Alvaro Soler
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Olivia Rodrigo's 'Sour' Returns to No. 1 on Billboard 200 Albums Chart
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE JUNE 28, 2021 Page 1 of 24 INSIDE Olivia Rodrigo’s ‘Sour’ Returns to • BTS’ ‘Butter’ Leads Hot 100 for Fifth No. 1 on Billboard 200 Albums Chart Week, Dua Lipa’s ‘Levitating’ Becomes BY KEITH CAULFIELD Most-Heard Radio Hit livia Rodrigo’s Sour returns to No. 1 on five frames (charts dated Jan. 23 – Feb. 20). (It’s worth • Executive of the the Billboard 200 chart for a second total noting that Dangerous had 30 tracks aiding its SEA Week: Motown Records Chairman/ week, as the album steps 3-1 in its fifth and TEA units, while Sour only has 11.) CEO Ethiopia week on the list. It earned 105,000 equiva- Polo G’s Hall of Fame falls 1-2 in its second week Habtemariam Olent album units in the U.S. in the week ending June on the Billboard 200 with 65,000 equivalent album 24 (down 14%), according to MRC Data. The album units (down 54%). Lil Baby and Lil Durk’s former • Will Avatars Kill The Radio Stars? debuted at No. 1 on the chart dated June 5. leader The Voice of the Heroes former rises 4-3 with Inside Today’s Virtual The Billboard 200 chart ranks the most popular 57,000 (down 21%). Migos’ Culture III dips 2-4 with Artist Record Labels albums of the week in the U.S. based on multi-metric 54,000 units (down 58%). Wallen’s Dangerous: The consumption as measured in equivalent album units. Double Album is a non-mover at No. -
ÁLVARO SOLER: Mar De Colores – European Tour 2019
ÁLVARO SOLER: Mar de Colores – European Tour 2019 Auf den ersten Blick scheint die Sache recht einfach zu sein: Álvaro Soler ist ein charmanter Spanier, dessen Debütalbum „Eterno Agosto“ sowie die Hits „Sofia“, „El Mismo Sol“ und „Yo Contigo, Tú Conmigo (The Gong Gong Song)“ weltweit über 30 Gold-, Platin- und Diamant-Awards abgeräumt haben. Er wurde für drei „Latin American Music Awards“ nominiert, seine Songs wurden allein bei Spotify knapp 390 Millionen Mal gestreamt und seinen YouTube-Kanal verfolgen täglich mehr als 1,7 Millionen hingerissene Fans. Ab Februar 2019 geht der smarte Sänger mit seiner Band auf große Europa Tournee und wird für fünf Konzerte den Sommer zurück nach Deutschland bringen. Der exklusive Vorverkauf startet am Freitag, 01. Juni, um 12 Uhr auf eventim.de. Ab Montag, 04. Juni gibt es Tickets auch an allen Vorverkaufsstellen. Schaut man aber etwas genauer hin, ist die Sache viel interessanter: er hat eine spanische Mutter und einen deutschen Vater und lebte sieben Jahre in Tokio, bevor er nach Barcelona zurückkehrt und erst mal ein Industriedesign-Studium hinlegt. 2015 zieht er nach Berlin und nimmt sein Solo-Debüt auf, das in Deutschland aus dem Stand in die Top 5 einsteigt, in Polen, der Schweiz und Italien Platz 1 knackt und sich auch im Rest von Europa Top-Chartplatzierungen sichert, während „Sofia“ in 17 Ländern souverän auf #1 geht und in 30 Ländern weltweit die Top 5 erreicht. Trotz dieser beeindruckenden Bilanz nimmt sich der 27-jährige Álvaro selbst gar nicht so ernst und legt es mit seinen Songs ganz und gar nicht auf den schnellen Ruhm an. -
Pdfformmergefile Version
El Mismo Sol Full band (Flex5 available) Álvaro Soler El Mismo Sol arr: Lorenzo Bocci Full band (Flex5 available) Alvaro Soler Lorenzo Bocci B Concert Band 01.3566.05.0 03:20 i Score Colofon in - M Full ScoreM Molenaar Edition BV - 01.3566.05 in Samsonweg 104-106 e i NL 1521 RM Wormerveer r the Netherlands S o Mini Phone: +31 (0)75 - 628 68 59 Publication, Uitgave, Verlag, Edition c c Fax: +31 (0)75 - 621 49 91 o Email: [email protected] S r i Website: www.molenaar.com MOLENAAR ScoreEDITION e Copyright Molenaar Edition BV, n Wormerveer, the Netherlands - © Molenaar Edition BV - Wormerveer - the Netherlands i No Part of this book may be produced in any form of print, fotoprint, microfilm or any other means M without written permission of the publisher. Lending or hiM ring prohibited i M - Copying of sheetmusic from this booklet is illegal. n e i r S o c N "El Mismo Sol" is het eerste single van de Spaanse singer/songwriter Álvaro Soler. Het nummer was geschreven voor Soler's debuutalbum Eterno Agosto (2015). Het werd één van de zomerhits van 2015 en haalde de top-30 in El Mismo Sol de meerderheid van de (wereld)landen. Full band (Flex5 available) E Álvaro Soler arr: Lorenzo Bocci 01.3566.05 "El Mismo Sol" is the debut single by Spanish singer and songwiterr Álvaro Soler. The song was written for Soler’s debut studio album Eterno Agosto (2015) and it became one of the summer hits of 2015, reaching the top thirty on the majority of the charts around the world. -
