2015-2016 Opera Season Recommended Listening and Reading List

Total Page:16

File Type:pdf, Size:1020Kb

2015-2016 Opera Season Recommended Listening and Reading List 2015-2016 Opera Season Recommended Listening and Reading List A collaboration of Pittsburgh Opera and the Carnegie Library of Pittsburgh Music Department, with special thanks to Rebekah Hill and Julie Hanify. Please note that there are other books, videos, DVDs, and CDs beyond this list available at the Carnegie Library and for purchase at your favorite store. Call numbers indicate holdings of the Music Department, Carnegie Library of Pittsburgh, unless otherwise indicated. (For more information about borrowing materials, call Music, Film, and Audio, 412-622-3105, or visit the website at http://www.carnegielibrary.org/locations/music/ ) The Music Department at the Carnegie Library of Pittsburgh offers an extensive collection of materials pertaining to opera, from composer biographies, studies of operas, and histories of opera, to opera libretti, opera scores, and performances on CD, VHS, and DVD. The items listed below constitute a small selection to whet your appetite as you look forward to the live performance. Enjoy! Nabucco by Giuseppe Verdi, 1813–1901 CD / DVD CD Nabucco , Deutsche Grammophon, 1983. Cappuccilli, Dimitrova, Nesterenko, Domingo, Terrani; Sinopoli, Chorus and Orchestra of Deutschen Oper Berlin COMPACT DISC Op Ver 39834 CD Nabucco , EMI, 1986 (1978). Manuguerra, Scotto, Ghiaurov, Luchetti, Obraztsova; Muti, Ambrosian Opera Chorus, Philharmonia Orchestra COMPACT DISC Op Ver 14519 Pittsburgh Opera Recommended Listening and Reading List 2015-2016 1 Nabucco by Giuseppe Verdi, 1813–1901 CD Nabucco , Decca, 2011 (1965). Gobbi, Souliotis, Cava, Prevedi, Caral; Gardelli, Concert Association of the Vienna State Opera Chorus, Vienna Opera Orchestra COMPACT DISC Op Ver 42553 DVD Nabucco , Deutsche Grammophon, 2005 (2001). Pons, Guleghina, Ramey, Jones, White; Levine, Metropolitan Opera Orchestra and Chorus (DVD) M1500. V48 N3 2005x DVD Nabucco , Kultur, 2003 (1987). Bruson, Dimitrova, Burchuladze, Beccaria, Pierotti; Muti, Chorus and Orchestra of La Scala (DVD) M1500. V48 N3 2003x DVD Nabucco , CMajor, 2012 (2009). Nucci, Theodossiou, Zanellato, Riberio, Chiuri; Mariotti, Orchestra and Chorus of the Teatro regio di Parma (DVD) M1500. V48 N3 2012x Libretto The Complete Verdi Libretti: In Four Volumes with International Phonetic Alphabet Transcriptions, Word for Word Translations, Including a Guide to the I.P.A. and Notes on the Italian Transcriptions , by Nico Castel; Libretto by Temistocle Solera qML49.V45 C372 1994 vol. 3 For further reading Verdi with a Vengeance: An Energetic Guide to the Life and Complete Works of the King of Opera by William Berger . New York: Vintage Books, 2000. Berger explores Verdi’s operas in chronological order and also provides biographical information on the composer and his view of the art of Italian opera from the baroque era to the present. His chapter about Nabucco includes commentary (interspersed throughout a synopsis of the opera) that describes musical motifs and elements of staging. The final section of Berger’s book gives the author’s recommendations of recordings, films, and other books about Verdi. ML410.V4 B29 2000 Verdi , 3rd edition by Julian Budden. Oxford; New York: Oxford University Press, 2008. In addition to his invaluable 3-volume set about Verdi’s operas, Budden’s biography of the composer is a wonderful resource. Budden offers a complete sketch of Verdi’s public and private life. The chapter, “From Oberto to Ernani,” discusses the musical details of Nabucco . Budden argues that the ensembles featuring main characters and the music of the chorus (including the famous “Va, pensiero”) are the elements that make this opera great. ML410.V4 B9 2008 Pittsburgh