Animated Picture of Mr and Mrs Claus
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George Eastman Museum Annual Report 2018
George Eastman Museum Annual Report 2018 Contents Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs & Events 5 Online 7 Education 8 The L. Jeffrey Selznick School of Film Preservation 8 Photographic Preservation & Collections Management 8 Photography Workshops 9 Loans 10 Objects Loaned For Exhibitions 10 Film Screenings 15 Acquisitions 17 Gifts to the Collections 17 Photography 17 Moving Image 30 Technology 32 George Eastman Legacy 34 Richard and Ronay Menschel Library 48 Purchases for the Collections 48 Photography 48 Moving Image 49 Technology 49 George Eastman Legacy 49 Richard and Ronay Menschel Library 49 Conservation & Preservation 50 Conservation 50 Photography 50 Technology 52 George Eastman Legacy 52 Richard and Ronay Menschel Library 52 Preservation 53 Moving Image 53 Financial 54 Treasurer’s Report 54 Fundraising 56 Members 56 Corporate Members 58 Annual Campaign 59 Designated Giving 59 Planned Giving 61 Trustees, Advisors & Staff 62 Board of Trustees 62 George Eastman Museum Staff 63 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries during 2018. MAIN GALLERIES HISTORY OF PHOTOGRAPHY GALLERY Stories of Indian Cinema: A History of Photography Abandoned and Rescued Curated by Jamie M. Allen, associate curator, Department of Photography, and Todd Gustavson, exhibitions, Moving Image Department curator, Technology Collection NovemberCurated by 11,Jurij 2017–May Meden, curator 13, 2018 of film October 14, 2017–April 22, 2018 Nandita -
Nationalism, the History of Animation Movies, and World War II Propaganda in the United States of America
University of Akureyri Faculty of Humanities and Social Science Modern Studies 2011 Intersections of Modernity: Nationalism, The History of Animation Movies, and World War II propaganda in the United States of America Kristján Birnir Ívansson Final BA Thesis in the Faculty of Humanities and Social Sciences University of Akureyri Faculty of Humanities and Social Science Modern studies 2011 Intersections of Modernity: Nationalism, The History of Animation Movies, and World War II propaganda in the United States of America Kristján Birnir Ívansson A final BA Thesis for 180 ECTS unit in the Faculty of Humanities and Social Sciences Instructor: Dr. Giorgio Baruchello Statements I hereby declare that I am the only author of this project and that is the result of own research Ég lýsi hér með yfir að ég einn er höfundur þessa verkefnis og að það er ágóði eigin rannsókna ______________________________ Kristján Birnir Ívansson It is hereby confirmed that this thesis fulfil, according to my judgement, requirements for a BA -degree in the Faculty of Hummanities and Social Science Það staðfestist hér með að lokaverkefni þetta fullnægir að mínum dómi kröfum til BA prófs í Hug- og félagsvísindadeild. __________________________ Giorgio Baruchello Abstract Today, animations are generally considered to be a rather innocuous form of entertainment for children. However, this has not always been the case. For example, during World War II, animations were also produced as instruments for political propaganda as well as educational material for adult audiences. In this thesis, the history of the production of animations in the United States of America will be reviewed, especially as the years of World War II are concerned. -
Black Representation in American Short Films, 1928-1954
