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Pre- Genocide 180571_Humanity in Action_UK.indd 1 23/08/2018 11.51 © The contributors and Humanity In Action (Denmark) 2018 Editors: Anders Jerichow and Cecilie Felicia Stokholm Banke Printed by Tarm Bogtryk Design: Rie Jerichow Translations from Danish: Anders Michael Nielsen ISBN 978-87-996497-1-6 Contributors to this anthology are unaware of - and of course not liable for – contributions other than their own. Thus, there is no uniform interpretation of genocides, nor a common evaluation of the readiness to protect today. Humanity In Action and the editors do not necessarily share the authors' assessments. Humanity In Action (Denmark) Dronningensgade 14 1420 Copenhagen K Phone +45 3542 0051 180571_Humanity in Action_UK.indd 2 23/08/2018 11.51 Anders Jerichow and Cecilie Felicia Stokholm Banke (ed.) Pre-Genocide Warnings and Readiness to Protect Humanity In Action (Denmark) 180571_Humanity in Action_UK.indd 3 23/08/2018 11.51 Contents Judith Goldstein Preparing ourselves for the future .................................................................. 6 Anders Jerichow: Introduction: Never Again? ............................................................................ 8 I. Genocide Armenian Nation: Inclusion and Exclusion under Ottoman Dominance – Taner Akcam ........... 22 Germany: Omens, hopes, warnings, threats: – Antisemitism 1918-1938 - Ulrich Herbert ............................................................................................. 30 Poland: Living apart – Konstanty Gebert ................................................................... -
In This Issue
July/August 2015 Tammuz Elul, 5775 Mazel Tov to all our Religious school students for another great year of learning. IN THIS ISSUE Special kudos to the Zayin Class who graduated in Host an Oneg…………………………. 2 President’s Column …………………. 3 May: Rabbi’s Column ……………………… 4 David Arlen Holiday Services ………..…………… 7 Ari Bernstein Yahrzeits July ……………………… 9 Adam Belkin-Rosen Yahrzeits August …………………10 Contributions ……………………..... 11 Rose Chusid In Memoriam ………………………… 13 Leah Lurie Education Director’s Column ...….. 14 Benjamin Margolis Gala Update …………………………. 16 Nathan Stein Kosher Korner ……………………. 17 Sisterhood News ………..…….…… 18 Jack Hyams Gift Shop …………………………… 19 Philly Soul Arena Football Team … 20 UPCOMING EVENTS Film Festival Schedule ……………. 21 Classes w/ Rabbi Jacob …….…….. 26 Please visit Donation Form……………………….. 27 orshalom.com/ Monthly Calendar ……………….. 28 calendar for the latest Advertisers ……………………….. 30 information about Office Hours: Monday 10:30 to 3:30 events. Tuesday 11 to 4 Wednesday 10 to 3 Thursday 10 to 3 September Horizons Friday 10:30 to 3:30 articles will be due August 21st Office Closed June 30 July 3 HORIZONS July/August 2015 Tammuz Elul, 5775 TD Bank Affinity Program One of our best opportunities to increase Or Shalom’s revenue is through TD Bank. The bank has a program which pays Or Shalom a percentage of the total balances of the accounts that are enrolled in Horizons is published monthly. Material the program and affiliated with Or Shalom. If you already have an submitted for publication may be edited account at TD Bank, you can easily enroll your account in the Affinity for style, length and content. Program by calling Jeff Salvo, the TD Bank branch manager in Devon. -
Donderdag 4 April 2013 ARCH + Bru:Tecture
KOPENHAGEN Zaterdag 30 maart – donderdag 4 april 2013 ARCH + bru:tecture INFO + DAGPLANNING KOPENHAGEN Zaterdag 30 maart – donderdag 4 april 2013 ARCH + bru:tecture Ook dit jaar nemen bru:tecture en de vakgroep Architectonische ingenieurswetenschappen het initiatief om op architectuurreis te gaan. Deze keer brengt die ons naar Kopenhagen. De vrolijke kleuren van de huizen aan de Nyhavn stralen er ons al van ver tegemoet. Maar dat is niet alles wat Kopenhagen te bieden heeft. Met als bijnaam ‘hoofdstad van het design’, kan het niet anders dan dat er op gebied van kunst en architectuur een heleboel te beleven valt. 30 maart 2013 Gedrukt door ARCH - VUB Opgemaakt