Hudson Square Connection Annual Report 2016
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Feast Your Famine
Feast Your Famine: a watch-and-play is an interactive five-night performance-and-social-action hybrid event, re-envisioning the legacy of the "hero" in Western culture from medieval knights to today and seeking to practice new realities in community. With possibilities for multi-day game play or a single night's experience, audiences can join a diverse body of artists and activists in a journey of boundary crossing, soul-troubling, and action through both avant garde and traditional performances and social-action events -- set inside the framework of a re-imagined medieval feast. For details on the schedule and the presenters, please visit the Feast Your Famine website and follow the event on Instagram @feastyourfamine. This event is a result of Wistaria Project's Re-Residency, in which we "re-gift" the Performing Artist Residency we received from The Center at West Park to an exciting diversity of performers and activists. Each Re-Resident will present their work on one night of the festival. The Re-Resident Cohort has worked together to devise First Night and Last Night -- the opening and closing of the feast -- with interactive, hybrid performance/events to bring us together to imagine, engage, and take action here and now. Wednesday, November 13. FIRST NIGHT An interactive event inside a re-invented, justice-oriented medieval “feast”, created by the Re-Residents. Songs. Poetry. Activities. Quests. Re-Residents Mz Aza Metric Eric Farber Dhira Rausch Hee Ran Lee Jace Valentine (IntegrateNYC) Kelsey Pyro Monica Carillo Timothy Craig Wistaria Project Zafi Dimitropoulou Liquid Courage written by Kevin Green (Black Revolutionary Theater Workshop) Kevin Green is a Brooklyn-based actor/writer/producer. -
Encorethe Performing Arts Magazine Altria 2006 ~ Ext Wa \Le Eesllilal
October 2006 2006 Next Wave Festival *~ ...."""......,...<... McDermott & McGough, THIS IS ONE OF OUR FAVORITE PAINTINGS, 1936/2005 BAM 2006 Next Wave Festival is sponsored by: ENCOREThe Performing Arts Magazine Altria 2006 ~ ext Wa \Le EeslliLaL Brooklyn Academy of Music Alan H. Fishman William I. Campbell Chairman of the Board Vice Chairman of the Board Karen Brooks Hopkins Joseph V. Melillo President Executive Producer presents Mycenaean Written and directed by Carl Hancock Rux Approximate BAM Harvey Theater running time: Oct 10, 12-14, 2006 at 7:30pm one hour and 30 minutes, Writer/director/music Carl Hancock Rux no intermission Lighting/sound design, co-video design Pablo N. Molina Co-video design, music, programming Jaco van Schalkwyk Mask design, co-scenic design Alison Heimstead Co-scenic design Efren Delgadillo Jr. Costume coordination Toni-Leslie James Dramaturgy Morgan Jeness BAM 2006 Next Wave Festival is sponsored by Altria Group, Inc. Music programming at BAM is made possible by a generous grant from The New York State Music Fund, established by the New York State Attorney General at Rockefeller Philanthropy Advisors. Leadership support for BAM Theater is provided by The Shubert Foundation, Inc., with major support from SHS Foundation, Francena T. Harrison Foundation Trust, Harold and Mimi Steinberg Charitable Trust; and additional support from Billy Rose Foundation, Inc. Mycenaeaol..--- _ Cast Carl Hancock Rux Racine/Hippolytus Helga Davis Arachne Patrice Johnson Aricia Tony Torn Daedalus David Barlow Video Documentarian Ana Perea Dream Theorist Darius Mannino Dreamer/Soldier/Phillippe Celia Gorman Dreamer/Naiad/Nathalie Christalyn Wright Dreamer/Naiad Marcelle Lashley Dreamer/NaiadlWoman Niles Ford Dreamer/Soldier/ Minotaur Paz Tanjuaquio Dreamer/Naiad Kelly Bartnik Dreamer/Naiad Production Producer Carl Hancock Rux Executive Producers Stephen M. -
News of the Strange
Target Margin Theater 232 52nd Street Brooklyn, NY 11220 718-398-3095 Targetmargin.org @targetmargin Founding Artistic Director: David Herskovits Associate Artistic Director: Moe Yousuf General Manager: Liz English Space Manager: Kelly Lamanna Arts Management Fellow: Frank Nicholas Poon Box Office Manager: Lorna I. Pérez Financial Consultants: Michael Levinton, Patty Taylor Graphic Designer: Maggie Hoffman Interns: Sarah McEneaney, Matt Hunter Press Representation: John Wyszniewski/Everyman Agency BOARD OF DIRECTORS NEWS OF THE Hilary Alger, Matt Boyer, David Herskovits, Dana Kirchman, Kate Levin, Matt McFarlane, Jennifer Nadeau, Adam Weinstein, Amy Wilson. STRANGE LAB ABOUT US Target Margin is an OBIE Award-winning theater company that creates innovative productions of classic plays, and new plays inspired by history, literature, and other art forms. In our new home in Sunset Park we energetically expand the possibilities of live performance, and engage our community at all levels through partnerships and programs. TMT PROGRAMS INSTITUTE The Institute is a year-long fellowship (January – December) that provides five diverse artists space, support and a $1,000 stipend to challenge themselves and their art-making practice. 