DOCSLIB.ORG

Feast Your Famine

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Feast Your Famine Feast Your Famine: a watch-and-play​ is an interactive five-night performance-and-social-action hybrid event, re-envisioning the legacy of the "hero" in Western culture from medieval knights to today and seeking to practice new realities in community. With possibilities for multi-day game play or a single night's experience, audiences can join a diverse body of artists and activists in a journey of boundary crossing, soul-troubling, and action through both avant garde and traditional performances and social-action events -- set inside the framework of a re-imagined medieval feast. For details on the schedule and the presenters, please visit the ​Feast Your Famine​ website and follow the event on Instagram @feastyourfamine. This event is a result of Wistaria Project's Re-Residency, in which we "re-gift" the Performing Artist Residency we received from The Center at West Park to an exciting diversity of performers and activists. Each Re-Resident will present their work on one night of the festival. The Re-Resident Cohort has worked together to devise First Night and Last Night -- the opening and closing of the feast -- with interactive, hybrid performance/events to bring us together to imagine, engage, and take action here and now. Wednesday, November 13. FIRST NIGHT​ ​An interactive event inside a re-invented, justice-oriented medieval “feast”, created by the Re-Residents. Songs. Poetry. Activities. Quests. Re-Residents Mz Aza Metric Eric Farber Dhira Rausch Hee Ran Lee Jace Valentine ​(​IntegrateNYC​) Kelsey Pyro Monica Carillo Timothy Craig Wistaria Project Zafi Dimitropoulou Liquid Courage ​written by ​ ​Kevin Green​ ​(Black Revolutionary Theater Workshop) Kevin Green is a Brooklyn-based actor/writer/producer. He co-founded the company with Heather Harvey. Mei​ by Kazuo Fukishima played by ​Kay Soricelli Thursday, November 14th commoning Text and Music / Performance by​ ​Eric Farber Directed by ​Andrew Neisler Projection Design by ​Maya Sharpe Sound Design by ​Eamon Goodman Dramaturgy of History by ​Daniel Wortel-London Sound Board Operator: ​Tristan O'Shea The Things We Conquer Waterwell Drama Program Class of 2020 A series of short pieces exploring the themes of Colonialism, Americanism, and The Hero’s Journey Devised and Directed by the Ensemble Featuring: Sara Arce, Miguel Batista, Emma Burns, Jerdan De Guzman, Julia Dec, Isabella Friedman, Julia Grzyb, Grace Isaacs, Miranda Jackel, Grace Kilgallen, Bianca Koniuk, Alice Kris, Fiona Lopez, Mary- Kate Mahaney, Jessa Moverman, Victoria Muniz, Jasper Newell, Josi Oz, Jude Packer, Sadie Parker, Julia Petrova, Jude Rollinson, Rebecca Sullivan, Chris Sumpter, Sarah Tie, and Sarah Weitzman About the Waterwell Drama Program: The Waterwell Drama Program is NYC’s premiere training ground for young artists, innovators and leaders. Founded in 2002 by Arian Moayed and Tom Ridgely, Waterwell has been nominated for three IT Awards, a Drama Desk, a New York Magazine Culture Award and a Village Voice Best of NYC. Since 2003, Waterwell has offered structured classes in collaborative playmaking, or “devising”, the process by which the ensemble develops its material. This training addresses the student-artist holistically and demands you develop both as an interpreter and as a creator. Voice and movement work connects with scene study and theatre history; interpretation is exercised alongside original creation; and Everything is designed to be in dialog with what’s going on outside the classroom – in your home, community and the world at large. Waterwell has provided the Theater Arts and Drama programs at the Professional Performing Arts School since 2010. In partnership they deliver top-quality, year-round, in-school theater training to over 200 6-12th graders, absolutely free of charge. In addition