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CHERES Hailed to Be “The Best Purveyor of Authentic Ukrainian Folk
CHERES Hailed to be “the best purveyor of authentic Ukrainian folk music in the United States” by the former head of the Archive of Folk Culture at the Library of Congress, Cheres brings to life melodies from the Carpathian mountains in Western Ukraine and neighboring Eastern European countries. Since its founding in 1990 by students of the Kyiv State Conservatory in the Ukraine, the ensemble has enthralled North American audiences with their rousing renditions of folk music performed on the cymbalum, violin, woodwinds, accordion, bass, and percussion. Virtuoso musicians join spirited dancers, all donned in traditional Western Ukrainian hand-embroidered garments, to paint a vivid picture of Ukrainian folk art. The musicians, most of whom are from Halychyna in western Ukraine, are united by an artistic vision to preserve their traditions. “Cheres” is actually a little known Ukrainian term for a metal- studded leather belt formerly used as a bulletproof vest during the Middle Ages. Today, the group Cheres has adopted this Medieval protective shield as their name to symbolize the safeguarding of vanishing folk art traditions from the Carpathian mountains. This seasoned ensemble has performed in nightclubs and concerts in New York City; music festivals in the Tri-State area, including Lincoln Center’s Out of Doors Festival in 2006 and Folk Parks in 2000, as well as colleges and universities on the east coast. Cheres has appeared on television on NBC’s Weekend Today show, as well as the Food Network’s Surprise! show. Tracks from their latest CD, Cheres: From the Mountains to the Steppe” have been played on WNYC’s New Sounds program, as well as other stations in the region. -
Russian Arts on the Rise
Arts and Humanities Open Access Journal Proceeding Open Access Russian arts on the rise Proceeding Volume 2 Issue 1 - 2018 The fifth Graduate Workshop of the Russian Art and Culture Miriam Leimer Group (RACG) once again proofed how vivid the art and culture of Free University of Berlin, Germany Russia and its neighbours are discussed among young researchers. th Though still little represented in the curricula of German universities Correspondence: Miriam Leimer, 5 Graduate Workshop of the Russian Art and Culture Group (RACG), Free University of the art of Eastern Europe is the topic of many PhD theses. But also in Berlin, Germany, Email [email protected] a broader international context-both in the East and the West-Russian art has gained importance in the discipline of art history. Received: December 22, 2017 | Published: February 02, 2018 The Russian Art and Culture Group that was founded in 2014 by Isabel Wünsche at Jacobs University Bremen provides an international platform for scholars and younger researchers in this The second panel “Intergenerational Tensions and Commonalities” field. At least once a year members of the group organize a workshop focused on the relation between the representatives of the different to bring together recent research-mostly by PhD candidates as well as succeeding art movements at the turn of the century. Using the by already well-established academics. example of Martiros Saryan, an Armenian artist, Mane Mkrtchyan from the Institute of Arts at the National Academy of Sciences of For the first time the workshop did not take place in Bremen the Republic of Armenia shed light on Russia’s Symbolism. -
Eisenstein's "Ivan the Terrible, Part II" As Cultural Artifact Beverly Blois
Eisenstein's "Ivan The Terrible, Part II" as Cultural Artifact Beverly Blois In one of the most famous Russian paintings, Ilya Repin's "Ivan the Terrible with his murdered son," an unkempt and wild-eyed tsar clutches his expiring son, from whose forehead blood pours forth. Lying beside the two men is a large staff with which, moments earlier, Ivan had in a fit of rage struck his heir-apparent a mortal blow. This was a poignant, in fact tragic, moment in the history of Russia because from this event of the year 1581, a line of rulers stretching back to the ninth century effectively came to an end, ushering in a few years later the smutnoe vermia ("time of trouble") the only social crisis in Russian history that bears comparison with the revolution of 1917. Contemporary Russians tell an anekdot about this painting in which an Intourist guide, leading a group of Westerners rapidly through the rooms of the Tretiakov Gallery in Moscow, comes to Repin's canvas, and wishing, as always, to put the best face on things, says, "And here we have famous painting, Ivan the Terrible giving first aid to his son." The terribilita of the sixteenth century tsar had been modernized to fit the needs of the mid-twentieth century. Ivan had been reinterpreted. In a similar, but not so trifling way, Sergei Eisenstein was expected to translate the outlines of Ivan's accomplishments into the modern language of socialist realism when he was commissioned to produce his Ivan films in 1941. While part one of his film, released in 1945, won the Stalin Prize, First Class, part two, which was very dose to release in 1946, was instead withheld. -
