DOCSLIB.ORG

¡Oye! for My Dear Brooklyn

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
¡Oye! for My Dear Brooklyn March 15 - 31, 2018 March MODESTO FLAKO JIMENEZ & OYE GROUP ¡OYE! FOR MY DEAR BROOKLYN MODESTO FLAKO JIMENEZ & OYE GROUP ABOUT ¡OYE! FOR MY DEAR BROOKLYN OYE GROUP Runtime: 60 minutes “Listen to the beats / The rhythm of my Oye Group (formerly Brooklyn Gypsies) Writer & Performer Bushwick streets.” Brooklyn impresario is an artist collective made up of New Modesto Flako Jimenez Modesto Flako Jimenez conjures his Yorkers both native and immigrant to beloved borough in this bilingual elegy, the city. We present annual showcases Director told through poems, projections, of new work in theater, dance, poetry Artem Yatsunov and music. With lyrical brilliance and and film that spark dialogue on Video Designer irreverent play, ¡Oye! For My Dear critical issues such as immigration, Kevin Torres Brooklyn complicates our perceptions gentrification, economics, and urban of race, language, and gentrification survival. We curate a mix of established Lighting Designer and calls us to be truly present to ask and emerging artists and give them Megan Lang the question: “What is my moral worth?” a platform to share their art in a Sound Designer stimulating environment. Oye Group is a Drew Weinstein playground to celebrate what is unique about New York City’s eclectic and Set Designer converging art communities. Michael Minahan Stage Manager Kendall Allen Installation Artist Sara Sciabbarrasi Production Manager Skye Morse-Hodgson Production Consultant Jose Esquea WHO’S WHO Modesto Flako Jimenez Co-Founder of the North Jersey nomadic Drew Weinstein Writer & Performer collective StrangeDog Theatre (est. Sound Designer Modesto Flako Jimenez is a Dominican- 2008), called “very raw, very present” Drew is a New York-based director, born, Bushwick-raised theater maker, by the New York Times. As an educator, sound designer, composer, and producer, and educator. ATI Best Actor Artem leads writing workshops, devised producer. He has created original work Award Winner for 2016. HOLA Best theater and storytelling programs in in and around New York City at venues Ensemble Award Winner for 2015 professional residencies across NYC and including HERE Arts Center, The Brick, and HOLA Outstanding Solo Performer NJ; he’s taught with Two River Theater, LEIMAY, The Hive, Redwood Studios, and for 2017, NY Times and Wall Street Creative Arts Team, Town Hall, Stella The Jersey City Theatre Center. He has Journal profiled. Flako is best known for Adler Studios, School For Excellence at directed additional works at The Wild original productions and three signature Morris Campus, Bronx NY, and was a Project, The Shakespeare Theatre of New festivals – Ghetto Hors D’Oeuvres, One part of educational programs at Writopia Jersey, Dixon Place, Porterspace, the Catches Light, and Oye! Avant Garde Labs NYC, Luna Stage Theater, and the Sheen Center, and the Bridge at Shetler Playwrights Theater of NJ. Artem’s work Night! – produced with his company Studios. His designs have been heard is deeply influenced by his experience Oye Group. Flako has appeared on at venues including the Public Theatre, as a multilingual Ukrainian immigrant, TEDxBushwick, Early Shaker Spirituals HERE Arts Center, The Performing and currently he performs Please Google (Wooster Group), Last Night At The Garage, the Brick, Under St. Marks, Ukraine, a solo-show for adults and Palladium (Bushwick Starr/3LD), and at the NYC Fringe Festival. Drew students on the place of immigrants in Yoleros (Bushwick Starr/IATI theater), has worked as an associate with the the US. Select Directing: Oye For My Dear Conversations Pt.1: How To Make It Black PROTOTYPE Festival and produced works Brooklyn (Performing Garage/Under In America (JACK). Take Me Home (3LD/ for LEIMAY including Frantic Beauty at The Radar-PUBLIC Theater/ Abrons Arts Incubator Arts Project), and Richard Center), Last Night At The Palladium the Brooklyn Academy of Music. Maxwell’s Samara (Soho Rep.). Modesto (Associate Dir; 3-Legged Dog Arts + received the 2016 Princess Grace Award Media), Growing Into My Beard (Horse Megan Lang Honorarium in Theater. In 2018 he Trade/Minnesota & Philly Fringe/The Lighting Designer became the first Dominican-American Tank), Basic Help (Frigid Festival), Tilt The Megan Lang has designed lighting at Lead Artist in The Public Theater Under Unlit Candle (Luna Stage), Omnivores BAM, La Mama, Abrons Arts Center, The Radar Festival. (Playwrights Theater of New Jersey). EST, Under St. Mark’s, the Wild Project, Writer/Performer: Please Google Ukraine Dixon Place, 59E59, JACK, Atlantic Artem Yatsunov (One Catches Light Festival, Manhattan Stage 2, among others. Recent designs Director Early College Academy, American AF include A Star Has Burnt My Eye (BAM Artem Yatsunov is a Ukrainian-born, Festival). Artem holds a BFA in Acting Next Wave, directed by Paul Lazar), Riot Jersey-raised, Brooklyn-based theatre from Montclair State University. Antigone (La Mama, directed by Seonjae director, storyteller and educator. www.artemyatsunov.com Kim), and Furry/La Furia! (The Bushwick He has been developing new work Starr, directed by William Burke). She and creating theatrical experiences Kevin Torres is the resident lighting designer for around the country for over 10 years, Video Designer the Ubumuntu Arts Festival in Rwanda. bringing live shows to both theatre Born and raised in Jersey City, NJ. Kevin Assistant/associate special effects work fans and people who “mistakenly think Torres is a Video Director/Producer, includes Sting’s The Last Ship, Our Lady they don’t like plays.” Artem serves Photographer, and Technical Director of Kibeho and An Act of God. BA: Fordham as General Manager of Oye Group, an for Oye! Group. Has a B.S. in Mechanical University. artistic collective made up of native Engineering from the New Jersey www.meganlangld.com and immigrant New Yorkers, and is the Institute of Technology. WHO’S WHO continued Michael Minahan group/two-person exhibitions: FACES Skye Morse-Hodgson Set Designer & FIGURES: PAST/FORWARD (Amos Production Manager Previous work includes Drama Desk Eno Gallery, Brooklyn), Stereoscope Skye is a producer, filmmaker, nominated The Man Who Laughs (Stolen (Index Art Center, Newark), Art from photographer, and award winning Chair); The Last Night at the Palladium Astoria (COFFEED, Queens). She screenwriter. Originally from Los Angeles, (Oye Group/ 3LD); 59RPM (Current frequently teams up with theatre artist she moved to New York in 2015 after Harbour/ HERE Arts); Six seasons Brandon Monokian, with whom she graduating from Brooks Institute with with the Big Green Theater Festival has collaborated on a graphic novel a BFA in filmmaking. She has been (Superhero Clubhouse/ Bushwick Starr); of Monokian’s play Peter Pan is Dead. involved in the creation, management, Five seasons with Pig Iron’s annual Upcoming Sara is releasing an album of and shooting of productions at 3LD Art Benefit Cabaret (Trocodero Theater, original songs via Monokian’s multi- and Technology Center, The Tank, Dixon Philadelphia); She Kills Monsters (New media company Love Drunk Life. At the Place, Here Art Center, The Brick, The School), and more. Upcoming: Knot an moment, Sara is at work illustrating and Performing Garage, Danspace, Judson Opera (Fresh Squeezed). As a scenic authoring picture books for children Theater, The Metropolitan Museum of artist Michael has painted for the as well as adults, believing the latter Art, Deitch Projects, Collapsable Hole, Oregon Shakespeare Festival, Westport need picture books as much as the Tisch NYU, and many others. Skye’s Playhouse, Lincoln Center, Classic Stage former. Sara is a sculpture fabricator photography work has been featured in Company, Roundabout, Signature at Socrates Sculpture Park and John Time Out New York, The New York Times, Theater, The Metropolitan Opera, Robert Clement Studios in Astoria, Queens. BFA and The New Yorker. Wilson (various projects), among others. Sculpture, Montclair State University. In addition to his