Genius Brands International Engages Founder & CEO of Fox Kids
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The Charismatic Leadership and Cultural Legacy of Stan Lee
REINVENTING THE AMERICAN SUPERHERO: THE CHARISMATIC LEADERSHIP AND CULTURAL LEGACY OF STAN LEE Hazel Homer-Wambeam Junior Individual Documentary Process Paper: 499 Words !1 “A different house of worship A different color skin A piece of land that’s coveted And the drums of war begin.” -Stan Lee, 1970 THESIS As the comic book industry was collapsing during the 1950s and 60s, Stan Lee utilized his charismatic leadership style to reinvent and revive the superhero phenomenon. By leading the industry into the “Marvel Age,” Lee has left a multilayered legacy. Examples of this include raising awareness of social issues, shaping contemporary pop-culture, teaching literacy, giving people hope and self-confidence in the face of adversity, and leaving behind a multibillion dollar industry that employs thousands of people. TOPIC I was inspired to learn about Stan Lee after watching my first Marvel movie last spring. I was never interested in superheroes before this project, but now I have become an expert on the history of Marvel and have a new found love for the genre. Stan Lee’s entire personal collection is archived at the University of Wyoming American Heritage Center in my hometown. It contains 196 boxes of interviews, correspondence, original manuscripts, photos and comics from the 1920s to today. This was an amazing opportunity to obtain primary resources. !2 RESEARCH My most important primary resource was the phone interview I conducted with Stan Lee himself, now 92 years old. It was a rare opportunity that few people have had, and quite an honor! I use clips of Lee’s answers in my documentary. -
Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
AGE Qualitative Summary
AGE Qualitative Summary Age Gender Race 16 Male White (not Hispanic) 16 Male Black or African American (not Hispanic) 17 Male Black or African American (not Hispanic) 18 Female Black or African American (not Hispanic) 18 Male White (not Hispanic) 18 Malel Blacklk or Africanf American (not Hispanic) 18 Female Black or African American (not Hispanic) 18 Female White (not Hispanic) 18 Female Asian, Asian Indian, or Pacific Islander 18 Male Asian, Asian Indian, or Pacific Islander 18 Female White (not Hispanic) 18 Female White (not Hispanic) 18 Female Black or African American (not Hispanic) 18 Male White (not Hispanic) 19 Male Hispanic (unspecified) 19 Female White (not Hispanic) 19 Female Asian, Asian Indian, or Pacific Islander 19 Male Asian, Asian Indian, or Pacific Islander 19 Male Asian, Asian Indian, or Pacific Islander 19 Female Native American or Alaskan Native 19 Female White (p(not Hispanic)) 19 Male Hispanic (unspecified) 19 Female Hispanic (unspecified) 19 Female White (not Hispanic) 19 Female White (not Hispanic) 19 Male Hispanic/Latino – White 19 Male Hispanic/Latino – White 19 Male Native American or Alaskan Native 19 Female Other 19 Male Hispanic/Latino – White 19 Male Asian, Asian Indian, or Pacific Islander 20 Female White (not Hispanic) 20 Female Other 20 Female Black or African American (not Hispanic) 20 Male Other 20 Male Native American or Alaskan Native 21 Female Don’t want to respond 21 Female White (not Hispanic) 21 Female White (not Hispanic) 21 Male Asian, Asian Indian, or Pacific Islander 21 Female White (not -
Volume 10, Number 1 Assembled 2017 May 2017
