 3.5 x 6.5 in. on one drawing and 4 x 5.5 in. on the other Overall dimensions 6.5 x 8.5 in. Sequence numbers in lower right corners. $3,000 - $5,000 4 1-310-859-7701 5. Original production storyboard drawing from Mr. Bug Goes to Town. (Fleischer/Famous Studios, 1941) Vintage original production 2. Original production drawing featuring “Popeye” from Sock- storyboard drawing from the 1941 Fleischer Studios short, Mr. Bug Goes a-Bye, Baby. (Fleischer Studios, 1934) Rare original production drawing to Town. The untrimmed storyboard paper measures 8.5 x 11 in. Image of “Popeye” holding a crying baby from the 1934 Fleischer Studios short, size is 6 x 8 in. Overall condition is very good with minor edge wear. Sock-a-Bye, Baby. Accomplished in graphite on untrimmed 8.5 x 11 in. $200 - $400 animation paper. Image size is 6 x 7 in. Overall condition is very fine with slight discoloration. $400 - $600

3. Original production drawing featuring “Spunky” from 6. Original production story drawing from Popeye’s Mirthday. Always Kickin’. (Fleischer Studios, 1939) Rare original production (Paramount/Famous Studios, 1953) Original production story drawing drawing of “Spunky” holding a bird from the 1939 Fleischer Studios featuring” Popeye” and his nephews from, Popeye’s Mirthday. The “Popeye short, Always Kickin’. “Spunky”, along with his mother “Hunky”, starred the Sailor” series of theatrical shorts originated at Fleischer Studios in in a series of Color Classic Theatrical shorts between 1938 and 1941. The 1933. In 1941, Paramount seized control of the struggling studio and untrimmed animation paper measures 8.5 x 11 in. Image size is 4 x 4.5 in. renamed it Famous Studios. Much of the original staff of animators and Overall condition is very good with minor edge wear and discoloration directors stayed with the studio and continued the “Popeye” theatrical spots. $200 - $400 series through 1957. Accomplished in graphite, on untrimmed 8.5 x 11 in. animation paper. Total image size is 8.5 x 11 in. Paper condition is very good with very little wear throughout and pinholes in the corners. $200 - $300

7. Original production story drawing drawing from Spooking About Africa. (Paramount/Famous Studios, 1957) Original produc- tion story drawing featuring ”Casper the Friendly Ghost” from, Spooking About Africa. The first “Casper the Friendly Ghost” theatrical short originated at Famous Studios in 1945. After two more succesful outings, Paramount started a theatrical series that ran from 1950 thru 1959. Casper 4. Original production layout drawing from Gulliver’s Travels. went on to become one of the most famous properties from Paramount/ (Fleischer Studios, 1939) Vintage original detailed production layout Famous Studios. In 1959 Alfred Harvey, founder of Harvey Comics, drawing from the 1939 Fleischer Studios feature film, Gulliver’s Travels. bought the rights to “Casper” and began broadcasting the theatrical series The animation paper measures 12.5 x 11 in. Image size is 10.5 x 7 in. on Television under the Harveytoons banner. Accomplished in graphite, The page is comprised of two sheets that are attached at the center seam. on untrimmed 8.5 x 11 in. animation paper. Total image size is 8.5 x 11 Overall condition is good with discoloration, wrinkling, creases, and pin- in. Paper condition is very good with very little wear throughout and holes from production use. $200 - $400 pinholes in the corners. $200 - $300

www.profilesinhistory.com 5 Animation Auction

8. Original key master production cel and background featuring “Popeye” from Rocket to Mars. (Famous, 1947) (Famous Studios, 1946) Stunning original production cel and key master matching background featuring “Popeye” from the 1947 Famous Studios short, Rocket to Mars. The key master set up measures 12.5 x 16 in. Popeye’s image size is 6 x 5.5 in. Overall condition is very good with a small tear near the left edge of the cel. $2,000 - $4,000

9. Rare original key master production cel and background featuring “Casper” from Boo Moon. (Famous Studios, 1954) Extremely rare original production cel and key master matching background featuring “Casper” from the 1954 Famous Studios short, Boo Moon. One of only two shorts produced by the studio in the “Sterotoon” 3D format, it featured spectacular imagery and detailed background painting. The key master set up measures 12.5 x 16 in. Overall condition is very fine with all paint intact. $6,000 - $8,000 6 1-310-859-7701 10. Original production cel and background from Popeye the 13. Original Ub Iwerks “Flip The Frog” production drawing Sailor. (King Features Syndicate, 1960) Original production cel of from Flying Fists (Iwerks Studios, 1930) Rare original production “Swee’Pea” from the Popeye the Sailor TV Series of the 1960s. In the late drawing of “Flip the Frog” from, Flying Fists. This short was Flip The 1950s Fleischer Studios’ Popeye the Sailor theatrical shorts were broadcast Frog’s second appearance and the second release from Iwerks’ new stu- regularly on TV and garnered big ratings. King Features Syndicate, who dio after keaving Disney. Accomplished in graphite on untrimmed 9.5 x owned the rights to Popeye, but not to the Fleischer cartoons, decided 12 in. animation paper. Total Image size is 3.5 x 3 in. Drawing is in fine to start a new series to capitalize on his popularity. The new series used condition with very little wear throughout. $400 - $600 multiple studios for production including Jack Kinney Studios, Halas and Batchelor, and even Paramount Cartoon Studios. The series ran from 1960 through 1962 and 220 episodes were produced. The untrimmed cels of “Swee’Pea” and a bird measure 10.5 x 12.5 in. and have been placed on a production background. “Swee’Pea’s” image size is 3 x 3.5 in. Overall condition is fine with all paint intact. $200 - $400

14. Original Ub Iwerks “Flip The Frog” production model drawing. (Iwerks Studios, 1933) Rare original production model drawing featuring expressions of “Flip the Frog” from, a 1930s short. 11. Original Ub Iwerks production model drawing from Accomplished in red pencil on untrimmed 9.5 x 12 in. animation paper. Fiddlesticks. (Iwerks Studios, 1930) Original model drawing of Total Image size is 4 x 11 in. Drawing is in fine condition with very little a violin-playing mouse from Ub Iwerks first “Flip the Frog” short, wear throughout. $400 - $600 Fiddlesticks. Filmed in two-color Technicolor (two years before Disney made his first color short), “Fiddlesticks” was Iwerks first release from his new studio after leaving Disney. Accomplished in graphite and colored pencil on untrimmed 9.5 x 12 in. animation paper. Total Image size is 4.5 x 9 in. Drawing is in fine condition with very little wear throughout. $200 - $400

12. (2) Original Ub Iwerks production cels from 1930s shorts. (Iwerks Studios, 1930) (2) Original hand-painted production cels or model cels from an early Ub Iwerks cartoon shorts. Cels from this era 15. Original model drawings from The Foxy Terrier. (Van Beuren, and this studio are extremely rare. The cel of the “Swashbuckler” is 1935) Rare original model drawings from Van Beuren Studios’ The Foxy trimmed to image and measures 4.25 x 5 in. The cel of the “Chinese Terrier. The overall sheet is untrimmed, measuring 12 x 9.5 in. Image area men” is trimmed to 4 x 3.25 in. Both cels have some chipping and ink of model drawings is 10 x 8 in. Overall condition is very good with very wear. $300 - $500 minor edge wear. $100 - $200

www.profilesinhistory.com 7 Animation Auction

16. Original model sheet featuring “Widow Perkins” 19. Original production background from a Screen Gems Short from Parrotville Post-Office. (Van Beuren, 1935) Rare orig- (Screen Gems/Columbia Studios, 1940s) Original production back- inal hand-drawn model sheet featuring “Widow Perkins” from ground featuring an overhead view of a city from a 1940s Screen Gems Van Beuren Studios’ Parrotville Post-Office. The untrimmed sheet theatrical short. The untrimmed background measure 10 x 12 in. Overall measures 9.5 x 12 in. Image area measures 8.25 x 11 in. Overall condition is very good. $100 - $200 condition is very good with very minor edge wear. $100 - $200

17. Original production drawing of “Krazy Kat” from Little 20. Original production cel from The Happy Tots on water- Lost Sheep. (Columbia Studios, 1939) Original production drawing of color production background. (Columbia Studios, 1939) Original “Krazy Kat” from Little Lost Sheep. A popular comic strip, “Krazy Kat” was production cel from the 1939 Color Rhapsody, The Happy Tots. The cel first animated by the Hearst Studios in 1916, then again by Bray Studios has been placed on a watercolor production background from another in 1920. In 1925, Bill Nolan initiated a series that eventually ended up Columbia Studios production. Both the cel and background have been at Mintz Studios and Columbia Pictures. The series ran until 1940. The slightly trimmed to 8.25 x 11 in. Drawing is in fine condition with mini- untrimmed animation paper measures 10.25 x 12 in. The total image size mal wear and no paint loss. $600 - $800 of the characters is 3.25 x 11.5 in. Drawing is in good condition with some light staining and a tear around one of the top peg holes (image not affected). $100 - $200

21. Terrytoons original Heckle And Jeckle production cels on production background. (Terrytoons, 1949) Two extremely rare cels of “Heckle” and “Jeckle” from the theatrical short series of the same name. Created by Paul Terry at his own studio and released through 20th 18. Original production cel and production background from Century Fox, “Heckle And Jeckle” first appeared in 1946 in The Talking The Fox and the Crow. (Screen Gems, c. 1940s) Original produc- Magpies, Their theatrical career would run for 20 years, ending in 1966. tion cel and production background from a Screen Gems theatrical The untrimmed cels measure 10 x 12 in. and have been placed on a short. Created in 1941, by animator/director Frank Tashlin, “Fauntleroy Terrytoons production background from the same era. The untrimmed Fox” and “Crawford Crow” quickly became the studio’s most popular background measures 10 x 13.25 in. and has a Terrytoons Studios stamp characters. Both the untrimmed cel and background measure 10 x 12 in the upper left corner. Total image size of the two characters is 4.5 x 7 in. Exhibiting some wrinkling at the base of the cel, overall very good in. Overall condition is very good with slight wear to the edges of the condition. $200 - $400 background. $400 - $600 8 1-310-859-7701 22. Extremely rare Walter Lantz master “Dinky Doodle” publicity photo with original art. (Bray Studios, 1924) Amazing and extremely rare publicity photo featuring Walter Lantz with original artwork of “Dinky Doodle”. Lantz began his career at age 16 as a cameraman at the fledgling Hearst Animation Studio. By age 18, he was a full fledged animator. In 1919, at the age of 19, Lantz moved to the John R,. Bray Studios. Bray, a pioneer in animation, soon promoted Lantz to the position of studio manager and made Lantz responsible for creating his own characters. Lantz’s first creation was “Dinky Doodle” and his canine pal, “Weakheart”. Expanding on the format of Fleischer’s popular Out Of The Inkwell series, Lantz appeared in the “Dinky Doodle” shorts and combined live-action with animation. Presented here is a master photo of Lantz from one of the “Dinky Doodle” shorts. Images of “Dinky Doodle”, “Weakheart”, and natives, as well as the tree and rope he has been tied with, have been created on paper, trimmed out and applied to the photo to create the scene. This master photo was then photographed again and used for publicity purposes. The final negative of the scene is also included. Inked in the lower right-hand corner is “DD#10”, indicating it is the 10th “Dinky Doodle” cartoon produced. Lantz left Bray in 1927, moved to California and after a brief stint with the Max Sennett studio, founded the Universal Studios Animation studio, took over “Oswald The Lucky Rabbit” from Disney, and went on to create an enourmous catalog of animated characters including “Woody Woodpecker”, “Andy Panda” and “Chilly Willy”. This is an extremely important piece in the history and development of animation. Overall condition is very good with slight wear throughout. The entire piece measures 10 x 8 in. $2,000 - $3,000

www.profilesinhistory.com 9 Animation Auction

26. Original production cel from a Walter Lantz cartoon short. (Lantz/universal Studios, 1940) Unusual production cel featur- 23. Original production cel of Leopold Stokowski from Walter ing “The Admiral’s Butler” from an early 1940s Walter Lantz short. After Lantz’s Hollywood Bowl. (Lantz/Universal Studios, 1938) Rare the success Courvoisier Galleries had in marketing the artwork of the original production cel from Walter Lantz’s 1938 short, Hollywood Bowl. Disney Studios, almost every major studio made their own attempt to As was popular among all the animation studios during this time period, market their cels. In the case of this particular cel, it has been trimmed to this short featured caricatures of popular stars of the era. The untrimmed 8 x 6.5 in. and placed on a wood grain background with a custom mat. cel measures 10.25 x 12 in. The character’s image size is 7.5 x 4 in. Cel The mat is inscribed, “The Admiral’s Butler---an original by Walter Lantz”. is in good condition with paint loss and lifting throughout. $300 - $500 A wonderful example of Lantz and Universal’s attempts to market the artwork generated in the production of an animated short. The entire matted piece measures 12 x 10 in. The Butler’s image size is 7 x 5 in. In very fine condition with all paint intact. $200 - $400

27. Original production cel and matching vertical pan production background from Mousie Come Home. (Lantz/Universal Studios, 1946) Beautiful vertical pan watercol- or production background with matching production cel from the 1946 “Andy Panda” theat- rical short, Mousie Come Home. 24. Original production cel of Martha Raye from Walter The untrimmed production cel Lantz’s Hollywood Bowl. (Lantz/Universal Studios, 1938) Rare measures 10 x 12 in. The verti- original production cel featuring Martha Raye from Walter Lantz’s 1938 cal pan background measures short, Hollywood Bowl. As was popular among all the animation studios 13.5 x 24.5 in. The background during this time period, this short featured caricatures of popular stars of has a crease in the center where the era. The untrimmed cel measures 10.25 x 12 in. The character’s image it was once folded. The cel size is 5.5 x 3.5 in. Cel is in very good condition with some ink wear and is in fine condition with all lifting. $300 - $500 paint intact. The background has some slight staining but overall in very good condition. $800 - $1,000

25. Original production cel of Joe Penner from Walter Lantz’s Hollywood Bowl. (Lantz/Universal Studios, 1938) Rare original 28. Original production background and original story paint- production cel featuring Joe Penner from Walter Lantz’s 1938 short, ing from Mousie Come Home. (Lantz/Universal Studios, 1946) Hollywood Bowl. As was popular among all the animation studios during Beautiful watercolor production background paired with a watercolor this time period, this short featured caricatures of popular stars of the story painting from the 1946 “Andy Panda” theatrical short, Mousie Come era. The untrimmed cel measures 10.25 x 12 in. The character’s image Home. The untrimmed production background 10.5 x 14.5 in. The story size is 6.5 x 6.5 in. Cel is in good condition with paint loss and lifting painting measures 8.5 x 10.5 in. Both are in fine condition with some throughout. $300 - $500 tape residue along the edges and minor wear. $600 - $800 10 1-310-859-7701 29. Original production background and drawing of “Andy Panda” from Andy Panda’s Victory Garden. (Universal/Lantz, 1943) Rare original production background and production drawing featuring “Andy Panda” from Walter Lantz’s Universal Pictures short, Andy Panda’s Victory Garden. The drawing is untrimmed and measures 10.5 x 12.5 in. The image of Andy Panda with his wheelbarrow is 7.5 x 9 in. The 32. Original production cel of “Woody Woodpecker” on pro- background is slightly trimmed to 9.75 x 12.5 in. Background image size duction background. (Universal/Lantz, 1950s) Original production is 8.5 x 11.5 in. Overall condition is very good with small pinholes in cel and production background featuring a full-figure side view pose of top center of the drawing and discoloration in lower right corner of the “Woody Woodpecker” from a 1950s Walter Lantz Woody Woodpecker short. background. $500 - $800 The cel and background are slightly trimmed to 9.5 x 11.5 in. Image size of Woody Woodpecker is 6.75 x 4.5 in. Overall condition is very good with some minor line wear and paint lifting. Staple holes in the upper corners. $200 - $300

33. Signed original production cel and production background featuring “Woody Woodpecker”. (Lantz/Universal Studios, 1950s) Beautiful original production cel of “Woody Woodpecker” placed on a hand-painted production background from the studio. The untrimmed cel and background measure 10 x 12 in. The cel has been hand-signed 30. Original end title cel and background from Woody by Walter Lantz. Woody’s image size is 5 x 6 in. Overall condition is fine Woodpecker. (Universal/Lantz, 1950s) Rare original production end with all paint intact. $400 - $600 titles cel and background from a 1950s Walter Lantz Woody Woodpecker short. The cel and background are untrimmed and measure 10.5 x 12.5 in. Image size is 9 x 12 in. Overall condition is very good with adhesive residue in margins. $400 - $600

31. (2) Original Grim Natwick production drawings of “Woody Woodpecker”. (Universal, c. 1940s) Vintage original production draw- 34. Original production cel and background from Hot Noon. ings from a 1940s Walter Lantz Woody Woodpecker short. These drawings (Universal, 1953) Rare original production cel and background from were done by animator Grim Natwick, who is credited with designing Walter Lantz’s Universal Pictures short, Hot Noon. The cel and back- Betty Boop for Fleischer Studios. Both drawings are on untrimmed ani- ground are untrimmed and measure 10.5 x 13 in. The image size is 9.5 mation paper measuring 10.5 x 12.5 in. Overall condition is very good x 12 in. Overall condition is fine with tape attaching the cel and back- with minor edge wear. $100 - $200 ground together in the corners. $200 - $400

www.profilesinhistory.com 11 Animation Auction

35. Original presentation boards featuring artwork from All Hams On Deck. (Lantz/Universal Studios, 1970) Unusual oversize presenta- tion boards, used by the studio to demonstrate how cartoons are made. Both boards measure 30 x 40 in. The title board features an 11 x 14 in. photo of Lantz at work with a hand-lettered title “How Cartoons Are Made”. The second board features three photos of Lantz and staff members as well as an original music script and storyboard panels from the Woody Woodpecker short, All Hams On Deck. Overall condition is very good with lots of edge wear. $1,500 - $2,000

36. Signed original production cel, production drawing, and production background featuring “Chilly Willy”. (Lantz/ 37. Original production cel of “Woody Woodpecker” from Universal Studios, 1970s) Original production cel of “Chilly Willy” Academy Awards. (Universal, 1991) Rare original production cel fea- placed on a hand-painted production background from the studio. The turing “Woody Woodpecker” holding a list of nominees for best animated untrimmed cel and background measure 10 x 12 in. The cel has been short film from The Academy Awards in 1991. The cel is untrimmed and hand-signed by Walter Lantz. Also included is the matching original pro- measures 10.5 x 12.5 in. Image size of Woody Woodpecker and his list is duction drawing. Chilly’s image size is 2.5 x 2.5 in. Overall condition is 7.5 x 9.5 in. Overall very good condition. $100 - $200 fine with all paint intact. $200 - $400 12 1-310-859-7701 38. Original model drawing from The Chinese Nightingale. 40. Original concept painting for The Dance Of The Weeds. (MGM Studios, 1935) Rare original model drawing of the Chinese (MGM Studios, 1941) Beautiful original concept painting for the emperor from the early MGM studio production, The Chinese Nightingale. Rudolph Ising directed short, The Dance Of The Weeds. Accomplished in The untrimmed animation paper measures 9.75 x 12 in. In fine condition Gouache on 6 x 8.5 in. artists board. In fine condition with very light with very light wear. $100 - $200 wear. $200 - $400

39. Original production drawing from Little Ol’ Bosko And The Cannibals. (MGM Studios, 1937) Rare original production drawing featuring “Bosko” from Little ol’ Bosko and the Cannibals. “Bosko” was conceived by Hugh Harman and Rudolph Ising, in 1927 while the pair worked with Walt Disney on his Alice Comedies series. They had hoped to use the character to capitalize on the new “talkie” craze sweeping the motion picture industry. In 1929, after leaving Disney and a short stint at Universal, they produced a short pilot sound cartoon to market their character. This short was the first animated production in history to use synchronized speech. Leon Schlesinger offered the pair a contract to produce a series of cartoons and Bosko became one of the first stars of the Merrie Melodies series. Harman and Ising kept all rights to their character and after a contract dispute in 1933, left Warner Bros and took their character to MGM Studios, where he was redesigned into the little boy seen here. Accomplished in graphite, and colored pencil on untrimmed 9.5 x 12 in. animation paper. Paper condition is fine with very little wear throughout. Image size is 6.5 x 5.5 in. $400 - $600

41. Original opening title cel and original background from The Dance Of The Weeds. (MGM Studios, 1941) Incredibly rare original production title cel and matching production background from The Dance Of The Weeds. The untrimmed cel and background measure 10.5 x 13 in. There is some paint missing in the lettering, but overall in very good condition. $800 - $1,000

www.profilesinhistory.com 13 Animation Auction

42. Original production layout drawing from Tex Avery’s Dumb Hounded. (MGM Studios, 1943) Beautifully detailed original produc- 45. Signed original production drawing from Tex Avery’s tion layout drawing from Dumb Hounded. Directed by Tex Avery, Dumb Swingshift Cinderella. (MGM Studios, 1945) Original produc- Hounded the first appearance of “Droopy Dog”. The untrimmed anima- tion drawing featuring “Red Hot” from the Tex Avery directed short, tion paper measures 10.5 x 12.5 in. In fine condition with very little wear Swingshift Cinderella. The drawing has been hand-signed by animator throughout. $400 - $600 Preston Blair. The untrimmed animation paper measures 10.5 x 12.5 in. The image of “Red Hot” measures 4 x 4.5 in. In fine condition with very little wear throughout. $300 - $500

46. Original production drawing of “Red Hot” from Swing Shift Cinderella. (MGM Studios, 1945) Original production draw- 43. Original production layout drawing from Barney Bear ing featuring “Red Hot” from Tex Avery’s Swing Shift Cinderella. and the Uninvited Guest. (MGM Studios, 1943) Beautifully detailed Accomplished in graphite on untrimmed 10.5 x 12.5 in. animation. original production layout drawing for the opening titles of Barney Bear Image size is 8.5 x 7.5 in. Studio stamp along bottom edge. Drawing is and the Uninvited Guest. Accomplished in graphite and colored pencil, in fine condition with light edge wear. $600 - $800 the untrimmed animation paper measures 10.5 x 12.5 in. In fine condi- tion with very little wear throughout. $400 - $600

44. (2) Original production drawings from Tex Avery’s Screwball Squirrel. (MGM Studios, 1944) (2) Original production 47. (2) Original production drawings from Tex Avery’s Senor drawings featuring “Screwy Squirrel” and the dog from the classic Tex Droopy. (MGM Studios, 1949) (2) Original production drawings featur- Avery directed short, Screwball Squirrel. The untrimmed animation paper ing Droopy and the bull from the classic Tex Avery directed short, Senor measures 10.5 x 12.5 in. The image of the Squirrel measures 4 x 4.5 in. Droopy. The untrimmed animation paper measures 10.5 x 12.5 in. In fine In fine condition with very little wear throughout. $200 - $400 condition with very little wear throughout. $200 - $400 14 1-310-859-7701 48. Original opening title cel and original background from The Cat and the Mermouse. (MGM Studios, 1949) Incredibly rare original production title cel and matching production background from the “Tom And Jerry” short, The Cat and the Mermouse. The untrimmed cel and back- ground measure 10.5 x 13 in. In very good condition. $800 - $1,000

49. (15) Original animation drawings featuring Tom and Jerry. 50. (20) Original animation drawings featuring “Tom” the cat. (MGM Studios, 1940s) (15) Rough animation drawings featuring Tom (MGM Studios, 1940s) (20) Rough animation drawings featuring Tom and Jerry from a 1940s theatrical short. The drawings came from the the cat from a 1940s theatrical short. The drawings came from the estate estate of animator Pete Burness, who worked on the early Tom and Jerry of animator Pete Burness, who worked on the early Tom and Jerry shorts shorts before leaving for a career at UPA studios. The untrimmed anima- before leaving for a career at UPA studios. The untrimmed animation tion paper measures 10.5 x 12.5 in. In varying conditions with wear along paper measures 10.5 x 12.5 in. In varying conditions with wear along the the edges. $200 - $400 edges. $200 - $400

www.profilesinhistory.com 15 Animation Auction

51. (20) Original animation drawings featuring “Tom” the cat. (MGM Studios, 1940s) (20) Rough animation drawings featuring Tom the cat from a 1940s theatrical short. The drawings came from the estate 54. Original production layout drawing from Missing Mouse. of animator Pete Burness, who worked on the early Tom and Jerry shorts (MGM Studios, 1953) Detailed original layout drawing featuring Jerry before leaving for a career at UPA studios. The untrimmed animation mouse from Missing Mouse. The untrimmed animation paper measures paper measures 10.5 x 12.5 in. In varying conditions with wear along the 10.5 x 12.5 in. In fine condition with very little wear throughout. edges. $200 - $400 $100 - $200

52. Original production cel and production background from A Rainy Day. (MGM Studios, 1953) Original production cel of a bear 55. Original production layout drawing from Missing Mouse. placed on a production background from the 1953 MGM theatrical (MGM Studios, 1953) Detailed original layout drawing featuring Jerry short, A Rainy Day. The untrimmed cel and background measure 10.5 x mouse from Missing Mouse. The untrimmed animation paper measures 12.5 in. In fine condition with all paint intact. $200 - $400 10.5 x 12.5 in. In fine condition with very little wear throughout. $100 - $200

56. Original production Layout drawing from Downhearted 53. (4) Original production layout drawings featuring “Nibbles” Duckling. (MGM Studios, 1954) Original production layout drawing from Touche’ Pussycat. (MGM Studios, 1953) (4) Original layout featuring “Tom” and the duckling from the 1954 MGM “Tom And Jerry” drawings featuring Nibbles (also known as “Tuffy”) from Touche’ Pussycat. short, Downhearted Duckling. Accomplished in graphite on untrimmed The untrimmed animation paper measures 10.5 x 12.5 in. All are in fine 10.5 x 12.5 in. animation paper. Drawing is in fine condition with light condition with very little wear throughout. $200 - $400 edge wear. $300 - $500 16 1-310-859-7701 57. (2) Original production cels from Tex Avery’s The First Bad Man. (MGM Studios, 1955) (2) Original production cels from the Tex Avery directed short, The First Bad Man. Released in 1955, the characters in this short were designed by Ed Benedict, who would later design the characters for Hanna-Barbera’s The Flintstones. This setup consists of an untrimmed pan cel of a Texas Caveman and his woman. The cel measures 10.5 x 37 in. The second cel features “Dinosaur Dan” (The first Bad Man) stealing all the women and is an untrimmed 10.5 x 12.5 in. cel. Both cels have been placed on a pan color copy background. The cels are in very fine condition with all paint intact. Special 60. Joe Barbera signed original storyboard page shipping arrangements will apply. $200 - $400 from Designs On Jerry. (MGM Studios, 1955) Original production storyboard page from, Designs on Jerry. The Tom and Jerry Theatrical series originated at MGM Studios in 1940, under the guidance of Bill Hanna and Joe Barbera. The series was extremely popular and 114 theatrical shorts were made by Hanna and Barbera through 1957. This particular storyboard page was hand- drawn and signed by Joe Barbera. The page (whose scene appears in the final version) has notes from Barbera to layout artist Dick Bickenbach (“Bick”) who was uncred- ited on this short. Bickenbach later followed Hanna and Barbera to their new studio and was responsible for layout and design on The Flintstones and The Yogi Bear Show. Accomplished in graphite, and colored pencil on untrimmed 10.5 x 12.5 in. animation paper. Total image size is 10.5 x 12.5 in. Paper condition is fine with very 58. Original production layout drawing from Designs On Jerry. little wear throughout. $200 - $400 (MGM Studios, 1955) Detailed original layout drawing from Designs On Jerry. The untrimmed animation paper measures 10.5 x 12.5 in. In fine condition with very little wear throughout. $100 - $200

59. Original production cel of “Nibbles” from Tom and Cherie. (MGM Studios, 1955) Original pro- duction cel of “Tuffy” from the short, Tom and Cherie. Directed by Bill Hanna and Joe Barbera, this classic MGM Tom and Jerry short co-starred Nibbles (also known as “Tuffy”), who appeared in 13 Tom and Jerry Shorts between 1946 and 1958. The untrimmed animation 61. Original production cel and production background from Invitation To Dance. (MGM cel measures 10.5 x 16 in. “Nibble’s” Studios, 1956) Incredible Original production Cels and production background from the animated image size is 3 x 3.25 in. Overall con- sequence of the Gene Kelly feature, Invitation To Dance. The images of Gene Kelly and the boy have been dition is very fine with all paint intact. trimmed to image and applied to the cel of the girl, as prepared at the studio for presentation. The entire $200 - $300 piece measures 10.5 x 12.5 in. In fine condition with very little wear throughout. $1,000 - $1,500

www.profilesinhistory.com 17 Animation Auction

62. Original production cels with production background from Mucho Mouse. (MGM Studios, 1957) Original production cels featuring “Tom”, “Jerry” and “a cool cat” placed on an original production background from Mucho Mouse. The cels and background were slightly trimmed at the studio to 8 x 12 and custom matted for presentation. The mat is inscribed at the base of the opening, “An original from the Metro-Goldwyn- Mayer cartoon - Mucho Mouse - starring Tom And Jerry”. It is also inscribed in the lower right corner, “Best Wishes To Ben and Geri - from Tom And Jerry”. Cels are in fine condition with all paint intact. $3,000 - $4,000

63. Original production cels with production background from Robin Hoodwinked. (MGM Studios, 1958) Original production cels featuring “Tom”, “Jerry” and “Nibbles” (also known as “Tuffy”) placed on an original production background from Robin Hoodwinked. The cels and background were slightly trimmed at the studio to 8 x 12 in. and custom matted for presentation. The mat is inscribed at the base of the opening— “An original from the Metro-Goldwyn-Mayer cartoon - Robin Hoodwinked - starring Tom And Jerry”. It is also inscribed in the lower right corner—“Best Wishes To Ben and Geri”. Cels are in fine condition with all paint intact. $1,800 - $2,000 18 1-310-859-7701 64. Original production title cel and production Background from MGM Cartoon Carnival. (MGM Studios, 1959) Fantastic original production title cel and matching production background from MGM’s 1959 feature compilation, MGM Cartoon Carnival. The untrimmed cel and background measure 10.5 x 12.5 in. Setup is in fine condition with all paint intact. $1,000 - $2,000

65. Original production cel and production background from 66. Original production cel from MGM Cartoon Carnival. MGM Cartoon Carnival. (MGM Studios, 1959) Original production (MGM Studios, 1959) Original production cel featuring “Spike” and Cel and background featuring “Lucky Ducky” from the 1959 compila- “Tyke” from the 1959 compilation feature, MGM Cartoon Carnival. The tion feature, MGM Cartoon Carnival. The entire piece measures 10.5 x entire cel measures 10.5 x 12.5 in. In fine condition with all paint intact. 12.5 in. In fine condition with very little wear throughout. $400 - $600 $600 - $800

www.profilesinhistory.com 19 Animation Auction

69. Original production cels from Chuck Jones’ The Dot And The Line. (MGM Studios, 1965) Original production cels of the “Dot” and the “Line” from The Dot And The Line. Inspired by a book written and illustrated by Norton Juster, and directed by Chuck Jones, this 10-minute short won the Academy Award for Animated Short Film in 1965. The untrimmed animation cels measure 10 x 12.5 in. and have been placed 67. Original production cel from MGM Cartoon Carnival. on a colored paper background. The total image size of the characters is 6 (MGM Studios, 1959) Original production cel featuring “Barney Bear” x 6 in. Cel is in fine condition with some wear at the base of the image. from the 1959 compilation feature, MGM Cartoon Carnival. The entire cel $300 - $500 measures 10.5 x 12.5 in. In fine condition with all paint intact. $600 - $800

68. Original storyboard panel drawing from It’s Greek to Me-Ow! (MGM Studios, 1961) Original production storyboard panel drawing featuring ”Tom and Jerry” from, It’s Greek To Me-Ow! The Tom and Jerry theatrical series originated at MGM Studios in 1940, under the guidance of Bill Hanna and Joe Barbera. The series was extremely popular and 114 theatrical shorts were made by Hanna and Barbera through 1957. After Hanna and Barbera left to form their own studio, MGM revived the series in 1960 using a European animation studio, Rembrandt Films, and director Gene Deitch to produce the series. Accomplished in graphite, 70. Signed How The Grinch Stole Christmas original drawing and colored pencil on untrimmed 5.25 x 6.25 in. animation paper. Total by Dr. Seuss. Original drawing featuring “The Grinch” by Dr. Seuss. image size is 3.5 x 5.25 in. Paper condition is fine with very little wear Accomplished in ink with artist marker on illustration board. Signed by throughout. $100 - $200 Dr. Seuss on lower right. Overall size is 12 x 10 in. $1,000 - $2,000 20 1-310-859-7701 71. Original production cel featuring “Mr. Magoo” from The Ragtime Bear. (UPA Studios, 1949) Rare production cel featuring “Mr. Magoo” from the very first “Mr. Magoo” animated short, The Ragtime Bear. Voiced by Jim Backus, the early Magoo was a much more mean- spirited or grumpy character than in later incarnations. “The Ragtime Bear” pairs him with his nephew Waldo, and a Banjo playing bear. Originally the distributor, Columbia Studios was reluctant to release the short, but did so only because it included a bear. Audiences however, immediately fell in love with Magoo, and his theatrical shorts went on to 73. Rare original concept art for Rooty Toot Toot. (UPA win two Academy Awards. The two untrimmed cels featured here both Studios, 1951) Extremely rare color key/concept art for UPA’s Rooty Toot measure 10.5 x 12 in. and have been placed on a color copy background. Toot. Accomplished in Gouache on 9.5 x 13 in. artists board. In very fine In very fine condition with all paint intact. $200 - $400 condition with all paint intact. $600 - $800

72. Original production cel featuring “Mr. Magoo” from The Ragtime Bear. (UPA Studios, 1949) Rare production cel featuring “Mr. 74. Original production cels featuring “Gerald” and his Magoo” from the very first “Mr. Magoo” animated short, The Ragtime “Father” from Gerald McBoing Boing. (UPA Studios, 1951) Bear. Voiced by Jim Backus, the early Magoo was a much more mean- Wonderful pair of cels from the Academy Award winning short, Gerald spirited or grumpy character than in later incarnations. “The Ragtime McBoing Boing. The untrimmed cels measure 10.5 x 12.5 in. and have Bear” pairs him with his nephew Waldo, and a Banjo playing bear. been placed on a color copy background. In very fine condition with all Originally the distributor, Columbia Studios was reluctant to release the paint intact. $300 - $500 short, but did so only because it included a bear. Audiences however, immediately fell in love with Magoo, and his theatrical shorts went on to win two Academy Awards. The two untrimmed cels featured here both measure 10.5 x 12 in. and have been placed on a color copy background. In very fine condition with all paint intact. $200 - $400 www.profilesinhistory.com 21 Animation Auction