Opera Recommended Listening and Reading List 2015-2016 2 Nabucco by Giuseppe Verdi, 1813–1901 Verdi: A Biography by Mary Jane Phillips-Matz. Oxford, England; New York: University Press, Press, 1993. Written with the full collaboration of the Verdi family, this biography explores the rich life of Verdi the composer, Italian nationalist, and intensely passionate friend/husband/farmer. ML410.V4 P43 1993. Experiencing Verdi: A Listener's Companion by Donald C. Sanders. Lanham, Maryland: Scarecrow Press, Inc., 2014. Sanders writes his book with the opera lover and novice in mind. He provides a survey of 12 of Verdi’s operas, including Nabucco . His combination of biographical material, a synopsis of the opera, and simple music analysis is an easy format to read. Sanders also provides a glossary of music terms used in his musical analyses and a suggested listening list. A perfect book to read before you go to see the opera at the theater! ML410.V4 S34 2014 Così fan tutte by Wolfgang Amadeus Mozart, 1756-1791 CD & DVD Are these items checked out? Not to worry, the Main Library in Oakland owns 3 other CD versions and 4 additional visual presentations of the opera! CD Così fan tutte , Harmonia Mundi France, 1999 (1998). Gens, Fink, Oddone, Güra, Boone, Spagnoli; Jacobs, Kölner Kammerchor, Concerto Köln COMPACT DISC Op Moz 24216 CD Così fan tutte , London, 1996 (1994). Fleming, von Otter, Scarabelli, Lopardo, Bär, Pertusi; Solti, London Voices, Chamber Orchestra of Europe COMPACT DISC Op Moz 15101 DVD Così fan tutte , Decca, 2005 (1990). Larson, Felty, Kuzma, Kelley, Maddalena, Sylvan; Smith, Arnold-Schönberg-Chor, Wiener Symphoniker (DVD) M1500.M84 C5 2005x DVD Così fan tutte , Opus Arte, 2004 (1989). Dessì, Ziegler, Scarabelli, Kundlak, Corbelli, Desderi; Muti, Orchestra and Chorus of Teatro alla Scala (DVD) M1500.M84 C5 2004x Pittsburgh Opera Recommended Listening and Reading List 2015-2016 3 Così fan tutte by Wolfgang Amadeus Mozart, 1756-1791 Libretto Seven Mozart Librettos: A Verse Translation by J.D. McClatchy (Libretto of Così fan tutte by Lorenzo Da Ponte) New York: W. W. Norton & Co., 2011. ML49.M83 O64 2011 For further reading Understanding the Women of Mozart's Operas by Kristi Brown-Montesano. Berkeley: University of California Press, 2007. Brown-Montesano’s work digs into the female characters of Mozart’s operas, the true emotional centers of his stage works. The last two chapters of her book explore Fiordiligi, Dorabella, and Despina: three women intertwined by a seduction plot. Brown-Montesano explores the music, libretto text, literary sources, and historical factors in her attempt to reveal the journey of these characters. ML410.M9 B8195 2007 Mozart and His Operas by David Cairns. Berkeley: University of California Press, 2006. Cairns’ unique biography traces Mozart’s life and creative output through his operas. Cairns discusses how Mozart matures as an artist with each opera and writes about how his strength as a composer of great theater influences his instrumental works as well, particularly his piano concertos and string quartets. The chapter that highlights Così fan tutte discusses how Mozart and his librettist, Lorenzo Da Ponte, seem to be at odds with one another about the characters in the opera, especially the women. Though the work is a comedy, the opera leaves the audience with many loose ends, perhaps not even a truly happy ending. ML410.M9 C253 2006 Wolfgang Amadeus Mozart: A Biography by Piero Melograni. Chicago: University of Chicago Press, 2007. Written during the 250th anniversary year of Mozart’s death, Melograni’s biography is a wonderful addition to the many volumes written about the composer. Instead of in-depth musical analyses, Melograni weaves texts of Mozart’s letters throughout his narrative to create a thoroughly enjoyable account of the artist’s