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2002 Black representation in American short films, 1928-1954 Christopher P. Lehman University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Lehman, Christopher P., "Black representation in American short films, 1928-1954 " (2002). Doctoral Dissertations 1896 - February 2014. 914. https://scholarworks.umass.edu/dissertations_1/914 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. m UMASS. DATE DUE UNIVERSITY LIBRARY UNIVERSITY OF MASSACHUSETTS AMHERST BLACK REPRESENTATION IN AMERICAN ANIMATED SHORT FILMS, 1928-1954 A Dissertation Presented by CHRISTOPHER P. LEHMAN Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2002 W. E. B. DuBois Department of Afro-American Studies © Copyright by Christopher P. Lehman 2002 All Rights Reserved BLACK REPRESENTATION IN AMERICAN ANIMATED SHORT FILMS, 1928-1954 A Dissertation Presented by CHRISTOPHER P. LEHMAN Approved as to style and content by: Ernest Allen, Chair Johnl|L Bracey, Jr., Member Robert P. Wolff, Member Lynda Morgan, Member Esther Terry, Department Head Afro-American Studies W. E. B. DuBois Department of ACKNOWLEDGMENTS Several archivists have enabled me to find sources for my research. I thank Tom Featherstone of Wayne State University's Walter Reuther Library for providing a copy of the film Brotherhood ofMan for me. -
PRICES REALIZED DETAIL - Animation December 2013 Auction 60, Auction Date: 12/2/2013
26901 Agoura Road, Suite 150, Calabasas Hills, CA 91301 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Animation December 2013 Auction 60, Auction Date: 12/2/2013 LOT ITEM PRICE 2 ORIGINAL PRODUCTION DRAWING FEATURING “POPEYE” FROM SOCK-A-BYE, BABY. $475 5 ORIGINAL PRODUCTION STORYBOARD DRAWING FROM MR. BUG GOES TO TOWN. $200 11 ORIGINAL UB IWERKS PRODUCTION MODEL DRAWING FROM FIDDLESTICKS. $475 12 (2) ORIGINAL UB IWERKS PRODUCTION CELS FROM 1930S SHORTS. $300 13 ORIGINAL UB IWERKS “FLIP THE FROG” PRODUCTION DRAWING FROM FLYING FISTS. $400 16 ORIGINAL MODEL SHEET FEATURING “WIDOW PERKINS” FROM PARROTVILLE POST-OFFICE. $100 18 ORIGINAL PRODUCTION CEL AND PRODUCTION BACKGROUND FROM THE FOX AND THE CROW. $225 21 TERRYTOONS ORIGINAL HECKLE AND JECKLE PRODUCTION CELS ON PRODUCTION $400 BACKGROUND. 22 EXTREMELY RARE WALTER LANTZ MASTER “DINKY DOODLE” PUBLICITY PHOTO WITH ORIGINAL $2,000 ART. 23 ORIGINAL PRODUCTION CEL OF LEOPOLD STOKOWSKI FROM WALTER LANTZ’S HOLLYWOOD $300 BOWL. 24 ORIGINAL PRODUCTION CEL OF MARTHA RAYE FROM WALTER LANTZ’S HOLLYWOOD BOWL. $300 25 ORIGINAL PRODUCTION CEL OF JOE PENNER FROM WALTER LANTZ’S HOLLYWOOD BOWL. $300 27 ORIGINAL PRODUCTION CEL AND MATCHING VERTICAL PAN PRODUCTION BACKGROUND FROM $800 MOUSIE COME HOME. 28 ORIGINAL PRODUCTION BACKGROUND AND ORIGINAL STORY PAINTING FROM MOUSIE COME $600 HOME. 29 ORIGINAL PRODUCTION BACKGROUND AND DRAWING OF “ANDY PANDA” FROM ANDY PANDA’S $500 VICTORY GARDEN. 30 ORIGINAL END TITLE CEL AND BACKGROUND FROM WOODY WOODPECKER. $400 Page 1 of 24 26901 Agoura Road, Suite 150, Calabasas Hills, CA 91301 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Animation December 2013 Auction 60, Auction Date: 12/2/2013 LOT ITEM PRICE 32 ORIGINAL PRODUCTION CEL OF “WOODY WOODPECKER” ON PRODUCTION BACKGROUND. -
Animation 60 Bidder Number:______Please Print All Information Business Phone:______Mr./Mrs./Ms.______Fax: ______