78. Original production cel featuring “Mr. Magoo” and “Dick Tracy” from The Famous Adventures of Mr. Magoo. (UPA Studios, 1964) Original production cels featuring Mr. Magoo and Dick Tracy from the, The Famous Adventures of Mr. Magoo TV series. The untrimmed cels measure 10.5 x 12.5 in. The image size of the characters is 6 x 7 in. In 75. Original production cels and production background from very fine condition with all paint intact. $100 - $200 Madeline. (UPA Studios, 1952) Incredible 10.5 x 12.5 in. multi-cel setup from the 1952 UPA theatrical short, Madeline. Directed by Robert Cannon, the short was based on the popular children’s book by Ludwig Bemelmans. In good condition with some paint missing on firemen. $600 - $800

79. Original production cel featuring “Mr. Magoo” with “Flat Top” and “Pruneface” from The Famous Adventures of Mr. Magoo. (UPA Studios, 1964) Original production cels featuring Mr. Magoo with Flat Top and Pruneface from, The Famous Adventures of Mr. Magoo TV series. The untrimmed cels measure 10.5 x 12.5 in. The image 76. Original Paul Julian story art from The Tell Tale Heart. size of the characters is 5.5 x 8 in. In very fine condition with all paint (UPA Studios, 1953) Beautiful story art by artist Paul Julian for UPA’s intact. $100 - $200 The Tell Tale Heart. Accomplished in graphite on untrimmed 10.5 x 12.5 in. animation paper. In fine condition with some light wear throughout. $600 - $800

80. Original production cel from Mister Magoo’s Christmas Carol. (UPA Studios, 1962) Original production cel of “Mr. Magoo” as “Scrooge” from Mr. Magoo’s Christmas Carol. Originally Airing in 1962, 77. Original production cel from 1001 Arabian Nights. (UPA it was the first fully animated holiday program produced specifically Studios, 1959) Original production cel from UPA’s first feature film, for television. The special also inspired the 1963 TV series, The Famous 1001 Arabian Nights. The untrimmed cel measures 10.5 x 12.5 in. The Adventures Of Mr. Magoo. The untrimmed animation cel measures 10.5 x image size of the characters is 7 x 8.5 in. In very fine condition with all 12.5 in. Magoo’s image size is 4 x 3 in. Overall condition is fine with all paint intact. $100 - $200 paint intact. $200 - $400 22 1-310-859-7701 81. Extremely rare original production cel and production background from The Rocky and Bullwinkle Show. (Jay Ward Productions, 1959) Extremely rare production cel and produc- tion background featuring “Bullwinkle” from The Rocky and Bullwinkle Show. Known as Rocky And His Friends for the first two seasons, this ground- breaking Jay Ward created series aired from 1959 through 1964. With a very small budget per episode, Ward had the show animated in Mexico. Almost no original artwork from the original series made it back to the United States. This particular piece is one of a handful of actual production cels to surface. The original cel and background have been slightly trimmed to 10 x 12 in. Because of the lesser, thinner quality cel used , there is some wrinkling to the cel, but overall it is still quite presentable. The original paint is still intact. Included is an overlay effects cel of the spotlight. Bullwinkle measures 6 x 4.5 in. $4,000 - $6,000

82. Extremely rare original production cel and pro- duction background from The Rocky and Bullwinkle Show. (Jay Ward Productions, 1959) Extremely rare produc- tion cel and production background featuring “Bullwinkle”and “Rocky” from The Rocky and Bullwinkle Show. Known as Rocky And His Friends for the first two seasons,, this groundbreaking Jay Ward created series aired from 1959 through 1964. With a very small budget per episode, Ward had the show animated in Mexico. Almost no original artwork from the original series made it back to the United States. This particular piece is one of a handful of actual production cels to surface. The original cel and background have been slightly trimmed to 10 x 12 in. Because of the lesser, thinner quality cel used , there is some wrinkling to the cel, but overall it is still quite presentable. The original paint is still intact. Total image size is 7.5 x 9 in. $4,000 - $6,000

83. Extremely rare original production cel and production background from the Fractured Fairy Tales segment of The Rocky and Bullwinkle Show. (Jay Ward Productions, 1964) Extremely rare production cel and production background featuring characters from The Magic Lichee Nuts, a “Fractured Fairy Tale” from The Rocky and Bullwinkle Show. Known as Rocky And His Friends for the first two seasons, the groundbreaking Jay Ward-created series aired from 1959 through 1964. With a very small budget per episode, Ward had the show animated in Mexico. Almost no original artwork from the original series made it back to the United States. This particular piece is one of a handful of actual production cels to surface. The original cel and background have been slightly trimmed to 10 x 12 in. Because of the lesser, thinner quality cel used , there is some wrinkling to the cel, but overall it is still quite presentable. The original paint is still intact. Total image size is 4 x 7.5 in. $3,000 - $5,000

www.profilesinhistory.com 23 Animation Auction

86. Signed original production cel and production background from a Captain Crunch TV commercial. (Jay Ward Productions, 1969) Original production cel featuring “Captain Crunch”, “The Crunch Kids” and “Smedley” from a Peanut Butter Crunch Cereal TV commer- cial. Captain Crunch was designed and animated by Jay Ward and Bill Scott for Quacker Oats. The untrimmed cel and background measure 10.5 x 12.5 in. and has been hand-signed by Jay Ward. Cel is in fine con- dition with all paint intact. $400 - $600

84. (2) Original production cels from Crusader Rabbit. (Creston Studios, 1957) (2) Original production cels featuring “Crusader Rabbit” and “Rags” from the 1957 color episodes of Crusader Rabbit.” Created in 1948 by Jay Ward and Alex Anderson, Crusader Rabbit was the first ani- mated TV series. In 1957 a series of new Crusader Rabbit color episodes were produced but did not air until 1959. The cel of “Crusader Rabbit” has been slightly trimmed to 7.5 x 7 in. There is paint lifting and chip- ping in Crusader’s ears and body. Crusader measures 2.5 x 1.5 in. The cel of Rags The Tiger is untrimmed and measures 10.5 x 12.5 in. Rags measures 4 x 3 in. and all paint is intact. Two extremely rare cels from early TV animation. $400 - $600

87. Signed Jay Ward hand-painted scene cel of “Dudley Do-Right” and “Nell”. (Jay Ward Productions, 1988) Original hand- painted “Scene” cel featuring Jay Ward’s “Dudley Do-Right” and “Nell” from The Rocky And Bullwinkle Show. Jay Ward created “Scene” cels from his Dudley Do-Right Emporium on Sunset Blvd. The untrimmed cel measures 10.5 x 12.5 in. and has been hand-signed by Jay Ward. Total image size is 6 x 8 in. Cel is in fine condition with all paint intact. $400 - $600

85. Signed original production cel and production background from a Quisp Cereal TV commercial (Jay Ward Productions, 1965) Original production cel featuring “Quisp” and other characters from a Quisp Cereal TV commercial. Quisp (as well as “Quake”) were charac- 88. Jay Ward hand-painted scene cel of “Tom Slick”. (Jay ters designed and animated by Jay Ward and Bill Scott for Quacker Oats. Ward Productions, 1989) Original hand-painted “Scene” cel featuring The slightly trimmed cel and background measure 8.5 x 10 in. and have Jay Ward’s “Tom Slick”. Jay Ward created “Scene” cel from his Dudley been hand-signed by Jay Ward. Cel is in fine condition with all paint Do-Right Emporium on Sunset Blvd. The trimmed cel measures 8 x 10.5 intact. Tape on reverse of background from where it was once matted. in. and has placed in a Jay Ward Productions mat. Total image size is 4.5 x $400 - $600 8 in. Cel is in fine condition with all paint intact. $300 - $500 24 1-310-859-7701 89. Extremely rare original production cel and original background from the Astroboy TV series. (Mushi Productions, 1963) Extremely rare original production cel and production background featuring “Astroboy” from the original 1963 Japanese TV series, Astroboy. Created by the “God Of Manga”, Osamu Tezuka, Astroboy was the first Japanese animated TV series and is considered the first “Anime” series. So popular in Japan during its four seasons that at its height it was watched by 40% of the Japanese population who had access to TV. Cels from the original series are extremely rare. This untrimmed production cel and production background measures 10 x 12 in. Studio stamps from Mushi Productions on reverse of background identify the series and the episode. Image size is 5 x 6 in. An amazing piece of animation history. The piece is in very fine condition with slight edge wear to the background and all paint intact. $5,000 - $8,000

90. Extremely rare original production cel and original background from the Astroboy TV series. (Mushi Productions, 1963) Extremely rare original production cel and production background featuring “Astroboy” from the original 1963 Japanese TV series, Astroboy. Created by the “God Of Manga”, Osamu Tezuka, Astroboy was the first Japanese animated TV series and is considered the first “Anime” series. So popular in Japan during its four seasons that at its height it was watched by 40% of the Japanese population who had access to TV. Cels from the original series are extremely rare. This untrimmed production cel and production background measures 10 x 12 in. Studio stamps from Mushi Productions on reverse of background identify the series and the episode. Astroboy’s image size is 6.5 x 2.75 in. An amazing piece of animation history. The piece is in very fine condition with slight edge wear to the background and all paint intact. $5,000 - $8,000

www.profilesinhistory.com 25 Animation Auction

94. Original production cels of “Pink Panther”, “Ant” and “The Aardvark” on a pan production background. (Depatie- Freleng Studios, 1978) Original production cels of three of Depatie- Freleng’s most popular characters, “The Pink Panther”, “The Ant” and 91. (3) Original production cels featuring “Tony The Tiger”. “The Aardvark” most likely for The New Pink Panther Show, which aired (Playhouse Pictures, c. 1950s) (3) Original production cels featuring on ABC TV in 1978. David Depatie and legendary animator/director Friz “Tony The Tiger” and “Tony Jr.” from Kellogg’s Frosted Flakes commer- Freleng created the Pink Panther character for the opening of the live- cials of the 1950s., Created in 1951 for the new Frosted Flakes Cereal, action film of the same name. A series of theatrical shorts were released in Tony was voiced by the legendary Thurl Ravenscroft (“You’re A Mean the 1960s, and in 1969 through 1980, the character starred in a Saturday One, Mr. Grinch”). The untrimmed cels all measure 10.5 x 12.5 in The Morning TV series. The (3) untrimmed cels all measure 10.5 x 12.5 in. cels are in good condition with some light paint loss and lifting. and have been placed on a pan 10 x 29.25 in production background from $100 - $200 the series. Overall condition is very fine. $200 - $300

95. Original production cels of “Pink Panther”, “Ant” and “The Aardvark” on a pan production background. (Depatie- Freleng Studios, 1978) Original production cels of three of Depatie- Freleng’s most popular characters, “The Pink Panther”, “The Ant” and “The Aardvark” most likely for The New Pink Panther Show, which aired on ABC TV in 1978. David Depatie and legendary animator/director Friz Freleng created the Pink Panther character for the opening of the live- action film of the same name. A series of theatrical shorts were released in 92. Original production cel of the “Frito Bandito” from a the 1960s, and in 1969 through 1980, the character starred in a Saturday Fritos corn chips TV commercial (Unknown Studio, c. 1970s) Original production cel featuring “Frito Bandito” from a Fritos Corn Morning TV series. The (3) untrimmed cels all measure 10.5 x 12.5 in. Chips TV commercial, The Frito Bandito was originally designed by and have been placed on a pan 10 x 37 in production background from animator Tex Avery in 1967. The untrimmed cel measures 10.5 x 12.5 the series. Overall condition is very fine. $200 - $300 in. Image size is 5 x 4 in. Cel is in fine condition with all paint intact. $200 - $400

96. Original (25) page storyboard featuring “Gumby” from Prickles’s Baby Brother. (Premavision, 1988) Original (25) page sto- ryboard for an episode of the Gumby TV series. Created by Art Clokey in 1955, it was originally shown on the Howdy Doody Show. “Gumby” got his own series in 1957. The series ran on television in syndication through 1968. In the 1980s a renewed interest in Gumby prompted Clokey to revive the series and produce 99 episodes for syndication in their new 93. Original production cel of “Roland” and “Rattfink” from studio, Premavision. This (25) page storyboard for a 1980s episode titled The Pink Panther Show. (Depatie-Freleng, 1969) Original production Prickle’s Baby Brother, features (95) graphite and colored pencil storyboard cel of “Roland” and “Rattfink” from The Pink Panther Show TV series. panels each measuring 2.25 x 2.75 in. The panels have been applied to The untrimmed cel measures 10.5 x 12.5 in and has been placed on a sheets of 8.5 x 11 in paper with typewritten dialogue. Overall condition color paper background. Total image size of the characters is 7.5 x 7.5 is very fine. Slight rust staining on the first page from a paper clip used to in. The cel is in very fine condition with all paint intact . $100 - $200 keep the storyboard intact. $300 - $500 26 1-310-859-7701 100. Original illustration merchandising art from Small 97. Original illustration merchandising art from Sonic the Soldiers. (Amblin, 1998) Rare original illustration/pitch art painting Hedgehog. (DIC Studios 1993) Rare original illustration/presentation featuring “Insaniac”, “Freakinstein”, “Giant Bomb” and “Nick Nitro” painting featuring “Sonic the Hedgehog” and “Dr. Robotnik” from the from Small Soldiers. The illustration paper measures 19 x 23.5 in. Image Sonic the Hedgehog TV Series. The illustration board measures 20 x 14.5 size is 15.5 x 20 in. Overall condition is very good with some light surface in. Image size is 17 x 12 in. Overall condition is very good with standard wear from cel overlay. $100 - $200 publication markings and minor discoloration in margins. $300 - $500

101. Original illustration merchandising art from Beast Wars: Transformers. (Hasbro, c. 1990s) Rare original illustration painting featuring “Optimus Primal” and “Megatron” from Beast Wars: Transformers. 98. Original illustration merchandising art from Free Willy. The illustration paper measures 16.25 x 19.5 in. Image size is 13 x 17.5 (Nelvana, 1994) Rare original illustration/presentation painting featuring in. Overall condition is very good with some publication markings in “Willy”, “Jesse” and “The Machine” from the Free Willy TV series. Art margins. $100 - $200 is signed by artist, Ethan, in lower right corner. The illustration board measures 17.5 x 14.5 in. Image size is 15.5 x 12 in. Overall condition is very good with some paper adhered to small areas on surface of paint. $300 - $500

102. Original illustration merchandising art from Skeleton Warriors. (Amblin, c. 1990s) Rare original illustration/pitch art paint- ing featuring “Baron Dark” and “Prince Lightstar” from the Skeleton 99. Original illustration merchandising art featuring Warriors TV series. The illustration board measures 25.5 x 29 in. Image “Treasure Trolls.” (c. 1990s) Rare original illustration/presentation size is 19.5 x 23 in. Overall condition is very good with velum line work painting featuring “Treasure Trolls.” The illustration paper measures 19 x & effects overlay. $100 - $200 24 in. Image size is 17.75 x 22.75 in. Overall condition is very good with standard publication markings in margins. $500 - $800

www.profilesinhistory.com 27 Animation Auction

103. Original production cels and pan production background from The Ren And Stimpy Show. (Spumco, 1991) Original production cels and pan production background featuring “Ren” and “Stimpy” from The Ren And Stimpy Show. Created in 1991 by John Kricfalusi, The Ren and Stimpy Show’s humor, and styling completely changed the face of TV animation, leading the way for satirical animated shows like Beavis and Butt-head and Southpark. The untrimmed animation cels, measure 10.5 x 12.5 in. The pan production background measures 10.5 x 38 in. The artwork is in very fine condition with very little wear and all paint intact. $300 - $500

104. Original production cels and matching production back- ground from The Ren And Stimpy Show. (Spumco, 1991) Original 106. Original production cels and production background from production cels and matching production background featuring “Stimpy” The Ren And Stimpy Show. (Spumco, 1991) Original production cels from The Ren And Stimpy Show. Created in 1991 by John Kricfalusi, The and production background featuring “Ren” and “Stimpy” from The Ren Ren and Stimpy show’s humor, and styling completely changed the face And Stimpy Show. Created in 1991 by John Kricfalusi, The Ren and Stimpy of TV animation, leading the way for satirical animated shows like Beavis show’s humor, and styling completely changed the face of TV animation, and Butt-head and Southpark. This untrimmed animation cel, overlay cel, leading the way for satirical animated shows like Beavis and Butt-head and and matching production background measure 10.5 x 12.5 in. Stimpy’s Southpark. These untrimmed animation cels, and production background image size is 6 x 4 in. The artwork is in very fine condition with very measure 10.5 x 12.5 in. Total image size of the characters is 6 x 8 in. The little wear and all paint intact. $200 - $400 artwork is in very fine condition with very little wear and all paint intact. $200 - $400

105. Original production cels and matching production back- ground from The Ren And Stimpy Show. (Spumco, 1991) Original 107. Original production cel and production background from production cels and matching production background featuring “Ren” SpongeBob SquarePants. (Nickelodeon, 1999) Original production cel and “Stimpy” from The Ren And Stimpy Show. Created in 1991 by John and production background featuring “SpongeBob SquarePants” from the Kricfalusi, The Ren and Stimpy show’s humor, and styling completely SpongeBob SquarePants TV series. One of the most popular animated series changed the face of TV animation, leading the way for satirical animated in the last two decades, SpongeBob SquarePants was created by Stephen shows like Beavis and Butt-head and Southpark. These untrimmed anima- Hillenburg in 1999. The untrimmed animation cel and production back- tion cels, and matching production background measure 10.5 x 12.5 in. ground measure 10.5 x 12.5 in. SpongeBob measures 6 x 3.5 in. The Total image size of the characters is 4.5 x 7.5 in. The artwork is in very artwork is in very fine condition with very little wear and all paint intact. fine condition with very little wear and all paint intact. $200 - $400 $200 - $400 28 1-310-859-7701 108. Signed original Production cel of “Weehawk” from Ralph Bakshi’s Wizards. (Ralph Bakshi, 1977) Original production cel of “Weehawk” from Ralph Bakshi’s cult classic, Wizards. Bakshi began his 110. Original production cel and production background from career at Terrytoons television cartoon studio and in 1967 left to form his Ralph Bakshi’s Lord Of The Rings. (Ralph Bakshi, 1978) Original own independent studio, Ralph Bakshi Productions. In 1972, he released production cel and production background featuring “Frodo” from Fritz The Cat, the first animated film to receive an “X” Rating, and the Ralph Bakshi’s feature film, Lord Of The Rings. The untrimmed animation most successful independent animated film of all time. Throughout the cel measures 10.5 x 12.5 in. The untrimmed background measures 10.5 1970s, he established an alternative to mainstream animation through x 15 in. The artwork is in very fine condition with very little wear and independent and adult-oriented productions. Wizards was his second all paint intact. $200 - $400 animated feature. The untrimmed cel measures 10 x 12 in. and has been hand-signed by Bakshi. The image measures 6 x 5 in. The cel is in very fine condition with all paint intact. $100 - $200

111. Original production cel and production background from Ralph Bakshi’s Lord Of The Rings. (Ralph Bakshi, 1978) Original production cel and production background from Ralph Bakshi’s feature film, Lord Of The Rings. The untrimmed animation cel measures 10.5 x 12.5 in. The untrimmed background measures 10.5 x 15 in. The artwork is in very fine condition with very little wear and all paint intact. $200 - $400

109. Original oversize presentation art for Ralph Bakshi’s Wizards. (Ralph Bakshi, 1977) Amazing original artwork created by Balshi to interest backers in his animated feature, Wizards. Stunning in its use of vivid colors (both in the hand-enhanced photographic back- ground as well as the ink and paint cel overlay). We believe the artistic characters depicted may well be conceptualized images of the evil wizard 112. Original production cel and production background “Blackhawk”, who is holding the curvaceous “Elinore” with minions from Ralph Bakshi’s American Pop. (Ralph Bakshi, 1981) Original looking on. Truly a special and perhaps one-of-a-kind item. Image does production cel and production background from Ralph Bakshi’s feature not do this impressive and striking poster justice. The entire piece mea- film, American Pop. The untrimmed animation cel measures 10.5 x 12.5 sures 33 x 22 in. The artwork is in very fine condition with all paint in. The untrimmed background measures 10.5 x 15 in. The artwork is in intact. $400 - $600 very fine condition with very little wear and all paint intact. $200 - $400

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116. X-men Original production cel and production back- 113. Original production cel of Ringo from Yellow Submarine. ground. (Marvel Productions, 1997) Original production cel featuring (Apple Films/King Features, 1968) Original production cel of Ringo “Dark Phoenix”, and “Gladiator” from X-Men: The Animated Series. The from the 1968 feature film Yellow Submarine. The untrimmed animation untrimmed cel measures 10.5 x 12.5 in. and has been placed on a 10.5 x cel measures 12.5 x 16 in. Ringo’s image size is 5 x 3 in. Cel is in fine 14 in. production background. $200 - $400 condition with all paint intact $600 - $800

117. X-men “Rogue” Original production cel and production background. (Marvel Productions, 1997) Original production cel fea- 114. Signed original production drawing from The Batman/ turing “Rogue” from X-Men: The Animated Series. The untrimmed cel Superman Hour. (Filmation Studios, 1968) Original production draw- measures 10.5 x 12.5 in. and has been placed on a 10.5 x 14 in. produc- ing featuring “Batman” from the Filmation Studios The Batman/Superman tion background. $200 - $400 Hour TV Series. The drawing has been hand-signed by well known “Batman” live-action TV star, Adam West. Accomplished in graphite on untrimmed 10.5 x 12.5 in animation paper. Image sizes is 6.5 x 7.5 in. Paper condition is very fine. $100 - $200

115. X-men Original production cel and production back- ground. (Marvel Productions, 1997) Original production cels featur- 118. X-men “Wolverine” Original production cel and produc- ing “Jean Grey”, “Wolverine”, “Cyclops”, “Beast”, and “Gambit” from tion background. (Marvel Productions, 1997) Original production cel X-Men: The Animated Series. The untrimmed cel measures 10.5 x 12.5 in. featuring “Wolverine” from X-Men: The Animated Series. The untrimmed and has been placed on a 10.5 x 14 in. production background. cel measures 10.5 x 12.5 in. and has been placed on a 10.5 x 14 in. pro- $200 - $400 duction background. $200 - $400 30 1-310-859-7701 (Melendez Studios, 1965) Extremely rare set of (5) original production cels featuring the “Peanuts” gang from the clas - gang from “Peanuts” set of (5) original rare 1965) Extremely cels featuring production the . (Melendez Studios, hrist m as C

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igned S 119. 119. was the first A Charlie Brown Christmas prime-time was animated special based on of Snoopy), Bill Melendez (who also supplied the voice by Directed A Charlie Brown Christmas. TV Special, sic Christmas since its original animated specials of all year every airing to be one of the most beloved on a major network and is considered The special has been aired comic strip. popular Peanuts Charles Schulz’s of cel recreated custom a with background hand-painted custom a on placed been have cels The special. of the finale the at cast “Peanuts” entire the feature cels untrimmed(5) The 12.5 in. x 10.5 time. seen ever have history and one of the best sets cels we Television An amazing piece of Bill Melendez and Charles Schulz. ben hand-signed by The cels have the Christmas to complete the scene. tree $8,000 - $10,000 fine with all paint intact. condition is very Overall this special. from www.profilesinhistory.com 31 Animation Auction

120. (2) Rare original production cels from the first “Peanuts” animated production. (Playhouse Pictures, 1959) (2) Rare original production cels featuring “Linus” and “Lucy” from a Ford Motor Company TV Commercial. In early 1959, the Ford Motor Company licensed “The Peanuts” for a series of color television commercials for its automobiles and intros for The Tennessee Ernie Ford Show, which it sponsored. These two production cels are two of the earliest representations of The Peanuts in animated form. After a successful run with Ford and several other commercial products, The Peanuts characters began their own series of Television and feature film productions in 1965. The untrimmed animation cels measure 10 x 12.5 in. The total image size of the two characters is 4.25 x 7 in. The cels have been placed on a color copy background. Cels are in very good condition with some paint loss in both characters. $4,000 - $6,000

121. Vintage personal Charles Schulz typed letter signed. Vintage typed letter hand signed (“Charles M Schultz”) note on 8.5 x 11 in. Charles M. Schulz personal illustrated stationary. Dated Nov. 18, 1958, from Sebastopol, California. Shultz writes to“George L. Geiger”, in part: “I’m very sorry you didn’t catch the 10-29 strip. This is due to the fact that 122. Signed Original production cel & Drawing featuring reproduction made it a bit different than the original idea. As fo the originals, I do “Charlie Brown” from It’s Your First Kiss, Charlie Brown not have any here, for they are kept in the syndicate warehouse in New York…. (Melendez Studios, 1977) Original production cel and matching produc- Kindest reagards.” Signed in blue pen, “Sincerely, Charles M. Shultz.” The tion drawing of “Charlie Brown” from It’s Your First Kiss, Charlie Brown. stationery is decorated with the image of “Charlie Brown” and “Lucy” This piece is hand signed by Peanuts creator Charles Schulz in the lower regarding her kite stuck in a tall tree, with the caption below, “What do right corner of the cel. The untrimmed cel and drawing each measure you mean girls can’t fly kites? It’s up, isn’t it?” With original folds and 10.5 x 12.5 in. Charlie Brown’s image measures 3 x 1.75 in. Overall con- minor toniong. In fine condition. $300 - $500 dition is very good. $300 - $500 32 1-310-859-7701 125. Signed riginal production cel featuring “Charlie Brown”. (Melendez Studios, 1980s) Original production cel of “Charlie Brown” from a 1980s Peanuts production. This piece is hand signed by Peanuts creator Charles Schulz in the lower right corner. The untrimmed cel measures 10.5 x 12.5 in. Charlie Brown’s image measures 3.5 x 1.75 in. Overall condition is very good. The cel comes with a color copy back- ground. $300 - $500

123. Signed Original production cel featuring “Charlie Brown” and “Linus” on production background. (Melendez Studios, 1980s) Original production cel of “Charlie Brown” and “Linus” from a Peanuts production. Each character is on a separate cel layer. The cels have been placed over a production background from It’s Christmas Time Again, Charlie Brown (1992). This piece is hand signed by Peanuts creator Charles Schulz in the lower right corner of the cel of “Linus”. The untrimmed cel measures 10.5 x 12.5 in. The untrimmed background measures 10.5 x 13 in. The character image measures 2.75 x 3.75 in. Overall condition is very good. $600 - $800

126. Signed original production cel featuring “Lucy”. (Melendez Studios, 1980s) Original production cel of “Lucy” from a 1980s Peanuts production. This piece is hand signed by Peanuts creator Charles Schulz in the lower right corner. The untrimmed cel measures 10.5 x 12.5 in. Lucy’s image measures 3.75 x 2.25 in. Overall condition is very good. The cel comes with a color copy background. $300 - $500

124. Signed original production cel featuring “Snoopy”. (Melendez Studios, 1980s) Original production cel of “Snoopy” from a 1980s Peanuts production. This piece is hand signed by Peanuts creator Charles Schulz in the lower right corner. The untrimmed cel measures 10.5 x 12.5 in. Snoopy’s image measures 2 x 2 in. Overall condition is very good. The cel comes with a color copy background. $400 - $600

127. Original production drawing featuring “Linus” and “Charlie Brown”. (Melendez 1980s) Original production drawing featuring “Linus” and “Charlie Brown” from a 1980s Peanuts production. The untrimmed drawing measures 10.5 x 12.5 in. Total image size is 3.5 x 6.5 in. Drawing is in very fine shape with little to no wear. $100 - $200

www.profilesinhistory.com 33 Animation Auction

131. Original production drawing featuring “Linus” and 128. Original production drawing featuring “Linus”. (Melendez “Charlie Brown”. (Melendez 1980s) Original production drawing 1980s) Original production drawing featuring “Linus” from a 1980s featuring “Linus” and “Charlie Brown” from a 1980s Peanuts production. “Peanuts” production. The untrimmed drawing measures 10.5 x 12.5 in. The untrimmed drawing measures 10.5 x 12.5 in. Total image size is 3.5 Total image size is 3 x 2 in. Drawing is in very fine shape with little to x 6.5 in. Drawing is in very fine shape with little to no wear. no wear. $100 - $200 $100 - $200

129. Original production drawing featuring “Linus”. (Melendez 1980s) Original production drawing featuring “Linus” from a 1980s Peanuts production. The untrimmed drawing measures 10.5 x 12.5 in. 132. Original Book Art illustration of “Snoopy” and “Charlie Total image size is 3 x 1.5 in. Drawing is in very fine shape with little to Brown” from You’re a Star, Snoopy! (Golden Books, 1990) Rare no wear. $100 - $200 original double page illustration painting featuring “Charlie Brown” and “Snoopy” from Golden Book’s You’re a Star Snoopy! The imagery is com- prised of a watercolor painting on illustration board and a cel overlay with the line work. The illustration board measures 15 x 20 in. Image size is 9 x 18 in. Overall condition is very good. $300 - $500

130. Signed original production cel featuring “Lucy” from This 133. Original Book Art illustration of “Snoopy”, “Woodstock”, is America, Charlie Brown. (Melendez Productions, 1988) Rare origi- “Lucy” and “Charlie Brown” from You’re a Star, Snoopy! nal production cel of “Lucy” with a New York sky line cel background (Golden Books, 1990) Rare original double page illustration painting from This is America, Charlie Brown: The Music and Heroes of America. This featuring “Charlie Brown”, “Lucy”, “Woodstock” and “Snoopy” from piece is hand signed by Peanuts creator Charles Schulz in the lower right Golden Book’s You’re a Star Snoopy! The imagery is comprised of a water- corner. The untrimmed cel measures 10.5 x 12.5 in. The overall image color painting on illustration board and a cel overlay with the line work. with the NY sky line and the audience measures 9 x 12.5 in. Overall The illustration board measures 15 x 20 in. Image size is 8 x 17 in. Overall condition is very good. $400 - $600 condition is very good. $300 - $500 34 1-310-859-7701 134. Original production and production background from Banjo The Woodpile Cat. (Don Bluth Studios, 1979) Original produc- tion model cel paired with an original production background from Don Bluth’s first feature, Banjo The Woodpile Cat. The untrimmed animation cel and background measure 10.5 x 12.5 in. Very fine condition all paint intact and little to no wear. $100 - $200

135. Original production layout drawing from The Secret of Nimh. (Don Bluth Studios, 1982) Original production layout draw- ing for Don Bluth’s The Secret Of Nimh. Accomplished in Graphite on untrimmed 13.5 x 16.5 in. animation paper. Very fine condition with little to no wear. $100 - $200

137. Original artwork for the entire (23) page Golden book, The Secret of Nimh; Mrs. Brisby and the Magic Stone. (Western Publishing Company, 1982) (23) original illustrations on (13) separate pages representing all the artwork for the Little Golden Book, The Secret of Nimh: Mrs. Brisby And The Magic Stone. Published in 1982 byWestern Publishing company, the artwork was based on the popular Don Bluth feature film, The Secret of Nimh , released the same year. The cover and last 136. Original production cel featuring “Mrs. Brisby” and “Mr. illustration in the book are on 9.75 x 8 in. illustration paper. The remain- Ages” from The Secret of Nimh. (Don Bluth Studios, 1982) Original ing images are all on 9.75 x 16 in illustration paper with two separate production cel featuring “Mrs. Brisby” and “Mr. Ages” from Don Bluth’s images on each sheet. Overall condition is very fine with very little wear. The Secret Of Nimh. The untrimmed animation cel measures 10.5 x 12.5 A copy of the published Golden book is also included. $1,500 - $2,000 in. Image size is 7 x 12 in. Very fine condition all paint intact. $100 - $200

www.profilesinhistory.com 35 Animation Auction

140. Original production cel featuring “Fivel” from An American Tail. (Don Bluth Studios, 1986) Original production cel featuring “Fivel” from Don Bluth’s An American Tail. The untrimmed animation cel measures 13.5 x 16.5 in. Image size is 12 x 16 in. Very fine condition with all paint intact. $100 - $200

138. Signed original production drawing from Dragon’s Lair. (Don Bluth Studios, 1983) Original production drawing featuring “Dirk” and “Daphne” from the animated laserdisc video game, Dragon’s Lair. Rick Dyer, conceived the game and after viewing Don Bluth’s Secret Of Nimh, aproached the studio about animating it. The animation took seven months to produce. The budget was very so small that to save money, Bluth used existing employees to voice the characters. Princess Daphne was voiced by Vera Lanpher, who was head of the cleanup department at the time. Accomplished in graphite, and colored pencil on untrimmed 10.5 x 12.5 in. animation paper. The drawing has been hand-signed by animator John Pomeroy. Paper condition is very fine with very little to no wear throughout. Image size is 10 x 9 in. $200 - $400

141. Original production cel from The Land Before Time. (Don Bluth Studios, 1988) Original production cel from Don Bluth’s The Land Before Time. The untrimmed animation cel measures 13.5 x 16.5 in. Image size is 12 x 15 in. Very good condition with a small chip in “Littlefoot’s rear leg. $100 - $200

139. Original production cel of “Fivel” from An American Tail. (Universal/Don Bluth, 1986) Nice original production cel of “Fivel Mousekewitz” from Don Bluth’s An American Tail. The untrimmed cel measures 10.5 x 12.5 in. and has been placed on a hand-painted back- ground from another production. Fivel’s image size is 8 x 6.5 in. The cel 142. Original background color key painting from All Dogs is in very fine condition with all paint intact . $200 - $400 Go To Heaven. (Don Bluth Studios, 1989) Original background color key painting for Don Bluth’s All Dogs Go To Heaven. Accomplished in Gouache on 5 x 8 in. artists board. Very fine condition with little to no wear. $100 - $200 36 1-310-859-7701 143. Original background color key painting from All Dogs Go To Heaven. (Don Bluth Studios, 1989) Original background color key painting for Don Bluth’s All Dogs Go To Heaven. Accomplished in Gouache on 5 x 13 in. artists board. Very fine condition with little to no wear. $100 - $200