June 2021 Tribe to Be Featured on KPTZ Radio in June
Volume 42, Issue 6, June 2021 Tribe to be Featured on KPTZ Radio in June The Jamestown S’Klallam Tribe will be featured in a monthlong KPTZ Radio Port Townsend spotlight in June, on 91.9 FM. Two interviews will be recorded and aired. The Prairie Restoration feature will air on KPTZ's Compass Saturday, June 5 at noon, and then it will repeat Monday, June 7 at noon and 5 PM. Traditional Foods and Culture Coordinator Mack Grinnell, and his assistant Emma Brownell will discuss the Prairie Restoration. The Kilisut Harbor Restoration feature will air on Coastal Cafe on Wednesday, June 9 at 5:30 PM and repeat on Wednesday June 16 at 5:30 PM. Rebecca Benjamin, Executive Director of the North Olympic Salmon Coalition, Paul McCollum Natural Resources Director for the Port Gamble S’Klallam Tribe, and Randy Johnson, Jamestown’s Habitat Program Manager will discuss the work done at Kilisut Harbor to open a channel between Oak Bay and Scow Bay to improve the harbor habitat. After they have aired, both of these programs are also available on demand through our KPTZ Podcasts page. https://kptz.org/kptz- podcasts/ Two public service announcements will be run throughout the month, to help explain Tribal Treaty Rights and how they inform the Tribe’s stewardship and environmental projects. KPTZ also airs National Native News and the Klallam Word of the Week (produced by KSQM in Sequim). KPTZ has been Port Townsend’s community radio station since May 2011. Happy tenth anniversary! Compass: KPTZ Compass is a local radio news magazine, its name carefully chosen to convey the unpredictability of the directions or stories you might find when you tune in at Saturdays at noon or Mondays at noon or 5pm. -
Alvaro Soler: Dal 15 Luglio
VENERDì 10 GIUGNO 2016 È da oggi in preordine su iTunes "Eterno Agosto Italian Edition", l'album del fidanzato d'Italia Alvaro Soler che sarà in vendita dal 15 luglio nei negozi tradizionali e negli store digitali. Alvaro Soler: dal 15 luglio - 'Eterno Agosto Italian edition' un album Nel disco, oltre al successo 4 volte platino in Italia "El Mismo Sol", con Emma, Jennifer Lopez e Max troviamo il nuovo singolo "Sofia", brano al #1 posto della classifica Gazzè ufficiale italiana di vendita, certificato 2 volte Platino e sempre tra i singoli più programmati dalle radio italiane ma anche alcune novità. Da oggi in preordine si iTunes Nella versione dedicata al nostro paese Alvaro Soler ha inserito due collaborazioni inedite: "Libre" con Emma e "Sonrio (la vita com'è)" con Max Gazzè. Nel disco troviamo inoltre la versione inglese de "El Mismo CRISTIAN PEDRAZZINI Sol" (Under the same sun) che vede la superstar Jennifer Lopez duettare con il neo giudice di X Factor Italia. Questa la tracklist completa del disco (i nuovi brani sono contrassegnati da *): [email protected] SPETTACOLINEWS.IT Sofia * Animal * Libre (italian Version) featuring Emma * El Mismo Sol Tengo Un Sentimiento Agosto Mi Corazon Volar Esta Noche Esperandote Lucia La Vida Seguira Si No Te Tengo Ati Que pasa Cuando Volveras Sonrio (la vita com'è) featuring Max Gazzè * El Camino Sofia (acoustic version) * El mismo sol (Under the same sun) featuring Jennifer Lopez * Sofia (OOVEE REMIX) * Pag. 1 / 2 Dopo essere stato il protagonista del 2015 con "El Mismo Sol" , #1 in Italia, Spagna e Francia e certificata 4 volte Platino nel nostro Paese ma anche Platino in Spagna e Svizzera, oro in Belgio, Olanda e Polonia), Alvaro Soler ha confermato il suo successo con "Sofia" e sarà sicuramente il protagonista di questo 2016, complice anche la sua partecipazione in qualità di giudice alla nuova edizione di X Factor. -
