The Role of Architecture on the Revitalization of Bilbao, Spain Taygra Longstaff

Total Page:16

File Type:pdf, Size:1020Kb

The Role of Architecture on the Revitalization of Bilbao, Spain Taygra Longstaff THE ROLE OF ARCHITECTURE ON THE REVITALIZATION OF BILBAO, SPAIN TAYGRA LONGSTAFF Bilbao Abandoibarra 1980’s Bilbao Abandoibarra Currently LITERATURE REVIEW Environment-Behavior Studies (EBS) in Architecture Economic Contributions Effects in differing social classes Changes in global perception RESEARCH QUESTION What effect has recent architecture had on Bilbao, Spain? BRIEF HISTORY Strategic Plan: 1. Expansion and modernization of the port 2. New transportation facilities, including a subway designed by Norman Foster 3. Expansion of the airport, designed by Santiago Calatrava Located in Northern Spain 4. Construction of a new bridge, designed by Santiago Manufacturing town Calatrava After Franco unemployment hit 25% 5. The Abandoibarra riverfront development, including a 1 million square-foot office and shopping mall complex, Late 80’s came up with the Strategic Plan designed by César Pelli 6. Construction of the Euskalduna Convention Centre and Music Hall, designed by Federico Soriano and Dolores Palacio 7. Construction of the Bilbao Guggenheim Museum, designed by Frank Gehry RESEARCH DESIGN AND METHODS Social Polarization Increased Tourism Change in Global Recognition Economic Growth The Guggenheim Museum Bilbao designed by Frank Gehry opened in 1997 ARGUMENT AND EVIDENCE Social Polarization Increased Tourism Increased property prices Initial increase of 50% Continued urban development 84% stated the Guggenheim as destination Figure 1: Visitors to the Guggenheim, Incoming Travelers, and Overnight Stays (January 1994-January 2000) ARGUMENT AND EVIDENCE Global Recognition Economic Growth Purpose of design Job creation International and national Foreign investment Figure 2: Unemployment Rate, Bilbao Figure 3: Employment in Manufacturing and (1995-2005), in % Services Sectors, Bilbao CONCLUSION Separation in classes Increased Tourism National and international perception change Job creation Not the Guggenheim Museum solo IMPLICATIONS Part of bigger project Can be risky investment Involves negative effects REFERENCES Pictures of Bilbao. http://www.skyscrapercity.com/showthread.php?t=428703 Picture of Valencia. http://cnfle.com/valencia-spain-artssciences-amazing-hd/valencia-spain-artssciences-amazing-hd- 2 Picture of the Guggenheim. http://notesplusultra.com/tag/bilbao/ Figure 1: Plaza, Beatriz. "Evaluating the Influence of a Large Cultural Artifact in the Attraction of Tourism. The Guggenheim Museum Bilbao Case." Urban Affairs Review 36, no. 2 (2000): 264-274. Sage Journals (accessed February 11, 2014). Figure 2: Ploger, Jorg. “Bilbao City Report.” Centre for Analysis of Social Exclusion, 2007. Figure 3: Ploger, Jorg. “Bilbao City Report.” Centre for Analysis of Social Exclusion, 2007. Questions? .
Recommended publications
  • Pag 01Ok.Qxd 20/06/2014 20:38 Pægina 1 EL CULTURAL1 Euro
    pag 01ok.qxd 20/06/2014 20:38 PÆgina 1 EL CULTURAL1 Euro. Venta conjunta e inseparable con El Mundo, y en librerías especializadas 27 de junio - 3 de julio de 2014 www.elcultural.es Richard Hamilton El último autorretrato La distopía conquista la literatura Mérida absuelve a Salomé Paco Azorín abre el festival con una impactante revisión de la ópera de Strauss Pag 03.qxd 20/06/2014 21:13 PÆgina 3 PRIMERA PALABRA LUIS MARÍA ANSON de la Real Academia Española Felipe VI y la cultura elipe II, Felipe III y Fe- Graciano García, con saga- Se divirtió hablando con Pedro centenares de representantes lipe IV vivieron el Siglo de cidad impagable, situó a Don Almodóvar, el gran genio del de la cultura española, iberoa- FOro de la cultura españo- Felipe en la plataforma del Pre- cine español, con Maya Pli- mericana y mundial. la. Conocieron personalmente mio Príncipe de Asturias, lo sétskaya y Tamara Rojo, con Felipe VI no gobierna. o tuvieron noticia cercana de que ha permitido al actual Rey Paco de Lucía y Michael Ha- Pero reina. Y estoy seguro de los más grandes: Cervantes y comprender la significación neke. que alentará al Gobierno a que San Juan de la Cruz, Lope de profunda de la cultura en las le- Y el mundo de la Comuni- dedique sus mejores esfuerzos Vega y Santa Teresa, Veláz- tras, las artes plásticas, la mú- cación. Recuerdo a Indro Mon- al mundo de la cultura en el quez y Calderón, Fray Luis de sica, el cine, la ciencia… tanelli, mi inolvidado, mi gran que España ocupa lugar de re- León y Gracián, Góngora y He tenido la suerte de sen- amigo, departiendo con Don lieve internacional.
