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Salute for the Ages D.C
GRADUATION DAY, 10 a.m., Saturday at Michie Stadium. Congratulations to the Class of 2010. OINTER IEW ® PVOL . 67, NO. 19 SERVING THE COMMUNITY OF WVE S T POINT , THE U.S. MILITARY ACADEMY MAY 20, 2010 New Supe nominated Huntoon chosen to be next academy leader WASHINGTON––Secretary of Defense Robert M. Gates announced Tuesday that President Barack Obama has nominated Lt. Gen. David H. Huntoon, Jr. for reappointment to the rank of lieutenant general and assignment as the 58th Superintendent of the U.S. Military Academy at West Point. A 1973 West Point graduate, Huntoon was commissioned in the infantry and, after attending Infantry Officer Basic, served with the 3rd Infantry Regiment (The Old Guard) at Fort Myer, Va. He later became commander of the regiment. He served with the 9th Division at Fort Lewis, Wash., the 3rd Infantry Division (Mechanized) in Germany and attended Command and General Staff College at Fort Leavenworth, Kan., and later became Deputy Commandant there. During Operations Just Cause and Desert Storm, he served with the XVIII Airborne Corps in Fort Bragg, N.C. He was the Commandant of the United States Army War College at Carlisle Barracks, Pa., and is currently serving as Director of the Army Staff, United States Army, Washington, Salute for the Ages D.C. Huntoon earned a master’s degree in Retired Gen. Ralph E. Haines, Jr., 96, accompanied by Cadet First Captain Tyler Gordy salute the “Father of the international relations from Georgetown Academy” Sylvanus Thayer at the foot of Thayer Statue during the annual alumni wreath-laying ceremony Tuesday University. -
Forrestine Cooper Hooker's Notes and Memoirs on Army Life in the West, 1871-1876, Arranged, Edited, and Annotated by Barbara E
Forrestine Cooper Hooker's notes and memoirs on army life in the West, 1871-1876, arranged, edited, and annotated by Barbara E. Fisher Item Type text; Thesis-Reproduction (electronic) Authors Fisher, Barbara Esther, 1939- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 03:17:15 Link to Item http://hdl.handle.net/10150/551645 FORRESTINE COOPER HOOKER'S NOTES AND MEMOIRS ON ARMY LIFE IN THE WEST, 1871 - 18?6 arranged, edited, and annotated by Barbara E, Fisher A Thesis Submitted to the Faculty of the DEPARTMENT OF HISTORY In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 1 9 6 3 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his judgment the proposed use of the material is in the interests of scholarship. -
WFLDP Leadership in Cinema – We Were Soldiers 2 of 10 Facilitator Reference
Facilitator Reference WE WERE SOLDIERS Submitted by: Pam McDonald .......................................................... E-mail: [email protected] Phone: 208-387-5318 Studio: Paramount .............................................................................................. Released: 2002 Genre: Drama ................................................................................................ Audience Rating: R Runtime: 138 minutes Materials VCR or DVD, television or projection system, Wildland Fire Leadership Values and Principles handouts (single-sided), Incident Response Pocket Guide (IRPG), notepad, writing utensil Objective Students will identify Wildland Fire Leadership Values and Principles illustrated within We Were Soldiers and discuss leadership lessons learned with group members or mentors. Basic Plot In 1965, 400 American troops faced an ambush by 2,000 enemy troops in the Ia Drang Valley (also known as the Valley of Death), in one of the most gruesome fights of the Vietnam War. We Were Soldiers is a detailed recreation of this true story: of the strategies, obstacles, and human cost faced by the troops that participated. The story focuses on the lieutenant colonel that led the attack, Hal Moore (Mel Gibson), and a civilian reporter who accompanied them, Joseph Galloway (Barry Pepper), as well as a number of other soldiers who were involved. (Taken from Rotten Tomatoes) We Were Soldiers is the story of a group that trained and sweated with one another—connected together in a way that only those who have shared similar settings can be—that entered into a chaotic situation, relied on one another for support and survival, and who eventually emerged— bruised and battered, but successful nonetheless. Set in war, the lesson is not about war, but about followership, leadership, and shared values. (From Paul Summerfelt, FFD-FMO, Flagstaff, AZ). -
