Chamber Music
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5 Music Cruises 2019 E.Pub
“The music is not in the notes, but in the silence between.” Wolfgang Amadeus Mozart RHINE 2019 DUDOK QUARTET Aer compleng their studies with disncon at the Dutch String Quartet Academy in 20 3, the Quartet started to have success at internaonal compeons and to be recognized as one of the most promising young European string quartets of the year. In 20 4, they were awarded the Kersjes ,rize for their e-ceponal talent in the Dutch chamber music scene. .he Quartet was also laureate and winner of two special prizes during the 7th Internaonal String Quartet 0ompeon 20 3 1 2ordeau- and won st place at both the st Internaonal String Quartet 0ompeon 20 in 3adom 4,oland5 and the 27th 0harles 6ennen Internaonal 0hamber Music 0ompe7 on 20 2. In 20 2, they received 2nd place at the 8th 9oseph 9oachim Internaonal 0hamber Music 0ompeon in Weimar 4:ermany5. .he members of the quartet ;rst met in the Dutch street sym7 phony orchestra “3iccio=”. From 2009 unl 20 , they stu7 died with the Alban 2erg Quartet at the School of Music in 0ologne, then to study with Marc Danel at the Dutch String Quartet Academy. During the same period, the quartet was coached intensively by Eberhard Feltz, ,eter 0ropper 4Aindsay Quartet5, Auc7Marie Aguera 4Quatuor BsaCe5 and Stefan Metz. Many well7Dnown contemporary classical composers such as Kaija Saariaho, MarD7Anthony .urnage, 0alliope .sou7 paDi and Ma- Knigge also worDed with the quartet. In 20 4, the Quartet signed on for several recordings with 3esonus 0lassics, the worldEs ;rst solely digital classical music label. -
Supporting European Art Forms, Oftentimes to the Exclusion of Other Art Forms, Artists, Arts Organizations, and Their Patrons, in Particular People of Color
SAN FRANCISCO WAR MEMORIAL AND PERFORMING ARTS CENTER RENTAL REQUESTS: June 10, 2021 DAVIES SYMPHONY HALL San Francisco Symphony July 2021 $12,960.00 August 2021 $6,150.00 Rehearsals and performances for July and August. WAR MEMORIAL OPERA HOUSE San Francisco Opera Tech and Packing May 2021 $7,075.00 HERBST THEATRE American Bach Soloists $5,500.00 Baroque Summer Festival August 1, 6 & 7, 2021 New Year's Eve Concert December 31, 2021 UCSF School of Medicine August 8, 2021 $1,375.00 White Coat Ceremony San Francisco Performances $58,800.00 Alexander String Quartet w/ R. Greenberg September 5 & 11, 2021 Concert September 26, 2021 Catalyst Quartet w/ Stewart Goodyear October 7, 2021 Theo Bleckmann October 20, 2021 Brooklyn Rider w/ Nicholas Phan October 21, 2021 Jennifer Koh w/ Misty Mazzoli October 23, 2021 Jan Lisiecki October 27, 2021 Dover Quartet w/ Davone Tynes November 9, 2021 Catalyst Quartet w/ Anthony McGill November 11, 2021 Gift Concert November 16, 2021 Castalian Quartet November 17, 2021 Jonathan Biss December 11, 2021 Golda Schultz January 21, 2022 Alexander String Quartet w/ R. Greenberg January 22, 2022 Alexander String Quartet w/ R. Greenberg January 29, 2022 Steven Isserlis January 29, 2022 Andrew Tyson January 30, 2022 Catalyst Quartet w/ Dashon Burton February 11 , 2022 Dublin Guitar Quartet February 12, 2022 Alexander String Quartet w/ R. Greenberg February 19, 2022 Alexander String Quartet w/ R. Greenberg March 5, 2022 Isata Kanneh-Mason March 7, 2022 Alexander String Quartet w/ R. Greenberg March 12, 2022 Brooklyn -
Kronos Quartet Prelude to a Black Hole Beyond Zero: 1914-1918 Aleksandra Vrebalov, Composer Bill Morrison, Filmmaker
KRONOS QUARTET PRELUDE TO A BLACK HOLE BeyOND ZERO: 1914-1918 ALeksANDRA VREBALOV, COMPOSER BILL MORRISon, FILMMAKER Thu, Feb 12, 2015 • 7:30pm WWI Centenary ProJECT “KRONOs CONTINUEs With unDIMINISHED FEROCity to make unPRECEDENTED sTRING QUARtet hisTORY.” – Los Angeles Times 22 carolinaperformingarts.org // #CPA10 thu, feb 12 • 7:30pm KRONOS QUARTET David Harrington, violin Hank Dutt, viola John Sherba, violin Sunny Yang, cello PROGRAM Prelude to a Black Hole Eternal Memory to the Virtuous+ ....................................................................................Byzantine Chant arr. Aleksandra Vrebalov