June 2021 Tribe to Be Featured on KPTZ Radio in June
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Olivia Rodrigo's 'Sour' Returns to No. 1 on Billboard 200 Albums Chart
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE JUNE 28, 2021 Page 1 of 24 INSIDE Olivia Rodrigo’s ‘Sour’ Returns to • BTS’ ‘Butter’ Leads Hot 100 for Fifth No. 1 on Billboard 200 Albums Chart Week, Dua Lipa’s ‘Levitating’ Becomes BY KEITH CAULFIELD Most-Heard Radio Hit livia Rodrigo’s Sour returns to No. 1 on five frames (charts dated Jan. 23 – Feb. 20). (It’s worth • Executive of the the Billboard 200 chart for a second total noting that Dangerous had 30 tracks aiding its SEA Week: Motown Records Chairman/ week, as the album steps 3-1 in its fifth and TEA units, while Sour only has 11.) CEO Ethiopia week on the list. It earned 105,000 equiva- Polo G’s Hall of Fame falls 1-2 in its second week Habtemariam Olent album units in the U.S. in the week ending June on the Billboard 200 with 65,000 equivalent album 24 (down 14%), according to MRC Data. The album units (down 54%). Lil Baby and Lil Durk’s former • Will Avatars Kill The Radio Stars? debuted at No. 1 on the chart dated June 5. leader The Voice of the Heroes former rises 4-3 with Inside Today’s Virtual The Billboard 200 chart ranks the most popular 57,000 (down 21%). Migos’ Culture III dips 2-4 with Artist Record Labels albums of the week in the U.S. based on multi-metric 54,000 units (down 58%). Wallen’s Dangerous: The consumption as measured in equivalent album units. Double Album is a non-mover at No. -
Venues Are Finally Receiving Funds, but Crew Members Are Still Struggling
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE JUNE 2, 2021 Page 1 of 27 INSIDE Venues Are Finally • Venues Are Receiving Funds, But Crew Members Receiving Government Grant Are Still Struggling Approvals... Slowly BY TAYLOR MIMS • The German Music Industry Is Tackling Piracy Through Self- Last week, the Small Business Administration fi- additional $600 or $300 a month on top of unemploy- Regulation nally began awarding grants to independent venues, ment. promoters and talent agencies as part of the $16.25 When the second stimulus package on Dec. 27, • Assessing the billion Shuttered Venue Operators Grant. The grant mixed earners who received at least $5,000 in self- Music Industry’s Progress 1 Year After can award up to $10 million per venue and is much- employment income in 2019 are eligible for a $100 Blackout Tuesday: needed support for entities that have been closed for weekly benefit on top of the $300 federal pandemic ‘We Need to Build a 14 months since the pandemic halted mass gatherings. unemployment supplement provided under the new Bigger Table’ The grants will help venues pay back-rent and help legislation. States were also allowed to opt out of the • S-Curve Records them on their way to welcoming fans back as concerts additional benefit. Inks Worldwide Pact reopen around the country. As the industry braces “There really aren’t any government programs for With Disney Music for a return to live this summer, many live music people like me,” says guitar technician Tom We- Group crew members are still struggling after a brutal year ber who has worked for Billy Corgan, Matchbox 20, • Tammy Hurt without work. -
Selected Works Selected Works Works Selected
Celebrating Twenty-five Years in the Snite Museum of Art: 1980–2005 SELECTED WORKS SELECTED WORKS S Snite Museum of Art nite University of Notre Dame M useum of Art SELECTED WORKS SELECTED WORKS Celebrating Twenty-five Years in the Snite Museum of Art: 1980–2005 S nite M useum of Art Snite Museum of Art University of Notre Dame SELECTED WORKS Snite Museum of Art University of Notre Dame Published in commemoration of the 25th anniversary of the opening of the Snite Museum of Art building. Dedicated to Rev. Anthony J. Lauck, C.S.C., and Dean A. Porter Second Edition Copyright © 2005 University of Notre Dame ISBN 978-0-9753984-1-8 CONTENTS 5 Foreword 8 Benefactors 11 Authors 12 Pre-Columbian and