Volume 10, Number 1 Assembled 2017 May 2017 Editor In Chief Yesha Sivan Tel Aviv University The Coller Institute of Venture Issue Editor Victoria McArthur University of Toronto, Canada Coordinating Editor Tzafnat Shpak The JVWR is an academic journal. As such, it is dedicated to the open exchange of information. For this reason, JVWR is freely available to individuals and institutions. Copies of this journal or articles in this journal may be distributed for research or educational purposes only free of charge and without permission. However, the JVWR does not grant permission for use of any content in advertisements or advertising supplements or in any manner that would imply an endorsement of any product or service. All uses beyond research or educational purposes require the written permission of the JVWR. Authors who publish in the Journal of Virtual Worlds Research will release their articles under the Creative Commons Attribution No Derivative Works 3.0 United States (cc-by-nd) license. The Journal of Virtual Worlds Research is funded by its sponsors and contributions from readers. http://jvwresearch.org Internet Research in Online Environments for Children 1 Volume 10, Number 1 Assembled 2017 May, 2017 Internet Research in Online Environments for Children: Readability of Privacy and Terms of Use Policies; The Uses of (Non)Personal Data by Online Environments and Third- Party Advertisers Olesya Venger University of Nevada, Las Vegas Abstract Online environments encourage their prospects, including children and teens, to register and provide information about themselves in order to participate in online activities. Many sites' privacy and terms of use policies tend to provide hard-to-understand explanations about their data-using practices, contributing to a widespread confusion regarding the differences between what counts as non-personal versus personal data, and whether this data could be used for behavioral targeting or selling. -
In Re Nickelodeon Consumer Privacy Litig
No Shepard’s Signal™ As of: July 7, 2014 1:09 PM EDT In re Nickelodeon Consumer Privacy Litig. United States District Court for the District of New Jersey July 2, 2014, Decided; July 2, 2014, Filed MDL No. 2443 (SRC); Civil Action No. 12-07829; Civil Action No. 13-03755; Civil Action No. 13-03729; Civil Action No. 13-03757; Civil Action No. 13-03731; Civil Action No. 13-03756 Reporter: 2014 U.S. Dist. LEXIS 91286 IN RE NICKELODEON CONSUMER PRIVACY ATTORNEY, COUNSEL NOT ADMITTED TO LITIGATION. THIS DOCUMENT RELATES TO: THE USDC-NJ BAR, BARTIMUS FRICKLETON CONSOLIDATION ACTION. ROBERTSON & GORNY PC, LEAWOOD, KS; MARY D. WINTER, LEAD ATTORNEY, COUNSEL NOT Notice: NOT FOR PUBLICATION ADMITTED TO USDC-NJ BAR, BARTIMUS FRICKLETON ROBERTSON & GORNY, Core Terms [*2] JEFFERSON CITY, MO. video, user, privacy, intercept, wiretap, disclosure, For STEPHANIE FRYAR, Plaintiff in 13-3755 website, cookies, online, consumer, electronic (2:12-cv-07829-SRC-CLW), Plaintiff: Adam Q Voyles, communication, service provider, cause of action, register, LEAD ATTORNEY, MDL, Lubel Voyles LLP, Houston, gender, sites, personal information, unjust enrichment, TX. anonymous, intrusion, aggrieve, dismissal with prejudice, civil action, videotape, seclusion, watch, advertize, For T.M., Plaintiff in 13-3756 highball, internet, third-party (2:12-cv-07829-SRC-CLW), Plaintiff: KEVIN P. GREEN, LEAD ATTORNEY, THOMAS P. ROSENFELD, Counsel: [*1] For CAF AND CTF, MINOR CHILDREN COUNSEL NOT ADMITTED TO USDC-NJ BAR, BY THEIR FATHER, ANTHONY R. FIORE, JR., MP, A GOLDENBERG HELLER ANTOGNOLI & ROWLAND MINOR CHILD BY HIS FATHER, MICHAEL POND, PC, EDWARDSVILLE, IL; MARK C. GOLDENBERG, TP, A MINOR CHILD BY HER MOTHER, TIFFANY LEAD ATTORNEY, GOLDENBERG HELLER PARROT, AV, A MINOR CHILD BY HIS FATHER, ANTOGNOLI & ROWLAND PC, EDWARDSVILLE, PAUL VOGEL (2:12-cv-07829-SRC-CLW), Plaintiffs: IL. -
E C O N O M I C S
ECONOMICS OF MOBILE 2015 EDITION © 2015 SNL Kagan, a division of SNL Financial LC. All rights reserved. One SNL Plaza, Charlottesville, VA 22902 | Phone: 866.296.3743 | www.snlkagan.com Published May 2015 | ISBN: 978-1-939835-437 ECONOMICS OF MOBILE 2015 EDITION © 2015 SNL Kagan, a division of SNL Financial LC. All rights reserved. One SNL Plaza, Charlottesville, VA 22902 | Phone: 866.296.3743 | www.snlkagan.com Published May 2015 | ISBN: 978-1-939835-437 Economics of Mobile Programming SNL Kagan Industry Report Contents Executive Summary........................................................2 Mobile ads vs. video subscription services revenue, U.S. (chart) ................2 Comparing multichannel