Three Pieces for String Quartet ...................................................................................... Igor Stravinsky Dance – Eccentric – Canticle (1882-1971) Last Kind Words+ .............................................................................................................Geeshie Wiley (ca. 1906-1939) arr. Jacob Garchik Evic Taksim+ ............................................................................................................. Tanburi Cemil Bey (1873-1916) arr. Stephen Prutsman Trois beaux oiseaux du Paradis+ ........................................................................................Maurice Ravel (1875-1937) arr. JJ Hollingsworth Smyrneiko Minore+ ............................................................................................................... Traditional arr. Jacob Garchik Six Bagatelles, Op. 9 ..................................................................................................... -
A Chronology of All Artists' Appearances with the Chamber
75 Years of Chamber Music Excellence: A Chronology of all artists’ appearances with the Chamber Music Society of Louisville st 1 Season, 1938 – 1939 Kathleen Parlow, violin and Gunnar Johansen, piano The Gordon String Quartet The Coolidge Quartet The Heermann Trio nd 2 Season, 1939 – 1940 The Budapest String Quartet The Stradivarius Quartet Marcel Hubert, cello and Harold Dart, piano rd 3 Season, 1940 – 1941 Ralph Kirkpatrick, harpsichord and Lois Wann, oboe Belgian PianoString Quartet The Coolidge Quartet th 4 Season, 1941 – 1942 The Trio of New York The Musical Art Quartet The Pro Arte Quartet th 5 Season, 1942 – 1943 The Budapest String Quartet The Coolidge Quartet The Stradivarius Quartet th 6 Season, 1943 – 1944 The Budapest String Quartet Gunnar Johansen, piano and Antonio Brosa, violin The Musical Art Quartet th 7 Season, 1944 – 1945 The Budapest String Quartet The Pro Arte Quartet Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord th 8 Season, 1945 – 1946 The Musical Art Quartet Nikolai Graudan, cello and Joanna Graudan, piano Philip Manuel, harpsichord and Gavin Williamson, harpsichord The Budpest String Quartet th 9 Season, 1946 – 1947 The Louisville Philharmonic String Quartet with Doris Davis, piano The Albeneri Trio The Budapest String Quartet th 10 Season, 1947 – 1948 Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord The Budapest String Quartet The London String Quartet The Walden String Quartet The Albeneri Trio th 11 Season, 1948 – 1949 The Alma Trio -
Welcome Anthea Kreston! the Artemis Quartet Welcomes Its New Member
Welcome Anthea Kreston! The Artemis Quartet welcomes its new member Berlin, 18 January 2016 In the past six months, amidst mourning the death of Friedemann Weigle, the Artemis Quartet also came to the decision of continuing its work as an ensemble. Now, the Artemis Quartet is pleased to announce its new member: the American violinist Anthea Kreston, who will take over the second violin position with immediate effect. In a musical chairs scenario, Gregor Sigl will assume the viola position in the quartet. Andrea Kreston, born in Chicago, studied with Felix Galimir and Ida Kavafian at the renowned Curtis Institute of Music in Philadelphia, as well as chamber music with the Vermeer Quartet and Emerson String Quartet. Anthea Kreston was a member of the Avalon Quartet - with whom she won the ARD Competition in 2000 - for seven years. In 1999, she founded the Amelia Piano Trio. She has given many concerts in the United States and Europe with both ensembles. Eckart Runge and Anthea Kreston have known each other for twenty years. They met, as members of different ensembles, at a masterclass given by the Juilliard String Quartet. Eckart Runge: “Already then, Anthea struck me as an extraordinarily brilliant musician and someone who has a big personality. She applied for the available position, travelled to the audition from the West Coast [of the United States] and impressed us with her warm-heartedness, boundless energy and - above all - her fantastic qualities as a musician and violinist. All three of us immediately felt that, in her own way, Anthea reflects the soul of Friedemann and will bring new energy to our quartet.” Anthea Kreston: “It is with a full heart that I join the Artemis Quartet, my favourite quartet since we were all students together at the Juilliard Quartet Seminar 20 years ago. -
