Curriculum Vitae (Resume)

Total Page:16

File Type:pdf, Size:1020Kb

Curriculum Vitae (Resume) CURRICULUM VITAE David Enos Education: • Bachelor of Arts-with Distinction, Music (Jazz), San Jose State University (May 1987; 53 semester units completed) • Associate in Arts, Music, Chabot College (December 1984; 133 quarter units completed); Graduated with Highest Honors • High School Diploma, Castro Valley High School (June 1982) Teaching Experience: • Applied music instructor, Citrus College, Azusa, CA (February 2010-August 2014) • Various private lesson instruction at my home studio as well as music stores January 1987-present) • Music theory, advanced re-harmonization techniques, applied music instructor, California College of Music, Pasadena, CA (January 2011-April 2012) • Music theory, performance, improvisation, composition, and applied music instructor, Pasadena International Music Academy, Pasadena, CA (January 2001- July 2007) • Music theory, music performance ensembles, improvisation, composition, and applied music instructor, Arai Music Network, Inc., San Gabriel, CA (January 2002-July 2004) • Monthly instructional staff columnist, "Bass Frontiers" magazine (November 1995-July 2000) • Jazz combo class instructor, Chabot College, Hayward, CA (summer 1987) Guest Lecturer: • Bass Clinician, Kenshu program, Citrus College, December 2010 (Azusa, CA) • Bass Master Class Clinician, Music Center Spotlight Awards, Dorothy Chandler Pavilion, January 2007 (Los Angeles, CA) • Bass Master Class Clinician, Music Center Spotlight Awards, Dorothy Chandler Pavilion, January 2003 (Los Angeles, CA) • Bass Master Class Clinician, Music Center Spotlight Awards, Dorothy Chandler Pavilion, January 2002 (Los Angeles, CA) Program Development/Administrative Experience: • Director, Program Development, Program Chair, Curriculum Coordinator, BPPE/NASM compliance assurance, California College of Music, January 2011- April 2012 (Pasadena, CA) • Director, Program Development, Pasadena International Music Academy, August 2004-July 2007 (Pasadena, CA) TV/Film Studio Work Credits: 2013 Stella Artois commercial 2013 Nascar “Resume” commercial 2012 NBC Superbowl “ Brotherhood of Man ” commercial 2005 Earthlink commercial 2005 Arco commercial BET (Black Entertainment Television) "CBS News: Street Stories " Chevrolet, Honda, Apple computer, and other product commercials "It's Christmas Again, Charlie Brown " "You're in the Superbowl, Charlie Brown " "Sirens " television series "Sound FX " (Fox television cable show) "Ou Pair " sitcom (Fox Family channel) "The George and Alana Show " (CBS television talk show) Touring Experience: David Benoit (U.S., Japan, Philippines) Mel Carter (Japan) Jazz Tap Ensemble (U.S., France, Switzerland) Calvin Keys (U.S.) Sérgio Mendes (U.S.) Barbara Morrison (U.S., Japan, China) Alphonse Mouzon (U.S., Lebanon) Arturo Sandoval (U.S., Japan, Europe, Canada, South America, Central America, Caribbean, Indonesia, Australia, New Zealand, China) Brian Bromberg (U.S.) Album Credits: Air Craft - So Near, So Far David Anderson - This IS My Real Job!!! David Anderson - Resolute Lori Bell - The Music of Djavan David Benoit - Letter To Evan David Benoit - Shaken Not Stirred Jim Blackthorne - Songs For The Wounded Earth John “Buddy” Conner – Can’t Hide Love Lanny Cordola - Shades Of Blue Lanny Cordola – Jazz Trio: The Trinity Sessions Ner De Leon – Lovesongs and Saxophone Ner De Leon – The Heart of Christmas Keith Droste – Standards Time Lorraine Feather – The Body Remembers Bill Fulton - About 12:00 am Bill Fulton - Time GRP Records - GRP Christmas Collection Volume 3 GRP Records - I Got No Kick Against Modern Jazz: A GRP Artist's Celebration of the Songs of the Beatles Tony Guerrero - Blue Room Tony Guerrero - Now and Then Carol Huston - Grace Sami Kaneda – Songs of Seven