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Annual Report
2011 Annual Report Dear Members and Friends, Fiscal Year 2011 (July 1, 2010 through June 30, 2011) was one of experimentation and outreach and one of celebrating accomplished artists living and working in the region. The curatorial and public programs staff jointly experimented with a new concept for an exhibition addressing the theme of how museums collect, care for, interpret, exhibit and transport art in The Secret Life of Art: Mysteries of the Museum Revealed. In planning for the exhibition, the staff reached out with an online survey asking the public what they might like to learn about museum operations. Responses from 450 individuals helped determine the content of the exhibition, related programs and the newly-launched blog. The installation of the exhibition experimented with some new interpretive techniques: videos on the design process of the Zimmerman House and on the preparation of Jan Gossaert’s Portrait of a Man for shipment to the Metropolitan Museum of Art; the display of materials used to pack paintings in crates; and the exhibition of the reverse of Georgia O’Keeffe’s A Cross by the Sea, 1925, to show the array of labels that document the painting’s history since it was first shown at Alfred Stieglitz’ gallery, An American Place, in New York City. Throughout the year we celebrated innovative artists from New IMAGES England with solo exhibitions. During the summer we featured COVER: Jon Brooks talks to Anne Milne, the kinetic sculpture of George Sherwood, a Massachusetts Trustee Emerita, at the opening of his first retrospective exhibition Jon Brooks: artist, whose Fusion II now animates the Zachos Court in front A Collaboration with Nature. -
18Th Annual Eastern Conference of the Timber Framers Guild
Timber Framers Guild 18th Annual Eastern Conference November 14–17, 2002, Burlington, Vermont The Timber Framer’s Panel Company www.foardpanel.com P.O. Box 185, West Chesterfield, NH 03466 ● 603-256-8800 ● [email protected] Contents FRANK BAKER Healthy Businesses. 3 BRUCE BEEKEN Furniture from the Forest . 4 BEN BRUNGRABER AND GRIGG MULLEN Engineering Day to Day ENGINEERING TRACK . 6 BEN BRUNGRABER AND DICK SCHMIDT Codes: the Practical and the Possible ENGINEERING TRACK . 8 RUDY CHRISTIAN Understanding and Using Square Rule Layout WORKSHOP . 13 RICHARD CORMIER Chip Carving PRE-CONFERENCE WORKSHOP . 14 DAVID FISCHETTI AND ED LEVIN Historical Forms ENGINEERING TRACK . 15 ANDERS FROSTRUP Is Big Best or Beautiful? . 19 ANDERS FROSTRUP Stave Churches . 21 SIMON GNEHM The Swiss Carpenter Apprenticeship . 22 JOE HOWARD Radio Frequency Vacuum Drying of Large Timber: an Overview . 24 JOSH JACKSON Plumb Line and Bubble Scribing DEMONSTRATION . 26 LES JOZSA Wood Morphology Related to Log Quality. 28 MICHELLE KANTOR Construction Law and Contract Management: Know your Risks. 30 WITOLD KARWOWSKI Annihilated Heritage . 31 STEVE LAWRENCE, GORDON MACDONALD, AND JAIME WARD Penguins in Bondage DEMO 33 ED LEVIN AND DICK SCHMIDT Pity the Poor Rafter Pair ENGINEERING TRACK . 35 MATTHYS LEVY Why Buildings Don’t Fall Down FEATURED SPEAKER . 37 JAN LEWANDOSKI Vernacular Wooden Roof Trusses: Form and Repair . 38 GORDON MACDONALD Building a Ballista for the BBC . 39 CURTIS MILTON ET AL Math Wizards OPEN ASSISTANCE . 40 HARRELSON STANLEY Efficient Tool Sharpening for Professionals DEMONSTRATION . 42 THOMAS VISSER Historic Barns: Preserving a Threatened Heritage FEATURED SPEAKER . 44 Cover illustration of the Norwell Crane by Barbara Cahill. -
Carving Newsletter February 2021 Final Version-2