to two-hours of class daily in Acting, Movement, Voice & Speech and Theater History/Literature, each grade also completes a rehearsal/performance project helmed by outside professional artists. This sequence culminates in the senior year with a new play commissioned for the class (New Works Lab) and an original Devising project that tours to area public schools and teen centers. Our mission is to create an environment that fosters Excellence, Engagement and Empathy and prepares students to become world-class leaders and collaborators in whatever field they choose to pursue. Conversation with youth activists ​Jace Valentine and Dekalia Wilson of IntegrateNYC​ and members of T​ eens Take Charge Friday, November 15th, 4:15-6:15pm & 7:30pm -10:30pm @4:14-6:15 The Space Between the Letters Facilitated by​ Claire Moodey, Nicolas Noreña, Jonelle Robinson, Paul “P-Funk” Stallings, ​and ​Eva von Schweinitz Conceived in collaboration with ​Lanxing Fu, Jonah Rosenberg, ​and​ Violet Asmara Tafari This workshop is led by a group of artists who have investigated the subject of literacy over the past two years. Originally, the project took the shape of a participatory performance which has been presented at the Public Theater’s Under the Radar Festival, HERE Arts Center, and JACK Brooklyn. The workshop has grown out of the artists’ desire to engage in a more direct exchange with their audience. This fall, they have conducted workshops with adult students at Literacy Programs and Learning Centers in Brooklyn including BPL Learning Centers, Fifth Avenue Committee, YROADS, and in the Bronx at Lehman College. @7:30pm 我们不只是 / We Are More / ﻣﺎﺑﯿﺸﺘﺮﻫﺴﺘﯿﻢ / Somos Más a world premiere inspired by our stories Devised and Performed by the PTP Company Sol Ensemble: Carmen Barbosa, Sinny Feliz, Ursula Hellberg Kaid, Jiawen Hu, Chuk Obasi, Angie Regina, Yolanny Rodriguez, ​and ​Vida Tayebati Directed by ​Zafi Dimitropoulou Assistant Director: ​Stefania Bulbarella In a dystopian nation where people are forced to assimilate, six immigrants unite in secret to spark a joyful revolution. This multilingual performance runs approximately one hour and will be followed by a twenty-minute facilitated dialogue. This project is supported, in part, by public funds from the New York City Department of Cultural Affairs, City Council Member Ydanis Rodriguez, and the Howard Gilman Foundation. Rooted in Upper Manhattan, ​People's Theatre Project​ ​(PTP) is an arts and social justice organization that creates ensemble-based theatre with and for immigrant communities to develop generations of diverse, socially-engaged artists and leaders. Zafi Dimitropoulou ​(PTP Artistic Director) is a Mexican Greek performer and Director. Born in Mexico, her parents decided to move to Greece when she was two years old, she started taking ballet classes and since then she never quit dancing. She has studied Political Sciences and Public Administration at the National and Kapodistrian University of Athens and Acting at the Greek Art Theatre Karolos Koun. During her third year of studies, she did an internship at the Troubleyn/ Jan Fabre company for the reenactment of two historical shows of the company in Antwerp, Belgium. Moving back to Greece, she has been part of many productions and has worked with several directors and ensembles. In 2013, the audience of ​all4fun​ voted for her as the best female actress of the year for her part in the play '​Pitsibourgo​ in the Argo Theater, directed by Babis Klaliotis. In 2017, she graduated from the M.F.A program in Physical Theatre from Dell'Arte International in Blue Lake, California where she was awarded a scholarship for her research in physical theater and new forms of community theater making. Mino Lora​ (PTP Executive Director): Born and raised in the Dominican Republic, Mino has been living and working as an artist, educator, activist and arts administrator in NYC since 2000. People’s Theatre Project is a true passion project for Mino and she takes a very hands-on approach to the work. Each of the programs the organization has developed began with her in the role of teaching artist.