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SAN DIEGO ROUBADOUR Alternative country, Americana, roots, folk, Tblues, gospel, jazz, and bluegrass music news

May 2006 www.sandiegotroubadour.com Vol. 5, No. 8

what’s inside Welcome Mat ………3 Contributors Music Photography Diva Nova Full Circle.. …………4 Valley Music Recordially, Lou Curtiss Front Porch... ………6 Rebecca’s Coffeehouse Big Rig Deluxe San Diego Music Scene Parlor Showcase …8 Peter Sprague Ramblin’... …………10 Bluegrass Corner Zen of Recording Hosing Down Radio Daze Across the Internet/Around the World Highway’s Song. …12 Letters from the Road, Pt. I Of Note. ……………13 Carlos Olmeda Rob Mehl Last Transit Holiday & Adventure Pop Northstar Session ‘Round About ...... …14 May Music Calendar The Local Seen ……15 Photo Page

MAY 2006 SAN DIEGO TROUBADOUR welcome mat

by Liz Abbott on the team for the past few years and has provided the bulk of the photos SAN DIEGO here is a handful of pho - that appear on the Local Seen ROUBADOUR tographers in this page. We are very lucky to Alternative country, Americana, roots, folk, town who you’ll have him! Gail Donnelly blues, gospel, jazz, and bluegrass music news T T find at just about every and John Baldi have also music event They’re submitted many won - there for two simple derful photos to the MISSION CONTRIBUTORS reasons: they love Troubadour over the To promote, encourage, and provide an music and they love years. FOUNDERS alternative voice for the great local shooting live per - Celebrating the music that is generally overlooked by Ellen and Lyle Duplessie formance. Many of gallery opening will the mass media; namely the genres of Liz Abbott them don’t get paid be many of the alternative country, Americana, roots, Kent Johnson folk, blues, gospel, jazz, and bluegrass. and don’t expect to; singer-songwriters PUBLISHERS it is their passion and who are featured in To entertain, educate, and bring togeth - Liz Abbott a grateful “thank you” the works on display. er players, writers, and lovers of these Kent Johnson forms; to explore their foundations; and from a performer Performers range from to expand the audience for these types EDITORIAL/GRAPHICS whose essence they’ve local legends to up and of music. Liz Abbott captured on camera is comers. Simeon Flick enough. While musicians noon Robin Henkel SAN DIEGO TROUBADOUR, the local Chuck Schiele source for alternative country, are the ones to get the glory, 12:30pm Audrey Surface Americana, roots, folk, blues, gospel, ADVERTISING we forget, sometimes, that they 1pm Sven-Erik Seaholm jazz, and bluegrass music news, is pub - Kent Johnson owe it to the people behind the 1:30pm Victoria Robertson lished monthly and is free of charge. Joanna Schiele camera. 2pm Derren Raser Letters to the editor must be signed and BUSINESS MANAGER On Saturday, May 13, six San Diego 2:30pm Barbara Nesbitt may be edited for content. It is not, how - Joanna Schiele music photographers will step out from behind the camera 3pm Bart Mendoza ever, guaranteed that they will appear. and into the limelight to show their works in a gallery setting 3:30pm Joe Rathburn All opinions expressed in SAN DIEGO DISTRIBUTION while 18 local musicians, featured in the photography, will 4pm Pete Thurston Kent Johnson TROUBADOUR, unless otherwise stated, perform 30 minute sets throughout the day. 4:30pm Michael Tiernan Dave Sawyer are solely the opinion of the writer and The show, titled Anything for the Shot! Images and 5pm Lisa Sanders do not represent the opinions of the staff Mark Jackson Sounds of San Diego , is the brainchild of Tim Flack, one of 5:30pm Christopher Dale or management. All rights reserved. Peter Bolland Indian Joe Stewart the participating photographers and owner of Idynomite 6pm Berkley Hart Media, who is cohosting the exhibit with Listen Local San 6:30pm Peter Bolland ADVERTISING INFORMATION PHOTOGRAPHY Diego. The San Diego Troubadour is proud to be one of its 7pm Lindsey Yung For advertising rates, call 619/298-8488 Steve Covault sponsors, along with Acoustic Expressions and George’s 7:30pm Simeon Flick or e-mail [email protected]. Lois Bach Camera and Video Exchange, Inc. 8pm Jane Lui SUBSCRIPTIONS are available for WEB MASTER Participating photographers include Steve Covault, Gail 8:30pm Gregory Page $30/yr. Send check payable to San Will Edwards Donnelly, John Baldi, Tim Flack, David Matt Green (aka Shy Diego Troubadour to: Cloud), and Tom Walko. Although these photographers, who WRITERS Anything for the Shot! Images and Sounds of San Diego San Diego Troubadour Liz Abbott are talented artists in their own right, come from diverse and P.O. Box 164 Saturday, May 13, noon-9pm Richard F. Burrell expansive backgrounds, they all share one thing in common: La Jolla, CA 92038 Acoustic Expressions, 2852 University Ave. in North Park E-mail: [email protected]. Lou Curtiss they are all avid fans and supporters of local music. Admission: $8 Amy Granite Eddo Troubadour staff photographer Steve Covault has been Information: [email protected] WHERE TO FIND US Can’t find a copy of Will Edwards the San Diego Troubadour? Go to Simeon Flick www.sandiegotroubadour.com and Phil Harmonic click on FIND AN ISSUE for a complete William Johns list of locations we deliver to. Laura Kuebel ©2006 San Diego Troubadour. Jim McInnes Raul Sandelin Diva Nova — A Celebration of Dave Sawyer Sven-Erik Seaholm José Sinatra The San Diego Troubadour is dedicated D. Dwight Worden Women Who Rock Your World to the memory of Ellen and Lyle John Philip Wyllie Duplessie , whose vision inspired the Craig Yerkes creation of this newspaper. P h o t o :

P

by William Johns no mistake Podunk’s sound is distinct - serious heat. Several are on the verge of a u l

ly their own. Their star is on the rise discovery. A number of them are award G r di·va n. A principal female singer. u and with their debut CD in the works winners and nominees; the Grams, p p

(from Italian, goddess ; from Latin, you’ll be hearing a LOT more from this Steph Johnson, Danielle LoPresti, Lisa P h o

feminine of divus , divine, god) t

young couple. Sanders, Barbara Nesbitt…there’s a o :

Danielle LoPresti no·va Kim Divincenzo C n. A star that suddenly Hard working has buzz of excitement associated with a t h

increases dramatically in brightness r

been touring like mad, recording, and their names. You can read the wildly y n e

then fades to its original luminosi - l F

honing her skills while building a loyal enthusiastic comments that are posted e i a r ty over a period of months or h n following. on their MySpace pages. Mark your cal - c s S

w years. (from new Latin, feminine of : o o

Danielle LoPresti t

, a scene unto her - endar to hear the following divas per - r o t h

Latin novus, new) h

self, is known for her highly energetic, form: P theatrical performances. She’s also the or quite sometime, San Diego has Paige Aufhammer catalyst for the San Diego Indie Music been a beacon for some of the Renata Youngblood Fest. Kim DiVincenzo best musicians and singer-song - F Sweet Elise is the exotic beauty Drop Joy Phil Harmonic Sez: writers in the country — specifically from the Grams who reinvents classical female musicians and singer-songwrit - Chelsea Flor violin by way of experimentation and ers. There must be something in the air signal processing. Elise’s violin, along Sweet Elise (The Grams) Sweet Elise or maybe it’s the benevolent music with her husband Craig’s guitar play - Marie Haddad “Without scene that nurtures the artists’ soul and ing, creates an intricate dance of inter - begets that fine blend of talent, style, Steph Johnson woven melody. With a new self-titled beauty, and grace. forgiveness life CD that has been receiving airplay, the Laura Kuebel On May 17 San Diegans will have a Grams have been playing locally and chance to hear 17 of these special Danielle LoPresti & the Masses Anna Troy as far away as New York City. is governed by… women in concert at Winston’s in Jane Lui Lisa Sanders is a veteran of the San Ocean Beach. Presented by Beach Diego music scene. Her rich voice and Julie Mack an endless cycle Music Mafia, this is an event not to be impeccable songwriting are evident on missed. Show time is 8 p.m. Barbara Nesbitt her various CDs and she continues to Paige Aufhammer Podunk Nowhere has been steadily of resentment delight audiences near and far. With Heather Marie (Podunk Nowhere) going somewhere since their inception the pending release of her latest CD Kimm Rogers in 2003. The husband and wife duo Lisa proves that like fine wine, time is and retaliation.” features Johnny Janiga (king of the per - Lisa Sanders Lisa Sanders only making her better. fectly understated guitar lick) and At the age of 22, Anna Troy has Anna Troy Heather Marie whose luminous beauty already turned her back on a major Renata Youngblood — Roberto Assagioli is equaled only by her dynamic vocals. label and is calling her own shots. The twosome’s sound is a blend of alt Whether longtime troubadours or country, indie rock, and folk but make new to the arena, these ladies pack Jane Lui www.sandiegotroubadour.com 3 MAY 2006 SAN DIEGO TROUBADOUR full circle Sometimes We See Dead People: FLATPICKING INTO THE PAST AT VALLEY MUSIC by Raul Sandelin 1960s. It was around this time that the business partnership split up, with Rogers “Hello walls…” taking the Ballroom and Soldi taking As sung by Faron Young Valley Music. and written by Willie Nelson Since so many national acts played the Bostonia Ballroom, it’s difficult to say icture this: The wagon train of exactly who stopped by the store. But it Cadillacs and DeSotos pulls out of wasn’t uncommon for the party to sim - Pdowntown San Diego and drives ply move from the Ballroom to the eastward. For nearly 20 miles, it winds store in the wee hours along a road that hugs both mesas and of the morning. riverbeds. Oaks sprout out like lines of On one such occa - Civil War pickets. Chapparal and scrub sion Audie Murphy brush prod the roadside like tombstones decided to buy a guitar in an old cowboy “talkie.” Finally, this he had pulled down off mid-century wagon train descends into a the wall during an after- hidden valley crossed with some promis - hours jam session. ingly wide streets but mostly scattered Likewise, Johnny Cash fields and family farm houses. Now, in woke Soldi up one night the middle of this dusty, quiet place, they when everyone had retired park along one of the only streets with early and insisted on get - sidewalks. Everybody jumps out, guitars, ting into the store at 3:30 fiddles, banjos, and cowboy hats in hand. a.m. in order to try out some And they float through a door, following new guitars before hitting the the one dressed in white. Collectively, road. Soldi, for the trouble, they look around the blank walls. One of made sure that Cash bought them mutters a line from the book he’s one, a sale Cash would remem - been reading: John Steinbeck’s East of ber with a smile years later Soldi Eden . when Cactus Jim, Soldi’s son, Cactus became Johnny’s guitarist in the 1980s. S mokey Given all of this celebrity activity, the Rogers These larger stores were S store, along with the Ballroom, would Looking back now, the year 1952, better able to handle certainly appear to be natural stars on when Valley Music opened its doors, the expanded product any country music walk of fame. But would seem like some long ago begin - lines of the name-brand what is equally interesting is the role that ning, given that Valley Music will be cele - guitar manufacturers such The Western Caravan Valley Music played in the development brating its 55th year in 2007. Yet, at the as Gibson and Fender. So, of rock ‘n’ roll and its mythology. maybe even a nip time, it was actually the end of the trail within all this growth and transforma - It is well documented that Frank off a flask usually in a way for two long-time traveling tion, Valley Music had to carve out a very Zappa spent a good portion of his early kept hidden in musicians who decided to finally hang small niche in the East County market teens living in the East County. La Mesa someone’s coat their hats and settle down. that had once been its exclusive domain. civic boosters have been quick to steer pocket. These Smokey Rogers and Cactus Soldi had About this same time, the Soldi kids — the attention to their fair city, probably walls would talk already built careers touring the country Cactus Jim and his sister Andrea — began because Zappa was enrolled for a time at about the young in the 1930s and 1940s as part of the stretching out on their own. Andrea, in Grossmont High, which is located in La kids with dreams emerging country western and western fact, joined the carnival and left town Mesa. But the family actually lived in El of rock operas swing circuits. They had played in bands altogether until shortly before her father’s Cajon. And, as noted in Barry Miles’ floating through headed by Spade Cooley and Tex death in 1990. Cactus Jim, on the other Zappa: A Biography , young Frank bought their heads who Williams before Smokey himself stepped hand, followed in his father’s early foot - his first Decca record player at Valley found solace in forward as a band leader in his own right steps and hit the road, recording with Music, identified as Smokey Rogers Music the squeaky and took over Tex’s Western Caravan. some of country music’s finest, including Store, in 1954. sounds of spinning Their songs provided soundtracks to vari - Waylon Jennings and Johnny Paycheck, Jim Soldi and Johnny Cash A decade later, members of a Mount records. These walls ous Westerns and they even appeared as not to mention two years of touring with Helix garage band that were soon to would talk about psy - singing cowboys in a number of Ricky Skaggs and four years with Johnny es of cosmopolitan San Diego. morph into the iconic Iron Butterfly pur - chedelic teenagers and teenagers soon Hollywood projects. And, their reputa - Cash. Of Cactus Jim, Cash once called “Sometimes we see dead people float - chased their first guitars at Valley Music, bound for Vietnam, teenagers who rolled tions as crack musicians opened the ears him “the best player in the business.” ing through here,” Jim laughs. really the only music outlet east of down - out of the apartments and trailer parks of a Who’s Who list on both coasts as well Perhaps he was remembering that morn - “Sometimes they even come out and sing town San Diego. searching for the music that would lift as in Nashville. ing at 3:30 when he and Jim’s father and late at night after everybody has gone Soon afterward, Valley Music would be them away from the blue-collar booby In 1950 Rogers and Soldi, along with a carload of Cash’s band set about trying home.” Well, if they did, these walls immortalized in popular literature when prize that El Cajon dangles in front of another bandmate Pedro DePaul, decided out all the instruments in the store dur - would’ve heard them. the great gonzo journalist Lester Bangs those who grew up just a little too far to pull their reigns away from the road ing that long-ago jam session and guitar- included it in his Vietnam-era chronicles east of Paradise and the postcard promis - and open up their own venue — the buying spree. of benzedrine sojourns throughout the Bostonia Ballroom — located near the Preceded shortly before by Rita, East County that included trips to corner of Broadway and Second Avenue Cactus’ death brought the two kids back “Grossmont Junior College” and “San in El Cajon. (The building is still stand - home. And, after this long journey, they Diego State College.” ing.) Soon afterward, Valley Music are both keeping the store running much And, in the album notes to the first opened its doors partly in response to the like it did in 1952. Its small town feel is KGB Homegrown , released in 1973, Lester needs of the many musicians who want - immediately apparent upon entering. Bangs’ protégé Cameron Crowe would ed to re-supply while passing through Andrea is there most days and helps cus - mention Valley Music while reviewing town for a show at the Ballroom. Singer tomers find anything from a vast collec - the young Cactus Jim’s band, Ginger Snow (Rita Soldi) and Cactus were tion of books and sheet music. A healthy Montezuma’s Revenge. already married. Rita would be an unoffi - selection of guitar parts, strings, and But, as the decades wore on, El Cajon’s cial partner in the venture until her accessories hang behind the counter. Jim lazy pepper trees and willows and streets death decades later. offers full-service repairs also. There are lined with elm were bulldozed in favor of The Bostonia Ballroom became a top CDs for sale although the albums and apartments and ever-wider streets to showcase for national acts. Big names like Decca record players are long gone. Also accommodate the East County’s unmiti - Eddie Cochran, Jim Reeves, Patsy Cline, included in the modest showroom are a gated population growth that tore the Tex Ritter, Carl Perkins, Hank Snow, Gene number of fine instruments, mostly gui - small town feel out of El Cajon’s heart. Vincent, and Bobby Riddell were fre - tars, both new and used, along with an Instead of rolling fields, orange groves, quently booked throughout the 1950s. equally impressive stock of amplifiers and and the occasional rider on horseback, El (However, despite popular rumor, Elvis assorted gear. There are even a few resi - Cajon grew from a humble cow town to never did perform there.) By day, the dent pros who offer lessons in the back. a clamoring city of 100,000 today. musicians could hit the music store for But, what is so impressive about Valley As El Cajon transformed so did the strings, equipment, and any quick repairs Music is the sense that one is stepping music industry, especially in the areas of they needed before heading out of town. back in time. To walk in the front door music equipment and retail. While With Smokey on guitar and vocals and you must realize that you are standing in Cactus and Rita minded the store (the Cactus on fiddle, both the Ballroom and room where some of the biggest names in Ballroom was long gone by the 1970s), the store had their resident pros ready to American popular music have also stood newer stores specializing in everything perform an impromptu show or hand out over the last 50 years or so. If these walls from records, stereos, and band instru - advice. As a result, Valley Music became a could only talk, and talk about what ments to electric guitars with a rock ‘n’ local mecca for musicians wanting to talk they’ve heard, they’d talk about the roll attitude popped up and began to shop and learn licks from the journey - shiny Cadillacs and DeSotos parked out - draw customers away from the one-stop- men. Rogers continued to promote him - side and the guys with names like Hank shop that Valley Music had offered the self as a local personality and even had and Eddie and Tex and Johnny who East County for so long. In addition, the live radio and television shows at KFMB sauntered out of the hot, dusty sun or new stores grew bigger and bigger into in San Diego that took him into the warm moonlight for a song or two and the “big box” outlets we know today. 4 www.myspace.com/sandiegotroubadour MAY 2006 SAN DIEGO TROUBADOUR San Diego Tro rs Buddy B The ubadour Remembe lue full circle P h

