Supporting European Art Forms, Oftentimes to the Exclusion of Other Art Forms, Artists, Arts Organizations, and Their Patrons, in Particular People of Color
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Emerson String Quartet Calidore String Quartet
Emerson String Quartet and Calidore String Quartet Emerson String Quartet Eugene Drucker / Violin Philip Setzer / Violin Lawrence Dutton / Viola Paul Watkins / Cello Calidore String Quartet Jeffrey Myers / Violin Ryan Meehan / Violin Jeremy Berry / Viola Estelle Choi / Cello Thursday Evening, October 5, 2017 at 7:30 Rackham Auditorium Ann Arbor Ninth Performance of the 139th Annual Season 55th Annual Chamber Arts Series PROGRAM Richard Strauss Capriccio, Op. 85 (excerpt) String Sextet Calidore String Quartet, Mr. Dutton, Mr. Watkins Anton Bruckner String Quintet in F Major, WAB 112 (excerpt) Adagio Emerson String Quartet, Mr. Berry Dmitri Shostakovich Two Pieces for String Octet, Op. 11 Prelude: Adagio Scherzo: Allegro molto Calidore String Quartet, Emerson String Quartet Intermission Felix Mendelssohn Octet in E-flat Major, Op. 20 Allegro moderato con fuoco Andante This evening’s performance is made possible by endowed support from the Ilene H. Forsyth Chamber Scherzo: Allegro leggierissimo Arts Endowment Fund, which supports an annual UMS Chamber Arts performance in perpetuity. Presto Media partnership is provided by WGTE 91.3 FM and WRCJ 90.9 FM. The Emerson String Quartet appears by arrangement with IMG Artists. Emerson String Quartet, Calidore String Quartet The Calidore String Quartet appears by arrangement with Opus 3 Artists. In consideration of the artists and the audience, please refrain from the use of electronic devices during the performance. The photography, sound recording, or videotaping of this performance is prohibited. 3 CAPRICCIO, OP. 85 (EXCERPT) (1941–42) hands of Strauss’s official librettist, music of that period. At the same Joseph Gregor, however, the opera time, Strauss remained faithful to his Richard Strauss did not progress to the composer’s own post-Romantic idiom, which no Born June 11, 1864 in Munich, Germany satisfaction and was temporarily one handled more beautifully or more Died September 8, 1949 in Garmisch-Partenkirchen set aside in favor of other projects. -
Emerson String Quartet
September 24, 2015 at 8:00pm Pre-concert talk by Professor Scott Burnham at 7:00pm Richardson Auditorium in Alexander Hall EMERSON STRING QUARTET Eugene Drucker, violin Philip Setzer, violin Lawrence Dutton, viola Paul Watkins, cello with special guests CALIDORE STRING QUARTET Jeffrey Myers, violin Ryan Meehan, violin Jeremy Berry, viola Estelle Choi, cello FRANZ JOSEPH HAYDN (1732-1809) String Quartet in B-flat Major, Op 76, No. 4 “Sunrise” Allegro con spirito Adagio Menuetto: Allegro Finale: Allegro ma non troppo Eugene Drucker, First Violin DMITRI SHOSTAKOVICH (1906-1975) String Quartet No. 10 in A-flat Major, Op. 118 Andante Allegretto Furioso Adagio Allegretto - Andante Philip Setzer, First Violin — INTERMISSION — FELIX MENDELSSOHN (1809-1847) Octet in E-flat Major, Op. 20 Allegro moderato ma con fuoco Andante Scherzo: Allegro leggierissimo Presto Eugene Drucker, First Violin; with Calidore String Quartet Please join the artists in the Richardson Lounge following the performance to celebrate the start of our season. ABOUT THE ARTISTS PRINCETON UNIVERSITY CONCERTS 2015-16 SEASON ABOUT THE EMERSON STRING QUARTET The Emerson String Quartet has an