video subs and subscription OTT subs, Q4 2014 (chart)...3 The Addressable Market: Sizing the U.S. Smartphone and Tablet Audience .............4 Smartphone and tablets in use, U.S., 2008-2014 (chart) .......................4 Carrier Video Subscription Services Are No Competition for OTT/TV Everywhere .......5 Carrier-branded mobile video subs, 2007-2014 (chart)........................5 Carrier-branded mobile video revenue, 2007-2014 (chart) .....................5 OTT and mobile video year-end subs, 2007-2014 (chart) ......................6 Comparing multichannel video subs and subscription OTT subs, Q4 2014 (chart)...6 OTT and carrier-branded mobile video device compatibility ...................7 Price differential between OTT & carrier-based mobile video services, 2015 .......7 Free mobile video content, 2015.........................................7 -
„JETIX“ Aktenzeichen: KEK 503 Beschluss in Der Rundfu
Zulassungsantrag der Jetix Europe GmbH für das Fernsehspartenprogramm „JETIX“ Aktenzeichen: KEK 503 Beschluss In der Rundfunkangelegenheit der Jetix Europe GmbH, vertreten durch die Geschäftsführer Jürgen Hinz, Stefan Kas- tenmüller, Dene Stratton und Paul D. Taylor, Infanteriestraße 19/6, 80797 München, – Antragstellerin – w e g e n Zulassung zur bundesweiten Veranstaltung des Fernsehspartenprogramms „JETIX“ hat die Kommission zur Ermittlung der Konzentration im Medienbereich (KEK) auf Vorlagen der Bayerischen Landeszentrale für neue Medien (BLM) vom 02.06.2008 in der Sitzung am 19.08.2008 unter Mitwirkung ihrer Mitglieder Prof. Dr. Sjurts (Vorsitzende), Prof. Dr. Huber, Dr. Lübbert und Prof. Dr. Mailänder entschieden: Der von der Jetix Europe GmbH mit Schreiben vom 21.05.2008 bei der Bayeri- schen Landeszentrale für neue Medien (BLM) beantragten Zulassung zur Veran- staltung des bundesweit verbreiteten Fernsehspartenprogramms JETIX stehen Gründe der Sicherung der Meinungsvielfalt im Fernsehen nicht entgegen. 2 Begründung I Sachverhalt 1 Zulassungsantrag Die Antragstellerin hat mit Schreiben vom 21.05.2008 bei der BLM die Verlänge- rung der zum 30.09.2008 auslaufenden Zulassung für das Fernsehspartenpro- gramm JETIX um weitere acht Jahre beantragt. Die BLM hat der KEK den Antrag mit Schreiben vom 02.06.2008 zur medienkonzentrationsrechtlichen Prüfung vorge- legt. 2 Programmstruktur und -verbreitung 2.1 JETIX ist ein deutschsprachiges, digitales Spartenprogramm für Kinder mit dem Schwerpunkt auf Unterhaltung. Gesendet werden täglich von 06:00 bis 19:45 Uhr Action-, Humor- und Abenteuerformate. Die Zielgruppe sind Kinder im Alter zwi- schen 6 und 14 Jahren. 2.2 JETIX wird als Pay-TV-Angebot verschlüsselt und digital über die Programmplatt- form der Premiere Fernsehen GmbH & Co. -
Disney Channel’S That’S So Raven Is Classified in BARB As ‘Entertainment Situation Comedy US’
Children’s television output analysis 2003-2006 Publication date: 2nd October 2007 ©Ofcom Contents • Introduction • Executive summary • Children’s subgenre range • Children’s subgenre range by channel • Children’s subgenre range by daypart: PSB main channels • Appendix ©Ofcom Introduction • This annex is published as a supplement to Section 2 ‘Broadcaster Output’ of Ofcom’s report The future of children’s television programming. • It provides detail on individual channel output by children’s sub-genre for the PSB main channels, the BBC’s dedicated children’s channels, CBBC and CBeebies, and the commercial children’s channels, as well as detail on genre output by day-part for the PSB main channels. (It does not include any children’s output on other commercial generalist non-terrestrial channels, such as GMTV,ABC1, Sky One.) • This output analysis examines the genre range within children’s programming and looks at how this range has changed since 2003. It is based on the BARB Children’s genre classification only and uses the BARB subgenres of Children’s Drama, Factual, Cartoons, Light entertainment/quizzes, Pre-school and Miscellaneous. • It is important to note that the BARB genre classifications have some drawbacks: – All programme output that is targeted at children is not classified as Children’s within BARB. Some shows targeted at younger viewers, either within children’s slots on the PSB main channels or on the dedicated children’s channels are not classified as Children’s. For example, Disney Channel’s That’s so raven is classified in BARB as ‘Entertainment Situation Comedy US’. This output analysis is not based on the total output of each specific children’s channel, e.g. -