o P.S. After the San Diego Troubadour pub - blues pianist and singer Floyd Dixon. It’s t o :

lished my first suggested song list, Buddy been a good run at KSDS and one I hope I B i l l

was the first on the phone to let me know can continue for a long time. Hope you all R i c

h that he had nearly two thirds of them in his can be there. a

r Recordially, d

s collection. This was a guy who wrote record o UNDING FOR THE DAMS n F A reviews of Frankie “Half Pint” Jaxon records AVENUE STREET FAIR TO BE CUT ! for the Union-Tribune and, in his final col - The T.O.T. (Transient Occupancy Tax) umn, trumpeted Dock Boggs. This guy Lou Curtiss allotment for the Adams Avenue Business knew his music, his likes and dislikes, and Association events (particularly the Street he wasn’t afraid to tell you about them. gig, dressed in an outfit Marlon Brando groups and, over the years, Buddy would Fair in September) has been a major part of would have worn in The Wild One . Sitting add to the list and many bands would come TRUE TALES FROM RECORD the reason that high quality events take on the couch at Ed Cormier’s house, Buddy again and again (including Buddy) as the COLLECTING (heard from a German place on Adams Avenue. Two years ago the laid out to these groups reassembled collector visiting Folk Arts Rare people on the San Diego Commission for people a set of themselves. Even Records) Arts and Culture decided to cut funding for Lou Curtiss reasons why after Buddy had a A German pre-war record collector was the Adams Avenue Roots Festival, making it m

they ought to l falling out with

o in India hunting 78s. In an antique shop he virtually dependent on the Adams Avenue h

support me, my a the money doers e found quite a pile of records, many of Street Fair (you may have noticed the cut - S

REMEMBERING BUDDY BLUE

ideas, and the y and shakers on

l which were broken. As a favor to the shop

l backs at the Roots Festival this year). A few e

need for a festi - n Adams Avenue, owner, the collector carefully sorted out the uddy Blue came into my store and n weeks ago we leaned that the Street Fair val that was my o which brought an D

broken pieces from the nonbroken. When won’t be receiving any funding either. In my life as a reporter for the l i concept, one a end to his active he was finished, he watched the owner care - fact, those all-knowing arts gurus on the G

Grossmont College newspaper and I that brought the : participation, he’d o

B t fully scoop up all the pieces and place them Commission referred to us as a “glorified

think I may have marked him that day with o

the kinds of h still drop me sug - the urge to become a collector of 78s. He P neatly in a box. “Aren’t you going to throw swap meet.” I understand they have also cut music that I gestions about may have already been there but I remem - those away?” asked the collector. funding for Mardi Gras in the Gaslamp wanted to have. artists I should try ber being in an effusive mood that day, par - “Ceertainly not,” replied the shopkeeper. District as well as for the Hillcrest Street I think Buddy to go after, right ticularly about those old blues and jazz 78s “I’m going to sell them.” “Who buys broken Fair. Those of you who attend and enjoy made some con - up until last year. and the music on them and I can usually records?” asked the collector. “Lots of peo - our events on Adams Avenue should con - verts to my side When Folk Arts tell when someone’s gettin’ the bug. Buddy ple around here,” continued the man. “In sider sending an email to either City that remain in was forced to either already had it or caught it on my this country we mix the pieces with mutton Councilwoman Toni Atkins’ office or to my camp today. move last year, doorstep. I like to think it was the latter. fat and eat it. It is a wonderful cure for mayor Jerry Sanders. This is a $25,000 hit During Buddy was the Around that time the Beat Farmers were hemmorrhoids.” to the people’s music. We can’t allow this to those folk meet - first one on the getting together and Virginia and I saw happen. ings we talked phone to organize SOME EXTRA THOUGHTS them play them a few times during those about holding a a benefit. The It’s been a little over 38 years since I early days. They played at the 18th annual benefit to raise money that came walked into KPRI with a handful of rare San Diego Folk Festival, which was held at money. Buddy through from records to play on OB Jetty’s late night Balboa Park on the Old Globe Theatre’s out - went out and organized one with his then Buddy’s event as well as the one organized underground radio program. I got hooked side stage. I think it was the only Folk group the Jacks, the Forbidden Pigs, and by Bart Mendoza kept me and Virginia on radio that night and it wasn’t long before Festival that band ever played and I’m not others. There never was a folk music benefit afloat during a tough time and helped to I was doing a Sunday night blues program sure how the folkies took it, particularly but San Diego’s rock music scene always stabilize ourselves at our new location. I’ll on KPRI. That lasted for awhile and then I some of the older ones. I remember that came through for me mostly thanks to always be grateful to Buddy and the other did a short stint at KDEO before moving to some festival regulars like Jim Ringer, Utah Buddy paving the way. The festivals musicians who participated for allowing me KGB, where I did The Lou Curtiss Folk Arts Phillips, and Glenn Ohrlin were impressed resumed in 1994 on Adams Avenue and to continue to keep all my stuff and contin - Radoio Program for seven years (kind of a and quietly amused by the fans’ reaction. Buddy played at the first one (or the 21st, ue to play it. I’d be lost without it . . . . Dr. Demento type of program but a little Such is the argument about what folk music depending on how you’re counting). That Damnit, Buddy, you join a list of people more folkie). I also did a Sunday morning is. It’s stuff sung and played by folk . Buddy same year I also took over the booking for who I’m going to want around to ask ques - old-time gospel bluegrass show for KGB. In and the rest of the Farmers were certainly the Adams Avenue Street Fair. Now, I had tions but won’t be able to, including my 1986 I started Jazz Roots on KSDS first for some of the most interesting folk I’ve ever never booked a concert that featured essen - dad, Sam Chatmon, Jim Ringer, Merle an hour, then for an hour and a half, and met. A few years later the Folk Festival was tially rock music before so the first guy I Travis, Kate Wolf, Thomas Shaw, and a finally for two hours (8-10pm). On July 12 on the skids (before it started up again as went to was Buddy. He made me a detailed whole lot more. Now that list includes I’ll celebrate my 20th year at KSDS with a the Adams Avenue Roots Festival) and a list of about 30 local rock bands, what they Buddy Blue. Buddy, you were supposed to special Jazz Live concert featuring legendary bunch of the folk elite in San Diego were did, what kind of draw they could expect, be writing your column about me a long having a meeting to see whether we could how I as a booker would get along with time down the road. organize a few fundraisers to get it going them, how much I should offer them, and Recordially, again. I asked Buddy to come to one of even which bands were more outside, fami - those meetings and he came, direct from a Lou Curtiss ly friendly. I booked about 25 of those

www.sandiegotroubadour.com 5 MAY 2006 SAN DIEGO TROUBADOUR front porch t t o b b A