Seas Pat Kelley - The Road Home Leslie Letven – Porcupine Michael Levan – A Different Shade of Blue Clarolyn Maier - Sessions Tak Matsumoto – New Horizon Alphonse Mouzon - Jazz in Bel-Air Alphonse Mouzon - Live in Hollywood Kerry Moy - East West Rick Muchow - It's Christmas John Opferkuch - The Kennedy Files Stevan Pasero - Pasero Loren Pickford - Dancing In The Spirit Fires Craig Pilo - Just Play Don Rader - A Foreign Affair Bobby Rodriguez - Latin Jazz Explosion Linda Roth – The Muse Project: America Revealed-The Constitution of the United States Arturo Sandoval – The Latin Train Arturo Sandoval – Rediscovery on GRP Arturo Sandoval - The Very Best of Arturo Sandoval Gerry Schroeder - Mélange A Troís Gerry Schroeder – Piano Songs, Dances, & Remembrances Ilya Serov – September in the Rain Chad Smith/Dick Van Dyke/Leslie Bixler – Rhythm Train Stan Watkins – Live Like Sinatra Doug Webb - Last Trane To Georgia Drew Youngs - Tres Conmigo Michael Zanabili - The Night Has a Thousand Eyes Bobby Zee - It’s A Dog’s Life Video Credits: David Anderson Quintet – Live From the Mouse Pad Toninho Horta – Live in Beverly Hills Live Syndicated Radio Credits: David Benoit – The Volkswagen World Music Series Other Credits: “Every Step of the Way ” - David Benoit (MIDI tracks for Yamaha MusicSoft Disklavier library; performed on a Yamaha MIDI bass) Additional Performing Experience: Piano Drums/Percussion Saxophone/Woodwinds Kei Akagi Rick Allegria Justo Almario Joe Bagg David Anderson Kenny Anderson John Beasley Mike Baker Lori Bell David Benoit Jeff Ballard Ed Calle Will Boulware Ronnie Beck Ben Clatworthy Michel Camilo Ignacio Berroa Jeff Clayton Bill Cantos Gaylord Birch Richie Cole Billy Childs Tom Brechtlein Eddie Daniels Jim Cox Frank Capp Ner Del Leon Bill Cunliffe Manuel "Egui" Castrillo Teddy Edwards J.D. Daniel Ndugu Chancler Sylvan "Schmoe" Elhay Jon Davis Mike Clark Dean Fazio Smith Dobson Omar Clay Chico Freeman Keith Droste Luis Conte Hollis Gentry Russell Ferrante Dave Derge Stan Getz Bob Florence John Ferraro John Handy Mitchel Forman Gregg Field Eddie Harris Bill Fulton Chuck Flores Gary Herbig George Gaffney Johnny Friday Plas Johnson David Garfield James Gadson Jerry Jumonville Mike Garson Gerry Gibbs Robert Kyle Tom Garvin Carlos “Go-Go” Gomez Chuck Manning Brian Gary John Guerin Eric Marienthal Jane Getz Bob Harsen Scott Martin David Goldblatt Albert “Tootie” Heath Chip McNeil Tom Grant Horacio "El Negro" Hernandez Gary Meek Tamir Hendelman Giovanni Hidalgo Lanny Morgan Tateng Katindig Stix Hooper Roger Neumann Kenny Kirkland Willie Jones III Michael Paulo Tom Lellis Joe LaBarbera Curtis Peagler Mark LeBrun Bob Leatherbarrow Dave Pell Eric LeVan Eddie Marshall Loren Pickford Michael LeVan Brian Melvin Nelson Rangell Milcho Leviev Eddie Moore Pharoah Sanders Mark Levine Alphonse Mouzon Larry Schneider Martan Mann Gary Novak Bob Sheppard Llew Matthews Earl Palmer Steve Tavaglione Sérgio Mendes Tiki Pasillas Greg Vail Wally Minko Ralph Penland Ernie Watts Billy Mitchell Craig Pilo Doug Webb Rob Mullins Joe Porcaro Kirk Whalum Josh Nelson Tito Puente Ricky Woodard John Opferkuch Land Richards Dann Zinn Rique Pantoja John Robinson Danilo Pérez Aaron Serfaty Marian Petrescu Mike Shapiro Don Randi Evan Stone Freddie Ravel Joel Taylor Otmaro Ruiz Enzo Todesco Theo Saunders Chris Trujillo Chip Stevens Dave Tull Frank Strazzeri Dick Weller Frank Sumares Michael White Donald Vega Jose Rizo Steve Weingart Rob Whitlock Larry Williams David Witham Bobby Zee Tom Zink Guitar Voice Trumpet/Trombone Ron Anthony Cheryl Barnes Ray Anthony Sheryl Bailey Melissa Andrea Batallés Johnny Coles Jim Blackthorne Bobby Caldwell Eddie Gale Chris Cain Mel Carter Tony Guerrero Larry Carlton John “Buddy” Conner Steve Huffsteter Steve Cotter Celia Cruz Sal Marquez Ron Eschete Dave Damiani Don