​ NBC Latino recognized Mino as one of 10 Latinos with Heart and she has been profiled by FoxNews Latino, NBC Latino, El Diario, Manhattan Times, Listin Diario, El Nacional and other newspaper and magazine publications in the US and abroad. Mino has participated as a panelist and guest speaker throughout New York City and was the international orator for the Women of Success 2014 conference in Santo Domingo, DR. Mino received her BA in English Literature and Theatre from Manhattanville College and her MA in Peace Studies and Conflict Transformation from the Graduate Institute. Execute By ​Kevin Green ​and ​Timothy Edward Craig MAKADEWIIYAASIKWE By ​Kelsey Pyro Created in residency with The Shed Open Call, Makadewiiyaasikwe is sound poem of Kelsey Pyro's original music and personal stories. Meaning, "a Black woman; a woman of African descent,” in the Ojibwe language, Makadewiiyaasikwe connects the history and healing process of Native American and African American people. This work premiered, live at The Shed, in June 2019.​ Saturday, November 16th Mosh-Pit Daisies​ ​— a realm of lost birds, a tree that got cut down, and Ronald’s horse who went awry. By ​Wistaria Project With ​Jeremy Goren, Jenna Kirk, Sarah Bitar, ​and ​Kay Soricelli a collage of ancient sacred texts, modern academic writing, “found” popular elements, and original material exploding the mythology of myths, dominant traditions’ suppression of elemental (often woman-centered) streams, U.S. living-history exhibitions, and contemporary gender/power dynamics. The Mountaintop By Katori Hall By ​Adreyauna Jean-Louis Antigone Assata Shakur Written and Directed by ​Jacqueline
Load more

Recommended publications
  • Encorethe Performing Arts Magazine Altria 2006 ~ Ext Wa \Le Eesllilal
    October 2006 2006 Next Wave Festival *~ ...."""......,...<... McDermott & McGough, THIS IS ONE OF OUR FAVORITE PAINTINGS, 1936/2005 BAM 2006 Next Wave Festival is sponsored by: ENCOREThe Performing Arts Magazine Altria 2006 ~ ext Wa \Le EeslliLaL Brooklyn Academy of Music Alan H. Fishman William I. Campbell Chairman of the Board Vice Chairman of the Board Karen Brooks Hopkins Joseph V. Melillo President Executive Producer presents Mycenaean Written and directed by Carl Hancock Rux Approximate BAM Harvey Theater running time: Oct 10, 12-14, 2006 at 7:30pm one hour and 30 minutes, Writer/director/music Carl Hancock Rux no intermission Lighting/sound design, co-video design Pablo N. Molina Co-video design, music, programming Jaco van Schalkwyk Mask design, co-scenic design Alison Heimstead Co-scenic design Efren Delgadillo Jr. Costume coordination Toni-Leslie James Dramaturgy Morgan Jeness BAM 2006 Next Wave Festival is sponsored by Altria Group, Inc. Music programming at BAM is made possible by a generous grant from The New York State Music Fund, established by the New York State Attorney General at Rockefeller Philanthropy Advisors. Leadership support for BAM Theater is provided by The Shubert Foundation, Inc., with major support from SHS Foundation, Francena T. Harrison Foundation Trust, Harold and Mimi Steinberg Charitable Trust; and additional support from Billy Rose Foundation, Inc. Mycenaeaol..--- _ Cast Carl Hancock Rux Racine/Hippolytus Helga Davis Arachne Patrice Johnson Aricia Tony Torn Daedalus David Barlow Video Documentarian Ana Perea Dream Theorist Darius Mannino Dreamer/Soldier/Phillippe Celia Gorman Dreamer/Naiad/Nathalie Christalyn Wright Dreamer/Naiad Marcelle Lashley Dreamer/NaiadlWoman Niles Ford Dreamer/Soldier/ Minotaur Paz Tanjuaquio Dreamer/Naiad Kelly Bartnik Dreamer/Naiad Production Producer Carl Hancock Rux Executive Producers Stephen M.