theater and studio work, Michael & partner Preesa Adeline Kendall Allen Bullington own and operate Brooklyn Stage Manager Whiskers Bakery - a vegan wholesale Kendall Allen is a brooklyn based theatre and retail bakery with locations in artist, focusing her energy as a Stage Bushwick and Greenpoint. He holds an Manager. Select NY Credits Include: One MFA in design from the University of Catches Light Festival (JACK), Animal Washington, School of Drama. Wisdom (The Bushwick Starr), BURN, or www.minahandesign.com an Informal Presentation on the Finite Nature of Atoms (United Solo Artist’s Sara Sciabbarrasi Festival), Love’s Labour’s Lost (Hudson Installation Artist Valley Shakespeare Festival), GO FORTH Sara Sciabbarrasi, raised in New Jersey (LMCC, Governor’s Island), and soon and based in Queens, is a multimedia can be found at HERE Arts Center with artist, maker, set-designer, musician, Assembled Identity. Kendall studied and writer. She has created sets and Theatre; Design and Production at installations for theatre productions Fordham University. Endless thanks to at The Performing Garage, Luna Flako, Artem, the entire Oye Team, her Stage, Under St. Mark’s, The Red coffee pot, and her mother. Room, Montclair State University, and is a recurrent scenic designer for Columbia University’s MFA Directing and Playwriting programs. Select OYE GROUP FOUND SPECIAL FUNDING FOOTAGE THANKS Eric Acevedo, Alphabeta nyc, Vanessa 1. James Baldwin and Dick Gregory, Margarita Agramonte, Mercedes Olga Felix, Shahkeem Ez’rom, Theo Maltz, Jo “Baldwin’s Nigger,”1969. Viñales, Sandra Garner, Craig T. Peterson, Annesta, Emily Moler, Richard Maxwell, Ali Rosa-Salas, Jon Harper, Kenny Olguin, Skylar Fox, Jill Stanton, Amelia Kennedy, 2. James Baldwin vs. William F. Buckley, Catherine Dawes, Terrell Finner, Jorge Janelly Ramos, Minutolo A, Ann Marie “Has the American Dream Been Luna, Tiffany Zorrilla, SFDS, Materials for Dorr, Michael Gomez, Katarina Hybenova, Achieved at the Expense of the the Arts, Tei Blow, 3-Legged Dog, Tracy Lauren Miller, Jason Batcheller, Simón American Negro?” Oct 26th, 1965. Lopez, Stephanie Massanet, Shun Takino, Hanukai, Tony’s Pizzeria and Restaurant, Aaron “Radiosilence” Jaker, Susana Chris Wolfe, Armando Croda, Eliza Bent, 3.
Load more

Recommended publications
  • Feast Your Famine
    Feast Your Famine: a watch-and-play​ is an interactive five-night performance-and-social-action hybrid event, re-envisioning the legacy of the "hero" in Western culture from medieval knights to today and seeking to practice new realities in community. With possibilities for multi-day game play or a single night's experience, audiences can join a diverse body of artists and activists in a journey of boundary crossing, soul-troubling, and action through both avant garde and traditional performances and social-action events -- set inside the framework of a re-imagined medieval feast. For details on the schedule and the presenters, please visit the ​Feast Your Famine​ website and follow the event on Instagram @feastyourfamine. This event is a result of Wistaria Project's Re-Residency, in which we "re-gift" the Performing Artist Residency we received from The Center at West Park to an exciting diversity of performers and activists. Each Re-Resident will present their work on one night of the festival. The Re-Resident Cohort has worked together to devise First Night and Last Night -- the opening and closing of the feast -- with interactive, hybrid performance/events to bring us together to imagine, engage, and take action here and now. Wednesday, November 13. FIRST NIGHT​ ​An interactive event inside a re-invented, justice-oriented medieval “feast”, created by the Re-Residents. Songs. Poetry. Activities. Quests. Re-Residents Mz Aza Metric Eric Farber Dhira Rausch Hee Ran Lee Jace Valentine ​(​IntegrateNYC​) Kelsey Pyro Monica Carillo Timothy Craig Wistaria Project Zafi Dimitropoulou Liquid Courage ​written by ​ ​Kevin Green​ ​(Black Revolutionary Theater Workshop) Kevin Green is a Brooklyn-based actor/writer/producer.
