LUXURY HOMES Volume 4 | Issue 1

Total Page:16

File Type:pdf, Size:1020Kb

LUXURY HOMES Volume 4 | Issue 1 ALFRED PARAMICO ASIAN COLLECTIBLES ISLAND INVESTING LUXURIOUS ROMANTIC COLLECTING TIME PASSION INVESTING IN THE BAHAMAS GETAWAYS FOR TWO PRIVATE AIR LUXURY HOMES Volume 4 | Issue 1 BEVERLY HILLS REAL ESTATE MARKET ON FIRE! Promontory Palace Sells for $70 million. www.private-air-mag.com 1 ARTS & COLLECTIBLES AMAZING ARCHITECTURE, AMAZING ART THE GUGGENHEIM MUSEUM BILBAO By: Pamela Hughes Pamela Hughes is president and owner of Hughes Design Associates, one of the premier interior design firms in the US, with offices in Florida and Washington, DC/VA. Pamela and her firm work throughout North America and the Caribbean creating luxury residences of incomparable style and beauty. THE ARCHITECTURE curved shapes, seemingly without rhythm, THE ART Photos of this building show a spectacular create spectacular forms and undulating The Guggenheim Museum Bilbao is part of and unique grouping of forms, which movement. Somehow, this eclectic mixture the Guggenheim institutions, which includes somehow create the unexpected and visually of shape and form, without a noticeable the Solomon R. Guggenheim Museum moving symphony of an architectural pattern, and certainly without evident in New York and the Peggy Guggenheim masterpiece. symmetry, creates a serene, yet audacious Collection in Venice. architectural wonder. However, it is only when one is physically Each collection consists of diverse present, viewing the exterior from all angles The Guggenheim Museum Bilbao was built selections and perspectives of modern and and perspectives, and then walking into the between October 1993 and October 1997, contemporary works. interior space, does one fully realize the and was part of a massive re-invention of incredible beauty and sculptural elegance of the old port city of Bilbao. The museum What is so unique about the collection in this piece of modern architecture. was designed to be the highlight of this re- Bilbao, however, are the numerous displays invention, and is perfectly integrated into the of spectacular and oversized contemporary It was on my annual visit to Western surrounding urban areas. Plazas, pedestrian art pieces on its terraces and plazas. Europe that I had the privilege of seeing the walkways, open squares and expansive Guggenheim Bilbao first hand. terraces all give generous pedestrian access to Jeff Koons, one of America’s foremost, most the building as well as to its exterior spaces. prolific and sometimes outrageous artists, It is breathtaking. commands one of the exterior public terraces Walking into the interior of the building, with Puppy. Throughout my life, I have been a student one is greeted with light and transparency of architecture and have followed the design to the exterior, due to the great mass and Puppy was completed in 1992 and is made and construction of the great buildings of curved shapes of glass walls, which were from a stainless steel frame embedded our time. My assumption was that the Frank constructed and installed in a complex metal with soil and flowering plants. The piece O. Gehry design would be another one of structure. The glass also protects the interior is imposing in scale and is literally always the 20th Century’s most noted avant-garde from heat and radiation. growing due to the thousands of potted buildings. plants used as its skin. Looking up in the 55 meters high atrium, one I was so wrong. of the most noted and idiosyncratic features Puppy is an extremely well known piece of the building’s design, one feels as if they throughout the world. It appeals to almost It is a truly breathtaking and spectacular are in a sacred, modern version of a 15th everyone! Who doesn’t love dogs and accomplishment, having the presence of Century cathedral. This mix of seemingly flowers? It is sentimental on a very grand a huge sculpture in the beautiful, recently unrelated complex configurations of volumes scale. Koons designed this contemporary renovated city of Bilbao. The museum is and proportions, covered by a great skylight, sculpture to create optimism, to amuse, constructed using interconnected shapes of creates an almost spiritual atmosphere. It is and to instill joy. Puppy stands guard at octagonal blocks of limestone, contrasted truly a breathtaking experience, and one that the museum, and continually has dog with curved and bent forms covered in surprised me greatly. I will forever be in awe lovers, flower lovers, and art lovers as its titanium. It is truly astonishing how the of this magnificent building. companions. 