2019 Fellows: Sarah Dahnke, Mashuq Mushtaq Deen, Yoni Oppenheim, Gabrielle Revlock, and Sarah K. Williams. ARTISTS-IN-RESIDENCE The Artist Residency Program provides established, mid-career and emerging artists up to 100 hours of dedicated rehearsal and developmental space. Each residency is shaped to meet the specific needs of each artist and will include a work-in-progress free to the public. 2019 Artists-in-Residence: Tanisha Christie, Jesse Freedman, Sugar Vendil, Deepali Gupta, Sarah Hughes, and Chana Porter. SPACE RENTALS THE DOXSEE THEATER Our SPACE program provides long term / short term studio nd space for all artists to gather and engage in their creative / 232 52 Street, BK 11220 cultural practices. -
Leading the Way in Life Sciences Innovation
LEADING THE WAY IN LIFE SCIENCES INNOVATION JANUARY 2021 1 LifeSci NYC: Leading the Way in Life Sciences Innovation OUR VISION: HEALTHIER COMMUNITIES, A STRONGER ECONOMY With its deep and diverse talent pool, network of premier academic medical centers, lab space, and access to National Institutes of Health and venture funding, New York City has emerged as a major center of life sciences innovation. What started as a hub of biomedical research, clinical care, and commercial biotech firms on the East Side of Manhattan has evolved to become a citywide ecosystem, with neighborhood-based clusters that each make a distinctive contribution to the city’s growing life sciences sector. 2 LifeSci NYC: Leading the Way in Life Sciences Innovation Now is the time to build on these strengths and invest in the spaces, companies, and talent that will create life-saving cures and treatments, while catalyzing new economic opportunities for the people of this city. Over the next decade, Over 3M square feet of additional life sciences space, the City will nurture the including specialized facilities to prepare early-stage development of a thriving discoveries for commercialization, incubator space for life sciences industry startups, and space for expanding biotech companies by investing in: to continue to grow in NYC 100 new startup companies that will drive the development of small molecules, biologics, vaccines, gene therapies, and cell therapies—addressing high unmet medical needs These investments Thousands of new jobs in an industry where 50 percent will lead to: of jobs do not require a bachelor’s degree Dozens of new cures and treatments to keep New Yorkers safe and healthy 3 LifeSci NYC: Leading the Way in Life Sciences Innovation OUR BUILDING BLOCKS: TALENT, INSTITUTIONS, AND INFRASTRUCTURE New York City is home to a deep and diverse talent pool, premier academic and medical institutions, and the widest and most varied healthcare-delivery infrastructure of any place in the world. -
Walkup Wake-Up Call: New York © the George Washington University School of Business 2017 3 Introduction
By Christopher B. Leinberger & Patrick Lynch The George Washington University School of Business Christopher B. Leinberger, Michael Rodriguez & Tracy Loh By CENTER FOR REAL ESTATE & URBAN ANALYSIS THE GEORGE WASHINGTON UNIVERSITY SCHOOL OF BUSINESS 1 Table of Contents I. INTRODUCTION .......................................... 4 Executive Summary........................................... 5 II. LAND USE DEFINED ....................................... 8 A New Lens for Understanding the Tri-State Region ................. 9 Form Meets Function ......................................... 10 Methodology................................................ 12 The Eight Types of WalkUPs.................................... 15 III. LAND USE IN METRO NEW YORK .......................... 21 Maps: Where the WalkUPs Are in the Tri-State Region .............. 22 Geographic Findings .......................................... 25 Product Findings ............................................. 26 Findings in Real Estate Trends................................... 30 IV. WALKUP PERFORMANCE & RANKINGS .................... 31 Economic Performance ........................................ 32 Economic Rankings ........................................... 39 Social Equity Performance ..................................... 41 Social Equity Rankings ........................................ 50 V. FUTURE WALKUPS ........................................ 53 Emerging & Potential WalkUPs ................................. 54 VI. NEXT STEPS ............................................. -
View the Program!