unparalleled list of achievements over three decades: more than thirty acclaimed recordings, nine Grammys® (including two for Best Classical Album), three Gramophone Awards, the Avery Fisher Prize, Musical America’s “Ensemble of the Year” and collaborations with many of the greatest artists of our time. The arrival of Paul Watkins in 2013 has had a profound effect on the Emerson Quartet. Mr. Watkins, a distinguished soloist, award-winning conductor, and devoted chamber musician, joined the ensemble in its 37th season, and his dedication and enthusiasm have infused the Quartet with a warm, rich tone and a palpable joy in the collaborative process. -
SFMUSIC DAY LIVE + FREE 35 Groups
jazz creative music new music chamber music t early music h e s t 12noon-8pm r i sunday n september 25 G Q 2016 u a r t e t — t h e F Playbill i r s t 2 5 0 y e a r s SFMUSIC DAY LIVE + FREE 35 groups . 155 artists . 4 stages herbst theater . green room atrium theater . education studio san francisco war memorial veterans building 401 van ness avenue . san francisco www. sffcm. org © 2016 dpdp SFMUSIC DAY Sunday September 25, 2016 12:45 Montclair Women’s Big Band ** page 43 1:30 Kasey Knudsen Sextet** page 39 intermission 2:45 Friction Quartet page 36 3:30 Redwood Tango Ensemble** page 47 4:15 Dialogue - Ben Goldberg & Myra Melford** page 32 intermission 5:30 Del Sol String Quartet page 21 6:15 Quartet San Francisco page 22 7:00 Kronos Quartet page 23 HERBST THEATER HERBST 12:00 Sunset Duo** page 51 12:45 martha & monica page 41 1:30 Delphi Trio page 31 intermission 2:45 SF Conservatory of Music Faculty Artists Quartet page 17 3:15 Telegraph Quartet page 18 3:55 Chamber Music Society of San Francisco page 19 4:30 Thalea Quartet page 20 intermission 5:30 New Esterházy Quartet page 46 THE GREEN ROOM 6:15 Earplay page 33 7:00 Vajra Voices** page 54 early & chamber music contemporary & new music jazz & creative music ** Presidio Sessions Artists _ concert schedule page 63 2 . SFMusic Day 2016 LIVE + FREE 12 noon - 8:00pm 12:00 The String Quartet—The First 250 Years by Kai Christiansen page 8 12:30 St. -
City of Toronto Customized Global Template
WOMEN’S MUSICAL CLUB OF TORONTO Inventory [1898-2000] Papers of the Women’s Musical Club of Toronto, including minutes, annual reports, programs and reviews documenting the activities of this local organization established to promote music in Toronto by presenting concerts and funding prizes for promising young performers. 5 boxes; 1.55 linear metres Box #1: Minutes, Annual reports, Programs and Reviews Item #1: Minutebook. Executive Meetings Apr.9, 1925 – Apr.28, 1949 File #2: Minutebook. Executive Meetings Sept.23, 1953 – May 11, 1956 File #3: Minutes. July 9, 1956 – May 16, 1958 File #4: Minutes. June 20,1958 – Mar.24,1960 File #5: Minutes. Apr.29,1960 – Apr.5,1962 File #6: Minutes. Apr.26,1962 – Apr.4,1964 File #7: Minutes. Apr.9, 1964 – Mar.10,1966 File #8: Minutes. Mar.30,1966 – Mar.23,1967 File #9: Minutes. Apr.6,1967 – Mar.20,1969 File #10: Minutes. Apr.16,1969 – Mar.18,1971 File #11: Minutes. Apr.1, 1971 – Apr.19, 1973 File #12: Photographs – Mobile canteen, given by Club to assist war effort 1941-42 – 3 photos Item #13: Scrapbook no. III. Programs, critical reviews Nov.5, 1925 - Mar.19, 1931 Annual reports 1925-26; 1926-27; 1927-28; 1929-30 Item #14: Scrapbook no. V. Programs, critical reviews January 1938-March 1951 Annual reports 1939-40; 1940-41; 1941-42; 1946-47; 1947-48; 1948-49; 1949-50; 1950-51 G:\Special Collections\1 Performing Arts\Archival Inventory Sheets\Womens Musical Club Of Toronto Collection.Doc Page 1 WOMEN’S MUSICAL CLUB OF TORONTO Inventory Page 2 Box 1 (continued): Minutes, Annual Reports, Programs and Reviews. -