20Th-Century Repertory
Mikrokosmos List 627. - 2 - November 2017 ....20TH-CENTURY REPERTORY 1 Absil: Sax Quartet/J.Rivier: Grave et presto/Francais: Serenade comique - Mule Sax DECCA LX 3142 A 25 EY2 Quartet (p.1955) 10" 2 Alfen: Midsummer's Virgil, The Mountain King - Royal Swedish Orch, cond.comp. TELEFUNKEN LA 33100 A 8 (black label) 1954 10" 3 Alfven, Hugo: Uppsalarapsodi/O.Lindberg: 3 Reiseerinnerungen/Udden: Lustspiel CUPOL CLPN 344 A 8 Ov/Wieslander: Unter/Atterberg: Ov/N.Eriksson: Serenade - Berlin Studio Orch, cond.S.Rybrant 1966, 1968 S 4 Antheil: Sonata (1951)/Absil: Contes/Honegger: Intrada/Genzmer: Konzertantes LAUREL LR 132 A 12 Duo - Gartner tr, Reid pno (p.1985) S 5 Avram, Ana Maria: Songs with bassoons; 3 Pno Pcs (comp.pno)/Irina Hasnas: SQ ELECTRECOR ST-ECE 3584 A 12 (Evolutio III); Melisme for pno S 6 Bacewicz: Vla Con; Con for 2 Pnos; In una parte - Kamas vla, Maksymuk, Witkowski MUZA SX 875 A 8 pno, cond.Wislocki S 7 Bargielski: 4 Duos - Bok basscl, Mair vibraphone, Kozlik accordeon, Riedhammer PRO VIVA ISPV 121 A 8 perc, Siwy Vln Duo, Pfeifer-Baranyi pno duo (p.1984) S 8 Bergman, Erik: SQ Op.98/K.Aho: SQ 3 - Sibelius SQ 1984 S FINLANDIA FAD 348 A 8 9 Boboc, Nicolae: Tara Halmagiului (Suite Sym); Tryptic; Divertimento - cond.comp. S ELECTRECOR ST-ECE 2590 A 10 10 Boerman, Jan: Composition (1972), Alchemie (1961), De Zee (all electronic) COMPOSERS' CV 7701 A 15 (booklet) (gatefold) S 11 Bogoslovsky: Vasiliy Terkin sym tale - Moscow RSO, cond.comp 10" MELODIYA D 15701 A 18 12 Britten: Our Hunting Fathers, Folksongs - Soderstrom, cond. -
Quatuor Ébène Pierre Colombet Violin • Gabriel Le Magadure Violin Marie Chilemme Viola • Raphaël Merlin Cello
Wednesday 12 December 2018 7.30pm Quatuor Ébène Pierre Colombet violin • Gabriel Le Magadure violin Marie Chilemme viola • Raphaël Merlin cello Ludwig van Beethoven String Quartet in F Op. 18 No. 1 Johannes Brahms String Quartet in C minor Op. 51 No. 1 I n t e r v a l (20 minutes) Ludwig van Beethoven String Quartet in F Op. 135 This evening’s concert will be streamed live, and will be available to watch afterwards on the Wigmore Hall website. PROGRAMME: £3 CAVATINA Chamber Music Trust has donated free tickets for 8-25 year-olds for the concert on 12 December 2018. For details of future concerts please call the Box Office on 020 7935 2141. 2018 cover-autumn test print.indd 1 29/08/2018 10:28 Ludwig van Beethoven Beethoven arrived in Vienna in 1792, a year after Mozart’s tragic death. The young, (1770–1827) Bonn-born composer was effectively travelling to the Habsburg capital to take up where the late, lamented composer had String Quartet in F Op. 18 No. 1 left off. He even carried a letter to that end, (1798–1800) written by his friend Count von Waldstein: Allegro con brio ‘You are going to Vienna in fulfilment Adagio affettuoso ed appassionato of your long-frustrated wishes. The Scherzo. Allegro molto Genius of Mozart is still mourning and Allegro weeping the death of her pupil. She found a refuge but no occupation with the inexhaustible Haydn; through him Johannes Brahms she wishes once more to form a union (1833–1897) with another. -
Current Review
Current Review Christian Ferras plays Beethoven and Berg Violin Concertos aud 95.590 EAN: 4022143955906 4022143955906 Fanfare (Robert Maxham - 2012.05.01) Audite’s program of violin concertos by Ludwig van Beethoven and Alban Berg captures two moments in the life of Christian Ferras, the first a studio recording from November 19, 1951, made in the Jesus-Christus-Kirche after the 18-year-old violinist had given a live performance of the work at the Titania Palast and more than a decade before he would record the work with Herbert von Karajan and the same orchestra. The young Ferras sounds both flexible and sprightly in the first