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Building Design GUIDELINES Table of Contents
Building Design GUIDELINES Table of Contents Acknowledgements . 1 Part I. Introduction Background . 2 Goals . 3 Applicability of This Document . 3 Part II. Building Design Guidelines A Context Fit. 5 B Pedestrian Friendliness. 8 C Visual Attractiveness . 18 D Sustainable Design . 32 Appendix I. Public Input Process . 36 II. Design Review Procedure . 40 III. Design Guidelines Checklist . 42 IV. Façade Renovation Toolkit . 43 Acknowledgements The Building Design Guidelines for the City of Naperville, Illinois were prepared through the help of many citizens, staff and officials of the Naperville community who participated in the planning process at stakeholder meetings, on-line surveys and open house meetings. Their involvement and insights are sincerely appreciated. City Plan Commission Derke Price, Chairman Bill Jepson Mike Brown Joe McElroy Ann Edmonds Jeffrey Meyers Paul Hinterlong Reynold Sterlin City Council George Pradel, Mayor Jim Boyajian Kenn Miller Bob Fieseler John Rosanova Richard Furstenau Darlene Senger Doug Krause Grant Wehrli City Staff Allison Laff, AICP, Planning Services Team Leader - TED Business Group Ying Liu, AICP, Community Planner - TED Business Group Suzanne Thorsen, Community Planner - TED Business Group Prepared by the City of Naperville with assistance from Lohan Anderson, LLC and A Design Consulting. 1 INTRODUCTION Background From just a handful of families residing within the City Council adopted Resolution #05-020 that states: original settlement, Naperville has grown to a community of over 140,000 people and is now a dynamic city with “It is the City of Naperville’s vision and expectation both old-fashioned charm and a high-tech corporate that issues related to design and architecture, corridor. -
Pag 01Ok.Qxd 20/06/2014 20:38 Pægina 1 EL CULTURAL1 Euro
pag 01ok.qxd 20/06/2014 20:38 PÆgina 1 EL CULTURAL1 Euro. Venta conjunta e inseparable con El Mundo, y en librerías especializadas 27 de junio - 3 de julio de 2014 www.elcultural.es Richard Hamilton El último autorretrato La distopía conquista la literatura Mérida absuelve a Salomé Paco Azorín abre el festival con una impactante revisión de la ópera de Strauss Pag 03.qxd 20/06/2014 21:13 PÆgina 3 PRIMERA PALABRA LUIS MARÍA ANSON de la Real Academia Española Felipe VI y la cultura elipe II, Felipe III y Fe- Graciano García, con saga- Se divirtió hablando con Pedro centenares de representantes lipe IV vivieron el Siglo de cidad impagable, situó a Don Almodóvar, el gran genio del de la cultura española, iberoa- FOro de la cultura españo- Felipe en la plataforma del Pre- cine español, con Maya Pli- mericana y mundial. la. Conocieron personalmente mio Príncipe de Asturias, lo sétskaya y Tamara Rojo, con Felipe VI no gobierna. o tuvieron noticia cercana de que ha permitido al actual Rey Paco de Lucía y Michael Ha- Pero reina. Y estoy seguro de los más grandes: Cervantes y comprender la significación neke. que alentará al Gobierno a que San Juan de la Cruz, Lope de profunda de la cultura en las le- Y el mundo de la Comuni- dedique sus mejores esfuerzos Vega y Santa Teresa, Veláz- tras, las artes plásticas, la mú- cación. Recuerdo a Indro Mon- al mundo de la cultura en el quez y Calderón, Fray Luis de sica, el cine, la ciencia… tanelli, mi inolvidado, mi gran que España ocupa lugar de re- León y Gracián, Góngora y He tenido la suerte de sen- amigo, departiendo con Don lieve internacional. -
The-Piano-Teaching-Legacy-Of-Solomon-Mikowsky.Pdf
! " #$ % $%& $ '()*) & + & ! ! ' ,'* - .& " ' + ! / 0 # 1 2 3 0 ! 1 2 45 3 678 9 , :$, /; !! < <4 $ ! !! 6=>= < # * - / $ ? ?; ! " # $ !% ! & $ ' ' ($ ' # % %) %* % ' $ ' + " % & ' !# $, ( $ - . ! "- ( % . % % % % $ $ $ - - - - // $$$ 0 1"1"#23." 4& )*5/ +) * !6 !& 7!8%779:9& % ) - 2 ; ! * & < "-$=/-%# & # % %:>9? /- @:>9A4& )*5/ +) "3 " & :>9A 1 The Piano Teaching Legacy of Solomon Mikowsky by Kookhee Hong New York City, NY 2013 2 TABLE OF CONTENTS Preface by Koohe Hong .......................................................3 Endorsements .......................................................................3 Comments ............................................................................5 Part I: Biography ................................................................12 Part II: Pedagogy................................................................71 Part III: Appendices .........................................................148 1. Student Tributes ....................................................149 2. Student Statements ................................................176 -
1 CLOTHING and ARCHITECTURE: More in Common