Venues Are Finally Receiving Funds, but Crew Members Are Still Struggling
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE JUNE 2, 2021 Page 1 of 27 INSIDE Venues Are Finally • Venues Are Receiving Funds, But Crew Members Receiving Government Grant Are Still Struggling Approvals... Slowly BY TAYLOR MIMS • The German Music Industry Is Tackling Piracy Through Self- Last week, the Small Business Administration fi- additional $600 or $300 a month on top of unemploy- Regulation nally began awarding grants to independent venues, ment. promoters and talent agencies as part of the $16.25 When the second stimulus package on Dec. 27, • Assessing the billion Shuttered Venue Operators Grant. The grant mixed earners who received at least $5,000 in self- Music Industry’s Progress 1 Year After can award up to $10 million per venue and is much- employment income in 2019 are eligible for a $100 Blackout Tuesday: needed support for entities that have been closed for weekly benefit on top of the $300 federal pandemic ‘We Need to Build a 14 months since the pandemic halted mass gatherings. unemployment supplement provided under the new Bigger Table’ The grants will help venues pay back-rent and help legislation. States were also allowed to opt out of the • S-Curve Records them on their way to welcoming fans back as concerts additional benefit. Inks Worldwide Pact reopen around the country. As the industry braces “There really aren’t any government programs for With Disney Music for a return to live this summer, many live music people like me,” says guitar technician Tom We- Group crew members are still struggling after a brutal year ber who has worked for Billy Corgan, Matchbox 20, • Tammy Hurt without work. -
Selected Works Selected Works Works Selected
Celebrating Twenty-five Years in the Snite Museum of Art: 1980–2005 SELECTED WORKS SELECTED WORKS S Snite Museum of Art nite University of Notre Dame M useum of Art SELECTED WORKS SELECTED WORKS Celebrating Twenty-five Years in the Snite Museum of Art: 1980–2005 S nite M useum of Art Snite Museum of Art University of Notre Dame SELECTED WORKS Snite Museum of Art University of Notre Dame Published in commemoration of the 25th anniversary of the opening of the Snite Museum of Art building. Dedicated to Rev. Anthony J. Lauck, C.S.C., and Dean A. Porter Second Edition Copyright © 2005 University of Notre Dame ISBN 978-0-9753984-1-8 CONTENTS 5 Foreword 8 Benefactors 11 Authors 12 Pre-Columbian and Spanish Colonial Art 68 Native North American Art 86 African Art 100 Western Arts 264 Photography FOREWORD From its earliest years, the University of Notre Dame has understood the importance of the visual arts to the academy. In 1874 Notre Dame’s founder, Rev. Edward Sorin, C.S.C., brought Vatican artist Luigi Gregori to campus. For the next seventeen years, Gregori beautified the school’s interiors––painting scenes on the interior of the Golden Dome and the Columbus murals within the Main Building, as well as creating murals and the Stations of the Cross for the Basilica of the Sacred Heart. In 1875 the Bishops Gallery and the Museum of Indian Antiquities opened in the Main Building. The Bishops Gallery featured sixty portraits of bishops painted by Gregori. In 1899 Rev. Edward W. J. -
The X Factor Parvinder Hothi, Ph.D., Is on the Verge of Revolutionizing Glioblastoma Treatment
