Yale University Art Gallery Bulletin 2018 Recent Acquisitions
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20Th Century Art & Design Auction September 9 • Sale Results
20th Century Art & Design Auction September 9 • Sale Results * The prices listed do not include the buyers premium. Results are subject to change. unsold $ Lot # Title high bid 088 Rookwood vase, incised and painted stylized floral 950 Darling 275 00 Gustav Stickley Morris chair, #336 0000 09 Hampshire bowl, organic green matt glaze 200 70 Frank J. Marshall box 200 002 Gustave Baumann woodblock, 5000 092 Pewabic vase, shouldered hand-thrown shape 850 7 Indiana Engraving Company print 600 004 Arts & Crafts tinder box, slanted lift top 650 093 Van Briggle vase, ca. 907-92, squat form 550 72 Hiroshige (Japanese 796-858), colorful woodblock print 005 Rookwood vase, geometric design 325 094 Hull House bowl, low form 200 600 006 Arts & Crafts graphic, 350 095 Rookwood vase, three-handled form 300 73 Arts & Crafts wall hanging, wood panel 400 007 Limbert bookcase, #358, two door form 2200 096 Gustav Stickley Chalet desk, #505 2200 74 Hiroshige (Japanese 796-858), colorful woodblockw/ 008 Gustav Stickley china cabinet 800 097 Gustav Stickley bookcase, #75 2600 Kunihisa Utagawa 450 009 Weller Coppertone vase, flaring form 250 098 Gustav Stickley china cabinet, #85 5500 75 Gustav Stickley desk, #720, two drawers 800 00 Armen Haireian vase, 275 00 Shreve blotter ends, attribution, hammered copper 400 76 Rookwood vase, bulbous shape covered in a green matt 011 Grueby vase, rare light blue suspended matt glaze 400 0 Arts & Crafts table runner, embroidered poppy designs 350 glaze 1100 02 Van Briggle tile, incised and painted landscape 200 02 Arts & Crafts blanket chest 950 77 Gustav Stickley sideboard, #89, three drawers 5000 03 Fulper vase, large tapering form 425 04 Heintz desk set, 325 78 Arts & Crafts tabouret, hexagonal top 400 04 Van Briggle tile, incised and painted landscape 2300 05 Navajo rug, stylized diamond design 450 79 Gustav Stickley Thornden side chair, #299 75 05 Newcomb College handled vessel, bulbous shape 300 06 L & JG Stickley dining chairs, #800, set of six 2000 80 Arts & Crafts tabouret, octagonal top 375 06 Van Briggle vase, ca. -
Checklist of Anniversary Acquisitions
Checklist of Anniversary Acquisitions As of August 1, 2002 Note to the Reader The works of art illustrated in color in the preceding pages represent a selection of the objects in the exhibition Gifts in Honor of the 125th Anniversary of the Philadelphia Museum of Art. The Checklist that follows includes all of the Museum’s anniversary acquisitions, not just those in the exhibition. The Checklist has been organized by geography (Africa, Asia, Europe, North America) and within each continent by broad category (Costume and Textiles; Decorative Arts; Paintings; Prints, Drawings, and Photographs; Sculpture). Within each category, works of art are listed chronologically. An asterisk indicates that an object is illustrated in black and white in the Checklist. Page references are to color plates. For gifts of a collection numbering more than forty objects, an overview of the contents of the collection is provided in lieu of information about each individual object. Certain gifts have been the subject of separate exhibitions with their own catalogues. In such instances, the reader is referred to the section For Further Reading. Africa | Sculpture AFRICA ASIA Floral, Leaf, Crane, and Turtle Roundels Vests (2) Colonel Stephen McCormick’s continued generosity to Plain-weave cotton with tsutsugaki (rice-paste Plain-weave cotton with cotton sashiko (darning the Museum in the form of the gift of an impressive 1 Sculpture Costume and Textiles resist), 57 x 54 inches (120.7 x 115.6 cm) stitches) (2000-113-17), 30 ⁄4 x 24 inches (77.5 x group of forty-one Korean and Chinese objects is espe- 2000-113-9 61 cm); plain-weave shifu (cotton warp and paper cially remarkable for the variety and depth it offers as a 1 1. -
