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Press Release Frank Gehry First Major European
1st August 2014 PRESS RELEASE communications and partnerships department 75191 Paris cedex 04 FRANK GEHRY director Benoît Parayre telephone FIRST MAJOR EUROPEAN 00 33 (0)1 44 78 12 87 e-mail [email protected] RETROSPECTIVE press officer 8 OCTOBER 2014 - 26 JANUARY 2015 Anne-Marie Pereira telephone GALERIE SUD, LEVEL 1 00 33 (0)1 44 78 40 69 e-mail [email protected] www.centrepompidou.fr For the first time in Europe, the Centre Pompidou is to present a comprehensive retrospective of the work of Frank Gehry, one of the great figures of contemporary architecture. Known all over the world for his buildings, many of which have attained iconic status, Frank Gehry has revolutionised architecture’s aesthetics, its social and cultural role, and its relationship to the city. It was in Los Angeles, in the early 1960s, that Gehry opened his own office as an architect. There he engaged with the California art scene, becoming friends with artists such as Ed Ruscha, Richard Serra, Claes Oldenburg, Larry Bell, and Ron Davis. His encounter with the works of Robert Rauschenberg and Jasper Johns would open the way to a transformation of his practice as an architect, for which his own, now world-famous, house at Santa Monica would serve as a manifesto. Frank Gehry’s work has since then been based on the interrogation of architecture’s means of expression, a process that has brought with it new methods of design and a new approach to materials, with for example the use of such “poor” materials as cardboard, sheet steel and industrial wire mesh. -
220,000 €400 Million 4,500
Building for Art’s Sake World-class museums no longer stake their reputations on art and artifacts alone; the museum building itself must be viewed as an architectural treasure. Along with surging visitor numbers and swelling collections, this trend is driving a spate of major museum projects in New York, New York, USA; London, England; and theEd ge Abu Dhabi, United Arab Emirates (UAE). Te projects expand, The Louvre Abu Dhabi, designed by French architect Jean Nouvel, is move or build new branches of some of the world’s leading muse- slated for a December 2015 opening. ums—and face challenges ranging from unusual building sites to allegations of labor abuses. Te €400 million Louvre Abu Dhabi designed by French architect Jean Nouvel, slated for a December 2015 opening, and the US$800 million Guggenheim Abu Dhabi designed by U.S. architect Frank Gehry, scheduled to open in 2017, are prime examples. Branches of the original Guggenheim and Louvre museums in New York and Paris, France, respectively, the proj- ects are central components of the UAE government’s planned “cultural district” on Saadiyat Island. Because the two museums will be surrounded by water on three sides, engineering hurdles are substantial. Te largest challenge facing Saadiyat’s three museum proj- ects—the Zayed National Museum is scheduled to open in 2016, with assistance from the British Museum in London—is putting to rest international concern about widespread abuses of migrant workers, including poor living conditions, unpaid wages and forced labor. “I therefore call on the UAE government, but also on all companies involved in the Saadiyat project—including [the] Louvre, British Museum and Guggenheim—to ensure that any form of mistreatment is addressed and that all migrants can fully enjoy their human rights,” Barbara Lochbihler, chair of the European Parliament’s subcom- mittee on human rights, said in December 2013. -
Schools Distributing Yalla This Map Is Not to Scale & Is