life. This biography is a great read for the music lover or novice. ML410.M9 M4313 2007 Mozart's Così fan tutte: A Compositional History by Ian Woodfield. Rochester, NY: Boydell Press, 2008. Woodfield uses the autograph score to reveal how Mozart composed this opera and how the work evolved and changed before its premiere. Woodfield suggests an interesting hypothesis: Mozart considered not crossing the lovers’ pairings but rather to have each man seduce his own fiancée. This could possibly explain the opera’s ending as we know it—the original couples are reunited even though the seductions show new possibilities. ML410.M9 W755 2008 Pittsburgh Opera Recommended Listening and Reading List 2015-2016 4 Little Women by Mark Adamo, 1962-Present CD / DVD CD Little Women , Ondine, 2001 (2000). Novacek, DiDonato, Tappan, Lloyd, Shelton, Yuan; Summers, Houston Grand Opera Orchestra COMPACT DISC Op Ada 17129 DVD Little Women , Naxos, 2010 (2000). Novacek, DiDonato, Tappan, Lloyd, Shelton, Yuan; Summers, Houston Grand Opera Orchestra (DVD) M1500.A58 L58 2010x Libretto The CD recording of Little Women in our collection contains the libretto (by Mark Adamo) in the program notes. For further reading Little Women by Louisa May Alcott. New York, N.Y.: Penguin Books, 2007. FICTION Alcott [shelved in the First Floor Fiction section of the Main Library] Re-read the classic Victorian novel of the March girls: Jo, Meg, Amy, and Beth. markadamo.com The official website of the composer includes a works list, biography, a press page (links to reviews and interviews with the composer in print and on camera), a page with links to his essays and other writings, and a page of his works currently in print (scores and recordings). Adamo’s writings include a complete course of Little Women that he created for Opera America’s distance learning program. hometheaterhifi.com/volume_8_3/feature-article-mark-adamo-interview-8-2001.html The online audio/video journal featured an interview with Adamo a few days prior to the commercial release of the Little Women recording. He talks about his work as a composer, his private life, and the creative process behind his first “hit” opera. 27 by Ricky Ian Gordon, 1956–Present CD / DVD CD 27 , Albany Records, 2015 (2014). Blythe, Futral, Lebow, Greenhalgh, Brevik; Christie, St. Louis Symphony COMPACT DISC Op Gor 45257 Pittsburgh Opera Recommended Listening and Reading List 2015-2016 5 27 by Ricky Ian Gordon, 1956–Present DVD Currently, no commercial DVD release is available. Libretto The recording of 27 in our collection contains the libretto (by Royce Vavrek) in the program notes.
Recommended publications
  • 04-05-2019 Traviata Eve.Indd
    GIUSEPPE VERDI la traviata conductor Opera in three acts Nicola Luisotti Libretto by Francesco Maria Piave, production Michael Mayer based on the play La Dame aux Camélias by Alexandre Dumas fils set designer Christine Jones Friday, April 5, 2019 costume designer 8:00–11:05 PM Susan Hilferty lighting designer New Production Kevin Adams choreographer Lorin Latarro The production of La Traviata was made possible by a generous gift from The Paiko Foundation Major additional funding for this production was received from Mercedes T. Bass, Mr. and Mrs. Paul M. Montrone, and Rolex general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON The 1,020th Metropolitan Opera performance of GIUSEPPE VERDI’S la traviata conductor Nicola Luisotti in order of vocal appearance violet ta valéry annina Anita Hartig Jane Bunnell flor a bervoix giuseppe Kirstin Chávez Marco Antonio Jordão the marquis d’obigny giorgio germont Jeongcheol Cha Artur Ruciński baron douphol a messenger Dwayne Croft* Ross Benoliel dr. grenvil Kevin Short germont’s daughter Selin Sahbazoglu gastone solo dancers Scott Scully Garen Scribner Martha Nichols alfredo germont Stephen Costello Friday, April 5, 2019, 8:00–11:05PM JONATHAN TICHLER JONATHAN / MET OPERA A scene from Chorus Master Donald Palumbo Verdi’s La Traviata Musical Preparation J. David Jackson, Joshua Greene, Vlad Iftinca*, and Zalman Kelber* Assistant Stage Directors Jonathon Loy, Sarah Ina Meyers, and Kathleen Smith Belcher Stage Band Conductor Gregory Buchalter Italian Coach
