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1965-01-12.Pdf
r/////////////////////////////////(/////////////////~ ~ · . · ~ · TOP SECRET ¥. · ~ ~ 1'\PPROVED FOR ~ ~: RELEASE- AR :;1"~ /. 70-14 - ,~ ~ HISTORICAL ,~ · .r. COLLECTION :;1"~ /_ DIVISION - :;1"~ - ~ DATE: 06-17-2013 ~ ~ ~ . ~ ~ · ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ · ~ THIS DOCUMENT CONTAINS CODE WORD MATERIAL ~ .,..~- %· WARNING ~ ~ This document contains classified information affecting the national ·% security of the United States within the meaning of the espionage "~ laws, US Code, Title 18, Sections 793, 794, and 798. The law prohibits ~ its transmission or the revelation of its contents in any manner to .r~ an unauthorized person, as well as its use in any manner prejudicial % to the safety or interest of the United States or for the benefit of any ~ ;:~::~:~::::t :~:: d::i:::: o:~h~:n~:~:~::~IONS ~ ~ INTELLIGENCE CHANNELS AT ALL TIMES ~ "~ It is to be seen only by US personnel especially indoctrinated 1"/ ~ and authorized to receive COMMUNICATIONS INTELLIGENCE /"/ ~ information; its security must be maintained in accordance with /"/ % COMMUNICATIONS INTELLIGENCE REGULATIONS. 0 ~ No action is to be taken on any COMMUNICATIONS INTELLI- 0 .r~ GENCE which may be contained herein, regardless of the advantages I"/ % to be gained, unless such action is first approved by the Director 0 ~ of Central Intelligence. 0 ~ 0 ~ TOP SECRET 0 ~//////////////////////////////////////////////////.M SECRET · ·\~jt:dt. ~ - ~ )·; V /tt 1 Ap~ed For Yo epORE~'\40~'f%s§~-RDMT00472A0~0001 0002-~ OCI No. 0521/65 Copy No. 2S 12 January 1965 A Chronology of Reports Concerning the Berlin Situation (Received During the Week Ending at 1200 EST 12 January 1965) This is a working paper prepared in the 25X1A EE Division, Sino-Soviet Bloc Area, Office of Current Intelligence, CIA Prepared by Ext 7441 State, DIA, Army, JCS declassification & release instructions on file , SECRET , , App,_d For ~~a~:ftl<ft:i\\191~ s§t!MRDPMT00472A00120001 0002-6 28 Dec Moscow beamed to the UK an English language commentary reiterating the Soviet UN proposal for a nonaggression pact between NATO and Pact countries. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
Television and the Cold War in the German Democratic Republic
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE Revised Pages Envisioning Socialism Revised Pages Revised Pages Envisioning Socialism Television and the Cold War in the German Democratic Republic Heather L. Gumbert The University of Michigan Press Ann Arbor Revised Pages Copyright © by Heather L. Gumbert 2014 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (be- yond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2017 2016 2015 2014 5 4 3 2 A CIP catalog record for this book is available from the British Library. ISBN 978– 0- 472– 11919– 6 (cloth : alk. paper) ISBN 978– 0- 472– 12002– 4 (e- book) Revised Pages For my parents Revised Pages Revised Pages Contents Acknowledgments ix Abbreviations xi Introduction 1 1 Cold War Signals: Television Technology in the GDR 14 2 Inventing Television Programming in the GDR 36 3 The Revolution Wasn’t Televised: Political Discipline Confronts Live Television in 1956 60 4 Mediating the Berlin Wall: Television in August 1961 81 5 Coercion and Consent in Television Broadcasting: The Consequences of August 1961 105 6 Reaching Consensus on Television 135 Conclusion 158 Notes 165 Bibliography 217 Index 231 Revised Pages Revised Pages Acknowledgments This work is the product of more years than I would like to admit. -
Kristin Rebien Burned Bridges. the Rise and Fall of the Former BBC