144. Original production cel from All Dogs Go To Heaven. (Don Bluth Studios, 1989) Original production cel from Don Bluth’s All Dogs Go To Heaven. The untrimmed animation cel measures 13.5 x 16.5 in. Image size is 5.5 x 15 in. Very fine condition with all paint intact. $100 - $200

146. Original poster concept artwork from A Troll in Central Park. (Don Bluth, 1994) Rare original concept painting from Don Bluth’s A Troll in Central Park. The imagery is comprised of a water color painting on illustration board and a cel overlay with the lettering. The illustration board measures 21.5 x 15 in. Image size is 21 x 14.5 in. Overall condition is very good with protective cel overlay. $300 - $500

145. Original production cel from All Dogs Go To Heaven. (Don Bluth Studios, 1989) Original production cel from Don Bluth’s 147. Original background color key painting from Thumbelina. All Dogs Go To Heaven. The untrimmed animation cel measures 13.5 x (Don Bluth Studios, 1994) Original background color key painting for 16.5 in. Image size is 12 x 14 in. Very fine condition with all paint intact. Don Bluth’s Thumbelina. Accomplished in Gouache on 7 x 11 in. artists’ $100 - $200 board. Very fine condition with little to no wear. $100 - $200

www.profilesinhistory.com 37 Animation Auction

148. Original poster concept artwork from The Pebble and the Penguin. (Don Bluth, 1995) Rare original concept painting from Don Bluth’s The Pebble and the Penguin. The imagery is comprised of a water color painting on illustration board and a cel overlay with the lettering. The illustration board measures 21.5 x 15 in. Image size is 20.75 x 13.5 in. Overall condition is very good with dog-eared corners on lettering overlay. $300 - $500

149. Original Finished Poster Art from All Dogs Go To Heaven 2. (MGM Studios, 1996) Fully finished original artwork used for the final poster for the theatrical release of All Dogs Go To Heaven 2. Accomplished in Gouache and airbrush on 12 x 36 in. artists’ board. Image size measures 22 x 31 in. $100 - $200

38 1-310-859-7701 150. Rare Original production drawing of “Buddy”. (Warner Bros, 1935) Rare original production drawing of “Buddy”, one of the early stars of the “Looney Tunes” series of shorts. Accomplished in graph- ite on untrimmed 9.5 x 12 in. animation paper. Buddy’s image size is 3.5 x 3 in. Drawing is in fine condition with light wear. $100 - $200

153. (30) Original production drawings from assorted 1940s Warner Bros. shorts. (Warner Bros Studios, 1940s) (30) original production drawings featuring various characters from 1940s Warner Bros studio shorts. Each drawing is on untrimmed 10 x 12 in. animation paper. Overall, drawings are in good condition with some edge wear through- out. $3,000 - $5,000

151. Original character development drawings of “Inki” from The Little Lion Hunter. (Warner Bros. Studios, 1939) Original rough character development drawings of “Inki”. The untrimmed animation paper measures 10 x 12 in. Drawing is in fine condition with light edge wear throughout. $300 - $500

152. (11) Original production drawings featuring “Porky Pig” from Porky’s Picnic. (Warner Bros. Studios, 1939) Wonderful collection of (11) pan animation drawings featuring “Porky Pig” and his nephew being chased by a Mountain Lion from the 1939 short, Porky’s Picnic. Accomplished in Graphite on untrimmed 9.5 x 25 in. pan animation paper. Drawings are in fine condition with very little wear. Light center creasing from being folded. $300 - $500

www.profilesinhistory.com 39 Animation Auction

157. Original pan production background from a “Speedy Gonzales” theatrical short. (Warner Bros Studios, 1960) Original pan production background from 1960s “Speedy Gonzales” theatrical short. The slightly trimmed background mea- sures 10 x 25 in. and has been archivally mounted on board. Speedy Gonzales was created by Robert McKimson in 1953 and starred in 45 shorts through 1968. Overall condition is fine with very little wear throughout. $600 - $800

154. (2) Original production drawings of from Gee Whiz-z-z-z- z-z-z. (Warner Bros, 1956) Rare Original production drawings from the 1956 Roadrunner/Coyote short, Gee Whiz-z-z-z-z-z-z. The untrimmed animation paper measures 10.5 x 12.5 in. The coyote’s image size is 5.5 x 4 in. Drawing of coyote is in very fine condition with little or no wear. Drawing of scooter missing a portion on right side. $400 - $600

158. Original production cel from The Bugs bunny Show. (Warner Bros Studios, 1960) Original production cel of “Bugs Bunny” and “Daffy Duck” from The Bugs Bunny Show TV series. Originally Airing on Primetime 1960, the series consisted of classic Warner Bros theatri- cal shorts tied together with original animation. After three seasons, The 155. Original production model drawing of “Daffy Duck”. Bugs Bunny Show moved to Saturday mornings, where it remained in (Warner Bros, 1959) Wonderful model drawing featuring several poses some form or another for almost 40 years. The untrimmed animation cel of “Daffy Duck” from the 1950s. Accomplished in graphite on slightly measures 10.5 x 12.5 in. and has been placed on a color copy background. trimmed 8.5 x 11 in. animation paper. Drawing is in good condition with Total image size of the characters is 3 x 3 in. Overall condition is fine with staining and wrinkling. $300 - $500 all paint intact. $200 - $400

156. Original pan production background from a “Speedy Gonzales” theatrical short. (Warner Bros Studios, 1960) Original pan produc- tion background from 1960s “Speedy Gonzales” theatrical short. The slightly trimmed background measures 10.25 x 28 in. and has been archivally mounted on board. Speedy Gonzales was created by Robert McKimson in 1953 and starred in 45 shorts through 1968. Overall condition is fine with very little wear throughout. $600 - $800 40 1-310-859-7701 159. Original pan production background from The Last Hungry Cat. (Warner Bros. Studios, 1961) Beautiful Tom O’Loughlin production background from the Tweety/Sylvester short, The Last Hungry Cat. “Sylvester The Cat” was created by Friz Freleng in 1945, and in 1947 was paired in a theatrical short with Bob Clampet’s “Tweety Bird”. Freleng would continue to direct Tweety/Sylvester theatrical shorts until 1962. The Last Hungry Cat was the second-to-last of these Freleng 162. Original 1960s production cel of “Daffy Duck”. (Warner directed shorts. The slightly trimmed background measures 10.5 x 19.75 Bros, 1965) Original production cel of “Daffy Duck” from a mid-1960s in. and has been archivally mounted on board. Studio notations along top short. The untrimmed animation cel measures 10.5 x 12.5 in. Daffy’s margin. Overall condition is very fine with very little wear throughout. image size is 5 x 3 in. Cel is in very fine condition with all paint intact. $600 - $800 $200 - $400

160. Don Knotts signed original production cels from The Incredible Mr. Limpet. (Warner Bros, 1964) Excellent pair of pro- duction cels featuring “Limpet” and “Ladyfish” from The Incredible Mr. Limpet This live-action/animated film was Knott’s first feature starring role as he transitioned from the popular Andy Griffith Show TV series into movies. The two untrimmed animation cels measure 10.5 x 12.5 in. and have been hand-signed by Knotts. The cels have been placed on a color copy background. Total image size of the characters is 3.5 x 12 in. $800 - $1,000

163. (4) Original production Title cels for The Spy Swatter. 161. Original 1960s production cel of “Speedy Gonzales”. (Warner Bros, 1967) (4) Original production cel title cards from the 1967 (Warner Bros, 1965) Original production cel of “Speedy Gonzales” from Speedy Gonzales/Daffy Duck short, The Spy Swatter. The untrimmed a mid-1960s short. The untrimmed animation cel measures 10.5 x 12.5 animation cels each measures 10.5 x 12.5 in. The have been profession- in. Speedy’s image size is 3.5 x 4.5 in. Cel is in very fine condition with ally framed together. Cels are in very fine condition with all paint intact. all paint intact. $200 - $400 $800 - $1,000

www.profilesinhistory.com 41 Animation Auction

167. (4) Original production storyboard panels from The Iron Giant. (Warner Bros, 1999) (4) Rare original production storyboard panels featuring the “Iron Giant” from Warner Bros. 1999 feature, The Iron Giant. Accomplished in graphite on untrimmed 6 x 8.25 in. story- board paper. Drawings are in fine shape with very little wear throughout. $200 - $400 164. Signed original Chuck Jones drawing of “Bugs Bunny”. (Chuck Jones, 1979) Beautiful ink and marker drawing of Bugs Bunny by the legendary animator/director Chuck Jones. Accomplished on untrimmed 10.5 x 12.5 in. animation paper, the drawing is dedicated— “To Jack—From Bugs bunny—Chuck Jones—1979”. Drawing is in very fine condition with very little or no wear. $400 - $600

168. Signed original production cel of “Sylvester” 165. Friz Freleng signed original pan layout drawing from Bugs Bunny’s from father Of The Bird. (Warner Bros Studios, 1997) 3rd Movie: 1001 Rabbit Tales. (Warner Bros Studios, 1982) Original production pan Original production cel of “Sylvester” from Father Of The layout drawing featuring “Yosemite Sam” from, Bugs Bunny’s 3rd Movie: 1001 Rabbit Bird. A limited run theatrical short, it was the first short to Tales. This 1982 theatrical feature was directed by Legendary Animator/Director Friz star “Sylvester” in 30 years. Directed by Stephen Fossatti, it Freleng and featured a compilation of classic Warner Bros shorts with original content. was produced by Chuck Jones. The untrimmed animation Accomplished in graphite, and colored pencil on untrimmed 10.5 x 25.25 in. animation cel measures 10.5 x 12.5 in. and has been hand signed by paper, the layout has been hand-signed by Freleng. Paper condition is fine with very both Chuck Jones and Stephen Fossatti. “Sylvester’s” image little wear throughout. Center crease visible where layout has been folded. $300 - $500 size is 7 x 5.5 in. Overall condition is fine with all paint intact. $200 - $400

166. Original production cels of “Bugs Bunny”, “Daffy Duck”, and “Elmer Fudd” from Blooper Bunny. (Warner Bros Studios, 1991) Original produc- tion cels of “Bugs Bunny”, “Daffy Duck”, and “Elmer Fudd” from Blooper Bunny. Directed by Greg Ford and Terry Lennon, the short was a parody of some of the “Bugs Bunny’ 50th Anniversary specials that had aired the year before. The short was intended to be released theatrically but it was not released until 1997 on the Cartoon Network. The (6) untrimmed cels that make up this setup all measure 10.5 x 12.5 in. and have been placed on a color copy background. Total image size of the characters and effects is 8 x 9.5 in. Overall condi- tion is fine with all paint intact. $300 - $500 42 1-310-859-7701 169. Signed “Bugs Bunny”, Daffy Duck” and “Porky Pig” origi- 172. Signed “Daffy Duck” and “Porky Pig” original Virgil Ross nal Virgil Ross drawing. Original drawing featuring “Bugs Bunny”, drawing. Original drawing featuring “Daffy Duck” and “Porky Pig” by “Daffy Duck” and “Porky Pig” by Virgil Ross. Accomplished in graphite Virgil Ross. Accomplished in graphite and colored pencil on 10.5 x 12.5 and colored pencil on 10.5 x 12.5 in. animation paper. Signed by Virgil in. animation paper. Signed by Virgil Ross on lower right. $200 - $400 Ross on lower right. $200 - $400

170. Signed “Daffy Duck” and “Marvin Martian” original 173. Signed “Coal Black And De Sebben Dwarfs” original Virgil Ross drawing. Original drawing featuring “Daffy Duck” and Virgil Ross drawing. Original drawing featuring characters from Coal “Marvin Martian” by Virgil Ross. Accomplished in graphite and colored Black And De Sebben Dwarfs by Virgil Ross. Accomplished in graphite and pencil on 10.5 x 12.5 in. animation paper. Signed by Virgil Ross on lower colored pencil on 10.5 x 12.5 in. animation paper. Signed by Virgil Ross right. $200 - $400 on lower right. $200 - $400

171. Signed “Bugs Bunny” and “Daffy Duck” original Virgil Ross drawing. Original drawing featuring “Daffy Duck” and “Bugs 174. Signed “Yosemite Sam” original Virgil Ross drawing. Bunny” by Virgil Ross. Accomplished in graphite and colored pencil on Original drawing featuring “Yosemite Sam” by Virgil Ross. Accomplished 10.5 x 12.5 in. animation paper. Signed by Virgil Ross on lower right. in graphite and colored pencil on 10.5 x 12.5 in. animation paper. Signed $200 - $400 by Virgil Ross on lower right. $200 - $400

www.profilesinhistory.com 43 Animation Auction

175. Signed “Wile E. Coyote” original Virgil Ross draw- ing. Original drawing featuring “Wile E. Coyote” by Virgil Ross. Accomplished in graphite and colored pencil on 10.5 x 12.5 in. anima- tion paper. Signed by Virgil Ross on lower right. $200 - $400

178. Signed “Bugs Bunny” original Virgil Ross drawing. Original drawing featuring “Bugs Bunny” by Virgil Ross. Accomplished in graph- ite and colored pencil on 10.5 x 12.5 in. animation paper. Signed by Virgil Ross on lower right. $200 - $400

176. Signed “Tweety”, “Sylvester”, and “Granny” original Virgil Ross drawing. Original drawing featuring “Tweety”, “Granny” and “Sylvester” by Virgil Ross. Accomplished in graphite and colored pencil on 10.5 x 12.5 in. animation paper. Signed by Virgil Ross on lower right. $200 - $400

177. Signed “Tweety”, and “Sylvester” original Virgil Ross 179. Signed “Bugs Bunny” original Virgil Ross drawing. Original drawing. Original drawing featuring “Tweety” and “Sylvester” by Virgil drawing featuring “Bugs Bunny” by Virgil Ross. Accomplished in graph- Ross. Accomplished in graphite and colored pencil on 10.5 x 12.5 in. ite and colored pencil on 10.5 x 12.5 in. animation paper. Signed by Virgil animation paper. Signed by Virgil Ross on lower right. $200 - $400 Ross on lower right. $200 - $400 44 1-310-859-7701 180. Signed “Daffy Duck” original Virgil Ross drawing. Original drawing featuring “Daffy Duck” by Virgil Ross. Accomplished in graphite and colored pencil on 10.5 x 12.5 in. animation paper. Signed by Virgil Ross on lower right. $200 - $400

183. Signed “Bugs Bunny”, Porky Pig”, “Daffy duck”, Tweety”, “Sylvester”, “Roadrunner” and “Gossamer” original Virgil Ross drawing. Original drawing featuring eight classic Warner Bros characters by Virgil Ross. Accomplished in graphite and colored pencil on 10.5 x 12.5 in. animation paper. Signed by Virgil Ross on lower right. $300 - $500

181. Signed “ Bugs Bunny” original Virgil Ross drawing. Original drawing featuring “Bugs Bunny” by Virgil Ross. Accomplished in graphite and colored pencil on 10.5 x 12.5 in. animation paper. Signed by Virgil Ross on lower right. $200 - $400

184. Signed “Krazy Kat” original Virgil Ross drawing. Original 182. Signed “Bugs Bunny” and “Elmer Fudd” original Virgil drawing featuring “Krazy Kat” by Virgil Ross. Accomplished in graphite Ross drawing. Original drawing featuring “Bugs Bunny” and “Elmer and colored pencil on 10.5 x 12.5 in. animation paper. Signed by Virgil Fudd” by Virgil Ross. Accomplished in graphite and colored pencil on Ross on lower right. $200 - $400 10.5 x 12.5 in. animation paper. Signed by Virgil Ross on lower right. $200 - $400

www.profilesinhistory.com 45 Animation Auction

185. (3) Original presentation cels from The Huckleberry Hound Show. (Hanna Barbera Studios, 1958) Incredible set of (3) hand-painted oversize presentation cels featuring “Huckleberry Hound”, “Yogi Bear” and “Mr. Jinx” from The Huckleberry Hound Show. The second animated series from the fledgling studio, The Huckleberry Hound Show consisted of three segments per episode; one each of “Huckleberry Hound”, “Yogi Bear” (who later got his own series), and “Pixie and Dixie” with “Mr. Jinx”. In 1961, The Huckleberry Hound Show became the first animated program to be honored with an Emmy Award. These three oversize cels were created at the time of production for presentation and decoration at the studio. They hung on the walls there for several years. They are all hand-inked and hand-painted. The Huckleberry Hound cel and The Yogi Bear cel measure 15.75 x 12 in. The Mr. Jinx cel measures 14 x 11 in. Huckleberry Hound measures 13 x 7 in. Yogi measures 13 x 6.5 in. Mr. Jinx measures 12.5 x 8 in. cels are in good condition with paint cracking and chipping throughout. $1,500 - $2,500

186. Original production cel and production background from The Huckleberry Hound Show. (Hanna Barbera Studios, 1958) Original production cel featuring “Huckleberry Hound” paired with an original production background from Hanna-Barbera’s The Huckleberry Hound Show. The untrimmed cel and background measure 10.5 x 12.5 in. and are possibly matching. Both are in fine condition with very little wear and all paint intact. $600 - $800 46 1-310-859-7701 (Hanna Barbera Studios, 1960) An extremely rare original rare An extremely for a 1960 opening title card 1960) . (Hanna Barbera Studios, nly O oo m R g hootin S was Hanna-Barbera’s third TV series and included episodes featuring “Quick Draw “Quick Draw seriesTV featuringand included episodes third Hanna-Barbera’s Show was McGraw QuickThe Draw om fr

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The Quick Draw McGraw Show titled McGraw QuickThe Draw riginal 187. O 187. McGraw”, “Augie Doggie” and “Doggie Daddy”, and “Snooper and Blabber”. An extremely popular character, a total of 45 Quick Draw episodes were produced, and all were written by Michael Maltese. of episode written Michael Maltese. by and all were produced, episodes were a total of 45 Quick Draw popular character, An extremely “Snooper and Blabber”. and “Doggie Daddy”, and “Augie Doggie” McGraw”, $3,000 - $5,000 fine with all paint intact. condition is very Overall The untrimmed 10.5 x 12.5 in. cel and background measure www.profilesinhistory.com 47 Animation Auction

190. (5) Original production drawings and (1) signed layout drawing of “Wilma Flintstone” from The Flintstones. (Hanna Barbera Studios, 1960) (5) Sequential original production drawings and (1) layout drawing featuring Wilma Flintstone from the first season, Girl’s Night Out episode of The Flintstones. The untrimmed animation drawings each measures 10.5 x 12.5 in. The layout drawing has been hand-signed by the voice of Wilma, Jean Vander Pyl. Drawings are in very fine condi- tion with little to no wear throughout. $300 - $500

188. (2) Original production cels and matching production backgrounds from The Flintstones. (Hanna Barbera Studios, 1960) Wonderful pair of Original production cels and matching original pro- duction backgrounds from Hanna-Barbera’s The Flintstones TV series. The untrimmed cels and backgrounds measure 10.5 x 12.5 in. All are in fine condition with very little wear and all paint intact. $800 - $1,000

191. (10) Original production drawings of “Fred Flintstone” from The Flintstones. (Hanna Barbera Studios, 1960) (10) sequential original production drawings featuring Fred Flintstone from the first sea- 189. Original production cel of “Pebbles” and “Dino” from son, Girl’s Night Out episode of The Flintstones. The untrimmed animation The Flintstones. (Hanna Barbera Studios, 1960s) Original production cel featuring “Pebbles” and “Dino” from Hanna-Barbera’s The Flintstones drawings each measures 10.5 x 12.5 in. Drawings are in very fine condi- TV series. The untrimmed cel measures 10.5 x 12.5 in. and has been tion with little to no wear throughout. $400 - $600 placed on a color photographic background. Total image size is 4 x 9.35 in. cel is in fine condition with all paint intact. $300 - $500 48 1-310-859-7701 194. Original production cel featuring “Snagglepuss” from a Cocoa Krispies TV Commercial. (Hanna-Barbera Studios, 1961) Original production cel of “Snagglepuss’ from an early 1960s TV com- mercial. The untrimmed cel measures 10.5 x 12.5 in. Total image size is 6 x 5 in. cel is in very fine condition with all paint intact. $200 - $400

192. Original production cels of “Yogi Bear” and “Boo Boo” with production background from The Yogi Bear Show. (Hanna Barbera Studios, 1961) Original production cels and production back- ground from The Yogi Bear Show. “Yogi Bear” got his start as part of the 1958 series, The Huckleberry Hound Show, but proved so popular that he was given his own show in 1961. The cels and background were slightly trimmed at the studio to 8 x 10 in. and placed in a 10 x 13 in. mat for presentation. The mat is inscribed To Nina—Best Wishes, Yogi Bear and Boo Boo. Overall condition is fine with all paint intact. Mat does show some staining and wear. $600 - $800 195. Original production drawing from the opening titles of The Jetsons. (Hanna Barbera Studios, 1962) Rare original production drawing featuring “George Jetson” from the opening titles of The Jetsons TV Series. After 16 months of development, The Jetsons premiered on ABC prime-time in the 1962-1963 television season. Slotted against Walt Disney’s Wonderful World of Color, and Dennis The Menace, two extremely popular family shows, the series did not fare well, and after only one season of 24 episodes, was canceled. The 24 original episodes did find a home on Saturday Morning TV, where they aired in the lineup for an amazing 15 years. Accomplished in graphite on untrimmed 10.5 x 12.5 in. animation paper. Image sizes is 5 x 6 in. Paper condition is good with some discoloration around image from being previously framed. $100 - $200

196. Signed original production cel and production back- 193. Signed Original model drawings from The Flintstones. ground featuring “Touche’ Turtle” and “Dum-Dum” from The (Hanna Barbera Studios, 1961) Original model drawings of “Betty New Hanna-Barbera Cartoon Series. (Hanna Barbera Studios, 1962) Rubble” and “Wilma Flintstone” for “The Masquerade Ball” episode of Original production cels featuring “Touche’ Turtle” and “Dum-Dum” The Flintstones. The individual drawings were trimmed and applied to a paired with an original production background from Hanna-Barbera’s 10.5 x 12.5 in. piece of animation paper during production. The draw- The New Hanna-Barbera Cartoon Series. Premiering in 1962, this series ings have been signed by animator/character designer Disk Bickenbach. included segments with “Touche Turtle”, “Wally Gator” and “Lippy The Drawing is in good condition with some glue staining visible. Lion”. The untrimmed cel and background measure 10.5 x 12.5 in. and $600 - $800 are not matching. The cel has ben hand-signed by Bill Hanna and Joe Barbera. Both are in fine condition with very little wear and all paint intact. $600 - $800

www.profilesinhistory.com 49 Animation Auction

199. Original production drawing featuring “Fred Flintstone” and “Pebbles” from The Flintstones. (Hanna-Barbera Studios, 1964) Original production drawing featuring “Fred Flintstone” and “Pebbles” from the 1964 season, The Gruesomes episode of The Flintstones. . The untrimmed animation drawings measures 10.5 x 12.5 in. Drawing is in very fine condition with little to no wear throughout. $200 - $400

197. Original presentation artwork featuring “Lippy The Lion” And “Hardy Har Har”. (Hanna Barbera Studios, 1964) Beautiful color presentation/concept artwork featuring “Lippy The Lion” and “Hardy Har Har”. The untrimmed animation paper measures 10.5 x 12.5 in. Studio stamp at base of drawing. Total image size is 7 x 7 in. Drawing is in very fine condition with little to no wear. $400 - $600

200. Original production 9-panel storyboard page from The Flintstones. (Hanna-Barbera Studios, 1964) Original 9-panel story- board page from the 1964 season, “Pebbles’ Birthday Party” episode of The Flintstones. The untrimmed storyboard paper measures 10.5 x 12.5 in. Drawing is in very fine condition with little to no wear throughout. $200 - $400

198. Original presentation artwork featuring “Touche turtle” And “Dum Dum”. (Hanna Barbera Studios, 1964) Beautiful color pre- sentation/concept artwork featuring “Touche Turtle” and “Dum Dum”. The untrimmed animation paper measures 10.5 x 12.5 in. Studio stamp at base of drawing. Total image size is 6 x 5.5 in. Drawing is in very fine condition with little to no wear. $400 - $600 201. Original production 9-panel storyboard page from The Flintstones. (Hanna-Barbera Studios, 1964) Original 9-panel story- board page from the 1964 season, “Pebbles’ Birthday Party” episode of The Flintstones. The untrimmed storyboard paper measures 10.5 x 12.5 in. Drawing is in very fine condition with little to no wear throughout. $200 - $400 50 1-310-859-7701 202. Original production cel of “Pebbles” and “Dino” with 204. Original concept drawing from Alice in Wonderland or production background from The Flintstones. (Hanna Barbera Whats a Nice Kid Like You Doing in a Place Like This? (Hanna Studios, 1965) Original production cels and production background Barbera, 1966) Rare original hand-drawn concept drawing featuring featuring “Pebbles” and “Dino” from The Flintstones. Originally air- “Yogi Bear”, “Barney Rubble”, and “The Hare” from Alice in Wonderland ing on prime time beginning in 1960 and running through 1966, or Whats a Nice Kid Doing in a Place Like This?. The sheet measures 10 x The Flintstones was the most financially successful network animated 12 in. Image measures 9.5 x 9.5 in. Overall condition is very good with franchise until The Simpsons debuted almost 30 years later. “Pebbles” minor edge wear. $200 - $400 first appeared on the series during the 1962/63 season, and this cel and background setup is from later in the series, most likely the last season. The cels and background were slightly trimmed at the studio to 8.5 x 11 in. for presentation. The cels are stapled to the background as was the studio norm. Overall condition is fine with all paint intact. $600 - $800

203. Original production cels from The Space Kiddettes. 205. Signed original hand-painted publicity cel featuring (Hanna-Barbera Studios, 1966) Nice multi-cel setup featuring all the “Huckleberry Hound”, “Pixie” and “Dixie”. (Hanna Barbera main characters from the Space Kiddettes TV series. Airing on NBC from Studios, 1968) Hand-painted promotional cel featuring “Huckleberry 1966-1967, this series starred a group of space-age kids and the evil space Hound”, “Pixie” and “Dixie”. The untrimmed 10.5 x 12.5 in. cel has pirate “Captain Skyhook”. This multi-cel setup features (5) untrimmed been hand-signed by Bill Hanna and Joe Barbera. The cel has been placed 10.5 x 12.5 in. animation cels that have been placed over a hand-painted on a orange colored background paper. Total image size is 8 x 12.5 in. background from another production. Total image size of the characters Overall condition is very fine with all paint intact. $200 - $400 is 3.25 x 6.5 in. The cels are in very fine condition with all paint intact. $200 - $400

www.profilesinhistory.com 51 Animation Auction

206. Incredible collection of (12) Original title cels and the matching title background from The New Scooby-Doo Movies. (Hanna Barbera Studios, 1972) The New Scooby-Doo Movies was the second incarnation of the wildly popular Scooby-Doo Where Are You! TV series. Using the same format as the original series, caricatured guest stars (usually under contract to CBS at the time) were incorporated into the series. Each series episode featured a different guest star title cel placed over the one original title background. Offered here are (12) of the original title cels and the original background representing the guest stars for all (16) episodes of the first season of the show (Don Knotts, Batman and Robin, The Harlem Globetrotters, and The Three Stooges all appeared twice). Title cels include, Sonny and Cher, The Three Stooges, Sandy Duncan, Phyllis Diller, Laurel and Hardy, Jonathan Winters, The Harlem Globetrotters, Jerry Reed, Batman And Robin, Davey Jones, The Addams Family, and Don Knotts. The Sonny and Cher card has been placed with the original background. Also included is the “bumper” lettering cel, “More On The New”. The untrimmed cels and background measure 11 x 14 in. Overall condition is very fine with all paint intact. $8,000 - $10,000

52 1-310-859-7701 207. Original production cels and production background from Charlotte’s Web. (Hanna Barbera Studios, 1973) Original produc- tion cel of “Charlotte”, and “Wilbur” placed on an original production background from the Hanna-Barbera Studios feature film, Charlotte’s 209. Original production title cel from A Flintstones Christmas Web. Based on the classic children’s book by E.B. White, the film starred (Hanna Barbera Studios, 1977) Original production title cel from the Debbie Reynolds as the voice of Charlotte, and was scored by the 1977 Hanna-Barbera Studios TV special, A Flintstone Christmas. This was Sherman Brothers, best known for their work at the Disney Studio. It was the first TV special starring “The Flintstones” produced by the studio. the first feature for the studio not based on an existing TV series character. The untrimmed cel measures 10.5 x 12.5 in. and has been placed on an The film opened to positive reviews and did well at the box office, how- airbrushed blue background card. Overall condition is very fine with all ever it found a devoted following through television and the advent of paint intact. $300 - $500 home VHS machines. In 1994, 21 years after its premiere, it became one of the best selling titles of the year. The untrimmed cels and background measure 10.5 x 12.5 in. Wilbur measures 4 x 6 in. Overall condition is very fine little wear and all paint intact. $400 - $600

210. Original production title cel and matching production background from the Space Station USA episode of Galaxy 208. Original hand-painted publicity cel featuring “Tom” and Goof-ups. (Hanna Barbera Studios, 1979) Original production title cels “Jerry”. (Hanna Barbera Studios, 1975) Hand-painted promotional cel and matching production background from the “Space Station USA” featuring “Tom” and “Jerry”. As well as being used for promotion, this episode of Hanna Barbera’s Galaxy Goof-Ups TV series. Broadcast from cel features a gag used by the producers to pitch the show to the net- 1978-1979 the series was originally part of the Yogi’s Space Race TV work for that season. The untrimmed 10.5 x 12.5 in. cel been placed on series, and starred “Yogi Bear”, “Huckleberry Hound”, “Scare Bear” and a colored background paper. Overall condition is very fine with all paint “Quack Up”. The untrimmed cels and background measure 10.5 x 12.5 intact. $200 - $400 in. Overall condition is very fine with all paint intact. $400 - $600

211. Original production cels of “Scooby-Doo”, ”Scrappy-Doo”, and “Shaggy” on a pan production background from The Scooby And Scrappy Doo show. (Hanna-Barbera Studios, 1979) Original Pan production cels of “Scooby-Doo”, “Scrappy-Doo” and “Shaggy” from The Scooby and Scrappy Doo Show. The cels have been placed on a pan production background. The entire piece measures 10.5 x 31.5 in. cels and back- ground are in very fine shape with all paint intact and little to no wear. $600 - $800

www.profilesinhistory.com 53 Animation Auction

212. Original production cels of “Smurfs” on a pan production background from The Smurfs. (Hanna-Barbera Studios, 1981) Original production cels of “Smurfs” and “Azreal” from The Smurfs. Based on the Belgian comic series of the same name, The Smurfs, premiered on NBC in 1981. An instant hit, the series lasted for 8 years and 256 episodes. The (3) slightly trimmed pan cels all measure 10.5 x 20.75 in. and have been placed on a trimmed pan 10.5 x 23 in production background from the series. Overall condition is very fine. $200 - $300

215. Rare original artwork for the Hanna Barbera Studios Christmas Card. (Hanna Barbera Studios, 1989) One-of-a-kind original hand-painted cel and background created for the studios official Christmas card in 1989. Designed and penciled by the legendary Gene 213. Original hand-painted production background with over- Hazelton, the artwork features several of the studio’s major characters. A lay cel from The Smurfs. (Hanna Barbera Studios, 1983) Beautiful copy of the printed card is included in the lot. This card was available to production background with production cel overlay from the popular employees of the studio and used by the studio itself for several years. The Hanna-Barbera TV Series, The Smurfs. The untrimmed cel and back- untrimmed measure 11 x 14 in. The hand-painted background measures ground measure 10.5 x 12.5 in. Overall condition is very fine with all 9.5 x 16 in. Overall condition is very fine with all paint intact. paint intact. $200 - $400 $800 - $1,000

216. Original cover art of “Santa Claus” from Santa Claus 214. Original bumper card production cel and matching back- Coloring Book. (Whitman, 1957) Rare original illustration painting ground from Tis The Season To Be Smurfy. (Hanna Barbera Studios, featuring “Santa Claus” playing with Christmas toys from the cover of 1987) Original hand-painted bumper card from “The Smurf’s” prime- Santa Claus Coloring Book. The imagery is achieved with water color time Christmas special, Tis The Season To Be Smurfy. Bumper Cards such painting on illustration board and cel overaly of book title. The illustration as these were used to lead in and out of commercials. The untrimmed cel board is untrimmed, measuring 14 x 11 in. Image size is 11 x 8 in. Overall and background measure 10.5 x 12.5 in. Overall condition is very fine condition is very good with some discoloration in margins of illustration with all paint intact. $300 - $500 board. Includes published copy of Santa Claus Coloring Book. $300 - $500 54 1-310-859-7701 217. Original cel artwork for the Snow White story in Water Babies and Other Stories by Heath Publishing. (Walt Disney Studios/ Heath Publishing, 1940) Original hand-painted cel used for the artwork in a Snow White story published in the 1940 book, Water Babies and Other Stories. The untrimmed cel measures 10 x 15 in. The cel has been framed together with a copy of the page and a copy of the book. The artwork is in fine condition with slight wrinkling in the cel and all paint intact. $600 - $800

218. (3) Walt Disney Studios pub- lications (Walt Disney Studios, 1937, 1940) (3) Publications relat- ing to the Disney studio. Included in this lot is the Carthay 220. A Vernon Kilns “Satyr Bowl #124” from Walt Disney’s Circle Theatre program Fantasia. (Vernon Kilns, 1940) Vernon, California was the home of for Snow White And Vernon Kilns, well-known for their ceramic giftware. Vernon was consid- The Seven Dwarfs, The ered one of the “Big Five” pottery makers in California. In 1940, Vernon Los Angeles County Museum Kilns contracted with Walt Disney Studios to manufacture figurines based Program for a 1940 Disney Art on Fantasia, Dumbo, and The Reluctant Dragon. Few have survived without Exhibit, and a 1940s in-house pamphlet damage. Here is a vintage 7.5 x 3 in. “Satyr” bowl by Vernon kilns based for new employees. All are in good shape with on artwork from Fantasia. The bowl has petal shaped ivory glazed sides some wear and tearing at creases throughout. with a pink interior. With Vernon and Disney marks on the base bottom. $100 - $200 In fine condition. $300 - $500

