DOCSLIB.ORG

„JETIX“ Aktenzeichen: KEK 503 Beschluss in Der Rundfu

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Zulassungsantrag der Jetix Europe GmbH für das Fernsehspartenprogramm „JETIX“ Aktenzeichen: KEK 503 Beschluss In der Rundfunkangelegenheit der Jetix Europe GmbH, vertreten durch die Geschäftsführer Jürgen Hinz, Stefan Kas- tenmüller, Dene Stratton und Paul D. Taylor, Infanteriestraße 19/6, 80797 München, – Antragstellerin – w e g e n Zulassung zur bundesweiten Veranstaltung des Fernsehspartenprogramms „JETIX“ hat die Kommission zur Ermittlung der Konzentration im Medienbereich (KEK) auf Vorlagen der Bayerischen Landeszentrale für neue Medien (BLM) vom 02.06.2008 in der Sitzung am 19.08.2008 unter Mitwirkung ihrer Mitglieder Prof. Dr. Sjurts (Vorsitzende), Prof. Dr. Huber, Dr. Lübbert und Prof. Dr. Mailänder entschieden: Der von der Jetix Europe GmbH mit Schreiben vom 21.05.2008 bei der Bayeri- schen Landeszentrale für neue Medien (BLM) beantragten Zulassung zur Veran- staltung des bundesweit verbreiteten Fernsehspartenprogramms JETIX stehen Gründe der Sicherung der Meinungsvielfalt im Fernsehen nicht entgegen. 2 Begründung I Sachverhalt 1 Zulassungsantrag Die Antragstellerin hat mit Schreiben vom 21.05.2008 bei der BLM die Verlänge- rung der zum 30.09.2008 auslaufenden Zulassung für das Fernsehspartenpro- gramm JETIX um weitere acht Jahre beantragt. Die BLM hat der KEK den Antrag mit Schreiben vom 02.06.2008 zur medienkonzentrationsrechtlichen Prüfung vorge- legt. 2 Programmstruktur und -verbreitung 2.1 JETIX ist ein deutschsprachiges, digitales Spartenprogramm für Kinder mit dem Schwerpunkt auf Unterhaltung. Gesendet werden täglich von 06:00 bis 19:45 Uhr Action-, Humor- und Abenteuerformate. Die Zielgruppe sind Kinder im Alter zwi- schen 6 und 14 Jahren. 2.2 JETIX wird als Pay-TV-Angebot verschlüsselt und digital über die Programmplatt- form der Premiere Fernsehen GmbH & Co. KG („Premiere“) verbreitet. 2.3 Plattformvertrag mit Premiere XXX … 3 Antragstellerin und Beteiligte 3.1 Gegenstand der Antragstellerin ist nach deren Gesellschaftsvertrag, der nach An- gaben der Antragstellerin bis auf die Umfirmierung in Jetix Europe GmbH in der Fassung des Gesellschaftsvertrages der Fox Kids GmbH inhaltlich unverändert wei- terbesteht, die Produktion, das Betreiben und die Verwertung von Fernseh- und On- line-Kanälen sowie von Internet-Einrichtungen, Programmierungen und gewerbli- cher Rechtsschutz an Charakteren, die Durchführung von Geschäften der Vergnü- gungsindustrie jeder Art und der Kinder- und Familienunterhaltung durch sämtliche Medien, Ankauf, kommerzielle Verwertung und Veräußerung von geistigem und/oder gewerblichem Eigentum und damit verbundenen Rechten sowie das 3 Betreiben, die Führung oder Finanzierung von bzw. Beteiligung an anderen Unter- nehmen jeglicher Art (vgl. bereits Beschluss i. S. Fox Kids, Az.: KEK 076, I 4.1). 3.2 Tochterunternehmen der Jetix Europe GmbH veranstalten europaweit unter dem Markennamen JETIX entsprechende Kinderprogramme im Pay-TV, so in Großbri- tannien (vermarktet von BSkyB), den Niederlanden, Frankreich (im Rahmen des Canal-Satellite-Pakets), den skandinavischen Ländern, Polen, Spanien und in Ost- europa, und erreichen damit nach Angaben der Antragstellerin über 51 Mio. Haus- halte. 