Kristin Rebien Burned Bridges. The Rise and Fall of the Former BBC Journalist Karl-Eduard von Schnitzler in East Germany Schnitzler’s journalistic career was closely intertwined with larger political developments. Its vicissitudes indicate major shifts in the role of politics in broadcasting. Declared anti-Nazism enabled Schnitzler to receive journalistic training at the BBC German Service during World War II. It also allowed him to rise to a central position in British-controlled post-war radio in Germany. Declared Communism caused him to lose this position at the onset of the Cold War. Schnitzler’s relocation to the East was part of a larger regional concentration of political elites. Parallel to the pressure curve of the Cold War, his career went through a second complete cycle of success and subsequent failure. When the Allies seized Germany in 1945, they brought with them not only their collective visions for a new German state, but also their national cultural beliefs. Traditional regional differences within Germany were now crisscrossed with new lines of difference between the four zones of occupation. Not only was Lower Saxony traditionally different from Bavaria, but new cultural differences arose between the British and the American, the Soviet and the French zone. This new type of regionalism became particularly virulent in the field of radio broadcasting that had to be rebuilt from scratch in all four zones. Post-war broadcasting was, in administrative organization and programming, fundamentally different from National Socialist radio. It also did not revert to the practices of Weimar Republic radio. In the vacuum that arose in 1945, each zone of occupation established its own broadcasting model. -
1 the Wall of Words: Radio and the Construction of the Berlin Wall Kate
The Wall of Words: Radio and the construction of the Berlin Wall Kate Lacey, University of Sussex This paper draws on the BBC monitoring reports of radio stations in the West and East to examine how the building of the Berlin Wall was discursively constructed in the weeks leading up to the overnight closure of the inner city frontier on 13 August 1961. It draws specifically on files relating to broadcasts from both East and West Germany over the summer months to see how the closure of the frontier hung in the airwaves. Background Of course the story of the postwar division of Germany and its capital Berlin into 4 zones is very well known, as is the fact that there had been growing tension and repeated flashpoints as the Cold War set in, from the Soviet blockade of the Western sectors of Berlin and the Berlin Airlift in 1948 that saw the end of the joint administration and led to the foundation in 1949 of the two German states. East Berlin remained as capital of the German Democratic Republic, while the capital of the Federal Republic moved to Bonn, leaving West Berlin formally to remain a territory under Allied supervision, but with open borders to the East. In May 1953 the border was closed between East and West Germany, but not between the two halves of Berlin. Five years later, Kruschchev claimed that Bonn had ‘erected a wall between the two parts of Germany’ (Wilke, p.149) and delivered his Berlin Ultimatum, demanding the withdrawal of Western troops from West Berlin so that Berlin could become a ‘free city’ in a move towards a confederation of the two Germanies. -
Television and the Cold War in the German Democratic Republic
Revised Pages Envisioning Socialism Revised Pages Revised Pages Envisioning Socialism Television and the Cold War in the German Democratic Republic Heather L. Gumbert The University of Michigan Press Ann Arbor Revised Pages Copyright © by Heather L. Gumbert 2014 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (be- yond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2017 2016 2015 2014 5 4 3 2 A CIP catalog record for this book is available from the British Library. ISBN 978– 0- 472– 11919– 6 (cloth : alk. paper) ISBN 978– 0- 472– 12002– 4 (e- book) Revised Pages For my parents Revised Pages Revised Pages Contents Acknowledgments ix Abbreviations xi Introduction 1 1 Cold War Signals: Television Technology in