    [Show full text]
  • Libretto Nabucco.Indd
    Nabucco Musica di GIUSEPPE VERDI major partner main sponsor media partner Il Festival Verdi è realizzato anche grazie al sostegno e la collaborazione di Soci fondatori Consiglio di Amministrazione Presidente Sindaco di Parma Pietro Vignali Membri del Consiglio di Amministrazione Vincenzo Bernazzoli Paolo Cavalieri Alberto Chiesi Francesco Luisi Maurizio Marchetti Carlo Salvatori Sovrintendente Mauro Meli Direttore Musicale Yuri Temirkanov Segretario generale Gianfranco Carra Presidente del Collegio dei Revisori Giuseppe Ferrazza Revisori Nicola Bianchi Andrea Frattini Nabucco Dramma lirico in quattro parti su libretto di Temistocle Solera dal dramma Nabuchodonosor di Auguste Anicet-Bourgeois e Francis Cornu e dal ballo Nabucodonosor di Antonio Cortesi Musica di GIUSEPPE V ERDI Mesopotamia, Tavoletta con scrittura cuneiforme La trama dell’opera Parte prima - Gerusalemme All’interno del tempio di Gerusalemme, i Leviti e il popolo lamen- tano la triste sorte degli Ebrei, sconfitti dal re di Babilonia Nabucco, alle porte della città. Il gran pontefice Zaccaria rincuora la sua gente. In mano ebrea è tenuta come ostaggio la figlia di Nabucco, Fenena, la cui custodia Zaccaria affida a Ismaele, nipote del re di Gerusalemme. Questi, tuttavia, promette alla giovane di restituirle la libertà, perché un giorno a Babilonia egli stesso, prigioniero, era stato liberato da Fe- nena. I due innamorati stanno organizzando la fuga, quando giunge nel tempio Abigaille, supposta figlia di Nabucco, a comando di una schiera di Babilonesi. Anch’essa è innamorata di Ismaele e minaccia Fenena di riferire al padre che ella ha tentato di fuggire con uno stra- niero; infine si dichiara disposta a tacere a patto che Ismaele rinunci alla giovane.
    [Show full text]
  • NABUCCO Composed by Giuseppe Verdi Libretto by Temistocle Solera First Performed : Milan, Teatro Alla Scala, March 9, 1842. A
    NABUCCO Composed by Giuseppe Verdi Libretto by Temistocle Solera First Performed : Milan, Teatro alla Scala, March 9, 1842. Act I The Hebrews have been conquered by the armies of the king of Babylon, Nebuchadnezzar. The great priest Zachary attempts to restore their courage by revealing that he has succeeded in capturing the enemy king's daughter, Fenena. But Ismael, nephew to the king of Jerusalem, has fallen in love with the young girl. While he tries to deliver her, Abigail, the slave, and Nebuchadnezzar arrive. Zachary tries to kill Fenena, but Ismael prevents him. Hebrews curse him and accuse him of treason. Act II In Nebuchadnezzar's absence, Fenena reigns. Abigail plots to kill her and seize the throne. Meanwhile, the great priest Zachary converts Fenena to Judaism. Abigail is about to reach her goal when she hears false news that Nebuchadnezzar is dead. But the king returns unexpectedly and proclaims himself God in front of a shocked audience. Act III Abigail has finally succeeded to dethrone Nebuchadnezzar, and reigns as a fierce tyrant. She decides to sacrifice the captive Hebrews. Fenena, who has converted to the enemies' religion, will die as well. Lamenting their martyrdom, the Hebrews sing the hymn "Va pensiero." Act IV The king, to reconquer his kingdom, forms an alliance with the Assyrians and declares war to Babylon. He arrives in time to save his daughter. Abigail kills herself, but, before dying, she begs forgiveness from Fenena and bids Nebuchadnezzar to allow his daughter to marry Ismael. .