3.3 Die Antragstellerin ist eine Tochtergesellschaft der Jetix Europe Channels B.V. („Je- tix Europe“), Hilversum, Niederlande. Diese steht mittelbar über die Jetix Europe Properties S.à.r.l., Luxemburg, im Alleinbesitz der an der Amsterdamer Börse no- tierten Jetix Europe N.V., Hilversum, Niederlande. Über unmittelbare und mittelbare Beteiligungen hält die BVS Entertainment, Inc., Burbank, USA, 75,1 % der Anteile an der Jetix Europe N.V. Die übrigen Gesellschaftsanteile der Jetix Europe N.V. be- finden sich in Streubesitz. Alleingesellschafter der BVS Entertainment, Inc. ist über die ABC Worldwide Family, Inc., Los Angeles, USA, die Walt Disney Company. 3.4 Die Walt Disney Company („Walt Disney“) ist eine Publikumsgesellschaft mit breit gestreutem Aktienbesitz. Größter Einzelaktionär ist Apple-Gründer Steve Jobs mit einem Gesellschaftsanteil von rund 6 %. Der ehemalige Disney-CEO Eisner gilt mit etwa 1,7 % der Gesellschaftsanteile als zweitgrößter privater Anteilseigner. Dane- ben wird die Familie Disney als Einzelaktionär mit Anteilen um 5 % angegeben. Größere Einzelaktionäre sind daneben die Geschwister Sid Richardson, Lee Mars- hall und Perry Richardson Bass, die zusammen ungefähr 4 % der Anteile halten. Weitere Anteile werden von Investmentgesellschaften gehalten. Der Rest befindet sich in Streubesitz (vgl. Beschluss i. S. Disney Channel, Az.: KEK 420, I 3). Walt Disney ist neben JETIX an weiteren in Deutschland verbreitenden Fernseh- veranstaltern beteiligt. Über die Tochtergesellschaft Disney Enterprises, Inc. hält Walt Disney sämtliche Anteile an der The Walt Disney Company (Germany) GmbH, welche die Programme Disney Channel, Playhouse Disney und Toon Disney veranstaltet. Über die mittelbar 100%ige Tochtergesellschaft ABC Cable and International Broadcast Worldwide Holdings, Inc. ist Walt Disney mit 50 % am Kommanditkapital der Tele-München Fernseh GmbH & Co. Medienbeteiligung KG beteiligt, die wie- 4 derum zu 31,5 % an der RTL 2 Fernsehen GmbH & Co. KG beteiligt ist, der Ver- anstalterin des Programms RTL II . Über die Tochtergesellschaft BVI Television Investments, Inc. hält Walt Disney 50 % der Gesellschaftsanteile der RTL Disney Fernsehen GmbH & Co. KG, die das Programm Super RTL veranstaltet. Über die 100%ige Tochtergesellschaft Disney/ABC International Television, Inc. hält Walt Disney 37,5 % der Anteile an der A&E Television Networks (AETN), Delawa- re/USA, die wiederum über ihre Tochter AETN Germany Holding LL.C., New York/ USA, sämtliche Anteile an der The History Channel (Germany) Beteiligungs GmbH, Grünwald, hält. Diese ist mit 50 % der Anteile an der The History Channel (Germa- ny) GmbH & Co. KG beteiligt, der Veranstalterin der Programme The History Channel und The Biography Channel . 