Rader Jamie Findlay Madeline Eastman Bobby Rodriguez Bruce Forman Dewey Ernie Arturo Sandoval Frank Gambale The Four Seasons Carl Saunders Guitar Shorty Karen Gallinger Jack Sheldon Dave Hill Jon Gibson Ron Stout Toninho Horta Julie Kelley Dana Teboe Pat Kelley Chaka Khan Lee Thornberg Calvin Keys Marilyn King Allen Vizzutti Tak Matsumoto Brenda Lee Eager Stan Watkins Carlos Montoya Leslie Letven Bill Watrous Andreas Öberg Gloria Loring Peter Weller (actor) Michael O’Neal Clarolyn Maier Oscar Williams Stevan Pasero Kitty Margolis Russ Freeman and the Greta Matassa Rippingtons Barbara Morrison Richard Smith Rick Muchow Peter Sprague Mark Murphy Phil Upchurch Anita O’Day “Wah-Wah” Watson Kenny Rankin Drew Youngs Gloria Reuben Rick Zunigar Cathy Segal-Garcia Sommer Stockinger Toni Tennille Dick Van Dyke Anne Walsh Joe Williams Diane Witherspoon Jimmy Witherspoon Jack Wood Debby Yeager Leah Zuger Other Artists “A Little Night Music” band Eddie Brown (tap dancer) Steve Condos (tap dancer) Little John Crisley (blues harmonica player) Lori Andrews (harpist) Brian Bromberg (bassist) The Bob Florence Big Band The Full Faith & Credit Big Band Savion Glover (tap dancer) Gregory Hines (tap dancer) The Bill Holman Big Band Christian Howes (violinist) Milt Jackson (vibraphonist) Victoria Jackson (comedian) The Jazz Tap Ensemble The LeVan sisters (Sarah and Solene) The Roger Neumann Big Band Oakland Regional Symphony Joe Piscopo (comedian) Father Guido Sarducci (comedian) Leah Zuger (violin) Interviews: Interviewed in the Volume 3, No. 1 January/February 1996 issue of “Bass Frontiers” magazine Live KCSM 91.1 radio interview with Calvin Keys Live performance with Brian Bromberg and radio interview on KSBR 88.5 FM radio (December 1992) Original Publications: Overuse Injuries: Their Prevention and Treatment, Sonic Concepts Music Publishing, January 2000 Interview with Brian Bromberg featured in the September/October 1996 issue of “Bass Frontiers” magazine “Inside-Outside Improvisation” and “Health Notes” monthly instructional
Recommended publications
  • Mise En Page 1
    NANCY , ville d’échange, dynamique, jeune, première ville universitaire du grand Est, s’impose frustrée. Comme jadis au CMCN et maintenant à Music Academy International, nous sommes des comme un des pôles culturels et artistiques européens. Point chaud du rock, capitale du jazz, européens convaincus. La vocation internationale de notre école n’est pas uniquement dictée par la haut-lieu de la musique classique, Nancy a le goût de la scène. Du club de jazz intimiste à “l’Autre situation géographique de Nancy (dans un rayon de 350 km nous touchons Paris et 6 pays, dans un Canal”, scène de Rock, chanson & électro ultra-équipée, en passant par la salle de concerts rayon de 950 km nous touchons Brest et 11 pays), mais également par l’enrichissement culturel et majestueuse jusqu’au Zénith imposant, Nancy accueille à bras ouverts les musiciens de tous économique qui se présente à l’artiste qui profite de l’ouverture des frontières. horizons. Music Academy International est implantée à proximité de trois parcs, à deux pas de la célèbre place Stanislas, en plein centre ville dans un quartier sympathique et sécurisant. Pour cette raison Music Academy International entre autres, accueille nombre d’artistes étrangers réputés. Music Academy se félicite également d’un partenariat privilégié avec une vingtaine des INTERNATIONAL : Le caractère universel de la musique et plus particulièrement les qualités de plus grandes écoles du monde entier. Mais ne nous y trompons pas, même si à Music Academy le brassage et d’intégration des courants actuels, interdit de délimiter son champ d’action, de rester mot “International” prend toute sa mesure, même si les accents sont multiples, même si tous les replié sur son territoire national.