219. (3) Vernon Kilns “Elephants” from Walt Disney’s Fantasia. (Vernon Kilns, 1940) Vernon, California was the home of Vernon Kilns, well-known for their ceramic giftware. Vernon was considered one of the “Big Five” pottery makers in California. In 1940, Vernon Kilns contracted with Walt Disney Studios to manufacture figurines based on Fantasia, Dumbo, and The Reluctant Dragon. Few have survived without damage. Offered here are three vintage “Dancing Elephants” from Fantasia. Ranging in size approx 3.5 x 6 in. each. With Vernon and Disney marks on the base bot- tom. In very fine condition. $1,600 - $2,500

www.profilesinhistory.com 55 Animation Auction

221. A Vernon Kilns “Mushroom Bowl #120” from Walt Disney’s Fantasia. (Vernon Kilns, 1940) Vernon, California was the home of Vernon Kilns, well-known for their ceramic giftware. Vernon was considered one of the “Big Five” pottery makers in California. In 1940, Vernon Kilns contracted with Walt Disney Studios to manufacture figurines based on Fantasia, Dumbo, and The Reluctant Dragon. Few have survived without damage. Here is a vintage 2 x 6.5 x 12 in. “Mushroom” bowl by Vernon kilns based on artwork from Fantasia. The baby blue glazed bowl is of a shallow recrangular shape with the mushroom relif around the rim. With Vernon and Disney marks on the base bottom.In 223. A Vernon Kilns “Sprite #10” from Walt Disney’s Fantasia. fine condition. $300 - $500 (Vernon Kilns, 1940) Vernon, California was the home of Vernon Kilns, well-known for their ceramic giftware. Vernon was considered one of the “Big Five” pottery makers in California. In 1940, Vernon Kilns contracted with Walt Disney Studios to manufacture figurines based on Fantasia, Dumbo, and The Reluctant Dragon. Few have survived without damage. Here is a 1.5 x 4.5 in. “Sprite” figurine by Vernon kilns based on artwork from Fantasia. With minor hairline glaze crack in lower left leg. With Vernon and Disney marks on the base bottom. In vintage, very good condition. $300 - $500

222. A Vernon Kilns Rearing “Unicorn #15” from Walt 224. A Vernon Kilns Sitting “Unicorn #14” from Walt Disney’s Disney’s Fantasia. (Vernon Kilns, 1940) Vernon, California was the Fantasia. (Vernon Kilns, 1940) Vernon, California was the home of home of Vernon Kilns, well-known for their ceramic giftware. Vernon Vernon Kilns, well-known for their ceramic giftware. Vernon was consid- was considered one of the “Big Five” pottery makers in California. In ered one of the “Big Five” pottery makers in California. In 1940, Vernon 1940, Vernon Kilns contracted with Walt Disney Studios to manufacture Kilns contracted with Walt Disney Studios to manufacture figurines based figurines based on Fantasia, Dumbo, and The Reluctant Dragon. Few have on Fantasia, Dumbo, and The Reluctant Dragon. Few have survived without survived without damage. Here is a 3.25 x 6 in. rearing “Unicorn” figu- damage. Here is a 3.25 x 4.25 in. sitting “Unicorn” figurine by Vernon rine by Vernon kilns based on artwork from Fantasia. With Vernon and kilns based on artwork from Fantasia. With Vernon and Disney marks on Disney marks on the base bottom.$600 - $800 the base bottom. In fine condition. $400 - $600 56 1-310-859-7701 225. Original Song of the South theatrical release program. (Walt Disney Studios, 1946) Theater attendee program for the release of Song of the South. The six-page program measures 12.5 x 9.5 in. Spine wear and edge wear and discoloration through- out. $100 - $200

228. Walt Disney signed program from Fantasia. (Walt Disney Studios, 1940) Original theatrical program for Walt Disney’s Fantasia bodly signed on the inside cover, “Walt Disney”. The program comes from the estate of animator Clarke Mallery. Measuring 9.5 x 12.5 in. There is a small.75 in. tear in the right edge of the cover, that does not affect the signature. Noral wear and yellowing along edges as would be expected. Signature is in very fine condition. $1,000 - $2,000

226. Vintage Walt Disney hand-signed and inscribed photo- graph. (Walt Disney Studios, 1950s) Vintage 9 x 13 in. double-weight black and white, gelatin silver, borderless photo of a Disney employee handing Walt a cup of coffee. Walt sits on the film set of Song of the South beaming from his personal “Uncle Walt” labeled chair. Disney has inscribed in black ink, in full: “To Uncle Irving Best wishes from Uncle Walt”. With minor edge wear not affecting the image. In vintage fine condition. $2,500 - $3,500

227. Unusual collection of Disney Studio memorabilia from the 229.Walt Disney signed WED Board of Directors meeting estate of Clarke Mallery (Walt Disney Studios, 1940-1952) Unusual document. (Walt Disney 1956) 1 page (8.5 x 11 in.) typed document collection of Studio Newsletters, in-house memos and memorabilia relat- on 3-hole punched paper, signed boldly by Walt Disney and Royal Clark ing to activities at the studio between 1940 and 1952. Clarke Mallery (Secretary of the meeting) The formal document come from an “Annual was a talented animator and musician at the studio. He was a member Organizational Meeting Of Board Of Directors Of WED Enterprises, of the popular “Firehouse Five plus One”. Included in the memorabilia INC., A California Corporation”. Dated February 20, 1956, the docu- are his Talent Payment Vouchers for singing on Alice And Wonderland and ment describes the minutes of the meeting, which was attended by Walter for recording Flight Of The Bumblebee for a studio short. Also included E. Disney, Royal Clark, Wm. H.D. Cotrell and Richard Irvine. The docu- are several wartime dispatches from the studio and the cartoonists guild ment reads, in part: “Mr. Walter E. Disney was elected Chairman of the Board updating everyone on the location of those animators that entered the by acclamation”. Signed in ink at the bottom of the document, “Walter E. service. Overall condition is good with lots of wear and staining through- Disney” and “Royal Clark”. In fine condition with light wear along edges. out. $100 - $200 $3,000 - $4,000

www.profilesinhistory.com 57 Animation Auction

232. Original artwork for (3) pages of the Bambi Little Golden Book. (Walt Disney Studios, 1979) (3) Original pages of artwork made for the 1979 Little Golden Book of Walt Disney’s Bambi. Accomplished in graphite and Conte Crayon, each page measures 8 x 6.5 in. All (3) pages have been framed together in a triple aperture mat for presentation. The artwork is in very fine condition with little or no wear. $1,500 - $2,500

230. Original artwork for a Jaymar puzzle featuring “The Three Little Pigs”. (Walt Disney Studios, 1970s) Beautiful original artwork for a puzzle manufactured by the Jaymar Specialty Company featuring Walt Disney’s “Big Bad Wolf” and “Three Little Pigs”. The Jaymar Specialty Company was founded in 1920 by Jacob and David Marks, the Father and Brother of Louis Marx, of the Marx Toy Company. While Louis Marx’s company specialized in tin and metal toys, Jaymar specialzed in wooden toys. After World War II, the company started producing puzzles, and soon began producing Disney puzzles, which continued until the company closed in 1990. Although this artwork may have been done for an earlier puzzle, it was also used in a puzzle released in the 1970s that is included in this lot. Accomplished in Gouache on artist’s board. The entire piece measures 22 x 17 in. Image size is 18.5 x 14.25 in. Overall, in fine condition with some light wear and staining throughout. $800 - $1,200

231. Signed original comic strip illustration featuring “Snow White and the Seven Dwarfs” from Disneyland Magazine. (Fawcett Publication, 1973) Rare original watercolor illustration paint- ing featuring “Snow White and the Seven Dwarfs” from Fawcett 233. Animator Signed Book Walt Disney’s Snow White and the Publication’s Disneyland Magazine. Hand signed by Disney Studio legends Seven Dwarfs; An Art in its Making. (Hyperion, 1994) First edition Frank Thomas and Ollie Johnston. The illustration board measures 16.75 book signed by several Disney Animators that worked on Snow White and x 13.75 in. Each of the six comic panels is 3.5 x 5.5 in. Overall condition the Seven Dwarfs, including Frank Thomas, Maurice Noble, Bill Justice, is very good with standard publication markings and writing in margins. Ken O’Connor, Joe Grant, Ollie Johnston, Marc Davis, and Ward Kimball. $400 - $600 $100 - $200 58 1-310-859-7701 236. Collection of (8) Disney Studio Christmas Cards from ollection of isney tudio hristmas ards from 234. C (4) D S C C the 1950s. (Walt Disney Studios, 1950s) Collection of (8) Disney Studio the 1930s. (Walt Disney Studios, 1930s) Collection of (4) Disney Studio Christmas cards from the years 1950, 1952, 1953, 1954, 1956, 1957, 1958 Christmas cards from the years 1933, 1936, 1937 and 1938. Every year, and 1959. Every year, the studio would create a unique Christmas card the studio would create a unique Christmas card to send to employees usually promoting a new or upcoming production to send to employees and friends of the studio. This particular collection comes from the estate and friends of the studio. This particular collection comes from the estate of Joe Rosenberg, a friend of Walt Disney, and the man responsible for of Joe Rosenberg, a friend of Walt Disney, and the man responsible for obtaining Disney the loan he needed to finance Snow White and the Seven obtaining Disney the loan he needed to finance Snow White and the Seven Dwarfs. All cards are in fine condition with very little wear throughout. Dwarfs. All cards are in fine condition with very little wear throughout. The 1933 and the 1936 cards are quite rare. Disney productions high- Disney productions highlighted in the cards include, Alice in Wonderland, lighted in the cards include, The Three Little Pigs, and Snow White and the Peter Pan, The Sword and the Rose, 20,000 Leagues Under the Sea, The Mickey Seven Dwarfs. $200 - $400 Mouse Club, Cinderella, Old Yeller, Toby Tyler, Sleeping Beauty, Darby O’Gill and the Little People, Tonka the Shaggy Dog, and Third Man on the Mountain. Also highlighted is “The Building of Disneyland”, “The Matterhorn Ride” and the studio’s “25th Anniversary.” $200 - $400

237. Collection of (6) Disney Studio Christmas Cards from the 1960s. (Walt Disney Studios, 1960s) Collection of (6) Disney Studio 235. Collection of (6) Disney Studio Christmas Cards from Christmas cards from the years 1960, 1961, 1963, 1964, 1966 and 1967. the 1940s. (Walt Disney Studios, 1940s) Collection of (6) Disney Studio Every year, the studio would create a unique Christmas card usually pro- Christmas cards from the years 1943, 1945, 1946, 1947, 1948 and 1949. moting a new or upcoming production to send to employees and friends Every year, the studio would create a unique Christmas card to send to of the studio. This particular collection comes from the estate of Joe employees and friends of the studio. This particular collection comes Rosenberg, a friend of Walt Disney, and the man responsible for obtaining from the estate of Joe Rosenberg, a friend of Walt Disney, and the man Disney the loan he needed to finance Snow White and the Seven Dwarfs. All responsible for obtaining Disney the loan he needed to finance Snow cards are in fine condition with very little wear throughout. Disney pro- White and the Seven Dwarfs. All cards are in fine condition with very little ductions highlighted in the cards include, 101 Dalmatians, Flubber, Babes wear throughout. Disney productions highlighted in the cards include, in Toyland, Sword in the Stone, Thomasina, Mary Poppins, Those Calloways, Make Mine Music, Song of the South, Melody Time, So Dear to My Heart, and Follow Me Boys, Jungle Book, and Treasure Island. Also highlighted is “The upcoming productions, Cinderella, Alice in Wonderland and Treasure Island. Building of the It’s a Small World Attraction” at Disneyland. $200 - $400 $200 - $400

www.profilesinhistory.com 59 Animation Auction

238. Original watercolor concept from Pirates of the Caribbean 240. Rare Studio premiere gift limited edition Mulan bronze. attraction. (Walt Disney Productions) Rare watercolor concept paint- (Walt Disney Studios, 1998) Beautiful 18 inch tall bronze sculpture of ing for the Pirates of the Caribbean attraction at Disneyland. Accomplished Mulan on her horse from Walt Disney’s Mulan. The bronze was given in watercolor and ink on illustration paper. The illustration paper mea- to selected officers of the company to commemorate the premire of the sures 15 x 12 in. The image measures 13.5 x 11.5 in. The piece is in very feature. Bronze plaque on the front reads “Disney’s Mulan World Premiere good condition with pin holes in corners. $1,500 - $2,500 June 5, 1998 Limited Edition 18/50”. $1,000 - $2,000

239.Original maquette for a Disney “Sleeping Beauty’s Castle” Rose Parade float. (1995) Expertly handmade maquette model of the Disney float for the 1995, 106th Pasadena Rose Parade. This large model is constructed of lathed wood, rigid foam and aluminum stripping. All assembled to form “Sleeping Beauty’s Castle” and painted primer gray to serve as the basis for design, ultimately to be covered in flowers, as Disney’s entry in the world-famous parade. Measuring 40 long x 22 in. 241. Rare Studio premiere gift limited edition Hercules vase. wide by 27 in. tall and affixed to a 20 x 47 in. base. This maquette exhibits (Walt Disney Studios, 1997) Beautiful 15 inch tall ceramic Limoges vase some loose components and detached aluminum stripping. All parts are from Walt Disney’s Hercules. The Vase was given to selected officers of the present and the piece remains in very good condition. Accompanied by a company to commemorate the premire of the feature. Inscription on base pencil sketch of the envisioned float and the 106th Roe Parade booklet. reads “World Premiere 14 June, 1997 Disney’s Hercules Artoria Limoges Special shipping arrangements will apply. $600 - $800 No. 16 of 50”. $800 - $1,000 60 1-310-859-7701 242. Incredible one-of-a-kind Disney Studio gift art. (Walt Disney Studios, 1970) Joe Rosenberg was a close friend of Walt Disney’s and a member of the Board of Directors at the Studio. Rosenberg, a Bank Of America loan officer, was instrumental in procuring Walt Disney a much needed loan for the completion of Snow White and the Seven Dwarfs, and later for the Disneyland Park. He remained a close friend of the Disney’s and a friend of the studio throughout his life. Rosenberg’s “salary” for working on the Board of Directors was set at only $1 per year. In 1970, most likely in jest, Roy Disney had the studio artists create this drawing of “Mickey Mouse” juggling 6 silver dollars. Inscribed by Roy to Roesnberg, “Dear Joe- Sorry we got so far behind,--hope this brings us up to date-Mickey”. The image of Mickey is hand-painted on cut illustration board. It has been applied to an airbrushed background with 6 actual silver dollars inset. The entire piece remains in its original frame. Mickey measures 11.5 x 8.5 in. The entire framed piece measures 19 x 23 in. In vintage very good condition. $5,000 - $7,000

www.profilesinhistory.com 61 Animation Auction

243. (30) studio publicity photographs from Fantasia. (Walt Disney Studios, 1940) Set of (30) glossy 8.25 x 10 in. publicity photos featuring pre-production artwork from Walt Disney’s Fantasia. The photos were once stored in a reference notebook and have two holes punched at the base of each one. Condition is very fine with little or no wear. $300 - $500 245. (20) studio publicity photographs from Song Of The South. (Walt Disney Studios, 1946) Set of (20) glossy 8.25 x 10 in. public- ity photos featuring pre-production artwork by Mary Blair, and others. Based on the Uncle Remus Stories by Joel Chandler Harris, Song Of The South was a live-action film with animated sequences directed by Wilfred Jackson. Mary Blair, the background and color stylist was responsible for much of the pre-production artwork. Condition is very fine with little or no wear. Two punched holes at the bottom of each photo from being stored in a file book. $200 - $400

246. (9) studio publicity photographs featuring live action ref- erence footage from Alice in Wonderland. (Walt Disney Studios, 1951) Set of (8) glossy 8.25 x 10 in. publicity photos featuring live-action reference footage from Walt Disney’s Alice In Wonderland. The photos were 244. (30) studio publicity photographs featuring animators at once stored in a reference notebook and have two holes punched at the work from the 1940s through the 1980s. (Walt Disney Studios) Set base of each one. Several have studio stamps and suggested captions on of (30) glossy 8.25 x 10 in. publicity photos featuring animators at work the reverse. Condition is very fine with little or no wear. $100 - $200 in the studio. Scenes range from the 1940s through the 1980s, and fea- tuere severeal major artists from the studio. The photos were once stored in a reference notebook and have two holes punched at the base of each one. Condition is very fine with little or no wear. $300 - $500 62 1-310-859-7701 249. (13) studio publicity photographs featuring model sheet reference from The Black Cauldron. (Walt Disney Studios, 1985) Set of (13) glossy 8.25 x 10 in. publicity photos featuring model sheets from Walt Disney’s The Black Cauldron. The photos were once stored in a reference notebook and have two holes punched at the base of each one. Condition is very fine with little or no wear. $100 - $200

247. (20) studio publicity photographs from Sleeping Beauty. (Walt Disney Studios, 1959) Set of (20) glossy 8.25 x 10 in. publicity photos featuring pre-production artwork, live-action footage, and voice actors from Walt Disney’s Sleeping Beauty. The photos were once stored in a reference notebook and have two holes punched at the base of each one. Condition is very fine with little or no wear. $200 - $400

248. (31) studio publicity photographs from Mary Poppins. (Walt Disney Studios, 1964) Set of (31) glossy 8.25 x 10 in. publicity photos featuring pre-production artwork, production stills, behind the scenes photos and more from Walt Disney’s Mary Poppins. The photos were once 250. (100) Assorted vintage ticket books and Admision Tickets stored in a reference notebook and have two holes punched at the base to Disneyland. (Disneyland, 1970s) Wonderful collection of Vintage of each one. Several have studio stamps and suggested captions on the Disneyland tickets including (45) Courtesy Guest Ride Tickets, (32) reverse. Condition is very fine with little or no wear. $600 - $800 Child Magic Kingdom club ( still good for admission o the park), and (22) vintage complimentay main gate admission tickets (also still good for admission to the park). Overall, tickets are in very good shape with some wear. $3,000 - $5,000

www.profilesinhistory.com 63 Animation Auction

251. Original Ub Iwerks production drawing from Plane Crazy. (Walt Disney Studios, 1928) Rare original production drawing by Ub Iwerks featuring “Mickey Mouse” and “Minnie Mouse” from Plane Crazy. This short marked the first appearance of ‘Mickey Mouse” and was released as a silent film to a theater audience on May 15, 1928. The short failed to pick up a distributor for the studio. Later that year, Disney released Steamboat Willie, a sound cartoon and it became an enormous success. Plane Crazy was re-released as a sound cartoon. In 1929. Ub Iwerks, along with Hugh Harman and Rudolph Ising (all hometown friends of Disney) animated the film. The drawing is accomplished in graphite on 9.5 x 12 in. animation paper. The image measures 6 x 3 in. Paper is in very fine condition with very little wear or discoloration. $2,000 - $3,000

252. (2) Original Ub Iwerks production drawings from Plane Crazy. (Walt Disney Studios, 1928) (2) original production drawings by Ub Iwerks featuring “Minnie Mouse” from Plane Crazy. This short marked the first appearance of “Mickey Mouse” and “Minnie Mouse” and was released as a silent film to a theater audience on May 15, 1928. The short failed to pick up a distributor for the studio. Later that year, Disney released Steamboat Willie, a sound cartoon and it bacame an enourmous success. Plane Crazy was re-released as a sound cartoon. In 1929. Ub Iwerks, along with Hugh Harman and Rudolph Ising (all hometown friends of Disney) animated the film. The drawings are accomplished in graphite on 9.5 x 12 in. untrimmed animation paper and have been archivally mounted on rice paper. Both images take up the entire area of the paper. Paper is in very fine condition with very little wear or discoloration. $8,000 - $10,000 64 1-310-859-7701 (Walt Disney Studios, 1928) Outstanding rare original production drawing by Ub Iwerks featuring “Mickey Mouse” Mouse” “Mickey featuring Ub Iwerks original by 1928) Outstanding rare drawing production Studios, Disney . (Walt raz y C

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254. Original Ub Iwerks production drawing from Steamboat Willie.(Walt Disney Studios, 1928) Outstanding original production drawing by Ub Iwerks featuring a rare full figure image of “Mickey Mouse” from Steamboat Willie. Although not the first appearance of “Mickey Mouse”, it was the one of the earliest sound cartoons produced, and its popularity catapulted Mickey Mouse into a major Hollywood star and the studio into a major force in the industry. The drawing is accomplished in graphite on 9.5 x 12 in. animation paper. The outstanding full figure image measures 4 x 2.75 in. Paper is in very fine condition with very little wear or discoloration. $6,000 - $8,000

255. (2) Original production drawings from Walt Disney’s Steamboat Willie. (Walt Disney Studios, 1928) (2) Original production drawings featuring “Mickey Mouse” from Steamboat Willie. The second, and probably most well-known Mickey mouse short, “Steamboat Willie was Disney’s first sound cartoon, and is considered to be one of the cornerstones of animation history. Both drawings, by animator Ub Iwerks, are on untrimmed 9.5 x 12 in. animation paper. Image size of Mickey is approximately 3 x 3.5 in. Drawings are in fine shape with very light edge wear. $4,000 - $6,000 66 1-310-859-7701 256. Original background layout drawing from The Barn Dance. (Walt Disney Studios, 1928) Rare background layout drawing from The Barn Dance. This 1928 short was the only the fourth “Mickey Mouse” short produced. The layout is accomplished in graphite on untrimmed 9.5 x 12 in. animation paper. In fine condition with minor wear and staining along edges. $200 - $400

259. (10) Original production drawings from Mother Goose Melodies. (Walt Disney Studios, 1931) (10) Sequential original produc- tion drawings featuring a dancing spider from the 1931 Silly Symphony, Mother Goose Melodies. Directed by Burt Gillett, the spider in this short is modeled after an Ub Iwerks designed spider from Midnight In A Toy Shop (1930), and was animated by Legendary Animator/Director Les Clark. The drawings are each individually numbered in the lower right- hand corner, starting with 876 and ending with 885. Accomplished in graphite, on untrimmed 9.5 x 12 in. animation paper. Image sizes are all approximately 4 x 2.5 in. Paper condition is fine with very little wear throughout. $400 - $600

257. Original production drawing from Frolicking Fish. (Walt Disney Studios, 1930) Original production drawing featuring an octopus and a fish from the 1930 Disney Silly Symphony, Frolicking Fish. A total of 75 shorts were made between 1929 and 1939 as part of Disney Silly Symphony Series. Frolicking Fish was the ninth short in the series. The untrimmed animation paper measures 9.5 x 12 in. Total image size of the characters is 4.5 x 5 in. Drawing is in fine condition with light wear along the edges. $100 - $200

258. Original background layout drawing and original pro- duction drawing from The Castaway. (Walt Disney Studios, 1931) Original background layout drawing from The Castaway paired with an 260. (2) Original production drawings featuring “Pluto” from original production drawing from the same short. Both drawings are Mickey’s Pal Pluto. (Walt Disney Studios, 1933) (2) Original produc- accomplished in graphite and colored pencil on untrimmed 9.5 x 12 tion drawings from Mickey’s Pal Pluto. Each untrimmed sheet is in excel- in. animation paper. Paper is in fine condition with minor edge wear. lent condition and measures 9.5 x 12 in. Pluto’s image measures about 2.5 $200 - $400 x 6 in. The kitten measures 1.5 x 1.5 in. $200 - $400

www.profilesinhistory.com 67 Animation Auction

264. Original production drawing of “Mickey Mouse” from 261. Original production drawing featuring “Mickey Mouse” Giantland. (Walt Disney Studios, 1933) Adorable original production from Ye Olden Days. (Walt Disney Studios, 1933) Rare vintage original drawing of “Mickey Mouse” from Giantland. The sheet is untrimmed production drawing of “Mickey Mouse” and a cast of other characters and measures 9.5 x 12 in. The image measure about 3.25 x 3 in. Overall from Ye Olden Days. The untrimmed animation paper measures 9.5 x 12 condition is excellent. $100 - $200 in. The image measure 7.5 x 10.5 in. Overall condition is excellent with minor edge wear. $800 - $1,000

265. Original production cel of “Pluto’s Minions” from Walt Disney’s Goddess Of Spring. (Walt Disney Studios, 1934) Original production cel Pluto’s (the God of the underworld) minions from the 1934 Walt Disney’s Silly Symphony, Goddess Of Spring. This short is con- sidered Disney’s first attempt to make realistic looking human characters, 262. Original production drawing of “Mickey Mouse” from in preparation for Snow White And The Seven Dwarfs. The untrimmed Giantland. (Walt Disney Studios, 1933) Adorable original production animation cel measures 10 x 12 in. The total image size of the characters is drawing of “Mickey Mouse” from Giantland. The sheet is untrimmed 5 x 3.5 in. Cel is plaved on a copy background. Cel is in very good shape and measures 9.5 x 12 in. The image measure about 3.5 x 3.5 in. Overall with some lifting and chipping in paint. $300 - $500 condition is excellent. $100 - $200

263. Original production drawing of “Mickey Mouse” from 266. Original production layout drawing from The Grasshopper Giantland. (Walt Disney Studios, 1933) Adorable original production and the Ants. (Walt Disney Studios, 1934) Beautifully detailed origi- drawing of “Mickey Mouse” from Giantland. The sheet is untrimmed nal production layout drawing from The Grasshopper and the Ants. The and measures 9.5 x 12 in. The image measure about 3.5 x 3 in. Overall untrimmed animation paper measures 9.5 x 12 in. The image measures 8 x condition is excellent. $100 - $200 10.5 in. Overall condition is excellent with minor edge wear. $600 - $800 68 1-310-859-7701 267. Original production drawing from The Big Bad Wolf. (Walt Disney Studios, 1934) Original production drawing of “The Wolf” from The Big Bad Wolf. The untrimmed animation paper measures 9.5 x 12 in. The image measures 5 x 7 in. The drawing is in fine condition. $100 - $200

269. (4) Original Grim Natwick drawings of the doll from Broken Toys. (Walt Disney Studios, 1935) (4) Original rough animation drawings from the 1935 Disney Silly Symphony, Broken Toys. The draw- ings are by legendary artist/animator Grim Natwick, who is credited with designing “Betty Boop” for Fleischer Studios and later was the lead animator for “Snow White” on Disney’s Snow White and the Seven Dwarfs. (3) Drawings are on untrimmed pan 9.5 x 24 in. animation paper and (1) is on untrimmed 9.5 x 12 in. animation paper. All are in very good condition with creases (in the pan pieces) where they were stored folded. Very light wear throughout. $200 - $400

268. (3) Original production drawings from Water Babies. (Walt Disney Studios, 1935) (3) Original production drawings from the 1935 Disney Silly Symphony, Water Babies. Unlike the Mickey Mouse series, the 270. (9) Original production drawings of the “Stepin Fechit” Silly Symphony series did not feature reoccurring characters. The series doll from Broken Toys. (Walt Disney Studios, 1935) (9) Original pro- was used as a platform to experiment with techniques and styles to be duction drawings featuring the “Stepin Fechit” doll from the 1935 Disney utilized later in feature films. (2) Drawings are on untrimmed 9.5 x 24 Silly Symphony, Broken Toys. Stepin Fechit was a popular comedian and in. animation paper, while one is made up of two 9.5 x 12 in. pieces of film actor of the time and is caricatured in several cartoon shorts from animation paper taped together. All are in very goo condition with creases various studios. All (9) of the drawings are on untrimmed 9.5 x 12 in. where they were stored folded. The drawing made of taped together animation paper. All are in very good condition with very light wear pieces is tearing at the crease. $100 - $200 throughout. $400 - $600

www.profilesinhistory.com 69 Animation Auction

271. (2) Original production cels from Broken Toys. (Walt Disney Studios, 1935) (2) Rare original production cels featuring the “Nurse” doll and the “Policeman” doll from the 1935 Disney Silly Symphony, Broken Toys. Both cels are untrimmed and measure 9.5 x 12 in. The nurse doll measures 4.25 x 3.5 in. and the policeman doll measures 5 x 4.5 in. Both are in fine condition with light wrinkling and all paint intact. $600 - $800 273. Original production drawing of “Mickey Mouse” from On Ice. (Walt Disney Studios, 1935) Adorable original production drawing of “Mickey Mouse” ice skating from On Ice. The sheet is untrimmed and measures 10 x 12 in. The image measure about 6 x 5.5 in. Overall condition is excellent. $400 - $600

274. Original production drawing from The Three Blind Mouseketeers. (Walt Disney Studios, 1936) Rare original produc- tion model drawing of the mice on glasses from the The Three Blind Mouseketeers. The sheet is untrimmed and measures 10 x 12 in. The image measures 4 x 6.5 in. $100 - $200

275. (2) Original production drawings from Woodland Cafe. 272. (5) Original production drawings from Mickey’s Garden. (Walt Disney Studios, 1935) (5) Sequential original production drawings (Walt Disney Studios, 1937) (2) Original production drawings featuring featuring “Mickey Mouse” from Mickey’s Garden. Directed by Wilfred a Trombone playing grasshopper and a color model drawing of a pair of Jackson, Mickey’s Garden was the second color theatrical “Mickey Mouse” bugs from the 1937 Disney Silly Symphony, Woodland Café. Directed by short, and the first assignment at the studio for legendary animator Ollie Wilfred Jackson, Woodland Café was the first animation assignment of Johnston. Accomplished in graphite, and colored pencil on untrimmed Disney Legend Ward Kimball. Both of the drawings are on untrimmed 9.5 x 12 in animation paper. Image sizes are all approximately 3.25 x 3.5 9.5 x 12 in. animation paper. Both are accomplished in graphite and col- in. Paper condition is fine with very little wear throughout. ored pencil. The color model drawings of the two bugs is stamped “Model $1,000 - $1,200 Drawing—Return To Dot Powers”. Both are in very good condition with very light wear throughout. $200 - $400 70 1-310-859-7701 278. Original production layout drawing from Lonesome Ghosts. (Walt Disney Studios, 1937) Rough original layout drawing featuring “Goofy” from Lonesome Ghosts. Directed by Burt Gillett, this popular 1937 short featured “Mickey Mouse”, “Donald Duck” and “Goofy”. Accomplished in graphite and colored pencil on untrimmed 10 x 12 in. animation paper. Total image size is 8 x 10.5 in. Paper is in fine condition with very little wear. $200 - $300

276. (2) Original production drawings from Woodland Cafe. (Walt Disney Studios, 1937) (2) Near-matching original production drawings featuring a Leaf-Bass playing grasshopper and a leaf eating bug from the 1937 Disney Silly Symphony, Woodland Café. Directed by Wilfred Jackson, Woodland Café was the first animation assignment of Disney Legend Ward Kimball. Both of the drawings are on untrimmed 9.5 x 12 in. animation paper and are accomplished in graphite and colored pencil. Very good condition with very light wear throughout. $200 - $400

277. Original production color call-out drawing from Woodland Café. (Walt Disney Studios, 1937) Original production drawing featuring two dancing caterpillars from the 1937 Disney Silly 279. (2) Original production drawings from The Old Mill. (Walt Symphony, Woodland Café. Accomplished in graphite and colored pen- Disney Studios, 1937) (2) original production drawings from Walt Disneys cil, this drawing would have been utilized by the studio “Ink And Paint The Old Mill. Both drawings are on untrimmed 10 x 12 in. animation Department” as a reference or “Color Call-Out” of paint colors. The paper. The windmill image measures about 5.5 x 5 in. and is in excellent untrimmed animation paper measures 10 x 12 in. Image size is 4 x 7 in. condition. The reeds measure 3.5 x 10 in. and are in good condition with Paper is in very fine condition with very little wear. $200 - $300 some creasing and wrinkling along the bottom edge. $200 - $400

www.profilesinhistory.com 71 Animation Auction

281. Rare original animation effects drawing of the “Wicked Queen” from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) This impressive effects animation drawing of the shadow cast upon the Wicked Queen was created in the production of Walt Disney’s first animated feature, Snow White And The Seven Dwarfs. The ani- mator wrote 2A-Sc-26 at the base of the drawing to mark its place in the film and “Double exposes shadow mask” and “eyes clear” near the top as instructions to the Ink & Paint and Camera Departments. “Unit B” stamp appears in margin. Accomplished in graphite, blue and red pencil on untrimmed 10 x 12 in. animation paper. Image size is 8 x 10.5 in. Paper is in fine condition with minor edge wear. $1,000 - $1,200

282. Original storyboard drawing of “Sleepy” from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original story- 280. Original production cel of the “Wicked Queen” from Snow board drawing featuring “Sleepy” from Disney’s first animated feature, White and the Seven Dwarfs. (Walt Disney Studios, 1937) Rare origi- Snow White and the Seven Dwarfs. Accomplished in graphite, and colored nal production cel featuring a full-figure pose of the “Wicked Queen” pencil, on trimmed 6.75 x 8.5 in. animation paper. The artist wrote from Walt Disney’s Snow White And The Seven Dwarfs. The “Wicked “Sleepy” across the top to identify the dwarf featured in the scene. “Unit Queen” was voiced by legendary stage and silent film actress Lucille La G” studio stamp in lower right-hand corner. Image size is 5.25 x 7 in. Verne, who also acted as the live-action model for the character. Not Paper condition is very good with slight wear along the edges and pin- often found in a full-figure pose, this wonderful image of the Queen is holes in the corners. $400 - $600 unrestored. The cel is slightly trimmed to 10.5 x 5 in. Image size is 9.5 x 3 in. Overall condition is very good with some fading in the original paint. $6,000 - $8,000 72 1-310-859-7701 (Walt Disney Studios, 1937) Amazing rare originalAmazing rare cel paired title production 1937) Studios, Disney . (Walt ar f s w D

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as the most successful sound film of all time. The lettering is accomplished in Gouache on an untrimmed 10 x 12 in. animation cel. Unrestored, the lettering has had some non- Unrestored, animation cel. The lettering is accomplished in Gouache on an untrimmed 10 x 12 in. The Singing Fool as the most successful sound film of all time. riginal Snow White And The Seven Dwarfs 283. O 283. with an original title background from Walt Disney’s Snow White And The Disney’s Seven Walt with an original Dwarfs. title background from on Jolsen’s Background has glue staining and is pegged at the bottom for registration. 10 x 12 in. measures The pearlized paper used for the background intact. remains overall but the years, touch-up over professional $4,000 - $6,000 throughout. good with light wear condition is very Overall Animation. Disney Walt A truly historic piece of through. does not bleed but on reverse, www.profilesinhistory.com 73 Animation Auction