3.5 Übersicht über die Beteiligungsstruktur The Walt Disney Company, Inc. 100 100 Disney Enterprises, ABC Family Inc., Delaware/USA Worldwide, Inc., USA 100 100 (Z) 100 (Z) BVS Disney/ABC ABC Cable and Entertainment, International International Inc. Television, Inc. Broadcast Worldwide Holdings, Inc. 75,1 (Z) 37,5 50 100 A&E Television Streubesitz Jetix Europe N.V., Tele-München Fern- Buena Vista Inter- Niederlande Networks seh GmbH & Co. national (BVI) Tele- 24,9 (AETN) Medienbeteiligung vision Investments, KG Inc. 100 50 (Z) 31,5 50 100 (Z) The History Disney Channel Channel RTL II Super RTL Toon Disney Crime & JETIX RTL 2 Fernsehen RTL DISNEY Fern- Playhouse Disney Investigation GmbH & Co. KG sehen GmbH & Co. KG The Walt Disney Jetix Europe GmbH Company Network* (Germany) GmbH The Biography 50 Channel 31,5 1,1 8,6 27,3 The History Channel (Germany) GmbH & Co. UFA Film und KG KG Heinrich Fernseh CLT-UFA Burda GmbH Bauer Verlag GmbH & Co. S.A. KG *: zurzeit noch nicht auf Sendung Z: Zwischengesellschaften ausgeklammert 5 II Verfahren Die Vollständigkeitserklärung der Antragstellerin liegt vor. Einem Vertreter der BLM wurde Gelegenheit zur Stellungnahme gegeben. III Medienkonzentrationsrechtliche Beurteilung 1 Bestätigungsvorbehalt der KEK Nach § 20 Abs. 1 Satz 1 RStV bedürfen private Rundfunkveranstalter einer Zulas- sung. Fragestellungen der Sicherung der Meinungsvielfalt werden von der KEK nach Vorlage durch die zuständige Landesmedienanstalt gemäß § 37 Abs. 1 Satz 1 RStV beurteilt. 2 Zurechnung von Programmen 2.1 Der Antragstellerin ist das von ihr veranstaltete Programm JETIX gemäß § 28 Abs. 1 Satz 1, 1. Alt. RStV zuzurechnen. Das Programm ist über die unter Punkt I 3.3 aufgeführten Zwischengesellschaften auch Walt Disney zuzurechnen, § 28 Abs. 1 Satz 1, 2. Alt. RStV, Satz 2 i. V. m. §§ 15, 16 Abs. 1 AktG. 2.2 Zudem werden Walt Disney die Programme Disney Channel, Playhouse Disney , Toon Disney, Super RTL, The History Channel und The Biography Channel sowie das noch nicht auf Sendung befindliche Programm Crime & Investigation Network zugerechnet (vgl. Beschluss i. S. Disney Channel, Az.: KEK 420, III 2, zu- letzt Beschluss i. S. RTL II, Az.: KEK 451, III 2.4). Walt Disney wird aufgrund der gemeinsamen Beherrschung der Tele-München Fernseh GmbH & Co. Medienbetei- ligung KG durch ihr Tochterunternehmen ABC Cable and International Broadcast Worldwide Holdings, Inc. zusammen mit der Tele-München Fernseh-GmbH & Co. Produktionsgesellschaft auch das Programm RTL II zugerechnet, § 28 Abs. 1 Satz 2 und 4 RStV i. V. m. § 17 Abs. 1 AktG (vgl. bereits Beschluss i. S. RTL II, Az.: KEK 151, III 2.1.3). Die der Walt Disney zuzurechnenden Programme werden umgekehrt auch wieder sämtlichen Veranstaltern zugerechnet, arg. e §§ 28 Abs. 1 Satz 3, 29 Satz 2 RStV. 6 2.3 Keine Zurechnung zu Premiere XXX … Bei dieser Vertragsgestaltung ergeben sich keine Anhaltspunkte dafür, dass wesentliche Programmentscheidungen der Veranstalterin von der Zustimmung von Premiere abhängig wären. Folglich kommt eine Zurechnung des Programms JETIX gemäß § 28 Abs. 2 Satz 2 Nr. 2 RStV nicht in Betracht. 3 Vorherrschende Meinungsmacht 3.1 Zuschaueranteile 3.1.1 Mit Schreiben vom 12.08.2008 teilte die Veranstalterin für den Referenzzeitraum (Mai 2007 bis April 2008) für das Programm JETIX einen durchschnittlichen Zu- schaueranteil bei Zuschauern ab drei Jahren in Höhe von XXX … mit. JETIX wird über die Programmplattformen von Premiere und Premiere Star verbrei- tet. Bei dem mitgeteilten Zuschaueranteil für JETIX kann es sich nur um den soge- nannten internen Marktanteil aus der Premiere-Marktforschung handeln, der sich jedoch zu den Daten der
Recommended publications
  • The Charismatic Leadership and Cultural Legacy of Stan Lee