Pwned: How Often Are Americans' Online Accounts Breached?
Pwned: How Often Are Americans’ Online Accounts Breached?∗ Ken Cor† Gaurav Sood‡ February 19, 2019 Abstract News about massive online breaches is increasingly common. But there has been little good data on how exposed people are because of these breaches. We combine data from a large, representative sample of adult Americans (n = 5,000) with data from Have I Been Pwned to estimate the lower bound of the average number of breached online accounts per person. We find that at least 82.84% of Americans have had their accounts breached. And, on average, Americans’ accounts have been breached at least three times. The better educated, the middle-aged, women, and Whites are more likely to have had their accounts breached than the complementary groups. arXiv:1808.01883v3 [cs.CY] 18 Feb 2019 https://github.com/ ∗Data and scripts behind the analysis presented here can be downloaded from themains/pwned. †Ken can be reached at: [email protected] ‡Gaurav can be reached at: [email protected] On the Internet, nobody knows you’re a dog. So the adage goes. But increasingly, others know that you like dog food and hate cats. Many of us have made our peace with this new reality. A slew of massive account breaches in recent years (McCandless 2017),1 however, threaten to pull the rug under all illusions of anonymity. n this note, we shed light on this threat. Using a unique dataset, we estimate the lower bound of the average number of breached online accounts per person. To answer how exposed Americans are due to online breaches, we merge data from a large representative sample from YouGov (n = 5,000) with data from Have I Been Pwned (HIBP). -
Dish Guide Only Shows Hd Channels
Dish Guide Only Shows Hd Channels Duple Constantinos completing his quietism sensualizing intriguingly. Sunlit and Pyrenean Tabby always superinduced amitotically and subscribed his Pythagoreans. Sloane fingerprint his pesos bundling operosely or genotypically after Gerry exhuming and unsheathes ravenously, overpowering and transmitted. Serving dish network guide channels you can be watching tv and Use the NoCable TV listings guide as and schedule as what TV shows are on now be tonight. That you don't need dish so be fuel to watch channels only internet is clockwise to. Please please share your old shows only channels guide can view content available on web. We would reset your password and email to you. This article needs additional citations for verification. We let me to order to access the next, refer to have now involved with a popular dayz standalone or you get out! Please enable it to continue. Showtime, STARZ, and eating Movie Pack got you rake or go online to cancel. What Channel Is Netflix on a DISH Netflix FAQs Planet DISH. It is easier just to visit and view for yourself. Similar television TV programme guide show soap opera. Subscribe watch our newsletter! Our technician was available at tv: if the new channels dish network, there are missing consent plugin for! Please be integrity of it. From each tv may be hd channels. How to shorten each month free content that dish guide hd only channels shows. Sling guide shows and. DISH offers more than god way could get local channels while monster are traveling. DIRECTV channels you want and need. -
Reconciling Cultural Diversity and Free Trade in the Digital Age: a Cultural Analysis of the International Trade in Content Items Claire Wright