284. Rare detailed original story drawing drawing from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) This detailed story drawing of the “Hag” as she decends the staircase was created in the production of Walt Disney’s first animated feature, Snow White And The Seven Dwarfs. Often referred to as “Disney’s Folly” dur- ing production, Snow White And The Seven Dwarfs was an enourmous undertaking for the studio. Disney had to expand his staff and studio for production. To help finance production, Disney’s friend and Loan officer Joe Resenberg helped him secure a million dollar loan through Bank 286. (3) Original story drawings from Snow White and the Of America, a relationship that would last for decades. “Unit D” stamp Seven Dwarfs. (Walt Disney Studios, 1937) (3) original production story appears on the right-hand side. Accomplished in graphite, on untrimmed drawings featuring “Happy” polishing “Grumpy’s” nose. Each drawing 10 x 12 in. animation paper. Image size is 6 x 8 in. Paper is in fine con- is on untrimmed 10 x 12 in. animation paper with a studio copyright dition with minor wear and pinholes in the corners. $1,000 - $1,200 stamp and studip embossment as prepared by Courvoisier Galleries for sale. Drawings are in fine condition with very little wear throughout. $1,000 - $1,500

285. (3) Original story drawings from Snow White and the 287. Original production drawings Model Sheet from Snow Seven Dwarfs. (Walt Disney Studios, 1937) (3) original production White and the Seven Dwarfs. (Walt Disney Studios, 1937) (4) Original story drawings featuring “Happy” polishing “Dopey’s” head. Each draw- animation drawings featuring “Snow White” from Walt Disney’s Snow ing is on untrimmed 10 x 12 in. animation paper with a studio copyright White And The Seven Dwarfs. The drawings have been trimmed to image stamp and studip embossment as prepared by Courvoisier Galleries for and applied to an untrimmed 10 x 12 in. piece of animation paper to sale. Drawings are in fine condition with very little wear throughout. form a sort of “Model Sheet”. Overall, drawings are in fine condition with $600 - $800 almost no wear. $400 - $600 74 1-310-859-7701 288. Original production drawing from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production draw- ing featuring “Snow White” from Walt Disney’s Snow White And The Seven Dwarfs. Accomplished in graphite and red pencil on untrimmed 10 x 12 290. Original production drawing of the “Huntsman” from in animation paper. Image size is 5 x 3.5 in. Drawing is in fine condition Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) with light edge wear. $600 - $800 Original rough animation drawing featuring “The Huntsman” from Walt Disney’s Snow White And The Seven Dwarfs. This drawing is from early in the animation process, and in this case may be the original rotoscope tracing used for this scene. Accomplished in graphite and red pencil on untrimmed 10 x 12 in. animation paper. Image size is 7 x 7 in. Drawing is in fine condition with light edge wear. $600 - $800

291. Original production Layout drawing of “Seven Dwarfs” from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Rare original production layout drawing of “Seven Dwarfs” from Snow White and the Seven Dwarfs. The untrimmed sheet measures 10 x 12 289. (3) Original production drawings from Snow White and in. The image measures 5 x 10.5 in. The sheet is in very good condition the Seven Dwarfs. (Walt Disney Studios, 1937) (3) original production overall with pin holes in the corners. $1,000 - $2,000 drawings featuring “Snow White” from Walt Disney’s Snow White And The Seven Dwarfs. Accomplished in graphite and red pencil on untrimmed 10 x 12 in animation paper. Each image size is approximately 2 x 2 in. Drawings are in fine condition with light edge wear. $600 - $800

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292. Original production storyboard drawing of “The Hag” from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Rare original production storyboard drawing of “ The Hag” hang- ing over the cliff from Snow White and the Seven Dwarfs. The untrimmed sheet measures 10 x 12 in. The image measures 8.25 x 10.5 in. The sheet is in very good condition overall with pin holes in the corners. $2,000 - $3,000

295. (2) Original production drawings of “Bashful and Sneezy” from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Set of (2) original production drawings of “Bashful and Sneezy” from 293. Original production drawing of “Dopey” from Snow White Snow White and the Seven Dwarfs. Each untrimmed sheet measures 12.5 x and the Seven Dwarfs. (Walt Disney Studios, 1937) Original produc- 15.5 in. Bashful measures 4.5 x 4 in. Sneezy measures 4.25 x 2.5 in. The tion drawing of “Dopey” from Snow White and the Seven Dwarfs. The drawings are in fine condition overall with studio copyright stamps on untrimmed sheet measures 10 x 12 in. The image measures 5 x 4 in. The each page. $800 - $1,000 sheet is in very good condition overall. $400 - $600

296. Set of (2) original production drawings featuring “The Queen” from Snow White and the Seven Dwarfs. (Walt Disney 294. Original production drawing of “Doc” from Snow White Studios, 1937) Set of two (2) original production drawings of “The and the Seven Dwarfs. (Walt Disney Studios, 1937) Original pro- Queen” carrying the heart box down the stairs from Snow White and duction drawing of “Doc” from Snow White and the Seven Dwarfs. The the Seven Dwarfs. Each sheet is untrimmed and measures 12 x 10 in. The untrimmed sheet measures 10 x 12 in. The image measures 5.5 x 5.5 in. images each measure about 2.5 x 2.5 in. Overall condition is good with The sheet is in very good condition overall. $400 - $600 creases and discoloration from the drawings being framed. $300 - $500 76 1-310-859-7701 297. Original production cel of the “Wicked Queen” from Snow White And The Seven Dwarfs with Disney signature (Walt Disney Studios, 1937) Stunning original production cel of the “Wicked Queen” holding the heartbox from Snow White And The Seven Dwarfs. The cel has been slightly trimmed to 8 x 10 in. and placed on an airbrushed background as prepared by Courvoisier Galleries for sale. The cel has been framed together with a bold Walt Disney Signature on mat board. Cel is in fine shape with all paint intact. $15,000 - $20,000

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298. (3) Original production drawings from The Moth and the Flame. (Walt Disney Studios, 1938) (3) Original production drawings featuring a the “Girl Moth”, the “Boy Moth”, and “The Flame”, from the 1938 Disney Silly Symphony, The Moth and the Flame. All (3) drawings are on untrimmed 10 x 12 in. animation paper and are accomplished in graphite and colored pencil. The drawings are in good condition with 300. Original production cel of “Mickey Mouse” from The edge wear throughout. The girl Moth drawing has a 2 in. repaired tear Brave Little Tailor. (Walt Disney Studios, 1938) Beautiful original on the left side that does not affect image. $200 - $400 production cel featuring “Mickey Mouse” from the classic 1938 short, The Brave Little Tailor. The untrimed cel measures 10 x 12 in. and has been placed on a custom hand-painted background. Mickey’s image size is 5.5 x 4.5 in. Cels is in fine condition with all paint intact. $4,000 - $6,000

301. Original production cel of Picadors from Ferdinand the Bull. (Walt Disney Studios, 1938) Original production cel featuring 299. Original production cel of the Giant from Walt Disney’s “two Picadors from the Academy Award winning short, Ferdinand The The Brave Little Tailor. (Walt Disney Studios, 1938) Original pro- Bull. Originally part of a pan cel, the cel has been slightly trimmed to 10 duction cel featuring “The Giant from Walt Disney’s 1938 short, The x 13 in. Total image size is 7 x 8 in. Cel is in very fine condition with all Brave Little Tailor. Based on the fairy tale, The Valiant Little Tailor, this popu- paint intact. $800 - $1,000 lar Mickey Mouse Short was nominated for an Academy Award, and in 1994 was selected as one of the 50 greatest cartoons of all time by mem- bers of the animation industry. Legendary animator Bill Tytla animated the giant throughout the short. The cel is slightly trimmed to 9.5 x 7.5 in. The image size of the character is 6.5 x 5.25 in. Cel is in very good con- dition with some slight lifting and staining throughout. $1,800 - $2,800 78 1-310-859-7701 305. Original production drawing of Hugh Herbert from Mother Goose Goes Hollywood. (Walt Disney Studios, 1939) Original production drawing featuring Hugh Herbert as “Old King 302. Original production cel of “Ferdinand” from Ferdinand Cole” from the 1939 Disney Silly Symphony, Mother Goose Goes the Bull. (Walt Disney Studios, 1938) Original production cel of “Ferdinand” from Ferdinand The Bull. The 1938 Academy Award win- Hollywood. Featuring popular stars of the era as carictatured by animator ner for best animated short subject, Ferdinand The Bull was adapted from T. Hee, Mother Goose Goes Hollywood was the last short to be introduced as the 1936 childrens book by Munro Lawson. The cel has been trimmed a Disney Silly Symphony (although there were two more shorts released to image and applied to a hand-prepared background as prepared by before the series ended). The drawing is on untrimmed 10 x 12 in. anima- Courvoisier Galleries for sale. The entire piece measures 9 x 11 in. tion paper. The character measures 6.5 x 6.5 in. Paper is in fine condition Ferdinand’s image size is 6.5 x 6.5 in. Overall, in very good condition with very little wear throughout. $100 - $200 with some glue staining visible in the background. $1,500 - $2,500

306. Original production cels and production drawings of Hugh Herbert and Ned Sparks from Mother Goose Goes 303. Original production cel of “Ferdinand” from Ferdinand Hollywood. (Walt Disney Studios, 1939) Original production cels fea- the Bull. (Walt Disney Studios, 1938) Original production cel featur- ing “Ferdinand” from the Academy Award winning short, Ferdinand The turing Hugh Herbert as “Old King Cole” and Ned Sparks as his Jester Bull. The cel has been trimmed to image and placed on an airbrushed from the 1938 Disney Silly Symphony, Mother Goose Goes Hollywood. background as preoared by Courvoisier Galleries for sale. The entire This well-known short featured popular stars of the era as carictatured piece measures 10 x 10 in. Ferdinand’s image size is 8 x 6.5 in. Cel is in by animator T. Hee, The cels have been trimmed to image and applied to good condition with a chip in the paint in Ferdinand’s horn. Background an airbrushed background as prepared by Courvoisier Galleries for sale. shows some glue staining. $2,000 - $3,000 The entire piece measures 8 x 11 in. Total image size of the characters is 6.5 x 8 in. Included with the cels are two original production drawings 304. no lot of the characters on untrimmed 10 x 12 in animation paper. The cels are in good shape with some light paint lifting and some glue staining on the background. $1,500 - $2,000

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307. Original production cels and matching production draw- ing of Ned Sparks from Mother Goose Goes Hollywood. (Walt Disney Studios, 1939) Original production cels featuring Ned Sparks as Old King Cole’s Jester from the 1939 Disney Silly Symphony, Mother Goose Goes Hollywood. This well-known short featured popular stars of the era as carictatured by animator T. Hee, The cel of Spark’s body and head are matching and have been slightly trimmed to 8.5 x 9 in. Most likely originally sold through Courvoisier Galleries, the cels have been 309. Original production cel and matching production draw- placed on a custopm airbrushed background. Total image size of the char- ing of Martha Raye and Joe E. Brown from Mother Goose acter is 7 x 6 in. Included with the cels is a matching original production Goes Hollywood. (Walt Disney Studios, 1939) Original production drawing of the head cel on untrimmed 10 x 12 in. animation paper. The cel featuring Martha Raye and Joe E. Brown from the 1938 Disney Silly cels are in fine shape with some very light paint lifting. $1,000 - $1,500 Symphony, Mother Goose Goes Hollywood. This well-known short featured popular stars of the era as carictatured by animator T. Hee, The cel has been trimmed to image and applied to a custom airbrushed background. The entire piece measures 8 x 10 in. Total image size of the characters is 6 x 6 in. Included with the cels is a matching original production drawing on untrimmed 10 x 12 i. animation paper. The cels are in fine shape with some very light paint lifting. $1,200 - $1,500

310. (2) Original production production drawings featuring 308. (3) Original production production drawings featur- the Marx Brothers from Mother Goose Goes Hollywood. (Walt ing Martha Raye and Joe E. Brown from Mother Goose Goes Disney Studios, 1939) (2) Original production drawings featuring the Hollywood. (Walt Disney Studios, 1939) (3) Original production draw- Marx Brothers as Old King Cole’s Fiddlers from the 1939 Disney Silly ings featuring Martha Raye and Joe E. Brown from the 1939 Disney Silly Symphony, Mother Goose Goes Hollywood. This well-known short featured Symphony, Mother Goose Goes Hollywood. This well-known short featured popular stars of the era as carictatured by animator T. Hee, The (2) draw- popular stars of the era as carictatured by animator T. Hee, The (3) draw- ings are on untrimmed 10 x 12 in. animation paper. Groucho’s image size ings are on untrimmed 10 x 12 in. animation paper. The drawings are in is 4.5 x 3 in. Harpo and Chico measure 5 x 5.5 in. The drawings are in fine shape with some discoloration along the edges. $400 - $600 very fine shape with little or no wear. $600 - $800 80 1-310-859-7701 311. Original production production drawing featuring Charlie McCarthy from Mother Goose Goes Hollywood. (Walt Disney 313. (20) Original sequential production drawings featuring Studios, 1939) Original production drawing featuring Charlie McCarthy “Wilbur” from Goofy and Wilbur. (Walt Disney Studios, 1939) from the 1939 Disney Silly Symphony, Mother Goose Goes Hollywood. Beautiful sequence of (20) original production drawings featuring This well-known short featured popular stars of the era as carictatured “Wilbur” from Walt Disney’s Goofy And Wilbur. Directed by Dick Huemer, by animator T. Hee, Accomplished in graphite and colored pencil on Goofy And Wilbur was the first Disney short with Goofy in a solo role. untrimmed 10 x 12 in. animation paper. Image size is 6.75 x 6 in. The All (20) drawings are on 10 x 12 in. animation paper. Image sizes are all drawing is in very fine shape with little or no wear. $200 - $400 approximately 4 x 2 in. Paper is in very good condition with some stain- ing and edge wear throughout. $400 - $600

312. Original production cels of Fred Astaire and Stepin Fetchit from Mother Goose Goes Hollywood. (Walt Disney Studios, 1939) Original production cels featuring Fred Astaire and Stepin Fetchit from the 1939 Disney Silly Symphony, Mother Goose Goes Hollywood. This well-known short featured popular stars of the era as carictatured by animator T. Hee. The cels have been trimmed to image 314. (10) Original sequential production drawings featur- and applied to an airbrushed background as prepared by Courvoisier ing ‘Goofy” from Goofy and Wilbur. (Walt Disney Studios, 1939) Galleries for sale. The entire piece measures 7 x 9 in. Fred Astaire’s image Outstanding sequence of (10) original production drawings featuring size is 5.5 x 3.25 in. Stepin Fetchit’s image size is 5 x 2.5 in. The cels are “Goofy” from Walt Disney’s Goofy And Wilbur. Directed by Dick Huemer, in fine shape with some very light paint lifting and some glue staining on Goofy And Wilbur was the first Disney short with Goofy in a solo role. background. $1,500 - $2,000 All (10) drawings are on 10 x 12 in. animation paper. Image sizes are all approximately 4.5 x 5 in. Paper is in very good condition with some staining and edge wear throughout. $400 - $600

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315. (20) Original sequential production drawings from The 317. (10) Original sequential production drawings from The Pointer. (Walt Disney Studios, 1939) Excellent sequence of (20) original Beach Picnic. (Walt Disney Studios, 1939) Wonderful sequence of (10) production drawings featuring “The Bear” from Walt Disney’s The Pointer. original production drawings featuring “Pluto” from Walt Disney’s The Directed by Clyde Geronomi, The Pointer featured the “new” modern Beach Picnic. Directed by Clyde Geronomi, The Beach Picnic paired two of design of “Mickey” and was nominated for an Academy Award for Best Disney’s biggest stars, “Donald Duck” and “Pluto”. All (10) drawings are Short Subject in 1940. All (20) drawings are on 10 x 12 in. animation on 10 x 12 in. animation paper. Image sizes are all approximately 6.5 x paper. Image sizes are all approximately 7 x 6 in. Paper is in very good 5.5 in. Paper is in fine condition with some light staining along the edges. condition with some light staining and edge wear throughout. $400 - $600 $400 - $600

318. Original production cels from The Ugly Duckling (Walt Disney Studios, 1939) Original production cels of the swan mother and ducklings from the 1939 Silly Symphony, The Ugly Duckling. Originally 316. Original production cels of “Mickey Mouse” and “Pluto” animated as a Silly Symphony in 1931, The Ugly Duckling was the only from The Pointer. (Walt Disney Studios, 1939) Original production Silly Symphony to be produced twice, and the 1939 version was the last cels featuring “Mickey Mouse” and “Pluto”” from Walt Disney’s The short in the Silly Symphony series. The cels have been trimmed to image Pointer. The cels have been trimmed to image and applied to an air- and applied to an airbrushed background as prepared by Courvoisier brushed background as prepared by Courvoisier Galleries for sale. The Galleries for sale. The entire piece measures 8.5 x 11 in. The toal image entire piece measures 7.5 x 10.5 in. The cel is in very fine condition with size of the characters is 6 x 8 in. Cels are in fine shape with all paint intact. all paint intact. $4,000 - $6,000 $3,000 - $5,000

319. Original production cel of “The Three pigs” from Practical Pig with pan production background. (Walt Disney Studios, 1939) Original production cels featuring the “Three Little Pigs” from from Walt Disney’s, The Practical Pig. The cels were trimmed to image at the studio and placed on a pan 9 x 20 in. watercolor background from another production for presentation. Cels and background are in fine condition with all paint intact and light staining in background. $4,000 - $6,000 82 1-310-859-7701 320. Original production cel of Puppet Dancer from Pinocchio. (Walt Disney Studios, 1940) Beautiful original production cel of a french Can-Can Dancer puppet from the “Got No Strings” sequence of Pinocchio. The musical sequence featured several different puppets voiced by legendary voice artists Patricia Page, Mae Questal and Mel Blanc. The cel of the dancer has been trimmed to image and applied to an airbrushed background as prepared by Courvoisier Galleries for sale. A separate trimmed cel of the puppet strings has been paired with the dancer. The entire piece measures 8.25 x 6 in. The image size of the puppet is 6.5 x 3.5 in. Cel is in very good condition with some faint lifting in dress. $600 - $800

322. (10) Original Bill Tytla sequential rough animation draw- ings from Pinocchio. (Walt Disney Studios, 1940) Amazing sequence of (10) rough animation drawings by animator Bill Tytla featuring “Stromboli” from Pinocchio. Tytla joined the Disney Studios in 1935 and 321. Original production cel of “Pinocchio” from Walt is considered one of the best character animators to work at the studio Disney’s Pinocchio. (Walt Disney Studios, 1940) Original production during that period. He is best known for his animation of “Grumpy” cel featuring “Pinocchio” from Walt Disney’s 1940 feature, Pinocchio. The from Snow White and The Seven Dwarfs, “Stromboli” from Pinocchio, “The cel of “Pinocchio” is trimmed to image and placed on a new cel with Chernabog” from Fantasia, and “Dumbo” from Dumbo. All (10) drawings custom bubble effects. The cel has been placed on a custom painted are on 10 x 12 in. animation paper. Image sizes are all approximately 5 watercolor background. The entire piece measures 10 x 13 in. Pinocchio’s x 8 in. Paper is in fine condition with some light yellowing and wear. image size is 3.5 x 5.5 in. Cel is in fine shape with all paint intact. $400 - $600 $2,000 - $4,000

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323. Original storyboard drawing of “Jiminy Cricket” from 325. Original production concept drawing from Pinocchio. (Walt Pinocchio. (Walt Disney Studios, 1940) Rare original storyboard panel Disney Studios, 1940) Early original concept drawing from what became featuring “Jiminy Cricket” from Walt Disney’s Pinocchio. The second the “Pleasure Island” sequence of Pinocchio. During production, the story, animated feature film from the Walt Disney Studios, Pinocchio is consid- based on Carlos Collodi’s “The Adventures Of Pinocchio” went through ered by many to be one of the best animated films ever produced. This many changes. This early concept features “Pinocchio” and other boys original storyboard panel features “Jiminy Cricket” from the scene where enjoying popular drinks from the sap of bottle growing trees in what “Pinocchio” is freed from “Stromboli’s” cage by the “Blue Fairy”. The 8 was originally conceived as “Boobyland”. Accomplished in graphite and x 8.5 in. piece of storyboard paper was taped to a larger 10 x 12 in. piece colored pencil on trimmed 8 x 10 in. animation paper. Total image size of animation paper. The embossed 1939 copyright and “Original WDP” is 7 x 9 in. Paper is in very good condition with edge wear throughout. stamp at the bottom wee added by Courvoisier Galleries in prepara- $800 - $1,200 tion for sale. Paper is in fine condition, however tape has yellowed with age. Image size is 5.75 x 7.5 in. Includes Courvoisier Galleries label on reverse. $800 - $1200

324. Original production drawing of “Pinocchio” underwater 326. Original production concept drawing from Pinocchio. from Pinocchio. (Walt Disney Studios, 1940) Original production drawing featuring “Pinocchio” from Pinocchio. Intended to be Disney’s (Walt Disney Studios, 1940) Early original concept drawing from what third feature, Pinocchio was moved ahead in the schedule when the became the “Pleasure Island” sequence of Pinocchio. During production, second feature, Bambi ran into difficulties. Released on Febuary 7th, the story, based on Carlos Collodi’s “The Adventures Of Pinocchio” 1940, Pinocchio won the Academy Award for Best Original Song and went through many changes. This early concept features boys enjoy- Best Original Song. Accomplished in graphite and colored pencil on ing carnival-type rides operated by donkeys in what was originally untrimmed 10 x 12 in. animation paper. “Pinocchio’s” image size is 3 x conceived as “Boobyland”. Accomplished in graphite and colored pen- 4 in. Paper is in fine condition with some light wrinkling. Studio archive cil on untrimmed 10 x 12 in. animation paper. Total image size is 8 x stamp in lower left corner. $300 - $500 10.5 in. Paper is in very good condition with edge wear throughout. $800 - $1,200

327. Original production cel featuring “Pinocchio” from Pinocchio. (Walt Disney Studios, 1940) Original production cel of “Pinocchio” from Pinocchio. The cel has been trimmed to image and applied to a hand-prepared background as prepared for sale by Courvoisier Galleries. The beautifully detailed and perfectly posed cel of pinocchio measures only 2.25 x 2 in., but captures a wonderful moment in the film, as “Pinocchio” heads off to school. The artwork is still in its’ original Courvoisier Galleries mat and frame with the Courvoisier Galleries label on the reverse. Mat opening measures 4 x 3.5 in. The entire framed piece measures 10 x 8.5 in. $1,500 - $2,500

84 1-310-859-7701 (Walt Disney Studios, 1940) Amazing detailed finished background concept painting of Gepetto’s Workshop from Pinocchio . from Workshop Amazing detailed finished background concept painting of Gepetto’s 1940) Studios, Disney (Walt . inocchio P

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versize The artistic style of this feature was based on paintings by Gustaf Tenngren. Tenngren joined the Walt Disney Studio in 1936, Disney felt his old world style and rich felt his old world detailed imageryperfect for his Disney was Studio in 1936, Disney Walt joined the Tenngren Tenngren. Gustaf based on paintings by The artistic was style of this feature in 1940 to He left Disney his backgrounds and atmospheric look and feel of the film through paintings. designed the overall Tenngren Pinocchio , For . Dwarfs White and the Seven Snow first film, feature Accomplished in watercolor vision for the film. Tenngren’s reflects workshop This atmospheric painting of the interior of Gepetto’s begin as a book illustrator for Little Golden books. a succesful career $30,000 - $40,000 seen offered. have Pinocchio we from work One of the finest examples pre-production an amazing 17 x 27.5 in. the painting measures and tempera on illustration board 328. O 328. www.profilesinhistory.com 85 Animation Auction

329. (4) Original production drawings of “Figaro” from Pinocchio. (Walt Disney Studios, 1940) (4) Original animation draw- ings featuring “Figaro” from Pinocchio. Animated by Eric Latrson, and created as a supporting character in the feature, Figaro was very popular 332. Original production cel of “Jiminy Cricket” from Pinocchio. with audiences, and went on to star in several of his own shorts. The (4) (Walt Disney Studios, 1940) Original production cel featuring “Jiminy animation drawings offered here were prepared for sale by Courvoisier Cricket” from Walt Disney’s Pinocchio. The cel has been trimmed to image Galleries in the 1940s,. The animation paper has been trimmed to 2.5 x and applied to an airbrushed background as prepared by Courvoisier 3.25 in. and all four drawings were matted together in a 9.5 x 10.5 in. Galleries for sale. The cel is still in its original Courvoisier Galleries mat frame. They are still in their original frame with the Courvoisier Label on with Courvoisier Galleries label on reverse. The entire matted piece mea- the reverse. Paper is in very good condition with some slight yellowing sures 10.5 x 11 in. The mat opening measures 6 x 6 in. Jiminy is 3 x 3 in. and staining. $800 - $1,000 The cel is in very fine condition with all paint intact. $2,000 - $3,000 330. Original pro- duction cel of “Jiminy Cricket” from Pinocchio. (Walt Disney Studios, 1940) Beautiful original pro- duction cel featuring “Jiminy Cricket” from Walt Disney’s Pinocchio. The cel has been trimmed to image and applied to an airbrushed background as prepared by Courvoisier Galleries for sale. The cel is still in its original Courvoisier Galleries mat. The entire matted piece measures 12 x 11 in. The mat opening measures 5.5 x 5 333. Original production cels of “Gepetto” and “Figaro” from in. Jiminy is 3.5 x 3 in. The mat is stained and discolored. The cel is in Pinocchio. (Walt Disney Studios, 1940) Original production cels featur- very fine condition with all paint intact. $2,000 - $3,000 ing “Gepetto”and “Figaro” from Walt Disney’s Pinocchio. The cels have been trimmed to image and applied to an airbrushed background as prepared by Courvoisier Galleries for sale. The cel is still in its original 331. Original pro- courvoisier galleries mat The entire matted piece measures 12 x 14 in. duction cel of The circular mat opening has a 7.5 in. diameter. Total image size of the “Jiminy Cricket” characters is 5 x 6 in. The cel is in very fine condition with all paint intact. from Pinocchio. (Walt $3,000 - $4,000 Disney Studios, 1940) Original production cel featuring “Jiminy Cricket” from Walt Disney’s Pinocchio. The cel has been trimmed to image and applied to an airbrushed back- ground as prepared by Courvoisier Galleries for sale. The cel is still in its original Courvoisier Galleries mat with Courvoisier Galleries label on reverse. The entire 334. (2) Original story drawings from Pinocchio. (Walt Disney matted piece measures 12 x 11 in. The mat opening measures 5.5 x 4.5 Studios, 1940) (2) Early original production story drawings featuring in. Jiminy is 3.5 x 3 in. The cel is in very fine condition with all paint “Gepetto” and “Pinocchio” from Walt Disney’s Pinocchio.” Each drawing intact. $2,000 - $3,000 is on untrimmed 10 x 12 in. animation paper Drawings are in fine condi- tion with very little wear throughout. $1,000 - $1,500 86 1-310-859-7701 335. (3) Original rough animation drawings of “Jiminy Cricket” from Pinocchio. (Walt Disney Studios, 1940) (3) Excellent original rough animation drawings featuring “Jiminy Cricket” from Walt Disney’s Pinocchio.” Each drawing is on untrimmed 10 x 12 in. animation paper. 337. (5) Original production drawings from Fantasia. (Walt Each image is apporximately 3 x 3 in. Drawings are in fine condition Disney Studios, 1940) (5) Excellent original rough animation drawings with very little wear throughout. $800 - $1,000 featuring “Hyacinth Hippo” from Walt Disney’s Fantasia. Each drawing is on untrimmed 10 x 12 in. animation paper. Each image is apporximately 3 x 2 in. Drawings are in fine condition with very little wear throughout. $800 - $1,000

338. (2) original production drawings of the “Chernabog” from Fantasia. (Walt Disney Studios, 1940) (2) Original production drawings featuring “The Chernabog”and a flame effects drawing from 336. Original “Gepetto” model drawings from Walt Disney’s Walt Disney’s Fantasia. Accomplished in graphite and colored pencil Pinocchio. (Walt Disney Studios, 1940) Original production model drawing of “Gepetto” from Pinocchio. The untrimmed animation paper on untrimmed 12.5 x 15 in. animation paper. The Chernabog’s image measures 10 x 12 in. Drawing is in fine shape with very light edge wear. size is 10 x 8.5 in. Drawing is in fine condition with light edge wear. $400 - $600 $1,000 - $1,500

www.profilesinhistory.com 87 Animation Auction

339. Original production background from the Sorcerer’s Apprentice sequence of Fantasia. (Walt Disney Studios, 1940) Stunning and rare original watercolor production background from the Sorcerer’s Apprentice sequence of Walt Disney’s Fantasia. Originally conceived as a two-real “Silly Symphony” type short, The Sorcerer’s Apprentice was intended to be a revival role for “Mickey Mouse”. As production costs rose, Disney envio- sioned incorprating the sequence into a “Concert Feature”which eventually became Fantasia. Accomplished in watercolor on untrimmed 10 x 12.5 in. background paper, this background appears as a multitude of brooms pour water into the Sorcerer’s chambers. Production notes along the bottom and studio stamps on reverse. Overall condition is fine with light wear throughout and some pinholes in corners. $2,000 - $4,000

340. Original production background from the Dance Of The Hours sequence of Fantasia. (Walt Disney Studios, 1940) Rare original production background from the Dance Of The Hours sequence of Walt Disney’s Fantasia. Wonderfully animated to Ponchielli’s Dance Of The Hours, this background appears as Ben Alligator and Hyacinth Hippo dance. The background is slightly trimmed to 12 x 15.75 in. It has been professionally restored along the top and museum mounted to board. Overall condition is fine with light wear throughout. $2,000 - $4,000 88 1-310-859-7701 343. Original Lee Blair concept drawing from Fantasia. (Walt Disney Studios, 1940) Rare original concept drawing by Lee Blair fea- 341. Original production drawing of the “Chernabog” from turing Elephants from the Dance Of The Hours sequence of Fantasia. Lee Fantasia. (Walt Disney Studios, 1940) Impressive original production Blair was the husband of Disney Artist Mary Blair and the brother of drawing of the “Chernabog” from the Night On Bald Mountain sequence famed animator Preston Blair. An accomplished California Watercolorist, of Fantasia. The sequence begins as the “Chernabog” summons evil he began work at Disney in 1938 as a color supervisor on Pinocchio. It spitits and restless souls from their graves. The spirits celebrate the night was at his suggestion that his wife Mary was hired at the studio in 1940. until driven back as night fades into dawn. The segment was directed by Accomplished in graphite on untrimmed 10 x 12 in. animation paper. Wilfred Jackson, and the Chernabog was animated by legendary anima- Image size is 8 x 10.5 in. Inscribed “LEE” in upper right corner. Paper is tor Bill Tytla. The drawing is in very fine condition. The untrimmed in very good condition with some edge wear and light creasing in lower animation paper measures 12.5 x 15.5 in. Image size is 10.5 x 9 in. right-hand corner. Pinholes in corners. $1,500 - $2,000 $1,000 - $1,500

342. Original Sylvia Holland concept drawing from Fantasia. (Walt Disney Studios, 1940) Beautiful original concept drawing by Sylvia Holland featuring early versions of a Centaur and Centaurettes from the Pastoral Symphony sequence of Fantasia. Holland was one of the only women at the studio to actually hold a position there as an art- ist. Her architectural precision as a draftsman, ability to work in pastels, watercolor and line, plus her knowledge of music, impressed Disney. She joined the studio in 1938 and her first assignment was the new “Concert 344. Original pastel concept art of “Yen Sid” from Fantasia. Feature”, which eventually became Fantasia. Accomplished in graphite (Walt Disney Studios, 1940) Original concept drawing from The Sorcerer’s on untrimmed 10 x 12 in. animation paper. Image size is 8 x 10.5 in. Apprentice segment of Fantasia featuring “Yen Sid.” The drawing is “Concert Feature” studio stamp on reverse. Paper is in very fine condition believed to be drawn by Joe Grant and is accomplished in pastel. The with very little wear or discoloration. $1,000 - $1,200 imagery takes up the majority of the 10 x 7 in. sheet. The piece is in good condition with pin holes in the corners and a torn upper right corner. $4,000 - $6,000

www.profilesinhistory.com 89 Animation Auction

345. Original concept painting of “Mickey Mouse” from Fantasia. (Walt Disney Studios, 1940) Beautiful concept painting featuring “Mickey Mouse” from The Sorcerer’s Apprentice sequence of Walt Disney’s Fantasia. The Sorcerer’s Apprentice was originally an elaborate Silly Symphony designed as a comback role for “Mickey Mouse” whose popularity was declining. As production costs on the short began to climb, Disney decided to include it in a “Concert Feature” concept he was working on. The segment featured a newly styled “Mickey Mouse”, as designed by animator Fred Moore, with more rounded features and redesigned eyes. This concept painting features the older style “Mickey Mouse”, as many of the early concepts do. Accomplished in tempera and acrylic on 6 x 7 in. illustration board. Painting is in very fine condition. $5,000 - $7,000

346. Original story drawing from the Dance Of The Hours sequence of Fantasia. (Walt Disney Studios, 1940) Beautiful original story drawing fea- turing dancing Ostriches from the Dance Of The Hours sequence of Fantasia. This drawing was one of a select few offerd for sale through Courvoisier Galleries in the 1940s. The original Courvoisier sticker has been retained. Accomplished in graphite on untrimmed 10 x 12 in. animation paper. Image size is 8 x 10 in. Studio stamp “58” in lower right corner. Paper is in very fine condition with very little wear or discoloration. $1,000 - $1,200

347. Original production cel of a “Dewdrop Fairy” from the Nutcracker Suite sequence of Fantasia. (Walt Disney Studios, 1940) Beautiful original production cel featuring a “Dewdrop Fairy” from the 348. Original watercolor model painting of “Madame Upanova” Nutcracker Suite sequence of Fantasia. The cel is untrimmed; rare because from Fantasia. (Walt Disney Studios, 1940) Original model art from so many of the cels that have survived were trimmed to image and mar- The Dance of the Hours segment of Fantasia featuring “Madame Upanova”. keted through Courvoisier Galleries. Measuring 12 x 15.5 in., the cel has Accomplished in watercolor and ink on illustration paper. The illustration a sequence number inked in the lower right corner. The cel has been paper measures 10 x 12 in. The image measures 7 x 9.5 in. The piece is in placed on a color copy background. The Fairy Image size is 3 x 3 in. Cel very good condition with pin holes in the corners. $800 - $1,200 is in fine condition with no heavy wrinkiling or paint loss. $600 - $800 90 1-310-859-7701 349. Original watercolor concept painting of “Mickey Mouse” from Fantasia. (Walt Disney Studios, 1940) Rare original watercolor concept painting of “Sorcerer Mickey” from The Sorcerer’s Apprentice seg- 351. Walt Disney signed Original production cel and pro- ment of Fantasia. The piece is accomplished in watercolor and ink on duction background from Fantasia. (Walt Disney Studios, 1940) illustration paper. The illustration paper measures 11 x 14 in. The image Original production cels featuring Satrys and Unicorns from the Pastoral measures 9.5 x 12.5 in. The piece is in fine condition with pin holes in Symphony sequence of Fantasia. The cels were slightly trimmed at the the corners. $4,000 - $6,000 studio and placed on an original production background from the feature for presentation. The original studio mat is inscribed “To lou Ella—with every good wish—Walt Disney”. Mat opening measures 8 x 11 in. Cels and background are in very fine consition with all paint intact. $5,000 - $7,000