    [Show full text]
  • Robert GADEN: Slim GAILLARD
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN
    [Show full text]
  • 1993 February 24, 25, 26 & 27, 1993
    dF Universitycrldaho LIoNEL HmPToN/CHEVRoN JnzzFrsrr\Al 1993 February 24, 25, 26 & 27, 1993 t./¡ /ìl DR. LYNN J. SKtNNER, Jazz Festival Executive Director VtcKt KtNc, Program Coordinator BRTNoR CAtN, Program Coordinator J ¡i SusnN EHRSTINE, Assistant Coordinator ltl ñ 2 o o = Concert Producer: I É Lionel Hampton, J F assisted by Bill Titone and Dr. Lynn J. Skinner tr t_9!Ð3 ü This project is supported in part by a grant from the National Endowment for the Arts We Dedicate this 1993 Lionel Hømpton/Chevron Jøzz Festivül to Lionel's 65 Years of Devotion to the World of Juzz Page 2 6 9 ll t3 r3 t4 l3 37 Collcgc/Univcrsity Compctition Schcdulc - Thursday, Feh. 25, 1993 43 Vocal Enserrrbles & Vocal Conrbos................ Harnpton Music Bldg. Recital Hall ...................... 44 45 46 47 Vocal Compctition Schcrlulc - Fridav, Fcli. 2ó, 1993 AA"AA/AA/Middle School Ensenrbles ..... Adrrrin. Auditoriunr 5l Idaho Is OurTenitory. 52 Horizon Air has more flights to more Northwest cities A/Jr. High/.Ir. Secondary Ensenrbles ........ Hampton Music Blclg. Recital Hall ...............,...... 53 than any other airline. 54 From our Boise hub, we serve the Idaho cities of Sun 55 56 Valley, Idaho Falls, Lewiston, MoscowÆullman, Pocatello and AA/A/B/JHS/MIDS/JR.SEC. Soloists ....... North Carnpus Cenrer ll ................. 57 Twin Falls. And there's frequent direct service to Portland, lnstrurncntal Corupctilion'Schcrlulc - Saturday, Fcll. 27, 1993 Salt Lake City, Spokane and Seattle as well. We also offer 6l low-cost Sun Valley winter 8,{. {ÀtûåRY 62 and summer vacation vt('8a*" å.t. 63 packages, including fOFT 64 airfare and lodging.
    [Show full text]
  • 2018 Hall of Fame Program
    Message from the President Dear Honorees, Families, and Friends, It is my distinct pleasure to welcome you to our annual Hall of Fame Dinner and Awards Ceremony. The Hall of Fame was established to recognize those individuals and corporations who have made outstanding contributions to the excellence of Cerritos College. Thousands of students have benefited from our honorees’ leadership, dedication, and philanthropy. It is an honor to welcome these individuals and celebrate their achievements as we induct them into our highest honor, our Hall of Fame. This is a very special night for honorees, families, and friends. Thank you for attending tonight’s ceremony, and giving generously so we can help future students achieve fame! Jose Fierro, D.V.M., Ph.D. President/Superintendent Cerritos College Cerritos College President Dr. Jose Fierro and the Board of Trustees Board of Trustees Administration Zurich Lewis Dr. Jose Fierro welcome you to the President President/Superintendent 2018 Hall of Fame Dr. Shin Liu Rick Miranda Vice President Vice President of Visits The Waldorf Astoria Academic Affairs/ Martha Camacho-Rodriguez Assistant Superintendent Clerk Awards Dinner Dr. Adriana Flores-Church Carmen Avalos Vice President of a celebration of excellence and generosity Member Human Resources/ Assistant Superintendent inspired by 1940’s New York James Cody Birkey Member Felipe Lopez Vice President of Sponsored by the Cerritos College Foundation Marisa Perez Business Services/ Member Assistant Superintendent Thursday, March 8, 2018 Dr. Sandra Salazar