    [Show full text]
  • Encorethe Performing Arts Magazine Altria 2006 ~ Ext Wa \Le Eesllilal
    October 2006 2006 Next Wave Festival *~ ...."""......,...<... McDermott & McGough, THIS IS ONE OF OUR FAVORITE PAINTINGS, 1936/2005 BAM 2006 Next Wave Festival is sponsored by: ENCOREThe Performing Arts Magazine Altria 2006 ~ ext Wa \Le EeslliLaL Brooklyn Academy of Music Alan H. Fishman William I. Campbell Chairman of the Board Vice Chairman of the Board Karen Brooks Hopkins Joseph V. Melillo President Executive Producer presents Mycenaean Written and directed by Carl Hancock Rux Approximate BAM Harvey Theater running time: Oct 10, 12-14, 2006 at 7:30pm one hour and 30 minutes, Writer/director/music Carl Hancock Rux no intermission Lighting/sound design, co-video design Pablo N. Molina Co-video design, music, programming Jaco van Schalkwyk Mask design, co-scenic design Alison Heimstead Co-scenic design Efren Delgadillo Jr. Costume coordination Toni-Leslie James Dramaturgy Morgan Jeness BAM 2006 Next Wave Festival is sponsored by Altria Group, Inc. Music programming at BAM is made possible by a generous grant from The New York State Music Fund, established by the New York State Attorney General at Rockefeller Philanthropy Advisors. Leadership support for BAM Theater is provided by The Shubert Foundation, Inc., with major support from SHS Foundation, Francena T. Harrison Foundation Trust, Harold and Mimi Steinberg Charitable Trust; and additional support from Billy Rose Foundation, Inc. Mycenaeaol..--- _ Cast Carl Hancock Rux Racine/Hippolytus Helga Davis Arachne Patrice Johnson Aricia Tony Torn Daedalus David Barlow Video Documentarian Ana Perea Dream Theorist Darius Mannino Dreamer/Soldier/Phillippe Celia Gorman Dreamer/Naiad/Nathalie Christalyn Wright Dreamer/Naiad Marcelle Lashley Dreamer/NaiadlWoman Niles Ford Dreamer/Soldier/ Minotaur Paz Tanjuaquio Dreamer/Naiad Kelly Bartnik Dreamer/Naiad Production Producer Carl Hancock Rux Executive Producers Stephen M.
    [Show full text]
  • News of the Strange
    Target Margin Theater 232 52nd Street Brooklyn, NY 11220 718-398-3095 Targetmargin.org @targetmargin Founding Artistic Director: David Herskovits Associate Artistic Director: Moe Yousuf General Manager: Liz English Space Manager: Kelly Lamanna Arts Management Fellow: Frank Nicholas Poon Box Office Manager: Lorna I. Pérez Financial Consultants: Michael Levinton, Patty Taylor Graphic Designer: Maggie Hoffman Interns: Sarah McEneaney, Matt Hunter Press Representation: John Wyszniewski/Everyman Agency BOARD OF DIRECTORS NEWS OF THE Hilary Alger, Matt Boyer, David Herskovits, Dana Kirchman, Kate Levin, Matt McFarlane, Jennifer Nadeau, Adam Weinstein, Amy Wilson. STRANGE LAB ABOUT US Target Margin is an OBIE Award-winning theater company that creates innovative productions of classic plays, and new plays inspired by history, literature, and other art forms. In our new home in Sunset Park we energetically expand the possibilities of live performance, and engage our community at all levels through partnerships and programs. TMT PROGRAMS INSTITUTE The Institute is a year-long fellowship (January – December) that provides five diverse artists space, support and a $1,000 stipend to challenge themselves and their art-making practice. 2019 Fellows: Sarah Dahnke, Mashuq Mushtaq Deen, Yoni Oppenheim, Gabrielle Revlock, and Sarah K. Williams. ARTISTS-IN-RESIDENCE The Artist Residency Program provides established, mid-career and emerging artists up to 100 hours of dedicated rehearsal and developmental space. Each residency is shaped to meet the specific needs of each artist and will include a work-in-progress free to the public. 2019 Artists-in-Residence: Tanisha Christie, Jesse Freedman, Sugar Vendil, Deepali Gupta, Sarah Hughes, and Chana Porter. SPACE RENTALS THE DOXSEE THEATER Our SPACE program provides long term / short term studio nd space for all artists to gather and engage in their creative / 232 52 Street, BK 11220 cultural practices.