66 Private Air Luxury Homes www.private-air-mag.com 67 ARTS & COLLECTIBLES Another colorful and amusing sculpture Rosenquist, Clyfford Still, Cy Twombly, entirely unique experience of space and time. by Jeff Koons, Tulips, was created between and Andy Warhol. Also included are major 1995 and 2004. These fantastically colored acquisitions by Robert Rauschenberg and The Museum also offers permanent shapes, made from high chromium stainless Mark Rothko. collections of film and video art, and presents steel with transparent color coating, also numerous educational and experimental are immense in scale. Tulips, just like There is a great deal of incredible art to pieces. Puppy, makes you smile. These are tulips appreciate in this permanent collection. on a massive scale with simple shapes One of the major sculptural works in the The Guggenheim Bilbao also has special and highly fluorescent colors. Koons has collection is The Matter of Time, by Richard exhibitions. Currently on view is Yoko Ono: amused us once more, treating us to seeing Serra. The sculpture fills an entire room, Half a Wind, A Retrospective, a look at the a commonplace object in a new, whimsical and is a piece of art that the viewer literally works of this pioneering performance artist. way. By manipulating scale and color, Koons walks through, sometimes getting lost. It On the other hand, there is a wonderful brings us a jaunty, buoyant, and colorful is comprised of eight different sculptures, retrospective of the painter Georges Braque, sculpture, which looks completely at home constructed from weathering steel, set in a known as one of the founding fathers of on the terrace at the Guggenheim Bilbao. series of spheres, sections of spheres, double Cubism. ellipses, and spirals. As to the permanent collection, one finds Following my visit the previous summer works from the most stellar artists of the Walking through the sculpture is akin to to the Peggy Guggenheim Collection in 20th Century, concentrating on post-war walking through a maze, however with Venice (which I wrote about previously in painting and sculpture in America and larger shapes set in a pattern to create an this publication), a visit to the Guggenheim Europe. unforgettable, almost dizzying feeling of Bilbao was one of this year’s highlights on space in motion. my ever expanding quest for learning about Some of the artists represented in the and experiencing art. It is a truly unique, collection are Willem de Kooning, Robert It is truly a walk-able, large scale sculpture spectacular, and magnificent building and Motherwell, Gerhard Richter, James which gives the viewer (and walker) an collection. 68 Private Air Luxury Homes.
Recommended publications
  • Press Release Frank Gehry First Major European
    1st August 2014 PRESS RELEASE communications and partnerships department 75191 Paris cedex 04 FRANK GEHRY director Benoît Parayre telephone FIRST MAJOR EUROPEAN 00 33 (0)1 44 78 12 87 e-mail [email protected] RETROSPECTIVE press officer 8 OCTOBER 2014 - 26 JANUARY 2015 Anne-Marie Pereira telephone GALERIE SUD, LEVEL 1 00 33 (0)1 44 78 40 69 e-mail [email protected] www.centrepompidou.fr For the first time in Europe, the Centre Pompidou is to present a comprehensive retrospective of the work of Frank Gehry, one of the great figures of contemporary architecture. Known all over the world for his buildings, many of which have attained iconic status, Frank Gehry has revolutionised architecture’s aesthetics, its social and cultural role, and its relationship to the city. It was in Los Angeles, in the early 1960s, that Gehry opened his own office as an architect. There he engaged with the California art scene, becoming friends with artists such as Ed Ruscha, Richard Serra, Claes Oldenburg, Larry Bell, and Ron Davis. His encounter with the works of Robert Rauschenberg and Jasper Johns would open the way to a transformation of his practice as an architect, for which his own, now world-famous, house at Santa Monica would serve as a manifesto. Frank Gehry’s work has since then been based on the interrogation of architecture’s means of expression, a process that has brought with it new methods of design and a new approach to materials, with for example the use of such “poor” materials as cardboard, sheet steel and industrial wire mesh.