cast EDWARD KYNASTON Michael Kelly v Shea Owens 1 THOMAS BETTERTON Ron Loyd v Matthew Curran 1 VILLIERS, DUKE OF BUCKINGHAM Bray Wilkins v John Kaneklides 1 MARGARET HUGHES Maeve Höglund v Jessica Sandidge 1 LADY MERESVALE Elizabeth Pojanowski v Hilary Ginther 1 about the opera MISS FRAYNE Heather Hill v Michelle Trovato 1 SIR CHARLES SEDLEY Raùl Melo v Set in Restoration England during the time of King Charles II, Prince of Neal Harrelson 1 Players follows the story of Edward Kynaston, a Shakespearean actor famous v for his performances of the female roles in the Bard’s plays. Kynaston is a CHARLES II Marc Schreiner 1 member of the Duke’s theater, which is run by the actor-manager Thomas Nicholas Simpson Betterton. The opera begins with a performance of the play Othello. All of NELL GWYNN Sharin Apostolou v London society is in attendance, including the King and his mistress, Nell Angela Mannino 1 Gwynn. After the performance, the players receive important guests in their HYDE Daniel Klein dressing room, some bearing private invitations. Margaret Hughes, Kynaston’s MALE EMILIA Oswaldo Iraheta dresser, observes the comings and goings of the others, silently yearning for her FEMALE EMILIA Sahoko Sato Timpone own chance to appear on the stage. Following another performance at the theater, it is revealed that Villiers, the Duke of Buckingham, has long been one STAGE HAND Kyle Guglielmo of Kynaston’s most ardent fans and admirers. SAMUEL PEPYS Hunter Hoffman In a gathering in Whitehall Palace, Margaret is presented at court by her with Robert Balonek & Elizabeth Novella relation Sir Charles Sedley. -
Elevator Repair Service
ELEVATOR REPAIR SERVICE ABRONS ARTS CENTER A CONVERSATION BETWEEN JOHN COLLINS AND KATE SCELSA Kate Scelsa: So, John! John Collins: Kate, you’ve worked as a company member with ERS for about sixteen years now…And it turns out that you were doing stealth research for all these years on what would be perfect parts to write for some of our actors. KS: This is going to sound very sentimental, but writing this play has really felt like a love letter to this company. So it’s that, combined with my very deep love for Edward Albee’s play and specifically for the character of Martha. JC: And it’s exciting for me because I’m getting to work with one of my favorite novelists, who wrote one of my favorite books of the past couple of years. KS: Thank you for that plug. JC: It also fits in really nicely with the shows you’ve worked on with us, taking another work of great American literature as a jumping off point. And looking at the parts you’ve played in ERS shows, there have been a lot of Marthas in your life. KS: I’ve always been very interested in whether or not embodying that kind of female rage could be seen as sympathetic. Even powerful. Or if those women just become the shrew. Which means their rage can be dismissed. JC: Well you take Martha, who’s an extreme character… KS: She doesn’t care what anyone thinks of her. But what are the consequences of that attitude? For most of Albee’s play we see Martha as this incredible feminist character, in that she and her husband are on equal footing, and that’s what makes it so fascinating to watch, and fun to play. -
Annual Report
EMPOWERING NEW YORK CITY GIRLS THROUGH THE ARTS ANNUAL REPORT SEPTEMBER 2014 — AUGUST 2015 vI E ANNUAL rEPOrT IDE SEPTEMBER 2014 — AUGUST 2015 INS DearAs you look viBeback on our Community, 2014-2015 fiscal year, I hope you will enjoy PROGRAMS reflecting on all of the progress viBe Theater Experience has made over these last twelve months. We are very proud to have served our girls through our unique and comprehensive programming 3-4 that provides them with the nurturing necessary to help them findB their individual voices and then courageously share those stories with all of us. VIBE GIRLS When