    [Show full text]
  • View the Program!
    cast EDWARD KYNASTON Michael Kelly v Shea Owens 1 THOMAS BETTERTON Ron Loyd v Matthew Curran 1 VILLIERS, DUKE OF BUCKINGHAM Bray Wilkins v John Kaneklides 1 MARGARET HUGHES Maeve Höglund v Jessica Sandidge 1 LADY MERESVALE Elizabeth Pojanowski v Hilary Ginther 1 about the opera MISS FRAYNE Heather Hill v Michelle Trovato 1 SIR CHARLES SEDLEY Raùl Melo v Set in Restoration England during the time of King Charles II, Prince of Neal Harrelson 1 Players follows the story of Edward Kynaston, a Shakespearean actor famous v for his performances of the female roles in the Bard’s plays. Kynaston is a CHARLES II Marc Schreiner 1 member of the Duke’s theater, which is run by the actor-manager Thomas Nicholas Simpson Betterton. The opera begins with a performance of the play Othello. All of NELL GWYNN Sharin Apostolou v London society is in attendance, including the King and his mistress, Nell Angela Mannino 1 Gwynn. After the performance, the players receive important guests in their HYDE Daniel Klein dressing room, some bearing private invitations. Margaret Hughes, Kynaston’s MALE EMILIA Oswaldo Iraheta dresser, observes the comings and goings of the others, silently yearning for her FEMALE EMILIA Sahoko Sato Timpone own chance to appear on the stage. Following another performance at the theater, it is revealed that Villiers, the Duke of Buckingham, has long been one STAGE HAND Kyle Guglielmo of Kynaston’s most ardent fans and admirers. SAMUEL PEPYS Hunter Hoffman In a gathering in Whitehall Palace, Margaret is presented at court by her with Robert Balonek & Elizabeth Novella relation Sir Charles Sedley.
    [Show full text]
  • Elevator Repair Service
    ELEVATOR REPAIR SERVICE ABRONS ARTS CENTER A CONVERSATION BETWEEN JOHN COLLINS AND KATE SCELSA Kate Scelsa: So, John! John Collins: Kate, you’ve worked as a company member with ERS for about sixteen years now…And it turns out that you were doing stealth research for all these years on what would be perfect parts to write for some of our actors. KS: This is going to sound very sentimental, but writing this play has really felt like a love letter to this company. So it’s that, combined with my very deep love for Edward Albee’s play and specifically for the character of Martha. JC: And it’s exciting for me because I’m getting to work with one of my favorite novelists, who wrote one of my favorite books of the past couple of years. KS: Thank you for that plug. JC: It also fits in really nicely with the shows you’ve worked on with us, taking another work of great American literature as a jumping off point. And looking at the parts you’ve played in ERS shows, there have been a lot of Marthas in your life. KS: I’ve always been very interested in whether or not embodying that kind of female rage could be seen as sympathetic. Even powerful. Or if those women just become the shrew. Which means their rage can be dismissed. JC: Well you take Martha, who’s an extreme character… KS: She doesn’t care what anyone thinks of her. But what are the consequences of that attitude? For most of Albee’s play we see Martha as this incredible feminist character, in that she and her husband are on equal footing, and that’s what makes it so fascinating to watch, and fun to play.
    [Show full text]
  • Annual Report
    EMPOWERING NEW YORK CITY GIRLS THROUGH THE ARTS ANNUAL REPORT SEPTEMBER 2014 — AUGUST 2015 vI E ANNUAL rEPOrT IDE SEPTEMBER 2014 — AUGUST 2015 INS DearAs you look viBeback on our Community, 2014-2015 fiscal year, I hope you will enjoy PROGRAMS reflecting on all of the progress viBe Theater Experience has made over these last twelve months. We are very proud to have served our girls through our unique and comprehensive programming 3-4 that provides them with the nurturing necessary to help them findB their individual voices and then courageously share those stories with all of us. VIBE GIRLS When I took the seat of Board Chair in September, my goal was to SPEAK build viBe’s internal capacity so that we are positioned to leverage all of our resources – human and fiscal – to best serve our girls. To that end, we welcomed new board members who have brought critical 5 professional and administrative skills to our governing efforts. We also brought in new volunteers to the viBenefit Committee who worked tirelessly to ensure that our annual fundraiser was once again a huge success. Finally, we instituted a new SPECIAL membership model designed to increase support and encourage our donors to stay EVENTS engaged with our work. As we enter into the 2015-2016 fiscal year, we look forward to continuing to provide meaningful and transformative opportunities for our viBe girls. As Chair, I also look forward 5-6 to building on the Board’s efforts; truly a “working board,” we will continue to strategically align our committee work to support and grow our fundraising and programming efforts.