FEBRUARY 2021 PRESIDENT’S LETTER Hello Carvers, I want to invite you to a special member meeting on April 21st at 7:00 PM (online). Te agenda includes officially changing the name from the Western Woodcarvers Association to the Oregon Carvers Guild, adding language to become a 501c3 charitable nonproft, revising the bylaws and electing officers. To register, click here. We want to honor the 48 year legacy of the Western Woodcarvers Association and continue using the State’s legal framework but change the name. To do this we need to make a one sentence name change to the Articles of Incorporation and fle the amendment. Tis is easy, but we will make other necessary changes while we are at it. Particularly we will add boilerplate language so we can become a 501c3 nonproft, the strongest and best type. Right now we are a generic c7 nonproft which provides no beneft to donors. It will take another six months to get IRS approval after that. Members need to approve these changes. While we are at it, we are going to ask you to approve new bylaws to refect our planned organization and add protection for directors and officers. Te language for these will be voluminous but necessary. Quite boring for most of us to wade through, but quite necessary. Finally, we will vote on officers for the next fscal year, hear about our progress and plans and answer questions. If you have a desire to serve on the board, or volunteer to help in any way, please let me know. -
Library-By-Media.Pdf
Card# Title Author Media Group 168 SHAKER BAND SAW PROJECTS DUGINAKE/MORRIS BOOK band saw 156 BANDSAW HANDBOOK VOL #2 (dup 131) DUGINSKE BOOK band saw 369 BANDSAW WORKSHOP BENCH REF. DUGINSKE, MARK BOOK band saw 314 SHOP TIPS bandsaw RODALE BOOKS BOOK band saw 138 BUILDING BEAUTIFUL BOXES/BANDSAW VENTURA, LOIS KEENER BOOK band saw 52 THE ART OF THE BAND SAW DUGINSKE, MARK BOOK bandsaw 133 MILTI USE COLLAPSIBLE BASKETS LONGABAUGH RICK & KAREN BOOK baskets 155 COLLAPSIBLE BASKET PATTERNS LONGABOUGH R& K BOOK baskets 227 THE BIRD FEEDER BOOK BOSWELL, THOM BOOK birds 389 EASY TO MAKE BIRD FEEDERS CAMPBELL, SCOTT D BOOK birds 416 MAKING BACKYARD BIRD HOUSES CORTWRIGHT AND POKRIOTS BOOK birds 147 MAKING FANCY BIRDHOUSES & FEEDERS D BOOK birds 620 BIRD HOUSES AND FEEDERS MEISEL, PAUL BOOK birds 229 BEASTLY ABODES-BIRDS, BATS, BUTTERFLY NEEDHAM,BOBBE BOOK birds 621 MAKING FANCY BIRD HOUSES AND FEEDERS SELF, CHARLES BOOK birds 346 BOATBUILDING CHAPELLE, HOWARD BOOK boat 471 BUILDING A STRIP CANOE GILPATRICK,GIL BOOK boat 428 STRIPPERS GUIDE/CANOE BLDNG HAZEN,DAVID BOOK boat 197 CLINKERBOAT BUILDING LEATHER,JOHN BOOK boat 478 STRIP-BUILT BOATS MILLER,LEW BOOK boat 427 CANOE CRAFT MOORES, TED-MOHR,MERILYN BOOK boat 722 BOAT MODELING PAYSON, DYNAMITE BOOK boat 472 BUILDING LAPSTRAKE CANOES SIMMONS, WALTER BOOK boat 474 LAPSTRAKE BOATBUILDING SIMMONS, WALTER BOOK boat 391 BUILDING THE CANOE STELMAK,JERRY BOOK boat 470 WOOD AND CANVAS CANOE STELMOK, JERRY BOOK boat 476 BUILDING THE HERRESHOFF DINGHY THOMAS, BARRY BOOK boat 475 LOFTING VAITSES,ALLAN H BOOK boat 450 BUILD A BOAT WOOD BOAT MAGAZINE BOOK boat 477 BOAT BUILDING WOODS WOODENBOAT MAGAZINE BOOK boat 429 BLDNG BOB'S SPECIAL CANOE BOOK boat 422 HOW TO DESIGN CANOES BOOK boat 43 MAKING WOOD BOXES W/ BAND SAW CRABB BOOK boxes 325 FINE DEC. -
Quick Carve Snowmen
2038_Snowmen_RD.QXD 10/12/04 3:04 PM Page 20 Materials MATERIALS: & TOOLS Wood: 1 Quick- 4 ⁄2" by 2" by 2" basswood block for each snowman TOOLS: 7 No. 3 ⁄8" gouge 1 Carving knife with a 1 ⁄4"-long blade Carve Detail knife 1mm V tool Snowmen ACCESSORIES: See-through flexible ruler Cheery holiday decorations Stylus with fine point anyone can make Tracing paper Carbon or graphite paper By Cyndi Joslyn Soft cloth used for antiquing FINISHING MATERIALS: Acrylic paint - colors per color chart With simple No.6 flat paintbrush adjustments to the No.1 liner brush scarf and hat, you Waterbased varnish (satin finish) can give your Antiquing medium/retarder (Jo Sonja’s snowmen a variety recommended) of cheerful looks. Further Tips hen it’s time for holiday READING carving, many turn to the By Cyndi Josyln Dry Brush Technique WWJolly Old Elf as a subject. Carving Santas Wet a flat paintbrush and stroke it This year, consider these cheery little from Around the back and forth on a paper towel to snowmen. Fun to make and fun to World remove most of the water from it. give, they are great stocking stuffers. Learn to carve festive Santas Dip the very edge of the brush into from around the world Understanding what you’ll see in through 3 step-by-step the paint. Again stroke the brush the photographs and text of this carving & painting projects. Includes patterns back and forth a few times on the demonstration will help a lot to & photographs for 12 additional Santas. -
