The Semantic Impact of Metadata Translation: a Case Study of the Chinese in California Virtual Collection Across Digital Platforms
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Archival Representation
Archival Science 3: 1–25, 2003. 1 © 2003 Kluwer Academic Publishers. Printed in the Netherlands. Archival Representation ELIZABETH YAKEL University of Michigan, School of Information (E-mail: [email protected]) Abstract. This paper defines and discusses archival representation and its role in archival practice. Archival representation refers to both the processes of arrangement and description and is viewed as a fluid, evolving, and socially constructed practice. The paper analyzes organizational and descriptive schemas, tools, and systems as a means of uncovering repre- sentational practices. In conclusion the paper argues that the term ‘archival representation’ more precisely captures the actual work of archivists in (re)ordering, interpreting, creating surrogates, and designing architectures for representational systems. Keywords: archival arrangement and description, archival cataloging, archival practice, archival processing, finding aids A man hath perished and his corpse has become dirt. All his kindred have crumbled to dust. But writings cause him to be remembered in the mouth of the reciter.1 In The Design of Everyday Things Donald Norman argues for a user- centered approach to the design of the daily artifacts we take for granted.2 While archives and archival collections are not everyday things for most people, they are embedded in everyday archival practice. Furthermore, archival representations and representational systems must characterize these everyday things for potential researchers. The term ‘representation’ is used to refer both to the process or activity of representing and to the object(s) produced by an instance of that activity. The process of representing seeks to establish systematic corre- spondence between the target domain and the modeling domain and to capture or ‘re-present,’ through the medium of the modeling domain, the object, the data, or information in the target domain .. -
The Archival Principle of Provenance and Its Application to Image
The Archival Principle of Provenance and Its Application to Image Content Management Systems Variously described as a “powerful guiding principle” (Dearstyne, 1993), and “the only principle” of archival theory (Horsman, 1994), the Principle of Provenance distinguishes the archival profession from other information professions in its focus on a document’s context, use and meaning. This Principle, generally concerned with the origin of records, has three distinct meanings (Bellardo & Bellardo, 1992). First, and generally, it refers to the “office of origin” of records, or that office, administrative entity, person, family, firm, from which records, personal papers or manuscripts originate. Second, it refers to collecting information on successive transfers of ownership or custody of a particular paper or manuscript; and third, it refers to the idea that an archival collection of a given records creator must not be intermingled with those of other records creators. In this sense, the principle is often referred to by the French expression respect des fonds. A corollary principle, solemnly entitled, “Principle of the Sanctity of Original Order,” states that records should be kept in the order in which they were originally arranged. The Principle of Provenance was independently developed by early modern French and Prussian archives managers in the nineteenth century, and had its origins in necessity, both theoretical and practical. Prior to the development of the Principle, archives were arranged and described according to the “principle of pertinence,” where archives were arranged in terms of their subject content regardless of provenance and original order (Gränström, 1994). With the development of state-run archives in France and Prussia, the sheer volume of incoming records made working by this ethic impractical. -
Archivalterity: Rethinking Original Order*
The Arnold Lupson Photographic Collection 1 Articles Archivalterity: Rethinking Original Order* HEATHER MACNEIL RÉSUMÉ Même si leurs objets d’analyse sont dif férents, la critique textuelle tradi- tionnelle et la théorie classique du classement archivistique traitent de questions rela- tives à l’authenticité. La critique textuelle vise à rapprocher le texte littéraire le plus près possible de sa forme originale et authentique, alors que le classement archivis- tique tente de reconstituer l’ordre « authentique » – c’est-à-dire l’ordre original – d’un ensemble de documents. Dans les deux cas, l’originalité et l’authenticité sont intime- ment liées à l’identification et à la détermination de l’intention finale de l’auteur . Au cours des vingt dernières années, on a assisté à l’émer gence de nouveaux courants de théorie textuelle qui ont remis en question la théorie de l’intention finale de l’auteur et qui ont étendu la portée de la critique textuelle au-delà des textes littéraires pour inclure des textes culturels de toute sorte. Ces courants soutiennent que le texte culturel – que ce soit un texte littéraire, artistique ou architectural – n’est pas fixe ou stable à un moment précis dans le temps, mais qu’il est dans un état continuel de devenir, étant réinterprété (« resituated ») et « re-contextualisé » selon différents envi- ronnements et par dif férents experts. Ce texte explore comment ont été traitées les questions d’authenticité, d’originalité et d’intention dans le contexte de la critique textuelle traditionnelle, il examine certaines façons dont les nouveaux courants de critique textuelle ont contesté cette tradition et il présente les répercussions de cette nouvelle perspective sur la théorie archivistique du classement. -