z i L

Rebecca’s Coffeehouse : s o t o h

A Welcoming Environment for Musicians and P Audiences Alike by Amy Granite Eddo want musicians to stick around for the whole Rebecca’s Coffeehouse night, support one another, and create an envi - outh Park is in the midst of a collective ronment where we can collaborate as artists.” rebirth. Independent businesses are thriv - FACTS AND FIGURES This idea materialized into the Family Jam, a ing, the night life has a flavor unique from chance for participants and spectators alike to S WHERE: 3015 Juniper St. in South Park the downtown experience, and the strong sense enjoy all the night’s artists fusing their individual Rebecca’s Coffeehouse in South Park of community pride and support gives this area a HOURS: 6am-10pm Sunday thru Wednesday; styles into one collaborative production. week. Rocky Green is a unique rock ’n’ roll guitar Because the show is free and the increasing down-home, small-town feel in the heart of San Open 24 hours Thursday, Friday, By word of mouth alone, an array of perform - player whose set features ragtime tunes from the popularity of returning and anticipated acts, Diego. Diversity energizes this neighborhood, Saturday ers comes out each week. New and returning acts 1930s. Nino is an island rhythms band specializ - those interested in attending are encouraged to inspiring local artists of every genre, but it’s South MUSIC: Acoustic/all genres. Open mic provide for an ever-changing, exciting atmos - ing in laid back surf music that transports audi - arrive early in order to find parking and settle Park’s growing music scene that has both musi - night/family jam Thursdays, beginning phere to be a part of. Since the Open Mic’s debut, ences to tropical, sandy beaches. Rodney into one of many areas of the coffeehouse to cians and enthusiasts buzzing. Surrounded by live at 8pm. Jazz on Fridays. Featured Downey has been captivating audiences each Hubbard is a jazz guitarist who is also an amazing enjoy. While many guests read, chat, and surf free music venues M-Theory Music and the artists on various days of the week week. With her soulful voice and strong stage vocalist, a soulful comparison to the sounds of wireless Internet while the Open Mic is in Whistlestop bar just across the street, Rebecca’s LEVEL: Local singer-songwriters presence, it’s no wonder the audience’s ears perk Marvin Gaye and Nick Drake. Stay tuned for progress, depending on the volume of the per - Coffeehouse is the latest spot to regularly feature up when she takes the stage. Downey herself is a PRICE: Music is free; tips are welcome more on these artists as each is involved in future formance, respectful voices are appreciated. local music acts. On any given day at the coffee - master of collaboration. During her set she is projects and tours. Despite the fact that certain Now that Rebecca’s offers live music, it is a house, musicians are a visible fixture, whether it’s INFO: 619/284-FOOD likely to request that one of the evening’s per - www.rebeccascoffeehouse.com acts do return each week, it is the first-timers perfect time to become a part of an expanding a guitarist in an oversized, comfy chair strum - formers join her onstage for an impromptu jam. who keep this event consistently exciting. family of regular acts. The current schedule ming away, a writer scribbling lyrics at a table, or RATING: Comfortable, friendly place; free Adding to her musical versatility besides her Sign ups are on a first-come basis starting at 8 includes Open Mic night on Thursdays and jazz someone playing the community piano. Since wireless Internet access; good food. acoustic guitar, Downey plays a variety of instru - p.m. every Thursday. Each artist is assigned a 15 every Friday night from 7-10 p.m. These are the artists seem to consider the coffeehouse a home, ments including the accordion, lap steel, and minute time slot and, with the Family Jam begin - only regularly scheduled events at Rebecca’s, it comes natural for owner Rebecca Zearing to piano. Aside from touring the country three ning at 10:30, there are usually 10 spots available. although the Speak Easy Quartet frequently welcome musicians of every genre into her living herself. Besides the hot-out-of-the-oven, best times, Downey has released a five-song EP and Since this Open Mic is intended to be a welcom - shows up to slap out some classic swing tunes. room for a weekly Open Mic night. With a large scones in San Diego, what is it that sets Rebecca’s continues to play at local venues on a regular ing environment for all, including children, there Community artists are catching on that Rebecca’s stage, brand new sound system, and warm can - apart from other open mic nights in the greater basis. is a policy in place prohibiting the use of profani - is a venue that welcomes all genres of art. In dle-lit ambiance, word is spreading that Rebecca’s San Diego area? Rheanna Downey, host of the In addition to Downey, several other regulars ty or vulgarity of any kind. addition to the music, there have been poetry has a cozy, unpretentious atmosphere where one Open Mic and singer/ songwriter, explains, “It’s grace the stage at Rebecca’s Open Mic every readings and a satire night is in the planning can enjoy a night of free music and reasonably common in San Diego to see artists perform at an stages. priced homemade creations concocted by Rebecca Open Mic and leave right after their set. Here, we The independent arts scene in South Park is gaining momentum largely because of the sup - port of surrounding businesses and welcoming hang out spots. Rebecca’s truly is an environment where musicians can meet and collaborate on a creative level, resulting in fun, free evenings of live entertainment for all ages. The intimate nature of this venue makes guests feel as if they are seated in the living room of a close friend, and the friendly staff treats everyone as family, serving up an endless variety of hot or iced drinks and freshly baked goods to beat all others in the area. To book an event or check the cur - rent schedule, visit www.rebeccascoffeehouse.com.

Rebecca’s Coffeehouse has a spacious, comfy interior.

6 www.myspace.com/sandiegotroubadour MAY 2006 SAN DIEGO TROUBADOUR front porch

Big Rig Deluxe Is Ready to Roll

[various] song structures. I have learned a Longtime friend Mike Hunter plays d’Artenay said. “There is also a crying in little about that through playing the gui - bass for Big Rig Deluxe. He shares your beer aspect to country music. People tar.” This opportunity for growth is not d’Artenay’s enthusiasm for roots music come out to dance away their troubles to the only thing d’Artenay is enjoying and was instrumental in establishing the this good diversionary music. about Big Rig Deluxe. The chemistry that band back in 2000. Drummer Hal Smith Underneath it all there is some truth in has developed among the band’s five comes from more of a traditional jazz these songs and we hope that people can members has made the whole experience background, but he’s a quick study and identify with the honesty, truth, and sim - Big Rig Deluxe (l. to r.): Michael P. Hunter, Hal “Junior” Smith, Johnny G. d’Artenay, a joy rather than a job. has picked up BRD’s western swing tem - plicity of this music.” Robin Henkel, Jon Harford “Even though we practice in a garage, pos as if he has been playing them all of On the horizon for BRD is a new CD this is not like a kid’s garage band. We are his life. Hunter and Smith combine to slotted for summer release. It will consist by John Philip Wyllie do trucker songs and novelty songs along all adults and everyone has a good level form a very solid rhythm section. Lead mainly of originals with perhaps a with some rockabilly. The sonic flavor of of maturity. Everyone is excited about the guitarist Jon Harford, with whom Johnny Cash number thrown in here or or more than a dozen years, Hot this band is very different.” band and that makes it easy to nudge in d’Artenay also performs in Jump Jones, there. They have also been invited to per - Rod Lincoln co-founder, Johnny G. Directing Big Rig Deluxe has been a one direction or another and to help rounds out the band with his crisp guitar form at the San Diego County Fair in Del Fd'Artenay was content to share the very different experience from either his facilitate and organize. Things just seem work. On occasion, he is also prevailed Mar and the North Park Community lead vocals in that superb rockabilly/’50s Hot Rod Lincoln stint or his involvement to be coming together. We all really like upon for harmony vocals. Concert Series in Bird Park in August. band with the velvet-throated Buzz with two additional pending projects. For each other,” he added. At present, d’Artenay has composed Their regular monthly Thursday night gig Campbell. Now, several years removed one thing, d’Artenay handles the lead Each of the five musicians brings a about 10 BRD originals, seven of which at Tio Leo’s will continue and they expect from that partnership, d’Artenay has lent vocals on almost every song. He has also wealth of experience and a unique back - are part of the band’s regular repertoire. to perform at several other clubs as well. his distinctive rain barrel baritone to Big stepped away from his comfort zone ground to Big Rig Deluxe. More are on the way, but progress in that For additional Big Rig Deluxe informa - Rig Deluxe. Always in demand, he also behind his leopard-skinned upright bass “We have Robin Henkel on lap steel direction is slow since each band member tion, song samples, photos, and bios go plays a regular supporting role in two and is playing rhythm guitar most of the guitar, dobro, and resonator guitar. He has various other commitments. Time to: myspace.com/bigrigdeluxe. other fine local bands: Jump Jones and time. It has been both a challenge and a trades off on those instruments depend - only permits one practice per week. The Blue Largo. The San Diego Troubadour learning experience, but one that ing upon the song,” d’Artenay explained. juxtaposition of covers with originals recently chatted with d’Artenay between d’Artenay has embraced. “He has a primal Delta background and seems to work well, however. Tio Leo’s sets of their monthly gig at Tio Leo’s near “I had to almost start over from some jazz/swing influence, so that gives dance floor was filled with swing dancers USD in Linda Vista. square one,” d’Artenay admitted. “We did us more of a western swing flavor. We on this night at least, from the first note “Hot Rod Lincoln had more of a rock quite a bit of rehearsing before we played have five instruments as opposed to three until the last. `n’ roll approach. We started out wanting any gigs. Rhythm guitar is a different [in Hot Rod Lincoln] so texturally our “We like to have a lot of fun and we to be an oldies band and then evolved instrument. When you are used to hav - music is a lot thicker or fuller.” don’t take ourselves too seriously,” into a rockabilly or rock `n’roll rockabilly ing one role in a band playing a particu - band. Big Rig Deluxe decided to be more lar instrument, learning a new one gives of a country band with music based more you a totally new perspective — that, and on people like Johnny Cash, Buck a respect for the other instruments. Bass Owens, Hank Williams, George Jones, players typically don’t know a lot about Dwight Yoakam, and the Mavericks. We chords and how different chords fit into On the Scene with Local Music

by Laura Kuebel ity among all genres of music. Supported by a growing network of an Diego’s thriving music scene holds resources, San Diego Music Scene has a vast realm of possibility for artists quickly gained momentum in just a few Sand those who support them. We live months. Throughout February and March, in a town saturated with talent — where SDMS sponsored Cream of the Crop, a great live music can easily (and affordably) multi-genre music competition featuring be enjoyed any night of the week and over 100 artists in four categories. where, musically, anything goes, and any - As a feature of Open Mic night, Tommy one with a voice, a rhythm, or just some - and I hosted the singer/songwriter portion thing to get off their chest seems to find an of the contest at Blind Melons. Over the outlet. course of six weeks, 30 artists performed As a musician from Ohio, my story is original acoustic sets. From new faces to similar to many others: relocating from seasoned veterans, the contest brought a (insert Midwestern city here) with little plan diverse mix of talent to the stage and creat - other than to explore the sunny land of ed a new energy for the venue. musical opportunity that is San Diego. With such a talented pool of performers, Upon arrival, I was taken aback by the the competition was close — winners were amount of talented artists I encountered, often decided by just a few points. The each passionately pursuing their unique grand prize winner was Barbara Nesbitt, a goals. But before long, I realized that music new arrival from Virginia. With a stop-in- Tommy Edwards with Cream of the Crop has a way of making this big, transient city your-tracks voice and captivating style, winner Barbara Nesbitt feel like home. Barbara is already on her way to becoming The first step for most musicians is per - a local favorite. On the final week of the cold beer. forming at Open Mic nights, a natural contest, Barbara snagged a last minute The Cream of the Crop contest is only forum to connect with like-minded artists, opening and ultimately won first place. Her the beginning of all that San Diego Music experiment musically, and catch a 15- prize package included studio recording Scene has in store later this year. Artist minute glimpse behind each of those famil - time, professional photography, CD dupli - showcases will feature all genres of music at iar faces. cation, and, of course, the glory of being venues that include Blind Melon’s, After a few months of playing Open part of San Diego’s Cream of the Crop. Be Winston’s, Twigg’s, O’Connell’s, and more. Mics, I landed a gig hosting at Blind sure to check her out at SDMS is also planning to release a compila - Melon’s in Pacific Beach. Over the past year www.myspace.com/barbaranesbitt and tion CD featuring contest winners and many musicians have crossed my path — catch her live at an upcoming show. favorites as well as harvest another round of from wide-eyed singer/songwriters jumping Thanks to a positive response from per - the Cream of the Crop in the fall. at every chance to play, to veterans tired of formers, sponsors, and the local communi - Another focus of San Diego Music Scene free shows in half-empty coffee shops, and ty, the competition was a huge success. The is empowering artists through education. A everyone in between. Each of these artists credible panel of judges, which included series of monthly workshops beginning offers a unique perspective on the joys and singer/songwriters Tim Mudd, Aaron May 13 offers information on do it yourself frustrations of being a musician. With my Bowen, Chris Decatur, and Carlos Olmeda, marketing and promotion. SDMS plans to co-host Tommy Edwards, I have spent helped make Cream of the Crop more than publish a comprehensive resource guide, countless Mondays pondering our individ - just a popularity contest. Their insight pro - providing contacts for recording, photogra - ual and collective musical goals over pints vided artists with constructive feedback phy, marketing, and other useful tools for of honey blond ale. about their performances, a valuable tool musicians. Tommy, an ambitious songwriter with for songwriters to improve their craft. SDMS looks forward to operating from a down-home roots and big dreams, shares The event was also instrumental in new office headquarters, shared with the common ground with many aspiring artists expanding the Open Mic night at Blind San Diego Musicians’ Collective, featuring in San Diego. Noticing the decentralization Melon’s. As a venue typically known for adjacent meeting rooms, practice rooms, in local music, his goal is to pool existing hosting rock bands, we are often chal - and recording studios, available to mem - resources and help local artists take their lenged by an acoustic aversion to the P.B. bers at an affordable rate. music to the next level. Drawing from his bar scene. Hosting a songwriter contest was For more information about San Diego background as a professional musician, a step toward making this venue more Music Scene programs, events, and shows, Tommy created the San Diego Music approachable for acoustic players and please visit www.sandiegomusicscene.org. Scene, a collective designed to support and reminding coffeehouse artists that musical promote local artists as well as build solidar - integrity can, in fact, be enjoyed with a www.sandiegotroubadour.com 7 MAY 2006 SAN DIEGO TROUBADOUR parlor showcase