the GDR 14 2 Inventing Television Programming in the GDR 36 3 The Revolution Wasn’t Televised: Political Discipline Confronts Live Television in 1956 60 4 Mediating the Berlin Wall: Television in August 1961 81 5 Coercion and Consent in Television Broadcasting: The Consequences of August 1961 105 6 Reaching Consensus on Television 135 Conclusion 158 Notes 165 Bibliography 217 Index 231 Revised Pages Revised Pages Acknowledgments This work is the product of more years than I would like to admit. That it has finally seen the light of day, so to speak, is due to the support of a number of institutions and individuals. -
Features Und Reportagen Im Rundfunk Der DDR Tonträgerverzeichnis 1964-1991
Features und Reportagen im Rundfunk der DDR Tonträgerverzeichnis 1964-1991 Zusammengestellt von Patrick Conley ASKYLT VERLAG 2., überarbeitete Aufl. 1999 Nachdruck Alle Rechte vorbehalten durch Askylt Verlag, Berlin © 1998 Patrick Conley Printed in Germany ISBN 3-9807372-0-9 INHALT Vorwort...............................................................................................5 Tonträgerverzeichnis............................................................................9 Register ...........................................................................................189 Abkürzungen ...................................................................................215 VORWORT Während in Westdeutschland seit der Neugründung der Rundfunk- anstalten nach 1945 das Feature neben dem Hörspiel zum festen Bestandteil des Radioprogramms zählt, tauchte dieser Begriff im Rundfunk der DDR erst Mitte der 60er-Jahre auf. In den Vorlagen und Beschlussprotokollen des Staatlichen Rundfunkkomitees finden sich Anfang der 60er-Jahre mehrere Stellen, in denen vom Hörspiel, das unausgesprochen die Funktion des Features mit übernommen hatte, eine stärkere Betonung von Gegenwartsthemen erwartet wurde. "Die Dramaturgen", lautete eine der zentralen Forderungen, "müssen von den Mitarbeitern der aktuellen Politik lernen. Nur um die rein künstleri- sche Qualität zu kämpfen, kann nicht dazu beitragen, die aktuelle Problematik zu lösen."1 Im Januar 1963 wurde innerhalb der Hauptab- teilung Dramaturgie eine eigene Featureabteilung gegründet, die dieser Forderung -
Phonographic Bulletin
iasa International Association of Sound Archives Association Internationale d'Archives Sonores Internationale Vereinigung derSchallarchive phonographic bulletin no.46/November 1986 ,~--------------------------.-.... -. ~~~~{ PHONOGRAPH I C BULLET I N Journal of the International Association of Sound Archives IASA Organe del'Associatiol'l' Internationale d'Archives Sonores IASA Zeitschrift der Internationalen Vereinigung der Schallarchive IASA I:ditOl"1 01". Oietl"ieh Sehiiller, Phonogrammorchiv der ~5terTe1ctai5chen Akademle der W1ssen- schaften, Liebiggasse 5, A·tOl0 Wien, Austria. Editorial board: Co-Editor, Ann Schuursma, Kruipbrem 4, 3068 TH Rotterdam, The Netherlands; Review and Recent Publications Editor, Dr. R.O.Martin Elste, Regensburger Stra8e Sa, 0-1000 Berlin 30. --------.----------------------------------------------------------------------------------------- The PHONOGRAPHIC BULLETIN is published three times a year and is sent to all members of IASA. Applications for membership in IASA should be s.ent to the Secretary General (see list of officers below). The annual dues are at the moment skr tOO for individual members and skr 230 for insti tutional members. Back copies of the PHONOGRAPHIC BULLETIN from 1971 are available on application. Subscriptions to the current year's issues of the PHONOGRAPHIC BULLETIN are also available to non members at a cost of skI" 130. Le Journal de 1 'Association internationale d'archives sonores, le PHONOGRAPHIC BULLETIN, est publie trois fois ,'an et distribue a tous les membres. Veuil1ez envoyer vos demandes .d'adhesion au secretaire dont vous trouverez l'adresse ci-dessous. Les cotisations annuelles sont en ce moment de skr 100 pour les membres individuels et skr 230 pour les membres institutionelles. Les numeros precedents (a partir de 1971) du PHONOGRAPHIC BULLETIN sont disponibles sur demande. -