Respect Des Fonds D'archives: Theory and Application Danielle K.L
Western University From the SelectedWorks of Danielle K.L. Lee-Muma March 8, 2012 Respect des fonds d'archives: Theory and Application Danielle K.L. Lee-Muma, University of Western Ontario Available at: https://works.bepress.com/daniellemuma/2/ Lee-Muma 1 Danielle Lee-Muma 8 March 2012. Respect des fonds d’archive: Theory and Application In order to examine the principle of respect des fonds d’archive (henceforth referred to as respect des fonds) and its application, this paper will examine the principle, its history and reason for becoming a dominant principle, and what its aspects mean: interpreting original order as an internal arrangement, and discussing external arrangement in the principle of provenance. Case studies (both real world examples and hypothetical examples based on real fonds and archives) will be used to discuss how the twin principles of respect des fonds, original order and provenance can be put into practice. The case studies will also be used to discuss what problems can arise in the application of respect des fonds. The French Ministry of the Interior passed the decree of respect des fonds in 1841, and created a commission of administrative historians to oversee their departmental archivists (Bartlett 110). The men of the commission explained their reasoning for the implementation of respect des fonds as “le classement par fonds n'empêche pas d'obtenir tous les résultats qu'on espère d'un ordre plus élevé” (Bartlett 111). This sentiment translates roughly as “the classification by fonds does not impede the results hoped for in a higher order,” meaning that the application of respect des fonds would make it possible to preserve evidence, even in the face of novice archivists. -
Digital Processing Framework
Digital Processing Framework Development of the Digital Processing Framework began after the second annual Born Digital Archiving eXchange unconference at Stanford University in 2016. There, a group of nine archivists saw a need for standardization, best practices, or general guidelines for processing digital archival materials. Members of this group were already engaged in digital processing and had knowledge and experience with acquiring, preserving, and managing born digital content but had a lot of questions about processing this type of material and making it accessible. They sought commonalities for processing digital materials and wanted to create a framework that would be extensible, flexible, useful, descriptive rather than prescriptive, and as simple as possible. CONTRIBUTORS Archivists whose time and experience contributed to this framework are as follows: Susanne Annand Sally DeBauche Erin Faulder Martin Gengenbach Karla Irwin Julie Musson Shira Peltzman Kate Tasker Laura Uglean Jackson Dorothy Waugh PURPOSE OF THE FRAMEWORK The aim of the framework is to suggest a minimum processing standard, to promote consistent practice among digital archivists, to establish common terminologies that can be used in further development of best practices, and to enhance research access. The framework brings archival and digital preservation best practices together to clarify the relationship between these related activities and thereby help practitioners make informed decisions about their collections. “Processing,” for the purpose of this framework, concerns activities that may overlap with other traditional archival functions including accessioning, preservation, and arrangement and description. Released: August 2018 1 This framework is intended to be useful and used. It should be adapted to meet the requirements of a particular organizational context. -
Open Social Knowledge Creation and Library and Archival Metadata
Seeman, Dean, and Heather Dean. 2019. Open Social Knowledge Creation and Library and Archival Metadata. KULA: knowledge creation, dissemination, and preservation studies 3(1): 13. DOI: https://doi.org/10.5334/kula.51 RESEARCH ARTICLE Open Social Knowledge Creation and Library and Archival Metadata Dean Seeman and Heather Dean University of Victoria, CA Corresponding author: Dean Seeman ([email protected]) Standardization both reflects and facilitates the collaborative and networked approach to metadata creation within the fields of librarianship and archival studies. These standards—such as Resource Description and Access and Rules for Archival Description—and the theoretical frameworks they embody enable professionals to work more effectively together. Yet such guidelines also determine who is qualified to undertake the work of cataloging and processing in libraries and archives. Both fields are empathetic to facilitating user-generated metadata and have taken steps towards collaborating with their research communities (as illustrated, for example, by social tagging and folksonomies) but these initial experiments cannot yet be regarded as widely adopted and radically open and social. This paper explores the recent histories of descriptive work in libraries and archives and the challenges involved in departing from deeply established models of metadata creation. Keywords: Archives; Libraries; Metadata; Open Social Knowledge Introduction The fields of librarianship and archival studies have a long history of deeply collaborative and networked approaches to creating and circulating knowledge, from authority files for people, places, and subjects shared across institutions, to the first union lists, which compiled metadata across regional and national boundaries in order to provide unified access to information about cultural resources. -