    [Show full text]
  • Finding Value in Standard Classical Vocal Repertoire As a Twenty-First-Century Teacher-Performer
    Belmont University Belmont Digital Repository Recital Papers School of Music Spring 5-11-2021 Performing with Purpose: Finding Value in Standard Classical Vocal Repertoire as a Twenty-first-century Teacher-performer Hallie Bisaga [email protected] Follow this and additional works at: https://repository.belmont.edu/music_recitals Part of the Music Performance Commons Recommended Citation Bisaga, Hallie, "Performing with Purpose: Finding Value in Standard Classical Vocal Repertoire as a Twenty-first-century Teacher-performer" (2021). Recital Papers. 14. https://repository.belmont.edu/music_recitals/14 This Scholarly Project is brought to you for free and open access by the School of Music at Belmont Digital Repository. It has been accepted for inclusion in Recital Papers by an authorized administrator of Belmont Digital Repository. For more information, please contact [email protected]. PERFORMING WITH PURPOSE: FINDING VALUE IN STANDARD CLASSICAL VOCAL REPERTOIRE AS A TWENTY-FIRST-CENTURY TEACHER-PERFORMER By HALLIE BISAGA A RECITAL PAPER PROPOSAL Submitted in partial fulfillment of the requirements for the degree of Master of Music in Vocal Performance in the School of Music of the College of Music and Performing Arts Belmont University NASHVILLE, TENNESSEE May 2021 4/27/21 Contents Acknowledgements Presentation of Material Introduction ..............................................................................................................1 Early Italian Vocal Music ........................................................................................5
    [Show full text]
  • Info Tickets
    Tickets SALES CALENDAR Macbeth, Messa da Requiem, Ernani, Fuoco di gioia, Concerto Valerij Gergiev (Parco Ducale) from 28 August 2020 online from 29 August 2020 Quartetto Prometeo, Gala Verdiano (Teatro Regio di Parma) from 10 September 2020 online from 11 September 2020 PROMOTIONS AND REDUCTIONS Subscribers to Festival Verdi 2019 can book tickets for Macbeth, Messa da Requiem and Ernani with a 10% reduction from July 1 to 17 at the Teatro Regio ticket office, by calling 0521 203999 or by sending an email to biglietteria@teatroregioparma. Reserved tickets (one for each season ticket) can be paid from August 26 to September 3, at the ticket office following requests order of arrival. Subscribers to the Festival Verdi 2019 are also reserved a 10% reduction for tickets for the symphonic concert directed by Valerij Gergiev, the concert of Quartetto Prometeo and the Gala verdiano, which will be put on sale from August 28, 2020. Subscribers to the Festival Verdi 2019 will be able to purchase a pre-emption subscription to the Festival Verdi 2021 in the terms that will be indicated subsequently. Subscribers to the Opera Season 2020 will be able to claim the right of first refusal to purchase tickets for all shows on August 26 and 27, 2020 24 TICKETS Macbeth, Messa da Requiem Ernani, Valerij Gergiev Full price S.T. holder*/Under 30 Stall - I sector € 110,00 € 99,00 Stall - II sector € 55,00 € 49,50 Gala Verdiano Full price S.T. holder*/Under 30 Stall € 75,00 € 67,50 Central Box € 70,00 € 63,00 Off-Centre Box € 65,00 € 58,50 Side Box € 60,00 € 54,00 Gallery € 35,00 € 31,50 Quartetto Prometeo Full price S.T.
    [Show full text]
  • Stephen Medcalf Stage Director
    Stephen Medcalf Stage Director Stephen Medcalf’s current and future engagements include UN BALLO IN MASCHERA and DIE WALKÜRE Grange Park Opera, LEONORE and IDOMENEO Buxton Festival, HERCULANUM Wexford Festival Opera, MANON LESCAUT Palau de les Arts Reina Sofía in Valencia and Asociación Bilbaina de amigos de la Ópera in Bilbao, FALSTAFF Accademia della Scala on tour to Royal Opera House Muscat in Oman and AIDA and ARIODANTE Landestheater Niederbayern. Recent new productions include NORMA Teatro Lirico Cagliari, AIDA The Royal Albert Hall, A VILLAGE ROMEO AND JULIET and Foroni’s CRISTINA REGINA DI SVEZIA Wexford Festival, FALSTAFF Teatro Farnese, Parma, ALBERT HERRING, ARIADNE AUF NAXOS and DEATH IN VENICE Salzburger Landestheater, LA FINTA GIARDINIERA Landestheater Niederbayern, EUGENE ONEGIN, LA BOHEME FANCIULLA DEL WEST and CAPRICCIO Grange Park Opera, Bellini’s IL PIRATA and Menotti’s THE SAINT OF BLEECKER STREET Opéra Municipal Marseille, LUCREZIA BORGIA, LUISA MILLER, MARIA DI ROHAN, Gluck’s ORFEO ED EURYDICE and Mascagni’s IRIS Buxton Festival, CARMEN and AIDA Teatro Lirico di Cagliari, CARMEN Teatro Nacional de São Carlos, Cesti’s LE DISGRAZIE D’AMORE Teatro di Pisa and a revival of his DIE ZAUBERFLÖTE Palau de les Arts Reina Sofía in Valencia. Career highlights include PIKOVAYA DAMA Teatro alla Scala, LE NOZZE DI FIGARO Glyndebourne Opera House (televised and released on video/DVD), MANON LESCAUT and DIE ZAUBERFLÖTE (released on DVD) Teatro Regio di Parma, and DIE ENTFUHRUNG AUS DEM SERAIL for Teatro delle Muse, Ancona, which was subsequently seen at the Teatro Massimo, Palermo, Teatro Lirico di Cagliari and the Theatre Festival of Thessaloniki.
