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98E-D Version D CCE PR REVISED & UNREVISED — 560 003 KARNATAKA SECONDARY EDUCATION EXAMINATION BOARD, MALLESWARAM, BANGALORE – 560 003 2019 S. S. L. C. EXAMINATION, JUNE, 2019 MODEL ANSWERS : 24. 06. 2019 ] : 98-E Date : 24. 06. 2019 ] CODE NO. : 98-E / — Subject : CARNATIC MUSIC / HINDUSTANI MUSIC — THEORY / Private Repeater / English Version [ : 50 [ Max. Marks : 50 Qn. Value Points Total Nos. ( CARNATIC MUSIC ) I. Multiple Choice : 10 × 1 = 10 1. In Indian ancient granthas, no. of fine arts are (A) 33 (B) 64 (C) 108 (D) 80. Ans. : (B) 64 1 (24)1408-PR(D) [ Turn over 98-E 2 CCE PR Qn. Value Points Total Nos. 2. The tambura, in both the systems, is a (A) Ghana instrument (B) Avanaddha instrument (C) Shruti instrument (D) Sushira instrument. Ans. : (C) Shruti instrument 1 3. A Devagana which is not in practice now, is (A) Deshi music (B) Light music (C) Western music (D) Marga music. Ans. : (D) Marga music 1 4. A group of melodious swaras is (A) Bhashanga raga (B) Janya raga (C) Raga (D) Janaka raga. Ans. : (C) Raga 1 5. One of the Sapthatalas among the following, is (A) Aditala (B) Rupaka tala (C) Chaputal (D) Choutal. Ans. : (B) Rupaka tala 1 6. A composition in which each swara is repeated, such swaravali is (A) Sarale varase (B) Datu varase (C) Janti varase (D) Tarasthayi varase. Ans. : (C) Janti varase 1 7. There are 7 swaras in one avartha of Tishra Jati triputa tala, because; (A) its laghu consists of 3 aksharas (B) its laghu consists of 4 aksharas (C) its laghu consists of 5 aksharas (D) its laghu consists of 7 aksharas. Ans. : (A) its laghu consists of 3 aksharas 1 (24)1408-PR(D) CCE PR 3 98-E Qn. Value Points Total Nos. 8. Hindola is a Oudava raga, because (A) there are 6 swaras in arohana and avarohana (B) there are 5 swaras in arohana and avarohana (C) there are 4 swaras in arohana and avarohana (D) there are 7 swaras in arohana and avarohana. Ans. : (B) there are 5 swaras in arohana and avarohana 1 9. Re, Ga, Ma, Dha, Ni are Vikruthi swaras, because; they (A) do not undergo changes (B) undergo changes (C) are steady (D) do not move. Ans. : (B) undergo changes 1 10. Nagaswara is Sushira vadya, the reason is (A) it is a long instrument (B) it is an auspicious instrument (C) it is played with the help of air (D) it is an ancient instrument. Ans. : (C) it is played with the help of air 1 II. Answer the following questions in a sentence each : 10 × 1 = 10 11. Write a difference between Oudava and Shadava raga. Ans. : Oudava raga has 5 swaras in its arohana and avarohana whereas Shadava raga has 6 swaras. 1 12. What is a Adhara Shruti ? Ans. : A adhara swara (beginning Shadja of middle actave) which is comfortable to singer or player is called a adhara shruti. 1 (24)1408-PR(D) [ Turn over 98-E 4 CCE PR Qn. Value Points Total Nos. 13. How is Tarasthayi shown in Swaralipi ? Ans. : Tarasthayi ( High pitch ) is shown by putting dots on the top of the swaras. 1 14. What is a Vakra raga ? Ans. : If any swara or swaras repeated in arohana or avarohana of a raga. (or swaras are vakra ) then the raga is called a Vakra raga. 1 15. Mention a difference between Krithi and Keerthana. Ans. : Krithi Keerthana It is a musical composition that It is devotional lyric oriented has Pallavi, Anupallavi and composition. It has parts like Charana parts. Pallavi and charana ( rarely anupallavi) 1 16. What was Kanakadasa's first name ? Ans. : The first name of Kanakadasa was Thimmappa nayaka. 1 17. How is third speed shown in Swaralipi ? Ans. : Third speed is shown by drawing two lines on or under the swaras. SRGMPDNS or SRGMPDNS 1 18. What is a Swaravali ? Ans. : A swaravali is a group of swaras arranged in an order. Swaravalis are Sarale varase, Tarasthayi, Mandrasthayi, Datu varase, Janti varase and alankaras. 1 (24)1408-PR(D) CCE PR 5 98-E Qn. Value Points Total Nos. 19. Write a similarity between Carnatic music and Hindustani music. Ans. : Using swaras and symbols are the same (SRGMPDN) in both the systems. 1 20. What is a Ghana vadya ? Ans. : A Ghana vadya is an instrument made of metal or clay. 1 III. Answer the following questions in two to three sentences each : 9 × 2 = 18 21. Write a difference between Sanchari geetha and Lakshana geetha. Ans. : Sanchari Geetha Lakshana geetha It has a lakshana of swara It has lyrics that explain about the sanchara. lakshana of a raga. (raga lakshana) 2 22. Classify the following into Thatha and Sushira instruments : i) Clarionet ii) Veena iii) Ghotu vadya iv) Harmonium v) Violin vi) Nagaswara. Ans. : Thatha instrument Sushira instrument Veena Clarionet Ghotu vadhya Harmonium Violin Nagaswara 2 (24)1408-PR(D) [ Turn over 98-E 6 CCE PR Qn. Value Points Total Nos. 23. How is mathematics related to music ? Ans. : There is no music without rhythm.Rythm is nothing but mathematics which consists of calculation. A musician's mind gets activated by this kind of calculations. 