movement’s passagework, producing a suave tone that might be described as almost gustatory in its effect as he soars above the orchestra. That tone lacks the sharp edge of Zino Francescatti’s and even the slightly reedy quality of Arthur Grumiaux’s, and he never seems to be deploying it simply for the sheer beauty of it: As sumptuous as it might sound, it always serves his high-minded concept of the work itself. And his playing of Fritz Kreisler’s famous cadenza similarly subordinates virtuosity to musical effect. Karl Böhm sets the mood for a probing exploration of the slow movement, in which Ferras sounds similarly committed; he never allows himself to be diverted into mannerism or eccentricity, as Anne-Sophie Mutter does in her performance with Kurt Masur and the New York Philharmonic (Deutsche Grammophon 289 471 349, Fanfare 26:5 and 26:6). What the young Michael Rabin achieved in the showpieces of Wieniawski and Paganini, Ferras arguably exceeded in the music of Beethoven. -
Emerson String Quartet Calidore String Quartet
Emerson String Quartet and Calidore String Quartet Emerson String Quartet Eugene Drucker / Violin Philip Setzer / Violin Lawrence Dutton / Viola Paul Watkins / Cello Calidore String Quartet Jeffrey Myers / Violin Ryan Meehan / Violin Jeremy Berry / Viola Estelle Choi / Cello Thursday Evening, October 5, 2017 at 7:30 Rackham Auditorium Ann Arbor Ninth Performance of the 139th Annual Season 55th Annual Chamber Arts Series PROGRAM Richard Strauss Capriccio, Op. 85 (excerpt) String Sextet Calidore String Quartet, Mr. Dutton, Mr. Watkins Anton Bruckner String Quintet in F Major, WAB 112 (excerpt) Adagio Emerson String Quartet, Mr. Berry Dmitri Shostakovich Two Pieces for String Octet, Op. 11 Prelude: Adagio Scherzo: Allegro molto Calidore String Quartet, Emerson String Quartet Intermission Felix Mendelssohn Octet in E-flat Major, Op. 20 Allegro moderato con fuoco Andante This evening’s performance is made possible by endowed support from the Ilene H. Forsyth Chamber Scherzo: Allegro leggierissimo Arts Endowment Fund, which supports an annual UMS Chamber Arts performance in perpetuity. Presto Media partnership is provided by WGTE 91.3 FM and WRCJ 90.9 FM. The Emerson String Quartet appears by arrangement with IMG Artists. Emerson String Quartet, Calidore String Quartet The Calidore String Quartet appears by arrangement with Opus 3 Artists. In consideration of the artists and the audience, please refrain from the use of electronic devices during the performance. The photography, sound recording, or videotaping of this performance is prohibited. 3 CAPRICCIO, OP. 85 (EXCERPT) (1941–42) hands of Strauss’s official librettist, music of that period. At the same Joseph Gregor, however, the opera time, Strauss remained faithful to his Richard Strauss did not progress to the composer’s own post-Romantic idiom, which no Born June 11, 1864 in Munich, Germany satisfaction and was temporarily one handled more beautifully or more Died September 8, 1949 in Garmisch-Partenkirchen set aside in favor of other projects. -
Emerson String Quartet
September 24, 2015 at 8:00pm Pre-concert talk by Professor Scott Burnham at 7:00pm Richardson Auditorium in Alexander Hall EMERSON STRING QUARTET Eugene Drucker, violin Philip Setzer, violin Lawrence Dutton, viola Paul Watkins, cello with special guests CALIDORE STRING QUARTET Jeffrey Myers, violin Ryan Meehan, violin Jeremy Berry, viola Estelle Choi, cello FRANZ JOSEPH HAYDN (1732-1809) String Quartet in B-flat Major, Op 76, No. 4 “Sunrise” Allegro con spirito Adagio Menuetto: Allegro Finale: Allegro ma non troppo Eugene Drucker, First Violin DMITRI SHOSTAKOVICH (1906-1975) String Quartet No. 10 in A-flat Major, Op. 118 Andante Allegretto Furioso Adagio Allegretto - Andante Philip Setzer, First Violin — INTERMISSION — FELIX MENDELSSOHN (1809-1847) Octet in E-flat Major, Op. 20 Allegro moderato ma con fuoco Andante Scherzo: Allegro leggierissimo Presto Eugene Drucker, First Violin; with Calidore String Quartet Please join the artists in the Richardson Lounge following the performance to celebrate the start