Annual Report
2011 Annual Report Dear Members and Friends, Fiscal Year 2011 (July 1, 2010 through June 30, 2011) was one of experimentation and outreach and one of celebrating accomplished artists living and working in the region. The curatorial and public programs staff jointly experimented with a new concept for an exhibition addressing the theme of how museums collect, care for, interpret, exhibit and transport art in The Secret Life of Art: Mysteries of the Museum Revealed. In planning for the exhibition, the staff reached out with an online survey asking the public what they might like to learn about museum operations. Responses from 450 individuals helped determine the content of the exhibition, related programs and the newly-launched blog. The installation of the exhibition experimented with some new interpretive techniques: videos on the design process of the Zimmerman House and on the preparation of Jan Gossaert’s Portrait of a Man for shipment to the Metropolitan Museum of Art; the display of materials used to pack paintings in crates; and the exhibition of the reverse of Georgia O’Keeffe’s A Cross by the Sea, 1925, to show the array of labels that document the painting’s history since it was first shown at Alfred Stieglitz’ gallery, An American Place, in New York City. Throughout the year we celebrated innovative artists from New IMAGES England with solo exhibitions. During the summer we featured COVER: Jon Brooks talks to Anne Milne, the kinetic sculpture of George Sherwood, a Massachusetts Trustee Emerita, at the opening of his first retrospective exhibition Jon Brooks: artist, whose Fusion II now animates the Zachos Court in front A Collaboration with Nature. -
Numbers in Bengali Language
NUMBERS IN BENGALI LANGUAGE A dissertation submitted to Assam University, Silchar in partial fulfilment of the requirement for the degree of Masters of Arts in Department of Linguistics. Roll - 011818 No - 2083100012 Registration No 03-120032252 DEPARTMENT OF LINGUISTICS SCHOOL OF LANGUAGE ASSAM UNIVERSITY SILCHAR 788011, INDIA YEAR OF SUBMISSION : 2020 CONTENTS Title Page no. Certificate 1 Declaration by the candidate 2 Acknowledgement 3 Chapter 1: INTRODUCTION 1.1.0 A rapid sketch on Assam 4 1.2.0 Etymology of “Assam” 4 Geographical Location 4-5 State symbols 5 Bengali language and scripts 5-6 Religion 6-9 Culture 9 Festival 9 Food havits 10 Dresses and Ornaments 10-12 Music and Instruments 12-14 Chapter 2: REVIEW OF LITERATURE 15-16 Chapter 3: OBJECTIVES AND METHODOLOGY Objectives 16 Methodology and Sources of Data 16 Chapter 4: NUMBERS 18-20 Chapter 5: CONCLUSION 21 BIBLIOGRAPHY 22 CERTIFICATE DEPARTMENT OF LINGUISTICS SCHOOL OF LANGUAGES ASSAM UNIVERSITY SILCHAR DATE: 15-05-2020 Certified that the dissertation/project entitled “Numbers in Bengali Language” submitted by Roll - 011818 No - 2083100012 Registration No 03-120032252 of 2018-2019 for Master degree in Linguistics in Assam University, Silchar. It is further certified that the candidate has complied with all the formalities as per the requirements of Assam University . I recommend that the dissertation may be placed before examiners for consideration of award of the degree of this university. 5.10.2020 (Asst. Professor Paramita Purkait) Name & Signature of the Supervisor Department of Linguistics Assam University, Silchar 1 DECLARATION I hereby Roll - 011818 No - 2083100012 Registration No – 03-120032252 hereby declare that the subject matter of the dissertation entitled ‘Numbers in Bengali language’ is the record of the work done by me. -
The Wood Turning Center Is a Non-Profit Arts Institution Dedicated
