Community Board No. 2, M Anhattan
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Village Alliance FY2017 Annual Report
Astor Alive! Vi llAge Al l iAnc e FY 2017 Ann uA l Re poRt Dear neighbors, The past year has been one of growth at the offering exclusive incentives. The Village Village Alliance, with major new public space Alliance also offers educational and networking operations, marketing initiatives and community opportunities to our business community, free events at the forefront of our agenda and marketing assistance and a variety of programs accomplishments. We hope you take a moment aimed at increasing district foot traffic. to read this Annual Report and learn more Over the past two decades the Village Alliance about our service to the community. has been a major force in cleaning up our In 2016 we were thrilled to welcome new streets, beautifying public spaces and promoting YoRk citY’s newest public spAces to the the best the Village has to offer. We hope to see neighborhood! Astor Place is a thriving focal you out on 8th Street, in Astor Place and point for the local business community, cultural throughout the district supporting our local organizations, students, residents and for all who businesses, attending events and in general pass through the glorious new plazas. We look enjoying the Village’s magnificent quality of life. forward to presenting a variety of free cultural we thAnk ouR stAkeholDeRs FoR YouR and small-scale activities that showcase the continueD suppoRt , and welcome feedback on creative spirit of our world-class neighborhood. how we can make the neighborhood a better place to live, work and visit. The Village Alliance is always looking for ways to help our local merchants succeed and grow their business in New York City’s challenging regulatory environment. -
New Oral History Projects Launched!
BOARD OF DIRECTORS Anthony C. Wood, Chair Elizabeth R. Jeffe, Vice-Chair Stephen Facey, Treasurer Lisa Ackerman, Secretary Daniel J. Allen Eric Allison Michele H. Bogart Joseph M. Ciccone Susan De Vries Amy Freitag Shirley Ferguson Jenks Otis Pratt Pearsall Duane A. Watson NEWSLETTER SPRING 2012 Welcome to the sixteenth edition of the newsletter of the New York Preservation Archive Project. The mission of the New York Preservation Archive Project is to protect and raise awareness of the narratives of historic preservation in New York. Through public programs, outreach, celebration, and the creation of public access to information, the Archive Project hopes to bring these stories to light. New Oral History Projects Launched! The Archive Project Embarks Upon Ambitious Array of Interviews with Preservation Leaders The New York Preservation Archive Project is from the Robert A. and Elizabeth R. Jeffe range of cultural, historical, and architectural thrilled to announce the launch of our newest Foundation. aspects of the city. Each individual house has oral history initiative, Leading the Movement: * * * a distinctive preservation history and a unique Interviews with Preservationist Leaders in New For the first time in our organization’s history, set of people who ensured its survival, whether York’s Civic Sector. The goal of this project is the Archive Project is teaming up with New they were concerned citizens, directors of civic to record oral histories with 15 key leaders in York University’s Museum Studies Program organizations, or descendents of the houses’ the preservation civic sector, capturing their to produce a series of oral histories focused original inhabitants. -
Confrontation, Simulation, Admiration