CLOTHING AND ARCHITECTURE: more in common Han Xu 20107500 1 Clothing and buildings are becoming even more alike. Both have typically served the bodies that inhabit them by maintaining environmental control and by presenting a codified exterior to the world. But now there are new kinds of physical resemblances between architecture and clothing. Various kinds of textiles and weaves are now being exploited in landscape and building design. Vast landscapes are shaped by geotexiles while building structures and envelopes exploit tensile, textile strategies, enabled by new lighter and more flexible materials and by the assistance of digital simulations. As well as becoming lighter, buildings are also becoming increasingly more temporary. The lifespans of buildings are ever shorter as their inhabitants become more transient, moving frequently from city to city. Evidence of this nomadic lifestyle can be found in fashion. Clothing, the portable envelope worn on the body, now provides some of the functions formerly associated with architecture. Designers are exploring the possibilities of integrated lights in clothes, pockets to carry portable electronic devices as well as soft electronic devices that are embedded in technical fabrics. Through other technological advances in textiles, specialized suits offer climatic control in very extreme environments. Yet other designers are integrating structure into clothing or even reviving the primitive model of a portable textile shelter. Many designers switch between fashion and architecture. Even the manufacturing processes for clothing and architecture can now be very much alike as new, highly sophisticated weaving robots automize the manufacturing process for articles of fashion or for components of buildings. In Gottfried Semper’s 1860 Style in the Technical and Tectonic Arts, we find a creation myth for today’s textile buildings and architectural suits. -
Using BIM Technology to Optimize the Traditional Interior Design Work Mode
E3S Web of Conferences 38, 03026 (2018) https://doi.org/10.1051/e3sconf/20183803026 ICEMEE 2018 Using BIM Technology to Optimize the Traditional Interior Design Work Mode Ning Ke ZHU Beijing University of Civil Engineering and Architecture, Beijing, 100044, China Abstract: the development of BIM technology and application in the field of architecture design has produced results, but BIM technology and application in the field of interior design is still immaturity because of construction and decoration engineering separation. The article analyzes the problems that BIM technology lead to the interior design work mode optimization, from the 3D visualization work environment, real-time collaborative design mode, physical analysis design mode, information integration design mode state the application in interior design. free designer from tedious drawing works, it help budget company work more accurate, it help construction 1. Introduction organization work more precise and greatly improve the The Building Information Modeling technique first project progress, it help the operation management appeared in the United States. The concept of BIM people manage and maintain the whole life cycle of undergo nearly 30 years. in 1975, Dr Charlie Eastman , construction more convenient and accurate. Carnegie Mellon University initiated the "Building the In the design stage, The application of BIM Description System" (architecture Description System) technology is aimed at architectural design mainly. working prototype, in 1984, the Hungarian Graphisoft Several major design software, such as Autodesk Revit, company researched and developed architectural design Bentley, ArchiCAD, etc, have a lot of information software named AtchiCAD, in 1986, Robert Ash in building block libraries which is easy to adjust GMW company proposed "Building Modeling" architecture building information modelling by means of conception, the definition of Building Information Model parametric design model, and they have effectively has been updated and improved. -
Experiences and Insights from Use of a Design-Build Process in Founding a New Campus
Experiences and Insights from Use of a Design-Build Process in Founding a New Campus Design-build was the best choice for K-State Olathe because of the flexibility with regard to unknown users and change stakeholder expectations. by Daniel C. Richardson, Lisa C. Freeman, Valerie K. York, Cynthia A. Shuman, and B. Jan Middendorf Introduction Daniel C. Richardson is the CEO of K-State Olathe and is At public research universities, state funding is decreasing responsible for building relationships with industry, developing teaching programs, and recruiting faculty. He was involved in the and budget cuts are now the norm. Establishing a new day-to-day activities associated with the acquisition process of campus may seem impossible under these conditions; K-State Olathe’s International Animal Health and Food Safety Institute. however, Kansas State University (K-State) recently established a new campus in Olathe, Kansas. K-State Lisa C. Freeman formerly served as the associate vice president for innovation at K-State Olathe. She was responsible for building Olathe’s first building, the International Animal Health and public-private partnerships relevant to teaching, research, and Food Safety Institute, a $28 million, 108,000 square foot outreach activities. She was involved in the acquisition process of facility, expands K-State into a three-campus system and K-State Olathe’s International Animal Health and Food Safety Institute. provides the Kansas City region with increased access to Valerie K. York was part of the external evaluation team that the university’s programs. K-State was able to take this documented the acquisition process for K-State Olathe’s significant step during an economic downturn, in part International Animal Health and Food Safety Institute and because of strategic planning with a focus on innovation interviewed key stakeholders about the process. -