    [Show full text]
  • Blanton Museum to Exhibit 'Making Africa: a Continent Of
    FOR IMMEDIATE RELEASE MEDIA CONTACTS: Carlotta Stankiewicz, 512.475.6784, [email protected] Penny Snyder, 512.471.0241, [email protected] BLANTON MUSEUM TO EXHIBIT MAKING AFRICA: A CONTINENT OF CONTEMPORARY DESIGN Exhibition featuring the work of over 120 creatives sheds new light on contemporary African design AUSTIN, Texas—September 11, 2018— The Blanton Museum of Art at The University of Texas at Austin will present Making Africa: A Continent of Contemporary Design from October 14, 2018 to January 6, 2019 in the Sarah and Ernest Butler Gallery. Making Africa showcases the work of over 120 artists and designers from and within Africa working in an exhilarating range of media including sculpture, fashion, furniture, architecture, film, photography, maps, digital comics, graphic and web design, and more. The exhibition presents Africa as a hub of experimentation—and as a driving force in the development of design in the twenty-first century. Making Africa reconsiders and expands definitions of both design and Africa—a shift in perspective symbolized by Kenyan artist Cyrus Kabiru’s sculptural C-Stunner eyeglasses made of found materials (2012). The exhibition offers a vision of Africa in the twenty-first century as a place of unbounded optimism, rapid growth, and massive cultural transformation. This spirit echoes that of the mid- twentieth century, when a young generation of Africans, celebrating their liberation from colonization, self-assuredly asserted themselves on a global stage. The exhibition draws parallels to that era by juxtaposing select examples of mid-twentieth-century art and design with contemporary works. “The Blanton is thrilled to present this deeply insightful and relevant exhibition to Austin’s creative community,” said Blanton director Simone Wicha.
    [Show full text]
  • The Vision of a Guggenheim Museum in Bilbao
    HARVARD DESIGN SCHOOL THE VISION OF A GUGGENHEIM MUSEUM IN BILBAO In a March 31, 1999 article, the Washington Post? posed the following question: "Can a single building bring a whole city back to life? More precisely, can a single modern building designed for an abandoned shipyard by a laid-back California architect breath new economic and cultural life into a decaying industri- al city in the Spanish rust belt?" Still, the issues addressed by the article illustrate only a small part of the multifaceted Guggenheim Museum of Bilbao. A thorough study of how this building was conceived and made reveals equally significant aspects such as getting the best from the design architect, the master handling of the project by an inexperienced owner, the pivotal role of the executive architect-project man- ager, the dependence on local expertise for construction, the transformation of the architectural profession by information technology, the budgeting and scheduling of an unprecedented project without sufficient information. By studying these issues, the greater question can be asked: "Can the success of the Guggenheim museum be repeated?" 1 Museum Puts Bilbao Back on Spain’s Economic and Cultural Maps T.R. Reid; The Washington Post; Mar 31, 1999; pg. A.16 Graduate student Stefanos Skylakakis prepared this case under the supervision of Professor Spiro N. Pollalis as the basis for class discussion rather to illustrate effective or ineffective handling of an administrative situation, a design process or a design itself. Copyright © 2005 by the President and Fellows of Harvard College. To order copies or request permission to repro- duce materials call (617) 495-4496.