door Siemen Goetschalckx, Lennert Loos, Kelvin Roovers en Waldo Galle PRAKTISCHE INFORMATIE Contact Tijdens de reis zijn ARCH + bru:tecture, de initiatiefnemers, uitsluitend te bereiken via het secretariaat van het departement ARCH via +32(0)2 629 2840 en [email protected] In de reisgids, die alle deelnemers krijgen aan het begin van de reis, zal wel een lijst met al hun gsm-nummers staan, zodat zij elkaar kunnen bereiken. Heenreis, zaterdag 30 maart Iedereen heeft steeds zijn of haar studentenkaart én identiteitskaart op zak! De diabolo-toeslag is nodig voor treinreizen van en naar Brussel-Nationaal-Luchthaven. Je kunt aansluiten waar je wilt en met de trein verder reizen naar de luchthaven of er rechtstreeks naartoe gaan: 15u00 Verzamelen bovenaan de grote trappen in de centrale hal van het treinstation Brussel Centraal IR 3713 richting Leuven, vertrek in Centraal om 15:14, aankomst Luchthaven om 15:31 15u45 Verzamelen in de centrale vertrekhal in de luchthaven van Zaventem 17u00 Laatste check-in in de luchthaven 17u50 Vertrek in Brussel, Zaventem met vlucht SK 1594 19u20 Aankomst in Kopenhagen, Kastrup Bagage Op de vluchten moet het gewicht van de bagage beperkt worden tot 23kg. -
Gratis / Free Rabat / Discount
Ta d re M ø l l e 25/0 0 Teatermuseet i Hofteatret / The Theatre Museum at The Court Theatre 40/0 0 Thorvaldsens Museum 50/0 0 GRATIS / FREE Tivoli / Tivoli Gardens 100/100 0 COPENHAGENCARD Tycho Brahe Planetarium 144/94 0 Tøjhusmuseet / The Royal Arsenal Museum 0/0 0* Adults/ Copenhagen Vedbækfundene / Vedbæk Finds Museum 30/0 0 Museer og attraktioner / Museums & attractions Children Card Visit Carlsberg 90/60 0 Amalienborg 95/0 0 Vor Frelsers Kirke /Church of our Saviour 45/10 0 Amber Museum Copenhagen 25/10 0 Zoologisk Have / Copenhagen ZOO 170/95 0 Arbejdermuseet /The Workers Museum 65/0 0 Zoologisk Museum / Zoological Museum 140/75 0 ARKEN Museum for moderne kunst / Museum of Modern Art 110/0 0 Øresundsakvariet / Øresund Aquarium 79/59 0 Bakkehusmuseet /The Bakkehus Museum 50/0 0 Brede Værk (Nationalmuseet) /Brede Works 0/0 0* Tranport i Hovedstadsregionen Bådfarten / Boat Tours 70/50 0 / Transportation in the Capital Region. Canal Tours Copenhagen 80/40 0 Bus, tog, havnebus, Metro/ bus, train, harbour bus, Metro 0 Casino Copenhagen 95/- 0 Cirkusmuseet / Circus Museum 50/0 0 Cisternerne / The Cisterns 50/0 0 Danmarks Tekniske Museum / The Danish Museum of Science and Technology 70/0 0 Dansk Arkitektur Center / Danish Architecture Centre 60/0 0 RABAT / DISCOUNT Dansk Jagt- og Skovbrugsmuseum / Danish Museum for Hunting & Forestry 70/0 0 Dansk Jødisk Museum / The Danish Jewish Museum 50/0 0 De Kongelige Repræsentationslokaler / The Royal Reception Rooms 90/45 0 Adults/ Copenhagen De Kongelige Stalde / The Royal Stables 50/25 0 Museer -
Felix Nussbaum (1904 – 1944)
SOMMAIRE I/ FELIX NUSSBAUM (1904 – 1944) ................................................................................3 Présentation de l’exposition ............................................................................... 3 Déroulé de l’exposition ...................................................................................... 3 La Nouvelle Objectivité ...................................................................................... 4 II/ OBJECTIFS ET PISTES PEDAGOGIQUES ................................................................6 Objectifs pédagogiques ..................................................................................... 6 Lien avec les piliers du socle commun .............................................................. 6 Organiser le temps scolaire ............................................................................... 7 Thématiques transversales ................................................................................ 8 Propositions pour le Primaire ............................................................................. 9 Questionnaire sur Felix Nussbaum .................................................................. 12 Propositions pour le Secondaire ...................................................................... 14 III/ POUR ALLER PLUS LOIN ........................................................................................ 17 1/ Felix Nussbaum et ses maîtres ......................................................................... 17 2/ L’art et la Shoah -