Kostya Tszyu
We have only fresh and savory news! April 2013 No. 4 (115) DoN’t Miss it! BiRtHDAYs April 3 – 10-year anniversary of Korchma on Velozavodskaya street April 19 – 1-year anniversary to Korchma in Kyiv More news and photos at www.tarasbulba.ru e U v o [email protected] k l r h Project manager – Yuri Beloyvan a t in i [email protected] i w an e Hotline: 8(495) 780 7744 c ad uisine – m DISCOVERY OF THE AMERICAS: Korchma Taras Bulba in New York KYIV-PECHERSK LAVRA Mysteries of underground labyrinths TRIDENT AND OSELEDETS KOSTYA TSZYU The Arian roots of Ukrainian symbols EVERYTHINg IS UNDER CONTROL Wi-Fi available all through KORCHMA Delivery of Ukrainian home cookeD meals Around-the-clock! www.tarasbulba.ru 8 (495) 780-77-44 6+ 2 | Guest KOSTYA TSZYU: SECRETS OF THE CHAMPION Text: Anna Lyakhu, Stepan Gritsuk Photo: Yuri Gelitovitch is it easy beinG a champion? how can one maintain one’s intellect when one is hit on the head every day? who can take the crown away from klitschko? world champion and holder of many titles, Great russian boxer kostya TSZyu has told bulba news about the secrets of his vistories, about controlled aGGression and about his love for ukraine and ukrainian cuisine. You are a very strong and successful man. Is it not boys I work with current- hard being always the first, the champion? ly, Sasha Povetkin and First of all, being a champion is a hard work. There- Denis Lebedev. They are fore, if you are a champion today, tomorrow you do world champions, but it not have to choose being a champion or not. -
NARRATING the NATIONAL FUTURE: the COSSACKS in UKRAINIAN and RUSSIAN ROMANTIC LITERATURE by ANNA KOVALCHUK a DISSERTATION Prese
NARRATING THE NATIONAL FUTURE: THE COSSACKS IN UKRAINIAN AND RUSSIAN ROMANTIC LITERATURE by ANNA KOVALCHUK A DISSERTATION Presented to the Department of Comparative Literature and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2017 DISSERTATION APPROVAL PAGE Student: Anna Kovalchuk Title: Narrating the National Future: The Cossacks in Ukrainian and Russian Romantic Literature This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of Comparative Literature by: Katya Hokanson Chairperson Michael Allan Core Member Serhii Plokhii Core Member Jenifer Presto Core Member Julie Hessler Institutional Representative and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2017 ii © 2017 Anna Kovalchuk iii DISSERTATION ABSTRACT Anna Kovalchuk Doctor of Philosophy Department of Comparative Literature June 2017 Title: Narrating the National Future: The Cossacks in Ukrainian and Russian Romantic Literature This dissertation investigates nineteenth-century narrative representations of the Cossacks—multi-ethnic warrior communities from the historical borderlands of empire, known for military strength, pillage, and revelry—as contested historical figures in modern identity politics. Rather than projecting today’s political borders into the past and proceeding from the claim that the Cossacks are either Russian or Ukrainian, this comparative project analyzes the nineteenth-century narratives that transform pre- national Cossack history into national patrimony. Following the Romantic era debates about national identity in the Russian empire, during which the Cossacks become part of both Ukrainian and Russian national self-definition, this dissertation focuses on the role of historical narrative in these burgeoning political projects. -
Ilya Repin and the Zaporozhe Cossacks