Guggenheim Abu Dhabi Saadiyat Zayed Island Port Louvre Abu Dhabi Al Zayed National Museum Mina Ramhan E12 Cranleigh Island Abu Dhabi Al Bahya Sheikh Khalifa Lulu Bridge Island Abu Dhabi - Dubai Road Dhow Yas Island Emirates Harbour Al Jubail Island Park Zoo Al E12 Corniche Repton School Zahiyah Abu Dhabi Al Maryah Island Yas Abu Dhabi Waterworld Mall Zeera Al Danah Island Ferrari World E10 Abu Dhabi Al Muna Primary School Al Reem Island Al Hosn Sheikh Zayed Bin Sultan St Umm Yifenah Madinat Island Yas Marina Zayed Circuit Mangrove Al Manhal Al National Park E22 Dhafrah Samaliyah Sheikh Rashid BinThe Saeed Pearl St (Airport Rd) Island Primary School Abu Dhabi Al Marina International Al Nahyan Airport Heritage Village Al Khalidiyah Sas Al Al Nakhl Al Musalla Al Etihad Zafranah Al Rayhan American Brighton Emirates Community 3. Al Mushrif School College Palace Khalifa School of Mushrif Central Park Al Bateen Park Al Yasmina Abu Dhabi Al Rehaan Secondary School British School Al Sheikh Zayed Bridge E10 School Al Rowdah American International Khalifa Al Khubeirah Al Khubairat Muntazah Masdar Al Khaleej Arabi St (30th) School of Abu Dhabi City City Khor Al E22 Royal Stables Zayed Maqta’a Al Ras Sports City Al Mushrif ADNEC Al Akhdar Al Ain Zoo Sheikh Zayed Al Maqta Bridge Cricket Stadium Umm Al Nar Al Bateen Al Maqta Coconut Al Bateen Zayed Island Boat Yard University Sheikh Zayed Grand Mosque Al Musaffah Bridge Zayed City Al Hudayriat Island The British International School Abu Dhabi E11 Musaffah Schools Distributing Yalla This map is not to scale & is intended as a representation of Abu Dhabi only. -
Blanton Museum to Exhibit 'Making Africa: a Continent Of
FOR IMMEDIATE RELEASE MEDIA CONTACTS: Carlotta Stankiewicz, 512.475.6784, [email protected] Penny Snyder, 512.471.0241, [email protected] BLANTON MUSEUM TO EXHIBIT MAKING AFRICA: A CONTINENT OF CONTEMPORARY DESIGN Exhibition featuring the work of over 120 creatives sheds new light on contemporary African design AUSTIN, Texas—September 11, 2018— The Blanton Museum of Art at The University of Texas at Austin will present Making Africa: A Continent of Contemporary Design from October 14, 2018 to January 6, 2019 in the Sarah and Ernest Butler Gallery. Making Africa showcases the work of over 120 artists and designers from and within Africa working in an exhilarating range of media including sculpture, fashion, furniture, architecture, film, photography, maps, digital comics, graphic and web design, and more. The exhibition presents Africa as a hub of experimentation—and as a driving force in the development of design in the twenty-first century. Making Africa reconsiders and expands definitions of both design and Africa—a shift in perspective symbolized by Kenyan artist Cyrus Kabiru’s sculptural C-Stunner eyeglasses made of found materials (2012). The exhibition offers a vision of Africa in the twenty-first century as a place of unbounded optimism, rapid growth, and massive cultural transformation. This spirit echoes that of the mid- twentieth century, when a young generation of Africans, celebrating their liberation from colonization, self-assuredly asserted themselves on a global stage. The exhibition draws parallels to that era by juxtaposing select examples of mid-twentieth-century art and design with contemporary works. “The Blanton is thrilled to present this deeply insightful and relevant exhibition to Austin’s creative community,” said Blanton director Simone Wicha. -
The Vision of a Guggenheim Museum in Bilbao
HARVARD DESIGN SCHOOL THE VISION OF A GUGGENHEIM MUSEUM IN BILBAO In a March 31, 1999 article, the Washington Post? posed the following question: "Can a single building bring a whole city back to life? More precisely, can a single modern building designed for an abandoned shipyard by a laid-back California architect breath new economic and cultural life into a decaying industri- al city in the Spanish rust belt?" Still, the issues addressed by the article illustrate only a small part of the multifaceted Guggenheim Museum of Bilbao. A thorough study of how this building was conceived and made reveals equally significant aspects such as getting the best from the design architect, the master handling of the project by an inexperienced owner, the pivotal role of the executive architect-project man- ager, the dependence on local expertise for construction, the transformation of the architectural profession by information technology, the budgeting and scheduling of an unprecedented project without sufficient information. By studying these issues, the greater question can be asked: "Can the success of the Guggenheim museum be repeated?" 1 Museum Puts Bilbao Back on Spain’s Economic and Cultural Maps T.R. Reid; The Washington Post; Mar 31, 1999; pg. A.16 Graduate student Stefanos Skylakakis prepared this case under the supervision of Professor Spiro N. Pollalis as the basis for class discussion rather to illustrate effective or ineffective handling of an administrative situation, a design process or a design itself. Copyright © 2005 by the President and Fellows of Harvard College. To order copies or request permission to repro- duce materials call (617) 495-4496. -