    [Show full text]
  • 10-06-2018 Aida Mat.Indd
    Synopsis Act I Egypt, during the reign of the pharaohs. At the royal palace in Memphis, the high priest Ramfis tells the warrior Radamès that Ethiopia is preparing another attack against Egypt. Radamès hopes to command the Egyptian army. He is in love with Aida, the Ethiopian slave of Princess Amneris, the king’s daughter, and he believes that victory in the war would enable him to free and marry her. But Amneris also loves Radamès and is jealous of Aida, whom she suspects of being her rival for Radamès’s affection. A messenger brings news that the Ethiopians are advancing. The king names Radamès to lead the army, and all prepare for war. Left alone, Aida is torn between her love for Radamès and loyalty to her native country, where her father, Amonasro, is king. In the temple of Vulcan, the priests consecrate Radamès to the service of the god Ptah. Ramfis orders Radamès to protect the homeland. Act II Ethiopia has been defeated, and in her chambers, Amneris waits for the triumphant return of Radamès. Alone with Aida, she pretends that Radamès has fallen in battle, then says that he is still alive. Aida’s reactions leave no doubt that she loves Radamès. Amneris is certain that she will defeat her rival. At the city gates, the king and Amneris observe the victory celebrations and praise Radamès’s triumph. Soldiers lead in the captured Ethiopians, among them Amonasro, who signals his daughter not to reveal his identity as king. Amonasro’s eloquent plea for mercy impresses Radamès, and the warrior asks that the order for the prisoners to be executed be overruled and that they be freed instead.
    [Show full text]
  • Informazioni Di Biglietteria
    INFORMAZIONI BIGLIETTERIA BIGLIETTERIA DEL TEATRO REGIO DI PARMA Biglietteria del Teatro Regio di Parma Strada Garibaldi, 16/A - 43121 Parma Tel. 0521 203999 - Fax 0521 504224 [email protected] www.teatroregioparma.it Orario di apertura dal martedì al sabato ore 10.30 - 13.30, 17.00 - 19.00 e un’ora e mezza precedente lo spettacolo. Chiuso la domenica, il lunedì e i giorni festivi. In caso di spettacolo nei giorni di chiusura: domenica un’ora e mezza precedente lo spettacolo lunedì ore 17.00 - 20.30 Il pagamento presso la biglietteria del Teatro Regio di Parma può essere effettuato con denaro contante in euro, con assegno circolare non trasferibile intestato a Fondazione Teatro Regio di Parma, con PagoBancomat, concarte di credito Visa, Cartasì, Diners, Mastercard, American Express. CONVENZIONE TEATRO REGIO DI PARMA E TEATRO CARLO FELICE DI GENOVA La Fondazione Teatro Regio di Parma e la Fondazione Teatro Carlo Felice di Genova hanno siglato una convenzione, con validità dal 1 gennaio al 31 dicembre 2016, che offre agli abbonati di ciascun teatro la possibilità di acquistare biglietti per gli spettacoli dell’altro teatro con una riduzione del 20% sul prezzo intero. L’agevolazione sarà applicata in occasione di tutti gli spettacoli dei due teatri per gli appuntamenti delle stagioni liriche, concertistiche, sinfoniche, di danza e balletto e del Festival Verdi 2016. Agli spettatori interessati sarà suffi ciente mostrare alla biglietteria del teatro, all’atto dell’acquisto del biglietto, almeno una tessera di abbonamento sottoscritta all’altro teatro. Ciascun abbonamento dà diritto a una singola riduzione per spettacolo. AGEVOLAZIONE PARCHEGGIO TOSCHI Gli spettatori della Stagione 2016 del Teatro Regio di Parma potranno benefi ciare di un biglietto per il parcheggio a prezzo ridotto per la sosta dell’autoveicolo presso il Parcheggio Toschi in occasione delle recite d’opera, dei concerti, degli spettacoli teatrali e di danza in programma al Teatro Regio.