    [Show full text]
  • Pais Vasco 2018
    The País Vasco Maribel’s Guide to the Spanish Basque Country © Maribel’s Guides for the Sophisticated Traveler ™ August 2018 [email protected] Maribel’s Guides © Page !1 INDEX Planning Your Trip - Page 3 Navarra-Navarre - Page 77 Must Sees in the País Vasco - Page 6 • Dining in Navarra • Wine Touring in Navarra Lodging in the País Vasco - Page 7 The Urdaibai Biosphere Reserve - Page 84 Festivals in the País Vasco - Page 9 • Staying in the Urdaibai Visiting a Txakoli Vineyard - Page 12 • Festivals in the Urdaibai Basque Cider Country - Page 15 Gernika-Lomo - Page 93 San Sebastián-Donostia - Page 17 • Dining in Gernika • Exploring Donostia on your own • Excursions from Gernika • City Tours • The Eastern Coastal Drive • San Sebastián’s Beaches • Inland from Lekeitio • Cooking Schools and Classes • Your Western Coastal Excursion • Donostia’s Markets Bilbao - Page 108 • Sociedad Gastronómica • Sightseeing • Performing Arts • Pintxos Hopping • Doing The “Txikiteo” or “Poteo” • Dining In Bilbao • Dining in San Sebastián • Dining Outside Of Bilbao • Dining on Mondays in Donostia • Shopping Lodging in San Sebastián - Page 51 • Staying in Bilbao • On La Concha Beach • Staying outside Bilbao • Near La Concha Beach Excursions from Bilbao - Page 132 • In the Parte Vieja • A pretty drive inland to Elorrio & Axpe-Atxondo • In the heart of Donostia • Dining in the countryside • Near Zurriola Beach • To the beach • Near Ondarreta Beach • The Switzerland of the País Vasco • Renting an apartment in San Sebastián Vitoria-Gasteiz - Page 135 Coastal
    [Show full text]
  • The-Piano-Teaching-Legacy-Of-Solomon-Mikowsky.Pdf
    ! " #$ % $%& $ '()*) & + & ! ! ' ,'* - .& " ' + ! / 0 # 1 2 3 0 ! 1 2 45 3 678 9 , :$, /; !! < <4 $ ! !! 6=>= < # * - / $ ? ?; ! " # $ !% ! & $ ' ' ($ ' # % %) %* % ' $ ' + " % & ' !# $, ( $ - . ! "- ( % . % % % % $ $ $ - - - - // $$$ 0 1"1"#23." 4& )*5/ +) * !6 !& 7!8%779:9& % ) - 2 ; ! * & < "-$=/-%# & # % %:>9? /- @:>9A4& )*5/ +) "3 " & :>9A 1 The Piano Teaching Legacy of Solomon Mikowsky by Kookhee Hong New York City, NY 2013 2 TABLE OF CONTENTS Preface by Koohe Hong .......................................................3 Endorsements .......................................................................3 Comments ............................................................................5 Part I: Biography ................................................................12 Part II: Pedagogy................................................................71 Part III: Appendices .........................................................148 1. Student Tributes ....................................................149 2. Student Statements ................................................176
    [Show full text]
  • Comparing the Basque Diaspora
    COMPARING THE BASQUE DIASPORA: Ethnonationalism, transnationalism and identity maintenance in Argentina, Australia, Belgium, Peru, the United States of America, and Uruguay by Gloria Pilar Totoricagiiena Thesis submitted in partial requirement for Degree of Doctor of Philosophy The London School of Economics and Political Science University of London 2000 1 UMI Number: U145019 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U145019 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Theses, F 7877 7S/^S| Acknowledgments I would like to gratefully acknowledge the supervision of Professor Brendan O’Leary, whose expertise in ethnonationalism attracted me to the LSE and whose careful comments guided me through the writing of this thesis; advising by Dr. Erik Ringmar at the LSE, and my indebtedness to mentor, Professor Gregory A. Raymond, specialist in international relations and conflict resolution at Boise State University, and his nearly twenty years of inspiration and faith in my academic abilities. Fellowships from the American Association of University Women, Euskal Fundazioa, and Eusko Jaurlaritza contributed to the financial requirements of this international travel.