    [Show full text]
  • News of the Strange
    Target Margin Theater 232 52nd Street Brooklyn, NY 11220 718-398-3095 Targetmargin.org @targetmargin Founding Artistic Director: David Herskovits Associate Artistic Director: Moe Yousuf General Manager: Liz English Space Manager: Kelly Lamanna Arts Management Fellow: Frank Nicholas Poon Box Office Manager: Lorna I. Pérez Financial Consultants: Michael Levinton, Patty Taylor Graphic Designer: Maggie Hoffman Interns: Sarah McEneaney, Matt Hunter Press Representation: John Wyszniewski/Everyman Agency BOARD OF DIRECTORS NEWS OF THE Hilary Alger, Matt Boyer, David Herskovits, Dana Kirchman, Kate Levin, Matt McFarlane, Jennifer Nadeau, Adam Weinstein, Amy Wilson. STRANGE LAB ABOUT US Target Margin is an OBIE Award-winning theater company that creates innovative productions of classic plays, and new plays inspired by history, literature, and other art forms. In our new home in Sunset Park we energetically expand the possibilities of live performance, and engage our community at all levels through partnerships and programs. TMT PROGRAMS INSTITUTE The Institute is a year-long fellowship (January – December) that provides five diverse artists space, support and a $1,000 stipend to challenge themselves and their art-making practice. 2019 Fellows: Sarah Dahnke, Mashuq Mushtaq Deen, Yoni Oppenheim, Gabrielle Revlock, and Sarah K. Williams. ARTISTS-IN-RESIDENCE The Artist Residency Program provides established, mid-career and emerging artists up to 100 hours of dedicated rehearsal and developmental space. Each residency is shaped to meet the specific needs of each artist and will include a work-in-progress free to the public. 2019 Artists-in-Residence: Tanisha Christie, Jesse Freedman, Sugar Vendil, Deepali Gupta, Sarah Hughes, and Chana Porter. SPACE RENTALS THE DOXSEE THEATER Our SPACE program provides long term / short term studio nd space for all artists to gather and engage in their creative / 232 52 Street, BK 11220 cultural practices.
    [Show full text]
  • View the Program!
    cast EDWARD KYNASTON Michael Kelly v Shea Owens 1 THOMAS BETTERTON Ron Loyd v Matthew Curran 1 VILLIERS, DUKE OF BUCKINGHAM Bray Wilkins v John Kaneklides 1 MARGARET HUGHES Maeve Höglund v Jessica Sandidge 1 LADY MERESVALE Elizabeth Pojanowski v Hilary Ginther 1 about the opera MISS FRAYNE Heather Hill v Michelle Trovato 1 SIR CHARLES SEDLEY Raùl Melo v Set in Restoration England during the time of King Charles II, Prince of Neal Harrelson 1 Players follows the story of Edward Kynaston, a Shakespearean actor famous v for his performances of the female roles in the Bard’s plays. Kynaston is a CHARLES II Marc Schreiner 1 member of the Duke’s theater, which is run by the actor-manager Thomas Nicholas Simpson Betterton. The opera begins with a performance of the play Othello. All of NELL GWYNN Sharin Apostolou v London society is in attendance, including the King and his mistress, Nell Angela Mannino 1 Gwynn. After the performance, the players receive important guests in their HYDE Daniel Klein dressing room, some bearing private invitations. Margaret Hughes, Kynaston’s MALE EMILIA Oswaldo Iraheta dresser, observes the comings and goings of the others, silently yearning for her FEMALE EMILIA Sahoko Sato Timpone own chance to appear on the stage. Following another performance at the theater, it is revealed that Villiers, the Duke of Buckingham, has long been one STAGE HAND Kyle Guglielmo of Kynaston’s most ardent fans and admirers. SAMUEL PEPYS Hunter Hoffman In a gathering in Whitehall Palace, Margaret is presented at court by her with Robert Balonek & Elizabeth Novella relation Sir Charles Sedley.
    [Show full text]
  • Elevator Repair Service
    ELEVATOR REPAIR SERVICE ABRONS ARTS CENTER A CONVERSATION BETWEEN JOHN COLLINS AND KATE SCELSA Kate Scelsa: So, John! John Collins: Kate, you’ve worked as a company member with ERS for about sixteen years now…And it turns out that you were doing stealth research for all these years on what would be perfect parts to write for some of our actors. KS: This is going to sound very sentimental, but writing this play has really felt like a love letter to this company. So it’s that, combined with my very deep love for Edward Albee’s play and specifically for the character of Martha. JC: And it’s exciting for me because I’m getting to work with one of my favorite novelists, who wrote one of my favorite books of the past couple of years. KS: Thank you for that plug. JC: It also fits in really nicely with the shows you’ve worked on with us, taking another work of great American literature as a jumping off point. And looking at the parts you’ve played in ERS shows, there have been a lot of Marthas in your life. KS: I’ve always been very interested in whether or not embodying that kind of female rage could be seen as sympathetic. Even powerful. Or if those women just become the shrew. Which means their rage can be dismissed. JC: Well you take Martha, who’s an extreme character… KS: She doesn’t care what anyone thinks of her. But what are the consequences of that attitude? For most of Albee’s play we see Martha as this incredible feminist character, in that she and her husband are on equal footing, and that’s what makes it so fascinating to watch, and fun to play.