Chronological List of Exhibitions & Publications The Center for Art in Wood 141 N. 3rd Street | Philadelphia, PA 19106 | 215-923-8000 Exhibitions in italics were accompanied by publications. Title of exhibition catalogue is listed with its details. 2012 Hooked on Wood: The Allure of the Fish Decoy, The Center for Art in Wood, May 18 – July 21, 2012, Curated by Dick Walters, Adviser Gene Kangas. Hooked on Wood, showcases modern wood fish decoys and highlights historical works as early as 3000 years ago. Today fish decoys are appreciated for their beauty as polychrome sculptures and are evaluated on their ability to move in the water to attract real fish. Families and people of all ages will be astonished and delighted at the utter creativity and craftsmanship in this exhibit. Over 100 fish decoys are on display: Ice spearing decoys – a handmade utilitarian tool, trophy fish – decorative piscatorial portraits, and folk sculpture. 2012 Life Aquatic, The Center for Art in Wood, May 18 – July 21, 2012. In conjunction with Hooked on Wood, The Center invited six artists to exhibit work inspired by and in response to themes of sea life. Pulling inspiration from water, sea animals and plants the artists produced captivating sculptures, wall hangings, and even imaginative creatures that may lurk in the abyss. Exhibited Artists: Michael De Forest, Satoshi Fujinuma, Michael Hosulak, Janel Jacobson, Merryll Saylan, and David Sengel. 2011 Turning to Art in Wood: A Creative Journey, The Center for Art in Wood, November 4, 2011 – April 21, 2012. Curator: Gerard Brown. Celebrating the 25th anniversary of Philadelphia’s renowned Wood Turning Center as it takes a new name—The Center for Art in Wood—and moves to an exciting new location among the art galleries in Old City. -
The Factory of Visual
ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving. -
Frida Kahlo I Diego Rivera. Polski Kontekst
Polski kontekst I Polish context SPIS TREŚCI TABLE OF CONTENTS 9—11 7 Jacek Jaśkowiak 135—148 Helga Prignitz-Poda Prezydent Miasta Poznania I President of the City of Poznań Diego Rivera – prace I Diego Rivera – works Gdyby Frida była wśród nas… I If Frida were among us… 187—187 Helga Prignitz-Poda 19—19 Alejandro Negrín Nickolas Muray Ambasador Meksyku w Polsce I Ambassador of Mexico to Poland Frida Kahlo i Diego Rivera w Polsce: uniwersalizm kultury meksykańskiej 195—195 Ariel Zúñiga Frida Kahlo and Diego Rivera in Poland: the Universal Nature of Mexican Art O Bernice Kolko… I On Bernice Kolko… x1— 13 Anna Hryniewiecka 211—211 Dina Comisarenco Mirkin Dyrektor Centrum Kultury ZAMEK w Poznaniu I Director of ZAMEK Culture Centre in Poznań Grafiki Fanny Rabel (artystki w wieku pomiędzy sześćsetnym Frida. Czas kobiet I Frida. Time of Women i dwutysięcznym rokiem życia) I Graphic works by Fanny Rabel (artist between 600 and 2000 years of age) 17—17 Helga Prignitz-Poda Frida Kahlo i Diego Rivera. Polski kontekst. Sztuka meksykańska w wymianie kulturowej 135—224 Diego Rivera Frida Kahlo and Diego Rivera. Polish context. Mexican Art in Cultural Exchange O Fanny Rabel I About Fanny Rabel 17— 52 Elena Poniatowska 135—225 Frida Kahlo o Fanny Rabel, sierpień 1945 Frida Kahlo Frida Kahlo about Fanny Rabel, August 1945 0 53—53 Diego Rivera 227—227 Helga Prignitz-Poda Frida Kahlo i sztuka Meksyku I Frida Kahlo and Mexican Art Kolekcja prac z Wystawy sztuki meksykańskiej z 1955 roku w zbiorach Muzeum Narodowego w Warszawie I Works from the 1955 Exhibition -
Morton Subastas SA De CV
Morton Subastas SA de CV Lot 1 CARLOS MÉRIDA Lot 3 RUFINO TAMAYO (Quetzaltenango, Guatemala, 1891 - Ciudad de México, 1984) (Oaxaca de Juárez, México, 1899 - Ciudad de México, 1991)< La casa dorada, 1979 Mujer con sandía, 1950 Firmada a lápiz y en plancha Firmada Mixografía 97 / 100 Litografía LIX / LX Procedencia: Galería del Círculo. Publicada en: PEREDA, Juan Carlos, et al. Rufino Tamayo Catalogue Con documento de la Galería AG. Raisonné Gráfica / Prints 1925-1991, Número 32. México. Fundación Olga y "Un hombre brillante que se daba el lujo de jugar integrando todos los Rufino Tamayo, CONACULTA, INBA, Turner, 2004, Pág. 66, catalogada 32. elementos que conocía, siempre con una pauta: su amor a lo indígena que le dio Impresa en Guilde Internationale de l'Amateur de Gravures, París. su razón de ser, a través de una geometría. basado en