by Craig Yerkes

eter Sprague is somewhat of an enigma, a jazz guy making his living in sunny San PDiego where a thousand escapist pleas - ures distract even well intentioned listeners peter away from more weighty artistic expressions. Mr. Sprague has put down deep roots here in what most working musicians would agree is a challenging setting for someone who is prima - rily focused on jazz. For those of you not famil - iar with Sprague’s resume, check the bio section at www.petersprague.com and prepare to be floored (if you’re not that familiar with who’s who in jazz, find someone who is and they’ll sprague break it down for you). More career details will follow later in the story, but suffice it to say that resides just off the main house and this is Sprague is a musical heavy hitter of absolutely where our subject spends countless hours pro - world-class stature. This point was driven home ducing other people’s projects as well as devel - to me at a recent show featuring Anthony oping his own material. As I toured the studio, I Wilson, a modern day jazz guitar hero who, was struck by how well the place is put togeth - among other things, plays with Diana Krall on er and also by the level of talent on display by her world tours. I watched as Sprague way of a wall of CD cases from artists that who approached the stage to talk with Wilson and have recorded there (Gilbert Castellanos, Mark couldn’t help noticing how Wilson had that O’Connor, and the Nickel Creek crew, to name a unmistakable look of profound respect that bor - few). This is a studio in full swing and I am dered on flat out reverence as they engaged in informed that, “in the last ten years, the studio shop talk. has been constantly working.” Spragueland stu - My first exposure to Peter Sprague was at a dios is as booked as its operators (Sprague’s special Local Living Legends performance of the wife, Stefanie, handles booking and other busi - San Diego Symphony, which featured a mind- ness tasks) want it to be. The studio is really the boggling piece of his music called “Concerto financial mechanism by which the switch from for Jazz Guitar.” This music fired on all cylin - touring jazz musician to a more stable, locally ders, hitting the heart and the imagination, and based music career became possible, and, as I became an instant fan. I find it curious and Sprague points out, “the studio is, financially, telling that this musician who enchanted that how our whole trip floats, mostly.” The reasons large symphony audience was observed by this and I missed it.” There came some profound “is brought a new perspective. As he explains, “I behind that career shift and how it all went writer, some months later, through the window this really worth it?” reality checks while don’t take it for granted anymore, it’s become a down is where we start our discussion. of a somewhat low-tech eatery in Encinitas as Sprague was touring with David Benoit and gift. Before it was always the career and where it As you can read in his bio, Peter Sprague was he wowed a small group of patrons on a found himself only really playing for “maybe an was leading, but the new meaning for me right in the thick of the national/international Saturday night. Such is life for Peter Sprague as a hour a day,” all the while missing his family and is…just to play.” One foreshadowing event relat - jazz scene early in his career and could be working musician in San Diego and, for the spending most of his time “waiting for lug - ing to this new way of thinking took place found touring to support his own major label record, he didn’t look any less thrilled to be gage.” Sprague continues, “For me, that decision when Sprague played with the big daddy of all recordings as well as playing major venues with playing music for 15 people than he did playing to take a different tack came about by…the jazz guitarists, Joe Pass, back at the start of the the likes of jazz legend Chick Corea, the immor - for the masses. So, what’s the story behind this family pull, my health…it’s part of growing up, 1980s when our subject was right in the thick tal Sergio Mendes, gram - “local living legend” you do one thing so much and it’s either great of chasing his dream. The revered elder states - my nominated key - who straddles the line or the negative aspects start to take over.” man, Mr. Pass, gave the ambitious young “For me, that decision to take a boardist David Benoit, between being a glob - To get to a point where someone like Chick Sprague some surprising input when asked by and an impressive list of ally recognized jazz different tack came about by … the Corea is asking you to play with him and the the younger player how incredible it must feel other artists. The reasons musician who has L.A. Times is calling you “one of the emergent to play a place like Carnegie Hall. Joe Pass played family pull, my health … it’s part for getting off of that made music at the great guitarists,” you have to be ridiculously, wise sage and expressed that “just to be playing roller coaster of jazz absolute highest levels obsessively single minded and focused (this is a music is the big deal.” This input was met with of growing up. You do one thing so stardom range from and that ever smiling, man who used to practice guitar while driv - skepticism at the time, but experience has borne pragmatic to philosophi - ever surfing, ever much and it’s either great or the ing!). As Sprague began to wind down that out the truth in it. According to Sprague, he cal. “About 15 years ago, accessible multi-task - intense focus on guitar, his world “became now sees that the large-scale gigs are “easier,” negative aspects start to take over.” I started developing ing musical workhorse wider” and the doors began opening for what more “political,” and potentially less inspiring hand problems…turns and recording studio — Peter Sprague would become the next phase of his career. than the smaller, more intimate shows, and he out it was arthritis. I owner from Del Mar? I Adjustments had to be made, on many levels, tells me, “I’m in so many situations where began thinking that in three sat down with the man himself to see if I could while in the process of transitioning away from there’s not a zillion people there...but that magic years, I wouldn’t be able to play guitar. It was an find the answer to that intriguing question and climbing the ladder of success as a guitar hero thing can happen in the smallest places and area that was emotionally difficult, but it was an take a closer look into the world of San Diego’s and moving toward being more of a locally that’s what sustains me.” area I knew I would have to visit at some point most recognizable jazzer. based “musician in the broader sense.” Even the While Peter Sprague continues to find plenty in my life…my focus was so narrow,” Sprague The Sprague compound in Encinitas is a control knobs of his new Spragueland studio of those “magic moments” here in town, the professes. In addition to the pain that was ever quintessentially laid-back beach homestead, but became instruments of expression. long-term view of what comes next is anything increasing, there was a walking, talking reason don’t be fooled by the relaxed feel — there is With regard to this new direction and how it but limited in scope. I asked if there is a possi - to think about getting off the road. As Sprague much work going on here just about every day relates to playing the guitar, Sprague points out bility of a return to more of a focus on the remembers, “Kids have these ‘firsts.’ I was on of the week. The SpragueLand recording studio that there was a time when being physically national jazz scene and I can sense that no tour when my daughter had one of her ‘firsts’ able to play was a given, but the arthritis option is off the table. Sprague explains, “I don’t

8 www.myspace.com/sandiegotroubadour MAY 2006 SAN DIEGO TROUBADOUR parlor showcase

“woodshed” developing the building blocks of tribute to Stevie Wonder on May 12th at Dizzy’s music, another practical aspect of how the in downtown San Diego artist’s original music can continue to thrive is (www.dizzyssandiego.com), which will feature the carefully managed work flow that his wife, Sprague and friends. Stefanie, and he have come to get a handle on As we wind down our conversation, I am with the recording studio. Between the two of struck by how the life of this artist resembles them, the Spragues are able to keep the flow of music itself — such a fine balance between the studio from being too much of a stifling planned structure and improvisation. Through force and Sprague actually sees the producing all of the twists and turns, the man and the (others’ music) role as being a liberating force methods have continued to adapt as needed in that can bring fresh energy to his own work. order to facilitate an uncompromised artistic To the surprise of some of his more purist expression while not ignoring the task of put - jazz cohorts, Peter Sprague never limits his proj - ting food on the table. From whichever angle ects to simply jazz. As he points out, “My roots you analyze Sprague and his music, a staggering were in rock and folk music. As years have gone number of diverse, dynamic, and complex ele - by, I’ve explored more of the different types of ments all come together somehow to form a music I’ve always loved.” Present in any given balanced, logical, soulful, and satisfying end Sprague recording or live show is “the idea of result. Constantly reaching out for the good and

to an approach that reaches beyond San Diego more frequently is a possibility, there are plenty of projects that Sprague has on his to-do list that require no travel at all. That list of projects includes a solo guitar album, a chamber music project, another Pass the Drum album, and a possi - ble collaboration with vocalist Leonard Patton reaches featuring Pat Metheny music. One aspect of this story that was particularly interesting to me has to do with the balancing act that our subject has to pull off on an ongo - ing basis. To compose and perform jazz at the level Sprague does is, arguably, the musical path for the that is hardest to navigate (although some classi - cal folks might disagree). In listening to the lat - est Sprague recording, Taking It All In , I was struck by the fact that the quality of the writing and the performances stand up to anything you would hear anywhere — this is jazz at it’s finest. magic I wondered how an artist still manages to create music at that level while spending so much time making the [musical] colors constantly change the magic in life, and in music, has brought our as a producer of other people’s projects and to keep it fresh.” I recently saw this approach in subject to a place where he feels “so fortunate maintaining a busy gig schedule. The answer I full effect at a small show in Del Mar where because I have this great family, great get from Sprague on this subject is surprisingly Sprague and his bandmates kept a very diverse career…there’s so much good about it.” Here’s simple, somewhat Zen, as he explains that his audience spellbound with a wonderful variety to hoping that Peter Sprague keeps his magic younger days, when he practiced, studied, and of styles and moods. Looking at the list of past flowing through our town for a good long time. played like a man possessed “served him really and present bands that Sprague has assembled know how it will all play out, but because I’m well.” He continues, “I have all that freedom and the varied musical styles represented in physically feeling so well and as the whole tran - with the music, now, having done all that those groups is a good testimony to how far the sition with my kid happens, it could work. I just work…I feel real happy and settled developing artist’s musical touch reaches in different direc - turned 50 and I feel better than when I was what I want to work on.” In addition to the vast tions. A tangible example of this varied, all- 30…and that could open doors.” While a return amounts of time Sprague has spent in the inclusive musical approach is the upcoming www.sandiegotroubadour.com 9 MAY 2006 SAN DIEGO TROUBADOUR

San Diego Tro rs Buddy B ramblin’ The ubadour Remembe lue

Bluegrass CORNER by Dwight Worden by Sven-Erik Seaholm halfway visible as he is reaching all the BLUEGRASS DAY AT THE DEL MAR FAIR located at 5889 Oberlin, Suite 106, (858/623- way down into the bottom of these huge, This year’s Bluegrass Day at the Del Mar 0036, www. Hammondashley.com). Managed On the day of Buddy’s memorial gathering, I four-foot high bins full of 78s, his barely denim-covered ass up in the air as he digs Fair will be presented by the San Diego by Paul Ashley, son of company founder found myself at odds with the standards of Sven-Erik Seaholm Bluegrass Society on Saturday, July 1, 11am- Hammond Ashley, this store has a full time good taste, when trying to sum up my dear down deeper than anyone else before 9pm. Look to see performances by the best luthier and a strong complement of violins, friend’s sense of humor in a tone I felt he would him, like an archeologist whose uncov - out.” The reality is that I could never local bluegrass bands, which will be basses, violas, and cellos for sale as well as be most comfortable with. After offering an ered a Neanderthal collar bone, or a kid hold a candle to his amazing grasp of the announced in next month’s column as the strings, bows, and accessories. The friendly apology to those with children in attendance stretching vainly for a silver dollar that’s English lexicon, much less render it with and/or those “who might be afraid of words,” I selection process is still underway. You’ll and helpful staff are great at answering just out of reach. such fluid grace and reckless abandon. If read the following. also want to look for a band scramble that questions and meeting your needs. Lessons I were able, it would almost certainly con - invites all musicians to participate. of all types are offered, and the shop boasts BUDDY F@#* IN ’ B LUE tain the following words and/or phrases: If you have never participated in a band a nice performance space upstairs. Last m lot of people are going to speak l FARTS, CORPULENCE, ASPARAGUS PEE, scramble, this is your chance to have some month Hammond Ashley graciously hosted o h

a CHLORINE AND MUSHROOMS, EXCE - great fun! Musicians of all levels are wel - the successful workshops presented by the today on the man they knew as e S

y MA, STUBBORN, BUBBLEGUM ON A

Buddy Blue. What will be revealed l come. You simply put your name and the kind Claire Lynch Band as well as their full band l e