    [Show full text]
  • Annual Report
    EMPOWERING NEW YORK CITY GIRLS THROUGH THE ARTS ANNUAL REPORT SEPTEMBER 2014 — AUGUST 2015 vI E ANNUAL rEPOrT IDE SEPTEMBER 2014 — AUGUST 2015 INS DearAs you look viBeback on our Community, 2014-2015 fiscal year, I hope you will enjoy PROGRAMS reflecting on all of the progress viBe Theater Experience has made over these last twelve months. We are very proud to have served our girls through our unique and comprehensive programming 3-4 that provides them with the nurturing necessary to help them findB their individual voices and then courageously share those stories with all of us. VIBE GIRLS When I took the seat of Board Chair in September, my goal was to SPEAK build viBe’s internal capacity so that we are positioned to leverage all of our resources – human and fiscal – to best serve our girls. To that end, we welcomed new board members who have brought critical 5 professional and administrative skills to our governing efforts. We also brought in new volunteers to the viBenefit Committee who worked tirelessly to ensure that our annual fundraiser was once again a huge success. Finally, we instituted a new SPECIAL membership model designed to increase support and encourage our donors to stay EVENTS engaged with our work. As we enter into the 2015-2016 fiscal year, we look forward to continuing to provide meaningful and transformative opportunities for our viBe girls. As Chair, I also look forward 5-6 to building on the Board’s efforts; truly a “working board,” we will continue to strategically align our committee work to support and grow our fundraising and programming efforts.
    [Show full text]
  • BY ROBIN FROHARDT Wednesday, June 30 - Sunday, July 11, 2021 661 Imperial Street ART MATTERS NOW MORE THAN EVER
    Photo by Maria Baranova BY ROBIN FROHARDT Wednesday, June 30 - Sunday, July 11, 2021 661 Imperial Street ART MATTERS NOW MORE THAN EVER WELCOME TO UCLA’S CENTER FOR THE ART OF PERFORMANCE UCLA’s Center for the Art of Performance (CAP UCLA) is the public facing research and presenting organization for the performing arts at the University of California, Los Angeles—one of the world’s leading public research universities. We are housed within the UCLA School of the Arts & Architecture along with the Hammer and Fowler museums. The central pursuit of our work as an organization is to sustain the diversity of contemporary performing artists while celebrating their contributions to culture. We acknowledge, amplify and support artists through major presentations, commissions and creative development initiatives. Our programs offer audiences a direct connection to the ideas, perspectives and concerns of living artists. Through the lens of dance, theater, music, literary arts, digital media arts and collaborative disciplines, informed by diverse racial and cultural backgrounds, artists and audiences come together in our theaters and public spaces to explore new ways of seeing that expands our understanding of the world we live in now. cap.ucla.edu #CAPUCLA Photo by Tony Lewis CAP UCLA Presents BY ROBIN FROHARDT Wednesday, June 30 - Sunday, July 11, 2021 661 Imperial Street (DTLA) One store, two ways to experince, hundreds of bags Installation: (Duration 30 mins.) Tue-Fri 2:30PM-5PM (last entry 4:30 PM) Sat & Sun 12:30PM-2PM (last entry 1:30 PM) July 4: Closed July 5: Special hours 12PM-7PM (last entry 6:30 PM) Immersive Film Experience: (Duration 60 mins.) Tue-Fri 1PM & 6PM Sat & Sun 11AM, 3PM & 5PM July 4: Closed Recommended for Ages 12+ due to current health protocols MESSAGE FROM THE ARTIST Dear Most Valued Customers: It’s almost impossible for me to try to explain what it is you are about to experience and the journey it took to get here.