Spanish Colonial Art 68 Native North American Art 86 African Art 100 Western Arts 264 Photography FOREWORD From its earliest years, the University of Notre Dame has understood the importance of the visual arts to the academy. In 1874 Notre Dame’s founder, Rev. Edward Sorin, C.S.C., brought Vatican artist Luigi Gregori to campus. For the next seventeen years, Gregori beautified the school’s interiors––painting scenes on the interior of the Golden Dome and the Columbus murals within the Main Building, as well as creating murals and the Stations of the Cross for the Basilica of the Sacred Heart. In 1875 the Bishops Gallery and the Museum of Indian Antiquities opened in the Main Building. The Bishops Gallery featured sixty portraits of bishops painted by Gregori. In 1899 Rev. Edward W. J. -
The X Factor Parvinder Hothi, Ph.D., Is on the Verge of Revolutionizing Glioblastoma Treatment
SWEDISH NEUROSCIENCE INSTITUTE The X factor Parvinder Hothi, Ph.D., is on the verge of revolutionizing glioblastoma treatment. Dr. Hothi feels right at home in the lab. ime is a confounding variable in the When did you know you wanted a career search for glioblastoma treatments. in science? The goal is to give patients more of it, I would say I was about 16 at the time when I Tbut the research requires an inordinate really knew that I loved science. This was at a amount. That’s what makes the next phase of high school back in England. Dr. Parvinder Hothi’s research so exciting. While in the past she had to wait for a patient’s tumor What was it about science that you to recur before administering their personalized enjoyed so much? drug cocktail, now she’s able to begin this I loved testing a hypothesis. I loved being in the targeted treatment right away. lab. I felt at ease there. I’d get so excited on days But we can’t do it without you. when we’d have back-to-back biology classes, We can’t do it without Dr. Hothi, either. With a and my friends would just look at me like, mix of determination, resourcefulness and “Wow, you’re a nerd.” Even now when I talk patience, she’s uniquely skilled to navigate the about it, it brings back a lot of happy memories. temporal challenges of glioblastoma research. She took a (brief) break to discuss her love of Do you remember a mentor or teacher along science, what drives her and the importance of the way who really inspired you? giving women a seat at the research table. -
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22 “Te sound, it looks wonderful.” — Dario Argento If the colour yellow once evoked the pleasant imagery of bright summer days and blooming bush daisies, it certainly took a dark turn in the cinematic world of twentieth century Italy. Murder mysteries shot in saturated colours depicting grim, twisted nightmares of brutal killings became the new yellow—the giallo flm. But before referring to a genre of graphic Italian horror flms, giallo, the Italian word for yellow, was used to describe a genre of paperback mystery novels with bright yellow spines and covers introduced by the Milanese publishing house Mondadori in 1929.1 Most of the stories were translations of English whodunits and hard- boiled detective novels, including work by Edgar Allan Poe, Sir Arthur Conan Doyle, and Agatha Christie 2, with translations of Edgar Wallace novels appearing to be some of the most popular during the 1930s and 1940s.3 Despite the fact some critics, such as Alberto Savino, believed that mysteries were “unnatural” and “foreign” to Italian culture, these novels managed to inspire not only an Italian literary tradition with authors such as Giorgio Scerbanenco, Andrea Camilleri, and Carlo Lucarelli 4, but also some of the most terrifying and visually striking flms to come out of Italy during the 1960s and 1970s. Gialli frequently cross generic boundaries of crime flms, horror movies, and thrillers, and therefore may be more appropriately considered flone, as they are by many Italian critics, rather than part of a genre.5 Meaning large thread, the term flone is used to indicate a looser collection of similar themes and styles.6 Gialli can be more generally related to each other in this way, and thus a flm like Dario Argento’s Suspiria (1977) can be called giallo despite its greater resemblance to the supernatural horror thriller. -