    [Show full text]
  • Download Curriculum PDF Document
    Valentina Bilbao CURRICULUM CURRICULUM 2 Valentina Bilbao is a visual artist, born in Caracas, Venezuela. She discovered her love of painting, drawing, and poetry at a young age. She dedicated herself to learning new techniques that allowed her to further develop her artistic skills. She felt the need to convey her knowledge, so she created the Drawing and Painting Workshop “Pinceladas”, which had children and youth of different ages. Valentina continued to dabble in art and received more training at the School of Visual Arts, while at the same time she studied Psychology. Her artwork captures a full and complete expression of emotions such as joy, passion and love with spontaneity, energy, and strength through a wide range of colors, textures, shapes, and figures, making all of her artwork comprehensive and rich in content. In addition, her artwork has balance and harmony, which is the result of all the elements in the right proportions coming alive and containing a constant motion. Color is the main character of her work, which all other elements are combined. This technique is the result of admiration, and study of the different movements of art, which shows an extraordinary capacity for synthesis and integration. CURRICULUM 3 My paintings carry a message of love, energy, bliss, absolute dedication, and passion. My artistic process is reflected onto my artwork through My passion for life inspires me to bring positive emotions music. Music becomes my air. Music is my energy and I and thoughts together in my work. Through each stroke of capture that energy in my work.
    [Show full text]
  • Press Release Frank Gehry First Major European
    1st August 2014 PRESS RELEASE communications and partnerships department 75191 Paris cedex 04 FRANK GEHRY director Benoît Parayre telephone FIRST MAJOR EUROPEAN 00 33 (0)1 44 78 12 87 e-mail [email protected] RETROSPECTIVE press officer 8 OCTOBER 2014 - 26 JANUARY 2015 Anne-Marie Pereira telephone GALERIE SUD, LEVEL 1 00 33 (0)1 44 78 40 69 e-mail [email protected] www.centrepompidou.fr For the first time in Europe, the Centre Pompidou is to present a comprehensive retrospective of the work of Frank Gehry, one of the great figures of contemporary architecture. Known all over the world for his buildings, many of which have attained iconic status, Frank Gehry has revolutionised architecture’s aesthetics, its social and cultural role, and its relationship to the city. It was in Los Angeles, in the early 1960s, that Gehry opened his own office as an architect. There he engaged with the California art scene, becoming friends with artists such as Ed Ruscha, Richard Serra, Claes Oldenburg, Larry Bell, and Ron Davis. His encounter with the works of Robert Rauschenberg and Jasper Johns would open the way to a transformation of his practice as an architect, for which his own, now world-famous, house at Santa Monica would serve as a manifesto. Frank Gehry’s work has since then been based on the interrogation of architecture’s means of expression, a process that has brought with it new methods of design and a new approach to materials, with for example the use of such “poor” materials as cardboard, sheet steel and industrial wire mesh.
    [Show full text]
  • Blanton Museum to Exhibit 'Making Africa: a Continent Of
    FOR IMMEDIATE RELEASE MEDIA CONTACTS: Carlotta Stankiewicz, 512.475.6784, [email protected] Penny Snyder, 512.471.0241, [email protected] BLANTON MUSEUM TO EXHIBIT MAKING AFRICA: A CONTINENT OF CONTEMPORARY DESIGN Exhibition featuring the work of over 120 creatives sheds new light on contemporary African design AUSTIN, Texas—September 11, 2018— The Blanton Museum of Art at The University of Texas at Austin will present Making Africa: A Continent of Contemporary Design from October 14, 2018 to January 6, 2019 in the Sarah and Ernest Butler Gallery. Making Africa showcases the work of over 120 artists and designers from and within Africa working in an exhilarating range of media including sculpture, fashion, furniture, architecture, film, photography, maps, digital comics, graphic and web design, and more. The exhibition presents Africa as a hub of experimentation—and as a driving force in the development of design in the twenty-first century. Making Africa reconsiders and expands definitions of both design and Africa—a shift in perspective symbolized by Kenyan artist Cyrus Kabiru’s sculptural C-Stunner eyeglasses made of found materials (2012). The exhibition offers a vision of Africa in the twenty-first century as a place of unbounded optimism, rapid growth, and massive cultural transformation. This spirit echoes that of the mid- twentieth century, when a young generation of Africans, celebrating their liberation from colonization, self-assuredly asserted themselves on a global stage. The exhibition draws parallels to that era by juxtaposing select examples of mid-twentieth-century art and design with contemporary works. “The Blanton is thrilled to present this deeply insightful and relevant exhibition to Austin’s creative community,” said Blanton director Simone Wicha.