Guggenheim Presents Focused Exhibition on Seminal Work by Jackson Pollock, Opening October 3
Guggenheim Presents Focused Exhibition on Seminal Work by Jackson Pollock, Opening October 3 Exhibition: Away from the Easel: Jackson Pollock’s Mural Venue: Solomon R. Guggenheim Museum, 1071 Fifth Avenue, New York Location: Thannhauser Gallery 4 Dates: October 3, 2020–September 19, 2021 (NEW YORK, NY – September 18, 2020)—As part of the public reopening of the Solomon R. Guggenheim Museum on October 3, the museum presents Away from the Easel: Jackson Pollock’s Mural, a focused exhibition dedicated to the first monumental painting by American artist Jackson Pollock (1912–1956). Commissioned by visionary collector and dealer Peggy Guggenheim for her Manhattan home in the summer of 1943, during a pivotal moment in the evolution of Pollock’s artistic style, Mural was completed by the end of that same year. The current presentation is the first time this work has been on view in New York in more than 20 years and marks the painting’s debut at the Guggenheim Museum. Along with Mural, the exhibition features three additional works by Pollock. Nearly 20 feet wide by 8 feet tall, Mural is Pollock’s largest painting. The work was a breakthrough for the artist and marked a transformational year. During his brief time working as a custodian and preparator at New York’s Museum of Non-Objective Painting (the first inception of the Guggenheim Museum) in 1943, Peggy Guggenheim gave him a contract with a monthly stipend that permitted him to paint full-time. Her early support of Pollock’s work arguably established his career. Following the commissioning of this painting, the artist had his first solo exhibition, held at Guggenheim’s museum- gallery, Art of This Century, later that year. -
Louvre Abu Dhabi's Children's Museum to Reopen with New Interactive Art Experience
Received by NSD/FARA Registration Unit 06/16/2021 4:21:12 PM LOUVRE ABU DHABI Press Release Louvre Abu Dhabi's Children's Museum to Reopen with New Interactive Art Experience Opening on 18 June, 'Emotions!' invites children and families to explore their feelings through an immersive, multimedia art exhibition Abu Dhabi, 9 June 2021: Louvre Abu Dhabi's Children's Museum is set to reopen with a fascinating exhibition where children will be able to identify and explore emotions through artwork and immersive experiences. Launching on 18 June, the Emotions!: The New Art Adventure exhibition will feature 10 artworks and multiple interactive stations to familiarise children with identifying emotions - an essential milestone in a child's development. Running until 2023, Emotions! will combine entertainment and education across three floors of immersive experiences, gamification, and interactive play areas, encouraging children aged four to 10 to learn about different emotions and how to spot them. Children begin their art 'adventure' at the exhibition by creating a personal profile and getting a wristband to collect points through activities and challenges. Visitors are first introduced to artworks from varying periods and geographical locations through a series of observation games, discovering the hidden details and stories behind each work. Interactive games and activities will include various digital and touchless experiences, in addition to a workshop area with self-led tutorials - virtually presented by three young Emirati artists - on how to represent emotions through different art activities such as drawing, collage and 2D sculpture. Children will learn how emotions can also be expressed through body language via a touchless interactive game using movement recognition. -
Major Survey of Contemporary African Design to Make U.S. Debut at High Museum of Art