    [Show full text]
  • Confrontation, Simulation, Admiration
    Confrontation, Simulation, Admiration The Wooster Group’s Poor Theater Kermit Dunkelberg The punning title of The Wooster Group’s Poor Theater, shown as a work-in- progress in the spring and late fall of at the Performing Garage on Wooster Street in New York, invites many interpretations. Does it suggest the- atre that is: Poorly executed? Poorly funded? To be lamented? All of the above? Is this the Wooster Group’s retort to Grotowski’s “poor theatre” of reduced means and monastic discipline (Grotowski ), or their own version of it? The Wooster Group’s self-mocking, reverent/irreverent, high-tech/low-tech, nostalgic/derisive production questions the state of contemporary performance by trying on the styles of a vanished group (the Polish Laboratory Theatre, dis- solved in ) and a vanishing one (the Ballett Frankfurt, disbanded in August —half a year after Poor Theater had its first showing). My focus in this article is on the sections of Poor Theater that deal with Grotowski’s Polish Laboratory Theatre (–). I see the Wooster Group’s production in light of the history of reception/rejection/appropriation of Grotowski’s work in the United States. In the wake of Grotowski’s first American workshop at New York University in , Richard Schechner founded The Performance Group. In the mid-s, the Wooster Group grew out of The Performance Group, be- coming an independent entity in . Poor Theater is in part a confrontation with an ancestor. In the spring program, “The Director” noted the importance of ancestors: The writers, the great writers of the past, have been very important to me, even if I have struggled against them.
    [Show full text]
  • WE COULD GIVE Program
    Target Margin Theater 232 52nd Street Brooklyn, NY 11220 718-398-3095 Targetmargin.org @targetmargin Founding Artistic Director: David Herskovits Associate Artistic Director: Moe Yousuf General Manager: Liz English Space Manager: Kelly Lamanna Arts Management Fellow: Frank Nicholas Poon Box Office Manager: Lorna I. Pérez Financial Consultants: Michael Levinton, Patty Taylor Graphic Designer: Maggie Hoffman Interns: Sarah McEneaney, Matt Hunter Press Representation: John Wyszniewski/Everyman Agency BOARD OF DIRECTORS NEWS OF THE Hilary Alger, Matt Boyer, David Herskovits, Dana Kirchman, Kate Levin, Matt McFarlane, Jennifer Nadeau, Adam Weinstein, Amy Wilson. STRANGE LAB ABOUT US Target Margin is an OBIE Award-winning theater company that creates innovative productions of classic plays, and new plays inspired by history, literature, and other art forms. In our new home in Sunset Park we energetically expand the possibilities of live performance, and engage our community at all levels through partnerships and programs. TMT PROGRAMS INSTITUTE The Institute is a year-long fellowship (January – December) that provides five diverse artists space, support and a $1,000 stipend to challenge themselves and their art-making practice. 2019 Fellows: Sarah Dahnke, Mashuq Mushtaq Deen, Yoni Oppenheim, Gabrielle Revlock, and Sarah K. Williams. ARTISTS-IN-RESIDENCE The Artist Residency Program provides established, mid-career and emerging artists up to 100 hours of dedicated rehearsal and developmental space. Each residency is shaped to meet the specific needs of each artist and will include a work-in-progress free to the public. 2019 Artists-in-Residence: Tanisha Christie, Jesse Freedman, Sugar Vendil, Deepali Gupta, Sarah Hughes, and Chana Porter. SPACE RENTALS THE DOXSEE THEATER Our SPACE program provides long term / short term studio nd space for all artists to gather and engage in their creative / 232 52 Street, BK 11220 cultural practices.