A n fairly quickly is that he was a great many BARBERSHOP FLOOR, HAW!, UGLITUDE, of instrument you workshop in the performance space. n o

D BUTT, VOMIT, FESTERING, STEAMING, play on a slip of things to us all: Musician, Songwriter, l

New to Normal Heights is El Rayo i paper, drop the slip Producer, Showman, Music Journalist, a HEAPING, BOILS, ASS FRUIT, VAGI - G

GuitarWorks , located at 3043 Adams :

s NARIFIC, PUS, CHEESE, SMEGMA, FRA - in a bucket, and Political Pundit, Intellectual, Prankster, o Avenue (619/280-1937, www.elrayoguitar - t o then the organizers Drunkard, Gracious Host, and all around h GRANT BOUQUET, GENTLEMAN OF works.com). This P draw bands at ran - small shop’s friend - cool F@#*ing guy. LEISURE, SPASTIC COLON, POOPY, dom. Each band is ly and knowledge - To me, he was obviously all these BUMP!, PINKY, SMELL THIS, and best of given about 15 Band scramble at last able staff includes things, but I would have to add to this all: FRIEND minutes to work year’s fair Tom in front and list that he was a Mentor of Limitless The only other two words that stand up two to three tunes that are then per - Patience, a Confidant Worthy of My Andy, the luthier, in the repair shop at the out today are “Always” and “Never.” formed on stage. You may find yourself in a Deepest and Darkest Secrets, My Drinking back of the store. These two make you feel Rather than recite another lengthy list, band with a beginner or two and perhaps a Buddy, My Music Trivia Buddy, My right at home and are ready to meet all your I’ll simply leave you with this: pro or two and everything in between. It’s needs for accessories, guitars and related Partner, My Colleague, My Harshest I was privileged to talk with Buddy great fun and a nice way to meet fellow Critic, and an Unflagging Supporter of I will ALWAYS carry with me the equipment, and services. Stop in and say hi. about a multitude of topics, some of musicians. Word has it that this year’s any wild hair that wound its way up things I learned from my sweetheart of a them very personal. One event that I Bluegrass Day will be at a better location LAST TRANSIT CD RELEASE PARTY my…and I quote, “lily white, malodorous pal, one of which is this: NEVER take shit know haunted him and perhaps even than last year’s, which was next to a very Last Transit (Marke Foxworthy and Beth Swedish ass.” from anyone. dogged his career occurred at a memorial loud carnival ride. Admission to Bluegrass Mosko) will host a CD release party for their Sitting here trying to sum up all the Day at the Fair is free with your admission. brand new CD titled Treasure Chest on things that were Buddy in a brief state - gathering similar to this one, where he Be sure and stop by to enjoy this great day. Monday, May 22, at Acoustic Expressions ment is about as easy as it would have elegized his close friend Country Dick For more information or to sign up, contact music store, located at 2852 University been for him to describe just how much Montana. He did so using the most vul - Les and Lou Ann Preston at louann.pre - Avenue (corner of University and Utah). The you all meant to him, but it seems to me gar, irreverent, and inappropriate prose [email protected]. festivities start at 7:30 p.m. and admission is that the one unifying element to all he could muster, because he knew that free, so stop by, meet Marke and Beth and things that were Buddy was that he was a that’s the way his dear friend would have NEW STORES IN TOWN FAN. hear some of the great music on their first wanted it. The reaction to that remem - There are two new music stores in town The word fan is short for FANATIC, CD. For more information about their music, brance caused shockwaves through the worth a visit by those interested in acoustic and the man was nothing if not fanatical see the CD review by yours truly on page 13. community that are still being felt, even instruments. Hammond Ashley , a respected about pretty much ANYTHING that inter - You all keep pickin’ out there, and hope to today. Many got the joke and chuckled violin shop out of Seattle, has opened a ested him: Boxing, Booze, Cartoons, see you soon! knowingly. But still others hoisted the store in Sorrento Valley off Mira Mesa Blvd., Deadwood, The Sopranos, and of flag of righteous indignation, crying, Goodbye my dear and special friend, I course…MUSIC. His ravenous musical “Who is Buddy Blue, a former Beat will always love you. appetite and amazing ability to remem - Farmer, to disrespect our fallen hero?” Please send donations to: ber pretty much EVERYTHING manifest - Buddy’s reaction of course was to suggest LULU BLUE MEMORIAL FUND c/o ed itself in some very mysterious ways at that all those ignorant cads that dare Wells Fargo Bank times. claim sole ownership to his friend’s mem - 8800 Grossmont Blvd. Once, while we were working in the ory kindly go f*%# themselves. La Mesa, CA 91941 studio, I remarked that I thought the gui - Today, I find myself in a similar Sven-Erik Seaholm is a very close friend of tar tone he had was just “a little too Rick predicament to Buddy’s on that fateful Buddy Blue. He recorded and produced Springfield.” Buddy just let loose with day. I have heard Buddy’s gruff voice in Buddy’s solo albums Greasy Jass , one of his trademark guffaws and pro - Dipsomania! , Pretend It’s Okay , and my head constantly, with that stupid, ceeded to play and sing the entire song Sordid Lives . He also produced the Farmers’ omnipresent cigarette clenched between “Jessie’s Girl” from beginning to latest album, Loaded . his teeth, saying “Swenny, you pussed end… including the bridge ! And that was a song he HATED. During the little breaks from recording that inevitably occur throughout a session, he would regale whomever was in attendance with simi - larly complete renditions of the most obscure songs from the most unlikely sources and ALWAYS with a huge, know - ing grin. Most of my favorite studio days with Buddy would be the ones where it was just the two of us working together alone. I can solemnly bear witness to the fact that the man put EVERY SUBATOM - IC PARTICLE OF HIS BEING into his music. He tirelessly pursued not technical perfection, but rather the most accurate and complete manifestation of his love of music, the love he held for other like- minded music lovers and most certainly, HIS Fans. His work ethic was exemplary and contagious, and it was also taxing. I will always cherish and remember two different work days that were lost entirely because we both started laughing at nothing and couldn’t stop for six hours. One of my favorite photographs of Buddy is taken from the street in front of Folk Arts records. Lou Curtiss is standing there discussing some forgotten trouba - dour or another, and Buddy is only

10 www.myspace.com/sandiegotroubadour MAY 2006 SAN DIEGO TROUBADOUR

San Diego Tro rs Buddy B The ubadour Remembe lue ramblin’ Radio Hosing Daze Down by Jim McInnes Bye-Bye Bud E. Blue by José Sinatra Across the

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s to his room for a beer. I presented the Around the s anyway?” Buddy said, “I’m gonna give you e

Farmers with their Lifetime Achievement E boys some love in the U-T next week.” “No g