    The Charismatic Leadership and Cultural Legacy of Stan Lee

    REINVENTING THE AMERICAN SUPERHERO: THE CHARISMATIC LEADERSHIP AND CULTURAL LEGACY OF STAN LEE Hazel Homer-Wambeam Junior Individual Documentary Process Paper: 499 Words !1 “A different house of worship A different color skin A piece of land that’s coveted And the drums of war begin.” -Stan Lee, 1970 THESIS As the comic book industry was collapsing during the 1950s and 60s, Stan Lee utilized his charismatic leadership style to reinvent and revive the superhero phenomenon. By leading the industry into the “Marvel Age,” Lee has left a multilayered legacy. Examples of this include raising awareness of social issues, shaping contemporary pop-culture, teaching literacy, giving people hope and self-confidence in the face of adversity, and leaving behind a multibillion dollar industry that employs thousands of people. TOPIC I was inspired to learn about Stan Lee after watching my first Marvel movie last spring. I was never interested in superheroes before this project, but now I have become an expert on the history of Marvel and have a new found love for the genre. Stan Lee’s entire personal collection is archived at the University of Wyoming American Heritage Center in my hometown. It contains 196 boxes of interviews, correspondence, original manuscripts, photos and comics from the 1920s to today. This was an amazing opportunity to obtain primary resources. !2 RESEARCH My most important primary resource was the phone interview I conducted with Stan Lee himself, now 92 years old. It was a rare opportunity that few people have had, and quite an honor! I use clips of Lee’s answers in my documentary.
  • Walt Disney Launches Disney Channel & Toon Disney Channels for The

    Walt Disney Launches Disney Channel & Toon Disney Channels for The

    Disney Channel and Toon Disney Launch in India on 17 December 2004 Mumbai, India, 15 December 2004: For the first time ever kids and families in India will now be able to watch a unique blend of Disney branded and locally produced entertainment that offers something for all members of the family. The launches mark the first dual channel debut by an international broadcaster in the history of Indian television. Disney Channel and Toon Disney will be fully languaged services at launch with almost 3000 hours of multi-genre content already dubbed into multiple languages. Toon Disney will be India’s first and only 24-hour Tamil and Telugu language kids’ channel. Disney Channel will be a 24-hour Hindi service. Both channels will also provide an optional English language feed in appropriate markets. Disney Channel’s programming schedule will include almost 400 episodes of local production, representing the single largest localisation commitment by any international broadcaster. The Channel also sets new standards in providing entertainment that the whole family can enjoy by scheduling approximately 60 movies each month including some of the most celebrated Disney animated and live action features. “The unique strength and appeal of Disney Channel and Toon Disney, combined with the distribution commitment of Star India, give us a great opportunity to capture the hearts of millions of viewers across the country,” said Rajat Jain, Managing Director, WDTVI-I. “As the world leader in kids and family entertainment, we have a huge responsibility to India’s vast and diverse TV viewing population. We have identified several crucial gaps in entertainment currently catering to kids and their families.
  • Here Comes Television

    Here Comes Television

    September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business.
  • The Children's Television Act and Program-Length Commercials