    [Show full text]
  • Jazzandmore-1993-2017.Qxp Layout 1
    JAZZ AND MORE Ein fotografischer Rückblick von Reinhard Dorn & Christian Pacher IMPRESSUM Diese Publikation erscheint zum 25-jährigen Jubiläum der Reihe „Jazz and More“ im Bürgerhaus/diagonal., Ingolstadt © 2017 Reinhard Dorn Satz und Gestaltung: Reinhard Dorn Fotografie: Christian Pacher: S. 6: (1,2,3,4) • S. 10: (2) • S. 12: (3,4) • S.13 S. 18 (2) • S. 21 (1) • S. 22 (2) • S. 24 (1,2) • S. 25 • S. 27 • S. 34 (1,2,3) S. 35 • S. 37 • S. 48 (2) • S. 50 (2) • S. 52 (3) • S. 53 • S. 54 (2) S. 56 (2) • S. 57 • S. 58 (1,2) • S. 62 (1,2,3) • S. 63 • S.64 (1) • S. 68 (1,2) Reinhard Dorn: alle anderen Aufnahmen Kontaktadressen: Bürgerhaus Ingolstadt Kreuzstraße 12, 85049 Ingolstadt Tel. 08 41/305 28 00, Fax 08 41/305 28 09 [email protected] www.buergerhaus-ingolstadt.de Jan Rottau/KaRo Music Rankestraße 9, 85049 Ingolstadt [email protected] Christian Pacher Münchener Str. 99, 85051 Ingolstadt Tel. 08 41/7 21 90 [email protected] Reinhard Dorn Gymnasiumstraße 6, 85049 Ingolstadt Tel. 08 41/3 70 76 37 [email protected] Veranstalter Kreuzstr. 12 • Ingolstadt • Tel. 08 41/3052800 Die Reihe wird gefördert von: Unterstützt durch: 2 1993 – 2017 JAZZ AND MORE Bürgerhaus|diagonal. Club Concerts Einleitung ............................................................ 4 1993 ................................................................ 6 1994 ................................................................ 10 John Scofield im Interview – März 1994 ................................ 14 Joe Zawinul im Interview – November 1994 ...........................
    [Show full text]
  • Johannes Zetterberg Släpper Nytt Album 17 Juni 2011
    Media om Johannes Zetterberg: “From Sweden comes an electric groove that Johannes Zetterberg släpper scores from the first note. Bassist Johannes Zetterberg pulls together a small, variable ensemble that easily shows the influence of artists who preceded him with Luna Nueva.” nytt album 17 juni 2011 Woodrow Wilkins, Allaboutjazz.com, USA “A full blown tapestry of multiple sound effects has been cleverly constructed into one of the neatest recordings to come out in some time. Bassist keyboardist Johannes Zetterberg and his cast of wonderfully talented musicians have created a sonic marvel in Luna Nueva. “ Richard Kolp, Upbeat & More Internet Radio, USA “Albums like this should come with some kind of warning sticker saying, “Contains music by shamelessly talented young musicians and might hit you like a slap in the face”. Ouch! I was hit and floored but I managed to get back on my feet just in time to press the repeat button on my CD player. If you’re a fusion aficionado, this album will appeal to you. Period!” Mikael Engström, Inside MusiCast, USA “It’s so rare to hear good electric jazz these days and if one has to go across the pond to find it, then be fearless and make the jaunt. If you like the Chick Corea Elektric Band, you’ll love this recording. If this recording is a portent for things to come, then Zetterberg’s future is bright indeed.” Thomas R. Erdmann, Jazzreview.com, USA “…get this awesome CD if you’re into fusion/jazz of highest class.” Ola Gränshagen, Melodic.net Två år efter den av kritiker & fans unisont hyllade debuten ”Luna Nueva” släpper nu basisten & låtskrivaren Johannes Zetterberg den efterlängtade uppföljaren ”Painter’s Portrait”.