    [Show full text]
  • Guggenheim Presents Focused Exhibition on Seminal Work by Jackson Pollock, Opening October 3
    Guggenheim Presents Focused Exhibition on Seminal Work by Jackson Pollock, Opening October 3 Exhibition: Away from the Easel: Jackson Pollock’s Mural Venue: Solomon R. Guggenheim Museum, 1071 Fifth Avenue, New York Location: Thannhauser Gallery 4 Dates: October 3, 2020–September 19, 2021 (NEW YORK, NY – September 18, 2020)—As part of the public reopening of the Solomon R. Guggenheim Museum on October 3, the museum presents Away from the Easel: Jackson Pollock’s Mural, a focused exhibition dedicated to the first monumental painting by American artist Jackson Pollock (1912–1956). Commissioned by visionary collector and dealer Peggy Guggenheim for her Manhattan home in the summer of 1943, during a pivotal moment in the evolution of Pollock’s artistic style, Mural was completed by the end of that same year. The current presentation is the first time this work has been on view in New York in more than 20 years and marks the painting’s debut at the Guggenheim Museum. Along with Mural, the exhibition features three additional works by Pollock. Nearly 20 feet wide by 8 feet tall, Mural is Pollock’s largest painting. The work was a breakthrough for the artist and marked a transformational year. During his brief time working as a custodian and preparator at New York’s Museum of Non-Objective Painting (the first inception of the Guggenheim Museum) in 1943, Peggy Guggenheim gave him a contract with a monthly stipend that permitted him to paint full-time. Her early support of Pollock’s work arguably established his career. Following the commissioning of this painting, the artist had his first solo exhibition, held at Guggenheim’s museum- gallery, Art of This Century, later that year.
    [Show full text]
  • Major Survey of Contemporary African Design to Make U.S. Debut at High Museum of Art
    FOR IMMEDIATE RELEASE MAJOR SURVEY OF CONTEMPORARY AFRICAN DESIGN TO MAKE U.S. DEBUT AT HIGH MUSEUM OF ART Exhibition offers a fresh look at African design through sculpture, prints, fashion, furniture, film and photography by more than 120 artists from 22 countries ATLANTA, May 2, 2017 – The High Museum of Art will be the first venue in the United States to present “Making Africa: A Continent of Contemporary Design” (Oct. 15, 2017, through Jan. 7, 2018), a major touring exhibition organized by the Vitra Design Museum and Guggenheim Museum Bilbao. The exhibition offers a vision of Africa in the 21st century as a place of unbounded optimism, rapid growth and massive cultural transformation. Through a myriad of diverse works by more than 120 artists and designers from 22 countries, “Making Africa” presents the continent as a hub of experimentation generating innovative design approaches and solutions with worldwide relevance and as a driving force for reframing discussions on design possibilities and applications in the new millennium. The exhibition focuses on a generation of entrepreneurs, thinkers and designers from and within Africa who address a global audience and provide the world with a new vantage point on the continent. The exhibition also illustrates how the artists use their work to effect economic, social and political change within their countries and local communities. “The High has long been committed to collecting, conserving and celebrating African art, both historical and contemporary, and we’re honored to serve as the inaugural U.S. venue for this exhibition,” said Rand Suffolk, the High’s Nancy and Holcombe T.