Confrontation, Simulation, Admiration The Wooster Group’s Poor Theater Kermit Dunkelberg The punning title of The Wooster Group’s Poor Theater, shown as a work-in- progress in the spring and late fall of at the Performing Garage on Wooster Street in New York, invites many interpretations. Does it suggest the- atre that is: Poorly executed? Poorly funded? To be lamented? All of the above? Is this the Wooster Group’s retort to Grotowski’s “poor theatre” of reduced means and monastic discipline (Grotowski ), or their own version of it? The Wooster Group’s self-mocking, reverent/irreverent, high-tech/low-tech, nostalgic/derisive production questions the state of contemporary performance by trying on the styles of a vanished group (the Polish Laboratory Theatre, dis- solved in ) and a vanishing one (the Ballett Frankfurt, disbanded in August —half a year after Poor Theater had its first showing). My focus in this article is on the sections of Poor Theater that deal with Grotowski’s Polish Laboratory Theatre (–). I see the Wooster Group’s production in light of the history of reception/rejection/appropriation of Grotowski’s work in the United States. In the wake of Grotowski’s first American workshop at New York University in , Richard Schechner founded The Performance Group. In the mid-s, the Wooster Group grew out of The Performance Group, be- coming an independent entity in . Poor Theater is in part a confrontation with an ancestor. In the spring program, “The Director” noted the importance of ancestors: The writers, the great writers of the past, have been very important to me, even if I have struggled against them. -
Oculus January 1966 New York Chapter the American Institute of Architects
OCULUS JANUARY 1966 NEW YORK CHAPTER THE AMERICAN INSTITUTE OF ARCHITECTS CHAPTER AND CITY ON STATEN ISLAND: TWO ISSUES In a series of statements to the Consistent with its efforts to im the contemporary concepts of urban daily press and through its repre plement a major crash program planning." If anything, these hard sentatives appearing this past for the planning and development ships underlined the urgent need month before the Mayor, the City of Staten Island, the New York for such a crash program as advo Planning Commission, the City Chapter continued to press for a cated by the New York 'chapter. Council, the Board of Estimate and series of immediate emergency the State's Joint Legislative Com measures designed to protect prin Local Law 820 now pending in mittee on Housing and Urban De cipally the Island's open lands from the Council is a new attempt by the velopment, the New York Chapter premature programs such as the City to correct the inadvertent re AIA defined the position of its pro proposed Richmond Parkway and moval of the mapping requirement fessional membership on four vital from further abuses of speculative when the General City Law was issues currently confronting the developments. Specifically aimed at amended in 1963 at the urging of city. the latter was the Chapter's sup Staten Island home builders. Actu ally sought by the builders was the 1. In a letter to the New York port of a local law by the City Council to prohibit new construc elimination of the street improve Times, Chapter President Max Ur ment requirement for building per hahn continued to press for a mora tion on unmapped or unimproved streets. -
Full Cast & Credits
DANSPACEPROJECT40 YOU MAKE THE DIFFERENCE. Help us celebrate 40 years of Danspace Project! Donate at danspaceproject.org/supportjoin ABOUT DANSPACE PROJECT Founded in 1974, Danspace Project presents new work in dance, supports a diverse range of choreographers in developing their work, encourages experimentation, and connects artists to audiences. Now in its fourth decade, Danspace Project has supported a vital community of contemporary dance artists in an environment unlike any other in the United States. Located in the historic St. Mark’s Church in-the-Bowery, Danspace shares its facility with the Church, The Poetry Project, and New York Theatre Ballet. Danspace Project’s Commissioning Initiative has commissioned over 450 new works since its inception in 1994. Danspace Project’s Choreographic Center Without Walls (CW²) provides context for audiences and increased support for artists. Our presentation programs (including Platforms, Food for Thought, DraftWork), Commissioning Initiative, residencies, guest artist curators, and contextualizing activities and materials are core components of CW² offering a responsive framework for artists’ works. Since 2010, we have produced eight Platforms, published eight print catalogues and five e-books, launched the Conversations Without Walls discussion series, and explored models for public discourse and residencies. FOLLOW US! Facebook: Danspace Project Instagram: DanspaceProject Twitter: @DanspaceProject Tumblr:danspaceproject.tumblr.com www.danspaceproject.org BE FIRST. Join us in celebrating 40 -