    [Show full text]
  • In PDF Format
    30% Exhibit Discount Valid Until January 15, 2021 University of Chicago Press Books are for display only. Order on-site and receive FREE SHIPPING. EX56733 / EX56734 Ship To: Name Address Shipping address on your business card? City, State, Zip Code STAPLE IT HERE Country Email or Telephone (required) Return this form to our on-site representative. OR Mail/fax orders with payment to: Buy online: # of Books: _______ Chicago Distribution Center Visit us at www.press.uchicago.edu. Order Department To order books from this meeting online, 11030 S. Langley Ave go to www.press.uchicago.edu/directmail Subtotal Chicago, IL 60628 and use keycode EX56734 to apply the USA 30% exhibit Fax: 773.702.9756 *Sales Tax Customer Service: 1.800.621.2736 **Shipping and Ebook discount: Most of the books published by the University of Chicago Press are also Handling available in e-book form. Chicago e-books can be bought and downloaded from our website at press.uchicago.edu. To get a 20% discount on e-books published by the University of Chicago Press, use promotional code UCPXEB during checkout. (UCPXEB TOTAL: only applies to full-priced e-books (All prices subject to change) For more information about our journals and to order online, visit *Shipments to: www.journals.uchicago.edu. Illinois add 10.25% Indiana add 7% Massachusets add 6.25% California add applicable local sales tax Washington add applicable local sales tax American Musicological Society New York add applicable local sales tax Canada add 5% GST (UC Press remits GST to Revenue Canada. Your books will Minneapolis, MN / November 07 - 15, 2020 be shipped from inside Canada and you will not be assessed Canada Post's border handling fee.) Payment Method: Check Credit Card ** If shipping: $6.50 first book Visa MasterCard American Express Discover within U.S.A.
    [Show full text]
  • Il "Vivavoce Tour" Di Francesco De Gregori Si Arricchisce Di Nuove
    GIOVEDì 5 FEBBRAIO 2015 Dal 20 marzo Francesco De Gregori sarà in tour nei palasport e nei teatri di tutta Italia con "Vivavoce Tour", spettacolo con cui l'artista presenterà live "Vivavoce", accompagnato dalla sua band formata da Guido Il "Vivavoce Tour" di Francesco De Guglielminetti (basso e contrabbasso), Paolo Giovenchi (chitarre), Lucio Gregori si arricchisce di nuove Bardi (chitarre), Alessandro Valle (pedal steel guitar e mandolino), date ad Avellino, Ferrara, Bassano Alessandro Arianti (hammond e piano), Stefano Parenti (batteria), Elena del Grappa e Bolzano Cirillo (violino e cori), Giorgio Tebaldi (trombone), Giancarlo Romani (tromba) e Stefano Ribeca (sax). Parte il 20 marzo dal PalaLottomatica di Roma Queste le date ad oggi confermate del "Vivavoce Tour": 20 marzo: ROMA - PalaLottomatica LA REDAZIONE 23 marzo: MILANO-ASSAGO - Mediolanum Forum 25 marzo: FIRENZE - Nelson Mandela Forum [email protected] 27 marzo: PORDENONE - Pala Forum SPETTACOLINEWS.IT 28 marzo: BOLOGNA - Unipol Arena 3 aprile: NAPOLI - Pala Partenope 19 aprile: CESENA - Nuovo Teatro Carisport 20 aprile: ANCONA - Teatro Delle Muse 23 aprile: AVELLINO - Teatro Carlo Gesualdo - NUOVA DATA 24 aprile: BARI - Teatro Team 27 aprile: PALERMO - Teatro Politeama 28 aprile: CATANIA - Teatro Metropolitan 30 aprile: CATANZARO - Pala Gallo 6 maggio: CREMONA - Teatro Ponchielli 9 maggio: MANTOVA - Gran Teatro Palabam Pag. 1 / 2 12 maggio: FERRARA - Teatro Comunale - NUOVA DATA 13 maggio: BRESCIA - Pala Banco 14 maggio: BERGAMO - Teatro Creberg 16 maggio: PARMA - Teatro Regio 19 maggio: REGGIO EMILIA - Teatro Romolo Valli 20 maggio: TORINO - Teatro Colosseo 23 maggio: SANREMO (Imola) - Teatro Ariston 25 maggio: GENOVA - Teatro Carlo Felice 26 maggio: VARESE - Teatro di Varese 28 maggio: BASSANO DEL GRAPPA (Vicenza) - Palasport - NUOVA DATA 29 maggio: BOLZANO - Palasport Bolzano (via Resia) - NUOVA DATA Pag.