Heirpower! Eight Basic Habits of Exceptionally Powerful Lieutenants
Heirpower! Eight Basic Habits of Exceptionally Powerful Lieutenants BOB VÁSQUEZ Chief Master Sergeant, USAF, Retired Air University Press Maxwell Air Force Base, Alabama June 2006 front.indd 1 7/17/06 3:22:50 PM Air University Library Cataloging Data Vásquez, Bob. Heirpower! : eight basic habits of exceptionally powerful lieutenants / Bob Vásquez. p. ; cm. ISBN 1-58566-154-6 1. Command of troops. 2. Leadership. I. Title. 355.33041––dc22 Disclaimer Opinions, conclusions, and recommendations expressed or implied within are solely those of the author and do not necessarily represent the views of Air University, the United States Air Force, the Department of Defense, or any other US government agency. Cleared for public release: distribution unlimited. Air University Press 131 West Shumacher Avenue Maxwell AFB AL 36112-6615 http://aupress.maxwell.af.mil ii front.indd 2 7/17/06 3:22:51 PM Contents Page DISCLAIMER . ii FOREWORD . v ABOUT THE AUTHOR . vii PREFACE . ix ACKNOWLEDGMENTS . xi INTRODUCTION . xiii Habit 1 Get a Haircut! First Impressions Last . 1 Habit 2 Shut Up! Listen and Pay Attention . 9 Habit 3 Look Up! Attitude Is Everything . 15 Habit 4 Be Care-Full! Take Care of Your Troops . 23 Habit 5 Sharpen the Sword! Take Care of Yourself First. 35 Habit 6 Be Good! Know Your Stuff . 45 Habit 7 Build Trust! Be Trustworthy . 51 Habit 8 Hang on Tight! Find an Enlisted Mentor . 59 FINAL THOUGHTS . 67 iii front.indd 3 7/17/06 3:22:51 PM THIS PAGE INTENTIONALLY LEFT BLANK Foreword Chief Bob Vásquez has found an innovative and effective way to share some basic principles that every new lieutenant should know on the subject of how to succeed as a leader in our great Air Force. -
Approved Movie List 10-9-12
APPROVED NSH MOVIE SCREENING COMMITTEE R-RATED and NON-RATED MOVIE LIST Updated October 9, 2012 (Newly added films are in the shaded rows at the top of the list beginning on page 1.) Film Title ALEXANDER THE GREAT (1968) ANCHORMAN (2004) APACHES (also named APACHEN)(1973) BULLITT (1968) CABARET (1972) CARNAGE (2011) CINCINNATI KID, THE (1965) COPS CRUDE IMPACT (2006) DAVE CHAPPEL SHOW (2003–2006) DICK CAVETT SHOW (1968–1972) DUMB AND DUMBER (1994) EAST OF EDEN (1965) ELIZABETH (1998) ERIN BROCOVICH (2000) FISH CALLED WANDA (1988) GALACTICA 1980 GYPSY (1962) HIGH SCHOOL SPORTS FOCUS (1999-2007) HIP HOP AWARDS 2007 IN THE LOOP (2009) INSIDE DAISY CLOVER (1965) IRAQ FOR SALE: THE WAR PROFITEERS (2006) JEEVES & WOOSTER (British TV Series) JERRY SPRINGER SHOW (not Too Hot for TV) MAN WHO SHOT LIBERTY VALANCE, THE (1962) MATA HARI (1931) MILK (2008) NBA PLAYOFFS (ESPN)(2009) NIAGARA MOTEL (2006) ON THE ROAD WITH CHARLES KURALT PECKER (1998) PRODUCERS, THE (1968) QUIET MAN, THE (1952) REAL GHOST STORIES (Documentary) RICK STEVES TRAVEL SHOW (PBS) SEX AND THE SINGLE GIRL (1964) SITTING BULL (1954) SMALLEST SHOW ON EARTH, THE (1957) SPLENDER IN THE GRASS APPROVED NSH MOVIE SCREENING COMMITTEE R-RATED and NON-RATED MOVIE LIST Updated October 9, 2012 (Newly added films are in the shaded rows at the top of the list beginning on page 1.) Film Title TAMING OF THE SHREW (1967) TIME OF FAVOR (2000) TOLL BOOTH, THE (2004) TOMORROW SHOW w/ Tom Snyder TOP GEAR (BBC TV show) TOP GEAR (TV Series) UNCOVERED: THE WAR ON IRAQ (2004) VAMPIRE SECRETS (History -
Entertainment Plus Karaoke by Title
Entertainment Plus Karaoke by Title #1 Crush 19 Somethin Garbage Wills, Mark (Can't Live Without Your) Love And 1901 Affection Phoenix Nelson 1969 (I Called Her) Tennessee Stegall, Keith Dugger, Tim 1979 (I Called Her) Tennessee Wvocal Smashing Pumpkins Dugger, Tim 1982 (I Just) Died In Your Arms Travis, Randy Cutting Crew 1985 (Kissed You) Good Night Bowling For Soup Gloriana 1994 0n The Way Down Aldean, Jason Cabrera, Ryan 1999 1 2 3 Prince Berry, Len Wilkinsons, The Estefan, Gloria 19th Nervous Breakdown 1 Thing Rolling Stones Amerie 2 Become 1 1,000 Faces Jewel Montana, Randy Spice Girls, The 1,000 Years, A (Title Screen 2 Becomes 1 Wrong) Spice Girls, The Perri, Christina 2 Faced 10 Days