Mabb-Geschäftsbericht 2011
2 011 Geschäftsbericht Inhalt 1. Vorwort 1 2. Organisation und regulierung 2 2.1 Aufgaben 2 2.2 Organisation 4 2.3 Zusammenarbeit 6 2.4 Radio 8 2.5 TV 10 2.6 Programmaufsicht 10 2.7 Lokal-TV 12 3. schwerpunkt: MiZ-babelsberg 14 3.1 Medieninnovationszentrum Babelsberg (MIZ-Babelsberg) 14 3.2 Interview mit Anka Heinze und Volker Bach 16 4. Einrichtungen und Projekte 20 4.1 Technische Infrastruktur/Digitale Projekte 20 4.2 Medienkompetenzförderung und Medienausbildung 22 4.3 Medieninnovationszentrum Babelsberg (MIZ-Babelsberg) 26 4.4 ALEX Offener Kanal Berlin 27 4.5 88vier 29 4.6 ems 30 4.7 Veranstaltungen 31 5. Information 34 5.1 Übersicht Fernseh-Veranstalter 34 5.2 Übersicht Lokal-TV-Veranstalter 36 5.3 Übersicht Hörfunk-Veranstalter 38 5.4 Publikationen 40 5.5 Service 41 6. Finanzen 42 Impressum 44 1 Vorwort 1. Vorwort 1. Vorwort Dr. Hans Hege, Direktor der mabb SchwerpunktdesdiesjährigenGeschäfts- MIZ-Babelsberg steht für den durch den gehaltenwerdenmüssen.DieGerichteha- berichts ist das im Mai 2011 eröffnete Medienstaatsvertrag erweiterten Auftrag bendemSpielraumdesMedienratesenge Medieninnovationszentrum Babelsberg der mabb. Noch ist es in der Phase des Grenzengesetzt,erhatabermehrerreicht, (MIZ-Babelsberg).Esistdiebishergrößte Aufbaus,desSuchensundErprobens. alsaufdembequemeren Wegdes Wegse- Investitiondermabb.MitdemMIZ-Babels- hensmöglichgewesenwäre. berg erweitert die mabb ihr Engagement Auch der klassische Bereich der regulie- in Brandenburg, in der Nachbarschaft rung hat die Medienanstalt gefordert. Im InderbundesweitenEntwicklungsinddie -
Zeughauskino: Radio Geschichte: DT 64
RADIO GESCHICHTE: DT64 EINE VERANSTALTUNGSREIHE ZUM JUGENDRADIOPROGRAMM DER DDR »99 Stunden flotte Berichte, Suchanzeigen und vor allem Beat« war die Losung dessen, was als »Sonderstudio Deutschlandtreffen 1964« begann und aufgrund des immensen Erfolgs wenige Wochen später als »Jugendstudio DT64« zum festen Bestandteil des Berliner Rund- funks wurde. Obwohl Erich Honecker bereits auf dem 11. Plenum des ZK der SED im Dezember 1965 scharfe Kritik übte, stand die Abschal- tung des Programms nicht zur Diskussion. Vielmehr sollten die Inhal- te umso stärker vorgegeben werden. Andererseits gehörte es zum Profil des Senders, dass ein Großteil der Sendungen live ausgestrahlt wurde und die Hörer sich oftmals per Telefon an den Diskussionen im Studio beteiligen konnten. Nach dem Mauerfall informierte DT64 kritisch über die aktuellen Entwicklungen und funktionierte darüber hinaus als überregionales Forum zum Austausch von Meinungen, Erfahrungen und Zweifeln. Als sich nach der Vereinigung der beiden deutschen Staaten abzeichnete, dass DT64 bis Ende 1991 entweder in eine öffentlich-rechtliche Rundfunkanstalt überführt oder abge- schaltet werden würde, kam es zu Massendemonstrationen unge- ahnter Dimensionen. 20 Jahre nach dem Mauerfall bietet eine von Moritz von Rappard und Dunja Funke kuratierte Reihe Gelegenheit zur ausführlichen Auseinandersetzung mit dem Jugendprogramm des Rundfunks der DDR. Ehemalige Redakteure stellen Sendungen vor, an denen sie damals beteiligt waren. Sie treffen im Dialog auf Gesprächspartner aus dem Westen. Das Spektrum reicht von Verantwortlichen aus Kul- tur oder Politik bis zu Journalisten und Radiomachern, denen es in ihrer Arbeit um die Entwicklung eines engagierten Jugendpro- gramms ging oder geht. Somit werden nicht nur rare Zeitdokumente aus dem Deutschen Rundfunkarchiv zugänglich gemacht, es besteht auch die Möglichkeit, sich in einer öffentlichen Diskussion zwischen Ost und West mit der jüngeren Mediengeschichte auseinanderzuset- zen. -