    The Children's Television Act and Program-Length Commercials

    The Children’s Television Act and Program-Length Commercials: Current Interpretations and Implications for the Future by KARI METROKA-KIRKHAM Bachelor of Science, 1985 Texas Christian University Submitted to the Faculty Graduate Division College of Communications In partial fulfillment of the Requirements for the degree of MASTER OF SCIENCE May, 2008 Acknowledgements There are so many people I have to thank that helped me through graduate school and this thesis – I know the orchestra will start to play while I am thanking them all. Although I will try to make this brief, the depth of my gratitude to you all has no limit. To all my friends, family and co-graduate students for your constant encouragement and understanding, I say thank you. You have been so patient, especially listening to me endlessly go on about my topic. My thanks also go out to Dr. Matt McCallister from Penn State who helped me clarify my thinking about this entire subject. Also, I want to thank Dr. Dale Kunkel and Newton Minow who took the time to respond to my emails as I was trying to research this project. I cannot tell you what it means to me to hear from all of you about this subject. My appreciation goes to all of the faculty and staff at TCU who have helped me through this process. I could not have done any of this without your help. A special thanks to Dr. Tommy Thomason and Dr. Julie O’Neil. Tommy – I would not be in graduate school at all if it had not been for you.
  • 2008 CORPORATE RESPONSIBILITY REPORT 2 2008 CORPORATE RESPONSIBILITY REPORT Table of Contents

    2008 CORPORATE RESPONSIBILITY REPORT 2 2008 CORPORATE RESPONSIBILITY REPORT Table of Contents

    2008 CORPORATE RESPONSIBILITY REPORT 2 2008 CORPORATE RESPONSIBILITY REPORT Table of Contents Message from Our CEO .........................................5 Product Safety .................................................34 Food Safety ......................................................36 Overview of The Walt Disney Company ...............7 Labor Standards ..............................................36 Media Networks .................................................8 Parks and Resorts .............................................8 Experiences .........................................................36 Studio Entertainment .........................................8 Park Safety .......................................................37 Consumer Products ...........................................8 Accessibility at Disney Parks ...........................37 Interactive Media ..............................................8 Environment ..........................................................39 Governance ...........................................................9 Legacy of Action .................................................40 Public Policy ......................................................9 Environmental Policy ...........................................41 Corporate Responsibility .....................................10 Key Focus Areas ..............................................41 Our Vision.........................................................10 Our Commitments ...............................................42 Corporate
  • Cable Network Unit Values Sources: National Cable & Telecommunications Association, SNL Kagan, the Nielsen Company & Various Sources 2013

    Cable Network Unit Values Sources: National Cable & Telecommunications Association, SNL Kagan, the Nielsen Company & Various Sources 2013

    Cable Network Unit Values Sources: National Cable & Telecommunications Association, SNL Kagan, The Nielsen Company & Various Sources 2013 Ct. Cable Network 2013 Subscribers 2013 Units 1 3net 1,100,000 3 2 A&E Network 99,000,000 283 3 ABC Family 97,232,000 278 --- Adult Swim (see Cartoon Network) --- --- 4 Africa Channel, The 11,100,000 31 5 AMC 97,000,000 277 --- AmericanLife (see YouToo TV ) --- --- 6 Animal Planet 97,051,000 277 7 Anime Network 84,000,000 240 8 Antena 3 400,000 1 9 Arabic Channel, The 1,014,000 3 10 ART (Arab Radio & Television) 500,000 1 11 ASPIRE 9,900,000 28 12 AXS TV (fka HDNet) 36,900,000 105 13 Bandamax 2,200,000 6 14 Bay News 9 1,000,000 2 15 BBC America 80,687,000 231 16 BBC World News 12,000,000 34 17 BET 98,000,000 280 18 BET Gospel 11,100,000 32 19 BET Hip Hop 700,000 2 --- BET Jazz (see CENTRIC) --- --- 20 Big Ten Network 75,000,000 214 21 Biography Channel 69,316,000 198 22 Blackbelt TV 9,600,000 27 23 Bloomberg Television 73,300,000 209 24 BlueHighways TV 10,100,000 29 25 Boomerang 55,300,000 158 26 Bravo 94,969,000 271 27 Bravo! Canada 5,800,000 16 28 Bridges TV 3,700,000 11 29 California Channel 5,800,000 16 30 Canal 24 Horas 8,000,000 22 31 Canal Sur 2,800,000 8 --- Capital News 9 (see YNN Capital Region ) --- --- 32 Caracol TV 2,000,000 6 33 Cartoon Network / Adult Swim 99,000,000 283 34 Casa Club TV 500,000 1 35 CBS Sports Network (fka CBS College Sports Network) 47,900,000 137 page 1 of 8 2013 Cable Unit Values Exhibit (4-9-13) Ct.
  • QUICK REFERENCE GUIDE All Programming Subject to Change Without Notice