Genre, Gender, Giallo: the Disturbed Dreams of Dario Argento
GENRE, GENDER, GIALLO: THE DISTURBED DREAMS OF DARIO ARGENTO COLETTE JANE BALMAIN A thesis submitted in partial fulfilment of the requirements of the University of Greenwich For the Degree of Doctor of Philosophy JANUARY 2004 ACKNOWLEDGEMENTS This thesis is dedicated to my parents, Oavid Balmain, and Peggy Balmain, and my sister, Louise Balmain, without whose emotional and financial support and belief in me, it would not have been possible. I am extremely grateful to a wide number of people who have supported, encouraged and enabled me to produce this work. My special thanks go to my supervisor, Carolyn Brown, for her time and effort and unstinting encouragement during the process of writing. I also thank my ex-colleagues at Greenwich University who all contributed in some way to the intellectual space of this thesis - in particular: Oavid Pattie; John Williams; Oenise Leggett; Peter Humm; Susan Rowlands and Ann Cormack. I am also particularly grateful to Ann Battison and Mavis lames for helping me negotiate the administrative backdrop to the final production of this thesis. My colleagues at Buckinghamshire Chilterns University College have also played a part in enabling me to complete - Ruth Gunstone; Lois Orawmer; Alison Tedman; John Mercer and Andy Butler in particular. Also thanks to Lorna Scott for her help with proofreading and printing. Finally special thanks must go to my examiners: Professor Sue Golding (Greenwich University); Or Simon O'Sullivan (Goldsmith's College, University of London) and Or Jenny Bavidge (University of Greenwich). Or Colette Balmain January 2004 - Ill - ABSTRACT This thesis presents an examination of the giallo films of Dario Argento from his directorial debut The Bird with the Crystal Plumage (1970) to The Stendhal Syndrome ( 1996). -
JOURNAL of PSYCHOPATHOLOGY Original Article 2018;24:193-203
OFFICIAL JOURNAL OF THE ITALIAN SOCIETY OF PSYCHOPATHOLOGY Journal of Editor-in-chief: Alessandro Rossi VOL. 24 - 2018 NUMBER Cited in: EMBASE - Excerpta Medica Database • Index Copernicus • PsycINFO • SCOPUS • Google Scholar Periodico trimestrale POSTE ITALIANE SpA - Spedizione in Abbonamento Postale - D.L. 353/2003 conv.in L.27/02/2004 n°46 art.1, comma 1, DCB PISA - Aut. Trib. di Pisa n. 9 del 03/06/95 - December ISSN 2284-0249 (Print) di Pisa n. ISSN 2499-6904 (Online) Trib. Aut. DCB PISA - comma 1, L.27/02/2004 n°46 art.1, 353/2003 conv.in Abbonamento Postale - D.L. SpA - Spedizione in Periodico trimestrale POSTE ITALIANE OFFICIAL JOURNAL OF THE ITALIAN SOCIETY OF PSYCHOPATHOLOGY Journal of Editor-in-chief: Alessandro Rossi International Editorial Board D. Baldwin (UK), D. Bhugra (UK), J.M. Cyranowski (USA), V. De Luca (Canada), B. Dell’Osso (Milano), A. Fagiolini (Siena), N. Fineberg (UK), A. Fiorillo (Napoli), B. Forresi (Milano), T. Ketter (USA), G. Maina (Torino), V. Manicavasagar (Australia), P. Monteleone (Napoli), D. Mueller (Canada), S. Pallanti (Firenze), S. Paradiso (Iowa City), C. Pariante (Londra), J. Parnas (Denmark), S. Pini (Pisa), P. Rucci (Pisa), N. Sartorius (Switzerland), G. Stanghellini (Chieti), T. Suppes (USA), J. Treasure (Uk), A. Vita (Brescia) Advisory Board E. Aguglia, C. Altamura, M. Amore, L. Bellodi, A. Bertolino, M. Biondi, B. Carpiniello, F. Catapano, D. De Ronchi, L. Dell’Osso, M. Di Giannantonio, A. Favaro, S. Galderisi, P. Girardi, D. La Barbera, M. Maj, P. Rocca, R. Roncone, A. Rossi, E. Sacchetti, P. Santonastaso, S. Scarone, A. Siracusano, E. Smeraldi, A. -
The Cinema of Mika Kaurismäki