Skidmore College Creative Matter MALS Final Projects, 1995-2019 MALS 5-17-2008 Ilya Repin and the Zaporozhe Cossacks Kristina Pavlov-Leiching Skidmore College Follow this and additional works at: https://creativematter.skidmore.edu/mals_stu_schol Part of the European History Commons, and the Other History of Art, Architecture, and Archaeology Commons Recommended Citation Pavlov-Leiching, Kristina, "Ilya Repin and the Zaporozhe Cossacks" (2008). MALS Final Projects, 1995-2019. 50. https://creativematter.skidmore.edu/mals_stu_schol/50 This Thesis is brought to you for free and open access by the MALS at Creative Matter. It has been accepted for inclusion in MALS Final Projects, 1995-2019 by an authorized administrator of Creative Matter. For more information, please contact [email protected]. Ilya Repin and the Zaporozhe Cossacks by Kristina Pavlov-Leiching FINAL PROJECT SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN LIBERAL STUDIES SKIDMORE COLLEGE May 2008 Advisors: Kate Graney, Ken Klotz THE MASTER OF ARTS PROGRAM IN LIBERAL STUDIES SKIDMORE COLLEGE CONTENTS ABSTRACT . .. .. iv LIST OF ILLUSTRATIONS . v Chapter INTRODUCTION . .. .. .. 1. Goals of the Study 1. HISTORICAL BACKGROUND . .. .. .. 3. Repin and the Academy of Arts in St. Petersburg Repin's Experiences Abroad Repin and the Wanderers Association Repin as a Teacher and Reformer Repin's Final Years 2. REPIN'S AESTHETIC BELIEFS AS AN ARTIST AND TEACHER . .................................. 15. An Artist Driven by Social Obligation A Painter of the Peasantry and Revolutionary A Devout Nationalist An Advocate of Art forAr t's Sake(1873-1876 & 1890s) Impressionist Influence An Encounter with Tolstoy's Aesthetics Repin as a Teacher and Reformer of the Academy The Importance of the Creative Process A Return to National Realism 11 3. -
The Ukrainian Weekly 1940
English supplement of SVQBQDA. Ukrainian daily, found d 1893. Dedicated to the needs and, interests of young Americans of Ukrainian descent. 9 JERSEY CJTY, N. J., SATURDAY, MARCH 2, 1940 оаша&ма YVASHINiGTONTO BESITE OF UKRAINIAN CON • Ш CAN!T rBELJEVE fHEM •/ UKRAINIAN DEVELOPMENTS US GRESS. IN MAY Ap^irently to win the confidence and.aid of»)Ufk- immw -ішт ти rainians''"fpr the projected plane to;reconstitute a- tpGe Poland, certain ргощідепі Poles have on several occasipns Representatives of leading Uk UKRAINIAN ^PtEAL rainian-American national organ expressed themselves in favor of Ukrainian.national free izations meeting in . Philadelphia dom. Typical of such comment is that of General'Haller, last Saturday, unanimously resolved now turned tourist who recently said: "J believe and favor ROME (AP). —Euhen Onatsky, to go .ahead., with the, preparations [Rome .avrrespondeflt^of "Svpbo- for the qoming Ащегісап-Ukrainjan an independent Ukraine ..." . da"}hjhaa. sent.en. open letter«^^ I Congress, and scheduled it to take ,Much as .we would ДЦсе to believe General J^aUe^and SumriervWelies, Rre^enti|loose- place early,in May in the nation's velt's. special епі^р^тЩкю^ре, capital, Washington. others Цке ЬДт, we simpjy cannot. There is too, niuph pleading ь£ог .• x&#f&tionmj{ рМЛ evidence to > the contrary. In addition, - history shows cause,- ^he.Rome office о&фщщЯр: As,a final effort, .however, .to rainian Nationalists, disclosed * tor. gain for the,congress the support that. all;such- Polish,overtures of friendship toward, the of the- Workingmen's and. Provid Ukrainians, were .insincere. Whenever* 4Jher Ukrainians ac- %3ie tetter, asked (tbai *ЇЩЇГІЬІ~) ence, associations,, whjch, refjauned • cepted them, they • always found cause to deeply- regret States і'.'Ьеаг injmind" the. -
{Replace with the Title of Your Dissertation}
Morphosyntactic analysis of Surzhyk, a Russian–Ukrainian mixed lect A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Kateryna Kent IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Nancy Stenson Adviser August 2012 © Kateryna Kent 2012 i Acknowledgements I am grateful for the assistance of the following professors: o Dr. J.P. Marcotte for his invaluable guidance on the earlier drafts of this dissertation. o Dr. Nancy Stenson for many hours of time and guidance. Her knowledge and expertise in the area of language contact and field research made this dissertation possible. I would like to thank my research participants in Ukraine for providing me with hours of corpus data and for sharing their life stories with me. Their stories enriched me professionally, culturally, and spiritually. I would like to thank my colleagues from the Classical Private University in Ukraine for their help with collecting data and recruiting research participants for my study. I would like to thank my parents, Viktor and Svitlana Dyatlov, for help and support throughout these years of graduate studies. They spent countless hours helping me recruit the research participants, driving me to my research sites all over Ukraine, and watching my son so that I can spend time writing. Finally, I would like to thank my husband, Daniel, and my son, Motya, who watched me sit in front of the computer and write, who supported me through all of the difficult times and stress that dissertation writing can cause. I love you both. -
A Post-Ironic Elegy to National Identity?
