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Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
French Stewardship of Jazz: the Case of France Musique and France Culture
ABSTRACT Title: FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE Roscoe Seldon Suddarth, Master of Arts, 2008 Directed By: Richard G. King, Associate Professor, Musicology, School of Music The French treat jazz as “high art,” as their state radio stations France Musique and France Culture demonstrate. Jazz came to France in World War I with the US army, and became fashionable in the 1920s—treated as exotic African- American folklore. However, when France developed its own jazz players, notably Django Reinhardt and Stéphane Grappelli, jazz became accepted as a universal art. Two well-born Frenchmen, Hugues Panassié and Charles Delaunay, embraced jazz and propagated it through the Hot Club de France. After World War II, several highly educated commentators insured that jazz was taken seriously. French radio jazz gradually acquired the support of the French government. This thesis describes the major jazz programs of France Musique and France Culture, particularly the daily programs of Alain Gerber and Arnaud Merlin, and demonstrates how these programs display connoisseurship, erudition, thoroughness, critical insight, and dedication. France takes its “stewardship” of jazz seriously. FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE By Roscoe Seldon Suddarth Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2008 Advisory Committee: Associate Professor Richard King, Musicology Division, Chair Professor Robert Gibson, Director of the School of Music Professor Christopher Vadala, Director, Jazz Studies Program © Copyright by Roscoe Seldon Suddarth 2008 Foreword This thesis is the result of many years of listening to the jazz broadcasts of France Musique, the French national classical music station, and, to a lesser extent, France Culture, the national station for literary, historical, and artistic programs. -
Jazz“ Der Kulturszene Kempen | Saison 2016-17 6 Abende Im Abonnement, Beginn: Jeweils 20 Uhr
Abonnement „Jazz“ der Kulturszene Kempen | Saison 2016-17 6 Abende im Abonnement, Beginn: jeweils 20 Uhr Mittwoch, 21. September 2016, Kulturforum Franziskanerkloster, Paterskirche David Liebman & Richie Beirach (USA) David Liebman – Saxophon | Richie Beirach – Klavier Ein Duo wie kein zweites im zeitgenössischen Jazz. Die musikalische Partnerschaft von David Liebman und Richie Beirach begann bereits während der gemeinsamen Studien- und Session-Zeiten im New York der 60er Jahre. 1973 gründeten sie „Lookout Farm“, und auch nachdem sich die Gruppe 1976 wieder aufgelöst hatte, blieb die enge Zusammenarbeit bestehen. Beide stammen sie aus Brooklyn, New York City, und haben von dort aus die Geschichte des Modern Jazz mitgeprägt – als eigene Bandleader, vor allem aber auch als vielbeschäftigte Förderer und Pädagogen: Richie Beirach unterrichtete den Jazz-Nachwuchs u. a. viele Jahre als Professor in Leipzig; David Liebman gründete 1989 die International Association of Schools of Jazz (IASJ), als deren künstlerischer Leiter er auch fungiert. Die Zukunft des Jazz mitzugestalten, ist beiden ein besonderes Anliegen: „Jede Generation fügt etwas Neues hinzu, und ich möchte nicht dahinter zurückbleiben“, meint etwa David Liebman. Und so spielen beide auch immer wieder mit jungen Talenten zusammen. Neben ihren zahlreichen Projekten kehren sie stets zum gemeinsamen Duo-Spiel zurück – ein Quell nie versiegender Kommunikation und Inspiration. Eines ihrer Alben heißt schlicht „The Duo: Live“, es erschien 1985. Mehr als 30 Jahre danach heißt es nun auch bei der Muziek Biennale: Das Duo. Live! Eine Veranstaltung im Rahmen der „Muziek Biennale 2016“ Donnerstag, 1. Dezember 2016, Haus für Familien/Campus Shauli Einav Quartet (Israel/Frankreich) Shauli Einav – Saxophon | Paul Lay – Klavier | Florent Nisse – Bass | Gautier Carrigue – Schlagzeug Shauli Einav, 1982 in Israel geboren, studierte an der Jerusalem Academy of Music sowie an der Eastman School of Music in Rochester. -
STEFON HARRIS & BLACKOUT ( ~L,