I took the seat of Board Chair in September, my goal was to SPEAK build viBe’s internal capacity so that we are positioned to leverage all of our resources – human and fiscal – to best serve our girls. To that end, we welcomed new board members who have brought critical 5 professional and administrative skills to our governing efforts. We also brought in new volunteers to the viBenefit Committee who worked tirelessly to ensure that our annual fundraiser was once again a huge success. Finally, we instituted a new SPECIAL membership model designed to increase support and encourage our donors to stay EVENTS engaged with our work. As we enter into the 2015-2016 fiscal year, we look forward to continuing to provide meaningful and transformative opportunities for our viBe girls. As Chair, I also look forward 5-6 to building on the Board’s efforts; truly a “working board,” we will continue to strategically align our committee work to support and grow our fundraising and programming efforts. -
June 2019 Landmarks Resolutions
Carter Booth, Chair Antony Wong, Treasurer Daniel Miller, First Vice Chair Keen Berger, Secretary Susan Kent, Second Vice Chair Erik Coler, Assistant Secretary Bob Gormley, District Manager Community Board No. 2, Manhattan 3 Washington Square Village N EW YORK, NY 10012-1899 www.cb2manhattan.org P: 212-979-2272 F: 212-254-5102 E : [email protected] Greenwich Village v Little Italy v SoHo v NoHo v Hudson Square v Chinatown v Gansevoort Market June 21, 2019 Sarah Carroll, Chair NYC Landmarks Preservation Commission One Centre St., 9th Floor North New York, New York 10007 Dear Chair Carroll: At its Full Board meeting on June 20, 2019, Community Board #2, Manhattan (CB2, Man.) adopted the following resolution: 1. 43 Perry Street. - Application is to replace windows at the primary façade. Whereas: A. The facade was extensively altered prior to designation to a Dutch inspired style with a stained glass window on the ground floor and custom casement windows incorporating distinctive round stained glass elements on the upper floors; and B. The applicant presented evidence that the window with stained glass on the first floor can be restored while the existing casement windows on the upper floors are deteriorated to the extent that they are beyond repair; and C. The existing windows date from the 1948 pre-designation design, with custom made mullions fitted with round architectural stained glass in each section, and they are clearly integral to the design of building and in this respect are historic to the existing facade; and D. The proposal is to replace all of the windows with sliding style windows with considerably wider frames and “snap-in” mullions and is in no respect suitable for this building and the historic neighborhood; now Therefore be it resolved that CB2, Man. -
July 2019 SLA Licensing Resolutions
Carter Booth, Chair Antony Wong, Treasurer Daniel Miller, First Vice Chair Keen Berger, Secretary Susan Kent, Second Vice Chair Erik Coler, Assistant Secretary Bob Gormley, District Manager COMMUNITY BOARD NO. 2, MANHATTAN 3 W ASHINGTON SQUARE V ILLAGE N EW YORK, NY 10012-1899 www.cb2manhattan.org P: 212-979-2272 F: 212-254-5102 E : [email protected] Greenwich Village v Little Italy v SoHo v NoHo v Hudson Square v Chinatown v Gansevoort Market July 23, 2019 Director Licensing Issuance Division NY State Liquor Authority 317 Lenox Avenue New York, New York 10027 Dear Sir/Madam: At its Full Board meeting on July 18, 2019, Community Board #2, Manhattan (CB2, Man.) adopted the following resolution: 1. K&K Grand Corp., d/b/a SoHo Thai, 141 Grand St. 10013 (OP – Restaurant | Corporate Transfer) i. Whereas, applicant appeared before Community Board 2, Manhattan’s SLA Licensing committee to present an application for a corporate change to the existing restaurant wine