Managing Uncertainty and Expectations in Building Design and Construction
SmartMarket Report Produced in Partnership with: Managing Uncertainty and Expectations in Building Design and Construction Premier Industry Partners: Industry Partners: ■ Design and Construction Intelligence SmartMarket Report McGraw Hill Construction Managing Uncertainty and Expectations in Design and President Construction Kathryn E. Cassino SmartMarket Report About McGraw Hill McGraw Hill Construction Executive Editor Research & Analytics/ Harvey M. Bernstein, F.ASCE, LEED AP Construction Industry Insights & Alliances McGraw Hill Construction’s data, Editorial Advisor and Chief Author analytics, and media businesses— Vice President, Industry Stephen A. Jones Insights & Alliances Dodge, Sweets, Architectural Record, Harvey M. Bernstein, F.ASCE, LEED AP Editorial Director and Engineering News-Record— Michele A. Russo, LEED AP create opportunities for owners, Senior Director, Research & Analytics Burleigh Morton Managing Editor architects, engineers, contractors, Donna Laquidara-Carr, LEED AP building product manufacturers, Director, Research Communications and distributors to strengthen their Michele A. Russo, LEED AP Senior Director, Head of Marketing market position, size their markets, William Taylor prioritize prospects, and target and Reproduction or dissemination build relationships that will win more of any information contained Creative Manager, Media business. McGraw Hill Construction herein is granted only by contract Juan Ramos serves more than one million or prior written permission from Art Director customers through its -
BIM for Interior Design
REVIT® BUILDING INFORMATION MODELING BIM for Interior Design Discussions about BIM (building information modeling) typically focus on the design of the outside of the building and the many benefits BIM brings to that aspect of architectural design. We read about massing models and curtain walls, expressive roof forms, and detailed wall sections. But how is BIM being applied to the design of the inside of the building - the finishes, the fixtures, the area requirements, the furniture schedules? This paper examines the use of Revit® Architecture software for the interior design of a building. Interior Advantages Regardless of the specialization of the interior design group - corporate, hospitality, retail, etc. - interior designers cite several key advantages of BIM: The speed and ease of creating an interior design model, coupled with the ability to visualize that design. The ability to capture and manage the design as multiple options within a single model - options that may vary anything from space layout to material selections. The richness and reliability of the data embodied within the building information model. This is fundamental for early tasks such as schematic space planning and master scheduling, the accuracy of detailed design activities like quantification and costing, and finally for the production of well-coordinated documentation. Creating the Design Model Architects and designers working on the interiors of a building sometimes start with the building shell CAD files from their own firm or another firm. But in many cases, the building shell might pre-date the interiors project by many years with only paper documentation to rely on. Because it's so easy to create a 3D model with a BIM solution like Revit Architecture, these designers will sometimes quickly model the relevant portions of the building exterior off the 2D or paper floor plans as a way of starting their project. -
Press Release Frank Gehry First Major European
1st August 2014 PRESS RELEASE communications and partnerships department 75191 Paris cedex 04 FRANK GEHRY director Benoît Parayre telephone FIRST MAJOR EUROPEAN 00 33 (0)1 44 78 12 87 e-mail [email protected] RETROSPECTIVE press officer 8 OCTOBER 2014 - 26 JANUARY 2015 Anne-Marie Pereira telephone GALERIE SUD, LEVEL 1 00 33 (0)1 44 78 40 69 e-mail [email protected] www.centrepompidou.fr For the first time in Europe, the Centre Pompidou is to present a comprehensive retrospective of the work of Frank Gehry, one of the great figures of contemporary architecture. Known all over the world for his buildings, many of which have attained iconic status, Frank Gehry has revolutionised architecture’s aesthetics, its social and cultural role, and its relationship to the city. It was in Los Angeles, in the early 1960s, that Gehry opened his own office as an architect. There he engaged with the California art scene, becoming friends with artists such as Ed Ruscha, Richard Serra, Claes Oldenburg, Larry Bell, and Ron Davis. His encounter with the works of Robert Rauschenberg and Jasper Johns would open the way to a transformation of his practice as an architect, for which his own, now world-famous, house at Santa Monica would serve as a manifesto. Frank Gehry’s work has since then been based on the interrogation of architecture’s means of expression, a process that has brought with it new methods of design and a new approach to materials, with for example the use of such “poor” materials as cardboard, sheet steel and industrial wire mesh. -