    [Show full text]
  • Control Social Y Represión De Los Delitos De Índole Sexual En El
    Control social y represión de los delitos de índole sexual en el Duranguesado durante el Antiguo Régimen Contrôle social et répression des crimes de nature sexuelle à Duranguesado sous l'Ancien Régime. Social control and repression of crimes of a sexual nature in Duranguesado during the Ancien Régime. Antzinako Erregimenean zehar izaera sexualeko delituen kontrola eta errepresioa Durangaldean. José Patricio ALDAMA GAMBOA Doctor en Historia por la UPV/EHU Clio & Crimen , nº 16 (2019), pp. 131-158 Artículo recibido: 04/03/2019 Artículo aceptado: 10/09/2019 Resumen: Este artículo pretende analizar el control social y la represión de algunos delitos sexuales (amancebamiento, pro - miscuidad sexual y prostitución) durante el Antiguo Régimen en el marco geográfico de la Merindad de Durango (Bizkaia), en donde las personas perseguidas y castigadas lo fueron por poner en entredicho unos modelos de comportamiento sexual, establecidos y consen - suados por las élites dirigentes. Se analizarán, igualmente, las sanciones, castigos y acciones punitivas puestas en marcha, no solo como un mecanismo sancionador, sino también recuperador del individuo disidente o desviado. Palabras clave: Sexualidad. Prostitución. Delito sexual. Amancebamiento. Antiguo Régimen. Résumé: Cet article vise à analyser le contrôle social et la répression de certains crimes sexuels (concubinage, promiscuité sexue - lle et prostitution) au cours de l'Ancien Régime dans le cadre géographique du Merindad de Durango (Biscaye), où se trouvaient les per - sonnes persécutées et punies pour avoir remis en question des modèles de comportement sexuel établis et acceptés par les élites dirigeantes. Les sanctions, punitions et actions punitives mises en place seront également analysées, non seulement en tant que mécanisme de sanction, mais aussi en tant que récupération de l'individu dissident ou déviant.
    [Show full text]
  • A Case Study of Santiago Calatrava's Architectural Designs
    European International Journal of Science and Technology ISSN: 2304-9693 www.eijst.org.uk AESTHETICS OF STRUCTURAL FUNCTIONALISM: A CASE STUDY OF SANTIAGO CALATRAVA’S ARCHITECTURAL DESIGNS OMALE Reuben Peters 1 and Momoh Victor 2 1,2 Department of Architecture, School of Environmental Technology, Federal University of Technology, Akure, Ondo state, Nigeria Email: [email protected] 1 and [email protected] 2 Abstract After building projects have been completed and inhabited by either Clients or Users of the buildings, such buildings begin to exist on their own with little or no information about the designer who conceived the idea behind the designs. This phenomenon leaves interested lay public and young architects curious about whom the designer is. This study aims at showcasing the design style of famous architect, Santiago Calatrava – a Spanish born architect of the post-modernist movement, whose architectural projects can best be described as awesome and breathtaking masterpieces. He is a neofuturist architect, a structural engineer, a sculptor and a painter. This work also studied his early life as a young architect and his inspirations for innovation and creativity which was motivated by his love for biology and anatomy. Lessons where drawn from the life and times of this great architect with many laurels, among which is the AIA gold medal and the IstructE gold medal. Some of his popular projects include; Milwaukee art museum, Wisconsin, U.S.A, the Queen Sofia palace for the arts, auditorio de Tenerife in Canary, Spain and the turning torso building in Malmo, Sweden, just to mention a few among many.
    [Show full text]
  • The Vision of a Guggenheim Museum in Bilbao
    HARVARD DESIGN SCHOOL THE VISION OF A GUGGENHEIM MUSEUM IN BILBAO In a March 31, 1999 article, the Washington Post? posed the following question: "Can a single building bring a whole city back to life? More precisely, can a single modern building designed for an abandoned shipyard by a laid-back California architect breath new economic and cultural life into a decaying industri- al city in the Spanish rust belt?" Still, the issues addressed by the article illustrate only a small part of the multifaceted Guggenheim Museum of Bilbao. A thorough study of how this building was conceived and made reveals equally significant aspects such as getting the best from the design architect, the master handling of the project by an inexperienced owner, the pivotal role of the executive architect-project man- ager, the dependence on local expertise for construction, the transformation of the architectural profession by information technology, the budgeting and scheduling of an unprecedented project without sufficient information. By studying these issues, the greater question can be asked: "Can the success of the Guggenheim museum be repeated?" 1 Museum Puts Bilbao Back on Spain’s Economic and Cultural Maps T.R. Reid; The Washington Post; Mar 31, 1999; pg. A.16 Graduate student Stefanos Skylakakis prepared this case under the supervision of Professor Spiro N. Pollalis as the basis for class discussion rather to illustrate effective or ineffective handling of an administrative situation, a design process or a design itself. Copyright © 2005 by the President and Fellows of Harvard College. To order copies or request permission to repro- duce materials call (617) 495-4496.