352. Original production drawing of “Sunflower” from Fantasia. (Walt Disney Studios, 1940) Original production drawing of “Sunflower”. From the Pastoral Symphony sequence of “Fantasia. Although she appeared in the original release, “Sunflower” was later cut from most versions of the feature. The untrimmed animation paper measures 10 x 12 in. The image measures 6.5 x 6.5 in. Overall condition is excellent. $400 - $600

350. Original production cel of “Ben Ali Gator” from Fantasia. (Walt Disney Studios, 1940) Fantastic original production cel of “Ben 353. no lot Ali Gator” from the Dance of the Hours sequence of Fantasia. The cel is trimmed to image, applied to an overlay cel, and has been placed over a hand painted custom background. The image of “Ben” mea- sures 5 x 2.5 in. The large custom background measures 16 x 17.5 in. $2,000 - $3,000

www.profilesinhistory.com 91 Animation Auction

354. Original character model drawing from Dumbo. (Walt Disney Studios, 1941) Amazing original character model drawing fea- turing “Dumbo” and his Mother from the 1941 Disney feature, Dumbo. 356. Original production cel of “Dumbo” from Dumbo. (Walt Conceptual drawings such as these were created in the Character Model Disney Studios, 1941) Original production cel featuring “Dumbo” from Department of the studio. Headed by legendary Disney artist, Joe Grant, the Walt Disney’s, Dumbo. Released in 1941, Dumbo was the studio’s it was this department that was responsible for approving the final “look” fourth animated feature and with a running time of only 64 minutes, also of the characters as well as developing three-dimensional maquettes, and its shortest. The cel has been slightly trimmed to 10 x 8 in. and has ben story development. Accomplished in pastel, graphite and colored pencil placed on a custom hand-painted background as prepared by Courvoisier on untrimmed 10 x 12 in. animation paper. Total image size is 9.25 x Galleries for sale. Dumbo measures 5 x 6 in. Cel is in very fine condition 10.25 in. Paper is in very good condition with some tape staining and with all paint intact. $2,000 - $4,000 residue along the edges, and pinholes in the corners. Studio “Return To Character Model Dept.” stamp in lower left corner. Numbered studio sticker adhered in lower right corner. $3,000 - $5,000

357. Original production storyboard drawing of “Timothy Mouse” from Dumbo. (Walt Disney Studios, 1941) Rare original production storyboard drawing of “Timothy Mouse” from Dumbo. The untrimmed storyboard paper measures 8.75 x 8.25 in. Total image size is 5.5 x 7 in. Drawing is in very good condition overall with pinholes in the margins. $600 - $800

355. Original production cel of “Dumbo” and “Timothy”from Dumbo. (Walt Disney Studios, 1941) Original production cel featuring “Dumbo” and “Timothy”from the Walt Disney’s, Dumbo. Released in 1941, Dumbo was the studio’s fourth animated feature and with a run- 358. Original production storyboard drawing of the “Circus ning time of only 64 minutes, also its shortest. The cel has been slightly Tent” from Dumbo. (Walt Disney Studios, 1941) Rare original produc- trimmed to 6.5 x 8 in. and has been placed on a custom hand-painted tion storyboard drawing of clown silhouettes inside the circus tent from background as prepared by Courvoisier Galleries for sale. Dumbo mea- Dumbo. The untrimmed storyboard paper measures 8.75 x 8.25 in. Total sures 5 x 6 in. Cel is in good condition with all paint intact and wrinkling image size is 5.5 x 7 in. Drawing is in very good condition overall with in cel material. $1,500 - $2,5000 pinholes in the margins. $400 - $600 92 1-310-859-7701 359. Original production storyboard drawing of a “Clown” from Dumbo. (Walt Disney Studios, 1941) Rare original produc- tion storyboard drawing of a circus clown running from Dumbo. The untrimmed storyboard paper measures 8.75 x 8.25 in. Total image size is 5.5 x 7 in. Drawing is in very good condition overall with pinholes in the margins. $400 - $600

362. Original model drawing of “Minnie Mouse” by Horvath. (Walt Disney Studios, 1941) Fantastic original model drawing of “Minnie Mouse” by Horvath from the early 1940s. The trimmed sheet measures 8.5 x 6.5 in. The image measure about 3 x 4 in. Overall condition is good with some wear to the sheet that the drawing is applied. Signed by Horvath to the lower right of the image. $400 - $600

360. Original Fred Moore production drawing of “Mickey Mouse” from Little Whirlwind (Walt Disney Studios, 1941) Original production drawing by animator Fred Moore of “Mickey Mouse” from the 1941 short, Little Whirlwind. The untrimmed animation paper mea- sures 10 x 12 in. Mickey’s image is 4 x 2 in. Drawing is in fine condition with very little wear throughout. $200 - $400

361. Original production drawing of the dragon from The 363. Original production drawing of “Mickey Mouse” from Reluctant Dragon. (Walt Disney Studios, 1941) Original production Canine Caddy. (Walt Disney Studios, 1941) Original production draw- drawing featuring the dragon from Walt Disney’s The Reluctant Dragon. ing of “Mickey Mouse” from Canine Caddy. The sheet is untrimmed and Accomplished in graphite and colored pencil on an untrimmed 10 x 12 measures 10 x 12 in. The image measure 5 x 5.5 in. Overall condition is in. piece of animation paper. Image size is 8.5 x 6.5 in. Drawing is in fine fine with an Art Props stamp in the lower right corner. condition with light edge wear. $200 - $400 $300 - $500

www.profilesinhistory.com 93 Animation Auction

364. Original production background from Bambi. (Walt Disney Studios, 1942) Beautiful original production background from Walt Disney’s Bambi. Originally intended to be the second animated feature from the studio, Bambi was held up by production problems and not released until after Dumbo. The backgrounds and color styling for this feature were inspired by, and many of them painted by Tyrus Wong, whose lush pastels, oils, and use of free space caught the eye of Walt Disney. Accomplished in in oil and Gouache on untrimmed 10 x 12 in. background paper, this background appears in the scene in which Faline is chased by the hunting dogs. Overall condition is very good with some tape staining along the edges. Studio stamps and notes on reverse. $800 - $1,200

365. Original production background from Bambi. (Walt Disney Studios, 1942) Beautiful original production background from Walt Disney’s Bambi. Tyrus Wong, a Chinese artist that had taken a job at the studio as an inbetweener, approached Art Director Tom Codrick during the produc- tion of Bambi and presented his idea for the film, soft oriental influenced paintings rather than the detailed paintings that were currently being done. It was Wong’s art, his use of shadow and suggestion that Codrick realized was just what Bambi needed to make it a different, and artistic picture. Accomplished in in Oil and Gouache on untrimmed 10 x 12 in. background paper, this stunning background exemplifies Wong’s approach to the film. Overall condition is very good with some tape staining along the edges. Studio stamps and notes on reverse. $800 - $1,200 94 1-310-859-7701 366. Original production concept drawing from Bambi. (Walt 368. Marc Davis signed original production story drawing from Disney Studios, 1942) Delicate charcoal concept drawing featuring a deer Bambi. (Walt Disney Studios, 1942) Wonderful Marc Davis story drawing from Walt Disney’s Bambi. The drawing is accomplished on a 4.25 x 5.25 featuring “Bambi” and “Thumper “from Walt Disney’s Bambi. Davis, one in. piece of animation paper. It was then taped into a larger piece of 5-peg of Disney’s “Nine Old Men”, was responsible for the final look of Bambi black animation paper with a 3.25 x 4 in. opening. Bambi’s art director and Thumper as well as animating many of the character’s key scenes. was impressionistic painter Tyrus Wong, whose style influenced all aspects The drawing is accomplished in graphite and colored pencil on a 7 x 9 of the film. Paper is in fine condition. $400 - $600 in. piece of animation paper. Total image size is 5.25 x 7 in. Signed in the lower right “Marc Davis”. Paper is in very good condition with light wear throughout. $1,200 - $1,500

367. Original production cels and pan production background from Bambi. (Walt Disney Studios, 1942) Original production cels of “Bambi” and rabbits from the 1942 feature film, Bambi. The pan production background measures 12 x 40 in. with an image area of 11.5 x 24 in. Studio notes along the side indicate sequences and scenes the background was used in. Original production cels of Bambi and Rabbits have been trimmed to image and applied to an overlay cel for presentation. The image of Bambi measures 6 x 4.5 in. Cels are in very good condition with some chipping and lifting in Bambi’s ear and some cracking in the rabbits. Background is in fine condition with expected wear throughout. $6,000 - $8,000

www.profilesinhistory.com 95 Animation Auction

369. Original production cel from Bambi. (Walt Disney Studios, 1942) Original production cel of “Bambi” from Walt Disney’s Bambi. The cel has been trimmed and applied to a hand-painted background as prepared by Courvoisier Studios for sale. Image of “Bambi” is 4.5 x 4 in. The overall piece measures 8.5 x 9 in. The piece in in very good condi- tion. $2,500 - $3,500

371. (10) Original sequential production drawings featuring “Jiminy Cricket” from a 1940s wartime short. (Walt Disney Studios, 1942/43) Rare sequence of (10) original production drawings featuring 370. Large original Deer model study by animator Claire Weeks “Jiminy Cricket “most likely from a Walt Disney Studio wartime training for Walt Disney’s Bambi. (Walt Disney Studios, 1942) Beautiful large film circa 1942/1943. During World War II, the U.S. government relied sheet of model drawings of deer studies by animator Claire Weeks for heavily on Walt Disney Studios as a builder of morale through its’ pro- Walt Disney’s Bambi. Accomplished in graphite and pastel on 18 x 24 in. paganda films and also for providing instruction and training films to its’ artists paper. Artwork is in very good condition with some light creasing. sailors and soldiers. Between 1942 and 1945, Disney made films for every $800 - $1,000 branch of the U.S. Military and government. These (10) drawings are from late 1942 or early 1943 and were most likely part of a training film. They come from the estate of animator Clarke Mallery. All (10) drawings are on 10 x 12 in. animation paper. Image sizes are all approximately 6 x 5.5 in. Overall, paper is in very fine condition, however one drawing has some heavy staining along the bottom. $400 - $600 96 1-310-859-7701 372. Signed “Donald Duck” hand-painted publicity cel. (Walt Disney Studios, 1943) A hand-painted cel and background featuring “Donald Duck”. Produced at the studio in the early 1940’s, several hand-painted cels of this image were produced as well as photographic Dye Transfers. They were used as gifts to friends of the studio and VIPs. This particular cel was given to Joe Rosenberg, a close friend of Walt Disney’s and a member of the Board Of Directors at the Studio. Rosenberg, a Bank Of America loan officer was instrumental in getting Walt Disney a much-needed loan for the completion of Snow White and the Seven Dwarfs and later for the Disneyland Park. The hand-inked and hand-painted cel of Donald has been trimmed to image and applied to a hand-painted background as prepared at the studio for presentation. The piece is still in the original frame and original mat, which is inscribed by Disney “To Joe—All Best-Walt”. The Mat is also hand-lettered faintly in pencil along the bottom of the opening “Disney’s---Der Fueher’s Face” indicating that that this scene is somehow related to the release of that short (although no scene like this appears in the short”. WDP studio stamp also appears at the lower right corner of the mat opening. Overall framed size is 18 x 19 in. $2,000 - $4,000

374. Original production cel of Pluto with watercolor 373. Original production cel and production background from Production Background. (Walt Disney Studios, 1945) Original pro- Figaro and Cleo. (Walt Disney Studios, 1943) Fantastic original pro- duction cel featuring “Pluto” from the 1945 Walt Disney short, The Eyes duction cels of “Figaro and Cleo” on an original production background Have It. A color model cel of the rooster has been trimmed to image from Figaro and Cleo. Each cel is trimmed to image, applied to an overlay and applied to the “Pluto” cel. The setup has been placed on a Disney cel, and has been placed over the production background. The piece has watercolor production background from Pluto’s Dream House (1940). The been matted with an opening that measures 8 x 10.5 in. “Figaro” mea- Pluto cel and background are untrimmed and measure 10 x 12 in. The sures 3.5 x 2.5 in. “Cleo” measures 3.5 x 1.5 in. including her bubbles. image size of “Pluto” is 3.25 x 4.5 in. Cels are in very good condition $2,000 - $4,000 with some paint lifting and chipping in Pluto’s rear feet and the Rooster’s tail. Background is in very good condition with some tape staining along the edges. $1,200 - $1,500

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375. Complete (212) piece original storyboard panel book for Dog Watch. (Walt Disney Studios, 1945) When a Disney short completed producton it was standard procedure to prepare a bound book of all the final storyboard drawings. Usually retired to the studio “Morgue” for future reference, very few of these books have surfaced. Offered here is the bound storyboard book for Dog Watch, a 1945 Pluto short. Bound by hand in tan buckram, the book is 10.5 x 12.5 in. The cover is labeled #2309 Dog Watch. All (212) storyboard drawings from the final film are sequentially mounted with tape on 67 10 x 12 in. pages. Accomplished in charcol and graphite on 8.25 x 6 in. story sheets. In very good shape with light wrinkling and staining througout. $4,000 - $6,000

376. Original production cel of “Butch” with production 377. Original production cel of “Pluto” on a production back- background from Dog Watch. (Walt Disney Studios, 1945) An ground. (Walt Disney Studios, 1940s) Original production cel of “Pluto” original production cel featuring “Butch” from a 1940s short placed on on a watercolor production background. Both the cel and background a hand-painted production background from Dog Watch. The untrimmed are from 1940s Walt Disney Studios shorts. The trimmed cel measures 5.5 cel and background measure 10.5 x 12.5 in. Butch measures 4.5 x 4 in. x 4.75 in. Pluto’s image measures about 4.75 x 4.5 in. The background In very fine condition with all paint intact. $1,500 - $2,000 measures 9.25 x 16.5 in. overall with a 8.25 x 11.5 in. image. $600 - $800

98 1-310-859-7701 378. Original production cel of “Goofy” from No Sail. (Walt Disney Studios, 1945) Original production cel of “Goofy” from No Sail. The untrimmed cel measures 10 x 12 in. Goofy’s image mea- sures about 5.5 x 3 in. The piece is in good condition with some minor paint damage in Goofy’s head, arm and leg. $400 - $600

379. Very rare limited edition cel of “Mexican Boy” from Three 380. Very rare limited edition cel of “Mexican Girl” from Caballeros. (Walt Disney Studios, 1945) Extremely rare limited edition Three Caballeros. (Walt Disney Studios, 1945) Extremely rare limited cel of a “Mexican Boy” from Three Caballeros. This limited edition cel edition cel of a “Mexican Girl” from Three Caballeros. This limited edition was released through the Courvoisier Galleries in a strict series of only cel was released through the Courvoisier Galleries in a strict series of only 250 pieces. It is considered to be the first limited edition cels created. The 250 pieces. It is considered to be the first limited edition cels created. The imagery is hand painted in the same manner as a production cel with an imagery is hand painted in the same manner as a production cel with an ideal image of the character represented in the artwork. The piece comes ideal image of the character represented in the artwork. The piece comes in its original presentation mat as issued by Courvoisier Galleries. The in its original presentation mat as issued by Courvoisier Galleries. The mat opening measures 8 x 6.5 in. The character image measures 5.5 x 3 mat opening measures 8 x 6.5 in. The character image measures 4.5 x in. $300 - $500 2.5 in. $300 - $500

www.profilesinhistory.com 99 Animation Auction

381. Extremely rare oversize original atmospheric painting for live-action sequences of Walt Disney’s Song of the South. (Walt Disney Studios, 1946) Beautiful and rare atmospheric painting for a live-action sequence of Song of the South. Accomplished in watercolor 17.5 x 26 in. artists board. Painting is in good condition with brittle and ragged edges. $5,000 - $10,000

382. Extremely rare large original concept painting for live-action sequences of Walt Disney’s Song of the South. (Walt Disney Studios, 1946) Beautiful and rare story/concept painting for a live-action sequence of Song of the South. Accomplished in watercolor 14.5 x 17.5 in. artists board, the image features Uncle Remus as he aproaches the Faver’s house. Image size is 10 x 13 in.Painting is in verygood condition with some tape residure on board. $5,000 - $10,000 100 1-310-859-7701 383. Extremely rare original concept painting for live-action sequences of Walt Disney’s Song of the South. (Walt Disney Studios, 1946) Beautiful and rare story painting for a live-action sequence of Song of the South. Accomplished in watercolor on peeled artist’s board, the artwork is in the style of and most likely by artist Mary Blair. The painting measures 6 x 8 in. Painting is in fine condition with little to no wear. Tape residue on the verso. $2,000 - $3,000

384. Extremely rare original concept painting for live- action sequences of Walt Disney’s Song of the South. (Walt Disney Studios, 1946) Beautiful and rare story painting for a live-action sequence of Song of the South. Accomplished in watercolor on peeled artist’s board, the artwork is in the style of and most likely by artist Mary Blair. The painting measures 6 x 8 in. Painting is in fine condition with little to no wear. Tape residue on the verso. $2,000 - $3,000

385. Extremely rare original concept painting for live-action sequences of Walt Disney’s Song of the South. (Walt Disney Studios, 1946) Beautiful and rare story painting for a live-action sequence of Song of the South. Accomplished in watercolor on peeled artist’s board, the artwork is in the style of and most likely by artist Mary Blair. The painting measures 6 x 8 in. Painting is in fine condition with little to no wear. Tape residue on the verso. $2,000 - $3,000

386. Extremely rare original concept painting for live-action sequences of Walt Disney’s Song Of The South. (Walt Disney Studios, 1946) Beautiful and rare story painting for a live-action sequence of Song of the South. Accomplished in watercolor on peeled artist’s board, the artwork is in the style of and most likely by artist Mary Blair. The painting measures 6 x 8 in. Painting is in fine condition with little to no wear. Tape residue on the verso. $2,000 - $3,000

www.profilesinhistory.com 101 Animation Auction

387. Original production drawing of “Brer Fox” from Song of the South. (Walt Disney Studios, 1946) Original rough animation 389. Original production storyboard of “Brer Fox and Brer drawing featuring “Brer Fox” from from Walt Disney’s, The Song of the Bear” from Song of the South. (Walt Disney Studios, 1946) Rare South. Accomplished in graphite and colored pencil on untrimmed 10 x original production storyboard drawing of “Brer Fox and Brer Bear” from 12 in. animation paper. Brer Fox measures 5 x 4.5 in. Drawing is in very Song of the South. Accomplished in pastel on 6 x 7 in. storyboard paper. good condition with some edge wear. $600 - $800 The imagery takes up the entire panel and is in very good condition with pin holes in the corners. $600 - $800

390. Original production storyboard of “Brer Fox and Tar Baby” from Song of the South. (Walt Disney Studios, 1946) Rare original production storyboard drawing of “Brer Fox” and “Tar Baby” 388. Original production drawing of “Brer Rabbit” from Song from Song of the South. Accomplished in pastel on 5 x 6.5 in. storyboard of the South. (Walt Disney Studios, 1946) Original production drawing paper. The imagery takes up the entire panel and is in very good condition featuring “Brer Rabbit” from from Walt Disney’s, The Song of the South. with pin holes in the corners. $600 - $800 Accomplished in graphite and colored pencil on untrimmed 10 x 12 in. animation paper. Brer Rabbit measures 5.5 x 4 in. Drawing is in very good condition with some edge wear. $600 - $800

102 1-310-859-7701 394. Original production background from the “Bongo the Bear” segment of Fun And Fancy Free. (Walt Disney Studios, 1947) Beautiful detailed original production background from the “Bongo the Bear” segment of Walt Disney’s Fun and Fancy Free. Accomplished in Gouach and Acrylic on slightly trimmed background paper. The entire piece measures 9.5 x 18.5 in. Studio notes and production numbers along 391. Original Publicity drawing featuring “Donald Duck”. (Walt Disney Studios, 1950’s) Rare original Publicity drawing featuring bottom. The background is in very good condition with some edge wear. “Donald Duck”. Drawings such as these were made in the Art Props $1,000 - $1,500 Department at the studio and used in advertising and promotion of upcoming productions. The untrimmed animation paper measures 12 x 10 in. The image size is 10 x 8 in. Overall condition is very fine. $200 - $400

395. Original production cel featuring “Bongo” from Fun and Fancy Free. (Walt Disney Studios, 1947) Original production cel of “Bongo” from the Bongo the Bear segment of Fun and Fancy Free. The trimmed cel measures 8 x 10 in. The image of “Bongo” by himself mea- 392. Original production drawing of “Willie the Whale” from sures 3.5 x 2.5 in. The piece is in overall very good condition with minor Make Mine Music. (Walt Disney Studios, 1946) Rare original produc- tion drawing of “Willie the Whale” singing from the The Whale Who paint wear in his hand. $200 - $400 Wanted to Sing at the Met segment of Make Mine Music. The untrimmed animation paper measures 12.5 x 15.5 in. The image measures 9.5 x 8.5 in. $600 - $800

396. Original model drawings of “Bongo” from Fun and Fancy 393. Original production cels from Double Dribble. (Walt Disney Free. (Walt Disney Studios, 1947) Original model drawings of “Bongo” Studios, 1946) Original production cels featuring basketball players from from the Bongo the Bear segment of Fun and Fancy Free. The untrimmed Double Dribble. The setup consists of several cels placed on a custom hand- animation paper measures 10 x 12 in. The image measures 8.5 x 7.5 in. painted background. The piece is matted with a mat opening of 8 x 11 The piece is in overall very good condition with minor edge wear. in. Cels are in very fine condition with all paint intact. $800 - $1,000 $600 - $900

www.profilesinhistory.com 103 Animation Auction

397. Original pastel concept art from Melody time. (Walt Disney 399. Original production cel and production background from Studios, 1948) Rare pastel story or concept drawing from the Once Upon the “Johnny Appleseed” sequence of Melody time. (Walt Disney A Wintertime segment of Melody Time. Directed by Hamilton Luske and Studios, 1948) Rare original production cel of “Johnny Appleseed” co-written by Mary Blair (whose art direction can be seen throughout), from the The Legend Of Johnny Appleseed sequence of Melody Time. The the pastel features main characters “Jenny and Joe”. The textured illustra- cel has been trimmed to image and applied to an original production tion paper measures 10 x 11 in. and is in very good condition with minor background from the sequence, as prepared at the studio for presentation. wear along the edges. Image size measures 9 x 10.75 in. $800 - $1,200 Narrated and voiced by Dennis Day, The Legend Of Johnny Appleseed was released again independently in 1955. Melody Time was the last of a series of anthalogy features produced by the studio in the 1940s to help cut production costs during the war. The entire piece measures 10 x 12 in. Overall, in fine shape with no paint loss or flaws. $1,500 - $2,500

398. Original production cel and background from the “Little Toot” sequence of Melody time. (Walt Disney Studios, 1948) Rare set of production cels from the “Little Toot” sequence of Melody Time. The cels have been trimmed to image and applied to a studio prepared back- ground for presentation. The “Art Props” department at Disney would 400. Original production background from Pueblo Pluto. often pair original production cels with complimentary backgrounds as (Walt Disney Studios, 1949) Original production background from Walt gifts to guests and friends of the studio. Based on the popular children’s Disney’s 1949 “Pluto” short, Pueblo Pluto. Accomplished in gouache on book by Hardie Gramatky, and storyboards by Bill Peet, Little Toot fea- untrimmed 10 x 12 in. background paper, Production notes and approval tured The Andrew Sisters singing the narrative. Melody Time was the last initials along the bottom. Overall condition is fine with light wear of a series of anthology features produced by the studio in the 1940s to throughout. $800 - $1,200 help cut production costs during the war. The entire piece measures 10 x 12 in. Some color differences noticable along the edges due to the piece being framed in a smaller mat. Overall, in fine shape with no paint loss or flaws. $3,000 - $5,000 104 1-310-859-7701 (Walt Disney Studios, 1949) Beautiful oversize pan 1949) Beautiful oversize Studios, Disney (Walt . d oa . T . r M a nd

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riginal 401. O 401. . Slightly trimmed, and archivelly mounted and archivelly Slightly trimmed, . Toad of Ichabod and Mr. Adventures family farm sequence of The Hollow The Legend of Sleepy from Tasel Van of the background featuringproduction an overview Studio notes on the left margin indicate with an image size of 12 x 50 in. an amazing 12 x 60 in. It measures the influence stylist Mary Blair had on the sequence. the background clearly shows on board, A perfect example of the artisty of Disney farm. and aquiring her father’s Tasel of courtingThe background is easily found in the film when Ichabod dreams Katrina van scene and sequence number. $2,000 - $4,000 Studios in the late 40s and early 50s. www.profilesinhistory.com 105 Animation Auction

402.Original production cel of “Richard” from Puss Cafe. (Walt Disney Studios, 1950) Original production cel featuring “Richard” (Milton The Cat’s buddy) from the 1950 Walt Disney short, Puss Cafe. The untrimmed animation cel measures 10 x 12 in. and has been placed on a color paper background. Richard measures 4.5 x 3.5 in, The cel is in fine condition with some slight cracking in the paint in Richard’s right eye. $100 - $200

405. Original production cel of “Donald Duck” and “J. Audobon Woodlore” from a 1950s Disney TV production. (Walt Disney Studios, 1950s) Original production cel of “Donald Duck” and “J. Audobon Woodlore”most likely for a Disney TV short or bumper., The cel has been trimmed to image with an Image size is 6 x 10 in. Cel is in fine condition with all paint intact and some ink like wear. $100 - $200

403. Original production background from Puss Cafe. (Walt Disney Studios, 1950) Beautiful original production background from Walt Disney’s 1950 “Pluto” short, Puss Café. The short also starred Milton The Cat, who would go on to appear in two other Disney shorts. Accomplished in gouache on untrimmed 10 x 12 in. background paper, Production notes and approval initials along the bottom. Overall condi- tion is fine with light wear throughout. $800 - $1,200 406. Original production cel of “Lady Tremaine” from Cinderella. (Walt Disney Studios, 1950) Original production cel fea- turing “Lady Tremaine” from Walt Disney’s Cinderella. The Twelfth Disney animated feature, Cinderella was the first “single story” feature since Bambi. “Lady Tremaine” was voiced by Eleanor Audley, a stage and screen actress probably bst known as Eddie Albert’s mother from the popular 1960s TV series Green Acres. The cel has been trimmed to 11 x 6 in. and placed on a color copy background. “Lady Tremaine’s” image size is 9.5 x 4 in. Overall condition is fine with no paint loss to the character. $600 - $800

404. Original production cel of “Pluto” from a 1950s Disney Studio short. (Walt Disney Studios, 1950s) Original hand-painted and hand-inked production cel of Pluto, from a 1950s Disney production. The untrimmed cel measures 12.5 x 15 in. “Pluto’s” image size is 4.75 x 3.75 in. Cel is in very fine condition with all paint intact. $100 - $200 106 1-310-859-7701 407. Original production cel featuring “The King” from 409. Original production cel featuring “Suzy” and “Perla” Cinderella. (Walt Disney Studios, 1950) Rare original production cel from Cinderella. (Walt Disney Studios, 1950) Rare original produc- of “The King” from the Walt Disney classic, Cinderella. The trimmed cel tion cel of the seamstress mice, “Suzy” and “Perla,” from Walt Disney’s measures 8.5 x 7 in. The image measures 7 x 6.5 in. This cel comes from Cinderella. The cel measures 12.5 x 10.5 in. The image measures 4.5 x the scrapbook of an empoyee that worked on the feature and is still in 4.5 in. Overall condition is very good. The cel comes with a color copy a home-made paper folder as prepared by the employee. $300 - $500 background. $700 - $1,000

408. Original production cel featuring “Anastasia” from 410. Original production cel featuring “Cinderella” from Cinderella. (Walt Disney Studios, 1950) Rare original production cel Cinderella. (Walt Disney Studios, 1950) Rare original production cel of “Anastasia” from the Walt Disney classic, Sleeping Beauty. The trimmed of “Cinderella” holding her invitation to the Ball from Walt Disney’s cel measures 8 x 7 in. The image measures 6 x 3.25 in. Overall condi- Cinderella. The character is trimmed to image and applied to a cel that tion is very good. This cel comes from the scrapbook of an empoyee that measures 10.5 x 12.5 in. The image measures 6.75 x 4.25 in. Overall worked on the feature and is still in a home made paper folder as prepared condition is very good. The cel comes with a color copy background. by the employee. $300 - $500 $2,000 - $3,000

www.profilesinhistory.com 107 Animation Auction

411. Mary Blair original concept painting featuring “The Fairy Godmother” from Cinderella. (Walt Disney Studios, 1950) Stunning Mary Blair original concept painting of “The Fairy Godmother” and the transformed coach from Cinderella. The painting is accomplished in acrylic and tempera on illustration board. The board measures 8.5 x 9.5 in. The imagery measures 7.5 x 8.5 in. The piece is in very good condition overall with pinholes in the corners. $6,000 - $8,000

412. Mary Blair original concept painting featuring “The Fairy Godmother” from Cinderella. (Walt Disney Studios, 1950) Beautiful Mary Blair original concept painting of “The Fairy Godmother” transforming the pumpkin coach from Cinderella. The painting is accomplished in acrylic and tempera on illustration board. The board measures 8.5 x 9.5 in. The imagery measures 7.5 x 8.5 in. The piece is in very good condition overall with pinholes in the corners. $6,000 - $8,000 108 1-310-859-7701 413. Original production cels and matching production background from Alice in Wonderland. (Walt Disney Studios, 1951) Fantastic rare original production cel featuring the inhabitants of Wonderland chasing “Alice” paired with the matching effects cel and production background from Walt Disney’s Alice in Wonderland. Like many of Walt Disney’s 1950s features, Alice in Wonderland had it roots at the Studio in the 1930s. In fact, as early as 1932, Walt was considering of making an Alice In Wonderland animated/live action feature starring Mary Pickford, but opted to produce Snow White and the Seven Dwarfs instead. In 1939, pre-production began with art director David Hall, whose vision of “Alice” was much darker than Walt’s. Production was halted and the idea was not revived again until 1945. Artist Mary Blair submitted concept drawings for “Alice” and Walt, liking the design and direction she was taking began production. This fantastic Key cel setup is composed of two cels. The cel of the wonderland inhabitants is trimmed to image and applied the top of the untrimmed smoke effects cel. The untrimmed background measures 12.5 x 15.5 in. Background has studio notations, and scene numbers along the bottom. Overall condition is very fine with no wear or paint loss. $3,000 - $5,000

414.Original production cel of “Tweedle Dee” and “Tweedle Dum” from Walt Disney’s Alice in Wonderland. (Walt Disney Studios, 1951) Original production cel featuring “Tweedle Dee” and “Tweedle Dum” from Walt Disney’s Alice in Wonderland. These two char- 415. Original production cel of “Baby Oysters” from Alice acters were voiced by vetern character actor J. Pat O’malley, who would in Wonderland. (Walt Disney Studios, 1951) Original production cel later portray “Jasper” in 101 Dalmatians and “Col Haiti” in The Jungle featuring the baby oysters from the “Walrus and the Carpenter” segment Book. The cel is slightly trimmed to 10.5 x 10.5 in and has ben placed on of from Walt Disney’s, Alice in Wonderland. The cel is slightly trimmed to a custom hand-painted background. The total image size of the characters 9 x 12 in.. Total image size is 6 x 9 in. Cel is in very fine condition with is 7 x 6 in. Cel is in fine condition with all paint intact. $1,000 - $2,000 all paint intact. $400 - $600

www.profilesinhistory.com 109 Animation Auction

416. Original production drawing of “The Queen of Hearts” 418. Original production title from Two Weeks Vacation. (Walt from Alice in Wonderland. (Walt Disney Studios, 1951) Original Disney Studios, 1952) Original hand-painted and hand-inked title cel color model drawing of “The Queen of Hearts”with her flamingo mal- for “Two Weeks Vacation” starring “Goofy”. This is not the title cel used let from Alice in Wonderland. The drawing features s studio color model for the original theatrical release, and was most likely used for titles on stamp and color call out notes. The untrimmed sheet measures 12.5 x Disney TV in the 1950s. The untrimmed cel measures 12.5 x 16 in. Image 15.5 in. The image measures 5.5 x 12.5 in. The drawings arein very good size is 5 x 6 in. Cel is in fine condition with some chipping in paint. condition overall with some edge wear, pin holes, and a horizontal crease. $300 - $500 $700 - $900

417. (2) original production model drawings of “The Card 419. Original production cel of “Mickey” from Pluto’s Guards” from Alice in Wonderland. (Walt Disney Studios, 1951) Set Christmas Tree. (Walt Disney Studios, 1952) Fantastic original produc- of two (2) original color model drawings of “The Queen of Hearts’ Card tion cel of “Mickey” with his axe from the Walt Disney short, Pluto’s Guards” from Alice in Wonderland. Both drawings features studio color Christmas Tree. The cel is untrimmed and measure 10 x 12 in. The image model stamp and color call out notes. The untrimmed sheets measure measures 5 x 7 in. Overall condition is very good. $800 - $1,000 12.5 x 15.5 in. Each image measures 3.75 x 14 in. The sheets are in very good condition with some edge wear and pin holes. $600 - $800