    [Show full text]
  • Name Website Address Email Telephone 11R Www
    A B C D E F 1 Name Website Address Email Telephone 2 11R www.11rgallery.com 195 Chrystie Street, New York, NY 10002 [email protected] 212 982 1930 Gallery 14th St. Y https://www.14streety.org/ 344 East 14th St, New York, NY 10003 [email protected] 212-780-0800 Community 3 4 A Gathering of the Tribes tribes.org 745 East 6th St Apt.1A, New York, NY 10009 [email protected] 212-777-2038 Cultural 5 ABC No Rio abcnorio.org 156 Rivington Street , New York, NY 10002 [email protected] 212-254-3697 Cultural 6 Abrons Arts Center abronsartscenter.org 456 Grand Street 10002 [email protected] 212-598-0400 Cultural 7 Allied Productions http://alliedproductions.org/ PO Box 20260, New York, NY 10009 [email protected] 212-529-8815 Cultural Alpha Omega Theatrical Dance Company, http://alphaomegadance.org/ 70 East 4th Street, New York, NY 10003 [email protected] Cultural 8 Inc. 9 Amerinda Inc. (American Indian Artists) amerinda.org 288 E. 10th Street New York, NY 10009 [email protected] 212-598-0968 Cultural 10 Anastasia Photo anastasia-photo.com 166 Orchard Street 10002(@ Stanton) [email protected] 212-677-9725 Gallery 11 Angel Orensanz Foundation orensanz.org 172 Norfolk Street, NY, NY 10002 [email protected] 212-529-7194 Cultural 12 Anthology Film Archives anthologyfilmarchives.org 32 2nd Avenue, NY, NY 10003 [email protected] 212-505-5181 Cultural 13 ART Loisaida / Caroline Ratcliffe http://www.artistasdeloisiada.org 608 East 9th St. #15, NYC 10009 [email protected] 212-674-4057 Cultural 14 ARTIFACT http://artifactnyc.net/ 84 Orchard Street [email protected] Gallery 15 Artist Alliance Inc.
    [Show full text]
  • 18 Delancey Street, New York, NY
    LOWER NEW YORK EAST SIDE NY 18 DELANCEY STREET CONCEPTUAL RENDERING SPACE DETAILS LOCATION FRONTAGE Northwest corner of Chrystie Street 30 FT on Delancey Street 50 FT on Chrystie Street APPROXIMATE SIZE Ground Floor 1,500 SF SITE STATUS Basement 1,500 SF Currently vacant Second Floor 1,500 SF NEIGHBORS Roof 1,500 SF Bowery Ballroom, Vandal, Reformation, The New Museum, Public Hotel, Total 6,000 SF SIXTY LES, Ludlow House, Whole Foods Market, rag & bone, and Sammy’s Roumanian Steakhouse CEILING HEIGHT Ground Floor 15 FT COMMENTS Basement 9 FT Full branding opportunity on a prominent Lower East Side corner Second Floor 10 FT Second Floor can be leased separately from the Ground Floor A few blocks from the Essex Crossing Project with 1.8 million SF of mixed use retail, POSSESSION residential and commercial space Immediate In close proximity to trendy galleries and outstanding restaurants and hotels including Ian Schrager’s Public Hotel, CitizenM Hotel (coming soon) TERM and Sister City Hotel Negotiable All uses allowed In front of the Bowery station AREA NEIGHBORS FLOOR PLANS GROUND FLOOR BASEMENT DELANCEY STREET 30 FT 1,500 SF 1,500 SF 50 FT CHRYSTIE STREET SECOND FLOOR ROOF 1,500 SF 1,500 SF Blue & Bowery Cream SECOND AVENUE Meat Company EAST 1ST STREET FIRST AVENUE The Alchemist's Otherwild Kitchen NY Cozy Cafe Siggy's Good Food AVENUE A AREATom & Jerry's RETAIL EAST HOUSTON STREET EAST HOUSTON STREET Suffolk A Little Popular East Sugar Russ & Mercury element Remedy Diner Fools Gold Mezetto Daughters Lounge Arms Wicked Tax The Gatsby Hotel Houston Café 18 Heaven's Hotel Macando Army & Navy Hot Bagel myplasticheart Club Element Mole The Masalawala ABC L.E.S.