    [Show full text]
  • Architects in Cyberspace
    11/12(1995) 't It ,· , I CONTENTS EDITORIAL OFFICES: ARCHITECTURAL DESIGN MAGAZINE 42 LEINSTER GARDENS, LONDON W2 3AN TEL: 0171-402 2141 FAX: 0171-723 9540 Battle McCarthy Multi-Source Synthesis: EDITOR Maggie Toy Landscape Sustained by Nature• Nina Pope EDITORIAL TEAM: Iona Spens (Senior Editor), Iona Baird, Rachel Bean, 'Hybrid Housing' • Neil Spiller (AI)Con • Stephen Watt, Sara Parkin ART EDITOR: Andrea Bettella Academy Highlights• News• Books CHIEF DESIGNER Mario B-ettella DESIGNERS: Toby Norman, Gregory Mills CONSl,IL TANTS: Catherine Cooke, Terry Farrell, Kenneth Frampton, Charles Jencks, ARCHITECTURAL DESIGN PROFILE No I 18 Nina Pope, View from Ivy Heinrich Klotz, Leon Krier, Robert Maxwell, Cottage, site-specific art for Demetri Porphyrios, Kenneth Powell, Colin lckworth House, 1995 Rowe, Derek Walker ARCHITECTS IN CYBERSPACE SUBSCRIPTION OFFICES Martin Pearce From Urb to Bit• William Mitchell UK VCH PUBLISHERS (UK) LTD Soft Cities• Philip Tabor I am a Videocam • Karen 8 WELLINGTON COURT , WELLINGTON STREET - ~ CAMBRIDGE CB1 1HZ A Franck• Celia Larner & Ian Hunter• Sheep T ~' ----==-- TEL (01223) 321111 FAX: (01223) 313321 Iconoclast• Sarah Chaplin • Sadie Plant• Roy USA ANO CANADA VCH PUBLISHERS INC I t i 303 NW 12TH AVENUE DEERFIELD BEACH , Ascott • Marcos Novak• Mark Titman• Michael ~ 7/ ,.. FLORIDA 33442-1788 USA TEL (305) 428-5566 / (800) 367-8249 xKavya. l'f ''t'i / \· , / .. I , • ,... fi,_~ McGuire • Nick Land. Dunne+ Raby. I FAX (305) 428-8201 Neil Spiller• John H Frazer• Bernard Tschumi • I ; ·· ~ I ALL OTHER COUNTRIES
    [Show full text]
  • Guggenheim Presents Focused Exhibition on Seminal Work by Jackson Pollock, Opening October 3
    Guggenheim Presents Focused Exhibition on Seminal Work by Jackson Pollock, Opening October 3 Exhibition: Away from the Easel: Jackson Pollock’s Mural Venue: Solomon R. Guggenheim Museum, 1071 Fifth Avenue, New York Location: Thannhauser Gallery 4 Dates: October 3, 2020–September 19, 2021 (NEW YORK, NY – September 18, 2020)—As part of the public reopening of the Solomon R. Guggenheim Museum on October 3, the museum presents Away from the Easel: Jackson Pollock’s Mural, a focused exhibition dedicated to the first monumental painting by American artist Jackson Pollock (1912–1956). Commissioned by visionary collector and dealer Peggy Guggenheim for her Manhattan home in the summer of 1943, during a pivotal moment in the evolution of Pollock’s artistic style, Mural was completed by the end of that same year. The current presentation is the first time this work has been on view in New York in more than 20 years and marks the painting’s debut at the Guggenheim Museum. Along with Mural, the exhibition features three additional works by Pollock. Nearly 20 feet wide by 8 feet tall, Mural is Pollock’s largest painting. The work was a breakthrough for the artist and marked a transformational year. During his brief time working as a custodian and preparator at New York’s Museum of Non-Objective Painting (the first inception of the Guggenheim Museum) in 1943, Peggy Guggenheim gave him a contract with a monthly stipend that permitted him to paint full-time. Her early support of Pollock’s work arguably established his career. Following the commissioning of this painting, the artist had his first solo exhibition, held at Guggenheim’s museum- gallery, Art of This Century, later that year.
    [Show full text]