2 24. Classify these equal ragas of Carnatic music and Hindusthani music ( Mohana, Bhimpalas, Bhup, Abheri ). Ans. : Carnatic ragas Hindustani ragas Mohana Bhup Abheri Bhimpalas 2 25. Why did Akkamahadevi sacrifice her family and become a saint ? Ans. : As the husband, king Koushik broke her rules and conditions, Akkamahadevi, sacrificed her family and became a saint. 2 26. Why is flute called a Sushira instrument ? Ans. : Flute is played with the help of air or wind. The wind instruments are Sushira instruments. Hence the flute is called a Sushira instrument. 2 27. Classify the following into Upanga and Bhashanga ragas : i) Bilahari ii) Hamsadhwani iii) Sri Raga iv) Kambhoji. Ans. : Upanga raga Bhashanga raga Hamsadhwani Bilahari Sri Raga Kambhoji 2 (24)1408-PR(D) CCE PR 7 98-E Qn. Value Points Total Nos. 28. Write two difference between Abhyasa gana and Sabha gana compositions. Ans. : Abhyasa gana is related to basic or fundamental lesson for the beginners whereas Sabha gana compositions are the next stage lessons of Abhyasa gana. 2 29. Mention any two differences between Kalyani and Shankarabharana ragas. Ans. : Kalyani Shankarabharana 1. 65th Melakarta 1. 29th Melakarta 2. Pratimadhyama raga 2. Shuddha madhyama raga. 2 IV. Answer the following questions in brief : 30. Design and write the notation of Tishrajati Triputa tala alankara. Ans. : Alankara Tishra Triputatal Talanga : 1 Laghu 2 Druta. Symbol : | 3 00 Aksharas : 3 + 2 + 2 = 7 5 (24)1408-PR(D) [ Turn over 98-E 8 CCE PR Qn. Value Points Total Nos. 31 Classify the Sapta talas with their talangas and symbols. Ans. : Suladi Sapt talas TALA ANGAS SYMBOLS 1. Dhruva tala 1 Laghu, 1 Drutha, 2 Laghus 1011 2. Matya tala 1 Laghu 1 Drutha 1 Laghu 101 3. Rupaka tala 1 Drutha, 1 Laghu 01 4. Jhampe tala 1 Laghu, 1 Anudruta, 1 Druta 1U1 5. Triputa tala 1 Laghu, 2 Drutas 100 6. Atta tala 2 Laghus, 2 Drutas 1100 7. Ektala 1 Laghu 1 7 ( HINDUSTANI MUSIC ) I. Multiple Choice : 10 × 1 = 10 1. The South Indian music means (A) Uttaradi music (B) Auttharey music (C) Carnatic music (D) Hindustani music. Ans. : (C) Carnatic music 1 2. The second part of chhota khyal is called 'Antara'. Because; (A) it is sung in Tarashadja and above (B) it is sung in Madhya Saptaka (C) it is sung in Mandra Saptaka (D) it is a part of an octave. Ans. : (A) it is sung in Tarashadja and above 1 (24)1408-PR(D) CCE PR 9 98-E Qn. Value Points Total Nos. 3. Horizontal lines are given under the swaras Re Ga Dha Ni in Pandit Vishnu Narayan Bhatkhande's Notation system. Because; (A) they are Komal swaras (B) they are Shuddha swaras (C) they are theevra swaras (D) they are varjya swaras. Ans. : (A) they are komal swaras 1 4. Pandit Panchakshari Gawai was Ubhaya Ganacharya because (A) He was a famous Hindusthani vocalist (B) He was a Carnatic vocalist (C) He was a Singer of vachana Sangeeta (D) He was both Carnatic and Hindustani vocalist. Ans. : (D) He was both Carnatic and Hindustani vocalist. 1 5. Tala is called 'Laya Pita', because; (A) Tala is given the place of father (B) Tala is given the place of mother (C) Tala is derived from 'talu' (D) Tala has pettu and husi. Ans. : (A) Tala is given the place of father 1 6. The smallest swaras of the raga are (A) Komal swaras (B) Meend swaras (C) Kan swaras (D) Vikruth swaras. Ans. : (C) Kan swaras 1 7. The father of 'Carnatic classical music' is (A) Kanakadasar (B) Purandaradasar (C) Gopaladasar (D) Shri Padarajar. Ans. : (B) Purandaradasar 1 (24)1408-PR(D) [ Turn over 98-E 10 CCE PR Qn. Value Points Total Nos. 8. Tambura is a (A) Pakka vadya (acompliment) (B) Shruti vadya ( Shruti instrument ) (C) Swatantra vadya (independent instrument ) (D) Swatantra vadya & Pakka vadya (independent & acompliment). Ans. : (B) Shruti vadya ( Shruti instrument ) 1 9. A Hindustani raga among the following is (A) Patdeep (B) Mohana (C) Sarasangi (D) Chalanata. Ans. : (A) Patdeep 1 10. The Pen name of Basavanna is (A) Guheshwara (B) Chennamallikarjunadeva (C) Adikeshava (D) Kudala Sangama deva. Ans. : (D) Kudala Sangama deva. 1 II. Answer the following questions in a sentence each : 10 × 1 = 10 11. What is music ? Ans. : The melodious combination of singing, playing and dance is called music. 1 12.
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