Calder Quartet
CAL PERFORMANCES PRESENTS PROGRAM Sunday, October 2, 2011, 3pm Franz Liszt (1811–1886) Petrarch Sonnet No. 123 (I’ vidi in terra angelici Hertz Hall costumi) from Années de Pèlerinage, Deuxième Année: Italie for Piano (1845) Calder Quartet Adès The Four Quarters for String Quartet (2010) Nightfalls Benjamin Jacobson violin Serenade: Morning Dew Andrew Bulbrook violin Days Jonathan Moerschel viola The Twenty-fifth Hour Eric Byers cello with Adès Quintet for Piano and String Quartet, Thomas Adès, piano Op. 20 (2000) PROGRAM Cal Performances’ 2011–2012 season is sponsored by Wells Fargo. Igor Stravinsky (1882–1971) Three Pieces for String Quartet (1914) Dance: Quarter note = 126 Eccentric: Quarter note = 76 Canticle: Half note = 40 Thomas Adès (b. 1971) Mazurkas for Piano, Op. 27 (2009) Moderato, molto rubato Prestissimo molto espressivo Grave, maestoso Adès Arcadiana for String Quartet (1994) Venezia notturna Das klinget so herrlich, das klinget so schön Auf dem Wasser zu singen Et... (tango mortale) L’Embarquement O Albion Lethe INTERMISSION 6 CAL PERFORMANCES CAL PERFORMANCES 7 PROGRAM NOTES PROGRAM NOTES Igor Stravinsky (1882–1971) music at the time. He later explained the move- prominence—the piano solos Still Sorrowing American premiere at Santa Fe Opera in July Three Pieces for String Quartet ment’s inspiration in an interview with Robert and Darknesse Visible, the song cycles Five Eliot 2006 and has been announced for the 2012– Craft: “I had been fascinated by the movements Landscapes and Life Story, Catch and Living Toys 2013 Metropolitan Opera season. Composed in 1914. Premiered on November 8, of Little Tich, whom I had seen in London in for chamber orchestra—and in 1993 he was ap- The distinguished critic Andrew Porter 1915, in Chicago by the Flonzaley Quartet. -
IV. Kammermusik
IV. Kammermusik Abe, Keiko Martin Grubinger jun. / Martin Grubinger sen. / The Wave Leonhard Schmidinger / Sabine Pirker / Rainer 22. Sep. 2009 Furthner (Multipercussion), Ismael Barrios (Latin Percussion), Sebastian Lanser (Drum Set), Heiko Jung (E-Bass) The Percussive Planet Ensemble, Martin 8. Dez. 2013 Grubinger (Mulitpercussion) Martin Grubinger jun. / Martin Grubinger sen. / Prism Rhapsody Leonhard Schmidinger / Sabine Pirker / Rainer 22. Sep. 2009 Furthner (Multipercussion), Ismael Barrios (Latin Percussion), Sebastian Lanser (Drum Set), Heiko Jung (E-Bass) Abreu, Zequinha de Tico Tico (Arr.: Enrique Crespo) German Brass 27. Mai 2009 Albéniz, Isaac Granada aus Suite española, German Brass 27. Mai 2009 op. 47 (Arr.: Enrique Crespo) Tango , op. 165/2 Mischa Maisky (Violoncello), Lily Maisky 10. März 2011 (Klavier) Albioni, Tommaso Sonate in h-Moll, op. 1/8 Rinaldo Alessandrini (Leitung, Cembalo), 8. Feb. 2007 Concerto Italiano Bach, Johann Sebastian Sinfonia aus Wir danken dir, Gott, wir danken dir, BWV 29 German Brass 27. Mai 2009 (Arr.: Matthias Höfs) German Brass 14. Juni 2012 Suite Nr. 2 f. Flöte u. Streicher in h-Moll, BWV 1067 London Baroque 12. März 1991 Suite Nr. 5 f. Streicher in g- London Baroque 12. März 1991 Moll, BWV 1070 Rinaldo Alessandrini (Leitung, Cembalo), 8. Feb. 2007 Sonate in C-Dur, BWV 1037 Concerto Italiano Kontrapunkt aus Die Kunst der Minguet Quartett 8. Nov. 2012 Fuge , BWV 1080/1 Kontrapunkt aus Die Kunst der Minguet Quartett 8. Nov. 2012 Fuge , BWV 1080/3 Kontrapunkt aus Die Kunst der Minguet Quartett 8. Nov. 2012 Fuge , BWV 1080/4 Kontrapunkt aus Die Kunst der Minguet Quartett 8. Nov. 2012 Fuge , BWV 1080/10 Triosonate Nr. -