FY2019 Village Alliance Annual Report (1.3
.astorplace. NYC WWW Welcome new merchants! – – Astor Place NYC Place Astor The Village 886 26 St. Marks Pl D8 WEST 15TH STREET EAST 15TH STREET EAST 15TH STREET .greenwichvillage. NYC WWW 1 2 3 4 5 6 7 8 9 Ardyn 33 West 8th St D2 UNION SQUARE – Greenwich Village NYC Village Greenwich M The new school Brodo Astor Plaza North D7 EAST 14TH STREET WEST 14TH STREET EAST 14TH STREET A A Brooklyn Bagel & 63 East 8th St D6 Connect with us online us with Connect : Coffee Co EAST 13TH STREET WEST 13TH STREET EAST 13TH STREET U TH SE S F B F I N I F Buttercup Bake Shop 61 East 8th St D5 XT ROADWA OURTH IR COND IVE TH H D R A A A SI V V V EN A T EN A Y EN V Y E V U EN U PLA N U Eliza's Local 2 St. Marks Pl D8 E E U E E U C EAST 12TH STREET E WEST 12TH STREET E EAST 12TH STREET 212.777.2173 B B Existing Conditions 35 West 8th St D2 Salmagundi club New York, NY 10003 NY York, New Frevo 48 West 8th Street D2 EAST 11TH STREET WEST 11TH STREET EAST 11TH STREET grace church Street 8 East 8 East 8 ST Marks church Gem Bing Shop 9 St. Marks Pl (2 Fl) D8 th Jefferson Village Alliance Alliance Village Market library Hong Kong Tailors 136 Waverly Pl E1 WEST 10TH STREET EAST 10TH STREET EAST 10TH STREET C & garden C I Fix Screens 14 West 8th St D3 T E E GR R Juice & Joy 434 6th Ave C2 T EAST 9TH STREET E WEST 9TH STREET EAST 9TH STREET S ENWICH A Alamo T N A The Cube S village alliance " " E V Y V U EN T U S LaoMa Spicy 58 East 8th St D5 E NY Studio School Cooper Union T E E R N ST MARKS PLACE T EAST 8TH STREET Lucky Lee's 67 University Pl C5 D S WEST 8TH STREET D M G L B M R AF R ROADW E A E R CDOUG A E C YE NE TOPHE E S R I TT R S A H S E Mekki 15 West 8th St D3 TR C Y T AL E S R C E T E LA STR P C REE E E R OO MACDOUGAL ALLEY WASHINGTON MEWS T W T TO A AS EAST 7TH STREET E P V T T E E RLY E T R Mi Tea 23 St. -
The Wooster Group Relives 30 Years of Controversial Exploit5--{)N and Off Stage
The Obse5slve guide to ·impulsive.entertainmelrt Jan-.ary 27-february 2, 2005 luu& No.. 487 $2.99 liDwm®ru ~~wYorRf Jan 27-Feb 2, 2005 lssue 487 Features :12 "It was familial , incestuous, dysfunctional" Experimental-theater company the Wooster Group relives 30 years of controversial exploit5--{)n and off stage. 20 "Christo and Jeanne Claude had this dream .. " Documentarian Albert Maysles has spent 26 years chronicling mega-installation The Gates. 24 "The comparison to Coldplay is misleading" Piano-driven Brit outfit Keane has perfected the art of the pop anthem. SeNice & Style Eat Out 27 Peek performance Open kitchens are like reality TV: Sometimes there's way more dirt than you ever wanted to see. Also this week in ... 30 Just opened Stan's Pl ace in Brooklyn Around Town Beauty and does Cajun its own way. squalor: Literary workshops Check Out celebrate the Bowery's past Art 35 Tress management A crop of new hair Rubens's dazzling draftsmanship products rescue our winter-worn manes. is revealed in a show at the 39 Critics' pick Graffiti-inspired stencils Met Books Better living through take street a:t indoors. chemistry: John Fall~ tells how war and Zoloft changed his Cl1ifl Out life Comedy Nightlife Awards ' 40 Health report Five health-food stores picks for best st and-up give a tum up, well, l)ugs and stuff. sneak peek of their ceremony 42 Just opened Fitness gets swi nging shtick Television BBC America with the Soho Dance Studio. brings two U.K. pol ice series to stateside viewers Departments 2 Letters 4 OutThere Shopping-cart showdown ...eavesdropper's o:ore ...... -
Christmas Eve Concert