    QUICK REFERENCE GUIDE All Programming Subject to Change Without Notice

    QUICK REFERENCE GUIDE All programming subject to change without notice. Visit www.mtco.com for current channel directory. ReStart TV available on ALL channels! Channel Directory Premium Channels A&E Network 525 Hallmark Drama 480 TLC 549 HBO ACC Network 472 Hallmark Movie & Mystery 586 TNT 521 HBO 600 AMC 571 HGTV 537 Travel Channel 573 HBO2 601 American Heroes Channel 527 History Channel 529 TruTV 522 HBO Comedy 603 Animal Planet 550 HSN 578 Turner Classic Movies 520 HBO Family 602 BBC America 572 IFC 544 TV Land 553 HBO Latino 606 BBC World 485 Inspiration 587 Universal Kids 466 HBO Signature 604 BET 575 Investigation Discovery 551 UNIVERSO 360 HBO Zone 605 BET Gospel 357 Jewelry TV 579 UP 321 BET Her 356 Lifetime Movie Network 538 USA Network 523 CINEMAX BET Jams 352 Lifetime Real Women 40 VH1 583 5StarMAX 613 BET Soul 355 Lifetime Television 539 Viceland 528 ActionMAX 609 Big Ten Network 564 LOGO 340 WBBM 2-CBS 2 501 Cinemax 607 Cinemáx 612 Big Ten Network Overflow 420 Marquee Network 560 WBBM Dabl 215 MoreMAX 608 Boomerang 462 MGM HD 479 WBBM Fave TV 216 MovieMAX 611 Bravo 541 Military History 339 WBBM Start TV 214 OuterMAX 614 Cartoon Network 530 Motor Trend Network 552 WCIU Decades TV 203 ThrillerMAX 610 CBS Sports Network 474 MSNBC 513 WCIU Heroes & Icons 227 CMT 584 MTV 581 WCIU MeTV 226 SHOWTIME CMT Music 358 MTV Classic 354 WCIU MeTV+ 228 FLIX 634 CNBC 512 MTV Live 489 WCIU The CW 10 506 Sho x BET 622 CNBC World 334 MTV Tr3s 350 WCIU The U 229 Sho2 (east) 628 CNN 510 MTV U 353 WCPX ION 38 507 Sho2 (west) 629 CNN Headline News
  • Disney Channel’S That’S So Raven Is Classified in BARB As ‘Entertainment Situation Comedy US’

    Disney Channel’S That’S So Raven Is Classified in BARB As ‘Entertainment Situation Comedy US’