SWEDISH NEUROSCIENCE INSTITUTE The X factor Parvinder Hothi, Ph.D., is on the verge of revolutionizing glioblastoma treatment. Dr. Hothi feels right at home in the lab. ime is a confounding variable in the When did you know you wanted a career search for glioblastoma treatments. in science? The goal is to give patients more of it, I would say I was about 16 at the time when I Tbut the research requires an inordinate really knew that I loved science. This was at a amount. That’s what makes the next phase of high school back in England. Dr. Parvinder Hothi’s research so exciting. While in the past she had to wait for a patient’s tumor What was it about science that you to recur before administering their personalized enjoyed so much? drug cocktail, now she’s able to begin this I loved testing a hypothesis. I loved being in the targeted treatment right away. lab. I felt at ease there. I’d get so excited on days But we can’t do it without you. when we’d have back-to-back biology classes, We can’t do it without Dr. Hothi, either. With a and my friends would just look at me like, mix of determination, resourcefulness and “Wow, you’re a nerd.” Even now when I talk patience, she’s uniquely skilled to navigate the about it, it brings back a lot of happy memories. temporal challenges of glioblastoma research. She took a (brief) break to discuss her love of Do you remember a mentor or teacher along science, what drives her and the importance of the way who really inspired you? giving women a seat at the research table. -
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22 “Te sound, it looks wonderful.” — Dario Argento If the colour yellow once evoked the pleasant imagery of bright summer days and blooming bush daisies, it certainly took a dark turn in the cinematic world of twentieth century Italy. Murder mysteries shot in saturated colours depicting grim, twisted nightmares of brutal killings became the new yellow—the giallo flm. But before referring to a genre of graphic Italian horror flms, giallo, the Italian word for yellow, was used to describe a genre of paperback mystery novels with bright yellow spines and covers introduced by the Milanese publishing house Mondadori in 1929.1 Most of the stories were translations of English whodunits and hard- boiled detective novels, including work by Edgar Allan Poe, Sir Arthur Conan Doyle, and Agatha Christie 2, with translations of Edgar Wallace novels appearing to be some of the most popular during the 1930s and 1940s.3 Despite the fact some critics, such as Alberto Savino, believed that mysteries were “unnatural” and “foreign” to Italian culture, these novels managed to inspire not only an Italian literary tradition with authors such as Giorgio Scerbanenco, Andrea Camilleri, and Carlo Lucarelli 4, but also some of the most terrifying and visually striking flms to come out of Italy during the 1960s and 1970s. Gialli frequently cross generic boundaries of crime flms, horror movies, and thrillers, and therefore may be more appropriately considered flone, as they are by many Italian critics, rather than part of a genre.5 Meaning large thread, the term flone is used to indicate a looser collection of similar themes and styles.6 Gialli can be more generally related to each other in this way, and thus a flm like Dario Argento’s Suspiria (1977) can be called giallo despite its greater resemblance to the supernatural horror thriller. -
Genre, Gender, Giallo: the Disturbed Dreams of Dario Argento
GENRE, GENDER, GIALLO: THE DISTURBED DREAMS OF DARIO ARGENTO COLETTE JANE BALMAIN A thesis submitted in partial fulfilment of the requirements of the University of Greenwich For the Degree of Doctor of Philosophy JANUARY 2004 ACKNOWLEDGEMENTS This thesis is dedicated to my parents, Oavid Balmain, and Peggy Balmain, and my sister, Louise Balmain, without whose emotional and financial support and belief in me, it would not have been possible. I am extremely grateful to a wide number of people who have supported, encouraged and enabled me to produce this work. My special thanks go to my supervisor, Carolyn Brown, for her time and effort and unstinting encouragement during the process of writing. I also thank my ex-colleagues at Greenwich University who all contributed in some way to the intellectual space of this thesis - in particular: Oavid Pattie; John Williams; Oenise Leggett; Peter Humm; Susan Rowlands and Ann Cormack. I am also particularly grateful to Ann Battison and Mavis lames for helping me negotiate the administrative backdrop to the final production of this thesis. My colleagues at Buckinghamshire Chilterns University College have also played a part in enabling me to complete - Ruth Gunstone; Lois Orawmer; Alison Tedman; John Mercer and Andy Butler in particular. Also thanks to Lorna Scott for her help with proofreading and printing. Finally special thanks must go to my examiners: Professor Sue Golding (Greenwich University); Or Simon O'Sullivan (Goldsmith's College, University of London) and Or Jenny Bavidge (University of Greenwich). Or Colette Balmain January 2004 - Ill - ABSTRACT This thesis presents an examination of the giallo films of Dario Argento from his directorial debut The Bird with the Crystal Plumage (1970) to The Stendhal Syndrome ( 1996). -