    [Show full text]
  • BY ROBIN FROHARDT Wednesday, June 30 - Sunday, July 11, 2021 661 Imperial Street ART MATTERS NOW MORE THAN EVER
    Photo by Maria Baranova BY ROBIN FROHARDT Wednesday, June 30 - Sunday, July 11, 2021 661 Imperial Street ART MATTERS NOW MORE THAN EVER WELCOME TO UCLA’S CENTER FOR THE ART OF PERFORMANCE UCLA’s Center for the Art of Performance (CAP UCLA) is the public facing research and presenting organization for the performing arts at the University of California, Los Angeles—one of the world’s leading public research universities. We are housed within the UCLA School of the Arts & Architecture along with the Hammer and Fowler museums. The central pursuit of our work as an organization is to sustain the diversity of contemporary performing artists while celebrating their contributions to culture. We acknowledge, amplify and support artists through major presentations, commissions and creative development initiatives. Our programs offer audiences a direct connection to the ideas, perspectives and concerns of living artists. Through the lens of dance, theater, music, literary arts, digital media arts and collaborative disciplines, informed by diverse racial and cultural backgrounds, artists and audiences come together in our theaters and public spaces to explore new ways of seeing that expands our understanding of the world we live in now. cap.ucla.edu #CAPUCLA Photo by Tony Lewis CAP UCLA Presents BY ROBIN FROHARDT Wednesday, June 30 - Sunday, July 11, 2021 661 Imperial Street (DTLA) One store, two ways to experince, hundreds of bags Installation: (Duration 30 mins.) Tue-Fri 2:30PM-5PM (last entry 4:30 PM) Sat & Sun 12:30PM-2PM (last entry 1:30 PM) July 4: Closed July 5: Special hours 12PM-7PM (last entry 6:30 PM) Immersive Film Experience: (Duration 60 mins.) Tue-Fri 1PM & 6PM Sat & Sun 11AM, 3PM & 5PM July 4: Closed Recommended for Ages 12+ due to current health protocols MESSAGE FROM THE ARTIST Dear Most Valued Customers: It’s almost impossible for me to try to explain what it is you are about to experience and the journey it took to get here.
    [Show full text]
  • When Pipsy, a Pedigree Cocker Spaniel, Lands at Bitchfield Animal Shelter, She Becomes the Center of a Turf War Between Dogs & Cats
    LOCKED UP BITCHES by catya mcmullen featuring original music by scott allen klopfenstein directed + choreographed by michael raine performed by the bats FEBRUARY 21 – APRIL 28 wednesdays @ 7PM, thursdays @ 9PM fridays and saturdays @ 11PM TICKETS S15 THE FLEA THEATER NIEGEL SMITH, ARTISTIC DIRECTOR CAROL OSTROW, PRODUCING DIRECTOR PRESENTS THE WORLD PREMIERE OF LOCKED UP BITCHES BOOK AND LYRICS BY CATYA MCMULLEN FEATURING ORIGINAL MUSIC BY SCOTT ALLEN KLOPFENSTEIN DIRECTED AND CHOREOGRAPHED BY MICHAEL RAINE FEATURING THE BATS LACY ALLEN, LEILA BEN-ABDALLAH, XANDRA CLARK, CHARLY DANNIS, JANUCHI URE EGBUHO, PHILIP FELDMAN, KATHERINE GEORGE, ARIELLE GONZALEZ, ALICE GORELICK, ALEX HAYNES, CRISTINA HENRIQUEZ, TIFFANY IRIS, ADAMA B. JACKSON, JENNY JARNAGIN, MARCUS JONES, BRE NORTHRUP, EMMA ORME, JUAN “SKITTLEZ” ORTIZ, JEN PARKHILL, ALEXANDRA SLATER, RYAN WESLEY STINNETT, TANYAMARIA, XAVIER VELASQUEZ, KEITH WEISS, TAMARA WILLIAMS SCOTT ALLEN KLOPFENSTEIN MUSIC DIRECTOR AND ARRANGER KERRY BLU CO-MUSIC DIRECTOR YU-HSUAN CHEN SCENIC AND PROPERTIES DESIGNER EVA JAUNZEMIS COSTUME DESIGNER JONATHAN COTTLE LIGHTING DESIGNER MEGAN DEETS CULLEY SOUND DESIGNER KIMILLE HOWARD AssISTANT DIRECTOR CODY HOM STAGE MANAGER CAST Pipsy ..................................................................................Emma Orme All-Licks ..........................................................................Charly Dannis Crazy Tongue ............................................................ Adama B. Jackson Bull .....................................................................
    [Show full text]