September 2018
THE WILDFOWLER SEPTEMBER 2018 A PUBLICATION OF THE ATLANTIC WILDFOWL HERITAGE MUSEUM AND THE BACK BAY WILDFOWL GUILD Back Bay Wildfowl Guild Memories Thomas C. Green March 1, 1935 – August 26, 1994 Tom, better known as “Shane”, a nickname he was tagged with as a young child, loved working in his home studio on Loren Crescent in the Cavalier Manor neighborhood of Portsmouth, Virginia. A home he shared with his wife Sylvia where they raised two boys. He enjoyed carving decoys, painting flat art landscapes and scenes of wild ducks and birds. He also enjoyed etching. The variety of the mediums allowed him to express himself without his art becoming boring and mundane. Shane called his passion for art a sickness and therapy all rolled up together. Shane was born in Knoxville, Tennessee. Shortly after his birth his family moved to Portsmouth, VA where he attended Mount Hermon Elementary School and graduated from I. C. Norcom High School. He then attended Virginia State College where he obtained degrees in Chemistry and Accounting. In 1958 Shane joined the United States Army as a Second Lieutenant resigning his commission as a Captain in 1963. In April of 1990 he retired as an Auditor for the United States Navy after a stellar 25 year career where he earned the Navy’s Meritorious Civilian Service Award. Throughout his career as an auditor his was required to travel. He traveled up and down the East and West coasts of the United States, to Japan, Cuba, Europe, and Hawaii. All the while maintaining an avid interest in a variety of art forms. -
Mark Lindquist: Revolutions in Wood. Seattle: University of Washington Press, 1995
Mark Lindquist: Revolutions in Wood. Seattle: University of Washington Press, 1995; pp. 9-23. Text © Robert Hobbs Mark Lindquist: Revolutions in Wood ROBERT HOBBS To a casual observer Mark Lindquist might at first appear to be an epigone of rhe American woodturning movement's first generation, which was led in the 1950s and 1960s by his father Melvin Lindquist who initiated the use of spa! ted wood, Rude Osolnik who rethought and reinvigorated Southern folk traditions of production woodturning, Bob Stocksdale who delighted in examining the inherent properties of various exotic materials, and Ed Moulthrop who originated ways to turn monumental vessels and envelop them in space-age plastics. However, Lindquist's contributions to this movement in terms of technical innovations and reconsideration of the vessel as a sculptural form rich in cultural and stylistic associations are so profound and far-reaching that rhey have reconstituted the field. Recalling his attitudes in Mark Lindquist, c. 1977 rhe late 1960s when he began, this remarkable innovator has said, "I did not then care for the rime-honored traditions of the craft, and I do nor now care about rhe taboos of rhe purisrs." 1 His generosity in disseminating his ideas and techniques among great numbers of woodrurners through carefully researched essays on his ground-breaking discoveries and his basic primer Sculpting Wood: Contempormy Tools and Techniques 2 has had the net result of making many of his pioneering fears regularly accepted practices. Some of his important technical innovations have received such a sweeping imprimatur from the modern srudio woodrurning movement that they need to be recalled in this study, together with their dares, in order to assess properly his lasting impact on this field. -
2019 Design in Wood Accepted List by Last Name