The Cinema of Mika Kaurismäki The Cinema of Mika Kaurismäki Transvergent Cinescapes, Emergent Identities Pietari Kääpä afl]dd][l:jaklgd$MC';`a[Y_g$MK9 First published in the UK in 2011 by Intellect, The Mill, Parnall Road, Fishponds, Bristol, BS16 3JG, UK First published in the USA in 2011 by Intellect, The University of Chicago Press, 1427 E. 60th Street, Chicago, IL 60637, USA Copyright © 2011 Intellect Ltd All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission. A catalogue record for this book is available from the British Library. Cover designer: Holly Rose Copy-editor: Heather Owen Typesetting: Mac Style, Beverley, E. Yorkshire ISBN 978-1-84150-409-4 / EISBN 978-1-84150-452-0 Printed and bound by Gutenberg Press, Malta. Contents Acknowledgements 7 Introduction: The (trans)national and the Global in Mika Kaurismäki’s Films 9 Chapter 1: The Aki/Mika Syndrome: Cosmopolitan Auteurism and the Search for Cinematic Stability 23 Chapter 2: Cross-genre: Transnational Genre Mutations 41 Chapter 3: Mapping Transnational Space at the Margins of the Global Metropolis: Representations of the City in Kaurismäki’s Films 65 Chapter 4: Post-road: Deconstructing the European Road Movie 85 Chapter 5: Auto-ethnography: Merging the Self and ‘Other’ in Brazilian Music Documentaries 107 Chapter 6: Post-nation: Kaurismäki’s Films in a Global Spectrum 135 Chapter 7: The Potential of Post-humanism: Kaurismäki and the Ecological Imagination 153 Chapter 8: The Polyphonality of Transvergence: The Reception of Kaurismäki’s Cinema 165 Conclusion: Beyond the Happy Ending 195 Bibliography 201 Acknowledgements his book is the result of a long fascination with Finnish cinema, specifically with those films that try to find new ways for exploring the transnational and increasingly global Tscope of this form of cultural production. -
From Artist to Audience Would Not Have Been Possible This Elegant and Professional Publication
FromITALIAN Artist DRAWINGS to AND Audience PRINTS from the 15th through 18th Centuries FromITALIAN Artist DRAWINGS to AND Audience PRINTS from the 15th through 18th Centuries Works from the Darlene K. Morris Collection March 4 – April 16, 2016 Curated by: C. Madeline Fritz Paris Humphrey Samantha Mendoza-Ferguson Sara Pattiz Rebecca Race Isabel Richards Samuel Richards THE TROUT GALLERY • Dickinson College • Carlisle, Pennsylvania This publication was produced in part through the generous support of the Helen Trout Memorial Fund and the Ruth Trout Endowment at Dickinson College. Published by The Trout Gallery, Dickinson College, Carlisle, Pennsylvania 17013. Copyright © 2016 The Trout Gallery. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission from The Trout Gallery. All photographs Andrew Bale, unless otherwise noted. Design: Amanda DeLorenzo, Dickinson College Office of Design Services Printing: Pemcor, Inc., Lancaster, Pennsylvania ISBN 978-0-9861263-0-7 Cover: Carlo Urbino (attributed), Study sheet with Two Standing Men, ca. 1560. Drawing. Courtesy Darlene K. Morris Collection (cat. 14). Back cover: Diana Mantuana (Ghisi, Scultori), Farnese Bull (The Punishment of Dirce), 1581. Engraving. Courtesy Darlene K. Morris Collection (cat. 16). Title page: Gaetano Gandolfi,Saint Anthony the Great, ca. 1770. Etching. Courtesy Darlene K. Morris Collection (cat. 33). Acknowledgements Dickinson College’s senior Art History Seminar is unique for transporting the works himself to the College during the among undergraduate programs in art history in both process summer of 2015. He was also of great assistance in procuring and outcome. -
Alvaro Soler
Shopinthecity genova Free magazine n.3 anno i giugno 2017 genova ALVAROAlma cosmopolita SOLER Beauty case Cinque look Eventi estivi La dolce vita Personal shopper Prendi la tua copia gratuita Edizioni Ad Local Edizioni freddy.com freddy.com contenuti Shop in the City giugno 2017 6 director's cut RubRiche 10 contriButors 12 oggetto del desiderio 16 fermo immagine Malena Mazza 18 se fossi Francesca Martinengo | Giuseppe Musso 53 22 in&out 25 green A piedi nudi nel bosco 29 personal shopper 34 go away estero 36 diy 39 good news 41 go away italy 45 BamBini 22 48 Beviamo una cosa Freisa 50 ricetta d'autore 53 dimmi come mangi Stefano Deidda 54 letture 56 genovesi a teatro 59 non semBra genova 81 sport 100 music&shop 12 102 contaci 104 genova odi et amo 106 mcmusa consiglia 109 contenti e premiati 111 news&gossip 120 company profile Maina | San Maurizio 1619 122 programma di sala 128 personal oroscopo In copertina Alvaro Soler. 