of our season. ABOUT THE ARTISTS PRINCETON UNIVERSITY CONCERTS 2015-16 SEASON ABOUT THE EMERSON STRING QUARTET The Emerson String Quartet has an unparalleled list of achievements over three decades: more than thirty acclaimed recordings, nine Grammys® (including two for Best Classical Album), three Gramophone Awards, the Avery Fisher Prize, Musical America’s “Ensemble of the Year” and collaborations with many of the greatest artists of our time. The arrival of Paul Watkins in 2013 has had a profound effect on the Emerson Quartet. Mr. Watkins, a distinguished soloist, award-winning conductor, and devoted chamber musician, joined the ensemble in its 37th season, and his dedication and enthusiasm have infused the Quartet with a warm, rich tone and a palpable joy in the collaborative process. -
Voyager's Gold Record
Voyager's Gold Record https://en.wikipedia.org/wiki/Voyager_Golden_Record #14 score, next page. YouTube (Perlman): https://www.youtube.com/watch?v=aVzIfSsskM0 Each Voyager space probe carries a gold-plated audio-visual disc in the event that the spacecraft is ever found by intelligent life forms from other planetary systems.[83] The disc carries photos of the Earth and its lifeforms, a range of scientific information, spoken greetings from people such as the Secretary- General of the United Nations and the President of the United States and a medley, "Sounds of Earth," that includes the sounds of whales, a baby crying, waves breaking on a shore, and a collection of music, including works by Mozart, Blind Willie Johnson, Chuck Berry, and Valya Balkanska. Other Eastern and Western classics are included, as well as various performances of indigenous music from around the world. The record also contains greetings in 55 different languages.[84] Track listing The track listing is as it appears on the 2017 reissue by ozmarecords. No. Title Length "Greeting from Kurt Waldheim, Secretary-General of the United Nations" (by Various 1. 0:44 Artists) 2. "Greetings in 55 Languages" (by Various Artists) 3:46 3. "United Nations Greetings/Whale Songs" (by Various Artists) 4:04 4. "The Sounds of Earth" (by Various Artists) 12:19 "Brandenburg Concerto No. 2 in F Major, BWV 1047: I. Allegro (Johann Sebastian 5. 4:44 Bach)" (by Munich Bach Orchestra/Karl Richter) "Ketawang: Puspåwårnå (Kinds of Flowers)" (by Pura Paku Alaman Palace 6. 4:47 Orchestra/K.R.T. Wasitodipuro) 7. -
75Thary 1935 - 2010
ANNIVERS75thARY 1935 - 2010 The Music & the Artists of the Bach Festival Society The Mission of the Bach Festival Society of Winter Park, Inc. is to enrich the Central Florida community through presentation of exceptionally high-quality performances of the finest classical music in the repertoire, with special emphasis on oratorio and large choral works, world-class visiting artists, and the sacred and secular music of Johann Sebastian Bach and his contemporaries in the High Baroque and Early Classical periods. This Mission shall be achieved through presentation of: • the Annual Bach Festival, • the Visiting Artists Series, and • the Choral Masterworks Series. In addition, the Bach Festival Society of Winter Park, Inc. shall present a variety of educational and community outreach programs to encourage youth participation in music at all levels, to provide access to constituencies with special needs, and to participate with the community in celebrations or memorials at times of significant special occasions. Adopted by a Resolution of the Bach Festival Society Board of Trustees The Bach Festival Society of Winter Park, Inc. is a private non-profit foundation as defined under Section 509(a)(2) of the Internal Revenue Code and is exempt from federal income taxes under IRC Section 501(c)(3). Gifts and contributions are deductible for federal income tax purposes as provided by law. A copy of the Bach Festival Society official registration (CH 1655) and financial information may be obtained from the Florida Division of Consumer Services by calling toll-free 1-800-435-7352 within the State. Registration does not imply endorsement, approval, or recommendation by the State.