Architecture Program Report for 2013 NAAB Visit for Continuing Accreditation
Academy of Art University School of Architecture Architecture Program Report for 2013 NAAB Visit for Continuing Accreditation Master of Architecture Track I 63 Credits Master of Architecture Track II 87 Credits 2009 Conditions for Accreditation 2012 Procedures for Accreditation Submitted to: The National Architectural Accrediting Board Date: September 7, 2012 Academy of Art University Architecture Program Report- M-Arch September 2012 2 Academy of Art University Architecture Program Report- M-Arch September 2012 Graduate Architecture Program Director: Amily Huang, [email protected], 415.618.3984 School of Architecture Executive Director: Mimi Sullivan, AIA, CGBP, [email protected] , 415-777-0991, ext 111 Chief Academic Officer of the Institution: Melissa Marshall, [email protected], 415-618-6384 President of the Academy of Art University, Dr. Elisa Stephens, [email protected] 415-618-6150 Individual submitting the Architecture Program Report: Mr. Joe Vollaro, Executive Vice President of Financial Aid and Compliance, [email protected], 415-618-6528 Name of individual to whom questions should be directed: Mr. Joe Vollaro, Executive Vice President of Financial Aid and Compliance, [email protected], 415-618-6528 3 Academy of Art University Architecture Program Report- M-Arch September 2012 Table of Contents Format and Contents of Part 1 and 2 follows the of the 2009 Conditions per Part 5 of the 2012 Procedures. Section Page Part One (I) Institutional Support and Commitment to Continuous Improvement 7 1. Identify & Self Assessment 7 1. History Mission 7 2. Learning Culture and Social Equity 13 3. Responses to the Five Perspectives 15 4. Long Range Planning 19 5. Program Self Assessment 23 2. -
The Schlenke Collection Featuring Felix Nussbaum
Inge Jaehner THE SCHLENKE COLLECTION FEATURING FELIX NUSSBAUM A lot has been published in recent years about collectors, especially art collec- tors. And it has not always focused just on the art collections, but has also ex- plored the different motivations that fuel a collector’s passion. “The Obsessed” is the title Peter Sager gave his book on “Art Collectors from Aachen to Tokyo”.1 “Collectors are manic, voracious, given to behaving imperiously. Or they are no- ble,” writes Peter Dittmar.2 Big collectors are often thought of as profit-seeking power players who indulge their vanity, extroverted personalities driven by the desire to have a building named after them. Irmgard and Hubert Schlenke belong to an entirely different category of collec- tors. While they have never sought the public limelight, they have shared their collection with the public. For theirs is a very special kind of collection. At no time did the Schlenkes ever set their sights on the conventional. Their focus has always been on artists many of whom would otherwise, and unjustly, have remained uncelebrated by the art world, who they felt deserved saving from a fate of oblivion. Thus, their collection has artists from the “Lost Generation” at its centre. As a collector, Hubert Schlenke is driven by very personal motiva- tions, by an interest in people and their life experiences. It is people’s stories that he collects, so that the artistic quality of a piece is not its only attraction for him. It is this humanitarian edge to his collection that makes it so special. -
Thomas Hengstenberg Felix Nussbaum and His Time