A POST-IRONIC ELEGY TO NATIONAL IDENTITY? The Liminal Ordeal of Ukraine Through the Prism of Digital Culture Yelyzaveta Burtsev National University of Kyiv 1 Yelyzaveta Burtsev perspective—namely, its liminal memories, liminal identity, and liminal National University of Kyiv position vis-à-vis the West and the East. Accordingly, in the first chapter, I provide several illustrative examples of how digital culture reflects the Ukrainian population’s ambiguous stance on its Soviet past. I then proceed by reflecting on transgenerationalhybrid memories to explore the multi- layer structure of Ukrainian mnemonic warfare. The second chapter elucidates the role of the «self» in Ukrainian digital mythology. "LIMINALITY CAN BE In this chapter, I explore the pervasive lack A Post-Ironic of netizens’ sense of national pride, and dwell DEFINED AS THE STAGE on the phenomenon of national indifference. I OF TRANSITION, IN- also trace how the inclusive identity zeitgeist Elegy to National was captured by President Zelensky’s rhetoric and how it eventually led to the reinvigorated BETWEENNESS, BEING debates over the choice between two national identity models. Identity? NEITHER HERE NOR In the last chapter, I examine how the collective unconscious of Ukrainian netizens THERE.." perceives the other to explain the contrarian The Liminal Ordeal of Ukraine Through motives of those who refuse to echo the orthodox pro-European narrative. I also touch the Prism of Digital Culture on Ukrainians’ visions of the state’s future international role, most notably in the context of Ukraine’s never-ending transition between the East and the West. Through these chapters, this paper reveals that the identity-building “Am I joke to you?” wonders a giant virion edited into a photo from process of Ukraine is still unravelling, while the digital landscape offers a a mass rally that erupted in Kyiv on June 17, 2020. -
Warfare, State and Society on the Black Sea Steppe, 1500-1700
Warfare, State and Society on the Black Sea Steppe, 1500–1700 In the sixteenth and seventeenth centuries Muscovy waged a costly struggle against the Crimean Khanate, the Ottoman Empire, and the Polish-Lithuanian Commonwealth for control of the fertile steppe above the Black Sea. This was a region of great strategic and economic importance – arguably the pivot of Eurasia at the time. Yet, this crucial period in Russia’s history has, up until now, been neglected by historians. Brian L. Davies’s study provides an essential insight into the emergence of Russia as a great power. The long campaign took a great toll upon Russia’s population, economy, and institutions, and repeatedly frustrated or redefi ned Russian military and diplo- matic projects in the West. The struggle was every bit as important as Russia’s wars in northern and central Europe for driving the Russian state-building process, forcing military reform and shaping Russia’s visions of Empire. Warfare, State and Society on the Black Sea Steppe, 1500–1700 examines the course of this struggle and explains how Russia’s ultimate prevalence resulted from new strategies of military colonization in addition to improvements in army command-and-control, logistics, and tactics. Brian L. Davies is Associate Professor of History at the University of Texas at San Antonio. His publications include State Power and Community in Early Modern Russia: The Case of Kozlov, 1635–1649 (2004). Warfare and History General Editor Jeremy Black Professor of History, University of Exeter Air Power in the Age of Total War Modern Chinese Warfare, Warfare in Atlantic Africa, 1500– John Buckley 1795–1989 1800: Maritime Confl icts and the Bruce A. -