    [Show full text]
  • Geographic Perspectives on Contemporary / Smooth Jazz
    GEOGRAPHIC PERSPECTIVES ON CONTEMPORARY / SMOOTH JAZZ By WILLIAM ROBERT FLYNN Bachelor of Music in Classical Guitar Performance California State University, Fullerton Fullerton, California 2000 Master of Applied Geography Texas State University San Marcos, Texas 2001 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY December, 2014 GEOGRAPHIC PERSPECTIVES ON CONTEMPORARY / SMOOTH JAZZ Dissertation Approved: Dr. G. Allen Finchum Dissertation Adviser Dr. Brad A. Bays Dr. Jonathan C. Comer Dr. Thomas Lanners Outside Committee Member ii ACKNOWLEDGEMENTS Completing this dissertation and my doctoral program at Oklahoma State University would not have been possible without the support of many people over the past ten years. I would like to start with my advisor and chair, Dr. Allen Finchum, who not only happens to share my interest in smooth jazz, but has always been there for me. One could not ask for a better mentor, as he was always so giving of his time, whether we were discussing my research, talking about my experiences as a graduate instructor, or him just taking an interest in my personal life. I feel blessed to have been able to work with such a special graduate committee, comprised of Dr. Jon Comer, Dr. Brad Bays, and Dr. Tom Lanners. Dr. Comer sparked my passion for quantitative methods and spatial analysis, and Dr. Bays taught my very first course at OSU, a wonderful and stimulating seminar in historical geography. With Dr. Lanners, I could not have asked for a better fit for my outside committee member, and I feel privileged to have been able to work with a musician of his caliber.
    [Show full text]
  • Julyissuesingle.Pdf
    The Independent Journal ofCreative Improvised Music cadence Vol 38 No3 JUL AUG SEP 2012 The New York City Jazz Record EXCLUSIVE CONTENT ON JAZZ & IMPROVISED MUSIC IN NEW YORK CITY COMPETITIVE & EFFECTIVE ADVERTISING: [email protected] SUBSCRIPTIONS AND GENERAL INFO: [email protected] FOLLOW US ON TWITTER: @NYCJAZZRECORD www.nycjazzrecord.com Cadence The Independent Journal of Creative Improvised Music July - August - September 2012 ABBREVIATIONS USED Vol. 38 No. 3 (401) IN CADENCE Cadence ISSN01626973 is published quarterly online acc: accordion and annually in print by as: alto sax Cadence Media LLC, bari s : baritone sax P.O. Box 282, Richland, OR 97870 b cl: bass clarinet bs: bass sax PH 315-289-1444 bsn: bassoon cel: cello Email: [email protected] cl: clarinet cga: conga www.cadencejazzmagazine.com cnt: cornet d: drums Subscriptions: 1 year: el: electric First Class USA: $65 elec: electronics Outside USA : $70 Eng hn: English horn PDF Link and Annual Print Edition: $50, Outside USA $55 euph: euphonium Coordinating Editor: David Haney flgh: flugelhorn Copy Editors: Kara D. Rusch, Jeffrey D. Todd flt: flute Transcriptions: Colin Haney, Paul Rogers, Rogers Word Fr hn: French horn Services g: guitar Art Director: Alex Haney hca: harmonica Crosswords: Ava Haney Martin kybd: keyboards Promotion and Publicity: Tiffany Rozee ldr: leader Advisory Committee: ob: oboe Jeanette Stewart org: organ Colin Haney perc: percussion Robert D. Rusch p: piano Abe Goldstein pic: piccolo rds: reeds ALL FOREIGN PAYMENTS: Visa, Mastercard, Pay Pal, and ss: soprano sax Discover accepted. sop: sopranino sax POSTMASTER: Send address change to Cadence Magazine, P.O. synth: synthesizer Box 282, Richland, OR 97870 ts: tenor sax © Copyright 2012 Cadence Magazine tbn: trombone Published by Cadence Media, LLC.