110 1-310-859-7701 420. Original production cel of “Tinkerbell” from Walt 421. Original storyboard panel from Peter Pan. (Walt Disney Disney’s Peter Pan. (Walt Disney Studios, 1953) Original production Studios, 1953) A very early story drawing featuring “Captain Hook” mix- cels featuring “Tinkerbell” from Walt Disney’s 1953 feature, Peter Pan. ing poison from Peter Pan. Although Peter Pan was released in 1953, work The cel of “Tinkerbell” is trimmed to 9 x 6 in. It has been paired with on the feature began prior to World War II. At that time, artists envin- a trimmed production cel of non-matching wings. Both cels have been sioned “Captain Hook” poisoning “Peter Pan” in accordance with J.M. placed on a beautiful custom hand-painted 12 x 14.75 in. background Barrie’s play. Accomplished in black, gray, and brown lithographic crayon and overlay. “Tinkerbell” is full-figure (her feet hidden by the overlay) and on an untrimmed 8.5 x 8.25 in. animation story sheet. Image size is 5.5 measures 6.5 x 3.5 in. Some lifting in the paint in Tinkerbell’s feet and x 7 in. Paper is in very good condition with some light staining and edge right arm. $2,000 - $4,000 wear throughout. $300 - $500

422. Original Mary Blair oversize concept art from Peter Pan. (Walt Disney Studios, 1953) Beautiful Mary Blair original concept painting featuring Indians, and “The Lost Boys” from Peter Pan. An accomplished California Watercolorist, Blair was hired by the Studio in 1940 after being recommended by her husband, Lee. Blair’s art was quite different from the styles being used at the studio, and Disney loved it. Her influence can be seen on feature films and shorts throughout the 1940s and 1950s. Peter Pan was the last feature she worked on for the studio. She resigned from Disney and began working freelance as a graphic designer and book illustrator. In the early 1960s at the request of Walt Disney, Blair returned to the studio to work on the “It’s A Small World” attraction for the 1964 World’s fair and Disneyland. Accomplished in Acrylic and Tempera on illustration board, the image measures 6 x 13.5 in. Condition is very fine with very little wear throughout. $8,000 - $10,000

www.profilesinhistory.com 111 Animation Auction

426. Signed Original production cel of “Peter” from Peter Pan. (Walt Disney Studios, 1953) Beautiful original production cel of 423. Original production cel of “Peter Pan” from Peter Pan. “Peter Pan” from Walt Disney’s Peter Pan. The cel has been placed over a (Walt Disney Studios, 1953) Original production cel featuring “Peter hand painted custom background and the cel is signed by Disney legends Pan”” from Peter Pan. In development at the studio since the late 1930s, Frank Thomas and Ollie Johnston. The slightly trimmed cel measures 12 It was originally intended to be the fifth feature film from the studio. The x 16 in. The image measures 5 x 4.5 in. Overall very good condition. outbreak of World War II forced the studio to put the feature on hold. $1,200 - $1,500 After the war, the studio was in debt and could only produce “package films”. It was not until 1947 that the actual production re-commenced on the feature, The slightly trimmed cel measures 9.5 x 10 in. and has been placed on a color copy background. “Peter’s” image size is 6 x 4.5 in. Overall condition is very fine. $1,000 - $1,500

427. Original production cel of “Peter” from Peter Pan. (Walt Disney Studios, 1953) Beautiful original production cel of “Peter Pan” looking in a toy chest from Walt Disney’s Peter Pan. The cel has been placed over a custom hand painted background. The cel image has two layers with Peter on one layer and the toys on the second layer. Both cel

424. Original production cel featuring “Captain Hook” from layers are slightly trimmed and measure 10.25 x 12 in. The image of Peter Peter Pan. (Walt Disney Studios, 1953) Original production cel of and the toys measures 8 x 11 in. Overall condition is very good. “Captain Hook” from Walt Disney’s Peter Pan. The image features $1,500 - $2,500 “Captain Hook’” outfitted with his special gold hook instead of silver. The slightly trimmed animation cel measures 11 x 13 in. The image measures 6 x 8.5 in. Overall condition is good with some scratching in ink in his hair. $900 - $1,200

428. Original production model drawing of “Captain Hook” 425. Original production cel of a “mermaid” from Peter Pan. from Peter Pan. (Walt Disney Studios, 1953) Original color model (Walt Disney Studios, 1953) Original production cel of the red-headed drawing of “Captain Hook” from Peter Pan. The drawing features s studio Mermaid playing a harp from Walt Disney’s Peter Pan. The untrimmed color model stamp and color call out notes. The untrimmed sheet mea- cel measures 12.5 x 16 in. The image measures 5 x 4.25 in. Overall very sures 10 x 12 in. The image measures 9 x 7 in. The sheet is in very good good condition. $400 - $600 condition overall. $600 - $800 112 1-310-859-7701 (Walt Disney Studios, 1953) Gorgeous Mary Blair original concept painting of “Mermaids” bathing in a 1953) Gorgeous Mary“Mermaids” Blair original Studios, concept painting of Disney . (Walt a n P e t er P

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lair B ary M 429. 429. . The painting is accomplished in acrylic and tempera on illustration board. The board measures 9.5 x 19.25 in. The imagery measures 8.5 x 18.25 in. The piece The imagery 8.5 x 18.25 in. measures 9.5 x 19.25 in. measures The board The painting is accomplished in acrylic and tempera on illustration board. . Peter Pan in the moonlight from waterfall $8,000 - $10,000 with pinholes in the corners. good condition overall is in very www.profilesinhistory.com 113 Animation Auction

430. Mary Blair original concept painting of the “Indian Village” from Peter Pan. (Walt Disney Studios, 1953) Beautiful Mary Blair original concept painting of the Indian Village from Peter Pan. The painting is accomplished in acrylic and tempera on illustration board. The board measures 12 x 14 in. The imagery measures 11 x 13 in. The piece is in very good condition overall with pinholes in the corners. $8,000 - $10,000

431. Mary Blair original concept painting featuring “Peter and Mermaids” from Peter Pan. (Walt Disney Studios, 1953) Gorgeous Mary Blair original concept painting of “Peter and Three Mermaids” from Peter Pan. The painting is accomplished in acrylic and tempera on illustra- tion board. The board measures 9 x 11 in. The imagery measures 8 x 10 in. The piece is in very good condition overall with pinholes in the corners. $6,000 - $8,000 114 1-310-859-7701 432. Original production cel of “Michael” from Peter Pan. (Walt Disney Studios, 1953) Adorable original production cel of “Michael” dressed as an Indian from Walt Disney’s Peter Pan. The cel 434. Original production cel of “Peter” and “Tiger Lily” from is untrimmed and measure 12.5 x 16 in. The image measures 5 x 2 in. Peter Pan. (Walt Disney Studios, 1953) Original production cel of Overall condition is very good. $400 - $600 “Peter Pan” and “Tiger Lily” dancing from Walt Disney’s Peter Pan. The cel is untrimmed and measure 12.5 x 16 in. The image measures 4.5 x 7 in. The cel is in very good condition and comes with a color copy back- ground. $1,200 - $1,500

433. Original production cel of “John” from Peter Pan. (Walt Disney Studios, 1953) Original production cel of “John” in his nightshirt from Walt Disney’s Peter Pan. The cel is untrimmed and measure 12.5 x 435. Original production cel of “Captain Hook” from Peter 16 in. The image measures 5 x 3 in. Overall condition is good with some Pan. (Walt Disney Studios, 1953) Original production cel of “Captain paint lifting in his hat. $300 - $500 Hook” with his telescope from Walt Disney’s Peter Pan. The cel is untrimmed and measure 12.5 x 16 in. The image measures 9 x 6 in. Overall very good condition. $1,200 - $1,500

436. Original production cels of “Peter Pan” and “Tinkerbell” from Peter Pan. (Walt Disney Studios, 1953) Fantastic original production cels featur- ing “Peter Pan and Tinkerbell”(with wings) from Peter Pan. The image is created with four cel layers. The image of “Peter” measures 9 x 6.75 in on a slightly trimmed cel that measures 12.5 x 14.5 in. The image of “Tinkerbell” measures 2.5 x 2 in. with her, her wings, and the effects cel of her wings moving on three untrimmed cel layers that each measures 12.5 x 16 in. Condition is very fine with all paint intact. $2,000 - $3,000

www.profilesinhistory.com 115 Animation Auction

440. Original production model drawings of “Lost Boy” from Peter Pan. (Walt Disney Studios, 1953) Amusing original model draw- ings of one of the “Lost Boys” from Walt Disney’s Peter Pan. The sheet is untrimmed and measure 12.5 x 15.5 in. The images take up an area of 12 x 14.5 in. Overall condition is good with some water marks on the sheet. $200 - $400 437. Original production cel of “Big Chief” from Peter Pan. (Walt Disney Studios, 1953) Original production cel featuring “Big Chief” from Peter Pan. The cel measures 10 x 12 in. The fantastic large image measures 9 x 8 in. The piece is in fine condition overall. $800 - $1,000

441. Original production cel featuring “Ben” from Ben and Me. (Walt Disney Studios, 1953) Original production cel of “Ben” from Ben and Me. The trimmed cel measures 8.5 x 10.5 in. The image measures 6 x 5.5 in. The piece is in overall fine condition and comes with a color copy background. $100 - $200

438. Original production cel of “The Lost Boys” from Peter Pan. (Walt Disney Studios, 1953) Original production cel featuring “The 442. no lot Lost Boys” from Peter Pan. The cel is trimmed and measures 8.75 x 10 in. The image measures 7 x 9 in. The piece is in fine condition overall. $400 - $600

443. Original production cel of “Mickey” from Mickey and the 439. Original production cel featuring “Michael” from Peter Seal. (Walt Disney Studios, 1948) Fantastic original production cel of Pan. (Walt Disney Studios, 1953) Original production cel of “Michael” “Mickey” holding a fish from the Walt Disney short, Mickey and the Seal. and his teddy bear from Peter Pan. The cel is trimmed and measures 7 The cel is untrimmed and measure 10 x 12 in. The image measures 6.5 x x 8 in. The image measures 4.5 x 5.5 in. The piece is in fine condition 5.5 in. Overall condition is very good with light paint lifting in some of overall. $300 - $500 the black paint areas. $800 - $1,000 116 1-310-859-7701 444. (4) Original Eyvind Earle concept paintings from Pigs Is Pigs. (Walt Disney Studios, 1954) (4) original concept paintings by Eyvind Earle for the stylized Walt Disney short, Pigs Is Pigs. More well known for his work on features such as Sleeping Beauty, Earle worked on several shorts, including this stylized production based on the short story by Ellis Parker Butler. Each piece is accomplished in Gouache on 6 x 8 in. artist’s board. In in very fine condition. $3,000 - $5,000

445. Original production cel of “Minnie Mouse”. (Walt Disney 447. Original production cel of “ Jiminy Cricket” from a 1950s Studios, 1950s) Beautiful hand-inked cel of “Minnie Mouse” from a March of Dimes TV Commercial. (Walt Disney Studios, 1955) 1950s Disney Studios production, most likely TV. “Minnie” is hand-inked Beautiful original production cels featuring Jiminy Cricket from a 1950s and hand painted on an untrimmed 12.5 x 16 in animation cel. The cel March of Dimes TV commercial. Although airing in black and white, has been placed on a color copy background. “Minnie’s” image size is 5.5 Disney animated all the TV animation during that period in color. The x 5in. Overall condition is very fine with all paint intact. $400 - $600 untrimmed animation cel measures 12.5 x 16 in. Jiminy measures 6.5 x 3.5 in. The cel is in very fine condition with all paint intact. $600 - $800

446. Original signed Eyvind Earle concept painting from Working For Peanuts. (Walt Disney Studios, 1953) Although best known for his work on Sleeping Beauty, Eyvind Earle designed backgrounds for several theatrical shorts, including Disney’s first two 3-D shorts, Toot, Whistle, Plunk, and Boom and Working for Peanuts. This detailed background study painting is from the latter title. Accomplished in his unmistakeable style, the imagery includes stylized versions of Chip and Dale and classic “Earle” style trees and buildings. Acrylic and Tempera on illustration board, this unusual study measures 6 x 17 in. Condition is very fine with very little wear. Signed in the lower right “Eyvind Earle”. $5,000 - $7,000

www.profilesinhistory.com 117 Animation Auction

448. Incredible signed Lady and the Tramp Studio dye transfer (Walt Disney Studios, 1955) A Lady and the Tramp studio dye transfer hand- signed by the “inner circle” of studio personnel. Studio dye transfers were photographic reproductions of production cel set-ups that were produced mainly as gifts to studio friends and VIPs and later sold as collectibles in the Disney theme park. The Studio would usually give them as gifts in lieu of an original production cel, and usually if signed, it was with a Disney studio signature. However this particular dye transfer was given to Joe Rosenberg, a close friend of Walt Disney’s and a member of the Board of Directors at the Studio. Rosenberg, a Bank of America loan officer was instrumental in getting Walt Disney a much needed loan for the completion of Snow White and the Seven Dwarfs and later for the Disneyland Park. This transfer was given to Rosenberg, the same year as Lady and the Tramp was released to theatres, and as indicated by the inscription was most likely a christmas gift from his close friends at the studio. Still housed in the original frame, The 9 x 12 in. transfer has slipped slightly in the mat. The mat is hand-lettered along the base of the opening “Walt Disney’s Lady and the Tramp” as was the studio norm for presentations such as this. The mat is inscribed “A Merry Christmas Joe-Dec. 1955” in what resembles Walt Disney’s own handwriting. The base of the mat is then hand-signed by Walt Disney, Dolores Voght (Walt’s personal secretary), Roy Disney, Madeline Wheeler (Roy’s personal secretary), Gunther Lessing (Chief Legal Council, Vice President of Walt Disney Productions, and one of the most influential members of the studio since its beginning), “Bunny” assumed to be Lessings secretary, Larry Tryon, Studio Treasurer, unknown signature, and Dorothy Lachel. An incredible grouping of signatures. Overall framed size is 19 x 21 in. $2,000 - $4,000

449. Original production cel of “Tramp” from Lady and the Tramp (Walt Disney Studios, 1955) Original production cel of “Tramp” from Walt Disney’s Lady and the Tramp. The first animated feature filmed in Cinemascope, Lady and the Tramp was originally based on an idea by storyman Joe Grant, who approached Walt Disney with the idea in 1937. It was not until the 1940s when Disney bought the rights to a Ward Greene short story that the film as we know it began to develop. Without question, the most famous and well known scene in the feature, and one of the most well known Disney animated moments of all time, is the “Bella Notte” scene where Lady and Tramp share a romantic Italian dinner. This production cel of Tramp with romance in his eyes and spaghetti in his mouth is from that very scene. Trimmed down from a Cinemascope pan cel, the animation cel measures 12.5 x 16 in. Tramp’s image size is 6 x 3.5 in. Overall condition is very fine with all paint intact. $1,000 - $1,200

118 1-310-859-7701 450. Original production cel featuring “Lady” from Lady and the Tramp. (Walt Disney Studios, 1955) Original production cel of “Lady” from Walt Disney’s Lady and the Tramp. The slightly trimmed cel measures 12.5 x 17 in. The image measures 5 x 3.75 in. Overall condition is very good with small tears along top edge of cel that do not affect the character image. $800 - $1,000

451. Original Claude Coats Golden Book art from Lady and the Tramp. (Walt Disney Studios, 1955) Beautiful Claude Coats painting for a page from the Lady and the Tramp Golden Book. Coats, a Disney Legend, began as a background painter on shorts in the early 1930s. He went on to design and paint the backgrounds for much of Snow White and The Seven Dwarfs, as well as over twenty other animated productions. Accomplished in gouache on artists’ board, the entire painting measures 9.5 x 13 in. Overall condition is very good with slight wear and scratches along edge. $600 - $800

452. Original production cels and production background from Lady and the Tramp (Walt Disney Studios, 1955) Original production cesl featuring “Peg” and “The Pound Dogs” with an original pan production background from Walt Disney’s Lady and The tramp. The cels have been trimmed to image and applied to a pan overlay cel placed on the background for presentation. The entire piece measures 12.5 x 30 in. The cel is in very fine condition with all paint intact. Production notes in margins of background indicate scene and sequence. $7,000 - $9,000

www.profilesinhistory.com 119 Animation Auction

453. Original production cel featuring “Tramp” on production background from Lady and the Tramp. (Walt Disney Studios, 1955) Original production cel of “Tramp” on a 16 field production back- ground from Walt Disney’s Lady and the Tramp. This piece is hand signed on the cel by Disney legends Frank Thomas and Ollie Johnston. The untrimmed cel measures 12.5 x 16 in. The production background mea- sures 12 x 14.25 in. The image of “Tramp” measures 6.5 x 7 in. Overall very good condition. $4,000 - $6,000

454. Original production cel featuring “Trusty and Puppy” on production background from Lady and the Tramp. (Walt Disney Studios, 1955) Rare origi- nal production cel of “Trusty and Puppy” on a 16 field production background from Walt Disney’s Lady and the Tramp. The untrimmed cel measures 12.5 x 16.5 in. The production background measures 12 x 15 in. The image of “Trusty and Puppy” measures 5 x 12 in. Overall condition is very fine. $4,000 - $6,000

455. Original production cels from Lady and the Tramp. (Walt Disney Studios, 1955) Original production cels of “Lady and Tramp” from Lady and the Tramp. Lady is from the popular “Bella Notte” sequence of the film, and has been paired with a comparable Tramp and placed on a custom hand-painted background with a cel overlay of the table, breadsticks, candle and plate of spaghetti in order to complete the scene. The entire piece measures 11.5 x 16 in. The cels of “Lady and Tramp” are trimmed to image and applied new cel. $6,000 - $8,000 120 1-310-859-7701 456. Original production cel of “Goofy” from the open- 458.Original production cel of a knight from The Truth About ing titles of The Mickey mouse club. (Walt Disney Studios, 1955) Mother Goose. (Walt Disney Studios, 1957) Original production cel Original production cel featuring “Goofy”” from the opening titles of of a knight from Walt Disney’s 1957 short, The Truth About Mother Goose. Walt Disney’s The Mickey Mouse Club TV series. Although broadcast in This particular hand-inked cel is from a jousting scene that took place Black and White, Disney animated the opening titles in color. This cel was on London Bridge. The animation from this scene was used again in Walt slightly trimmed at the studio to 9 x 12 in. in preparation for sale at the Disney’s 1963 feature, The Sword In The Stone. The untrimmed cel mea- “Art Corner” at Disneyland. The cel still has the original backing board sures 12.5 x 16 in. The image size of the character is 7.5 x 8.25 in. Cel is with gold Disneyland label on reverse. Goofy’s image size is 6.5 x 3.5 in. in fine condition with all paint intact. $200 - $400 Overall condition is fine with all paint intact. $400 - $600

457. Original production cel of “Goofy” from The Goofy 459. Original production cel of a Knight from The Truth About Adventure Story. (Walt Disney Studios, 1957) Original production Mother Goose. (Walt Disney Studios, 1957) Beautifully detailed origi- cel featuring “Goofy” holding his family photo album from The Goofy nal production cel of the “Black Knight” from The Truth About Mother Adventure Story. The cel is untrimmed and measures 12.5 x 16 in. The Goose. The cel is untrimmed and measures 12.5 x 16 in. The image mea- image is comprised of four cel layers and measures 7 x 11 in. as it is regis- sures 10 x 10.5 in. Overall very good condition. tered. Overall condition is good with paint damage to Goofy’s hand and $200 - $400 the corner of the photo album. The cel layers are vertically offset in order to properly register the image. $400 - $600

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460. Original production cel of “Knight on Horse” from The 462. Original concept painting from Mars and Beyond. (Walt Truth About Mother Goose. (Walt Disney Studios, 1957) Fantastic Disney Studios, 1957) Original gouache on board concept painting from original production cel of the “Knight” on his horse from The Truth Mars and Beyond. The entire piece measures 3.5 x 4.5 in. The piece is in About Mother Goose. The cel is untrimmed and measures 12.5 x 16 in. The very good condition overall with pinholes in the upper corners. image measures 11 x 12 in. Overall very good condition. $400 - $600 $300 - $500

461. Ward Kimball signed original concept painting from Mars 463. Original production cel of “Donald Duck” from How To and Beyond. (Walt Disney Studios, 1957) Original gouache on board Have An Accident At Work. (Walt Disney Studios, 1959) Original concept painting from Mars and Beyond. This piece has been hand-signed production cel of “Donald Duck”, from the 1959 Disney short, How To by Disney legend Ward Kimball. The entire piece measures 5.5 x 6 in. Have An Accident At Work. The slightly trimmed cel measures 12.5 x 15 The piece is in very good condition overall with pinholes in the upper in. Image size is 6.5 x 6.5 in. Cel is in very fine condition with all paint corners. $400 - $600 intact. $200 - $400

122 1-310-859-7701 464. Original signed Eyvind Earle oversize concept art from Sleeping Beauty’s Castle. (Walt Disney Studios, 1957) Stunning large Eyvind Earle origi- nal concept painting created during pre- production of Sleeping Beauty and used as design for the “Sleeping Beauty Walkthrough Attraction” at Disneyland. Production on the Sleeping Beauty feature began around 1950. Eyvind Earle was the film’s color stylist and chief background designer. It was his artistic style and look that influenced the entire film. When Disneyland opened in 1955, the second story of Sleeping Beauty’s castle was empty, something Walt was not happy with. Imagineers envisioned a walkthrough attrac- tion and turned to Earle, already painting concepts for the film, for inspiration. His concepts for the walkthrough attraction dif- fer from those made for the film in the fact that all the walkthrough concepts are painted with the perspective of looking throgh a window, just like the dioramas inspired from these paintings. The walkthrough opened in 1957, two years before the film premired. Accomplished in Acrylic and Tempera on illustration board, this amazing image of Briar Rose in the forest measures 11 x 24 in. Condition is very fine with very little wear throughout and pinholes in the corners. Signed in the lower right “Eyvind Earle”. $15,000 - $20,000

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465. Original signed Eyvind Earle concept art from Sleeping Beauty’s Castle. (Walt Disney Studios, 1957) Beautiful Eyvind Earle original concept painting created during pre-production of Sleeping Beauty and used as design for the “Sleeping Beauty Walkthrough Attraction” at Disneyland. Production on the Sleeping Beauty feature began around 1950. Eyvind Earle was the film’s color stylist and chief background designer. It was his artistic style and look that influenced the entire film. When Disneyland opened in 1955, the second story of Sleeping Beauty’s castle was empty, something Walt was not happy with. Imagineers envisioned a walkthrough attraction and turned to Earle, already painting concepts for the film, for inspiration. His concepts for the walkthrough attraction differ from those made for the film in the fact that all the walkthrough concepts are painted with the perspective of looking throgh a window, just like the dioramas inspired from these paintings. The walkthrough opened in 1957, two years before the film premired. Accomplished in Acrylic and Tempera on illustration board, measuring 6 x 9 in. Condition is very fine with very little wear throughout and pinholes in the corners. Signed in the lower right “Eyvind Earle” $5,000 - $7,000

466.Original production cel of “Prince Phillip” and “Samson” from Sleeping Beauty. (Walt Disney Studios, 1959) Original production cel of “Prince Phillip” and “Samson” from Walt Disney’s Sleeping Beauty. Released in 1959, Sleeping Beauty was the first animated feature film to be photographed in the Technirama widescreen process, which required larger “pan” backgrounds and cels throughout the production. This untrimmed Technirama cel measures 12.5 x 29 in. and has been placed on a color photographic background. The image size of the characters is 5 x 4 in. cel is in fine condition with all paint intact. $600 - $800 124 1-310-859-7701 467. Original production cel of “Aroura” and “Prince Phillip” from Sleeping Beauty. (Walt Disney Studios, 1959) Rare original production cel featuring “Aroura”and “Prince Phillip” dancing from the closing sequence of Walt Disney’s Sleeping Beauty. The slightly trimmed cel measures 10 x 11 in. and has been placed on a custom hand-painted background. Total image size of the characters is 5.5 x 5.5 in. In very fine condition with all paint intact. $4,000 - $6,000

468. Original production cel featuring “Prince Phillip and Samson” from Sleeping Beauty. (Walt Disney Studios, 1959) Rare original production model cel of “Prince Phillip and Samson” from the Walt Disney classic, Sleeping Beauty. The cel is untrimmed and mea- sures 12.5 x 16 in. The image measures 8 x 9 in. The cel comes with a color copy background. Overall condition is fine with small pin holes along bottom and top edges. $1,000 - $2,000

469. Original production cel and pan production background from Sleeping Beauty. (Walt Disney Studios, 1959) Original production cel of the three fairies placed on a beautifully rendered production background from Walt Disney’s Sleeping Beauty Although not matching, the cel and background work well together, The Technirama background measures 12.5 x 29 in. Cel and background are in very fine condtion. $10,000 - $15,000

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470. Signed original production cel featuring “The Mock 471. Original production cel featuring “Briar Rose” from Prince” from Sleeping Beauty. (Walt Disney Studios, 1959) Rare Sleeping Beauty. (Walt Disney Studios, 1959) Original production cel original production cel of “The Mock Prince” from the Walt Disney clas- of “Briar Rose” from the Walt Disney classic, Sleeping Beauty. The cel is sic, Sleeping Beauty. The cel has been hand signed by Disney legends Frank slightly trimmed and measures 12 x 15.5 in. The image measures 8 x Thomas and Ollie Johnston. The cel is untrimmed and measures 12.5 x 6.5 in. The cel comes with a color copy background. Overall very good 16 in. The image measures 6.5 x 3 in. The cel comes with a color copy condition. $1,500 - $2,000 background. Overall condition is very fine. $900 - $1,200

472. Original pan production model cel and pencil layout from Sleeping Beauty. (Walt Disney Studios, 1959) Beautiful pan model cel of Princess Aurora placed on an original background layout drawing from the same scene. The untrimmed cel and layout measure 12.5 x 30 in. Condition is fine with all paint intact and very light wear. $1,000 - $1,500

473. Original pan production cels featuring all three fairies from Sleeping Beauty. (Walt Disney Studios, 1959) Beautiful pan production cels of “Merryweather”, “Flora”, and “Fauna” from Walt Disney’s Sleeping Beauty. The untrimmed cels measure 12.5 x 30 in. Total image size is 9 x 14 in. Condition is fine with all paint intact. $600 - $800 126 1-310-859-7701 474. Eyvind Earle signed original color concept painting featuring “Prince Phillip, Briar Rose, and Rabbits” from Sleeping Beauty. (Walt Disney Studios, 1959) Delightful Eyvind Earle original concept painting depicting “Briar Rose and Prince Phillip” with the rabbits in the forest from Sleeping Beauty. The painting is accomplished in tempera and gouache on board. The entire piece measures 9.25 x 23.25 in. The piece has been hand signed by Eyvind Earle in the lower right corner and is in very good condition overall with pinholes in the corners. $10,000 - $12,000

475. Eyvind Earle signed original color concept painting featuring “Prince Phillip fighting the Dragon” from Sleeping Beauty. (Walt Disney Studios, 1959) Wonderful Eyvind Earle original concept painting depicting “Prince Phillip” fighting the dragon from Sleeping Beauty. The painting is accomplished in tempera and gouache on peeled artist’s board. The entire piece measures 10 x 12.25 in. The piece has been hand signed by Eyvind Earle in the lower right corner and is in very good condition overall with pinholes in the corners. $6,000 - $8,000

www.profilesinhistory.com 127 Animation Auction

476. Original production cel featuring “Briar Rose” from Sleeping Beauty. (Walt Disney Studios, 1959) Original production cel of “Briar Rose” with a rabbit from the Walt Disney classic, Sleeping Beauty. The cel was originally sold at the “Art Corner” in Disneyland and comes 479. Pair of matching original production drawings featuring with its original Disneyland gold seal on the reverse. The cel is trimmed “Brair Rose” and “Mock Prince” from Sleeping Beauty. (Walt and measures 6.5 x 8 in. The image measures 2.75 x 2.75 in. In very good Disney Studios, 1959) Pair of original production drawings of “Briar condition. $600 - $800 Rose and Mock Prince” from the Walt Disney classic, Sleeping Beauty. These two drawings are matching and register properly to each other (you can see a light outline of the “Mock Prince” on the “Briar Rose” image). “Brar Rose” was drawn by Marc Davis, while the “Mock Prince” was drawn by John Lounsbery. The untrimmed animation paper measures 12.5 x 15.5 in. “Briar Rose” measures 7 x 6 in. The “Mock Prince” mea- sures 4.5 x 3 in. Overall condition of both sheets is very good with minor edge wear. $300 - $500

477. Original production drawing featuring “Maleficent” from Sleeping Beauty. (Walt Disney Studios, 1959) Original production drawing of “Maleficent” from the Walt Disney classic, Sleeping Beauty. The untrimmed animation paper measures 12.5 x 15.5 in. The image measures 9 x 11 in. Overall condition is very good with wear to upper 480. Original production drawing featuring “Briar Rose” from left corner. $300 - $500 Sleeping Beauty. (Walt Disney Studios, 1959) Gorgeous original pro- duction drawing of “Briar Rose” from the Walt Disney classic, Sleeping Beauty The untrimmed animation paper measures 12.5 x 15.5 in. The full figure image measures 6.75 x 4 in. Overall condition is very good with the peg hole strip trimmed and reattached along the lower edge during production. $300 - $500

478. Original Milt Kahl production drawing featuring “Prince Phillip and Samson” from Sleeping Beauty. (Walt Disney Studios, 481. Original production drawing featuring “The Mock Prince” 1959) Original production drawing of “Prince Phillip” and “Samson” from Sleeping Beauty. (Walt Disney Studios, 1959) Original produc- from the Walt Disney classic, Sleeping Beauty. Accomplished in graphite tion drawing of “The Mock Prince” from the Walt Disney classic, Sleeping by animator Milt Kahl, The untrimmed animation paper measures 12.5 Beauty. The untrimmed animation paper measures 12.5 x 22.5 in. The x 15.5 in. The image measures 9 x 8.5 in. Overall condition is very good image measures 9 x 7 in. Overall condition is very good with light edge with small crease to upper left corner. $800 - $1,000 wear and a vertical crease. $200 - $400 128 1-310-859-7701 484. Original Color Model cel featuring the Mouse from Goliath II. (Walt Disney Studios, 1960) Original production color model cels featuring the Mouse from the Disney Studios short, Goliath II. Color Model cels were used during production for color testing and for reference for the ink and paint department. Goliath II was the first animated production to use the xerox process of transferring drawings to cel. The untrimmed cel measures 12.5 x 16 in. and has been placed on a color copy background. The Mouse measures 4.5 x 5 in. The cel is in very fine condition with all paint intact. $100 - $200

482. Set of six original production drawings featuring “Prince Phillip” from Sleeping Beauty. (Walt Disney Studios, 1959) Set of six (6) original production drawings of “Prince Phillip” from the Walt Disney classic, Sleeping Beauty. The untrimmed animation paper measures 12.5 x 15.5 in. The images each measure about 5 x 6.5 in. Overall condition is very good with minor edge wear. $300 - $500 485. Original production cel of “Donald Duck” from a 1960s Disney TV production. (Walt Disney Studios, 1960s) Original produc- tion cel of “Donald Duck” most likely for a Disney TV short or bumper., The untrimmed animation cel measures 12.5 x 16 in. Image size is 4 x 10 in. Cel is in very fine condition with all paint intact. $200 - $400

483.(2) Original production cels featuring “Goliath II” and the Mouse from Goliath II. (Walt Disney Studios, 1960) (2) original production cels featuring “Goliath II” and the Mouse from the Disney Studios short, Goliath II. Nominated for an Academy Award for best ani- mated short, this was the first animated production to use the xerox pro- 486. Original production cel of “Donald Duck”and “Ludwig cess of transferring drawings to cel. The cels have been slightly trimmed Von Drake” from a 1960s Disney TV production. (Walt Disney to 10.5 x 11 in. They have been placed on color copy backgrounds and Studios, 1960s) Original production cel of “Donald Duck” and “Ludwig custom framed side by side. Goliath II measures 5 x 5.5 in and the Mouse Von Drake”most likely for a Disney TV short., The slightly trimmed ani- measures 4.5 x 5 in. The cels are in very fine condition with all paint mation cel measures 7 x 10.5 in. Image size is 5.5 x 7 in. Cel is in very intact. $400 - $600 fine condition with all paint intact. $300 - $500

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487. Original production cel featuring “Donald Duck.” (Walt Disney Studios, 1960s) Original production cel of “Donald Duck” and 490. Original production cel featuring “Pongo” and “Perdita” one of his nephews from a 1960s Disney TV production. The cel was from 101 Dalmatians. (Walt Disney Studios, 1961) Original production originally sold at the Art Corner in Disneyland and comes in its original cel of “Pongo” and “Perdita” from Walt Disney’s 101 Dalmatians. The cel mat with a Disneyland seal on the reverse. The overall matted dimensions was originally sold at the “Art Corner” in Disneyland and comes with are 10 x 12 in. The mat opening that measures 6 x 8 in. The image size is its original Disneyland gold seal on the reverse. The cel is trimmed and 4.5 x 6.5 in. The piece is in very good condition. $200 - $400 measures 7 x 9 in. The image measures 6 x 8.5 in. $1,000 - $1,500

488. Original production cel featuring “Jiminy Crocket.” (Walt Disney Studios, 1960s) Original production cel of “Jininy Cricket” from a 1960s Disney TV production. The untrimmed animation cel measures 12.5 x 16 in. The image size is 6.5 x 4 in. The piece is in very good con- dition wih some tears in cel material along the botom that do not affect image. $200 - $400

491. Original production cel featuring “Cruella de Vil” from 101 Dalmatians. (Walt Disney Studios, 1961) Original production cel of “Cruella de Vil” from Walt Disney’s 101 Dalmatians. The cel is slightly trimmed and measures 10.5 x 12.5 in. The image of “Cruella” measures 8 x 11 in. Overall very fine condition. $800 - $1,000

489. Original production cel of puppies from 101 Dalmatians. (Walt Disney Studios, 1961) Original production cel featuring two pup- pies from 101 Dalmatians. Based on the Novel by Dodie Smith, it was the first Disney animated feature to presumubly take place in the year it was made and also the first to utilize the new Xerox process of transferring drawings to cels. The cels have been slightly trimmed at the studio to 10 x 12 in. and placed on a print background. These cels were prepared for sale at the Art Corner” in Disneyland, and are still in their original “art 492. Original production cel featuring “Cruella de Vil” from Corner” mat with Disneyland gold label on the reverse. The entire matted 101 Dalmatians. (Walt Disney Studios, 1961) Original production piece measures 12 x 14 in. Total image size of the two puppies is 2 x 5.5 cel of “Cruella de Vil” from Walt Disney’s 101 Dalmatians. The cel is in. Overall condition is fine with no paint loss to the characters and slight trimmed and measures 12.5 x 10.5 in. The full figure image of “Cruella” edge wear and staining to the mat. $400 - $600 measures 8.5 x 5.5 in. Overall very fine condition. $900 - $1,200 130 1-310-859-7701 493. Original production cel featuring “Pongo” on production background from 101 Dalmatians. (Walt Disney Studios, 1961) Rare original production cel of “Pongo” and two puppies on a production background from Walt Disney’s 101 Dalmatians. Pongo and the puppies are on two separate cel layers and the puppies are trimmed to image and applied to their cel. Pongo’s cel is untrimmed and measures 12.5 x 16 in. The production background measures 12.5 x 15.5 in. The image of “Pongo” measures 6.25 x 5.5 in. Overall very good condition with the lower left corner of Pongo’s cel slightly trimmed. $2,500 - $3,500