The Ulysses & Emerson String Quartets
OUR 116TH SEASON OF FREE CLASSICAL MUSIC CONCERTS FOR THE PEOPLE OF NEW YORK PRESENTS THE ULYSSES & EMERSON STRING QUARTETS TUESDAY, JUNE 29, 2021 • 7:30PM The Historic Naumburg Bandshell on the Concert Ground of Central Park Our next concerts are on July 6 & 20 and August 3 Please visit NAUMBURGCONCERTS.ORG for more information on our series. ©Anonymous, 1930’s gouache drawing of Naumburg Orchestral of Naumburg Concert©Anonymous, 1930’s gouache drawing TUESDAY, JUNE 29, 2021 • 7:30PM In celebration of 116 years of Free Concerts for the people of New York City - The oldest continuous free outdoor concert series in the world Tonight’s concert is being hosted by classical WQXR - 105.9 FM www.wqxr.org with WQXR host Terrance McKnight NAUMBURG ORCHESTRAL CONCERTS PRESENTS THE ULYSSES & EMERSON STRING QUARTETS RICHARD STRAUSS, (1864-1949) Sextet from Capriccio, Op. 85, (1942) (performed by the Ulysses Quartet with Lawrence Dutton, viola and Paul Watkins, cello) ANTON BRUCKNER, (1824-1896) String Quintet in F major, WAB 112., (1878-79) Performed by the Emerson String Quartet with Colin Brookes, viola III. Adagio, G-flat major, common time -INTERMISSION- DMITRI SHOSTAKOVICH, (1906-1975) Two Pieces for String Octet, Op. 11, (1924-25) Performed with the Ulysses Quartet playing the first parts 1. Adagio 2. Allegro molto FELIX MENDELSSOHN, (1809-1847 Octet in E-flat major, Op. 20, (1825) 1. Allegro moderato ma con fuoco (E-flat major) 2. Andante (C minor) 3. Scherzo: Allegro leggierissimo (G minor) 4. Presto (E-flat major) The performance of The Ulysses and Emerson String Quartets has been made possible by a generous grant from The Arthur Loeb Foundation The summer season of 2021 honors the memory of our past President, MICHELLE R. -
Catalogo Per Autori Ed Esecutori
Abel, Carl Friedrich Quartetti, archi, Op. 8, No. 5, la maggiore The Salomon Quartet The Schein String Quartet Addy, Obo Wawshishijay Kronos Quartet Adorno, Theodor Wiesengrund Zwei Stucke fur Strechquartett op. 2 Buchberger Quartett Albert, Eugene : de Quartetti, archi, Op. 7, la minore Sarastro Quartett Quartetti, archi, Op. 11, mi bemolle maggiore Sarastro Quartett Alvarez, Javier Metro Chabacano Cuarteto Latinoamericano 1 Alwyn, William Quartetti, archi, n. 3 Quartet of London Rhapsody for String Quartet Arditti string quartet Andersson, Per Polska fran Hammarsvall, Delsbo The Follinger-Hedberg Quartet The Galli Quintet The Goteborg Quartet The Halsingborg Quartet The Kjellstrom Quartet The Skane Quartet Andriessen, Hendrik Il pensiero Raphael Quartet Aperghis, Georges Triangle Carre Trio Le Cercle Apostel, Hans Erich Quartetti, archi, Op. 7 LaSalle Quartet Arenskij, Anton Stepanovic Quartetti, archi, op. 35 Paul Rosenthal, Vl Matthias Maurer, Vla Godfried Hoogeveen, Vlc Nathaniel Rosen, Vlc Arriaga y Balzola, Juan Crisostomo Jacobo Antonio : de Quartetti, archi, No. 1, re minore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet Quartetti, archi, No. 2, la maggiore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet 2 Quartetti, archi, Nr. 3, mi bemolle maggiore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet Atterberg, Kurt Quartetti, archi, Op. 11 The Garaguly Quartet Aulin, Tor Vaggvisa The Follinger-Hedberg Quartet The Galli Quintet The Goteborg Quartet The Halsingborg Quartet The Kjellstrom -