    [Show full text]
  • New Documentary Examines Milford Graves' Music, Philosophy
    MARCH 2018 VOLUME 85 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Hawkins Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Kevin R. Maher 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael
    [Show full text]
  • Listening Context and Listening Mode: Towards a Unified Approach for Examining the Connection Between Music, Emotion, and Mood
    Listening Context and Listening Mode: Towards a Unified Approach for Examining the Connection between Music, Emotion, and Mood. 音楽聴取の背景と様式 ―音楽、情動、気分の関係を分析するための統合的方法をめざして― DI STASIO, Michael J.* マイケル・ディスタシオ 目次 Abstract 1.Introduction 2.Organized Sound - The Elements of Music 3.Listening Diet - Music Genres 4.Exploring the Music Genre “Trichotomy” 5.Extended Listening 6.Informed Listening 7.Tracking Listening 8.Music for the Screen 9.The Music Video Experience 10.Music Live 11.Sound Engineering 12.Defining Emotion & Mood 13.The Mind of the Listener 14.The Listener Context 15.Listening Mode 16.Music & Cognitive/Perceptual Enhancement Attempts 17.Music & Physiological/Psychological Triggers 18.Discussion 19.Conclusion References * Mukogawa Womenʼs University - Visiting Academic Researcher(嘱託研究員) アンフィオンスピーカー 極東総支配人 D12430-73001689_マイケル・ディスタシオ.indd 1 2021/06/29 9:05:25 Listening context and listening mode: Towards a unified approach for examining the connection between music, emotion, and mood. MICHAEL J. DI STASIO, Mukogawa Women’s University - Visiting Academic [email protected] September 29, 2020 ABSTRACT A comprehensive investigation into music and emotion/mood research models (Eerola & Vuoskoski, 2013)1 uncovered notable shortfalls in the selection of test instruments (primacy of classical recordings); limitations of testing conditions (clinical, theoretical, or self-reporting); opportunistic choice of test participants (selected out of convenience); and research practice following historical models (scientific or sociological methodologies). This paper sought to address these issues and presented a considered approach to sourcing music stimuli; identified a wider participant cross-section and testing options; and pinpointed the need for the application of a unified, interdisciplinary research method - a model that can integrate music’s disciplines, forms, and types of engagement (ie.
    [Show full text]
  • Academic Programs . . . 46 Performance Bass
    Academic Calendar . 4 About LACM . 6 CONTENTS LACM Educational Programs . 9 Administration . 10 Admissions . 11 Tuition & Fees . 13 Financial Aid . 16 Registrar . 20 International Student Services . 26 Academic Policies & Procedures . 27 Student Life . 30 Career Services . 32 Campus Facilities – Security . 33 Rules of Conduct & Expectations . 35 Health Policies . 36 Grievance Policy & Procedures . 39 Change of Student Status Policies & Procedures . 41 Collegiate Articulation & Transfer Agreements . 44 Academic Programs . 46 Performance Bass . 46 Brass & Woodwind . 52 Drums . 58 Guitar . 64 Vocal . 70 Music Composition Songwriting . 76 Music Production Composing for Visual Media . 82 Music Producing & Recording . 86 Music Industry Music Business . 92 Course Descriptions . 98 Department Chairs & Faculty Biographies . 138 SPRING 2015 (APRIL 6 – JUNE 19) SUMMER 2015 (JULY 6 – SEPTEMBER 18) January 26-30: Registration Period for April 27-May 1: Registration Period for Upcoming Quarter Upcoming Quarter April 6: Quarter Begins May 26: Tuition Deadline for Continuing Students February 23: Tuition Deadline for Continuing Students July 3: Independence Day (Observed), Campus Closed May 25: Memorial Day, Campus Closed July 6: Quarter Begins June 15–19: Exams Week September 7: Labor Day, Campus Closed June 19: Quarter ends September 14-18: Exams Week September 18: Quarter Ends September 19: Graduation ACADEMIC CALENDAR FALL 2015 (OCTOBER 5 – DECEMBER 18) WINTER 2016 (JANUARY 4 – MARCH 18) July 27-31: Registration Period for October 26-30: Registration Period for Upcoming Quarter Upcoming Quarter August 24: Tuition Deadline for Continuing November 23: Tuition Deadline for Continuing Students Students October 5: Quarter Begins January 4: Quarter Begins Nov. 11: Veterans, Campus Closed January 18: MLK Jr.
    [Show full text]
  • Volume Xxviiii Xxviiii
    1 McNally Smith College of Music www.mcnallysmith.edu MSCM COURSE CATALOG 2014/2015 VOLUMEVOLUME XXVIIII XXVIIII www.mcnallysmith.edu [email protected] (800) 594-9500 (651) 291-0177 www.mcnallysmith.edu [email protected] (800) 594-9500 2 Course Catalog 2014 – 2015 Cover Page ......................................................................................................................................................................... 01 Table of Contents ............................................................................................................................................................ 02 Mission Statement ............................................................................................................................................................05 Vision Statement ..............................................................................................................................................................06 Academic Calendar .........................................................................................................................................................07 Message from the President .......................................................................................................................................08 Program Information ......................................................................................................................................................09 Accreditation ..............................................................................................................................................................10
    [Show full text]