la mitología, en el Popol 54.6 x 42.5 cm Vuh, el Chilam Balam, los textiles, etc. Trató de escaparse un tiempo (los treintas), pero regresó". Miriam Kaiser. $65,000-75,000 Carlos Mérida tuvo el don de la estilización. Su manera de realizarlo se acuñó en París en los tiempos en que se cocinaban el cubismo y la abstracción. Estuvo cerca de Amadeo Modigliani, el maestro de la estilización sutil, y de las imágenes del paraíso de Gauguin. Al regresar a Guatemala por la primera guerra mundial decide no abandonar el discurso estético adopado en Europa y más bien lo fusiona con el contexto latinoamericano. "Ningún signo de movimiento organizado existía entonces en nuestra América", escribe Mérida acerca del ambiente artístico que imperaba a su llegada a México en 1919. -
La Célula Gráfica. Artistas Revolucionarios En México, 1919-1968, Muestra Que Aborda El Compromiso De Los Artistas Mexicanos Del Siglo XX
Dirección de Difusión y Relaciones Públicas Ciudad de México, a 22 de noviembre de 2019 Boletín núm. 1800 La célula gráfica. Artistas revolucionarios en México, 1919-1968, muestra que aborda el compromiso de los artistas mexicanos del siglo XX • Las 180 piezas permanecerán en exposición del 22 de noviembre de 2019 al 23 de febrero de 2020 en el Museo Nacional de la Estampa El Museo Nacional de la Estampa (Munae) del Instituto Nacional de Bellas Artes y Literatura (INBAL) exhibirá a partir del 22 de noviembre la muestra La célula gráfica. Artistas revolucionarios en México, 1919-1968, cuyo objetivo es valorar la función del arte como compromiso social. Esta exposición, bajo la curaduría de Ana Carolina Abad, se centra en el trabajo de artistas que, a partir del fin de la Revolución Mexicana y hasta la década de 1960, asumieron la tarea de crear imágenes con mensajes generalmente de índole social. La célula gráfica es una gran oportunidad para conocer parte del acervo del Munae que pocas veces se ha exhibido, principalmente de grabadores reconocidos, como Diego Rivera, David Alfaro Siqueiros, Luis Arenal, Xavier Guerrero, Leopoldo Méndez, Pablo O’Higgins, Raúl Anguiano, Ángel Bracho, Francisco Dosamantes, Alfredo Zalce, Arturo García Bustos, Francisco Mora y Francisco Moreno Capdevila. Igualmente contempla la obra de Andrea Gómez, Sarah Jiménez y Mariana Yampolsky. Paseo de la Reforma y Campo Marte s/n, Módulo A, 1.er Piso Col. Chapultepec Polanco, Miguel Hidalgo C.P. 11560, Ciudad de México, tel. (55) 1000 5600 Ext. 4086 [email protected] Para Emilio Payán, director del Munae, La célula gráfica. -
Museum of Arts and Design
SPRING/SUMMER BULLETIN 2011 vimuseume of artsws and design Dear Friends, Board of Trustees Holly Hotchner LEWIS KRUGER Nanette L. Laitman Director Chairman What a whirlwind fall! Every event seemed in some way or another a new milestone for JEROME A. CHAZEN us all at 2 Columbus Circle. And it all started with a public program that you might have Chairman Emeritus thought would slip under the radar—Blood into Gold: The Cinematic Alchemy of Alejandro BARbaRA TOBER Chairman Emerita Jodorowsky. Rather than attracting a small band of cinéastes, this celebration of the Chilean- FRED KLEISNER born, Paris-based filmmaker turned into a major event: not only did the screenings sell Treasurer out, but the maestro’s master class packed our seventh-floor event space to fire-code LINDA E. JOHNSON Secretary capacity and elicited a write-up in the Wall Street Journal! And that’s not all, none other HOllY HOtcHNER than Debbie Harry introduced Jodorowsky’s most famous filmThe Holy Mountain to Director filmgoers, among whom were several downtown art stars, including Klaus Biesenbach, the director of MoMA PS1. A huge fan of this mystical renaissance man, Biesenbach was StaNLEY ARKIN DIEGO ARRIA so impressed by our series that beginning on May 22, MoMA PS1 will screen The Holy GEORGE BOURI Mountain continuously until June 30. And, he has graciously given credit to MAD and KAY BUckSbaUM Jake Yuzna, our manager of public programs, for inspiring the film installation. CECILY CARSON SIMONA CHAZEN MICHELE COHEN Jodorowsky wasn’t the only Chilean artist presented at MAD last fall. Several had works ERIC DObkIN featured in Think Again: New Latin American Jewelry. -