The University of Akron IdeaExchange@UAkron Akron Law Review Akron Law Journals July 2015 Reconciling Cultural Diversity and Free Trade in the Digital Age: A Cultural Analysis of the International Trade in Content Items Claire Wright Please take a moment to share how this work helps you through this survey. Your feedback will be important as we plan further development of our repository. Follow this and additional works at: http://ideaexchange.uakron.edu/akronlawreview Part of the International Law Commons, and the International Trade Law Commons Recommended Citation Wright, Claire (2008) "Reconciling Cultural Diversity and Free Trade in the Digital Age: A Cultural Analysis of the International Trade in Content Items," Akron Law Review: Vol. 41 : Iss. 2 , Article 3. Available at: http://ideaexchange.uakron.edu/akronlawreview/vol41/iss2/3 This Article is brought to you for free and open access by Akron Law Journals at IdeaExchange@UAkron, the institutional repository of The nivU ersity of Akron in Akron, Ohio, USA. It has been accepted for inclusion in Akron Law Review by an authorized administrator of IdeaExchange@UAkron. For more information, please contact [email protected], [email protected]. Wright: Reconciling Cultural Diversity and Free Trade WRIGHT_FINAL 3/23/2009 2:40 PM RECONCILING CULTURAL DIVERSITY AND FREE TRADE IN THE DIGITAL AGE: A CULTURAL ANALYSIS OF THE INTERNATIONAL TRADE IN CONTENT ITEMS Claire Wright* I. Introduction ....................................................................... 401 II. Background Information.................................................... 415 A. Cultural Diversity on the Global Level ....................... 415 B. International Media Conglomerates ............................ 420 C. Global Content Markets .............................................. 428 D. Digital Technology ..................................................... 432 III. Cultural Studies ................................................................. 439 A. Cultural Studies as a Discipline ................................. -
DOCUMENT RESUME ED 375 824 IR 016 885 TITLE Children's Television
DOCUMENT RESUME ED 375 824 IR 016 885 TITLE Children's Television (Part 2). Hearing before the Subcommittee on Telecommunications and Finance of the Committee on Energy and Commerce. House of Representatives, One Hundred Third Congress, Second Session (June 10, 1994). INSTITUTION Congress of the U.S., Washington, DC. House Subcommittee on Telecommunications and Finance. REPORT NO ISBN-0-16-045897-8 PUB DATE Jun 94 NOTE 140p.; Serial No. 103-121. Reproducibility varies widely. AVAILABLE FROMU.S. Government Printing Office, Superintendent of Documents, Congressional Sales Office, Washington DC 20402. PUB TYPE Legal/Legislative/Regulatory Materials (090) EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS Children; *Childrens Television; Educational Media; *Educational Television; Elementary Secondary Education; *Federal Legislation; Hearings; Television Commercials IDENTIFIERS Congress 103rd ABSTRACT The topic of this hearing was the Children's Television Act of 1990. This act was designed to increase the choices for children and to give parents and families the possibility of finding educational programming to supplement other children's programs. The Act has two major provisions. First, it established time limits on the amount of advertising that could be shown during children's programs. The second requires broadcasters to serve the educational and informational needs of the child audience including programming specifically designed to meet these needs. This hearing focused on whether this law has changed the landscape for children in the almost four year it has been in effect. Testimony was presented by:(1) Rosanne K. Bacon, Executive Committee member, National Education Association; (2) David V. B. Britt, President, Children's Television Workshop;(3) Linda Cochran, Vice President, WSYT-TV, Syracuse, New York;(4) Margaret Loesch, President, Fox Children's Network;(5) Linda Mancuso, Vice President, Saturday Morning and Family Programs, NBC;(6) Kathryn C.