494. Original production cel featuring “Cruella de Vil” on production background from 101 Dalmatians. (Walt Disney Studios, 1961) Rare original production cel of “Cruella de Vil” on a production background from Walt Disney’s 101 Dalmatians. Cruella’s cel is trimmed and measures 10 x 8 in. The production background measures 12.5 x 12 in. The image of “Cruella” measures 9 x 6 in. Overall condition is very good. $4,000 - $6,000

496. Original production concept drawing from The Saga of

495. Original production cel featuring “Pongo” from 101 Dalmatians. Windwagon Smith. (Walt Disney Studios, 1961) Original model draw- (Walt Disney Studios, 1961) Adorable original production cel of “Pongo” hold- ing featuring “Windwagon Smith” from The Saga of Windwagon Smith. ing one of his puppies in his mouth from Walt Disney’s 101 Dalmatians. The Accomplished in graphite and pastel, the untrimmed animation paper cel is untrimmed and measures 12.5 x 16 in. The image measures 4.5 x 5.5 in. measures 15.5 x 12.5 in. The image measures 12 x 6 in. Overall condition Overall very good condition. $1,500 - $2,000 is very good. $200 - $400

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497. (2) original model cels from the opening titles The Sword in the Stone. (Walt Disney Studios, 1963) (2) Original hand-painted model or concept cels created for the title sequence of Walt Disney’s The Sword in the Stone. Painted to resemble pages from a book, each untrimmed cel measures 12.5 x 15 in. Both have studio stamps at the bottom left, and pinhols in the corners, Cels have some lift- ing and backing paper adhered to the reverse, but images are intact. $200 - $400

500. Original production cel of the “Merlin” from The Sword And The Stone. (Walt Disney Studios, 1963) Original production cel featuring “Merlin” from Walt Disney’s The Sword In The Stone. The cel has been trimmed to 11.5 x 10 in. “Merlin’s” image size is 10 x 9 in. Cel is in good shape with all paint intact and some rough edges. $200 - $400

498. Signed original production drawing from The Sword in the Stone. (Walt Disney Studios, 1963) Original rough animation drawing featuring “Merlin” from the 1963 Disney feature, The Sword in the Stone. The drawing has been hand-signed by animator Ollie Johnston. Johnston was one of “The Nine Old Men” at the studio, starting his career there in 1935. He retired from the studio in 1978 and was recognized by the stu- 501. Original production cel of “Wart” from The Sword in the dio with its Disney Legend Award in 1989. Accomplished in graphite on Stone. (Walt Disney Studios, 1963) Original production cel of “Wart” untrimmed 12.5 x 15.5 in. animation paper. “Merlin’s” image size is 11.5 from The Sword in the Stone. The cel is untrimmed and measures 12.5 x 6.5 in. Paper is in very fine condition with very little wear. $200 - $400 x 16 in. The image measures 7 x 6.5 in. Overall very good condition. $300 - $500

499. Original production cels with production back- ground from The Sword in the Stone. (Walt Disney Studios, 1963) Original production cels featuring “Wart”, “Merlin” and “Sir Ector” placed on an original production background from The Sword in the Stone. The cel of Wart has been trimmed to image and applied to the untrimmed 12.5 x 16 in. cel of “Sir Ector” and “Merlin”. The untrimmed back- ground measures 12.5 X 16.5 in. Cels are in good condition with some chipping and lifting in Merlin’s gown. $3,000 - $5,000

132 1-310-859-7701 502. Original production cel of penguins from Mary Poppins. (Walt Disney Studios, 1964) Original production cel featuring four pen- guins from the animated “Jolly Holiday” sequence of Mary Poppins. Walt Disney first tried to purchase the rights to Mary Poppins from author P.L. Travers in 1938, He finally succeded in 1961, and Mary Poppins went on to become one of Disney’s most successful feature films, winning five Academy Awards. The cel has been slightly trimmed at the studio to 8 x 10 in. and stapled to a colored paper background. This cel was prepared for sale at the “Art Corner” in Disneyland, and is still in the original “Art Corner” mat with Disneyland gold label on the reverse. The entire mat- ted piece measures 10 x 12 in. Total image size of the penguins is 3 x 5 in. Overall condition is good with staining and discoloration to the mat and some paint adhered to the backing paper. $600 - $800

503. Original production cel of vultures from The Jungle Book. (Walt Disney Studios, 1967) Original production cesl featuring three of the “beatnik” vultures from The Jungle Book. Enormously succesful upon its release, The Jungle Book was the last animated feature to be supervised by Walt himself. The cels have been slightly trimmed to 8 x 10 in. and 505. Original production cel of “Mowgli” from The Jungle placed on a color copy background. Total image size of the vultures is 9.5 Book. (Walt Disney Studios, 1967) Nice original production cel featur- x 11 in. Overall condition is fine with a small tear in the cel material at ing “Mowgli” from The Jungle Book. The cel is slightly trimmed at the the upper center. $600 - $800 studio to 11 x 16 in. and placed on a color copy background. Mowgli measures 8.5 x 4.5 in. Cels is in fine condition with all paint intact. $400 - $600

504. Original production model cel of an early “Baloo” from The Jungle Book. (Walt Disney Studios, 1967) Unusual hand-painted 506. Original production cel of “Vultures” from The Jungle model cel featuring two images of a very early version of “Baloo” the Book. (Walt Disney Studios, 1967) Original production cel featuring bear from the 1967 feature The Jungle Book. The untrimmed cel measures three of the beatnik vultures from Walt Disney’s, The Jungle Book. The cel 12.5 X 16 in. Production stamps and notes at base of cel indicate the pro- is slightly trimmed to 8 x 12 in.. Total image size is 5 x 8.5 in. Cel is in duction. Cel is in very good condition with all paint intact. $300 - $500 very fine condition with all paint intact. $600 - $800

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507. Signed original production cel featuring “Sher Kahn” from The Jungle Book. (Walt Disney Studios, 1967) Rare original production cel of “Shere Kahn” from Walt Disney’s The Jungle Book. This cel is hand signed by Disney legends Frank Thomas and Ollie Johnston. The untrimmed cel measures 12.5 x 16 in. The image measures 6.5 x 7.5 in. Overall condition is very good. $1,000 - $2,000

508. Signed original production cel featuring “Kaa” from The Jungle Book. (Walt Disney Studios, 1967) Original production cel of “Kaa” from Walt Disney’s The Jungle Book. This piece is hand signed by Disney legends Frank Thomas and Ollie Johnston. The untrimmed cel measures 12.5 x 16 in. The image measures 5 x 3.75 in. Overall condition is very good. The cel comes with a color copy background $600 - $800

509. Original production cel featuring “King Louie” from The Jungle Book. (Walt Disney Studios, 1967) Original production cel 510. Original production cel featuring “Baloo” from The of “King Louie” from The Jungle Book. The cel was originally sold at Jungle Book. (Walt Disney Studios, 1967) Original production cel of Disneyland at the Art Corner and is still in its original mat and backing “Baloo” from The Jungle Book. The cel measures 11 x 13.75 in. The board with the Disneyland Gold Label on the reverse. The entire matted image measures 6.5 x 8 in. The piece is in overall very good condition. piece measures 10 x 12 in. The image measures 6 x 7.5 in. $600 - $800 $600 - $800 134 1-310-859-7701 511. Original production cels of “Shere Kahn” and “Kaa” with production background from The Jungle Book. (Walt Disney Studios, 1967) Beautiful original production cels featuring “Shere Kahn”and “Kaa” paired with an original production background from The Jungle Book. The cel of Kaa has been slightly trimmed to 10 x 12 in. while the untrimmed cel of Shere Kahn measures 12.5 x 16 in. Both have been placed on a 12.5 x 16 in. production background. Total image size of the two characters is 8 x 11 in. Cels are in good condition with some light lifting and cracking in areas of Shere Kahn’s body. $4,000 - $6,000

512. Original production cels of “Mowgli” and “Baloo” with production background from The Jungle Book. (Walt Disney Studios, 1967) Beautiful original production cels featuring “Mowgli”and “Baloo” paired with an original production background from The Jungle Book. The cel of Mowgli is matching to the background. The cels have been trimmed to image and placed on the background at the studio for presentation. The detailed untrimmed background measures 12.5 x 16 in. Cels are in fine condition with all paint intact. $8,000 - $10,000

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513. Ken Anderson signed original concept drawing from The 515. Original production cel featuring “O’Malley” from The Arsitocats. (Walt Disney Studios, 1970) Rare original hand-drawn con- Aristocats. (Walt Disney Studios, 1970) Original production cel of cept from The Aristocats. This original ink concept drawing was created by “O’Malley” from The Aristocats. The untrimmed cel measures 12.5 x 16 Disney legend Ken Anderson and is signed by the artist in the lower right in. The image measures 7 x 6 in. The piece is in overall very good condi- corner of the image. The sheet measures 11.75 x 14 in. Image measures tion. $200 - $400 10.5 x 11 in. Overall condition is very good with minor water spots on left side of paper and pinholes in upper left corner. $900 - $1,200

514. Original production cel featuring “Duchess” from The 516. Original production cel and production background from Aristocats. (Walt Disney Studios, 1970) Beautiful original production Robin Hood. (Walt Disney Studios, 1973) Original production cel of cel of “Duchess” from The Aristocats. The untrimmed cel measures 12.5 “Prince John” from Robin Hood. The cel has been placed on a non- x 16 in. The image measures 7.5 x 6 in. The piece is in overall excellent. matching production background from the film. Robin Hood was the 21st $200- $400 animated feature by the studio and the first to begin production after Walt Disney’s death, although elements of the feature were taken fron an earlier aborted production, “Reynard The Fox”. The untrimmed cel of “Prince John” measures 12.5 x 16 in. The untrimmed background has production notes and sequence numbers along the bottom “Prince John’s” image size is 7 x 5 in. Overall condition is very fine. $2,000 - $3,000

136 1-310-859-7701 517. Original production cel and matching production back- ground from Robin Hood. (Walt Disney Studios, 1973) Original pro- duction cel featuring “Little John” placed on the matching hand-painted production background from Robin Hood. Released in 1973, Robin Hood had been in development in some form at the studio since the 1940s. The untrimmed cel and background measure 12.5 x 16 in. Little John measures 7 x 6 in. In in very fine condition with all paint intact. $3,000 - $5,000

520. Original Ken Anderson concept art from Pete’s Dragon. (Walt Disney Studios, 1977) Wonderful mixed-media concept/presenta- tion artwork by animator Ken Anderson for Pete’s Dragon. “Elliott The Dragon”, the only animated character in the film, was designed by Ken Anderson and the animation was directed by Don Bluth. For this concept piece, Anderson cut out an existing photo (most likely from a magazine), mounted it on board, and then added original cut-out drawings of Elliott to form the scene. Accomplished in ink, graphite and colored pencil. The artwork is mounted on a 10 x 9.5 in. piece of artists board. Image mea- sures 8.5 x 8 in. Studio stamp on reverse. Overall condition is fine with 518. Original production cel of “Robin Hood and Maid slight wear to edges of board. $400 - $600 Marian” on a production background from Robin Hood. (Walt Disney Studios, 1973) Original production cel of “Robin Hood and Maid Marian” on a hand-painted production background from Robin Hood. Both pieces measure 12.5 x 16 in. The character image measures 4 x 3.5 in. The piece is in very good condition overall with the lower right corner of the background trimmed out. $1,500 - $2,500

519. James Coleman original preliminary background from Robin Hood. (Walt Disney Studios, 1973) Original James Coleman preliminary background painting from Robin Hood. The painting is accomplished in gouache on illustration board. Signed by James Coleman on the reverse of illustration board. The board measures 12.5 x 32 in. The image measures 11 x 28.5 in. The piece is in very good condition overall with light edge wear. $800 - $1,000

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521. Original concept art of “Madame Medusa” from The Rescuers. (Walt Disney Studios, 1977) Original concept art from The Rescuers featuring “Madame Medusa.” Accomplished in water color on 524. Original production layout drawing from The Rescuers. xerox paper, the background has been secured to a pegged 12.5 x 16 in. (Walt Disney Studios, 1977) Original production layout drawing from artists board.“Madame Medusa,” has been cut out and applied to an over- The Rescuers. The drawing is untrimmed and measures 12.5 x 15.5 in. lay cel. Total image size is 7 x 10.5 in. The piece is in very good condition The image measures 11 x 14.5 in. Overall condition is good with edge with pin holes along the upper edge. $1,200 - $1,500 wear. $100 - $200

522. James Coleman original production back- ground from The Rescuers. (Walt Disney Studios, 1977) Original James Coleman production back- ground painting from The Rescuers. The painting is accomplished in watercolor on peeled illustration board. Signed by James Coleman in lower left. The entire untrimmed background measures 12 x 16 in. The piece is in fine condition overall with little to no wear. $1,500 - $2,500

525. Original production cel from The Fox and the hound. (Walt Disney Studios, 1981) Original production cel featuring “Todd”and “Widow Tweed” from Walt Disney’s The Fox and the Hound. Originally slated for a Christmas 1980 release, The Fox and the Hound was delayed 523. Original production cel of “Bernard and Bianca” from when animator Don Bluth and eleven others left Disney to form their The Rescuers. (Walt Disney Studios, 1977) Original production cel own studio. At the time of release, The Fox and the Hound , the 24th featuring “Bernard and Bianca” riding on the back of “Orville” from The Disney animated feature, was the studios most expensive to date with Rescuers. There is a Disney Studios art program seal in the lower left cor- a budget of 12 million dollars. The untrimmed animation cels measure ner of the Bernard’s cel. Each character is on a separate cel layer and each 12.5 x 16 in. and have been placed on a color copy background. Studio cel is untrimmed and measures 12.5 x 16 in. The overall image measures seal in the lower right corner as prepared by the studio for sale. Image 9 x 11.5 in. Overall condition is very good with a staple in the upper left size of the characters is 8.5 x 5 in. Overall condition is fine with all paint corner and tape around the edges of “Orville’s” cel. $200 - $400 intact. $200 - $400 138 1-310-859-7701 526. Original James Coleman pan production background from The Fox and the Hound. (Walt Disney Studios, 1981) Impresive pan original production background” from Walt Disney’s The Fox and the Hound. Accomplished in Gouache and Acrylic on untrimmed 12.5 x 33 in art- ists board. The background is the work of artist James Coleman. The background is in very fine condition with little or no wear. $2,000 - $4,000

527. Original production cel and oversize production back- ground from The Fox and the Hound. (Walt Disney Studios, 1981) Original production cel featuring “Copper” and “Todd” paired with an oversize production background from Walt Disney’s The Fox and the Hound. The slightly trimmed ani- mation cel measures 10.5 x 11 in. It has been placed on an amazing James Coleman production back- ground measuring 20 x 25 in. The background and cel are in very fine condition with little or no wear and all paint intact. $4,000 - $6,000

528. Original James Coleman production background from The Fox and the Hound. (Walt Disney Studios, 1981) Beautiful original production background” from Walt Disney’s The Fox and the Hound. Accomplished in Gouache and Acrylic on untrimmed 12.5 x 16 in peeled artists board. The background is the work of artist James Coleman. The background is in very fine condition with little or no wear. $1,200 - $1,500

www.profilesinhistory.com 139 Animation Auction

529. Original production cel and production background from

The Fox and the Hound. (Walt Disney Studios, 1981) Original pro- 531. Signed original background concept from The Fox and duction cel featuring Tod and Vixie placed on an original production the Hound. (Walt Disney Studios, 1981) Original background con- background from Walt Disney’s The Fox and the Hound. The untrimmed cept by artist James Coleman from Walt Disney’s The Fox and the Hound. cel and background measures 12.5 x 16 in. The background is the work Accomplished in Gouach on 8.5 x 10.5 in. artists board with cel overlay of artist James Coleman. Total image size of the characters is 7 x 10 in. of “Big Mama”. Signed on reverse by “James Coleman” concept is in The background and cel are in very fine condition with little or no wear. very fine condition with little or no wear. $600 - $800 $2,000 - $3,000

530. Signed original background concept from The Fox and 532. Set of four original production drawings featuring the Hound. (Walt Disney Studios, 1981) Original background concept “Copper” from The Fox and the Hound. (Walt Disney Studios, 1981) by artist James Coleman from Walt Disney’s The Fox and the Hound. Set of four (4) original production drawings of “Copper” from The Fox Accomplished in Gouach on 8.5 x 10.5 in. artists board. Signed on reverse and the Hound. Each sheet is untrimmed and measures 12.5 x 15.5 in. The by “James Coleman” concept is in very fine condition with little or no images each measure about 5 x 3.5 in. Overall condition is very good with wear. $600 - $800 a little wrinkling on the left half of each sheet. $100 - $200

533. Original production background from Winnie The Pooh and a Day for Eeyore. (Walt Disney Studios, 1983) Beautiful detailed original production background from the Walt Disney’s Winnie The Pooh and a Day for Eeyore. The entire piece measures 10.5 x 20 in. The background is in fine condition with little or no wear. $3,000 - $5,000 140 1-310-859-7701 534. Original production cel of “Tigger” from Winnie the 537. Original production cel from The Black Cauldron. (Walt Pooh. (Walt Disney Studios, 1983) Fantastic original production cel Disney Studios, 1985) Original production cel of “Taran, Princess of “Tigger” from a Walt Disney Winnie the Pooh production. The cel is Eilonwy, Fflewddur Fflam, and Gurgi” from The Black Cauldron. The cel untrimmed and measures 10.5 x 12.5 in. The image measures 6.5 x 7 in. has a Disney Studios art program seal in the upper left corner. The cel is The cel features a Disney studio art program seal in the lower left corner untrimmed and measures 12.5 x 21 in. The image measures 7.5 x 10 in. Overall very good condition. $300 - $500 Overall condition is very good with staple holes in the upper left corner. $200 - $400

535. Original James Coleman pan pre-production background from The Black Cauldron. (Walt Disney Studios, 1985) Impresive pan original pre-production background” from Walt Disney’s The Black Cauldron. Accomplished in Gouache and Acrylic on untrimmed 12.5 x 31 in art- ists board. The background is the work of artist James Coleman,. The background is in very fine condition with little or no wear. $1,500 - $2,500

536. (2) original production Storyboard drawings from The Black Cauldron. (Walt Disney Studios, 1985) Set of two (2) original production storyboard drawings from The Black Cauldron. The smaller piece measures 5 x 9 in. The larger piece measures 6 x 22.5 in. Both pieces are in very good condition with one torn corner and some pinholes on each. The imagery is beautifully detailed and takes up the entire area of each storyboard. $300 - $500

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538. Original production background layout drawing from The Black Cauldron. (Walt Disney Studios, 1985) Beautifully detailed original production background layout drawing by Mike Hodgson of “The Horned King’s Lair” from The Black Cauldron. The large pan drawing is untrimmed and measures 12.5 x 30 in. The image measures 10.5 x 28 in. Overall condition is good with edge wear and creasing throughout the sheet. $400 - $600

539. Original production cel of “Ratigan” from The Great Mouse Detective. (Walt Disney Studios, 1986) Great full figure original 541. Original production cel of “Scrooge” from Ducktales. production cel of “Ratigan” from Walt Disney’s The Great Mouse Detective. (Walt Disney Studios, 1987) Original production cel of “Scrooge” with The cel is untrimmed and measures 12.5 x 15.5 in. The image measures a scenic street background from Duck Tales. “Scrooge” and the street are 5 x 5.5 in. Overall condition is good with a little paint lifting in his left both part of the cel image. The matching production drawing is also hand. $200 - $400 included. The untrimmed cel measures 9 x 10.5 in. The overall image measures 8 x 10 in. The piece is in overall fine condition. $100 - $200

540. Original production cel and production background from 542. Original production cels of “Winnie The Pooh” and Ducktales. (Walt Disney Studios, 1987) Impressive set of production “Tigger” from The Many Adventures Of Winnie The Pooh. (Walt cels paired with the matching production background from Disney’s Disney Studios, 1988) Original production cels of “Tigger” and “Winnie Ducktales TV series. Based on the “Uncle Scrooge” comic books by The Pooh”, from The New Adventures Of Winnie The Pooh TV series. Carl Barks, Ducktales was the first Disney cartoon series to be produced Running from 1988 through 1991, the TV series aired on the Disney for syndication. Its’ enourmos success paved the way for severeal other Channel and on ABC. The untrimmed animation cels measure 9 x 10.5 popular series throughout the 1980s and 90s. The untrimmed animation in. The top cel (“Tigger”), has a Disney Studio seal, as prepared by the cels measure 9 x 10.5 in and have been placed on the matching 10 x 14 studio for sale. The cels have been placed on a color copy background. in production background. Condition is very fine with no wear or paint Total image size of the caharcters is 4 x 6.5 in. Overall condition is fine loss. $200 - $400 with all paint intact. $300 - $500 142 1-310-859-7701 543. Original production cel of “Fagan, Dodger and Oliver” from Oliver and Company. (Walt Disney Studios, 1988) Original 546. Original production model drawings of “Lena Hyena” production cel featuring “Fagan, Dodger and Oliver” from Oliver and from Who Framed Roger Rabbit. (Walt Disney Studios, 1988) Company. There is a Disney Studios art program seal in the lower right Original model drawings of “Lena Hyena” swooning from Walt Disney’s corner. The untrimmed cel measures 12.5 x 17 in. The overall image Who Framed Roger Rabbit. The sheet is untrimmed and measure 10.5 x measures 8 x 9 in. The piece is in excellent condition. $200 - $400 12.5 in. The image measures 8.5 x 7 in. Overall condition is good with pinholes in top corners. $100 - $200

544. Original James Coleman bckground color key concept 547. Original production model drawings of “Lena Hyena” panting for Oliver and Company. (Walt Disney Studios, 1988) from Who Framed Roger Rabbit. (Walt Disney Studios, 1988) Original background color key painting showing four versions of Original model drawings of “Lena Hyena” in a doorway from Walt Georgette’s Kitchen from Oliver And Company. Accomplished in water- Disney’s Who Framed Roger Rabbit. The sheet is untrimmed and measures color on 9.5 x 12.5 in. artists board. The board has been sectioned off 10.5 x 12.5 in. The image measures 9.5 x 11.5 in. Overall condition is into four 3 x 5 in. panels. The artwork has been signed by artist James good with pinholes in top corners. $100- $200 Coleman in the lower left. The piece is in fine condition with little to no wear throughout. $300 - $500

545. Original production model drawings of “Lena Hyena” from 548. Original merchandising drawing of “Roger Rabbit” from Who Framed Roger Rabbit. (Walt Disney Studios, 1988) Original Who Framed Roger Rabbit. (Walt Disney Studios, 1988) Original model drawings of “Lena Hyena” from Walt Disney’s Who Framed Roger merchandising drawings of “Roger Rabbit” from Walt Disney’s Who Rabbit. The sheet is untrimmed and measure 10.5 x 12.5 in. The images Framed Roger Rabbit. Accomplished in graphite on 17.5 x 23 in. illustra- take up an area of 9 x 10.5 in. Overall condition is good with pinholes in tion paper. The artwork is signed by artist Roger Lueras. Overall condi- top corners. $100 - $200 tion is very good with light wear and creasing. $100 - $200

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549.Original production cel of “Ursula” from The Little 551. Original production cel of “Ariel” and “Eric” from The Mermaid. (Walt Disney Studios, 1989) Original production cel of Little Mermaid. (Walt Disney Studios, 1989) Original production cels “Ursula” from Walt Disney’s 1989 feature film, The Little Mermaid. The featuring “Ariel” and “Prince Eric” from The Little Mermaid. The last untrimmed cel measures 12.5 x 17 in. and has been placed on a color Disney feature to use actual hand-painted cels, The Little Mermaid was photographic background as prepared by the studio for sale. The image the 28th animated feature by the studio and signaled a rebirth of feature size of the character is 5.5 x 6.5 in. Cel is in fine condition with all paint animation for the company. The two untrimmed cels measure 12.5 x 17 intact. Disney studio seal in lower right corner. in. and have been placed on a color copy background. Total image size of $800 - $1,000 the characters is 7 x 7 in. Overall condition is very fine. $1,000 - $1,500

550. Original production cel and production background from 552. Original production cel of “Ariel” from The Little The Little Mermaid. (Walt Disney Studios, 1989) Original production Mermaid. (Walt Disney Studios, 1989) Original production cel featuring cels paired with the matching production background featuring “Vanessa” “Ariel”” from The Little Mermaid paired with a bubbl;e effects cel. The (Ursula), “Prince Eric” and the priest from The Little Mermaid. The last last Disney feature to use actual hand-painted cels, The Little Mermaid was Disney feature to use actual hand-painted cels, The Little Mermaid was the the 28th animated feature by the studio and signaled a rebirth of feature 28th animated feature by the studio and signaled a rebirth of feature ani- animation for the company. The untrimmed cels measure 10.5 x 14 in. mation for the company. This key matching setup occurs near the finale and have been placed on a color copy background. “Ariel’s” image size is of the film as “Vanessa’s” true identity is discovered. The untrimmed cels 5.5 x 5 in. Overall condition is very fine. $1,000 - $1,500 and background measure 12.5 x 17 in. Total image size of the characters is 4.5 x 4 in. Overall condition is very fine. $2,000 - $3,000

144 1-310-859-7701 553. Original production model cel of “Ursula” with James coleman pre- production background from The Little Mermaid. (Walt Disney Studios, 1989) Original hand-painted color model cel of “Ursula” paired with a pre-produc- tion background by artist James Coleman from Walt Disney’s The Little Mermaid. The untrimmed animation cel and back- ground measure 12.5 x 16 in. Background is signed on reverse by James Coleman Cel and background are in very fine con- dition with little or no wear. $1,500 - $2,000

554. Original production model cel of “Triton” with James coleman pre-production background from The Little Mermaid. (Walt Disney Studios, 1989) Original hand-painted color model cel of “Triton” paired with a pre-production background by artist James Coleman from Walt Disney’s The Little Mermaid. The untrimmed anima- tion cel and background measure 12.5 x 16 in. Background is signed on reverse by James Coleman Cel and background are in very fine condition with little or no wear. $1,500 - $2,000

555. (2) Original production model cels and pan production background from The Little Mermaid (Walt Disney Studios, 1989) (2) Original production model cels featuring “Flounder” and “Sebastian” placed on a large pan production background from The Little Mermaid. The untrimmed animation cels measure 10.5 x 12.5 in. The pan background measures 12.5 x 51 in. The background has been hand-signed by artist James Coleman. The cels and background are in very fine condition. Light wear to the edges of the background. Production notations along bottom edge of background. $4,000 - $6,000

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556. Original production model drawings of “Dale” from Chip ‘n Dale Rescue Rangers. (Walt Disney Studios, 1989) Original model drawings of “Dale” from Chip ‘n Dale Rescue Rangers. The sheet is untrimmed and measure 10.5 x 12.5 in. The images take up an area that measures 7.5 x 10 in. Overall very good condition. $100 - $200

557. Signed original production cel from The Prince And The Pauper. (Walt Disney Studios, 1990) Original pro- duction cel featuring “Mickey Mouse” and “Pete” from Walt Disney’s featurette, The Prince And The Pauper. The cel has been hand-signed by supervising animator, Andreas Deja. The untrimmed cel measures 12.5 x 17 in. Total image size of the characters is 5.5 x 6.25 in. Overall condition is fine with no paint loss to the characters. $300 - $500

558. Original background color key painting from The Prince and the Pauper. (Walt Disney Studios, 1990) Original background color key painting from The Prince and the Pauper. The painting is accomplished in water- color on illustration board by back- ground artist Greg Drolette. The board measures 8 x 12 in. The image measures 6.5 x 11 in. The piece is in very good condition overall with pinholes in the margin. $400 - $600

146 1-310-859-7701 560. (18) Original storyboard sketches from Beauty and the 559. (17) Original storyboard sketches from Beauty and the Beast. (Walt Disney Studios, 1991) (18) Original production storyboard Beast. (Walt Disney Studios, 1991) (17) Original production storyboard sketches from Walt Disney’s Beauty and the Beast. Released in 1991, sketches from Walt Disney’s Beauty and the Beast. Released in 1991, Beauty Beauty and the Beast became the first animated feature to be nominated for and the Beast became the first animated feature to be nominated for the the Academy Award for Best Picture. It was also the first Disney animated Academy Award for Best Picture. It was also the first Disney animated film to be adapted into a Broadway Musical. Accomplished in graphite, film to be adapted into a Broadway Musical. Accomplished in graphite, on ink, and marker on untrimmed 5.5 x 8.5 in storyboard paper. Each panel untrimmed 5.5 x 8.5 in storyboard paper. Each panel has been initialed has been initialed in the lower edges, “KA ‘90” by visual development in the lower right corner “KA ‘90” by visual development artist Kelly artist Kelly Asbury. Paper is in very fine condition. Asbury. Paper is in very fine condition. $1,000 - $1,500 $2,000 - $3,000

561. Original background color key painting from Beauty and the Beast. (Walt Disney Studios, 1991) Very rare original background color key painting from Beauty and the Beast. The painting is accomplished in watercolor on illustration board by background artist Greg Drolette. The board overall measures 4.5 x 8 in. The image measures 3.5 x 7 in. The piece is in very good condition overall. $1,000 - $1,500

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562. Original background color key painting from The Lion King. (Walt Disney Studios, 1994) Original background color key painting from The Lion King. The painting is accomplished in gouache on illustration board by background artist Greg Drolette. The entire piece measures 3 x 5.25 in. The piece is in very good condition overall. $200 - $400

563. Original book cover concept art for Art of the Lion King. (Walt Disney Studios, 1994) Original concept artwork created for the cover of book, The Art of the Lion King. The piece is accomplished in watercolor and pencil by Chris Sanders. The untrimmed animation paper measures 12.5 x 17 in. The image measures 11.5 x 10.5 in. The 564. Set of (5) original production drawings featuring piece is in very good condition overall with some wrinkling around the “Pumbaa” from The Lion King. (Walt Disney Studios, 1994) Set of edges. $300 - $600 six (6) original rough production drawings of “Pumbaa” from The Lion King. Each sheet is untrimmed and measures 12.5 x 17 in. The images each measure about 8 x 6 in. Overall condition is very good with a little edge wear. $200 - $400 148 1-310-859-7701 567. Set of (3) original production drawings featur- 565. Set of (3) original production drawings featuring ing “Pocahontas and John Smith” from Pocahontas. (Walt “Pumbaa” from The Lion King. (Walt Disney Studios, 1994) Set of three (3) original production drawings of “Pumbaa” from The Lion King. Disney Studios, 1995) Set of three (3) original production drawings of Each sheet is untrimmed and measures 12.5 x 17 in. The images each “Pocahontas” and “John Smith” kissing from Pocahontas. The drawing measure about 8 x 7.5 in. Overall condition is very good. $100 - $200 of Pocahontas is by animator Glen Keane. Each sheet is untrimmed and measures 12.5 x 17 in. The images each measure about 7.5 x 11 in. Overall condition is very good with minor edge wear. $300 - $500

566. Original Glen Keane production drawing from Pocahontas. (Walt Disney Studios, 1995) Gorgeous original rough production draw- ing by animator Glen Keane of “Pocahontas” from Pocahontas. The sheet is untrimmed and measures 12.5 x 17 in. The image measure about 6 x 10 in. Overall condition is very good. $200 - $400

568. Set of (5) original production drawings featuring “Percy” from Pocahontas. (Walt Disney Studios, 1995) Set of five (5) original production drawings of “Percy” from Pocahontas. Each sheet is untrimmed and measures 12.5 x 17 in. The images each measure about 8 x 4.5 in. Overall condition is very good with minor edge wear. $100 - $200

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569. Set of (4) original Glen Keane production drawings from Pocahontas. (Walt Disney Studios, 1995) Set of four (4) Glen Keane original production drawings of “Pocahontas” from Pocahontas. Each sheet is untrimmed and measures 12.5 x 17 in. The images each measure about 10 x 9 in. Overall condition is very good with minor edge wear. $300 - $500

570. Original storyboard page from Mulan. (Walt Disney Studios, 1998) Beautiful storyboard page from Walt Disney’s Mulan. The 11 x 17 572. Original production background layout drawing from in. page features three original storyboard panels and three xeroxed panels Home on the Range. (Walt Disney Studios, 2004) Original background secured to the paper by tape, along with camera directions, and scene layout drawing from Home on the Range. The untrimmed animation paper inofrmation. Directed by Tony Bancroft and Barry Cook, Mulan was the measures 12.5 x 17 in. The image measures 10.5 x 17 in. Overall condi- first of three features produced primarily at the Disney-MGM Studios in tion is very good condition with minor edge wear. $100 - $200 Orlando, Florida. The largest original panel measures 7 x 10 in.. Paper is in very fine condition. $300 - $500

573. Signed original storyboard drawing from Tinkerbell and the Lost Treasure. (Walt Disney Studios, 2009) Original storyboard panel drawing featuring “Tinkerbell” from the 2009 Disney video release, Tinkerbell and the Lost Treasure. The drawing has been hand-signed by story artist John Pomeroy. Pomeroy began work at the Disney Studio in 1973. 571. Original production drawing of “Pacha” from Emperor’s In 1979, he and several other Disney animators left to form Don Bluth New Groove. (Walt Disney Studios, 2000) Original production draw- Productions and were responsible for several succesful features inclusing ing of a “Pacha” from Emperor’s New Groove. The sheet is untrimmed The Secret Of Nimh and An American Tail. Accomplished in graphite on and measures 12.5 x 17 in. The image measures 10.5 x 13.5 in. Overall untrimmed 5 x 7.5 in. storyboard paper. Image size is 4 x 7 in. Paper is in condition is very good with wrinkling in left half of sheet. $200 - $400 very fine condition. $200 - $400 150 1-310-859-7701 For office use only Registration Form - Animation 60 Bidder Number:______Please print all information Business Phone:______Mr./Mrs./Ms.______Fax: ______

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