FOR IMMEDIATE RELEASE MAJOR SURVEY OF CONTEMPORARY AFRICAN DESIGN TO MAKE U.S. DEBUT AT HIGH MUSEUM OF ART Exhibition offers a fresh look at African design through sculpture, prints, fashion, furniture, film and photography by more than 120 artists from 22 countries ATLANTA, May 2, 2017 – The High Museum of Art will be the first venue in the United States to present “Making Africa: A Continent of Contemporary Design” (Oct. 15, 2017, through Jan. 7, 2018), a major touring exhibition organized by the Vitra Design Museum and Guggenheim Museum Bilbao. The exhibition offers a vision of Africa in the 21st century as a place of unbounded optimism, rapid growth and massive cultural transformation. Through a myriad of diverse works by more than 120 artists and designers from 22 countries, “Making Africa” presents the continent as a hub of experimentation generating innovative design approaches and solutions with worldwide relevance and as a driving force for reframing discussions on design possibilities and applications in the new millennium. The exhibition focuses on a generation of entrepreneurs, thinkers and designers from and within Africa who address a global audience and provide the world with a new vantage point on the continent. The exhibition also illustrates how the artists use their work to effect economic, social and political change within their countries and local communities. “The High has long been committed to collecting, conserving and celebrating African art, both historical and contemporary, and we’re honored to serve as the inaugural U.S. venue for this exhibition,” said Rand Suffolk, the High’s Nancy and Holcombe T. -
Planning Abu Dhabi: from Arish Village to a Global, Sustainable, Arab Capital City by Alamira Reem Bani Hashim a Dissertation S
Planning Abu Dhabi: From Arish Village to a Global, Sustainable, Arab Capital City By Alamira Reem Bani Hashim A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in City and Regional Planning in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Elizabeth S. Macdonald, Chair Professor Michael Southworth Professor Greig Crysler Summer 2015 © Alamira Reem Bani Hashim Abstract Planning Abu Dhabi: From Arish Village to a Global, Sustainable Arab Capital City by Alamira Reem Bani Hashim Doctor of Philosophy in City and Regional Planning University of California, Berkeley Professor Elizabeth S. Macdonald, Chair The overarching objective of this research project is to explore and document the urban history of Abu Dhabi, United Arab Emirates. It is organized as a comparative study of urban planning and design processes in Abu Dhabi during three major periods of the city’s development following the discovery of oil: (1) 1960-1966: Sheikh Shakhbut Bin Sultan Al Nahyan’s rule (2) 1966-2004: Sheikh Zayed Bin Sultan Al Nahyan’s rule; and (3) 2004-2013: Sheikh Khalifa Bin Zayed Al Nahyan’s rule. The intention of this study is to go beyond a typical historical narrative of sleepy village-turned-metropolis, to compare and contrast the different visions of each ruler and his approach to development; to investigate the role and influence of a complex network of actors, including planning institutions, architects, developers, construction companies and various government agencies; to examine the emergence and use of comprehensive development plans and the policies and values underlying them; as well as to understand the decision-making processes and design philosophies informing urban planning, in relation to the political and economic context of each period. -
The Avant-Garde Architecture of Three 21St Century Universal Art Museums
ABU DHABI, LENS, AND LOS ANGELES: THE AVANT-GARDE ARCHITECTURE OF THREE 21ST CENTURY UNIVERSAL ART MUSEUMS by Leslie Elaine Reid APPROVED BY SUPERVISORY COMMITTEE: ___________________________________________ Richard Brettell, Chair ___________________________________________ Nils Roemer ___________________________________________ Maximilian Schich ___________________________________________ Charissa N. Terranova Copyright 2019 Leslie Elaine Reid All Rights Reserved ABU DHABI, LENS, AND LOS ANGELES: THE AVANT-GARDE ARCHITECTURE OF THREE 21ST CENTURY UNIVERSAL ART MUSEUMS by LESLIE ELAINE REID, MLA, MA DISSERTATION Presented to the Faculty of The University of Texas at Dallas in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY IN HUMANITIES - AESTHETIC