Animation Auction 60 December 20, 2013 Animation Auction 60 AUCTION FRIDAY DECEMBER 20, 2013 11:00 AM PST LIVE • MAIL • PHONE • FAX • INTERNET PLACE YOUR BID OVER THE INTERNET! PROFILES IN HISTORY WILL BE PROVIDING INTERNET-BASED BIDDING TO QUALIFIED BIDDERS IN REAL-TIME ON THE DAY OF THE AUCTION. FOR MORE INFORMATION, PLEASE VISIT US @ WWW.PROFILESINHISTORY.COM CATALOG PRICE PRESIDENT/CHIEF EXECUTIVE OFFICER $35.00 Joseph M. Maddalena AUCTION LOCATION ACQUISITIONS/CONSIGNMENT RELATIONS PROFILES IN HISTORY Brian R. Chanes 26901 AGOURA ROAD, SUITE 150 CALABASAS, CA 91301 CREATIVE DIRECTOR Lou Bustamante AUCTION PREVIEW AT VAN EATON GALLERIES OFFICE MANagER AppOINTMENT ONLY Suzanne Sues VAN EATON GALLERIES 13613 VENTURA BOULEVARD EDITOR SHERMAN OAKS, CA 91423 Joe Moe TELEphONE AUCTION ASSOCIATE 1-310-859-7701 Rick Grande FAX ARCHIVE SPECIALIST 1-310-859-3842 Raymond Janis E-MAIL ADDRESS AUCTION ASSOCIATE [email protected] Kayla Sues WEBSITE PHOTOGRAPHY ASSOCIATE WWW.PROFILESINHISTORY.COM Charlie Nunn SOCIAL MEDIA SPECIALIST Julie Gauvin LAYOUT EDITOR Edward Urrutia Find us on @ www.facebook.com/ProfilesInHistory Find us on @ twitter.com/pihauctions Dear Collector: Welcome to our Winter 2013 Animation Auction! We are pleased to present this offering of over 500 unique lots of amazing art. Working in partnership with Van Eaton Galleries, we have assembled some of the most impor- tant animation artwork ever created by Walt Disney, Walter Lantz, Hanna-Barbera, Warner Bros., Charles Schulz, and many others. You will undoubtedly find your favorite characters among this collection. Here are a few of the highlights: • Original production cels and matching background from Famous Studios’ Boo Moon. -
El Dibujo Animado Americano Un Arte Del Siglo Xx Colección Luciano Berriatúa
EXPOSICIÓN EL DIBUJO ANIMADO AMERICANO UN ARTE DEL SIGLO XX COLECCIÓN LUCIANO BERRIATÚA ---------- 1929-1969 Sala Municipal de Exposiciones del Museo de Pasión C/ Pasión, s/n. Valladolid ---------- 1970-2000 Sala Municipal de Exposiciones de la iglesia de las Francesas C/ Santiago, s/n. Valladolid Del 17 de julio al 31 de agosto de 2014 ---------- EXPOSICIÓN: EL DIBUJO ANIMADO AMERICANO UN ARTE DEL SIGLO XX COLECCIÓN LUCIANO BERRIATÚA INAUGURACIÓN: 17 DE JULIO DE 2014 LUGAR: SALA MUNICIPAL DE EXPOSICIONES DEL MUSEO DE PASIÓN C/ PASIÓN, S/N VALLADOLID FECHAS: DEL 17 DE JULIO AL 31 DE AGOSTO DE 2014 HORARIO: DE MARTES A SÁBADOS, DE 12,00 A 14,00 HORAS Y DE 18,30 A 21,30 HORAS. DOMINGOS, DE 12,00 A 14,00 HORAS. LUNES Y FESTIVOS, CERRADO INFORMACIÓN: MUSEOS Y EXPOSICIONES FUNDACIÓN MUNICIPAL DE CULTURA AYUNTAMIENTO DE VALLADOLID TFNO.- 983-426246 FAX.- 983-426254 WWW.FMCVA.ORG CORREO ELECTRÓNICO: [email protected] EXPOSICIÓN COMISARIO EXPOSICIÓN LUCIANO BERRIATÚA COORDINACIÓN DE LA EXPOSICIÓN EN LA SALA MUNICIPAL DE EXPOSICIONES DEL MUSEO DE PASIÓN JUAN GONZÁLEZ-POSADA M. MONTAJE FELTRERO PROGRAMAS EDUCATIVOS Y VISITAS GUIADAS EVENTO La exposición “EL DIBUJO ANIMADO AMERICANO. UN ARTE DEL SIGLO XX” muestra una gran colección de dibujos originales de los artistas que han diseñado y animado las más importantes producciones de dibujos animados realizadas en EEUU durante el pasado siglo. Se presentan obras de artistas de todos los grandes estudios desde Walt Disney, Fleischer y Paramount, Hanna-Barbera y MGM, Warner, Columbia y Upa, Walter Lantz y Universal, o independientes como Bill Plympton, UbIwerks, Tex Avery, Chuck Jones o Ralph Bakshi. -
Diplomarbeit
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit „Gewalt und Tod im klassischen Hollywood-Cartoon und sein Einfluss auf gegenwärtige Film- und TV- Produktionen“ Verfasser Alexander Feucht angestrebter akademischer Grad Magister der Philosophie (Mag.phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuer: ao.Univ.-Prof. Dr. Rainer Maria Köppl Inhalt 1. Einleitung…………………………………………………………………......... 2 2. Geschichte……………………………………………………………………… 4 2.1. Walt Disney…………………………………………………………….. 5 2.2. Warner Brothers……………………………………………………….. 