    Children’s television output analysis 2003-2006 Publication date: 2nd October 2007 ©Ofcom Contents • Introduction • Executive summary • Children’s subgenre range • Children’s subgenre range by channel • Children’s subgenre range by daypart: PSB main channels • Appendix ©Ofcom Introduction • This annex is published as a supplement to Section 2 ‘Broadcaster Output’ of Ofcom’s report The future of children’s television programming. • It provides detail on individual channel output by children’s sub-genre for the PSB main channels, the BBC’s dedicated children’s channels, CBBC and CBeebies, and the commercial children’s channels, as well as detail on genre output by day-part for the PSB main channels. (It does not include any children’s output on other commercial generalist non-terrestrial channels, such as GMTV,ABC1, Sky One.) • This output analysis examines the genre range within children’s programming and looks at how this range has changed since 2003. It is based on the BARB Children’s genre classification only and uses the BARB subgenres of Children’s Drama, Factual, Cartoons, Light entertainment/quizzes, Pre-school and Miscellaneous. • It is important to note that the BARB genre classifications have some drawbacks: – All programme output that is targeted at children is not classified as Children’s within BARB. Some shows targeted at younger viewers, either within children’s slots on the PSB main channels or on the dedicated children’s channels are not classified as Children’s. For example, Disney Channel’s That’s so raven is classified in BARB as ‘Entertainment Situation Comedy US’. This output analysis is not based on the total output of each specific children’s channel, e.g.
  • Religion in Children's Visual Media

    Religion in Children's Visual Media

    Journal of Media and Religion ISSN: (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/hjmr20 Religion in Children’s Visual Media: A Qualitative Content Analysis of Preschool Holiday Specials Megan Eide To cite this article: Megan Eide (2020) Religion in Children’s Visual Media: A Qualitative Content Analysis of Preschool Holiday Specials, Journal of Media and Religion, 19:3, 108-126, DOI: 10.1080/15348423.2020.1812339 To link to this article: https://doi.org/10.1080/15348423.2020.1812339 Published online: 14 Sep 2020. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=hjmr20 JOURNAL OF MEDIA AND RELIGION 2020, VOL. 19, NO. 3, 108–126 https://doi.org/10.1080/15348423.2020.1812339 Religion in Children’s Visual Media: A Qualitative Content Analysis of Preschool Holiday Specials Megan Eide Gustavus Adolphus College ABSTRACT Children adopt lifelong attitudes, behaviors, and beliefs from media messages, yet little is known about what messages visual media send to children on religion. This study addresses this literature gap by analyzing depictions of religion in holiday specials aired in 2018 from three top preschool networks: Disney Junior, Nick Jr., and PBS Kids. Using qualitative content analysis, this study reveals that preschool holiday specials are shifting away from more in-depth portrayals of diverse religions toward commercialized, generalized, and secularized portrayals of Christmas. Although Chanukah and other non-Christmas religious holiday specials are, on average, older and less common than Christmas specials, they portray non-Christmas traditions in greater religious depth than the more recent and numerous Christmas specials portray Christmas.
  • DHX Media Ltd

    DHX Media Ltd

    A YEAR OF MILESTONES July 2007 November 2007 March 2008 Secured the worldwide television Issued 9,815,000 Units from Production began for Kid vs. Kat and home entertainment treasury at $1.80 per unit for total Season I, Animal Mechanicals distribution rights to My Spy Family. proceeds of $17,667,000. A Unit Season II, Canada’s Super Spellers consisted of one common share and Season I and Poppets Town Season August 2007 one-half of one common share I. Signed up a UK licensing agent for purchase warrant. Franny’s Feet. Canada’s Super Spellers launched Completed a strategic investment in online qualifying website. This Hour Has 22 Minutes Season Tribal Nova, an on-line game XIV was nominated for 4 Gemini developer and operator of gaming Acquired Halifax-based Bulldog Awards. and video-on-demand broadband Interactive Fitness Inc., a developer channels for children. of children’s entertainment centers. September 2007 Posted year end results for 2007 December 2007 April 2008 with revenues up 65%. Acquired Vancouver-based Studio B Signed a Canadian-Singaporean Productions Inc. with a library of collaboration with Scrawl Studios for Award-winning hit comedy series 400 half-hours of children’s new animated series RPG High. This Hour Has 22 Minutes returned programming and a current for its 15th season. production slate of seven shows The Guard was renewed for a including Kid vs. Kat for YTV, Ricky second season by Global Television. Production began on The Guard Sprocket – Showbiz Boy for Season I. Teletoon and Nickelodeon Networks May 2008 and Martha Speaks, a co-production Canada’s Super Spellers began local Shake Hands with the Devil with WGBH Boston.
  • SNICK - Round 9