    [Show full text]
  • When Pipsy, a Pedigree Cocker Spaniel, Lands at Bitchfield Animal Shelter, She Becomes the Center of a Turf War Between Dogs & Cats
    LOCKED UP BITCHES by catya mcmullen featuring original music by scott allen klopfenstein directed + choreographed by michael raine performed by the bats FEBRUARY 21 – APRIL 28 wednesdays @ 7PM, thursdays @ 9PM fridays and saturdays @ 11PM TICKETS S15 THE FLEA THEATER NIEGEL SMITH, ARTISTIC DIRECTOR CAROL OSTROW, PRODUCING DIRECTOR PRESENTS THE WORLD PREMIERE OF LOCKED UP BITCHES BOOK AND LYRICS BY CATYA MCMULLEN FEATURING ORIGINAL MUSIC BY SCOTT ALLEN KLOPFENSTEIN DIRECTED AND CHOREOGRAPHED BY MICHAEL RAINE FEATURING THE BATS LACY ALLEN, LEILA BEN-ABDALLAH, XANDRA CLARK, CHARLY DANNIS, JANUCHI URE EGBUHO, PHILIP FELDMAN, KATHERINE GEORGE, ARIELLE GONZALEZ, ALICE GORELICK, ALEX HAYNES, CRISTINA HENRIQUEZ, TIFFANY IRIS, ADAMA B. JACKSON, JENNY JARNAGIN, MARCUS JONES, BRE NORTHRUP, EMMA ORME, JUAN “SKITTLEZ” ORTIZ, JEN PARKHILL, ALEXANDRA SLATER, RYAN WESLEY STINNETT, TANYAMARIA, XAVIER VELASQUEZ, KEITH WEISS, TAMARA WILLIAMS SCOTT ALLEN KLOPFENSTEIN MUSIC DIRECTOR AND ARRANGER KERRY BLU CO-MUSIC DIRECTOR YU-HSUAN CHEN SCENIC AND PROPERTIES DESIGNER EVA JAUNZEMIS COSTUME DESIGNER JONATHAN COTTLE LIGHTING DESIGNER MEGAN DEETS CULLEY SOUND DESIGNER KIMILLE HOWARD AssISTANT DIRECTOR CODY HOM STAGE MANAGER CAST Pipsy ..................................................................................Emma Orme All-Licks ..........................................................................Charly Dannis Crazy Tongue ............................................................ Adama B. Jackson Bull .....................................................................
    [Show full text]
  • Allison Leyton Allison Leyton-Brown
    Allison Leyton-Brown M.F.A., Tisch School of the Arts, NYU – Music Theatre Writing Program (Composition) B.F.A., Concordia University, Montréal – Interdisciplinary Fine Arts F I L M / T V S C O R E S . Episode score and songs for Peg + Cat for PBS. 2013 . Misc. music for 20/20, The Good Wife, Primetime, Good Morning America, ABC’s What Would You Do?, Nightline, Katie, The Nate Berkus Show, etc. Staff writer for 4 Elements Music. ’10 – present. The Bicycle (13 min.) Dramatic short. NY Film Festival, dir. Kari Riely. ’13. Rainy Season (25 min.) Documentary film. Screenings across the US and Europe, dir. Joan Widdenfield. ’11. Meet My Boyfriend (12 min.) Comedy short, dir. J. Ruocco, Manhattan Film Fest. ’11. Little Miss Perfect (series) for WE Network.’09 – ’10. The Cooking Loft (theme) for The Food Network. ’08. Custody (90 min.) Television film for Lifetime TV Network. Score selections. ’07. Millions: A Lottery Story (101 min) Documentary feature, dir. Paul LaBlanc, Palm Beach International Film Fest. Official Selection.’07. Head Case (85 min) Dark comedy feature, dir. M. Wakefield, Rio de Janeiro MIX Festival ’05 & New York City MIX Fest.’03. History of the Movies (1 min) dir. S. Donsky, Coca Cola Young Directors’ Competition National Finalist.’04. The Rest (10 min) dir. D. Franco, RIP Fest. NYC ’03. Dog’s Life (90 min) Dramatic feature, dir. J. Knapich, Telluride Film Festival, Brooklyn Underground Film Fest. ’02. T H E A T R E S C O R E S The Narrowing; recorded instrumental score for 2 pianos, cello & violin, produced by Archipelago Theatre, NC.