a Award. I didn’t know, of course, that it World

n shite?” “No shite, Jim.” Thanks, old friend. would actually be the last time we’d meet! Buddy was very passionate about his We reconnected with so many old music. When Buddy was into rockabilly, he by Richard F. Burrell friends and acquaintances last month at was waaaay into rockabilly! When he was Buddy’s memorial that it raised the As many of you are now aware, into swing, every other style was nonexist - inescapable question, “Why do we only see RadioASB (American Songbook ent. It was the same for each other under sad Radio) established a liaison with the his jazz period and circumstances?” You San Diego Troubadour earlier this for his roots music have to ask why great year, and the premise of that col - with the Beat talents like Buddy laboration, clearly evident from the Farmers. Buddy was (age 48), Dan beginning, has already begun to so true to his music “Country Dick” bear fruit. that he quit the Beat McLain (age 40), or Although RadioASB and the Farmers back in the the late KGB deejay Troubadour engage in different mid-1980s because John Leslie (age 49) communications media, we share a he felt they were checked out early. like-minded conviction regarding turning into a heavy Only the good die the significance of the American metal band ! The allegedly stable Mr. Sinatra at left young, someone once Songbook catalog as a cultural art The gatherings said. Sometimes it form as well as a grave concern following Buddy’s can’t be argued. related to the disturbing absence of TIMELESSLY BLUE routinely and with such ease. memorial were real - This smash and grab not only was a huge I met Buddy Blue that genre of music in today’s frac - ly great. Sandi and I One recent Saturday afternoon found that haul from a wonderful family, it also ripped in the early 1980s. I tured radio marketplace. week’s Future Mrs. Sinatra contestant and were among the off unknown, precious quantities of joy from was booking local Last month the 33rd Annual myself baring ourselves to the elements first to arrive at everyone. bands for my weekly Adams Avenue Roots and Folk again — stretched out au natural on the Parkway Bar in La I truly believe that Buddy Blue does not KGB Tuesday show - Festival, showcasing music repre - pavement of a fairly secluded portion of the know sadness now, that he’ll never know Mesa, one of case at My Rich sentation of a specific yet vast Sea World parking lot. As torrents of the sadness again — one awkward crumb of Buddy’s hangouts Uncle’s genre rarely heard on radio nowa - storm’s valiant rain kneaded our glowing good on such a barren plate, the strange type and places to play. flesh, I was completing the final chapter of nightclub...(for you days — traditional folk, country, of occurrence we want to call him on the Within two hours my next nonfiction book, Blueprint: The younger readers, I blues, Appalachian, Cajun, blue - phone to tell him about and, all of a sudden, the place was Guaranteed, Three-Month Plan to End War, think that’s now grass, and Conjunto, presented an we can’t. Never again and that’s a bitch. packed with Buddy’s Famine, and Terrorism at Nominal Cost . I had Those soul-strengthening telephone bitch somewhere around the excellent opportunity for a collabo - fellow musicians, family, and friends. to send Yvette back home to retrieve the sessions with the perfect partner. Sanctify Smart and Final store in the College Area.) rative effort addressing our con - entire four and a half year run of the Literally everyone I encountered was lifting the memory if you want, if you have the Anyway, Dan McLain told me about this cerns. Troubadour , which she immediately set about a toast to Buddy. And that was before the time. Every bit of his is gone. new rockabilly band that I should book. RadioASB, in association with accomplishing (I was glad to see today’s lib - party moved to Pete’s Place! Who among us is going to end up having They were called the Rockin’ Roulettes. the San Diego Troubadour , covered erated woman can be beautiful, intelligent, had the most time of all? Life’s most precious I think Buddy would have enjoyed his Buddy played guitar and sang. Rolle Love the festival by interviewing the per - and obedient while remaining useful). What I commodity must be acknowledged and used Jewish-Irish wake. played stand-up bass. Mark Williams was forming artists in order to produce needed were a couple of important statistics carefully, wisely. The longer we’re able to I hope to see you at one of the Buddy that I had made up and included in two or the drummer. They were great! And they’d a special RadioASB program that hold on to it, we’ll notice a languid, anes - Blue tribute/benefit shows. The first is on three of the most instructive editions of play for 45 minutes, without complaint, for will not only commemorate this thetic effect it will someday begin to offer May 4 at the Belly Up; the other is on June Hosing Down . a measly $50! He understood that it’s about long-standing, time-honored musi - our wounds, though we’re forever maimed by 18 at the Casbah. I’ll confess that it took me a bit longer to every loved one’s absence. Every moment we the art and not about the money. cal tradition in San Diego but will locate the needed data than I had anticipat - breathe is a moment Buddy Blue was denied Buddy was the ONLY writer anywhere to NOTE: Modern Rhythm (www.modern - also serve to promote, preserve, ed; I became distracted and troubled by so a moment in which we are again denied him acknowledge the existence of the Modern rhythm.com) will be daring people NOT to and provide a rare opportunity for many of my accounts of the unexpected, — his self, passion, laugh, as much of his Rhythm Band. I was floored when he called dance when they perform the early show this rich musical heritage to be tragic, random-seeming deaths of wonderful soul as he was willing to share. Now crazily me at home two years ago. I said “Hello?”, (6-8 p.m.), Saturday, May 13, at broadcast across the Internet and friends who had been truly important to me macho, now startlingly tender, always hon - and the first thing he said was, “Ya got any Humphrey’s Backstage Lounge on Shelter around the world. — who still are — and for several hours I est, always so tremendously gifted. pictures of the band?” “Go to our website, Island. Our coverage of this event aims felt powerless against a very potent assault I’m hating this anger; if I could use it up by ghostly legions of accumulated grief. somehow, turn it around, magically grant Buddy, and stop calling me at the crack of Photo: Steve Covault to document a priceless American Nearly everything began looking hopeless, every blessing to Annie and their daughter, cultural legacy that has influenced and, had I not been encouraged by the fact comfort for everyone hurting for them, for in so many ways much of the con - that I still retain my physical beauty, I might him, for themselves...I’d be on my way to temporary music that we hear have thrown in the towel. becoming insanely rich. today. The next day, Buddy Blue died. The art he was able to complete is, A special mention of merit is This time, there’s something new and sur - thankfully, vast and brilliant and will become due Mr. Lou Curtiss, original prising added to my own incredulity, shock, even better as we learn to love him more, founder of the Roots and Folk and grief. This time, a true, dominant emo - perhaps even know him more fully in ways Festival back in 1967, for the gra - tion, strangely, has been anger. we have no right to understand. cious assistance, generous support, This incredible, brilliant human being’s Buddy Blue was the closest thing to a death haunts hell and heaven out of me, and Renaissance man that I’ve ever known. and incredible insight he has pro - somehow I’ve got to understand this tena - I’m imagining him knowing how angry I vided in the production of this cious anger, which appeared like an uninvit - am, and how angry I am at myself for being RadioASB broadcast project. His ed guest from Devil’s Ass, Hades, and refus - so angry. He’d say, “Hose, you’re crazy.” But contributions are significant and es to leave. he’d be smiling, because he’d enjoy the idea. most sincerely appreciated. On that black Sunday, the perpetrator, And because he’d know, as usual, that he’s The dedicated efforts of the stronger than water and stone and every right. myriad individuals who have put imagination, performed his crime like a Damn. mean, stupid pussy. their hearts and passions into this What a move — seemingly based on one Originally scheduled for this issue of the San project will ensure that the creative of the classic smash-and-grabs catalogued Diego Troubadour , the exciting conclusion of spirit of this music will continue to under some dreadful tome’s entry on Insults. “Rites of Spring,” which began last month, flourish and be enjoyed by future Attack unexpectedly, hurt the family good will blaze back into Hosing Down in the June generations. and hard, steal away all of the father’s fair edition. Has Hose really gone nuts? (Is Bush share of remaining years. End his fellowship, still president?) curtail his art, end the joy and goodness he offered us all; leave us like helpless junkies knowing we’ll never be able to slam one sin - gle new note, not one new word from his soul into ours, as we had always done so www.sandiegotroubadour.com 11 MAY 2006 SAN DIEGO TROUBADOUR highway’s song Letters from the Road, Part 1 by Will Edwards Although I managed to escape the taught me two important lessons. One, University of New Hampshire with a that half of life, as they say, is just here are two activities that I B.A., it was, unfortunately, a B.A. in showing up. Two, that whether or not have truly enjoyed throughout anthropology. I don’t know if any something can be “accomplished” is my life: music and traveling. anthropologists will read this but I feel never in dispute – the real question is T secure in saying that anthropology whether or not the process of “accom - Traveling is expensive so, unfortunate - ly, I tend to do less of the latter than I hardly represents a cornucopia of plishing” it is what you want to do. I do of the prior. In tribute to my love of employment opportunities. Not like, didn’t yet understand what kind of music I’ve spent the last five years writ - say, computer programming! I thought connection I had to music or that it ing, recording, and performing in that the most important thing was to would become my greatest ally in liv - Southern California – mainly in San make money and that is what I tried to ing a contented life. do. Diego. I like to say that I’ve “made it Manifest Life knew who I was and that if I just income stream. I continued my busy small.” After a year in Santa Barbara my girl - remained seated they might just call work and I began working with third When the New Year came up on me friend decided that she wanted to go to the next person. The temptation to parties who were helping to book this last time, I experienced an unfa - school in San Diego. We moved and I escape was… significant. But for some shows and promote my music. Over miliar and uncomfortable sensation… found a full time job programming reason I decided to stand up and time I was overtaken by this regret. My regret was that I hadn’t computers. That was 1999. Not long accept my fate. “machine” I had created and my role taken my music on the road in 2005. I after I arrived here, one of my co-work - I don’t remember actually singing or as a musician lost ground to my other was ready, but I was complacent. I ers discovered that I played guitar and playing my guitar. I remember sweat - roles as band manager, promoter, vowed that I would tour before I was suggested that I check out a neighbor - ing and I remember the irritation of agent, and accountant. At first it was 30 (I’m 29) and I only had six months hood open mic. Eventually, I did – I my wool sweater around my neck and thrilling but then it became over - to go! So begins the story of a personal had to gather up some courage first, my sweaty fingers sliding clumsily whelming and I couldn’t continue rediscovery that I’ll document over the though... around my fret board. When I was fin - with it and remain sane. I thought that course of my next three articles. It I’d been a guitar player in a college ished there was a dull silence. I the most important thing was to be a wouldn’t be an overstatement to add band and I’d started writing songs in thought that, possibly, my shortcom - musician and that is what I went back that this was the beginning of a new earnest while I was living in Santa ings as a singer-songwriter were so dis - to doing. way of living. Unbeknownst to me, the Barbara. My strength was that I didn’t concerting that the audience was at a My next step was to reclaim my art combined experience of traveling for have any teachers or collaborators – loss as to how to digest their disap - and to rediscover music. For the last music would have a profound and, my weakness was that I didn’t have pointment. But, before the silence two years I’ve been asking myself big most evident, important transforma - any teachers or collaborators. I thought became uncomfortable the audience questions about my Heart-Path. I think tional impact on me. It helped me (15 or 20 strong) erupted in applause. of my Heart-Path as a way for me to the author that making music for myself was the understand the connections between most important thing and that was Elation! All of the combined satisfac - make decisions, big or small, that I can my origins, my manifest life, and my what I tried to do. tion that I had experienced as a com - live with long term. Like many things, heart-path. Not long after graduating, I moved puter programmer summed together it is fluid. But, it is definitely grounded to Santa Barbara where I worked for But back to my first open mic in San Diego … I arrived early. I didn’t know couldn’t hold a candle to the feeling I in a personal truth that doesn’t Origins various organizations and employers. I had at that moment. change. My initiation as an independ - I’ve been working as an Internet was learning all the time and that was how open mics worked and I wanted to make a good impression by being ent musician showed me that I am programmer in various capacities for the real thrill. I had always been Heart-Path willing to work very hard for music – nearly 10 years. In the “old days” I “learning” in school but I regret to say diligent and punctual. I put my name Sometimes life presents me with on the list and then I sat down (next there is an innate connection there for used to get a rush from making a com - that school never helped me under - busy work when I don’t know what to me. That was the first lesson. It was puter do something for me. I like to stand what learning was all about. For to the lump in my throat) to watch the do with myself. It seems like a pain at night unravel in symphony with my learned through practice and achieve - think that I recognized, on a sublimi - me, it is in the practical application of first and then I discover that being ment. In my next article I’m going to nal level, that computers and the knowledge that learning is actually wracked nerves. I remember I was busy gives birth to a new set of unex - wearing an especially itchy wool turtle - discuss my recent tour and talk about Internet represented a new and very done and the lesson is actually learned pected opportunities. After I released the lessons that it taught and the ques - important channel of communication by realizing the final achievement neck sweater. When my name was my first CD in 2003 I went about solic - called I considered the fact that no one tions that it raised. “Letters from the among people. (whatever it might be). Santa Barbara iting press from San Diego newspapers Road, Part II” will be a travelogue and and magazines. I managed to get on a journal. I hope to see you next local TV and radio stations by sending month on the same press releases and nagging people on channel. my call list. I bought a book about how Will Edwards can be found online at to promote yourself as an independent http://www.willedwards.net and musician and then I followed the steps. http://www.tangledrecords.com. Email him It worked… it busy-worked. at [email protected] I had a band later that same year and I immediately put out another CD to help promote them and add to our