A Secrest Artists Series Event STEFON HARRIS & BLACKOUT ( ~l, / Thursday September 9, 2004 7:30 pm Brendle Recital Hall Wake Forest University \\'i11:;/011-S11le111,Nort/, Caroli11a Stefon Harris & Blackout J time Grnmmy nomrnee vibraphonist Stefon Harris mtrmluccs his new band Bl,1ckout,on h1, CDEvolut11m(Blue Note records). Featuring an exciting blend of modern acousliL wund, writlen h, I l,1rris as wellas a monng rend1t1on of <;ting's'l/111/', the group has been hailed for "pursumg contemporary jau on llS own terms" (1/,c ~\'t1Slungtu11Pc>st). 1 hl' b.111d include~ Mar.: Ctr) on keyboard~. Derrick I lodge on h,1,s, Terrcon (,ully on drums and C.1seyBc111am111 on alto ~ax.The band has performed at the north sca jazz fc,tl\al, The Kenned, Center (Washmgton D( ), lhe F.gg (Alhany, NY) .1nd will embark upon a national tour Lo co111c1dewith its CD release Marc Cary ll.1ise<lin Washington, D.C., Marc ( ary has become known as one of the most ongmal Jilli p1,1msts111 '\'ew York A man of edccllc taste,, Carv has a strong post-hop foundation but has also explored Afro-Cuban rlwthms. eleclrOmLgroove mu~1c,and other dtrections with Im various ensembles. Upon arriv111g111 New York. Cary was t,1kenunder the wmg of Mickey !fa,, and Be,IVerHarm. Hts first h1g ttme gigs Lame m thL earl} '90, 1,ith Arthur Tarlor, Betty Carta, and Roy I l.1rgro\·e.In 199.J,he be..:ame Abbey Lm,olth p1a111,tand arranger. Carr's own records h,1veshown great promise. -
John Clark Brian Charette Finn Von Eyben Gil Evans
NOVEMBER 2016—ISSUE 175 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM JOHN BRIAN FINN GIL CLARK CHARETTE VON EYBEN EVANS Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East NOVEMBER 2016—ISSUE 175 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : John Clark 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : Brian Charette 7 by ken dryden General Inquiries: [email protected] On The Cover : Maria Schneider 8 by john pietaro Advertising: [email protected] Encore : Finn Von Eyben by clifford allen Calendar: 10 [email protected] VOXNews: Lest We Forget : Gil Evans 10 by eric wendell [email protected] LAbel Spotlight : Setola di Maiale by ken waxman US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Festival Report Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, CD Reviews Stuart Broomer, Thomas Conrad, 14 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Miscellany 33 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Event Calendar 34 Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Contributing Writers Robert Bush, Laurel Gross, George Kanzler, Matthew Kassel, Mark Keresman It is fascinating that two disparate American events both take place in November with Election Contributing Photographers Day and Thanksgiving. -
Jazznights 23
JazzNights 23 On Saturday, November 10, 2007, JazzNights is proud to present Jacky Terrasson, one of the premier pianists of our time. The event will take place at 8 p.m. at the home of Judy Brodsky and Michael Curtis (53 Clarke Court, Princeton). We are asking for a contribution of $45 per person. We will send out a response form, directions, and a return envelope to everyone who reserves a place (those of you who have already reserved early do not need to reserve again. You are already on our list and we will send you the response materials). You can email reservation requests to Mary at [email protected] (or by replying to this notice). ____________________________________________________________ Please note: If you reserve now but later find that you can't make it, please let us know. We often have a waitlist and can use the space, sometimes even at the last moment. We try to keep the costs as low as possible and "no-shows" inevitably raise the price to others in the future ____________________________________________________________ Mr. Terrasson is the winner of the 1993 Monk competition, a two-time Grammy nominee, and winner of numerous awards for his CDs - Prix Django Reinhardt, Best Jazz Album of the Year, two Django d'Or Awards, and more. The son of a French mother and an American father, Mr. Terrasson was born in Berlin in 1966. At the age of 11, he discovered his mother's collection of jazz records and was hooked. He went on to study at the Lycee Lamartine and the Berklee College of Music, and perhaps even more important, joined Betty Carter for a year immediately after winning the Monk competition. -