Late Louise Third Eye Blind 20 Little Angels 100 Chance Of Rain Griggs, Andy Morris, Gary 21 Questions 100 Pure Love 50 Cent and Nat Waters, Crystal Duets 50 Cent 100 Years 21st Century (Digital Boy) Five For Fighting Bad Religion 100 Years From Now 21st Century Girls Lewis, Huey & News, The 21st Century Girls 100% Chance Of Rain 22 Morris, Gary Swift, Taylor 100% Cowboy 24 Meadows, Jason Jem 100% Pure Love 24 7 Waters, Crystal Artful Dodger 10Th Ave Freeze Out Edmonds, Kevon Springsteen, Bruce 24 Hours From Tulsa 12:51 Pitney, Gene Strokes, The 24 Hours From You 1-2-3 Next Of Kin Berry, Len 24 K Magic Fm 1-2-3 Redlight Mars, Bruno 1910 Fruitgum Co. 2468 Motorway 1234 Robinson, Tom Estefan, Gloria 24-7 Feist Edmonds, Kevon 15 Minutes 25 Miles Atkins, Rodney Starr, Edwin 16th Avenue 25 Or 6 To 4 Dalton, Lacy J. -
Sgt. Bilko, M*A*S*H and the Heyday of U.S
TV/Series 10 | 2016 Guerres en séries (II) “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and the Heyday of U.S. Military Sitcoms (1955-75) Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/1764 DOI: 10.4000/tvseries.1764 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and the Heyday of U.S. Military Sitcoms (1955-75) », TV/Series [Online], 10 | 2016, Online since 01 December 2016, connection on 05 May 2019. URL : http://journals.openedition.org/tvseries/1764 ; DOI : 10.4000/ tvseries.1764 This text was automatically generated on 5 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and t... 1 “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and the Heyday of U.S. Military Sitcoms (1955-75) Dennis Tredy 1 If the title of this paper quotes part of the refrain from Edwin Starr’s 1970 protest song, “War,” the song’s next line, proclaiming that war is good for “absolutely nothing” seems inaccurate, at least in terms of successful television sitcoms of from the 1950s to the 1970s. In fact, while Starr’s song was still an anti-Vietnam War battle cry, ground- breaking television programs like M*A*S*H (CBS, 1972-1983) were using laughter and tongue-in-cheek treatment of the horrors of war to provide a somewhat more palatable expression of the growing anti-war sentiment to American audiences. -
Volunteers in the Forest Service
R ev iew D ra ft United States Department of Agriculture Volunteers in the Forest Service Forest Service: Technology & Development Program A Coordinator’s 6700–Safety and Health 2300–Recreation Desk Guide February 2009 0967–2814–MTDC OF TR NT AN E SP M O T R R T A A P T E I O D N U N I T A E C I D R S E TA M T E S O F A The History of This Desk Guide n 1990, the U.S. Department of Agriculture, Forest Service’s Missoula Technology and Development Center (MTDC) produced the training video “Supervisor and the Work Crew” (Driessen 1990) for IIfirst-line supervisors of field crews. In 1995 and 1996, MTDC produced another training video “Making a Crew” (MTDC Staff 1995 and 1996). This video focused on the workers, not the supervisors. While interviewing Forest Service employees during the production of this program, the project leader noted that numerous changes had occurred in the Forest Service’s work culture. This insight led to the white paper, “A Changing Forest Service Work Culture: Training New Leaders” (MTDC Staff 1997). The white paper had two purposes: to present some of the changes taking place in the Forest Service’s work culture and to discuss some sociological reflections on the training of Forest Service crew leaders. The paper concluded by recommending that the training program for supervisors of field crews be updated. A project to update the supervisor training program began in January 2000. The project team found that traditional seasonal crews had become almost extinct in the Forest Service. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
ABC Television Center Studios (Name Circa 1960)