The Ukrainian Weekly 1993
Published by the Ukrainian National Association inc., a fraternal non-profit association vol. LXI No. 51 THE UKRAINIAN WEEKLY SUNDAY, DECEMBER 19,1993 50 cents MHMMtlflttsiUMiHMMMMMS4iHHMtM...MM...tM^M......f.(K....rJp.rffffff(1fl1)ljrff(lfl(1)lrrrf mrnrw-rftltn CHRIST IS BORLM - ХРИСТОС РОДИВСЯ Hr^tWtWWr^WMre?WPWWre^tJtWHWWWHrlyWH^^ Ukraine challenges Kyyiv chides Yeltsin Russian experts1 for commentary on statement on nukes "evil" nuclear policy by Roman Woronowycz JERSEY C1TY, N.J. - Russian Kyyiv Press Bureau President Boris Yeltsin condemned Ukraine's policy on nuclear weapons as KYYiv - Ukraine's Foreign "evil," during a December 15 meeting in Ministry rebutted a document released the Kremlin with U.S. vice-President Al by Moscow and signed by experts from Gore, reported Reuters. Russia's Atomic Energy Commission "Ukraine is deceiving us all. it is that alleges serious violations in the han– deceiving the United States, Russia, dling of nuclear warheads on Ukrainian Europe, deceiving the whole world, and territory, but admitted the condition of we are so helpless that we cannot deal the weapons is now under review. with this evil," President Yeltsin said, "Problems exist that must be worked according to a story carried on the out," said Yuriy Sergeyev, Foreign lnterfax news wire and by 1TAR-TASS. Ministry spokesperson on December 14; in Ukraine, Foreign Minister Anatoliy "But no danger exists. Minister of f Zlenko said Mr. Yeltsin's statement was Defense Radetsky assured us of this. unhelpful in trying to resolve differences However, we are currently working on between the two countries regarding dis– raising the levels of safety." armament. -
Abstract Vladimir Makovsky
ABSTRACT VLADIMIR MAKOVSKY: THE POLITICS OF NINETEENTH-CENTURY RUSSIAN REALISM Tessa J. Crist, M.A. School of Art and Design Northern Illinois University, 2015 Barbara Jaffee, Director This thesis examines the political work produced by a little-known Russian Realist, Vladimir Makovsky (1846-1920), while he was a member of the nineteenth-century art collective Peredvizhniki. Increasingly recognized for subtle yet insistent opposition to the tsarist regime and the depiction of class distinctions, the work of the Peredvizhniki was for decades ignored by modernist art history as the result of an influential article, “Avant-Garde and Kitsch,” written by American art critic Clement Greenberg in 1939. In this article, Greenberg suggests the work of Ilya Repin, the most renowned member of the Peredvizhniki, should be regarded not as art, but as “kitsch”--the industrialized mass culture of an urban working class. Even now, scholars who study the Peredvizhniki concern themselves with the social history of the group as a whole, rather than with the merits of specific artworks. Taking a different approach to analyzing the significance of the Peredvizhniki and of Makovsky specifically this thesis harnesses the powerful methodologies devised in the 1970s by art historians T.J. Clark and Michael Fried, two scholars who are largely responsible for reopening the dialogue on the meaning and significance of Realism in the history of modern art. NORTHERN ILLINOIS UNIVERSITY DE KALB, ILLINOIS MAY 2015 VLADIMIR MAKOVSKY: THE POLITICS OF NINETEENTH-CENTURY RUSSIAN REALISM BY TESSA J. CRIST ©2015 Tessa J. Crist A THESIS SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTERS OF ARTS SCHOOL OF ART AND DESIGN Thesis Director: Barbara Jaffee TABLE OF CONTENTS Page LIST OF FIGURES ....................................................................................................