The Ninth Season Through Brahms CHAMBER MUSIC FESTIVAL and INSTITUTE July 22–August 13, 2011 David Finckel and Wu Han, Artistic Directors
The Ninth Season Through Brahms CHAMBER MUSIC FESTIVAL AND INSTITUTE July 22–August 13, 2011 David Finckel and Wu Han, Artistic Directors Music@Menlo Through Brahms the ninth season July 22–August 13, 2011 david finckel and wu han, artistic directors Contents 2 Season Dedication 3 A Message from the Artistic Directors 4 Welcome from the Executive Director 4 Board, Administration, and Mission Statement 5 Through Brahms Program Overview 6 Essay: “Johannes Brahms: The Great Romantic” by Calum MacDonald 8 Encounters I–IV 11 Concert Programs I–VI 30 String Quartet Programs 37 Carte Blanche Concerts I–IV 50 Chamber Music Institute 52 Prelude Performances 61 Koret Young Performers Concerts 64 Café Conversations 65 Master Classes 66 Open House 67 2011 Visual Artist: John Morra 68 Listening Room 69 Music@Menlo LIVE 70 2011–2012 Winter Series 72 Artist and Faculty Biographies 85 Internship Program 86 Glossary 88 Join Music@Menlo 92 Acknowledgments 95 Ticket and Performance Information 96 Calendar Cover artwork: Mertz No. 12, 2009, by John Morra. Inside (p. 67): Paintings by John Morra. Photograph of Johannes Brahms in his studio (p. 1): © The Art Archive/Museum der Stadt Wien/ Alfredo Dagli Orti. Photograph of the grave of Johannes Brahms in the Zentralfriedhof (central cemetery), Vienna, Austria (p. 5): © Chris Stock/Lebrecht Music and Arts. Photograph of Brahms (p. 7): Courtesy of Eugene Drucker in memory of Ernest Drucker. Da-Hong Seetoo (p. 69) and Ani Kavafian (p. 75): Christian Steiner. Paul Appleby (p. 72): Ken Howard. Carey Bell (p. 73): Steve Savage. Sasha Cooke (p. 74): Nick Granito. -
Carmel Music Society
Musical Excellence Since 1927 carmel music society PERFORMANCE HISTORY 1927-2013 with support from the Monterey County Board of Supervisors Carmel Music Society Post Office Box 22783 Carmel, California 93922 831-625-9938 831-625-6823 FAX www.carmelmusic.org [email protected] printed on recycled paper 2008-09 2011-12 The Romeros Guitar Quartet Nobuyuki Tsujii, Pianist Adaskin Trio & Gryphon Trio Carmel Music Society Tom Gallant, Oboist Astrid Schween, Cellist & Board of Directors Takâcs Quartet Gary Hammond, Pianist Hans Boepple, Pianist Frederica von Stade, Mezzo-Soprano & Voices of London Kristin Pankonin, Pianist Anne Thorp, President Bennewitz String Quartet Israeli Chamber Project Victoria Davis, First Vice President Triple Helix & Garrick Ohlsson, Pianist Rudolf Schroeter, Second Vice President Paul Hersh, Violist Nadja Salerno-Sonnenberg, Violinist & Yefim Bronfman, Pianist Anne-Marie McDermott, Pianist Larry Davidson, Third Vice President Dana Booher, Saxophonist* Pavel Haas Quartet Peter Thorp, Treasurer Jae-in Shin, Violinist* Greta Alexander, Secretary 2009-10 Academy of Saint Martin in the Fields Chamber Ensemble Tim Brown Kate Kluetmeier Alexander Quartet & Eli Eban, Clarinetist Doris Cobb Jim Rotter Susan Graham, Beverly Dekker-Davidson Barbara Ruzicka Mezzo-Soprano & Erik Dyar Kumi Uyeda Malcolm Martineau, Pianist Menachem Pressler, Pianist & American String Quartet Gustavo Romero, Pianist Advisors Albers String Trio David Gordon, Renée Bronson Timothy Fain, Violinist & Cory Smythe, Pianist Bert Ihlenfeld, Ginna -