2019 Design In Wood Accepted List By Last Name WEN Last Name First Name Division Class and Class Description Title Accepted 13DBD3 Ababaf Daryoush 1101 Design In Wood 014 - Veneering/Marquetry - Art Wildflowers Accepted 5D9482 Ababaf Daryoush 1101 Design In Wood 014 - Veneering/Marquetry - Art Turtle Accepted 99E52E Ababaf Daryoush 1101 Design In Wood 014 - Veneering/Marquetry - Art Goldfish Accepted 53E0EA Albertson David 1101 Design In Wood 010 - Model Building - Not to Scale 1930 Ford Accepted 9567F6 Amick James 1101 Design In Wood 018 - Wood Turning - Embellished/Mixed Media Myrtle Pearl Accepted D3084C Amick James 1101 Design In Wood 018 - Wood Turning - Embellished/Mixed Media Walnut Burl Pearl Accepted D9E0F0 Anderson Karen J 1101 Design In Wood 026 - Scroll Saw - Fretwork - Pierced & Unpierced Fancy Fish Accepted DF401F Appelquist Paul 1101 Design In Wood 006 - Chairs - Furniture Made for Seating Sleigh seat Accepted E4AC30 Atangan Patrick 1101 Design In Wood 006 - Chairs - Furniture Made for Seating Eliptical Sofa Accepted 1658DD Ault Sally 1101 Design In Wood 018 - Wood Turning - Embellished/Mixed Media Spire Accepted 203F9D Ault Sally 1101 Design In Wood 016 - Wood Turning - Face Work: Perpendicular to the ways of the lathe Natural Edge Bowl Accepted 58AED5 Ault Sally 1101 Design In Wood 016 - Wood Turning - Face Work: Perpendicular to the ways of the lathe Blowin' in the Wind Accepted B515AB Avery Joe 1101 Design In Wood 005 - Art Furniture Surfboard Table Accepted F17968 Barrientos Ivan 1101 Design In Wood 026 - Scroll Saw -
Annual Report
10 11 annual report MOBILE MUSEUM OF ART 2 Table of Contents 3 MMOA by the Numbers 4 From the Board Chair 5 Exhibitions 9 Education 12 Gifts and Acquisitions 16 Gifts and Contributions 18 Statement of Financial Position 19 MMOA Docents and Staff right: A docent helps a student from the Alabama Institute for the Deaf and Blind. below: A patron views works on display in the Ann B. Hearin Material Imaginings Gallery. cover image: Mark Lindquist (American, born 1949), Bowl In Flight I, 1983 – 1985, elm and walnut. Gift of Jane S. Mason and Arthur K. Mason. back cover image: Akio Takamori (American, born Japan, 1950), Girl In Yellow Sweater, 2006, glazed stoneware. Museum purchase from the Porter*Price Collection. our MISSION The mission of The Mobile Museum of Art is to provide a place where people enrich their lives through interaction with the visual arts in thought-provoking and creative TABLE OF CONTENTS TABLE ways that nourish and delight the mind and spirit. For the fundamental purpose of EDUCATION, the Museum collects, conserves, exhibits, interprets, and researches . 2 ART mmoa by the NUMBERS 89,154 Number of Sculpture Trail Visitors 58,842 Number of Onsite Visitors 31,003 Number of Website Visits 15,888 Number Served Through Traveling Exhibitions 9,759 Number Served Through Outreach 6,320 Number of Students Who Attended Guided Tours MMOA BY THE NUMBERS 3,576 Number of Art Blast Attendees 2,402 Number of Attendees at Adult Programs 2,304 Number of Home School Program Attendees 1,684 Number of Members 1,253 Number of Free Day Attendees -
Living with Wood to the Participants and the General Public
REDISCOVERING WOOD: THE KEY TO A SUSTAINABLE FUTURE THE INTERNATIONAL CONFERENCE ON THE ART AND JOY OF WOOD BANGALORE, INDIA 19 OCTOBER – 22 OCTOBER 2011 PROCEEDINGS PART 1- CONFERENCE OVERVIEW The designations employed and the presentation of material in this information product do not imply the expression of any opinion whatsoever on the part of the Food and Agriculture Organization of the United Nations (FAO) concerning the legal or development status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. The mention of specific companies or products of manufacturers, whether or not these have been patented, does not imply that these have been endorsed or recommended by FAO in preference to others of a similar nature that are not mentioned. The views expressed in this information product are those of the author(s) and do not necessarily reflect the views or policies of FAO. ISBN 978-92-5-107598-2 (print) E-ISBN 978-92-5-107599-9 (PDF) © FAO 2013 FAO encourages the use, reproduction and dissemination of material in this information product. Except where otherwise indicated, material may be copied, downloaded and printed for private study, research and teaching purposes, or for use in non-commercial products or services, provided that appropriate acknowledgement of FAO as the source and copyright holder is given and that FAO’s endorsement of users’ views, products or services is not implied in any way. All requests for translation and adaptation rights, and for resale and other commercial use rights should be made via www.fao.org/contact-us/licence- request or addressed to [email protected]. -
Home Craft Course : Pennsylvania German Wood Carving Ebook, Epub
HOME CRAFT COURSE : PENNSYLVANIA GERMAN WOOD CARVING PDF, EPUB, EBOOK W J McAllister | 48 pages | 30 Mar 2007 | Kessinger Publishing | 9781432557898 | English | Whitefish MT, United States Home Craft Course : Pennsylvania German Wood Carving PDF Book What a beautiful color! After seeing the ten foot version of Eric's double eagle tree chainsaw carving, the client asked if he could create a somewhat smaller version. The mass was scheduled in the early morning hours of Christmas Day, following the last shift on Christmas Eve. There are no gimmicks, just European craft tradition solidly rooted in a lifetime of training and experience, taught by a true master woodcarver if you know me you know I do not use that word lightly, and I believe that is what sets this school apart from many of the other schools out there. If you want to rent tools we offer that as well. His work can be found in nearly every state, including Alaska and Hawaii, and on at least 6 continents. He captures the essence of a single moment in the daily life of his subject. I have produced abstract forms as well as anatomical figures. Read about eating disorder treatment here. Shop Now. Reply 6 years ago on Introduction. Unless you were a doctor for trees or something of that sort. How long wood carving tool holds the sharp edge of a blade. Contact: Artist: Garry King, wood sculptor "Garry King has worked and loved wood all his life. For those flying in we are located 50 minutes north of Logan Airport in Boston. -
View 1999 Catalog As
of GRAINGER McKOY Introduction by Robin R. Salmon Essay byJames Kilgo WYRICK & COMPANY BROWN PELICANS 1994, Black walnut and metal The Sanderling Inn The Sculpture of GRAINGER McKoy Brookgreen Gardens was the nation's first sculp- their attempt to replicate the details of a species,to ture garden. Since 1931 it has quiedy been building occasionally (indeed, very occasionally) work of intri- the country's most impressive collection of American cate detail that also reflects an imagination and power figurative sculpture and has been displaying that col- that clearly lifts it to the level of art. lection in its outdoor settings. Today the Brookgreen Happily, Brookgreen Gardens recently opened collection includes over 700 works and provides a vir- the Callie and John Rainey Sculpture Pavilion con- tually comprehensive exhibition of sculpture created taining galleries that allow for the indoor exhibition by American artists working in the naturalistic style. of sculpture, including wooden sculpture. And hap- Brookgreen, however, has never collected works pily' Graingei McKoy, one of our South Carolina in wood, focusing instead on sculptures of stone and neighbors, creates such sculpture (and, as you will metal. The reason for the exclusion of wooden see,bronzes now as well) at the highest level of artis- pieces is obvious-such works could not endure in tic accomplishment. Thus this exhibit, "The Brookgreen's outdoor exhibits. This Is an unfortu- Sculpture of Grainger McKoy," marks an important nate limitation because the earliest American sculp- milestone in Brookgreen's long commitment to tors worked in wood, carving figures for the bows of American figurative sculpture and provides for those ships and for other ornamental uses.