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MAGIC VOICES II MAGIC VOICES II Jamie Callum / Viktoria Tolstoy / Nils Landgren / Rebekka Bakken / Mark Murphy / Norah Jones u.a. ACT 9706-2 Veröffentlichung: 28. März 2005 1 IT AIN`T NECESSARILY SO JAMIE CULLUM - vocals & piano Geoff Gascoyne - bass, Sebastian de Krom - drums 02 FROM ABOVE VIKTORIA TOLSTOY - vocals, Jacob Karlzon - piano, Lars Danielsson - bass, Ulf Wakenius - guitar, Peter Danemo -drums 03 RIKKY DON`T LOSE THAT NUMBER MURIEL ZOE - vocals, Matthias Pogoda - keyboards & guitar, Michael Leuschner - trumpet, Johannes Huth - bass, Michael Verhovec - drums 04 BLUE SKIES CASSANDRA WILSON - vocals, Mulgrew Miller - piano, Lonnie Plaxico - bass, Terri Lyne Carrington - drums 05 YOU STOLE MY HEART NILS LANDGREN - vocals & trombone, e.s.t. Esbjörn Svensson - piano, Dan Berglund - bass, Magnus Öström - drums 06 WHAT IS THIS THING CALLED LOVE SOLVEIG SLETTAHJELL - vocals, Mats Eilertsen - bass, Sju Miljeteig - trumpet, Morten Qvenild - piano, Per Oddvar Johansen - drums 07 UNDER A BLANKET OF BLUE STACEY KENT - vocals, Jim Tomlinson - tenor sax, Colin Oxlay - guitar, David Newton - piano, Simon Thorpe - bass, Jasper Kviberg - drums 08 LOVE IS THICKER THAN FORGET REBEKKA BAKKEN - voclas, Julia Hülsmann - piano, Marc Muellbauer - bass, Rainer Winch - drums 09 THE COMEBACK MARK MURPHY - vocals, Bill Easley - tenor sax, Norman Simmons - piano / arranger, Paul Bollenback - guitar, Darryl Hall - bass, Grady Tate - drums accordion, Sean Conly - bass, Alison Miller – drums 10 I THINK IT`S GONNA RAIN TODAY SIDSEL ENDRESEN - vocals, Bugge Wesseltoft - piano 11 YOU`LL HAVE TO SWING IT (MR. PAGANINI) COME SHINE - Live Maria Roggen - vocals, Erlend Skomsvoll - piano, Häkon Mjäset Johansen - drums, Sondre Meisfjord - bass MAGIC VOICES II 12 MOVE ME NO MOUNTAIN RIGMOR GUSTAFSSON - vocals, Jacky Terrasson - fender rhodes, Sean Smith - bass, Eric Harland - drums, Nils Landgren - trombone 13 TENNESSEE WALTZ NORAH JONES - vocals, Joel Harrison - guitar, David Binney - sax, Rob Thomas - violin, Tony Cedras - accordion, Sean Conly - bass, Alison Miller - drums 14 NEWBORN BROKEN CAECILIE NORBY - vocals, Lars Danielsson - bass & cello, DR Danish Radio Concert Orchestra Die CD: Magic Voices II – Jamie Callum / Viktoria Tolstoy / Nils Landgren / Rebekka Bakken a.o. – ACT 9706-2 – LC 07644 Executive Producer: Siegfried Loch (c) & (p) 2003 ACT Music+Vision GmbH & Co. KG Vertrieb: Edel Contraire (D), Edel Musica (A), Musikvertrieb (CH) Ehrengutstrasse 28, 80469 München, Germany Phone +49 89 72 94 92 0, Fax +49 89 72 94 92 11 e-mail: [email protected] Visit our website at http://www.actmusic.com.

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French Stewardship of Jazz: the Case of France Musique and France Culture
ABSTRACT Title: FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE Roscoe Seldon Suddarth, Master of Arts, 2008 Directed By: Richard G. King, Associate Professor, Musicology, School of Music The French treat jazz as “high art,” as their state radio stations France Musique and France Culture demonstrate. Jazz came to France in World War I with the US army, and became fashionable in the 1920s—treated as exotic African- American folklore. However, when France developed its own jazz players, notably Django Reinhardt and Stéphane Grappelli, jazz became accepted as a universal art. Two well-born Frenchmen, Hugues Panassié and Charles Delaunay, embraced jazz and propagated it through the Hot Club de France. After World War II, several highly educated commentators insured that jazz was taken seriously. French radio jazz gradually acquired the support of the French government. This thesis describes the major jazz programs of France Musique and France Culture, particularly the daily programs of Alain Gerber and Arnaud Merlin, and demonstrates how these programs display connoisseurship, erudition, thoroughness, critical insight, and dedication. France takes its “stewardship” of jazz seriously. FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE By Roscoe Seldon Suddarth Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2008 Advisory Committee: Associate Professor Richard King, Musicology Division, Chair Professor Robert Gibson, Director of the School of Music Professor Christopher Vadala, Director, Jazz Studies Program © Copyright by Roscoe Seldon Suddarth 2008 Foreword This thesis is the result of many years of listening to the jazz broadcasts of France Musique, the French national classical music station, and, to a lesser extent, France Culture, the national station for literary, historical, and artistic programs.
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