12 www.myspace.com/sandiegotroubadour MAY 2006 SAN DIEGO TROUBADOUR of note

Carlos Olmeda Rob Mehl Last Transit Holiday and Northstar The Other American Could You Be More Treasure Chest the Adventure Session Pacific by Dave Sawyer by Dwight Worden Pop Collective Little Lies The Other American , the latest by Dave Sawyer Last Transit’s first CD release, effort from Carlos Olmeda, is a collec - Treasure Chest , is a radiant gem of become by Simeon Flick tion of “acoustic alt, folk, Americana, Could You Be More Pacific is Rob superb acoustic music. Marke blues, and y’allternative tracks that Mehl’s second CD; the first was the Foxworthy (guitar, banjo, dobro, and It’s been interesting to watch the have not been previously released…,” well-received Just Give Me The Keys vocals) and Beth Mosko (fiddle, man - by Phil Harmonic return of the EP (or extended play (referring to the Florida Keys...not the dolin, and vocals) are Last Transit recording, oxymoronically). Back in as quoted from Olmeda’s website. I While attending a recent show at ones to the Woody). The title refers and, along with solid bass and man - the day, shorter program lengths whole-heartedly agree with that the House of Blues, five local groups to his love of the ocean as well as the dolin support from Lisa Burns and were the norm because of limited description! were performing, four of which I am California and Hawaiian beaches he’s Richard Burkett respectively, they technology; music had to be succinct This newest collection of songs familiar with and who are considered grown up on. have put together an outstanding to maximize the available space. Then from San Diego’s only “tri-cultural” San Diego’s cream of the crop. Could You Be More Pacific is first CD effort. Showcasing 11 origi - the LP arrived and our attention spans singer/songwriter I know of, is filled However it was the band I had never described as coastal alternative…a nals out of 14 cuts, the CD glows supposedly evolved with it; the tracks with the beautiful songwriting and heard before that was the musical “more eclectic island-style music....” with warmth, talent, and beautifully got longer and more complex and no musicianship I’ve come to expect, highlight for me that night. Listening Eclectic sounds right although not written, arranged, and performed one seemed to mind. Now, because respect, and revere from Mr. Olmeda. to Holiday and the Adventure Pop really surf music, not really island, not acoustic music. Fiddle and banjo are of higher average recording and pro - This CD is every bit as pleasing, Collective for the first time was a real really Americana...maybe “isle-icana”? the primary leads, sometimes trading duction costs, more acts pursuing although not as diverse and “tri-cul - treat. They opened the show with an This is a soothing blend of these leads, sometimes playing solo, and independent (read impoverished) tural,” as his previous efforts. The big incredibly high powered set that styles and more, providing a unique sometimes playing wonderfully careers, and a decisive step backwards difference here is a fuller, more pop- included great showmanship and feel of sun, surf, sand, and the island woven melodies in unison. If you like in the average listener’s attention oriented and homogenized, radio- musicianship, which would impress life, comprised of 11 original songs, acoustic music anchored in tradition span, we find ourselves in a renais - friendly sound that still manages to any talent scout. Led by Derric Oliver two classic Hawaiian covers, and one but with a flair for the modern you sance era for EPs. As it is, Little Lies , let Olmeda’s expressive voice shine. and Louis Caverly, known as the “Los surf instrumental (track eight’s will definitely like this CD. If you are the Northstar Session’s latest release, He vigorously goes for a “band” Dos Bros,” Holiday’s live performance “Glass”) written for Rob by Gil Orr of looking for electric guitar and drums, is an excellent listen that makes the sound, opening up the album with included only a drummer to back up the Duotones. this is not for you. best of this reemerging format in all “Blue Eyed Girl” (co-written with Oliver’s vocals, guitar, tuba, and This very enjoyable album is one The CD starts with a mood setting its modern implications. Elijah Lee Hawken), which has a great trumpet, and Caverly’s vocals, key - you can really sit down and listen to fiddle and bass drone behind banjo The Northstar Session is the brain - Springsteen anthem feel coursing board, and amazing violin. Having as well as just have on in the back - lead on a Marke Foxworthy original child of singer/songwriter/guitarist through it. He quickly downshifts had the chance to hear them live as ground. The overall energy is such titled “Whistling in the Dark,” which Matt Szlachetka, whose voice and back to the acoustic ballad on the well as recorded on their CD become , that it invites you to listen, rather presents a beautiful and complex music recall a more sedate version of next couple of songs — one particu - I am struck by each of their strong than clamor for your attention. Not chord progression in a minor key set - Silverchair’s Daniel Johns, a clearer larly pretty one is “This One Kiss” (co- vocal abilities, which are highlighted as easy a balance to find as one ting. In fact, complex chord progres - and more animated version of the written with Dani Carroll). by distinctive tones and different tim - might think. sions, sophisticated rhythmic pat - Goo Goo Dolls’ Johnny Rzeznik, a Track four, “I Gotta Right,” is a bres that blend into one and comple - Among the many and varied tal - terns, and tight arrangements are more indie-rock version of the Gin pretty good country blues tune but ment each other. The vocals are out - ents from California and Hawaii on what set this CD apart. The style and Blossoms, and a less bombastic ver - suffers from some slightly overdone standing and so is their talent for this disc include Gannin Arnold, music is traditional to the heart, to be sion of Scott Weiland’s Stone Temple background harmonies that distract playing multiple instruments. This, Jimmy Johnson, Tris Imboden, sure, but the skills of Marke and Beth Pilots. The rest of the band (Todd me from the mood, making the together with a wonderful selection Grammy® and Hoku® award-winner in successfully bringing traditional Newman, keys and vocals; Matt whole song sound like an effort, of songs, written and masterfully Keli’i Kaneali’i, Hawaiian steel guitar music to more than the standard Warshauer, bass; and Greg Roberts, rather than effortless. arranged by Oliver and Caverly, who master Kenny Emerson, and the three-chord progression, spiced with drums), along with additional musi - “The Other American,” the title also produced the CD along with the Duotones Gil Orr and Paul Johnson. minor keys, some Irish flair, and judi - cians Dann Friedman (tenor sax) and track, strives to be anthemic and talented Ben Moore, have resulted in The musicianship is impeccable; cious use of the darker modal sound, Mike Kiner (percussion), throw their intense but falls a little short for me. a possible award-winning album. Key the production values give the music elevate this CD to a special place. deft musicianship into the pot and You’ll hear Olmeda stretch his voice supporting musicians such as Steve room to breathe without distracting Marke and Beth each also present sweeten the deal with a fecund abun - to the limit, but it’s not enough to Malone on pedal steel guitar, virtuoso clutter. There are a couple of songs, an original vocal tune. In Beth’s case dance of ear candy. carry the whole song. I think it’s just Dennis Caplinger on banjo and man - however, “Rosarito” in particular, that it is the upbeat “Caleb’s Bluff,” show - These five songs mix a gritty bar the soft edge to the rhythm that dolin, James East on bass, and Brian left me wanting to hear more of an casing her songwriting skills as well as band approach with something a little doesn’t put me where I think the “Nucci” Cantrell on drums provide edge to them. A purely subjective her wonderfully pure soprano voice. more contemporary. The last-call vibe, song wants me to go. the professional instrumentation that opinion, I assure you. Marke offers his “Highway Angel,” a four-on-the-floor beat, and lush chord On “God Bless America” (talk these songs require. I also noticed that while there is moody groove tune telling a sad groove of the title track and “Poldy about your anthemic songs!), The opening cut, “feel,” is catchy nothing wrong with the vocals, many story with great vocals and instru - and Molly” titillate the ear as Olmeda’s version of our unofficial and uplifting; wonderful phrasing of the lead vocals sound almost recit - mentation. Szlachetka sings lines like “You’re a national anthem is respectful, beauti - with counterpoint melodies and har - ed rather than sung, while the back - Among my favorites — it’s hard to trainwreck/You’re not a callback/ ful, tender, and even poignant. A monies offer a real feel that is further ground vocals are very smooth and choose as there is not a bad tune on Things you ain’t supposed to do refreshing “cover” song choice, con - brightened by Malone’s pedal steel. emotive. the CD — is Beth’s original “Franklin’s come easy” and “Yes he loves her/Yes sidering today’s political climate. The song “40 years” has a nostalgic The harmonies on “Ku’u Home O Waltz,” which is beautifully construct - she loves him/but can’t remember “Willamena,” my favorite, is quite tone while “become” leaves you Kahalu” are particularly beautiful. ed and played on the fiddle. A stand why” respectively. The roadtrip-evok - a departure from Olmeda’s norm, but trance-like with its moodiness. “stop “Two Dreamers” is a prime example out is Marke’s “My Way Home,” a ing midtempo rockers “Fool For it’s a well-done barn-burner that gets right there” flows and builds. “poten - of that wonderful “isle-icana” eclecti - first class instrumental piece showcas - Now,” “Wasting Time,” and “Here In ya goin’! It’s very possible he was tial is a dangerous thing” showcases cism. “Poet’s Son” might remind you ing his writing and arranging skills as America” will take you on through ‘til inspired by Blue Swede’s version of Caverly’s skill at playing the violin. of Neil Diamond; it may also tug at a well as his considerable banjo talents. morning. “Hooked on a Feeling.” This is a tastefully produced album heartstring or two — sentimental, but This tune has the kind of melody you The overall result is not particular - On “Two Sweet Memories” Richie in which each track takes you on a not too sappy. find yourself humming on the way ly involving (the well orchestrated Blue plays some wailing harp as different ride. Somewhat reminiscent I truly love music with many fla - home. Let’s hope we hear more from instrumentation makes up for the Olmeda displays his skill singing the of Matchbox 20 or the Wallflowers, I vors. For me, it stays fresh much this talented duo. dearth of melodic hooks), but this is blues on this one. find that the more I listen to this CD, longer and there always seems to be Marke, Beth and Last Transit are an intriguing, straight-ahead rock Overall, I still prefer my Carlos the more I like each track. For me something there I haven’t heard quite hosting a CD release party at Acoustic record that’s pleasing to the ears of a Olmeda solo and acoustic, but this that is what makes a great album. album succeeds in showcasing his tal - that way before, even after repeated Expressions, 2852 University Avenue potentially wide demographic. In ents in a slightly different context. His listening. Rob Mehl is a fine song - in North Park, Monday, May 22, at short, it’s a superlative release for a fine songwriting, wonderful voice, writer and an excellent musician who 7:30 pm. The public is invited to changing age. Pick it up now at and beautiful guitaring, along with has brought together an equally come and meet Marke and Beth and www.northstarsession.com or at any the help of his producers and guest excellent group of musicians to bring hear them live. Admission is free. live show. musicians make The Other American a to life a sense of the idyllic lifestyle he welcome addition to my CD collec - writes about for as long as you play tion. this CD. www.sandiegotroubadour.com 13 MAY 2006 SAN DIEGO TROUBADOUR ’round about