license (SN 1278344) for their Thai cuisine restaurant located in a M1-5B zoned for-story, mixed-use 1920 building on Grand Street between Lafayette and Crosby Streets (block #233/ lot #12) in the NYC Landmarks Preservation Commission designated SoHo-Cast Iron Historic District; and, ii. Whereas, the interior 1-story premises are 1,350 sq. ft., and has a total of 15 tables with 46 seats and one service bar (no seats); and applicant has Letter of No Objection to use the space as a food and drinking establishment from the NYC Department of Buildings; and, iii. Whereas, the applicant signed and notarized a new stipulations agreement with CB2, Man. -
West Village Little Italy Noho Civic Center Chinatown Hudson Square
Neighborhood Map ¯ Bleecker Street 494 88 1 Bond Street E 2 Street 15 6 Avenue Anthology 95 Minetta Center for 1 Mercer 2 Avenue Green t Fiorello Film e 56 Architecture e Playground M15 t La Guardia r Washington 29 324 Archives Grove Street Father15 Demo t e SBS Statue 26 60 S e Square Extra Place Square a r Morton Street tt t Village Hudson Street Our Lady e 101 313 n S i 1 6 M15 n M 337 31 B 68 of Pompeii Bleecker Street 350 e a Church of d 652 f t Church v 464 o 5 i e Minetta l Barrow Street r l d Street Mercer Saint Luke re 30 S u t Triangle Broadway 28 M20 tr 27 228 Bleecker Street in the Fields e S S Culture 37 71 e Street Thompson t y Street MacDougal 2 336 4 ro Bleecker St Project 100 197 La Guardia Place Guardia La 198 Commerce Street e 231 189 177 163 147 123 113 212 77 73 29 L 53 E 1 Street Cherry 7 Avenue South Greenwich Street653 88 324 26 Lane Bleecker Street Bleecker Street Bleecker Street 14 30 41 Winston Bleecker Street Theatre Carmine Street 316 32 Churchill Avenue of the AmericasLittle Red Bowery 178 162 146 98 68 60 195 196 210 Square 171 Square 642 M20 Downing Street 36 M103 2 Av Playground La Guardia M103 452 Corner 100 Liz Christy Barrow Street 49 Gardens 39 Garden 455 Noho 102 43 278 257 Greenwich 28 M55 M55 296 69 51 Bedford Street M21 West 509 Silver Towers 294 33 Downing Street Chrystie Street 71 637 35 22 William F. -
The Case of New York City's Financial District
INFORMATION TECHNOWGY AND WORLD CITY RESTRUCTURING: THE CASE OF NEW YORK CITY'S FINANCIAL DISTRICT by Travis R. Longcore A thesis submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Honors Bachelor of Arts in Geography May 1993 Copyright 1993 Travis R. Longcore All Rights Reserved INFORMATION TECHNOWGY AND WORLD CITY RESTRUCTURING: THE CASE OF NEW YORK CITY'S FINANCIAL DISTRICT by Travis R. Longcore Approved: Peter W. Rees, Ph.D. Professor in charge of thesis on behalf of the Advisory Committee Approved: Robert Warren, Ph.D. Committee Member from the College of Urban Affairs Approved: Francis X. Tannian, Ph.D. Committee Member from the University Honors Program Approved: Robert F. Brown, Ph.D. Director, University Honors Program "Staccato signals of constant information, A loose affiliation of millionaires and billionaires and baby, These are the days of miracle and wonder. This is a long distance call. " Paul Simon, Graceland iii ACKNOWLEDGEMENTS The author would like to recognize and thank Dr. Peter Rees for his guidance on this project. Without the patient hours of discussion, insightful editorial comments, and firm schedule, this thesis would have never reached completion. The author also thanks the University Honors Program, the Undergraduate Research Program and the Department of Geography at the University of Delaware for their financial support. Many thanks are due to the Water Resources Agency for New Castle County for the use of their automated mapping system. IV TABLE OF CONTENTS LIST OFTABLES .................................... viii LIST OF FIGURES ix ABSTRACT ....................................... .. x Chapter 1 THE CITY IN A WORLD ECONOMY ...................