    [Show full text]
  • Frank Gehry Biography
    G A G O S I A N Frank Gehry Biography Born in 1929 in Toronto, Canada. Lives and works in Los Angeles, CA. Education: 1954 B.A., University of Southern California, Los Angeles, CA. 1956 M.A., Harvard University, Cambridge, MA. Select Solo Exhibitions: 2021 Spinning Tales. Gagosian, Beverly Hills, CA. 2016 Fish Lamps. Gagosian Gallery, Rome, Italy. Building in Paris. Espace Louis Vuitton Venezia, Venice, Italy. 2015 Architect Frank Gehry: “I Have an Idea.” 21_21 Design Sight, Tokyo, Japan. 2015 Frank Gehry. LACMA, Los Angeles, CA. 2014 Frank Gehry. Centre Pompidou, Paris, France. Voyage of Creation. Louis Vuitton Foundation, Paris, France. Fish Lamps. Gagosian Gallery, Athens, Greece. Fish Lamps. Gagosian Gallery, Hong Kong, China. 2013 Fish Lamps. Gagosian Gallery, Davies Street, London, England. Frank Gehry At Work. Leslie Feely Fine Art. New York, NY. Fish Lamps. Gagosian Gallery, Paris Project Space, Paris, France. Frank Gehry at Gemini: New Sculpture & Prints, with a Survey of Past Projects. Gemini G.E.L. at Joni Moisant Weyl, New York, NY. Fish Lamps. Gagosian Gallery, Beverly Hills, CA. 2011 Frank Gehry: Outside The Box. Artistree, Hong Kong, China. 2010 Frank O. Gehry since 1997. Vitra Design Museum, Rhein, Germany. Frank Gehry: Eleven New Prints. Gemini G.E.L. at Joni Moisant Weyl, New York, NY. 2008 Frank Gehry: Process Models and Drawings. Leslie Feely Fine Art, New York, NY. 2006 Frank Gehry: Art + Architecture. Art Gallery of Ontario, Toronto, Canada. 2003 Frank Gehry, Architect: Designs for Museums. Weisman Art Museum, Minneapolis, MN. Traveled to Corcoran Art Gallery, Washington, D.C. 2001 Frank Gehry, Architect.
    [Show full text]
  • Open Alexander Grosek Thesis V Final.Pdf
    THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF FINANCE PSYCHIC VALUE AND URBAN REGENERATION: HOW AND WHY SIGNATURE ARCHITECTURE AFFECTS REGIONAL ECONOMIES ALEXANDER GROSEK SUMMER 2020 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in Finance with honors in Finance Reviewed and approved* by the following: Christoph Hinkelmann Clinical Associate Professor of Finance Thesis Supervisor Brian Davis Clinical Associate Professor of Finance Honors Adviser * Electronic approvals are on file. i ABSTRACT Focusing on buildings designed by winners of the Pritzker Prize for Architecture, I create a sample of 509 buildings-designed-by-signature-architects (BDSA) in the United States. This yields 170 metropolitan statistical areas (MSAs) that contain 509 BDSA. Drawing on U.S. Census data from 2010 – 2019, 13 economic data points are collected for each MSA in the sample, yielding 2,210 initial data points. The same 13 data points are collected for each of the 37 states where at least one BDSA currently resides, yielding an additional 481 unique data points Finally, the same 13 data points are collected for the U.S. economy as a whole. This data is sorted using basic weighted-average calculations to measure the relationship between the number of BDSA and the regional economic performance of the group of MSAs containing those BDSA, weighted by the number of BDSA in each city. The BDSA-weighted average of these economic statistics is then compared to the state and national averages for the same economic indicators. The results of this study show that the 170 regions under analysis have BDSA-weighted economic indicators that, when viewed together, demonstrate significantly more robust regional economic environments than the population-weighted average statistics for the 37 state economies in which they reside and the national average for the U.S.