ESTUDIOS DE CINEMA QUE VIRARAM ESTUDIOS DE TV Antigos estúdios de Hollywood http://www.retroweb.com/tv_studios_and_ranches.html ABC Television Center Studios (name circa 1960) Formerly: Vitagraph Studios Currently: The Prospect Studios (aka ABC Television Center West) Location: 4151 Prospect Avenue, Hollywood, California opened in 1912 as Vitagraph Studios, making it one of the oldest studios in Hollywood. eventually purchased by Warner Bros in 1925 ABC Television acquired the studio property in 1949, and opened the world's largest, state-of-the-art television center. "The old Vitagraph lot, then ABC, now Disney in East Hollywood, once had a large backlot, but by the time of television, the backlot was gone. For an early live western tv show, the side of one of the sound stages was painted to look like a western town or desert scene or something, and the show was show live from in front of that painted building." - Jerry S. "I've been told that all the scenes [in 42nd STREET] inside the theater were shot at Prospect on [what was known as] the Vitaphone theater stage. That stage later became Studio E at ABC, (now Stage 5). Eventually, the auditorium end of the stage was demolished to make way for a new studio now called Stage 4. The Vitaphone stage was sort of like the Phantom stage at Universal in that a portion of it had a permanent auditorium set with seats and boxes. It was removed once ABC took over. The old TV series SPACE PATROL was shot on those combined stages." - Richard P. -
Applying a Rhizomatic Lens to Television Genres
A THOUSAND TV SHOWS: APPLYING A RHIZOMATIC LENS TO TELEVISION GENRES _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by NETTIE BROCK Dr. Ben Warner, Dissertation Supervisor May 2018 The undersigned, appointed by the dean of the Graduate School, have examined the Dissertation entitled A Thousand TV Shows: Applying A Rhizomatic Lens To Television Genres presented by Nettie Brock A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. ________________________________________________________ Ben Warner ________________________________________________________ Elizabeth Behm-Morawitz ________________________________________________________ Stephen Klien ________________________________________________________ Cristina Mislan ________________________________________________________ Julie Elman ACKNOWLEDGEMENTS Someone recently asked me what High School Nettie would think about having written a 300+ page document about television shows. I responded quite honestly: “High School Nettie wouldn’t have been surprised. She knew where we were heading.” She absolutely did. I have always been pretty sure I would end up with an advanced degree and I have always known what that would involve. The only question was one of how I was going to get here, but my favorite thing has always been watching television and movies. Once I learned that a job existed where I could watch television and, more or less, get paid for it, I threw myself wholeheartedly into pursuing that job. I get to watch television and talk to other people about it. That’s simply heaven for me. A lot of people helped me get here. -
Steve's Karaoke Songbook
Steve's Karaoke Songbook Artist Song Title Artist Song Title +44 WHEN YOUR HEART STOPS INVISIBLE MAN BEATING WAY YOU WANT ME TO, THE 10 YEARS WASTELAND A*TEENS BOUNCING OFF THE CEILING 10,000 MANIACS CANDY EVERYBODY WANTS A1 CAUGHT IN THE MIDDLE MORE THAN THIS AALIYAH ONE I GAVE MY HEART TO, THE THESE ARE THE DAYS TRY AGAIN TROUBLE ME ABBA DANCING QUEEN 10CC THINGS WE DO FOR LOVE, THE FERNANDO 112 PEACHES & CREAM GIMME GIMME GIMME 2 LIVE CREW DO WAH DIDDY DIDDY I DO I DO I DO I DO I DO ME SO HORNY I HAVE A DREAM WE WANT SOME PUSSY KNOWING ME, KNOWING YOU 2 PAC UNTIL THE END OF TIME LAY ALL YOUR LOVE ON ME 2 PAC & EMINEM ONE DAY AT A TIME MAMMA MIA 2 PAC & ERIC WILLIAMS DO FOR LOVE SOS 21 DEMANDS GIVE ME A MINUTE SUPER TROUPER 3 DOORS DOWN BEHIND THOSE EYES TAKE A CHANCE ON ME HERE WITHOUT YOU THANK YOU FOR THE MUSIC KRYPTONITE WATERLOO LIVE FOR TODAY ABBOTT, GREGORY SHAKE YOU DOWN LOSER ABC POISON ARROW ROAD I'M ON, THE ABDUL, PAULA BLOWING KISSES IN THE WIND WHEN I'M GONE COLD HEARTED 311 ALL MIXED UP FOREVER YOUR GIRL DON'T TREAD ON ME KNOCKED OUT DOWN NEXT TO YOU LOVE SONG OPPOSITES ATTRACT 38 SPECIAL CAUGHT UP IN YOU RUSH RUSH HOLD ON LOOSELY STATE OF ATTRACTION ROCKIN' INTO THE NIGHT STRAIGHT UP SECOND CHANCE WAY THAT YOU LOVE ME, THE TEACHER, TEACHER (IT'S JUST) WILD-EYED SOUTHERN BOYS AC/DC BACK IN BLACK 3T TEASE ME BIG BALLS 4 NON BLONDES WHAT'S UP DIRTY DEEDS DONE DIRT CHEAP 50 CENT AMUSEMENT PARK FOR THOSE ABOUT TO ROCK (WE SALUTE YOU) CANDY SHOP GIRLS GOT RHYTHM DISCO INFERNO HAVE A DRINK ON ME I GET MONEY HELLS BELLS IN DA