“Processing Manual” for Special Collections
PROCESSING MANUAL for archival and manuscript collections University of Maryland Libraries College Park, Maryland January 2009 Last Revised: 09/2011 This Processing Manual was created by a subcommittee of the Special Collections Cataloging Team of the University of Maryland Libraries: Joanne Archer Christopher Hartten Karen King Jennie Levine Knies Elizabeth McAllister John Schalow Ken Shimada Permission to reproduce this manual or any of its parts for non-commercial educational purposes is granted. Appropriate citation is appreciated Contact: Special Collections University of Maryland Libraries [email protected] The authors of this processing manual would like to acknowledge all of the curators, librarians, and staff at the University of Maryland Libraries who have created finding aids and supervised processing projects over the years. Much of what is in this manual simply codifies tried and true practices that have already been in place for many years. In addition, we would like to thank archival institutions who were willing to provide their own processing manuals as examples. Portions of our own manual were adapted from: • Northeastern University Libraries Archives and Special Collections Processing Manual • Utah State University Processing Manual • Library of Congress, Music Division, AcQuisitions and Processing Section, Processing Procedures Manual Table of Contents PREFACE: ...................................................................................................................................... 1 INTRODUCTION: BASIC -
The Australian “Series” System
PETER J. SCOTT AND THE AUSTRALIAN ‘SERIES’ SYSTEM: ITS ORIGINS, FEATURES, RATIONALE, IMPACT AND CONTINUING RELEVANCE Adrian Cunningham, Director, Digital Archives Program, Queensland State Archives Dr Laura Millar, Canada Barbara Reed, Recordkeeping Innovation, Australia International Congress on Archives, Brisbane, Australia, 23 August 2012 Session Description During the 1960s Peter J Scott and colleagues at the then Commonwealth Archives Office (now National Archives of Australia) devised a new approach to archival intellectual control, which separated descriptive information about the creators of records from information about the records themselves. This approach – which became known as the ‘series’ system’ – rejected the rigidities of the ‘record group’ approach to archival description, which required contextual information and information about records to be combined in single hierarchical descriptions. Scott and his colleagues argued that the record group method did not adequately reflect the realities of records creation and use in environments of complex administrative change, where multiple provenance is a common phenomenon. Scott’s system has since been adopted by all public records institutions in Australia and New Zealand and by a number of other archival programs around the world. It has also fundamentally influenced the development and evolution of international archival descriptive standards. The papers presented in this session feature the Editor and two of the contributors to a recent monograph of essays by and about Peter J Scott, published by the Australian Society of Archivists in 2010. Adrian Cunningham provides an overview of the major features of Scott’s system, placing it in its historical context and exploring its impact on the development of international archival descriptive standards. -
Archives and Manuscripts Processing Manual
Archives and Manuscripts Processing Manual by Ann E. Hodges and Brenda S. McClurkin 2011 Sixth Edition Table of Contents Introduction ................................................................................................................................... iii Chapter 1: Basic Principles of Processing ......................................................................... 1 Chapter 2: Accessioning ............................................................................................................ 4 Chapter 3: Arrangement ......................................................................................................... 12 Chapter 4: Preservation .......................................................................................................... 24 Chapter 5: Description ............................................................................................................. 35 Chapter 6: Cataloging Form ................................................................................................... 50 Chapter 7: Publicity .................................................................................................................. 62 Appendices .................................................................................................................................... 67 Forms ........................................................................................................................................................ 68 Supplemental Material ...................................................................................................................... -