    [Show full text]
  • Guggenheim Presents Knotted, Torn, Scattered: Sculpture After Abstract Expressionism
    Guggenheim Presents Knotted, Torn, Scattered: Sculpture after Abstract Expressionism Exhibition considers artistic explorations of scale, material, and process Exhibition: Knotted, Torn, Scattered: Sculpture after Abstract Expressionism Venue: Solomon R. Guggenheim Museum, 1071 Fifth Avenue, New York Location: Robert Mapplethorpe Gallery/Tower 4 Dates: October 3, 2020–September 19, 2021 (NEW YORK, NY – September 18, 2020)— As part of the October 3 public reopening, the Solomon R. Guggenheim Museum presents Knotted, Torn, Scattered: Sculpture after Abstract Expressionism, an exhibition that considers the diverse ways that artists in the 1960s and ’70s responded to the achievements of Abstract Expressionist painters to formulate unique approaches to sculptural practice. Knotted, Torn, Scattered features works from the Guggenheim collection by Lynda Benglis, Maren Hassinger, Robert Morris, Senga Nengudi, Richard Serra, and Tony Smith. These artists saw in postwar painting urgent questions about scale, material, and process. This exhibition is presented in conjunction with Away from the Easel: Jackson Pollock’s Mural, offering a rare opportunity to view Pollock’s breakthrough painting Mural (1943) in proximity to works that expand and challenge the meaning of the artist’s legacy. Knotted, Torn, Scattered: Sculpture after Abstract Expressionism is organized by Lauren Hinkson, Associate Curator, Collections. Generous funding for this exhibition is provided by the Edlis-Neeson Foundation, Sotheby’s, Helen Frankenthaler Foundation, and the Pollock-Krasner Foundation. In the years following World War II, Pollock and other Abstract Expressionist artists redefined American painting. After Pollock’s death in 1956, a new generation saw in his work the impetus to create not expressive canvases, but sculptures that explored fundamental experiences of space, materials, and bodily mechanics.
    [Show full text]
  • Palazzo Della
    254 RA 21 11 of certain architectural events within their development, business and personal plans. The three large groups of this segment, led by the Pinault family (Kering), Miuccia Prada and Bernard Arnault The definition of an urban (LVMH), have significant headquarters due to their position in the city and the historical values of that buildings1. El 40th of the Rue des and global icon. Sevres in Paris, from where Pinault runs his emporium, is a relevant example. It is a place very close to the Eiffel Tower, The Invalides and Public-private strategies the Luxembourg Gardens, in the District VII of Paris. The building, cataloged as a Historical Monument by the French administration, for the regeneration of the is the old Laennec Hospital, a very interesting piece built in the 17th century that is now used as a business headquarters. We can Museum “Palazzo della study the personal and cultural project of its founder: the Pinault Foundation with branches in Venice, Palazzo Grassi and Punta della Civiltà Italiana, Rome” Dogana2. In 2019, this institution will inaugurate its new venue, the Paris Stock Exchange, also monument which has been rehabilitated Fernando Moral-Andrés according to Tadao Ando’s project after having reached an agree- ment with the municipal government of Anne Hidalgo3. The role that historically played certain institutions as effective The Prada Epicenter of Tokyo, by Herzog and De creators of the cultural city presents a new variant with the Meuron, New York, by OMA and the headquarters of its founda- configuration of important international business conglomerates. tion, also according to the project of the Dutch Rem Koolhaas, are These groups, capable of articulating different socio-economic remarkable data of this architecture-Prada connection.
    [Show full text]
  • Permanent Richard Serra Installation to Open June 2005 at Guggenheim Museum Bilbao
    1 PERMANENT RICHARD SERRA INSTALLATION TO OPEN JUNE 2005 AT GUGGENHEIM MUSEUM BILBAO Largest Site-Specific Sculptural Commission in Modern History Permanent Collection of Modern and Contemporary Masters Reinstalled The Guggenheim Museum Bilbao announces that the permanent installation of seven new large-scale works by the American artist Richard Serra will open to the public on June 8, 2005. These new works join the artist’s existing work, Snake (1994–97), in a 430-foot-long gallery in the Frank Gehry-designed museum, creating a site-specific installation of a scale and ambition unparalleled in modern history. This installation has been sponsored by ArcelorMittal. In recognition of this funding, the gallery featuring the Serra installation has been renamed the ArcelorMittal Gallery. Richard Serra is one of the leading sculptors of the 20th century, renowned for his challenging and groundbreaking work, which focuses on the production process, the specific characteristics of his materials and the experience of time through space. “One of the Guggenheim Museum Bilbao’s main acquisition guidelines is to commission works by the world’s most important artists,” said Guggenheim Museum Bilbao Director General Juan Ignacio Vidarte. “This historic commission of work by Richard Serra makes the Museum a pilgrimage site for anyone interested in the present and future state of sculpture.” “Richard Serra’s commission is the culmination of a 35-year relationship between the artist and the Guggenheim,” said Thomas Krens, Solomon R. Guggenheim Foundation Director. “This gallery was envisioned to hold art of the 21st century and Serra, working on such a monumental scale, is the perfect artist to realize its full potential.” 2 Installation Details The Serra installation, titled The Matter of Time, builds on the language developed in his Torqued Ellipses, which were first exhibited in the mid nineties and were universally recognized as a significant breakthrough in the history of sculpture.