    [Show full text]
  • Download Program
    THE FLEA THEATER NIEGEL SMITH ARTISTIC DIRECTOR CAROL OSTROW PRODUCING DIRECTOR PRESENTS THE WORLD PREMIERE OF THE PLACE WE BUILT WRITTEN BY SARAH GANCHER DIRECTED BY DANYA TAYMOR FEATURING THE BATS BRITTANY K. ALLEN, LYDIAN BLOSSOM, TOM COSTELLO, BRENDAN DALTON, TAMARA DEL ROSSO, PHILIP FELDMAN, KRISTIN FRIEDLANDER, CLEO GRAY, RACHEL INGRAM, BEN LORENZ, ASH MCNAIR, SONIA MENA, ISABELLE PIERRE, XAVIER REMINICK, LETA RENÉE-ALAN, TESSA HOPE SLOVIS THE BENGSONS ARRANGEMENTS/MUSIC CONSULTANTS ARNULFO MALDONADO & FELI LAMEncA SCENIC DESIGN MASHA TSIMRING LIGHTING DESIGN CLAUDIA BROWN COSTUME DESIGN BEN TRUPPIN-BROWN SOUND DESIGN MARTE JOHAnnE EKHOUGEN PUPPET DESIGN ZACH SERAFIN PROPS MASTER ALEX J. GOULD FIGHT CHOREOGRAPHY JOCELYN CLARKE DRAMATURG CHARISE GREENE VOICE/DIALECT COACH BECKY HEISLER ASSOCIATE LIGHTING DESIGN IzzY FIELds COSTUME ASSISTANT JAKE BECKHARD ASSISTANT DIRECTOR TZIPORA REMAN STAGE MANAGER KAILA HILL ASSISTANT STAGE MANAGER BRADLEY MEAD/WIIDE GRAPHIC DESIGNER RON LASKO/SPIN CYCLE PRESS REPRESENTATIVE CAST Aniko ..........................................................................Leta Renée-Alan Julia ......................................................................................Cleo Gray Kata ....................................................................... Kristin Friedlander Szuszanna ................................................................... Lydian Blossom Aisha ............................................................................ Isabelle Pierre Ilona .........................................................................Tamara
    [Show full text]
  • Full Cast & Credits
    DANSPACEPROJECT40 YOU MAKE THE DIFFERENCE. Help us celebrate 40 years of Danspace Project! Donate at danspaceproject.org/supportjoin ABOUT DANSPACE PROJECT Founded in 1974, Danspace Project presents new work in dance, supports a diverse range of choreographers in developing their work, encourages experimentation, and connects artists to audiences. Now in its fourth decade, Danspace Project has supported a vital community of contemporary dance artists in an environment unlike any other in the United States. Located in the historic St. Mark’s Church in-the-Bowery, Danspace shares its facility with the Church, The Poetry Project, and New York Theatre Ballet. Danspace Project’s Commissioning Initiative has commissioned over 450 new works since its inception in 1994. Danspace Project’s Choreographic Center Without Walls (CW²) provides context for audiences and increased support for artists. Our presentation programs (including Platforms, Food for Thought, DraftWork), Commissioning Initiative, residencies, guest artist curators, and contextualizing activities and materials are core components of CW² offering a responsive framework for artists’ works. Since 2010, we have produced eight Platforms, published eight print catalogues and five e-books, launched the Conversations Without Walls discussion series, and explored models for public discourse and residencies. FOLLOW US! Facebook: Danspace Project Instagram: DanspaceProject Twitter: @DanspaceProject Tumblr:danspaceproject.tumblr.com www.danspaceproject.org BE FIRST. Join us in celebrating 40
    [Show full text]
  • Visibly Vibrant Visibly Noticed Vibrant Diverse Neighborhood