The Voice of the West Village WestView News VOLUME 14, NUMBER 12 DECEMBER 2018 $1.00 Gourmet Garage Dies as Rent Hits One Million By George Capsis Andy Arons and Adam Hartman as they dis- cussed what was then their sixth store. A couple of people called me to say Gour- met Garage was closing—wow! WestView News: How is the business doing? Sure, I, who grew up in the Depression, Andy Arons: Really well. found the prices larcenous, but the breads were good and if you didn’t want to travel WVN: Whole Foods, Trader Joe’s, and up to Trader Joe’s—that was about it... Fresh Direct have arrived in Manhattan And bang—when you read this they will since you opened. Our restaurant reviewer be closed. Gone. David Porat has written that New Yorkers Why? Money of course. They have been want quality food but don’t always have buried under a scaffold for months as the time to cook, hence the demand for quality building owner creates luxury apartments. prepared foods. How has this affected you? We interviewed the very nice manager Andy Arons: Yes, it is a very competitive busi- Michael Rafferty who already has a number ness and we can no longer offer wholesale of job offers on the table. To our question low prices. Many other stores have closed. “Why?” came the loss of business by being We are among the few locally-owned gro- scaffold-hidden and loss of traffic with the ceries remaining, and this is our strength. It gym closed, and then he couldn’t stop him- is our relationship with the customer that self—the rent will go to near one million. -
10 October 2017
Teri Cude, Chair Antony Wong, Treasurer Daniel Miller, First Vice Chair Keen Berger, Secretary Susan Kent, Second Vice Chair Erik Coler, Assistant Secretary Bob Gormley, District Manager COMMUNITY BOARD NO. 2, MANHATTAN 3 W ASHINGTON SQUARE VILLAGE N EW YORK, NY 10012-1899 www.cb2manhattan.org P: 212-979-2272 F: 212-254-5102 E : [email protected] Greenwich Village v Little Italy v SoHo v NoHo v Hudson Square v Chinatown v Gansevoort Market FULL BOARD MINUTES DATE: October 19, 2017 TIME: 6:30 P.M. PLACE: Scholastic Building, 557 Broadway, Auditorium BOARD MEMBERS PRESENT: Susanna Aaron, Keen Berger, Tobi Bergman, Anita Brandt, William Bray, Richard Caccappolo, Erik Coler, Tom Connor, Terri Cude, Chair; Doris Diether, Stella Fitzgerald, Joseph Gallagher, Susan Gammie, Jonathan Geballe, Jon Giacobbe, Robin Goldberg, Nicholas Gottlieb, David Gruber, Susan Kent, Jeannine Kiely, Patricia Laraia, Edward Ma, Maud Maron, Daniel Miller, Lois Rakoff, Robert Riccobono, Robin Rothstein, Sandy Russo, Rocio Sanz, Frederica Sigel, Georgia Silvera Seamans, Shirley Smith, Elaine Young BOARD MEMBERS ABSENT WITH NOTIFICATION: Lisa Cannistraci, Robert Ely, Shirley Secunda, Susan Wittenberg BOARD MEMBERS ABSENT: None BOARD MEMBERS PRESENT/ARRIVED LATE: Carter Booth, Katy Bordonaro, Ritu Chattree, Coral Dawson, Cristy Dwyer, Kathleen Faccini, Cormac Flynn, Jonathan Geballe, Kristin Shea, Chenault Spence, Antony Wong BOARD MEMBERS PRESENT/LEFT EARLY: Cristy Dwyer BOARD STAFF PRESENT: Bob Gormley, District Manager; Josh Thompson, Assistant District Manager, -
BAM Salutes to Jointheartistcircle Contactgwendolyndunaifat718.623.7810 [email protected]
2013 Next Wave Festival Brooklyn Academy of Music Alan H. Fishman, BAM salutes Chairman of the Board William I. Campbell, Members of the Artist Circle Vice Chairman of the Board Bodycast: Adam E. Max, for their generosity and commitment to providing Vice Chairman of the Board a home for adventurous artists, audiences, and ideas Karen Brooks Hopkins, An Artist Lecture by President Joseph V. Melillo, Suzanne Bocanegra Artist Circle Members Executive Producer Diane & Adam E. Max, Cheryl Henson & Ed Finn The O’Grady Foundation Starring Artist Circle Chairs Sophie Hughes Maya Polsky Alan Jones & Ashley Garrett William D. & Susan Kahan Rifkin Roger Alcaly & Helen Bodian Miriam Katowitz & Max Rifkind-Barron Frances McDormand Susan L. Baker & Michael R. Lynch Arthur Radin Mr. & Mrs. Theodore C. Rogers The Howard Bayne Fund Gene & Terry Kaufman Carley Roney & David Liu Roger & Brook Berlind Eileen M. Lach Bette & Richard Saltzman Mr. & Mrs. Anthony Bowe Solange Landau Jon & NoraLee Sedmak Mr. & Mrs. Purnendu Chatterjee The Levine Foundation Susan & Larry Sills Simon & Sarah Collier Briehan Lynch & In Memory of Robert Sklar Mary Sharp Cronson Alexander Evis Mr. & Mrs. Howard Solomon Joan K. Davidson Grace Lyu-Volckhausen Sam & Ellen Sporn (The J.M. Kaplan Fund) Mattis Family Foundation David & Aliana Spungen Beatrice & James Del Favero Hamish Maxwell Starry Night Fund Carol & Roger Einiger Scott C. McDonald Jean Stein David & Susie Gilbert Constance & John Strasswimmer Directed by Elaine Golin H. Roemer McPhee Wendy vanden Heuvel Pamela Grace Joyce F. Menschel The Robert W. Wilson Paul Lazar The Grodzins Fund Barbara & Richard Moore Charitable Trust Mr. & Mrs. Henry B. Gutman Alexandra Munroe & Carol Yorke & Gerard Conn Mr. -