Congressional Record
September 14, 2017 CONGRESSIONAL RECORD — Extensions of Remarks E1235 Paquito D’Rivera, Cyrus Chestnut, Benny Marvin Gaye.’’ And like his colleagues in the needs of some of our most vulnerable neigh- Golson, George Duke, Eric Reed, Dee Dee new guard of jazz, Williams is constantly look- bors for a century and a half. Therefore, it is Bridgewater, Roy Hargrove, and Mulgrew Mil- ing ahead, seeking the music’s potential and fitting and proper that we honor the Meriden ler, to name a few. State of Art signaled Wil- his place in it. YMCA, and all the community leaders who liams’ emergence as a prominent voice in the ‘‘I’ve worked with Stefon Harris’ Blackout for have contributed to its success, here today. greater jazz community. the past few years,’’ Williams cites. ‘‘He has f Ben’s warm, woody tone, flowing groove, definitely been a huge influence in my concept melodic phrasing, and storytelling approach of playing music. We have a similar viewpoint RECOGNIZING THE DEDICATED has found favor among not just musicians, but to music and jazz. He’s very much about ad- SERVICE AND OUTSTANDING also a larger audience. A bandleader, musical dressing modern times and not rehashing old ACHIEVEMENT OF MAJOR GEN- educator, composer, and electric and acoustic material. To really interpret what is happening ERAL JOANNE SHERIDAN bassist, Ben was the winner of the 2009 right now, a lot of jazz musicians are into hip- Thelonious Monk Institute International Jazz hop and R&B, but they don’t put that into their HON. MIKE JOHNSON Competition, a prestigious and important music. -
Magic Voices Ii
MAGIC VOICES II MAGIC VOICES II Jamie Callum / Viktoria Tolstoy / Nils Landgren / Rebekka Bakken / Mark Murphy / Norah Jones u.a. ACT 9706-2 Veröffentlichung: 28. März 2005 1 IT AIN`T NECESSARILY SO JAMIE CULLUM - vocals & piano Geoff Gascoyne - bass, Sebastian de Krom - drums 02 FROM ABOVE VIKTORIA TOLSTOY - vocals, Jacob Karlzon - piano, Lars Danielsson - bass, Ulf Wakenius - guitar, Peter Danemo -drums 03 RIKKY DON`T LOSE THAT NUMBER MURIEL ZOE - vocals, Matthias Pogoda - keyboards & guitar, Michael Leuschner - trumpet, Johannes Huth - bass, Michael Verhovec - drums 04 BLUE SKIES CASSANDRA WILSON - vocals, Mulgrew Miller - piano, Lonnie Plaxico - bass, Terri Lyne Carrington - drums 05 YOU STOLE MY HEART NILS LANDGREN - vocals & trombone, e.s.t. Esbjörn Svensson - piano, Dan Berglund - bass, Magnus Öström - drums 06 WHAT IS THIS THING CALLED LOVE SOLVEIG SLETTAHJELL - vocals, Mats Eilertsen - bass, Sju Miljeteig - trumpet, Morten Qvenild - piano, Per Oddvar Johansen - drums 07 UNDER A BLANKET OF BLUE STACEY KENT - vocals, Jim Tomlinson - tenor sax, Colin Oxlay - guitar, David Newton - piano, Simon Thorpe - bass, Jasper Kviberg - drums 08 LOVE IS THICKER THAN FORGET REBEKKA BAKKEN - voclas, Julia Hülsmann - piano, Marc Muellbauer - bass, Rainer Winch - drums 09 THE COMEBACK MARK MURPHY - vocals, Bill Easley - tenor sax, Norman Simmons - piano / arranger, Paul Bollenback - guitar, Darryl Hall - bass, Grady Tate - drums accordion, Sean Conly - bass, Alison Miller – drums 10 I THINK IT`S GONNA RAIN TODAY SIDSEL ENDRESEN - vocals, Bugge -
Drummerissue
APRIL 2016—ISSUE 168 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM drumMER issue BILLYBILLY COBHAMCOBHAM DRUMDRUM SPECTRUMSPECTRUM DAVE CHAD BERNARD DONALD WECKL TAYLOR PURDIE BAILEY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2016—ISSUE 168 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Dave Weckl 6 by ken micallef [email protected] Andrey Henkin: [email protected] Artist Feature : Chad Taylor 7 by ken waxman General Inquiries: [email protected] On The Cover : Billy Cobham 8 by john pietaro Advertising: [email protected] Encore : Bernard Purdie by russ musto Editorial: 10 [email protected] Calendar: Lest We Forget : Donald Bailey 10 by donald elfman [email protected] VOXNews: LAbel Spotlight : Amulet by mark keresman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above FESTIVAL REPORT or email [email protected] 13 Staff Writers CD Reviews 14 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Miscellany 36 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Event Calendar Tom Greenland, Anders Griffen, 38 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, As we head into spring, there is a bounce in our step. -