    VISIBLY VIBRANT VISIBLY NOTICED VIBRANT DIVERSE NEIGHBORHOOD Hudson Square: One of Manhattan’s most historic yet up-and-coming neighborhoods Borders: TriBeCa, SoHo and Greenwich Village Rezoning Initiative: With the imminent rezoning of Hudson Square, the neighborhood is on the brink of a transformative moment, which will encourage its evolution into a 24/7 mixed use market. Once approved, the rezoning will allow for a burst of residential development, to include the following: • Potential for the addition of 3,500+ residential units over the next 10 years. • Residential occupancy will be boosted from 4% to 25%. • 429-foot tall residential tower, including a 420-seat school, at Canal Street and Sixth Avenue. • Site at 78-86 King Street slated for residential redevelopment is 40,000 sf with an additional 160,000 sf of air rights. KEY OFFICE TENANTS HUDSON SQUARE STATISTICS 335,000 SF 82,844 SF 2,363,853 SF Daytime Population 50,000 2012 Average Household Income $129,516 GLOBAL HEADQUARTERS 372,382 SF 237, 270 S F Number of Businesses 1,477 Number of Office Workers 26,098 Total Office Square Footage10.25 Million SF Annual Ridership A C Spring Street 3,589,809 Annual Ridership 1 Houston Street 4,225,089 271,940 SF 22,115 SF 316,594 SF 1,014 Hotel Rooms within 2 Blocks 721,171 SF 168,000 SF 225,474 SF PREMISES Ground Floor: North Retail 11,942 SF South Retail 3,357 SF Basement: Space A: 1,219 SF Space C: 1,019 SF Space D: 2,685 SF Space F: 424 SF CEILING HEIGHTS Ground Floor North Retail Ground: 16’ 3” – 18’ 3” South Retail Ground: 15’ Basement: 10’ 6” FRONTAGE North Retail: 64’ on Hudson St Outdoor Seating Basement 154’ on Charlton St Available South Retail: A 64’ on Hudson St 50’ on Vandam St POSSESSION C E B Immediate F North Retail LA Colombe TERM 11,942 SF Street Charlton StreetVandam Vandam Street Vandam Charlton Street Charlton Long-term D DIVISIONS Hudson Street Logical Divisions Considered ASKING RENT Office Building Lobby South Retail 3,357 SF Upon Request Hudson Street W 4TH ST BA RROW ST COMMERCE ST WA SHINGTON ST MORTON ST PL ’S BEDFORD ST ST.
    [Show full text]
  • R. LUKE Dubois B.1975, Morristown, NJ Lives and Works in New York, NY
    R. LUKE DuBOIS b.1975, Morristown, NJ Lives and works in New York, NY R. Luke DuBois is a multidisciplinary artist, whose practice spans visual art, computer programming, musical composition and performance, and record producing. Throughout, he explores the temporal, verbal, and visual structures of cultural ephemera. Recently the subject of the solo exhibition Now, DuBois's work has been exhibited at the Orange County Museum of Art, Newport Beach, CA; San Jose Museum of Art, San Jose, CA; the Aspen Institute, Aspen, CO; Boulder Museum of Contemporary Art, Boulder, CO; National Portrait Gallery, Washington, D.C.; Smithsonian American Art Museum, Washington, D.C.; John and Mable Ringling Museum of Art, Sarasota, FL; Ulrich Museum of Art, Wichita, KS; Bowdoin College Museum of Art, Brunswick, ME; Weisman Art Museum, Minneapolis, MN; Cleveland Museum of Contemporary Art, Cleveland, OH; National Constitution Center, Philadelphia, PA; the Sundance Film Festival, Park City, UT; The Lowry, Manchester, England; The Whitworth Art Gallery, Manchester, England; transmediale, Berlin, Germany; Institut Valencià d'Art Modern, Valencia, Spain; Daelim Museum, Seoul, South Korea; and Haus der elektronischen Künste (HeK), Basel, Switzerland, among other venues. His series Hindsight is Always 20/20 was featured at the 2008 Democratic National Convention in Denver, CO. In February 2016, he participated in TED, presenting a talk on his “Insightful human portraits made from data.” DuBois is the co-author of Jitter, a software suite for the real-time manipulation of matrix data developed by San Francisco- based software company Cycling'74. He appears on nearly twenty-five albums both individually and as part of the avant-garde electronic group The Freight Elevator Quartet.
    [Show full text]