8 2.3. Metro-Goldwyn-Mayer………………………………………………… 11 2.4. Universal……………………………………………………………….. 14 2.5. Paramount/Fleischer/Famous……………………………………….. 16 2.6. Weitere Studios (Ub Iwerks, Terrytoons, Screen Gems, UPA)….. 21 3. Gewalt im Kino………………………………………………………………… 28 3.1. Kriminalfilm……………………………………………………………. 28 3.2. Horrorfilm……………………………………………………………… 29 3.3. New Hollywood/Actionfilm…………………………………………… 33 4. Tod und Gewalt im Zeichentrickkurzfilm…………………………………… 37 4.1. Theoretische Grundlagen…………………………………………… 37 4.2. Gewalt und Fantasie als Mittel der Unterhaltung………………… 44 4.3. Analyse von Filmbeispielen………………………………………… 53 4.3.1. Disney………………………………………………………… 54 4.3.2. Warner Bros…………...…………………………………….. 57 4.3.3. MGM……………………………………………………......... 62 4.4. Der Einfluss klassischer Hollywood-Cartoons auf gegenwärtige Film- und TV-Produktionen ………………………………………… 64 4.4.1. -
Kidult Culture, Identity and Nostalgia: the Case of the Regular Show
COPYRIGHT AND CITATION CONSIDERATIONS FOR THIS THESIS/ DISSERTATION o Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. o NonCommercial — You may not use the material for commercial purposes. o ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original. How to cite this thesis Surname, Initial(s). (2012) Title of the thesis or dissertation. PhD. (Chemistry)/ M.Sc. (Physics)/ M.A. (Philosophy)/M.Com. (Finance) etc. [Unpublished]: University of Johannesburg. Retrieved from: https://ujcontent.uj.ac.za/vital/access/manager/Index?site_name=Research%20Output (Accessed: Date). Kidult Culture, Identity and Nostalgia: The Case of The Regular Show By Litlhare Moteetee Submitted in fulfillment of the requirements for the degree MA Fundamental Communication in the Department of Communication Studies in the Faculty of Humanities at the University of Johannesburg Supervisor: Prof. Nyasha Mboti August 2016 1 Declaration Regarding Plagiarism School of Communication, University of Johannesburg I understand what plagiarism entails and am aware of University’s policy is this regard I declare that this final research script is my own original work. Where someone else’s work was used, due acknowledgement was given and reference made according to the School’s requirements I did not submit someone else’s work as my own I did not allow and will not allow anyone to copy my work with the intention of presenting it as his/her own work. -
Scott Bradley's Music for MGM's Cartoons Helen Alexander
Alexander, Helen (2015) Happy harmonies and disturbing discords: Scott Bradley’s music for MGM’s cartoons. PhD thesis. https://theses.gla.ac.uk/6809/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Happy Harmonies and Disturbing Discords: Scott Bradley’s Music for MGM’s Cartoons Helen Alexander Bachelor of Music, University of Glasgow Master of Music, University of Glasgow Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy (Music) School of Culture and Creative Arts College of Arts University of Glasgow March 2015 © Helen Alexander 2015 3 Abstract The musical scores of composer Scott Bradley for the cartoons of the Metro- Goldwyn-Mayer studio form the basis of this dissertation, which uses close observation and analysis to address some of the pertinent technical and cultural issues that have been raised in the literature of musicology and of cartoon studies. Bradley’s collaborations with three sets of directors are discussed separately in order to highlight three academic concerns. An investigation into the various practical necessities and cultural influences on Bradley’s work with directors Hugh Harman and Rudolf Ising sets the historical scene at the beginning of the composer’s career.