    [Show full text]
  • MINISTERO DELL'economia E DELLE FINANZE N.3 Di T. Bucco·
    MINISTERO DELL'ECONOMIA E DELLE FINANZE COMMISSIONE TECNICA PER LA SPESA PUBBLICA Ricerca L'INTERVENTO PUBBLICO A FAVORE DELLO SPETTACOLO IN ITALIA (rapporto intermedio) di T. Bucco· n.3 marzo 2002 CR.5/02 l L 'intervento pubblico a favore dello spettacolo dal vivo in Italia (anni 1995-2000) l. Metodologia di ricerca 2. La situazione attuale: una visione di insieme 2.1 L 'intervento pubblico nel settore: soluzioni adottate a confronto con gli obiettivi prefissati 2.2 Caratteristiche ed andamento della domanda e del!'offerta di spettacolo 2.2.1 L' evidenza relativa alle circoscrizioni territoriali 2.2.2 I livelli di partecipazione 3. Analisi della dinamica degli stanziamenti. Innovazioni normative e procedurali 3.1 La spesa statale: le risorse impegnate:il Fondo unico per lo Spettacolo (FUS) 3.2 I settori: meccanismi e criteri di riparto delle risorse statali 3 .2.1 Musica. Enti lirici. Altre attivita' musicali. 3.2.3 Prosa 3.2.4Danza 3.3 La spesa regionale 3.4 La spesa degli enti locali 4. Le tensioni di riforma 4.1 La trasformazione degli enti lirici in fondazioni e il problema del fund raising: verso nuove modalita' di interazione tra pubblico e privato 4.1.1 La ratio della riforma 4.1.2 I contenuti della normativa: un 'analisi critica 4.2 I disegni di legge per il teatro e la musica : linee innovative emergenti in tema di decentramento delle competenze 5. Confronto internazionale dei volumi di spesa e delle strutture organizzative 5.l Struttura e obiettivi dell'intervento pubblico nel settore nei diversi paesi 5.2 L 'esperienza del Regno Unito 5.3 La lirica italiana sulla scena europea: indicatori di gestione finanziaria e produttiva 6.
    [Show full text]
  • Attila Dramma Lirico in Un Prologo E Tre Atti
    FONDAZIONE TEATRO LA FENICE DI VENEZIA Paolo Costa presidente Cesare De Michelis Pierdomenico Gallo Achille Rosario Grasso Mario Rigo Luigino Rossi Valter Varotto Giampaolo Vianello consiglieri sovrintendente Giampaolo Vianello direttore artistico Sergio Segalini direttore musicale Marcello Viotti Angelo Di Mico presidente Adriano Olivetti Paolo Vigo Maurizia Zuanich Fischer SOCIETÀ DI REVISIONE PricewaterhouseCoopers S.p.A. FONDAZIONE TEATRO LA FENICE DI VENEZIA Attila dramma lirico in un prologo e tre atti libretto di Temistocle Solera musica di Giuseppe Verdi PalaFenice venerdì 26 marzo 2004 ore 19.00 turno A domenica 28 marzo 2004 ore 15.30 turni B-H martedì 30 marzo 2004 ore 19.00 turno D giovedì 1 aprile 2004 ore 19.00 turni E-I sabato 3 aprile 2004 ore 15.30 turno C La Fenice prima dell’Opera 2004 3 Ritratto fotografico di Verdi con dedica autografa alla Direzione del Teatro. Venezia, Archivio Sto- rico del Teatro La Fenice. La Fenice prima dell’Opera 2004 3 Sommario 5 La locandina 7 «Qual risorta fenice novella» … di Michele Girardi 9 Attila, libretto e guida all’opera a cura di Marco Marica 57 Attila in breve a cura di Gianni Ruffin 59 Argomento – Argument – Synopsis – Handlung 69 Marco Marica Verdi, Mozart e l’opera del Settecento 83 Emanuele Senici «Prima donna Sig.na Sofia Loewe, primo tenore Guasco»: cantanti, caratterizzazione e scelte compositive nell’Attila 99 Guido Paduano Il gioco delle parti nella drammaturgia di Attila 101 Lorenzo Bianconi Risposta a Giuliano Procacci 117 Stefano Castelvecchi Verdi per la storia d’Italia 123 John Rosselli Risposta a Giuliano Procacci 129 Walter Le Moli Attila: un’esperienza di lavoro registico 139 Marco Marica Bibliografia 151 Online: L’Unno nazionale a cura di Roberto Campanella 161 Giuseppe Verdi a cura di Mirko Schipilliti Locandina della prima rappresentazione di Attila.
    [Show full text]