Inclusion by Design Equality, Diversity and the Built Environment 5642 A4:Layout 1 21/11/08 09:30 Page 2
5642_A4:Layout 1 20/11/08 10:43 Page 1 Inclusion by design Equality, diversity and the built environment 5642_A4:Layout 1 21/11/08 09:30 Page 2 Published in 2008 by the Commission for Architecture and the Built Environment. CABE is the government’s advisor on architecture, urban design and public space. As a public body, we encourage policymakers to create places that work for people. We help local planners apply national design policy and advise developers and architects, persuading them to put people’s needs first. We show public sector clients how to commission projects that meet the needs of their users. And we seek to inspire the public to demand more from their buildings and spaces. Advising, influencing and inspiring, we work to create well-designed, welcoming places. Cover photo: Barking Town Centre, © Tim Soar Printed by Seacourt Ltd on Revive recycled paper, using the waterless offset printing process (0 per cent water and 0 per cent isopropyl alcohol or harmful substitutes), 100 per cent renewable energy and vegetable oil-based inks. Seacourt Ltd holds EMAS and ISO 14001 environmental accreditations. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, copied or transmitted without the prior written consent of the publisher except that the material may be photocopied for non-commercial purposes without permission from the publisher. This document is available in alternative formats on request from the publisher. 5642_A4:Layout 1 20/11/08 10:43 Page 3 Inclusion by design The quality of buildings and spaces has a strong influence on the quality of people’s lives . -
Blanton Museum to Exhibit 'Making Africa: a Continent Of
FOR IMMEDIATE RELEASE MEDIA CONTACTS: Carlotta Stankiewicz, 512.475.6784, [email protected] Penny Snyder, 512.471.0241, [email protected] BLANTON MUSEUM TO EXHIBIT MAKING AFRICA: A CONTINENT OF CONTEMPORARY DESIGN Exhibition featuring the work of over 120 creatives sheds new light on contemporary African design AUSTIN, Texas—September 11, 2018— The Blanton Museum of Art at The University of Texas at Austin will present Making Africa: A Continent of Contemporary Design from October 14, 2018 to January 6, 2019 in the Sarah and Ernest Butler Gallery. Making Africa showcases the work of over 120 artists and designers from and within Africa working in an exhilarating range of media including sculpture, fashion, furniture, architecture, film, photography, maps, digital comics, graphic and web design, and more. The exhibition presents Africa as a hub of experimentation—and as a driving force in the development of design in the twenty-first century. Making Africa reconsiders and expands definitions of both design and Africa—a shift in perspective symbolized by Kenyan artist Cyrus Kabiru’s sculptural C-Stunner eyeglasses made of found materials (2012). The exhibition offers a vision of Africa in the twenty-first century as a place of unbounded optimism, rapid growth, and massive cultural transformation. This spirit echoes that of the mid- twentieth century, when a young generation of Africans, celebrating their liberation from colonization, self-assuredly asserted themselves on a global stage. The exhibition draws parallels to that era by juxtaposing select examples of mid-twentieth-century art and design with contemporary works. “The Blanton is thrilled to present this deeply insightful and relevant exhibition to Austin’s creative community,” said Blanton director Simone Wicha. -
A Case Study of Santiago Calatrava's Architectural Designs
European International Journal of Science and Technology ISSN: 2304-9693 www.eijst.org.uk AESTHETICS OF STRUCTURAL FUNCTIONALISM: A CASE STUDY OF SANTIAGO CALATRAVA’S ARCHITECTURAL DESIGNS OMALE Reuben Peters 1 and Momoh Victor 2 1,2 Department of Architecture, School of Environmental Technology, Federal University of Technology, Akure, Ondo state, Nigeria Email: [email protected] 1 and [email protected] 2 Abstract After building projects have been completed and inhabited by either Clients or Users of the buildings, such buildings begin to exist on their own with little or no information about the designer who conceived the idea behind the designs. This phenomenon leaves interested lay public and young architects curious about whom the designer is. This study aims at showcasing the design style of famous architect, Santiago Calatrava – a Spanish born architect of the post-modernist movement, whose architectural projects can best be described as awesome and breathtaking masterpieces. He is a neofuturist architect, a structural engineer, a sculptor and a painter. This work also studied his early life as a young architect and his inspirations for innovation and creativity which was motivated by his love for biology and anatomy. Lessons where drawn from the life and times of this great architect with many laurels, among which is the AIA gold medal and the IstructE gold medal. Some of his popular projects include; Milwaukee art museum, Wisconsin, U.S.A, the Queen Sofia palace for the arts, auditorio de Tenerife in Canary, Spain and the turning torso building in Malmo, Sweden, just to mention a few among many.