    [Show full text]
  • Marking Time: Process in Minimal Abstraction Opens on December 18
    Marking Time: Process in Minimal Abstraction Opens on December 18 Exhibition: Marking Time: Process in Minimal Abstraction Venue: Solomon R. Guggenheim Museum, 1071 Fifth Avenue, New York Location: Tower Level 7 Dates: December 18, 2019–July 20, 2020 (NEW YORK, NY, December 17, 2019)—From December 18, 2019, through July 20, 2020, the Solomon R. Guggenheim Museum presents Marking Time: Process in Minimal Abstraction. Featuring a selection of nearly a dozen paintings and works on paper from the Guggenheim collection by Agnes Martin, Roman Opałka, Park Seo-Bo, and others, this presentation explores how artists operating in a variety of contexts foregrounded process as they forged new approaches to abstraction. The exhibition is organized by David Max Horowitz, Assistant Curator, Solomon R. Guggenheim Museum. During the 1960s and 1970s, many artists working with abstraction rid their styles of compositional, chromatic, and virtuosic flourishes. As some turned toward such minimal approaches, a singular emphasis on their physical engagement with materials emerged. The resulting pieces—whether characterized by interlocking brushstrokes, a pencil moved through wet paint, or a pin repeatedly pushed through paper—invite viewers to imaginatively reenact aspects of the creative process. Doing so fosters an intimate understanding of these works, as it allows for interpretations based on an appreciation of the duration, intensity, and rhythm that each required. This focus on making process visible had become more prominent during the 1950s with the international rise of gestural abstraction, but it had never been accentuated so insistently nor made so accessible until artists began to explore its possibilities in the following decades.
    [Show full text]
  • Exhibition: Frank Gehry on View: September 13, 2015–March 20, 2016 Location: Resnick Pavilion
    Exhibition: Frank Gehry On View: September 13, 2015–March 20, 2016 Location: Resnick Pavilion (Image captions on page 7) (Los Angeles, June 9, 2015)—The Los Angeles County Museum of Art (LACMA) presents the United States premiere of Frank Gehry, a major retrospective examining the prolific body of work of one of the world’s most celebrated and innovative architects. Canadian-born, Los Angeles–based architect Frank O. Gehry has revolutionized architecture’s aesthetics, social and cultural roles, and its relationship to the city. His understanding of a city’s heterogeneous and fluid nature has distinguished him as a revolutionary urbanist. Gehry’s works—from his residence in Santa Monica (1977–78) to Walt Disney Concert Hall (1989–2003) in downtown Los Angeles and Fondation Louis Vuitton (2005–14) in Paris—question a building’s means of expression, a process that has originated new methods of design and technology as well as an innovative approach to architectural materials. Tracing the arc of Gehry's career from the early 1960s to the present, the exhibition focuses on two overarching themes: urbanism and the development of digital design and fabrication, specifically his use of CATIA Digital Project, a software tool that Gehry developed, which allows the digital manipulation of three-dimensional information. Organized by the Centre Pompidou, Musée National d’Art Moderne, Paris, Frank Gehry examines a total of over 60 projects through more than 200 drawings, many of which will be on view for the first time, as well as 66 models that illuminate the evolution of his architectural process. In addition, the LACMA presentation will include new models not previously seen in the Centre Pompidou's exhibition, representing buildings currently being designed or in the process of construction.
    [Show full text]