PREFACE Thomas Hengstenberg FELIX NUSSBAUM AND HIS TIME Featuring more than 140 works, this exhibit draws our attention to a generation of artists born in the late 19th and early 20th centuries who set out to engage in their craft in the changing, unpredictable times pre- and post-WW I. Many of them enjoyed great success in the brief period between the world wars. Keen experimenters and with a strong will to effect change, they had significant influ- ence on the cultural and social life of the day. However, their hopes that the tur- bulent, crisis-ridden decades of the early 20th century would be followed by an era of stability for a society renewed in freedom were ultimately dashed when the Nazis gained power in Germany. Like most creative thinkers and innovators of that time, artists too became a target of the powers that be if they refused to have their works be misused for propaganda purposes or to be enlisted and monopolised for the systemised national arts programme of the dictatorship. Even before 1933 nationalistic and national-socialistic groups had defamed these artists as “anti-German” and sub- jected them to the full destructive force of a powerful movement that opposed and rallied against all things “non-Aryan” or stood in contradiction to the political and philosophical views of the party. What began as rhetorical confrontations, censorships and book burnings, progressively intensified into systematic psy- chological terror and brutal assaults against non-conformists and those per- ceived to be different, and ultimately ended in the persecution, forced migration and genocide of millions. -
WORKPLACE Foreword
WORKPLACE Foreword There is a radical transformation underway for workspace in London and the way it is designed, marketed and occupied. New emerging models for co-working, social enterprises and different types of ownership are rapidly changing the established paradigm of ‘CAT A’ commercial space prevalent in the capital over the last 20 years. Our challenge as practitioners, designers and occupiers is to go beyond the trend and to understand the deeper socio-economic shifts and changes informing this new ‘rental economy’. Farrells have extensive experience in this area spanning five decades. From theTVam studios in Camden (recently voted ‘Britain’s most maverick building’ by the Royal Academy) to the office buildings starting on site at Royal Albert Dock which are unique to the UK market. We have always been at the forefront of thinking about the modern workplace. Our recently established research unit within the ‘Farrells Laboratory’ at the Hatton Street Studios looks into the past, present and future of workplace design and this innovative thinking is informing our projects. Peter Barbalov, Partner E: [email protected] “Great workplaces are now as rich in variety as thriving villages and cities. Identity, fun and internal placemaking have succeeded in making offices much more than simply ‘machines for working in’.” Sir Terry Farrell CBE, Principal Farrells WORK ‘PLACE’ We believe architecture and building design should always be informed by the context and ‘place.’ The Point, Paddington, London Embankment Place, London Royal -
Selected Works Contents
selected works Contents Contact 02 Profile 05 Architecture Cultural 21 Infrastructure 47 Office & Commercial 73 Residential 105 Units Urban 135 Interior 153 Product 163 Innovation Knowledge 177 Futures 189 UNSense 193 Contact UNStudio UNStudio Asia Business Development Business Development Amsterdam Shanghai contacts: contacts: Stadhouderskade 113 Machteld Kors Room 4606 Nora Schueler 1073 AX Amsterdam [email protected] Raffles City, No. 268 [email protected] PO Box 75381 Xizang Middle Road Teun Bimbergen Maggie Sun 1070 AJ Amsterdam Shanghai 200001 [email protected] [email protected] The Netherlands China T +31 (0)20 570 20 40 Marisa Cortright T +86 21 6340 5088 Sarah Zheng F +31 (0)20 570 20 41 [email protected] F +86 21 3366 3302 [email protected] [email protected] [email protected] Giulia Carravieri www.unstudio.com www.unstudio.com [email protected] Niki Pliakogianni 中国上海市西藏中路268号 Frankfurt [email protected] 来福士广场办公楼4606室 邮编 200001 Carleigh Shannon An der Welle 4 #528 [email protected] 60322 Frankfurt Germany Hong Kong T +49 69 6593 7580 [email protected] Room 1102-1105 Yu Yuet Lai Building 43-55 Wyndham Street UNSense Central, Hong Kong T +852 3499 1261 F +852 3563 8200 Plantage Middenlaan 62 [email protected] 1018 DH Amsterdam www.unstudio.com The Netherlands [email protected] www.unsense.com 4 Profile Profile 5 Profile Background About UNStudio Selected Pivotal Projects Founded in 1988 by Ben van Berkel and Acclaimed UNStudio projects include Caroline Bos, UNStudio is an international Arnhem Central Station (The Netherlands), architectural design studio specialising the Mercedes-Benz Museum, Stuttgart in architecture, urban development, (Germany), the Raffles City Hangzhou infrastructure and interior and product mixed-use development (China), the design. -