    SNICK - Round 9

    SNICK - Round 9 1. Gigi D'Agostino's remix of this song appears on his album L'Amour Toujours and ​ ​ ​ prominently repeats the line "They don't care." The true story of Lela and Raymond Howard's efforts to reach the Pioneer Days festival in Temple, Texas inspired Tony Scalzo's lyrics to this song, which features nearly-constant eighth-note piano chords. This lead single from (*) All the Pain Money Can Buy oddly describes a destination as "eternal ​ ​ ​ summer slacking." Figures in this song "drank up the wine" before their car broke down, meaning that when "the children woke up, they couldn't find them." That couple travels "without ever knowing" the title entity of, for 10 points, what 1999 song by Fastball? ANSWER: The Way ​ <Vopava, Music> 2. A shot in this film in which a large vehicle runs over numerous smaller ones proved ​ difficult when the stunt driver kept failing to hit them. The soundtrack to this film prominently includes Shaggy's song "My Dream." This movie's villain, John Geiger, tells a group of people it's "time for group therapy" while applying leeches to himself. Siskel and Ebert were the only prominent critics to give (*) positive reviews to this film, which garnered ​ a Razzie nomination for Willem Dafoe. Jason Patric joined the cast of this film after the portrayer of Jack Traven chose not to reprise his role. Annie Porter, a former bus driver played by Sandra Bullock, appears in, for 10 points, what pointless 1997 sequel set on a ship? ANSWER: Speed 2: Cruise Control ​ ​ <Nelson, Movies> 3.
  • DOCUMENT RESUME ED 375 824 IR 016 885 TITLE Children's Television

    DOCUMENT RESUME ED 375 824 IR 016 885 TITLE Children's Television

    DOCUMENT RESUME ED 375 824 IR 016 885 TITLE Children's Television (Part 2). Hearing before the Subcommittee on Telecommunications and Finance of the Committee on Energy and Commerce. House of Representatives, One Hundred Third Congress, Second Session (June 10, 1994). INSTITUTION Congress of the U.S., Washington, DC. House Subcommittee on Telecommunications and Finance. REPORT NO ISBN-0-16-045897-8 PUB DATE Jun 94 NOTE 140p.; Serial No. 103-121. Reproducibility varies widely. AVAILABLE FROMU.S. Government Printing Office, Superintendent of Documents, Congressional Sales Office, Washington DC 20402. PUB TYPE Legal/Legislative/Regulatory Materials (090) EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS Children; *Childrens Television; Educational Media; *Educational Television; Elementary Secondary Education; *Federal Legislation; Hearings; Television Commercials IDENTIFIERS Congress 103rd ABSTRACT The topic of this hearing was the Children's Television Act of 1990. This act was designed to increase the choices for children and to give parents and families the possibility of finding educational programming to supplement other children's programs. The Act has two major provisions. First, it established time limits on the amount of advertising that could be shown during children's programs. The second requires broadcasters to serve the educational and informational needs of the child audience including programming specifically designed to meet these needs. This hearing focused on whether this law has changed the landscape for children in the almost four year it has been in effect. Testimony was presented by:(1) Rosanne K. Bacon, Executive Committee member, National Education Association; (2) David V. B. Britt, President, Children's Television Workshop;(3) Linda Cochran, Vice President, WSYT-TV, Syracuse, New York;(4) Margaret Loesch, President, Fox Children's Network;(5) Linda Mancuso, Vice President, Saturday Morning and Family Programs, NBC;(6) Kathryn C.