The Berlin Radio War: Broadcasting in Cold War Berlin and the Shaping of Political Culture in Divided Germany, 1945- 1961
ABSTRACT Title of Dissertation: THE BERLIN RADIO WAR: BROADCASTING IN COLD WAR BERLIN AND THE SHAPING OF POLITICAL CULTURE IN DIVIDED GERMANY, 1945- 1961 Nicholas J. Schlosser, Ph.D. 2008 Dissertation Directed By: Professor Jeffrey Herf, Department of History This dissertation explores how German radio journalists shaped political culture in the two postwar Germanys. Specifically, it examines the development of broadcast news reporting in Berlin during the first sixteen years of the Cold War, focusing on the reporters attached to the American sponsored station RIAS 1 Berlin and the radio stations of the German Democratic Republic. During this period, radio stations on both sides of the Iron Curtain waged a media war in which they fought to define the major events of the early Cold War. The tension between objectivity and partisanship in both East and West Berlin came to define this radio war. Radio stations constantly negotiated this tension in an attempt to encourage listeners to adopt a specific political worldview and forge a bond between broadcaster and listener. Whereas East German broadcasters ultimately eschewed objectivity in favor of partisan news reporting defined by Marxist- Leninist ideology, RIAS attempted to combine factual reporting with concerted efforts to undermine the legitimacy of the German Democratic Republic. The study contributes to a number of fields of study. First, I contribute to scholarship that has examined the nature, development, and influence of political culture. 1 Radio in the American Sector Related to this, the study considers how political ideas were received and understood by listeners. This work also adds to a growing field of scholarship that goes beyond examining the institutional histories of Germany’s broadcasters and analyzes how German broadcasters influenced society itself. -
Rug 1999 2-3.Pdf
Rundfunk und Geschichte Mitteilungen des Studienkreises Rundfunk und Geschichte Informationen aus dem Deutschen Rundfunkarchiv 25. Jahrgang Nr. 2 I 3- April I Juli 1999 Die Rundfunkpolitik des Stahlhelm (1930- 1933) Der Fensehsender Paris (1942- 1944) Fernsehstuben in der DDR und anderswo Rundfunk in den neuen Bundesländern (1990 - 1992) Rundfunkkommentare des Senders Freies Berlin und des Berliner Rundfunks (1955) Rezensionen Bibliographie Mitteilungen des Studienkreises Rundfunk und Geschichte Informationen aus dem Deutschen Rundfunkarchiv Zitierweise: RuG -ISSN 0175-4351 Redaktion: Ansgar Diller Edgar Lersch Redaktionsanschrift Dr. Ansgar Diller, Deutsches Rundfunkarchiv Frankfurt am Main - Berlin, Bertramstraße 8, 60320 Frankfurt am Main, Tel. 069-15687212, Fax 069-15687200 Dr. Edgar Lersch, Südwestrundfunk, Historisches Archiv, 70150 Stuttgart, Tel. 0711-9293233, Fax 0711-9293345 Redaktionsassistenz: Dr. Stefan Niessen Herstellung: Michael Friebel Redaktionsschluß: 27. Juli 1999 Das Inhaltsverzeichnis von »Rundfunk und Geschichte« wird ab Jg. 19 (1993), H. 1, im INTERNET (http://hsozkult.geschichte.hu-berlin.de/zeitschr/RuGe/rugindex.htm) angeboten. Inhalt 25. Jahrgang Nr. 2 I 3 -April I Juli 1999 Aufsätze Florian Cebulla Die Rundfunkpolitik des Stahlhelm (1930- 1933) 101 PetraTruckendanner Der Fernsehsender Paris Deutsch-französisches Okkupationsfernsehen ( 1942 - 1944) 107 Michael Meyen Fernsehstuben in der DDR und anderswo 118 Reiner Stein Kein Auferstehen aus Ruinen. Die Entwicklung des öffentlich-rechtlichen Rundfunks in den neuen Bundesländern ( 1990 - 1992) 127 Dokumentation Maral Herbst »Offen und rückhaltlos, wie Freunde das zu tun pflegen« oder »Die Sowjetführer in Berlin«. Rundfunkkommentare des Senders Freies Berlin und des Berliner Rundfunks zum Besuch von Bulganin und Chruschtschow in Berlin am 26. Juli 1955 142 Miszellen Hans Mahle (1911 -1999) (lngrid Pietrzynski) 150 Eis Vordemberge (1902- 1999) (Birgit Bernard) 152 »Bambule«.