Incisioni, Richiestissime Da Un Mercato Molto Fiorente, Giunge Ora Una Rassegna Di Rilevante Interesse, Che Si Apre Oggi Alle 17 Nei Saloni Della Biblioteca Palatina
Parmigianino e l’incisione <Padre dell'acquaforte italiana> l'ha definito Mary Pittaluga. E Giovanni Copertini ha specificato <Sebbene non si possa più considerare come l'inventore della tecnica dell'acquaforte, pure è da esserne stimato il creatore spirituale ché, con le sue stampe, ha insegnato agli artisti a trasfondere luce d'idealità in poche linee e in un tenue motivo di segni incrociati>. E' questo il lato meno noto del Parmigianino: incantevole pittore, straordinario disegnatore e anche abilissimo incisore; una caratteristica, quella di grafico, che nella grandiosa mostra allestita per celebrare il quinto centenario della nascita dell'artista passa un po' inosservata di fronte alla parata affascinante dei dipinti e dei disegni. Ad illuminare questo aspetto non secondario dell'attività del Parmigianino sia come autore diretto sia soprattutto come fornitore di disegni da trasformare in incisioni, richiestissime da un mercato molto fiorente, giunge ora una rassegna di rilevante interesse, che si apre oggi alle 17 nei saloni della Biblioteca Palatina (fino al 27 settembre) e che ha come titolo <Parmigianino tradotto. La fortuna di Francesco Mazzola nelle stampe di riproduzione tra il Cinquecento e l'Ottocento>. La correda un catalogo, pubblicato dalla Silvana Editoriale, comprendente la presentazione del direttore della Biblioteca Leonardo Farinelli, un approfondito saggio critico di Massimo Mussini e un'introduzione alle schede di Grazia Maria de Rubeis, responsabile del gabinetto delle stampe; il volume documenta tutte le incisioni <parmigianinesche> posseduta dalla Palatina, comprese quelle non esposte, cosicché assume un notevole valore scientifico in un settore ancora scarsamente esplorato con sistematicità. E' a Roma, dove si trasferisce nel 1524, che Francesco Mazzola entra nell'ambiente degli incisori fornendo disegni a Ugo da Carpi, considerato il padre della silografia, e a Jacopo Caraglio, incisore a bulino allievo di Marco Antonio Raimondi. -
A Look at Upcoming Exhibits and Performances Page 34
Vol. XXXIV, Number 50 N September 13, 2013 Moonlight Run & Walk SPECIAL SECTION page 20 www.PaloAltoOnline.com A look at upcoming exhibits and performances page 34 Transitions 17 Spectrum 18 Eating 29 Shop Talk 30 Movies 31 Puzzles 74 NNews Council takes aim at solo drivers Page 3 NHome Perfectly passionate for pickling Page 40 NSports Stanford receiving corps is in good hands Page 78 2.5% Broker Fee on Duet Homes!* Live DREAM BIG! Big Home. Big Lifestyle. Big Value. Monroe Place offers Stunning New Homes in an established Palo Alto Neighborhood. 4 Bedroom Duet & Single Family Homes in Palo Alto Starting at $1,538,888 410 Cole Court <eZllb\lFhgkh^IeZ\^'\hf (at El Camino Real & Monroe Drive) Palo Alto, CA 94306 100&,,+&)01, Copyright ©2013 Classic Communities. In an effort to constantly improve our homes, Classic Communities reserves the right to change floor plans, specifications, prices and other information without prior notice or obliga- tion. Special wall and window treatments, custom-designed walks and patio treatments and other items featured in and around the model homes are decorator-selected and not included in the purchase price. Maps are artist’s conceptions and not to scale. Floor plans not to scale. All square footages are approximate. *The single family homes are a detached, single-family style but the ownership interest is condominium. Broker # 01197434. Open House | Sat. & Sun. | 1:30 – 4:30 27950 Roble Alto Drive, Los Altos Hills $4,250,000 Beds 5 | Baths 5.5 | Offices 2 | Garage 3 Car | Palo Alto Schools Home ~ 4,565 sq.