2 | 06 . 2017 | Shop in the City SMN PUBBLICITA' PER SHOP IN THE CITY_Layout 1 19/05/17 17.54 Pagina 1 contenuti Shop in the City giugno 2017 magazine 64 outfit Clara Negro 71 moda Cinque look per l'estate 77 Beauty Pelle grassa, mista, secca 85 4passi La dolce vita 90 in persona Barbara Nejrotti 66 coveR alvaro soler 90 42 fReestyle Babysitter Hotel strambi 95 calendaRio estivo 115 english version Colorate, pratiche, versatili, un must per la bella stagio- ne, borsa O bag da Sanguineti Via XX Settembre 108R Genova. 71 85 4 | 06 . -
Revealing the African Presence in Renaissance Europe Revealing the African Presence in Renaissance Europe
12.1mm 203mm revealing the african presence in renaissance europe presencerevealing the african in renaissance the walters art museum art the walters revealing the african presence in renaissance europe revealing the african presence in renaissance europe Revealing The Presence African Renaissance Europe edited by Joaneath Spicer contributions by Natalie Zemon Davis Kate Lowe Joaneath Spicer RevealingBen Vinson III revealing the african presence The Presencein renaissanceAfrican europe Renaissance the Europewalters art museum This publication has been generously supported by the Robert H. and Clarice Smith Publication Fund Published by the Walters Art Museum, Baltimore All rights reserved. © 2012 Trustees of the Walters Art Gallery No part of the contents of this book may be reproduced, Third printing, 2013 stored in a retrieval system, or transmitted in any form or by any means, including photocopy, recording, or other information and retrieval systems without the written permission of the Trustees of the Walters Art Gallery. This publication accompanies the exhibition Revealing All dimensions are in centimeters; height precedes width the African Presence in Renaissance Europe, held at the precedes depth unless otherwise indicated. Walters Art Museum from October 14, 2012, to January 21, The Walters Art Museum 2013, and at the Princeton University Art Museum from 600 North Charles Street February 16 to June 9, 2013. Baltimore, Maryland 21201 This exhibition is supported by a grant from the National thewalters.org Endowment for the Humanities and by an indemnity Produced by Marquand Books, Seattle from the Federal Council on the Arts and Humanities. marquand.com Library of Congress Cataloging-in-Publication Data Designed and typeset by Susan E. -
1.10.2017 0:00 Morat & Alvaro Soler 1.10.2017 0:03 Guru
1.10.2017 0:00 MORAT & ALVARO SOLER 1.10.2017 0:03 GURU JOSH PROJECT 1.10.2017 0:06 LOST FREQUENCES 1.10.2017 0:09 SIGMA 1.10.2017 0:12 CHEAT CODES 1.10.2017 0:16 FILATOV & KARAS 1.10.2017 0:19 MIKE PERRY FEAT. SHY MARTIN 1.10.2017 0:22 CALVIN HARRIS 1.10.2017 0:25 MOONY 1.10.2017 0:29 SHAGGY FEAT. TRIX & FLIX 1.10.2017 0:32 AVICII FT. SANDRO CAVAZZA 1.10.2017 0:35 KIESZA 1.10.2017 0:39 PRAISE CATS FT. ANDREA LOVE 1.10.2017 0:44 LUCAS & STEVE 1.10.2017 0:47 MR. PROBZ 1.10.2017 0:50 RUDIMENTAL FEAT. JAMES ARTHUR 1.10.2017 0:54 LILLY WOOD AND THE PRICK 1.10.2017 0:57 ED SHEERAN 1.10.2017 1:00 KUNGS FT. EPHEMERALS 1.10.2017 1:04 DARIO G. 1.10.2017 1:06 MARTIN SOLVEIG ET INA WROLDSEN 1.10.2017 1:09 DUKE DUMONT FEAT. JAX JONES 1.10.2017 1:12 MADONNA 1.10.2017 1:15 MAHMUT ORHAN FEAT. ENELI 1.10.2017 1:17 ROBIN SCHULZ 1.10.2017 1:21 (PI) JONAS BLUE 1.10.2017 1:24 TWENTY 4 SEVEN 1.10.2017 1:27 THE FREESTYLERS 1.10.2017 1:30 MAJOR LAZER FEAT. TRAVIS SCOTT 1.10.2017 1:34 SWEDISH HOUSE MAFIA 1.10.2017 1:37 SHAPESHIFTERS 1.10.2017 1:40 PITBULL & J BALVIN 1.10.2017 1:43 DUA LIPA 1.10.2017 1:47 SIGALA & ELLA EYRE 1.10.2017 1:50 TACABRO 1.10.2017 1:54 C & C MUSIC FACTORY 1.10.2017 1:57 RHODES & FELIX JAEHN 1.10.2017 1:59 MAHMUT ORHAN FEAT.