Downbeat.Com July 2015 U.K. £4.00
JULY 2015 2015 JULY U.K. £4.00 DOWNBEAT.COM DOWNBEAT ANTONIO SANCHEZ • KIRK WHALUM • JOHN PATITUCCI • HAROLD MABERN JULY 2015 JULY 2015 VOLUME 82 / NUMBER 7 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
Anne Ducros Biography
ANNE DUCROS BIOGRAPHY Native of the Pas de Calais, France, Anne Ducros began her classic training (musical and vocal) within the conservatoire of Boulogne Sur mer with Lyne Durian. Then at the same time she is studying law at the University of Lille, she completes and refines her vocal mastery thanks to the education of Yuri Anoff and Maddy Mespley. Afterward she has a practice of baroque music within training course at the University and investigates Couperin, Rameau or Bach’s music. Introduced to the vocal jazz from 1986. She sets up her first quartet of jazz with which she gains various international competitions (Price for better soloist and first vocaliste in the festival of jazz of Dunkerque; First price of soloist and vocalist in the festival of jazz of Vienne in 1989). This growing recognition will stimulates her of an inexhaustible will to sing always more by accumulating concerts in France and specially by publishing her first album of vocal jazz, "DON'T YOU TAKE A CHANCE" at JTB in 1989. After this first recording was realized, she returns on the road by multiplying the tours, the festivals (Nice, Montreaux, Nantes, Barcelone, Ismir, Montréal.) and the musical meetings (Michel Petrucciani, Didier Lockwood, Michel Legrand, Ray Brown, Ted Curson, Jacky Terrasson, Eric Lelann, Stefano Di Batista...). This artistic fulfilment couples with an increasing educational investment. During years 1992-1993, she teaches the vocal jazz at the ARPEJ in Paris and since 1994 she is the manager of Prelude, first school of vocal jazz in Paris. Besides her teacher's implication, she animates clinics and master-classes all over the world (Aix, Le Havre, Chicago, Calvi, Bruxelles.). -
Recap: the 2009 Thelonious Monk International Jazz Competition (With Audio)
Recap: The 2009 Thelonious Monk International Jazz Competition (With Audio) October 14, 1009 by Michael Katzif 2009 Thelonious Monk International Jazz Competition winner Ben Williams performs with Dee Dee Bridgewater. (Steve Mundinger) Sunday night at the Kennedy Center in Washington, D.C., many of the most notable figures in jazz looked toward the future and celebrated the storied past. Convening in the immaculate Eisenhower Theater, the Thelonious Monk Institute Of Jazz awarded Ben Williams first prize in the 2009 Thelonious Monk International Jazz Bass Competition. Each year, the competition highlights a different instrument, and this year's weekend-long event saw 15 bassists perform at the semi-finals, held at the Smithsonian Museum of Natural History on Saturday. Before a panel of distinguished judges -- including Ron Carter, Charlie Haden, Dave Holland, Robert Hurst, Christian McBride and John Patitucci -- the top three musicians then played in Sunday night's finals. Page Two On his two tunes -- "Tricotism" by Oscar Pettiford, and the Juan Tizol classic "Caravan" - - Williams wowed the audience with his nimble fingering, melodic soloing and creative rhythmic approach. Ultimately, his musical prowess earned him the top spot. By winning first place in the competition, Williams will receive $20,000 toward college- level music scholarships, and a recording contract with Concord Records. Williams is a native Washingtonian who attended D.C.'s Duke Ellington School of the Arts, and later matriculated to Michigan State and Juilliard, where he is finishing his degree. He has since become an in-demand bassist in New York, playing in the bands of Stefon Harris and Marcus Strickland, and on an upcoming Jacky Terrasson record.