STUDIES THE UNIVERSITY OF TEXAS AT DALLAS May 2019 ACKNOWLEDGMENTS I wish to thank, in particular, two people in Paris for their kindness and generosity in granting me interviews, providing electronic links to their work, and emailing me data on the Louvre-Lens for my dissertation. Adrién Gardère of studio adrien gardère and Catherine Mosbach of mosbach paysagists gave hours of their time and provided invaluable insight for this dissertation. And – even after I had returned to the United States, they continued to email documents that I would need. March 2019 iv ABU DHABI, LENS, AND LOS ANGELES: THE AVANT-GARDE ARCHITECTURE OF THREE 21ST CENTURY UNIVERSAL ART MUSEUMS Leslie Elaine Reid, PhD The University of Texas at Dallas, 2019 ABSTRACT Supervising Professor: Richard Brettell Rooted in the late 18th and 19th century idea of the museum as a “library of past civilizations,” the universal or encyclopedic museum attempts to cover as much of the history of mankind through “art” as possible. -
Frank Gehry Biography
G A G O S I A N Frank Gehry Biography Born in 1929 in Toronto, Canada. Lives and works in Los Angeles, CA. Education: 1954 B.A., University of Southern California, Los Angeles, CA. 1956 M.A., Harvard University, Cambridge, MA. Select Solo Exhibitions: 2021 Spinning Tales. Gagosian, Beverly Hills, CA. 2016 Fish Lamps. Gagosian Gallery, Rome, Italy. Building in Paris. Espace Louis Vuitton Venezia, Venice, Italy. 2015 Architect Frank Gehry: “I Have an Idea.” 21_21 Design Sight, Tokyo, Japan. 2015 Frank Gehry. LACMA, Los Angeles, CA. 2014 Frank Gehry. Centre Pompidou, Paris, France. Voyage of Creation. Louis Vuitton Foundation, Paris, France. Fish Lamps. Gagosian Gallery, Athens, Greece. Fish Lamps. Gagosian Gallery, Hong Kong, China. 2013 Fish Lamps. Gagosian Gallery, Davies Street, London, England. Frank Gehry At Work. Leslie Feely Fine Art. New York, NY. Fish Lamps. Gagosian Gallery, Paris Project Space, Paris, France. Frank Gehry at Gemini: New Sculpture & Prints, with a Survey of Past Projects. Gemini G.E.L. at Joni Moisant Weyl, New York, NY. Fish Lamps. Gagosian Gallery, Beverly Hills, CA. 2011 Frank Gehry: Outside The Box. Artistree, Hong Kong, China. 2010 Frank O. Gehry since 1997. Vitra Design Museum, Rhein, Germany. Frank Gehry: Eleven New Prints. Gemini G.E.L. at Joni Moisant Weyl, New York, NY. 2008 Frank Gehry: Process Models and Drawings. Leslie Feely Fine Art, New York, NY. 2006 Frank Gehry: Art + Architecture. Art Gallery of Ontario, Toronto, Canada. 2003 Frank Gehry, Architect: Designs for Museums. Weisman Art Museum, Minneapolis, MN. Traveled to Corcoran Art Gallery, Washington, D.C. 2001 Frank Gehry, Architect. -
IDF World Diabetes Congress 2017 Hotel Summary
IDF World Diabetes Congress 2017 Hotel Summary International Conference Services Ltd. (the Official Housing Bureau for IDF2017) has negotiated the best rates possible with each hotel property. Rates are quoted in AED (United Arab Emirates dirham). Rates are currently subject to 20% taxes and an additional fee of 15 AED per night. Taxes and fees are subject to change. Included below are the estimated USD rates inclusive of all taxes and fees. All rates include complimentary internet and breakfast unless otherwise indicated. Corniche: Zone 1 AL MAHA ARJAAN BY ROTANA ABU DHABI Distance from ADNEC: 25 Minutes Drive Room Type: Classic or Deluxe Studio/Suite – 1 King or 2 Twin Beds Net Room Rate (Single) incl. Breakfast & Wi-Fi: AED 1011.00 / USD 280.83 Net Room Rate (Double) incl. Breakfast & Wi-Fi: AED 1061.00 / USD 294.72 Estimated USD Room Rate incl. Breakfast, Wi-Fi, Taxes & Fees (Single/ Double): USD 342.00 / USD 358.67 Al Maha Arjaan by Rotana is strategically situated in downtown Abu Dhabi with unobstructed views over the city. The deluxe apartment hotel is ideally placed within walking distance of the Corniche Park, banks, and shopping malls. It is a short drive from popular sites and 30 minutes away from Abu Dhabi Airport. CORNICHE HOTEL ABU DHABI Distance from ADNEC: 25 Minutes Drive Room Type: Deluxe Room City View – 1 King or 2 Twin Beds Room Rate (Single) incl. Breakfast & Wi-Fi: AED 650.00 / USD 180.56 Room Rate (Double) incl. Breakfast & Wi-Fi: AED 700.00 / USD 194.44 Estimated USD Room Rate incl.