M Useum & a Rchitektur
r e r u t u t k c e e t t i i h h c c r r a A & & m m u u e e s s u u m M Felix-Nussbaum-Haus Osnabrück Kunsthalle Bielefeld MAR Ta Herford phæno Wolfsburg Jüdisches Museum Berlin Deutsches Historisches Museum Berlin Museum & Architektur museum & architecture Vorwort/Foreword 4 Felix-Nussbaum-Haus Osnabrück 6 Kunsthalle Bielefeld 10 MAR Ta Herford 14 ph æno Wolfsburg 18 Jüdisches Museum Berlin 24 Deutsches Historisches Museum Berlin 28 Die Architekten/The architects 32 Information 38 Vorwort I Foreword Sechs Museen, fünf Architekten, eine Achse – das ist kurz gefasst die Idee, die dieser Broschüre zugrunde liegt. Auf der Route zwischen Berlin und Six museums, five architects, one axis – in short, this is the idea behind this publication. From Berlin to Osnabrück, stopping in Wolfsburg, Bielefeld Osnabrück mit Zwischenstopps in Wolfsburg, Bielefeld und Herford finden Sie sechs Museen mit ganz unterschiedlicher thematischer Ausrichtung, and Herford along the way, you will discover six museums, each with a different thematic emphasis. Yet they have a significant unifying factor, they are die doch etwas sehr Verbindendes haben: avantgardistische Museumsarchitekturen, die zu den Meilensteinen der Architekturgeschichte gehören. all incorporate avant-garde museum structures – milestones of architectural history. The architectural conception of museum buildings is an interes - Die architektonische Konzeption von Museumsbauten stellt seit jeher eine reizvolle Herausforderung für die großen Architektinnen und Architekten ting challenge for any major architect. You can form your own opinion of the exciting interaction of form, function and content at these different sites. dar. -
Jewish Genealogy Yearbook 2012 Published by the IAJGS
Jewish Genealogy Yearbook 2012 Published by the IAJGS Hal Bookbinder, Editor Reporting on 147 Organizations Dedicated to Supporting Jewish Genealogy Note that while not highlighted, the links throughout this Yearbook operate. Jewish Genealogy Yearbook 2012 The International Association of Jewish Genealogical Societies (IAJGS) is pleased to present the Jewish Genealogy Yearbook on an annual basis in the hopes that it will be of help as you pursue your family research. I want to thank Hal Bookbinder for his long-time devotion to editing the Yearbook and all those who have taken the time to respond to his requests for the information. Hal will also be co-chairing, with Michael Brenner, the 34th IAJGS International Conference on Jewish Genealogy to be held in Salt Lake City, July 27 through August 1, 2014. With very best wishes for successful research. Michael Goldstein President, IAJGS The Jewish Genealogy Yearbook began in 1998 as a section in the syllabus of the Jewish genealogy conference held that year in Los Angeles. The initial edition included reports on about 80 organizations involved in Jewish genealogy. This has grown to 147 organizations involved in Jewish Genealogy. We hope you find it to be a valuable resource. I extend my thanks to the organizational and project leaders who put the effort into gathering, reviewing and submitting the information that appears in this edition of the Yearbook. And, I especially thank Jan Meisels Allen for her ongoing assistance. Hal Bookbinder Editor, Jewish Genealogy Yearbook Jewish Genealogy Yearbook: Copyright © 1998-2012 by the International Association of Jewish Genealogical Societies (IAJGS), PO Box 3624, Cherry Hill, NJ 08034-0556, USA.