JOURNAL of PSYCHOPATHOLOGY Original Article 2018;24:193-203
OFFICIAL JOURNAL OF THE ITALIAN SOCIETY OF PSYCHOPATHOLOGY Journal of Editor-in-chief: Alessandro Rossi VOL. 24 - 2018 NUMBER Cited in: EMBASE - Excerpta Medica Database • Index Copernicus • PsycINFO • SCOPUS • Google Scholar Periodico trimestrale POSTE ITALIANE SpA - Spedizione in Abbonamento Postale - D.L. 353/2003 conv.in L.27/02/2004 n°46 art.1, comma 1, DCB PISA - Aut. Trib. di Pisa n. 9 del 03/06/95 - December ISSN 2284-0249 (Print) di Pisa n. ISSN 2499-6904 (Online) Trib. Aut. DCB PISA - comma 1, L.27/02/2004 n°46 art.1, 353/2003 conv.in Abbonamento Postale - D.L. SpA - Spedizione in Periodico trimestrale POSTE ITALIANE OFFICIAL JOURNAL OF THE ITALIAN SOCIETY OF PSYCHOPATHOLOGY Journal of Editor-in-chief: Alessandro Rossi International Editorial Board D. Baldwin (UK), D. Bhugra (UK), J.M. Cyranowski (USA), V. De Luca (Canada), B. Dell’Osso (Milano), A. Fagiolini (Siena), N. Fineberg (UK), A. Fiorillo (Napoli), B. Forresi (Milano), T. Ketter (USA), G. Maina (Torino), V. Manicavasagar (Australia), P. Monteleone (Napoli), D. Mueller (Canada), S. Pallanti (Firenze), S. Paradiso (Iowa City), C. Pariante (Londra), J. Parnas (Denmark), S. Pini (Pisa), P. Rucci (Pisa), N. Sartorius (Switzerland), G. Stanghellini (Chieti), T. Suppes (USA), J. Treasure (Uk), A. Vita (Brescia) Advisory Board E. Aguglia, C. Altamura, M. Amore, L. Bellodi, A. Bertolino, M. Biondi, B. Carpiniello, F. Catapano, D. De Ronchi, L. Dell’Osso, M. Di Giannantonio, A. Favaro, S. Galderisi, P. Girardi, D. La Barbera, M. Maj, P. Rocca, R. Roncone, A. Rossi, E. Sacchetti, P. Santonastaso, S. Scarone, A. Siracusano, E. Smeraldi, A. -
The Cinema of Mika Kaurismäki
The Cinema of Mika Kaurismäki The Cinema of Mika Kaurismäki Transvergent Cinescapes, Emergent Identities Pietari Kääpä afl]dd][l:jaklgd$MC';`a[Y_g$MK9 First published in the UK in 2011 by Intellect, The Mill, Parnall Road, Fishponds, Bristol, BS16 3JG, UK First published in the USA in 2011 by Intellect, The University of Chicago Press, 1427 E. 60th Street, Chicago, IL 60637, USA Copyright © 2011 Intellect Ltd All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission. A catalogue record for this book is available from the British Library. Cover designer: Holly Rose Copy-editor: Heather Owen Typesetting: Mac Style, Beverley, E. Yorkshire ISBN 978-1-84150-409-4 / EISBN 978-1-84150-452-0 Printed and bound by Gutenberg Press, Malta. Contents Acknowledgements 7 Introduction: The (trans)national and the Global in Mika Kaurismäki’s Films 9 Chapter 1: The Aki/Mika Syndrome: Cosmopolitan Auteurism and the Search for Cinematic Stability 23 Chapter 2: Cross-genre: Transnational Genre Mutations 41 Chapter 3: Mapping Transnational Space at the Margins of the Global Metropolis: Representations of the City in Kaurismäki’s Films 65 Chapter 4: Post-road: Deconstructing the European Road Movie 85 Chapter 5: Auto-ethnography: Merging the Self and ‘Other’ in Brazilian Music Documentaries 107 Chapter 6: Post-nation: Kaurismäki’s Films in a Global Spectrum 135 Chapter 7: The Potential of Post-humanism: Kaurismäki and the Ecological Imagination 153 Chapter 8: The Polyphonality of Transvergence: The Reception of Kaurismäki’s Cinema 165 Conclusion: Beyond the Happy Ending 195 Bibliography 201 Acknowledgements his book is the result of a long fascination with Finnish cinema, specifically with those films that try to find new ways for exploring the transnational and increasingly global Tscope of this form of cultural production.