The Origins of Modern European Archival Theory Maynard Brichford
THE ORIGINS OF MODERN EUROPEAN ARCHIVAL THEORY MAYNARD BRICHFORD There has been no systematic international history of modern archives. Both historians and archivists have neglected to apply systematically to their own professions the principles of appraisal, textual criticism of sources, and the examination of the credibility of documents. Archival history and biography should show indi- vidual contributions to archival theory and practice, but both are underdeveloped. While bits and pieces of archival history and theory may be found in national manuals and textbooks, both have usually been summoned to support other purposes. Archivists have searched the past for useful evidence rather than studying the development of archival theory and practice in the light of the needs of the past. Although there were important precursors in Jean Mabillon and the Maurists, and Daniel Papebroch and the Bollandists, modern archival science was developed in the nineteenth century. In- fluenced by the forces of nationalism and cultural chauvinism arising from the French Revolution, European bureaucrats and academics joined forces to protect and organize their archival patrimony. French, German, and Dutch archivists played im- portant roles in the development of archival theory. France When the rising of the disaffected citizens required the forma- tion of a new government, the leading archival figure was Armand- Gaston Camus, a Parisian lawyer and revolutionary. On August 14, 1789, in an existential situation, Camus was named archivist of the Assembly. Though he had no formal archival training, Camus gained valuable experience in property expropriation during a 88 THE MIDWESTERN ARCHIVIST Vol. VII, No. 2, 1982 period of incarceration in Austrian prisons. -
Researcher Access to Born-Digital Collections: an Exploratory Study Julia Y
Journal of Contemporary Archival Studies Volume 5 Article 7 2018 Researcher Access to Born-Digital Collections: an Exploratory Study Julia Y. Kim Library of Congress, [email protected] Follow this and additional works at: https://elischolar.library.yale.edu/jcas Part of the Archival Science Commons, Digital Humanities Commons, and the Other Film and Media Studies Commons Recommended Citation Kim, Julia Y. (2018) "Researcher Access to Born-Digital Collections: an Exploratory Study," Journal of Contemporary Archival Studies: Vol. 5 , Article 7. Available at: https://elischolar.library.yale.edu/jcas/vol5/iss1/7 This Work-in-progress is brought to you for free and open access by EliScholar – A Digital Platform for Scholarly Publishing at Yale. It has been accepted for inclusion in Journal of Contemporary Archival Studies by an authorized editor of EliScholar – A Digital Platform for Scholarly Publishing at Yale. For more information, please contact [email protected]. Researcher Access to Born-Digital Collections: an Exploratory Study Cover Page Footnote The uthora would like to thank Donald Mennerich and Lisa Darms for their mentorship. She'd like to acknowledge and thank the essential contributions by Amy Brost and Alexander Giffen and their work with the collections. She would like to thank Trevor Owens and Morgan McKeehan for their generous editorial feedback. This work-in-progress is available in Journal of Contemporary Archival Studies: https://elischolar.library.yale.edu/jcas/vol5/iss1/7 Kim: Accessing Born-Digital Emulations: Is it worth the effort? RESEARCHER ACCESS TO BORN-DIGITAL COLLECTIONS: AN EXPLORATORY STUDY In the fall of 2014, the staff at New York University’s Fales Library and Special Collections began processing the Jeremy Blake Papers and the Exit Art Archive. -
Digital Madness, Archival Theory and the Endangered Sound Archives of Radio Botswana
Digital Madness, Archival Theory and the Endangered Sound Archives of Radio Botswana Lekoko Kenosi, PhD Archival Studies Program, University of Botswana Abstract In recognition of the contributions of sound archives to the collective wisdom of humanity UNESCO has set aside 27 October as a day for the celebration of Audiovisual Heritage. And despite the shared universal definition of a record as any “document regardless of medium,” the trust placed on paper at the exclusion of other information carriers continues to dominate the mindset of many in Africa. The result of this bias has been little attention paid on the preservation of sound archives. At a professional level, while many theoretical assumptions have been made about the character and treatment of paper records, the literature on the preservation of sound archives continues to come from thinkers without a “mainstream” archival degree. Using the sound archives of Radio Botswana as a case study, this author applies traditional archival theory methods to this genre of records. By so doing the presenter hopes to consolidate, even critique, the application of traditional archival theory to sound archives. In the process of doing that, and with the theme of the conference in mind, an international call to halt the looming eclipse of Radio Botswana sound archives- in an age of digital madness- will be globally launched. Author Dr. Lekoko Kenosi has a Bachelor’s degree from the University of Botswana, a Masters degree in Archival Studies from the University of British Columbia, Vancouver, Canada and a PhD in Information Science from the University of Pittsburgh, USA.