MAY CALENDAR WEEKLY Listen Local Acoustic Showcase , monday • 1 Lakeside, 7:30pm. Info: 619/443-9622. Expressions, 2852 University Ave., every sunday O’Connell’s, 1310 Morena Blvd., 8pm. Acoustic Underground , Lestat’s, 9pm. 3:30pm. 7th Day Buskers (Gully plays every Open Mic Night , Twiggs, 8:30pm. Carlsbad Music Festival (through May 7). Old Man Hands/Christopher Dale/Annie other week) , Farmers Market, DMV Ocean Beach Open Mic w/ Jefferson Info: www.calrsbadmusicfestival.org Chet & the Committee , Patrick’s II, 428 F parking lot, Hillcrest, 10am. St., 9pm. Bethancourt , Lestat’s, 9pm Jay , Portugalia, 4839 Newport Ave., Sue Palmer & Boogie Noir/April Tom Smerk , Barrett Junction Cafe, 1020 8:30pm. West/Scott Paulson/Stan Jones , monday • 15 Barrett Lake Rd., Dulzura, noon-4pm. Diversionary Theatre, 4545 Park Blvd., monday • 8 . Connie Allen , Old Town Trolley Stage, every thursday 6pm. Twigg St. & San Diego Ave., 12:30- Southwestern College Jazz Ensemble , Silverado Bluegrass Band & Friends , Palomar Jazz Ensemble , Dizzy’s, 344 7th Blue Monday Pro/Am Jam , Humphrey’s 4:30pm. Backstage Lounge, Shelter Island, 7pm. Twiggs, 8:30pm. Viejas Casino, 6pm. Ave., 7:30pm. Celtic Ensemble , Twiggs, 4pm. Homegrown Music Night w/ Gregory Open Blues Jam , Downtown Cafe, 182 Page/Garrison Starr/Derren Raser , Belly wednesday • 17 Traditional Irish Music & Dance , The E. Main, El Cajon, 6pm. Field, 544 5th Ave., 5:30pm. wednesday • 3 Up Tavern, Solana Beach, 8pm. Joe Rathburn , Folkey Monkey North County Cowboys , Gloria McClellan Open Mic Night , Hot Java Cafe, 7:30pm. Thursdays, Hot Monkey Love Cafe, 5960 Bob Magnusson Group CD Release , S.D. Senior Center, 1400 Vale Terr., Vista, 1pm. Jazz Roots w/ Lou Curtiss , 8-10pm, El Cajon Blvd., 7pm. Museum of Art, Balboa Park, 5:30pm. tuesday • 9 The Great Broadcast of 1926 (a live radio KSDS (88.3 FM). Sue Palmer , Martini’s, 3940 Fourth Ave., Stacey Earle & Mark Stuart/Wendy variety show) w/ the Teeny Tiny Pit Hot Fudge Sunday Open Mic , 7pm. Waldman , Acoustic Music S.D., 4650 Encinitas Drum Circle , Artists Colony, 90 A St., Encinitas, 7pm. Orchestra & Sue Palmer , Auditorium, O’Connell’s, 1310 Morena Blvd., 9pm. Moonlight Serenade Orchestra , Lucky Mansfield, 7:30pm. Info: 619/303-8176. S.D. Museum of Art, Balboa Park, 7pm. Phil Woods Quintet , Neurosciences José Sinatra’s OB-oke , Winston’s, 1921 Star Restaurant, 3893 54th St., 7pm. Anya Marina/Jim Bianco , Lestat’s, 9pm. Institute, 10640 Hopkins Dr., 8pm. Citizen Band , Killarney’s, Temecula, 8pm. Bacon St., 9:30pm. Wood ‘n’ Lips Open Mic , Borders Lisa Sanders/Saba/Joey Pierce , Lestat’s, The Bluegrass Special w/ Wayne Rice , Books & Music, 159 Fletcher Pkwy, El thursday • 4 9pm. 10-midnight, KSON (97.3 FM). Cajon, 7pm. wednesday • 10 Irish Seisiun , Acoustic Expressions, DIVA NOVA: Women Who Rock w/ Lisa 2852 University Ave., 7-8:15pm. Joe Rathburn/Jim Earp , Hot Monkey Sanders/Anna Troy/Kim DiVincenzo/ every monday Citizen Band , Coyote Bar & Grill, 300 Open Mic Night , Hot Java Cafe, 7:30pm. Love Cafe, 5960 El Cajon Blvd., 7pm. Carlsbad Village Dr., 6pm. Paige Aufhammer/Danielle LoPresti/ Jack Tempchin & Special Guests , A St. Buddy Blue Tribute/Fundraiser w/ the Jane Lui , Winston’s, 1921 Bacon St., 9pm. Stage, Artists Colony, 90 A St. 7pm. Listen Local Acoustic Showcase , Tiki Molly Jenson/Sarah Dashew/Christal Bar, 1152 Garnet Ave., 8pm. Farmers/Dave Alvin/the Rugburns/Dottie Campbell , Lestat’s, 9pm. Open Mic Night , Lestat’s, 7:30pm. & the Diamonds/Sven-Erik Seaholm & Amelia Browning & David Owen ( Jazz), thursday • 18 Tango Dancing , Tio Leo’s, 5302 Napa Turquoise Cafe-Bar Europa, 873 the Wild Truth , Belly Up Tavern, Solana St., 8pm. Beach, 7:30pm. thursday • 11 Joe Rathburn & Shawn Rohlf , Hot Turquoise St., 8:30pm. Jazz 88 presents the Rebirth of Cool , Air Swing Thursdays , Tio Leo’s, 5302 Napa Alfonso/Bianca Paras/Gentri/Kenny Monkey Love Cafe, 5960 El Cajon Blvd., Conditioned Lounge, 4673 30th St., 9pm. Durham , Twiggs, 8:30pm. Jeff Berkley/Jack Tempchin , Hot 7pm. St., 9pm. Monkey Love Cafe, 5960 El Cajon Blvd., Pete Thurston , Lestat’s, 9pm. 7pm. Mario Escovedo/Blizzard/Shambles , every tuesday House of Blues, 1055 Fifth Ave., 8pm. every friday Grossmont College Jazz Ensemble , Blues Jam , Blind Melons, 710 Garnet, California Rangers , McCabe’s, Dizzy’s, 344 7th Ave., 7:30pm. Elmo Jack/Chuck Richards , Twiggs, 7pm. friday • 5 8:30pm. Oceanside, 4:30-9pm. Tapwater w/ Peter Sprague , Humphrey’s Zydeco Tuesdays , Tio Leo’s, 5302 Napa, Open Mic Night , Milano Coffee Opening Night Reception for photogra - Backstage Lounge, Shelter Island, 8pm. Brewer & Chase/Marina V./Peter Hall/ 7pm. pher Fernanco Aceves w/ music by Josh Hall , Lestat’s, 9pm. Company, 8685 Rio San Diego Dr., Ste. Javier Batiz , Morrison Hotel Gallery, 1230 Dave Arno/Gregory Shane/Jeff Open Mic Night , Cosmos Cafe, 8278 La B, 7pm. Prospect St., La Jolla, 6pm. Rolka/Laura Kuebel , Twiggs, 8:30pm. Mesa Blvd., La Mesa, 7pm. Basin Street Band , Lucky Star friday • 19 Irish Music Jam , The Ould Sod, 7pm. Bob Murphy: Laughing at the Moon , Stranger Six , Lestat’s, 9pm. Restaurant, 3893 54th St., 7pm. Artists Colony, 90 A St., Encinitas, 7pm. Kelly Joe Phelps , Acoustic Music S.D., Listen Local Acoustic Showcase , Open Mic Night , Egyptian Tea Room & 4650 Mansfield, 7:30pm. Info: 619/303- Jumping Turtle,1660 Capalina Rd., San Smoking Parlour, 4644 College Ave., SONia & disappear fear , Acoustic Music friday • 12 Marcos, 8pm. S.D., 4650 Mansfield, 7:30pm. Info: 8176. 9pm. 619/303-8176. Baja Blues Boys , Le Papagayo, 1002 N. Hot Club of San Diego , Prado Turiya Mareya & WorldBeat Jazz Fred Benedetti/George Svoboda , Dizzy’s, Restaurant, Balboa Park, 8pm. Coast Hwy 101, Leucadia, 6:30pm. 344 7th Ave., 8pm. Ensemble , WorldBeat Cultural Center, Int’l Silver Strings Band w/ Billy Watson , 2100 Park Blvd., 9pm. Bookworks, Flower Hill Mall, Del Mar, Stevie Wonder B-Day Tribute w/ Leonard Comedy Night w/ Mark Serritella , Sue Palmer , Bookworks, Flower Hill Mall, Lestat’s, 9pm. 8pm. Patton/Peter Sprague & Friends , Dizzy’s, Del Mar, 8pm. 344 7th Ave., 8pm. every saturday North County Cowboys , Del Dios Country Peter Sprague Trio w/ Leonard Patton , every wednesday Store, 20154 Lake Dr., Escondido, 8pm. Calima , Bookworks, Flower Hill Mall, Del Ki’s, 2591 S. Coast Hwy 101, Cardiff, Tom Smerk , Barrett Junction Cafe, 1020 Barrett Lake Rd., Dulzura, noon-4pm. Billy Chandler/Christopher Dallman/ Mar, 8pm. 8:30pm. Music at Ocean Beach Farmer’s Collin Elliot/Jon & Noah/Skott Patty Hall , Borders Books, 1905 Calle Market , Newport Ave., 4-7pm. Connie Allen , Old Town Trolley Stage, Brian Benham/Jon Kruger/Paige Twigg St. & San Diego Ave., 12:30- Freedman/Green Water District , Twiggs, Barcelona, Carlsbad, 8pm. Aufhammer/Rachel/Tim Malley/Will Old Timey Night , Folk Arts Rare 8:30pm. 4:30pm. Aaron Bowen/Abbey/Ashley Matte/ Edwards , Twiggs, 8:30pm. Records, 2881 Adams Ave., 7pm. Gregory Page CD Release , Lestat’s, 9pm. Oliver/Pete Goslow/Sam Jaffe , Twiggs, Ten Song Jam w/ Drew Decker , Cafe Christian/Gospel Open Mic , El Cajon. Courtney Jones/Evan Bethany/Erin Info: J.D., 619/246-7060. 8:30pm. McCarley/Stasia , Lestat’s, 9pm. Forte, 3139 University Ave., 7pm. Tijuana Latin Jazz Project , Ave. saturday • 6 Chris Klich Jazz Quintet , Claire de Lune, Charlie Musselwhite , Belly Up Tavern, High Society Jazz Band , Tio Leo’s, 5302 2906 University Ave., 8:30pm. Napa St., 7pm. Gustavo Diaz Ordaz #14109 Col. Solana Beach, 9pm. Guadalupe Victoria, Tijuana, 9pm. Chet & the Committee , Downtown Cafe, Kim DiVincenzo CD Release , Lestat’s, Tomcat Courtney , Turquoise Cafe Bar 182 E. Main, El Cajon, 6:30pm. 9pm. Europa, 873 Turquoise St., 8pm. Calima , Artists Colony, 90 A St., Encinitas, saturday • 20 7pm. saturday • 13 B.B. King , Rincon Casino, Valley Center Phil Christie , Templar’s Hall, Old Poway Rd. Escondido Shambles/Dennis Borleck/Citizen Band , Park, 7pm. Info: 858/566-4040. Gator by the Bay Zydeco & Blues Blackwaterslide , Templar’s Hall, Old Silent Partner/Mark Polydoris/Tiff Lestat’s, 9pm. Steve Forbert , Acoustic Music S.D., 4650 Festival , Spanish Landing Park at Harbor Poway Park, 7pm. Info: 858/566-4040. Jimber , Lestat’s, 9pm. Mansfield, 7:30pm. Info: 619/303-8176. Island, 10:30am-6pm. Peter Sprague Trio w/ Lisa Hightower , sunday • 28 Berkley Hart , Bamboo Yoga, 1127 Loma Anything for the Shot: Images & Sounds L’Auberge, 1540 Camino Del Mar, 7:30pm. thursday • 25 Ave., Coronado, 8pm. of San Diego, photo exhibit & all-day I See Hawks in L.A../Tony Gilkyson , Chet & the Committee , Patrick’s II, 428 F concert , Acoustic Expressions, 2852 Joe Rathburn/Gerry Gontang , Hot Marie Haddad & Sven-Erik Seaholm , University Ave., noon-9pm. (see p. 3 for Acoustic Music S.D., 4650 Mansfield, St., 3pm. Twiggs El Cortez, 702 Ash St., 8pm. 7:30pm. Info: 619/303-8176. Monkey Love Cafe, 5960 El Cajon Blvd., details) 7pm. Blues Jam , Coo Coo Club, 8203 Winter Ben Henry/Brian Dolzani/Gail/ Amy Ayres/Courtney Jones/Glancing Gardens Blvd., Lakeside, 4pm. Modern Rhythm , Humphrey’s Backstage Miles Davis B-Day Tribute w/ ESP Poolabomb/New Dadaists/Tim Mudd , Lounge, Shelter Island, 6pm. Love/Jason Whitton , Twiggs, 8:30pm. Jaime Valle w/ Justo Almario/Francisco Twiggs, 8:30pm. Quintet , Dizzy’s, 344 7th Ave., 8pm. Wigbillies , Artists Colony, 90 A St., Allison Lonsdale/Greg Laswell , Lestat’s, Aquabella/Russel Blake , Athenaeum Trevor Davis , Lestat’s, 9pm. 9pm. Chris Carpenter/Josh Hall/Shana , Studio, 4441 Park Blvd., 8pm. Encinitas, 7pm. Twiggs, 8:30pm. Common Sense/Jefferson Jay , Belly Up North County Cowboys , Pine Hills Lodge, Carlos Olmeda/Aaron Bowen/Chuck Tavern, Solana Beach, 9pm. Jack the Original/Get Back Schiele , Lestat’s, 9pm. 2960 La Posada Way, Julian, 7pm. sunday • 21 Loretta/Gayle Skidmore , Lestat’s, 9pm. Quinteto Caballero , Dizzy’s, 344 7th Ave., sunday • 7 8pm. Dixie Express Jazz Band , Elks Lodge, monday • 29 1400 E. Washington Ave., El Cajon, 1pm. friday • 26 Berkley Hart , Canyon Folk House Valley Center Art & Music Festival , 28246 Concert, 8pm. Info: [email protected] Coastal Communities Band Spring Blue Monday Pro/Am Jam , Humphrey’s Lilac Rd., Valley Center, 1-6pm. Concert , Carlsbad Community Church, Rugburns/Bob Schneider , House of Backstage Lounge, Shelter Island, 7pm. UNICEF Benefit for children living with 3175 Hardin St., 2pm. Blues, 1055 Fifth Ave. S.D. Guitar Society Meeting , Acoustic HIV/AIDS w/ Lisa Sanders/Carlos Manual Scan/Power Chords , Beauty Bar, Expressions, 2852 University Ave., Peter Sprague Group , Coyote Bar & Grill, Peter Sprague , Terminal Jazz @ S.D. 4757 University Ave., 8pm. Olmeda/Gregory Page/Peggy Watson & Airport, Baggage Claim Area #2, 4:30pm. 3:30pm. Dave Beldock/Trails & Rails/Monroe 300 Carlsbad Village Dr., 5pm. S.D. Choral Union’s Spring Concert , Ave. String Band , Clarke House Concert, Chris Calloway , Dark Thirty, Lakeside, Sue Palmer , L’Auberge, 1540 Camino Del tuesday • 30 Kensington Community Church, 4773 Kensington, 8pm. Info: 7:30pm. Info: 619/443-9622. Mar, 7:30pm. Marlborough Dr., 4pm. [email protected] Crossroads play music of the Eagles/ Ed Kornhauser , Bookworks, Flower Hill Sue Palmer & Blue Four , Patrick’s II, 428 Sara Gazarek/Josh Nelson , Dizzy’s, 344 Sue Palmer & Eve Selis , Riley’s, 2901 Crosby, Stills & Nash , Dizzy’s, 344 7th Mall, Del Mar, 8pm. F St., 9pm. 7th Ave., 7pm. Nimitz Blvd., 8pm. Ave., 8pm. Coles Whalen/Deadline Friday/Melissa Colin McAllister , Athenaeum, 1008 Wall Bass/Burnside/Kevin Klein/Kris Robin Henkel , Lestat’s, 9pm. Ivey/Mike Marion/Stasia Conger/Zack St., La Jolla, 7:30pm. Miller/The 3 Heads Twiggs, 8:30pm. Hexum , Twiggs, 8:30pm. wednesday • 31 Chet & the Committee , Patrick’s II, 428 F Whit Smith’s Jazz Caravan , Dark Thirty, Allison Scull & Victor Martin , St., 9pm. Chad Ferran , Lestat’s, 9pm. New Acoustic Generation w/ Carlos Beaumont’s, 5662 La Jolla Blvd., 8:30pm. The English Beat , Belly Up Tavern, Olmeda/Jane Lui/Lindsey Yung/Michael Safety Orange/Niki Kwik , Lestat’s, 9pm. Solana Beach, 9pm. Tiernan , Belly Up Tavern, Solana Beach, monday • 22 8pm. Lee Roy Parnell/Joey Harris , Belly Up Rookie Card CD Release , Casbah, 9pm. Tavern, Solana Beach, 9pm. John Hiatt & the Mississippi Allstars , Marc Danzeisen , Lestat’s, 9pm. Humphrey’s, Shelter Island, 7:30pm. saturday • 27 sunday • 14 tuesday • 23 Chris Klich Jazz Quintet , Heritage Gator by the Bay Zydeco & Blues Gardens, 1148 Rock Springs Rd., San Festival , Spanish Landing Park at Harbor Rickie Lee Jones , Belly Up Tavern, Marcos, 7:30pm. Island, 10:30am-6pm. Solana Beach, 8pm. Rob Whitlock & Sketchin’ CD Release , Allison Scull & Victor Martin , Dizzy’s, 344 7th Ave., 8pm. Beaumont’s, 5662 La Jolla Blvd., 11am. Burnside/Kethro/Robert Hester/Sterling Witt/Courtney Chambers Band/Todd wednesday • 24 Boston , Twiggs, 8:30pm. S.D. Folk Song Society Mtg. , Acoustic 14 www.myspace.com/sandiegotroubadour MAY 2006 SAN DIEGO TROUBADOUR oots & F the local seen h o R c a lk t B

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• • • • • • • • • • • W i l k i n s o n J o h n s o n G & L G r o v e r G o t o h H i p s h o t Q - p a r t s S p e r z e l T o n e P r o s W D p r o d u c t s B i g s b y e l R a y o G u i t a r w o r k s i s l o c a t e d a t t h e c o r n e o r