Attendance and Play
Montclair State University Montclair State University Digital Commons 2018-2019 Borders and Boundaries PEAK Performances Programming History 10-4-2018 Thank You For Coming : Attendance and Play Office of Arts + Cultural Programming PEAK Performances at Montclair State University Follow this and additional works at: https://digitalcommons.montclair.edu/peak-performances-2018-2019 Part of the Theatre and Performance Studies Commons Recommended Citation Office of Arts + Cultural Programming and PEAK Performances at Montclair State University, "Thank You For Coming : Attendance and Play" (2018). 2018-2019 Borders and Boundaries. 5. https://digitalcommons.montclair.edu/peak-performances-2018-2019/5 This Book is brought to you for free and open access by the PEAK Performances Programming History at Montclair State University Digital Commons. It has been accepted for inclusion in 2018-2019 Borders and Boundaries by an authorized administrator of Montclair State University Digital Commons. For more information, please contact [email protected]. Faye Driscoll Thank You for Coming: Attendance and Play Photo by Hayim Heron October 4–7, 2018 Alexander Kasser Theater Dr. Susan A. Cole, President Daniel Gurskis, Dean, College of the Arts Jedediah Wheeler, Executive Director, Arts + Cultural Programming Faye Driscoll Thank You for Coming: Attendance and Play 10/4 @ 7:30: Thank You for Coming: Attendance 10/5 @ 7:30: Thank You for Coming: Play 10/6 @ 7:00, 10/7 @ 3:00: Thank You for Coming: Attendance AND Thank You for Coming: Play Thank You for Coming: Attendance Conception Faye Driscoll Choreography Faye Driscoll in collaboration with the performers Performance Giulia Carotenuto, Sean Donovan, Toni Melaas, Paul Singh, Brandon Washington Original Cast Alicia ayo Ohs, Nikki Zialcita Visual Design Nick Vaughan and Jake Margolin Sound Design/Original Composition Michael Kiley Lighting Design Amanda K. -
¡Oye! for My Dear Brooklyn
March 15 - 31, 2018 March MODESTO FLAKO JIMENEZ & OYE GROUP ¡OYE! FOR MY DEAR BROOKLYN MODESTO FLAKO JIMENEZ & OYE GROUP ABOUT ¡OYE! FOR MY DEAR BROOKLYN OYE GROUP Runtime: 60 minutes “Listen to the beats / The rhythm of my Oye Group (formerly Brooklyn Gypsies) Writer & Performer Bushwick streets.” Brooklyn impresario is an artist collective made up of New Modesto Flako Jimenez Modesto Flako Jimenez conjures his Yorkers both native and immigrant to beloved borough in this bilingual elegy, the city. We present annual showcases Director told through poems, projections, of new work in theater, dance, poetry Artem Yatsunov and music. With lyrical brilliance and and film that spark dialogue on Video Designer irreverent play, ¡Oye! For My Dear critical issues such as immigration, Kevin Torres Brooklyn complicates our perceptions gentrification, economics, and urban of race, language, and gentrification survival. We curate a mix of established Lighting Designer and calls us to be truly present to ask and emerging artists and give them Megan Lang the question: “What is my moral worth?” a platform to share their art in a Sound Designer stimulating environment. Oye Group is a Drew Weinstein playground to celebrate what is unique about New York City’s eclectic and Set Designer converging art communities. Michael Minahan Stage Manager Kendall Allen Installation Artist Sara Sciabbarrasi Production Manager Skye Morse-Hodgson Production Consultant Jose Esquea WHO’S WHO Modesto Flako Jimenez Co-Founder of the North Jersey nomadic Drew Weinstein Writer & Performer collective StrangeDog Theatre (est. Sound Designer Modesto Flako Jimenez is a Dominican- 2008), called “very raw, very present” Drew is a New York-based director, born, Bushwick-raised theater maker, by the New York Times.