Emerson String Quartet
HOUSTON FRIENDS OF MUSIC THE SHEPHERD SCHOOL OF MUSIC present the EMERSON STRING QUARTET EUGENE DRUCKER, VIOLIN (1st in Aitken & Schubert) PHILIP SETZER, VIOLIN (1st in Beethoven & Barber) .. LAWRENCE DUTTON, VIOLA DAVID FINCKEL, CELLO MONDAY -,. APRIL 28, 2003 8:00 P.M. STUDE CONCERT HALL ALICE PRATT BROWN HALL RICE UNIVERSITY THIS PROJECT IS FUNDED IN PART BY THE CITY OF HOUSTON AND TIIE T EXAS COMMISSION ON THE ARTS THROUGH THE CULTURAL ARTS COUNCIL OF HOUSTON/HARRIS COUNTY. EMERSON STRING QUARTET -PROGRAM- LUDWIG van BEETHOVEN (1770-1827) Quartet in F Major, Op. 18, No. 1 (1798) Allegro con brio Adagio affettuoso ed appassionato Scherzo: Allegro molto Allegro HUGH AITKEN (b.1924) Laura Goes to India (1998) SAMUEL BARBER (1910-1981) A . Adagio for String Quartet, Op. 11 (1936) -INTERMISSION- FRANZ SCHUBERT (1797-1828) Quartet in D Minor, D. 810, "Death and the Maiden" (1824) Allegro Andante con moto Scherzo: Allegro molto Presto -.. The Emerson String Quartet appears by arrangement with IMC Artists and records exclusively for Deutsche Grammophon. www.emersonquartet.com LUDWIG van BEETHOVEN (1770-1827) Quartet in F Major, Op. 18, No. 1 (1798) ·.1 Beethoven wrote the Opus 18 Quartets during his first years in Vienna. He had arrived from Germany in 1792 by permission of the Elector of Bonn, shortly before his twenty-second birthday, in high spirits and carrying with him introductions to some of the most prominent members of music-loving Viennese nobility, who welcomed him into their substantial musical lives. At the end of his first four years in Vienna he had established himself as a pianist of major importance and a composer of the utmost promise; he had published, among other things, a set of three Piano Trios, Op.l, three Trios for Strings, Op. -
Performance and Analysis of Brahms Quintet Op. 115 for Clarinet and String Quartet Searching for a Deeper Interpretation
Course CA1004 Master degree project 30hp 2020 - 2021 Degree of Master in Music Department of Classical Music Supervisor: Sven Åberg Examiner: Cecilia Zilliacus Maria Rubio Carrión Performance and analysis of Brahms quintet op. 115 for clarinet and string quartet Searching for a deeper interpretation The sounding part of the project consists of the following recording: 1. Old recording (2020) of Brahms Quintet made in Grünewaldsalen 2. New recording (2021) of Brahms Quintet made in Körsalen Abstract In this thesis, I have studied the composer Johannes Brahms. I have talked about the background and history of his Quintet in B minor for clarinet and string quartet and I have then analyzed the piece. The purpose of this thesis is to find lesser known but significant information about Brahms to help other clarinetists when they have to perform this important piece of clarinet repertoire. Moreover, my artistic questions are if one piece can change your perception or your way to play it after doing a deep analysis and if the interpretation is in a way stronger than before. I decided to analyze this piece due to my interest in Brahms and to learn more about the expressive qualities in his music. I wanted to know more about the composer and so I chose this Quintet, because it is a challenging piece to play and is often performed. From the quintet, I concentrated specifically on the possibilities of performing it and I tried to search for a way to have a deeper understanding of Brahms to produce the most convincing artistic performance of the piece.